
This week on Relic Radio Thrillers, Obsession brings us its story from May 12, 1952, Faith Is The Evidence. Listen to more from Obsession https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/Thriller881.mp3 Download Thriller881 | Subscribe | Spotify | Support Relic Radio Thrillers
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John Carver
Foreign.
Host
Welcome back to Relic Radio Thrillers. This week we'll hear from Obsession, a CBS series of 78 episodes that aired from October of 1950 to May of 1952. Our story today is Faith Is the Evidence. This one aired May 12, 1952.
Narrator
Obsession. It is a strange paradox that oft times man becomes lost in a wilderness within the surge of teeming humanity. To be alone in a crowd is the greatest sorrow ever devised in heaven or hell. To be lost in a jungle or upon the great tundras. Is understandable and excusable. And there is always Polaris to lead one to the true North. But to be wandering in a peopled maze with a lonely mind. Is to be hopelessly enmeshed within a web designed by the spider which lays in wait for Barry Sullivan. In our story, Faith is the Evidence. A deadly spider known as Obsess. On the outskirts of a small Midwestern town. A train approached the railroad yard fast, coming in with stack steaming. It wasn't a sleek, fast moving passenger train. And the station master had no idea that there might be any passengers getting off. As a matter of fact, two men who did get off this train. Were not exactly traveling first class.
John Carver
We're coming in, John. I said we're coming in. We better get set to make tracks before the yard dig gets curious with a flashlight. Yeah, when we shake the dust off this rattler, we'd better split up until tomorrow night. Then we can meet down here in time to hop the east pound. Yeah, it wouldn't do for a couple of tramps to be seen together, would it? One guy out of a job and busted is enough. Two of them is just one too many for the citizens to stomach. Yeah. Okay, Marley. I'll see you tomorrow night. I'll take off here. That door's heavy. Well, I'll wait for you at the water tower, John. But don't be late. Okay. So long, Marley. And good luck on the handouts. Same back at you. So long. So long. Okay, buddy. Uh. Oh, wait a minute. Where do you think you're going, mister? Me? I. I don't know. But if I was to make a guess right now, I'd kind of say I'm probably heading for the city. Bastille. Ah.
Dr. Homestead
Where are you from, buddy?
John Carver
I don't know. I don't think I'm from any place. What do you mean? I mean, I'm from a lot of places. I'm just a guy that's broke, out of a job and trying to get along, that's all. You don't look or sound like a hobo, mister. No, no, no. You're too young to be tramping the roads.
Dr. Homestead
You don't talk like you did either.
John Carver
Sure, I went to school once, if that's what you mean. They even gave me an engraved sheepskin when I got through. One that proclaims in loud letters that I'm a Bachelor of arts. Are you trying to be smart with me, son? Smart? No, no, not me. I couldn't be smart if I wanted to, mister. Ask me a question and I answered it. And now we'd better get going, don't you think? You don't like being locked up, do you, son? No. No, I don't.
Dr. Homestead
I didn't think so.
John Carver
So maybe I. I didn't see you.
Dr. Homestead
Jump off that train.
John Carver
Oh, yeah? Maybe I was somewhere else. What's the catch?
Dr. Homestead
No catch, son. Except maybe it's Sunday morning. Maybe it's gonna be a nice day.
John Carver
And maybe you'd rather walk around in.
Dr. Homestead
The sunshine and sit on a jail cot.
Katherine Homestead
Maybe.
John Carver
Yeah, maybe I would.
Dr. Homestead
You better be out of town before.
John Carver
Tomorrow night, or I might have to.
Dr. Homestead
Run you in after all. You trot along before somebody else sees you.
John Carver
Okay? And thanks. You're pretty decent.
Dr. Homestead
Wait a minute. Yeah? You probably get breakfast up at the parsonage. Parsonage?
John Carver
Yeah. Yeah, you'll find it at Magnolian 3rd. Dr. Homestead's the Minister's name, and I.
Dr. Homestead
Don'T think he'll turn you down.
John Carver
Thanks. Thanks again, mister. I won't forget this.
Katherine Homestead
Yes?
John Carver
Oh, I. Yes, I didn't expect. I mean, well, I wanted to see Dr. Halstead.
Katherine Homestead
You mean Dr. Homestead, don't you?
John Carver
Homestead? Oh, yes, of course. I guess I do.
Katherine Homestead
Well, he's just having breakfast.
John Carver
Breakfast?
Katherine Homestead
Mm. But if it's important, I can call him.
