The Fifth Man by The CBS Radio Mystery Theater

Summary

Relic Radio Thrillers: "The Fifth Man" by The CBS Radio Mystery Theater

Introduction

Relic Radio Thrillers, hosted by Pat Summerall, delves into classic Old Time Radio adventures encompassing crime, mystery, espionage, and suspense. In this episode titled "The Fifth Man," originally aired on June 18, 1982, listeners are immersed in a gripping tale of betrayal, murder, and covert operations.

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Setting the Stage

The story unfolds with Tammy Grimes narrating the pervasive struggle between those who have and those who have not, setting a tone of intrigue and danger. She states:

"As long as there are haves and have nots, givers and takers... there will be those whose only way of competing is to rob." [00:38]

This introduction establishes the central theme of espionage and clandestine activities that drive the narrative forward.

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The Crime: Murder on the Brighton London Express

The protagonist, Everett Parker, a dedicated magazine editor, finds himself entangled in a complex murder investigation. The victim is William Arthur Jackson, a man with deep connections to the War Office and enigmatic associations hinted by his bureau chief, Sir Robert Leeds.

Initial Confrontation

Parker's peaceful routine is shattered when Inspector Michael Fogg arrives unannounced at his home, informing him of Jackson's suspicious death. Their tense conversation begins with:

Inspector Michael Fogg: "I show you this picture. Do you know this person?" [00:46]

Everett Parker: "Yes, I do. His name is William Jackson. He's a very good friend." [01:59]

Inspector Fogg's probing questions and Parker's evasive responses heighten the suspense, suggesting underlying secrets.

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Echoes of Suspicion

As the investigation proceeds aboard the Brighton London Express, Parker recalls the events leading to Jackson's demise. He recounts seeing a mysterious man with a red face arguing with Jackson in their compartment:

Everett Parker: "There's been a skin of my teeth. Managed to catch the last car and walked up through a corridor... when you came in." [05:25]

Parker's account introduces the enigmatic "fifth man," a figure shrouded in mystery whose presence is pivotal to unraveling the case.

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Lorette Rupe’s Revelation

Lorette Rupe, Jackson's wife, provides critical insights into her husband's secretive life. Her interactions with Parker reveal layers of deceit and hidden motives:

Lorette Rupe: "I saw this notebook fall out of his pocket... I knew it was the fifth man." [24:44]

These revelations hint at espionage activities, suggesting that Jackson's murder may be linked to his covert operations.

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The Arrest and Twist

Inspector Fogg arrests Carl Carson, a man connected to Jackson, based on fingerprint evidence. However, the plot takes an unexpected turn when Carson mysteriously dies during an attempt to flee:

Everett Parker: "We made a thorough search... lying right in front of the Flying Wing was Carl Carson. Or rather, what was left of him." [46:01]

This incident complicates the investigation, casting doubt on the veracity of Carson's guilt and raising questions about the true orchestrator behind Jackson's death.

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Revelation of Everett Parker’s True Identity

In a climactic twist, Everett Parker discloses his true allegiance as an MI5 operative:

Everett Parker: "I, as Everett Parker, used that cover for my real job. That of an MI5 operative. We knew Jackson was passing secrets to the Soviets and that his courier was Carl Carson." [47:30]

This confession recontextualizes the entire investigation, revealing that Parker was instrumental in dismantling the spy ring responsible for Jackson's murder.

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Conclusion

Inspector Fogg acknowledges the intricate web of espionage, yet the mystery remains