John Carver
Oh, no, no, it's not important. I'll. I'll come back again and.
Dr. Homestead
Who is it, Katherine?
Katherine Homestead
Oh, father, it's a gentleman to see you.
Dr. Homestead
To see me? How do you do, sir?
John Carver
Good morning.
Dr. Homestead
Won't you come in?
John Carver
Well, I.
Dr. Homestead
Please do.
John Carver
Thank you.
Dr. Homestead
Now, then, what can I do for you?
John Carver
Well, I. I didn't mean to disturb you, doctor, but I. I was told. I mean, Well, I was told that maybe I could get breakfast here.
Dr. Homestead
Oh, breakfast.
John Carver
I haven't got any money to pay you for it, but if you've got a couple of odd jobs around here, I could do.
Dr. Homestead
Well, of course, my boy. Catherine, set another place at the table, will you?
Katherine Homestead
I will, father.
Dr. Homestead
And if you'd like to follow me, I'll show You where you can wash up a little?
John Carver
No, but I don't want to put you to any trouble. I mean, just a sandwich or something. I can eat it outside.
Dr. Homestead
I think it's always much nicer to sit down to a table, don't you? If you'll just come this way, son. I wonder if you'll forgive my rudeness, young man, but I have my sermon to finish and I must get to it. If you just remain comfortable and finish your breakfast, my daughter here will keep you company.
John Carver
Oh, well, I think I'd better be going.
Katherine Homestead
And leave all those lovely hot cakes?
John Carver
Oh, well, I could take them with me.
Dr. Homestead
You stay right where you are, my boy, and I'll see you later.
John Carver
Goodbye, doctor. Well.
Katherine Homestead
Some more syrup?
John Carver
Oh, please. Yes. Thank you.
Katherine Homestead
Tell me, Mr. Carville, what do you do? I mean, when you're working?
John Carver
Oh, I. I started out to be a writer.
Katherine Homestead
A writer? What sort of things did you write?
John Carver
A lot of tripe, Pollyanna stuff. I used to believe it, too.
Katherine Homestead
What do you mean?
John Carver
Oh, stuff like good fellowship, silver lining. It's always darkest just before dawn. It's a long road that has no turning.
Katherine Homestead
Well, what do you mean? You used to believe it. Don't you now?
John Carver
Nope.
Katherine Homestead
Why?
John Carver
Because it's not true.
Katherine Homestead
I think it is. So does my father.
John Carver
Oh, sure, being a minister, a man's got to believe it so as he can preach it. I guess people want to hear it preach, too. But that doesn't make it true.
Katherine Homestead
Why not?
John Carver
Well, there's a lot of things people want to hear about. How perfect everything is. That God is love, that there's beautiful sunshine everywhere. Well, they don't believe that stuff. How can they? Maybe they used to think it was a long road that doesn't turn, but they get kind of hungry and tired waiting for it to. And the silver lining hasn't shown up yet. They don't want to hear about God is love and faith and hope and all the rest. They want to hear how they can do something for themselves. And they'd be suckers for the first guy that came along, too. They'd believe anything that might help them. Maybe.
Katherine Homestead
But you say the word of God wouldn't help them. Isn't that what you mean, Mr. Carver?
John Carver
Look, Ms. Homestead, there are two subjects that I don't argue about. Politics and religion. I believe what I believe. You believe what you believe.
Katherine Homestead
All right. You prefer.
John Carver
Well, it sort of looks like I've done a pretty good job on my breakfast, doesn't it? And now maybe you could figure out A few little chores I could do to pay you.
Katherine Homestead
I can't think of any chores. But I'll tell you what you can do.
John Carver
Anything at all.
Katherine Homestead
Go to church with me this morning.
Dr. Homestead
Church?
Katherine Homestead
Listen to my father's sermon.
John Carver
Oh, well, I.
Katherine Homestead
Nobody will try to convert you. And I think that's the least you could do to thank my father, to listen to what he has to say. He's rather a good speaker.
John Carver
Uh huh.
Katherine Homestead
Will you?
John Carver
Well, that's what you want me to do. I guess I can stand it.
Dr. Homestead
Thanks, Mr.
Katherine Homestead
Car. And after church you can come back and have lunch with us.
Dr. Homestead
And in conclusion, may I leave you with these few thoughts that carry with them so much hope and faith and promise of the eternal future. They are indeed beatitudes of strength. Blessed are they who hunger and thirst after righteousness, for they shall be filled. Blessed are they who mourn, for they shall be comforted. And blessed are they who are meek, for they shall inherit the earth. And in these words of everlasting truth and promise, seek ye the comfort of life and of life beyond. Amen.
Katherine Homestead
You please sit here, Mr. Carville. I'll have lunch on in a moment. Of course, it won't be very fancy.
John Carver
Look, I'm afraid I'm overdoing it just a little bit, don't you think? I mean, after all, breakfast and.
Dr. Homestead
Well, I think nothing of it, my boy. We enjoy having a guest. We don't have very many, you know, so we're really taking advantage of you. Not you, of us.
John Carver
Well, that's very kind of you, sir.
Dr. Homestead
How did you like my sermon this morning, Mr. Carvel?
John Carver
Your sermon?
Katherine Homestead
I don't think Mr. Carver liked it very well, Father.
Dr. Homestead
Why not?
John Carver
Well now, I didn't say that.
Dr. Homestead
Mr.
Katherine Homestead
Carver believes that sermons should be more practical. Faith and hope are too flimsy to help much.
John Carver
Well, I.
Katherine Homestead
Isn't that what you said, Mr. Carver?
John Carver
Well, yes, maybe it is.
Dr. Homestead
Why, my boy.
John Carver
Well, I guess your sermon was all right this morning, Doctor. Homestead. Things that people want to hear. I mean, people that only come to church to solve their conscience. The ones that don't need any help to begin with.
Dr. Homestead
Don't they, Mr. Carvel?
John Carver
Well, maybe spiritual help, I guess, but I'm talking about the kind of sermon that would really help people. Why, I'll bet I could preach a sermon that wouldn't even leave standing room. I'd tell them a few things. A few things that might help right now so they wouldn't have to wait until they went into the next world. Things that might begin to fill up that emptiness that people feel when they're down and out. When they're discouraged and everything's a mess. Yeah, that's what I do. If I were a minister.
Dr. Homestead
That sounds very interesting, my boy.
John Carver
If you could do it. Of course I could do it. I think I know what people want. I mean, really want.
Dr. Homestead
We're having a meeting at the church Tuesday night. Supposing you preach the sermon, Mr. Carvel.
John Carver
Priestless? Oh, no, no, I couldn't do that. Besides, I won't even be here Tuesday.
Katherine Homestead
Have you someplace definite to go, Ms. Carver?
John Carver
Well, no, not exactly, but.
Katherine Homestead
Then why couldn't you stay until Tuesday?
John Carver
Well, I. I should like to hear.
Dr. Homestead
That sermon, my boy.
John Carver
Oh, no, Doctor, I. I think Mr.
Katherine Homestead
Carver was just talking.
Dr. Homestead
Joking.
Katherine Homestead
I don't think he meant what he said.
John Carver
Of course I meant what I said.
Katherine Homestead
And why don't you prove it? Who is my father? Act.
John Carver
Well, because I.
Dr. Homestead
Because why, my boy?
John Carver
Well, I. All right, all right. I will do it. Maybe I was just talking to hear myself talk. But I'd like to prove whether I'm right or not. And if I am, I'll stay. Dr. Halmstead. On Tuesday night.
Narrator
When a man seeks for proof, it is obvious that he walters in the dank undergrowth of doubt, for one only arbitrarily tries to prove what he disbelieves. And the constant search for that proof is the sure sign of a mind, consciously or not, held in the shackles of an obsession. In a moment, I'll return to our story. John Carver, nervously waiting in the doctor's study, has had his tattered, battered suit pressed by Kathy. He looks much fitter. He wears also one of her father's white shirts, several sizes too much.
Katherine Homestead
Why don't you sit down and relax, Mr. Carver? You wear yourself out.
John Carver
Ms. Homestead.
Katherine Homestead
Yes?
John Carver
I. I don't think I can go through with it.
Katherine Homestead
Why?
John Carver
I don't know. It's just that. Well, I thought I had something to say, but I guess I haven't. I can't think of a thing.
Katherine Homestead
You will.
John Carver
What makes you think I will? I tell you, I haven't got a thought in my mind. It's funny, too, because I was so sure before I was so certain. Now I can't do it.
Katherine Homestead
But you must. After all, Father's told everyone that there'll be a guest speaker. You can't let him down.
John Carver
Now, look, it isn't a question of letting anybody down. It's a matter of me going out there and making a first class fool out of Myself, I tell you, I can't do it.
Katherine Homestead
You'll do it, Mr. Carver.
John Carver
What makes you so sure?
Dr. Homestead
Ready for you, Mr. Carvel. Will you come this way, please?
John Carver
But I just got through telling Ms. Holmstead that he was.
Katherine Homestead
Just got through telling me he was going to say father. And it sounds wonderful.
Dr. Homestead
Good for you, my boy. You know, this experiment of yours is proving to be one of the most interesting things that's happened to us in a long time.
John Carver
Now, follow me, please, Dr. Holmstead.
Katherine Homestead
You'd better hurry, Mr. Carver, or you'll be late. Now be listening.
Dr. Homestead
My dear people, we have a visitor with us tonight. Mr. John Carver, who first came to our house last Sunday morning and who since then has proved himself to be a very good and valuable friend. Without knowing of his text, I asked him to talk to you tonight, and he very kindly consented. And now, without me saying anything further, May I introduce Mr. John Carver?
John Carver
Thank you. And ladies and gentlemen, the other day, when I told Dr. Homestead that I had something to say, I guess I was wrong, because what I have to say shouldn't be said here. The reason that I said I had something to say is that I. Well, I disagreed with Dr. Homestead. I disagreed with whoever it was that said, blessed are the meek, for they shall inherit the earth. The meek have never inherited anything except tragedy and unhappiness and a kicking around the strong. Who inherits the earth? Brute force. Take what you can get, no matter how you have to take it. Blessed are they. Sure, the meek are blessed. They're blessed with everything and anything that the strong doesn't want. Kicks aside. My father was meek and he was blessed. But what does it matter? You don't want to hear what I've got to say. I'd blaspheme your ears if I did say it, and you'd smirk and sneer and say that I was doomed to eternal fire and brimstone. All right, I am, and I'm glad of it. If that's what it means not to be meek, I don't want the earth. You can have it. I forgot the package I had with me, Dr. Homestead. I'd like to get it. It's got a few things in it that.
Dr. Homestead
Wait a minute. John.
John Carver
Yes, sir?
Dr. Homestead
Sit down for a moment, won't you?
John Carver
What for, sir?
Dr. Homestead
I'd like to talk to you.
John Carver
I don't think there's much of anything to say, Dr. Homestead, except that I'm sorry that I embarrassed you.
Dr. Homestead
You didn't embarrass me in the least, John. In fact, I'm glad you said what you did, John. What happened?
John Carver
What happened?
Dr. Homestead
Yes. You spoke of your father, who didn't finish what you were going to say. Would you mind telling me.
John Carver
You wouldn't be interested, Dr. Homestead, because it. Yes, well, my father was a doctor. He was a very great doctor and a very great man. But he got himself mixed up with a lot of cockeyed ideas. He went for that blessed Abameek stuff. That's what happened to him.
Dr. Homestead
What do you mean, that's what happened to him, John?
John Carver
Look, Dr. Homestead, my father was a great man. I worshiped him. I always wanted to be like him, just like him. Because he was tolerant, gentle and meek. And do you know what that did to him? And to my mother?
Dr. Homestead
No.
John Carver
My father never refused a call. Dead of night, middle of the winter, howling blizzard, even for a toothache, he'd go. They never collected any money. People would tell him they didn't have it, and he'd tear up the bill. Or he'd say, pay me when you get it. They never got it. But they bought automobiles and radios and new clothes. But they never got enough money to pay my father for saving their lives or helping them when they needed it.
Dr. Homestead
Go on, son.
John Carver
But still, he'd go out every call, night and day, day in and day out. Even when he was sick, he'd go until finally it killed him. One night he came to my mother and myself and he apologized because he knew he was about to die. He said he was sorry that he couldn't leave mother and me. Anything except a bunch of worthless bills. And those people, Dr. Homestead, those people didn't even come to his funeral. Not even a card or a note saying they were sorry. Sure, my dad was meek and he inherited the earth. Six feet of it. That's why I shut off my mouth. Every time I think of it, I see red.
Dr. Homestead
Red usually means a danger signal, doesn't it, John? And the usual thing to do when you see red is to stop. The green is the light to go on. Go on, John, your father was probably even much greater man than you thought he was. And he inherited a great deal more than you think he did. You, for example. What? Think about that, John. You know what I mean, without me telling it to you. If he were alive, I wonder what he would have thought about that speech of yours the other night. You see, John, your father lived and died for a principle, the principle of mankind. He was meek, yes, but Christ was meek. But it takes strength to be meek. Enough strength to thrash the money, changers enough strength to live for what he believed in. And it sometimes takes more strength to live for what you believe in than it does to die for it. That's all I have to say. Goodbye, John.
John Carver
Goodbye, doctor. Gee, I thought you was never gonna show. John. I waited and waited. Last night I was gonna catch the eastbound without you. Well, I'm here now. Sure, let's do it and let's get going, huh? Here comes the rattler now. Okay, try for the set of cars. Come on. Wait a minute, you guys. The Arctic. Come on, John.
Dr. Homestead
Pat, pero.
John Carver
Come on, John. Go on, Marley. I'm staying. Oh, don't be a SAP. Go on. Okay, sucker. What did you stop for, boy? Why didn't you grab the train with your buddy? Never mind. Never mind. If I'm pinched, I'm pinched. I didn't figure on you stopping. Didn't shoot to get you, but sort of make sure that you wouldn't keep going. You know, we don't like tramps in this town. Well, I'm not going. And your shooting didn't change my mind any either. Except to make me wonder kind of suddenly where it was I thought I was going, what I was running away from. I'm staying right here, if you don't mind. There's no place else to go.
Dr. Homestead
Well?
John Carver
Well, what?
Dr. Homestead
A little while ago I got a phone call that a certain chap might try to hop to eastbound about now.
John Carver
Wish him luck if he made it.
Dr. Homestead
If he didn't. Dr. Homestead lives at 3rd Magnolia.
John Carver
Yeah.
Katherine Homestead
Hello, John Carvel.
John Carver
Hello.
Katherine Homestead
How long have you been sitting here in the church?
John Carver
Oh, I don't know. Quite a while, I guess.
Katherine Homestead
We've been waiting for you at the house. We'd about given up then. The caretaker said you were over here. You changed your mind about leaving?
John Carver
Yeah.
Katherine Homestead
Are you glad about that, John? Guess dad will be pretty glad too. He thinks a lot of you.
John Carver
Does he?
Katherine Homestead
That's why I was hoping you'd come back. In fact, that's why I called Mr. Perkins.
John Carver
Who's Mr. Perkins?
Katherine Homestead
He's the detective that takes care of the freight yard.
John Carver
Oh, so you were the one who called him.
Katherine Homestead
I didn't want you to come back if you didn't want to. Really. I thought it might be that you had someplace to go or something to find.
John Carver
I did, but I guess I'd already found it. Kathy? At your house.
Katherine Homestead
Should we go there now?
John Carver
Yes. Thank you.
Katherine Homestead
It's a beautifully clear day, isn't it, John?
John Carver
Clearest day I've known in a long time.
Dr. Homestead
Kathy.
John Carver
You understand that?
Katherine Homestead
I think I'd understand better if I knew why you came back.
John Carver
I don't know exactly why myself, Catherine, except, well. Well, maybe I'm a sucker like my dad. Maybe I've gone for the same things he went for. Blessed are they good enough for him. Yes, I guess so. Yes, it must have been. And I. I can't kick much. Because he was happy. He was very happy. I haven't been at all.
Katherine Homestead
You can be.
John Carver
I know that, Kathy. And I'm going to be from now on. Thanks to your father and mine, John.
Katherine Homestead
That's what I meant. The day I talked to you, your father was like mine. That's why. Blessed are they that are meek, for they shall inherit the earth and they shall bequeath it to you. It's yours for the taking, John.
John Carver
Yours for the taking. Ours for the taking, too. Isn't that so, Kathy?
Katherine Homestead
Why, yes, John.
Dr. Homestead
Yes.
Narrator
The meek shall inherit the earth. The earth is for the taking. In the beginning, God created the heavens and the earth and created man in his own image. Therefore, man can, by the very power of this heritage, become godlike. Unless, and I say unless, the dark angel who has passed out of paradise shall speak his silent and evil words and fill the mind with the quick sands of Obsession.
Host
That's our thriller for this week. You can find more from Obsession, this podcast and all of the relic radio shows@ Relicradio.com our shoutcast stream is up and running there as well with even more old time radio. Lots to listen to there. We'd like to help support this and all of the shows. Visit donate. Relicradio.com thank you to those who have helped out. Thanks for joining me this week. I'll be back tomorrow with another episode of the Horror next Friday with a story from the CBS radio Mystery theater. On our next episode of relic Radio thrillers.
Release Date: February 21, 2025
Original Air Date: May 12, 1952
Series: Obsession (CBS, 1950-1952)
Duration: Approximately 26 minutes
"Faith Is The Evidence" is an evocative episode from the classic CBS series Obsession, presented by Relic Radio Thrillers. This Old Time Radio adventure delves deep into themes of faith, disillusionment, and personal redemption within a small Midwestern town. Through compelling dialogue and dramatic tension, the story explores the psychological turmoil of its protagonist, John Carver, as he grapples with his beliefs and past.
The episode opens in a desolate railroad yard on the outskirts of a small town, where John Carver (portrayed by a skilled voice actor) is preparing to evade detection after arriving by an unremarkable, steaming freight train. Intent on avoiding suspicion as a "tramp," Carver plans to separate from his companion, Marley, until nightfall to slip away unnoticed.
However, Carver's plans are interrupted when he encounters Dr. Homestead and his daughter, Katherine Homestead, who extend unexpected hospitality. Seeking breakfast without money, Carver offers to perform odd jobs around their home. Intrigued by his candidness, Katherine persuades him to attend church and listen to Dr. Homestead's sermon, believing it might inspire him.
As the day progresses, Carver becomes increasingly conflicted. His initial skepticism about faith and sermons gives way to a tumultuous internal struggle, culminating in a dramatic confrontation during the church service. Publicly challenging the message of meekness and inherited blessings, Carver's impassioned speech reflects his deep-seated anger and disillusionment stemming from his father's tragic demise.
Dr. Homestead responds with empathy and theological insight, urging Carver to find strength in meekness and faith. This exchange serves as a catalyst for Carver's redemption, leading him to reconcile with his beliefs and embrace a newfound sense of purpose and hope.
John Carver is portrayed as a troubled individual burdened by his past and skeptical of religious doctrines. His interactions reveal a man who has lost faith in the promises of heaven and earth, primarily due to his father's unrecognized sacrifices and untimely death. Carver's journey from cynicism to tentative hope forms the emotional core of the episode.
Dr. Homestead embodies the compassionate minister archetype. Throughout the episode, he remains patient and understanding, providing Carver with opportunities to reconnect with faith. His dialogue reflects a deep belief in the transformative power of religious faith and the importance of inner strength.
Katherine serves as the bridge between Carver and her father. Her compassionate nature and persuasive demeanor play a crucial role in encouraging Carver to engage with the community and confront his doubts. Katherine's character adds depth to the narrative, highlighting themes of empathy and support.
At the heart of the episode lies the tension between unwavering faith and profound skepticism. Carver's cynicism is rooted in personal tragedy, challenging the optimistic messages often propagated by religious teachings. The narrative scrutinizes the efficacy of faith as both a solace and a potential source of personal conflict.
The sermon, centered on the Biblical Beatitudes, particularly "Blessed are the meek, for they shall inherit the earth," serves as a focal point for the episode's exploration of humility and strength. Carver's rejection of meekness stems from his belief that true inheritance is afforded through power and resilience, not passivity.
Carver's transformation underscores the possibility of redemption through self-reflection and community engagement. The episode suggests that confronting one's doubts and embracing faith can lead to personal healing and renewed purpose.
John Carver on his perspective of meekness:
"I disagreed with Dr. Homestead. I disagreed with whoever it was that said, blessed are the meek, for they shall inherit the earth."
(16:44)
Dr. Homestead addressing Carver's father:
"Your father lived and died for a principle, the principle of mankind. He was meek, yes, but Christ was meek. It takes strength to be meek."
(20:04)
John Carver reflecting on his father's legacy:
"My father was meek and he inherited the earth. Six feet of it. That's why I shut off my mouth."
(19:25)
Katherine Homestead encouraging Carver:
"Blessed are they that are meek, for they shall inherit the earth and they shall bequeath it to you. It's yours for the taking, John."
(24:06)
"Faith Is The Evidence" masterfully weaves a narrative that challenges the listener to ponder the true meaning of faith and humility. Through John Carver's emotional journey, the episode highlights the enduring struggle between doubt and belief, ultimately advocating for the strength found in meekness and community. The nuanced performances and thought-provoking dialogue make this story a standout episode in the Obsession series, resonating with timeless themes relevant to audiences both past and present.
For more enthralling episodes like "Faith Is The Evidence" and a vast collection of Old Time Radio adventures, visit RelicRadio.com. Support the series and explore additional shows that continue to captivate listeners with classic tales of suspense, mystery, and adventure.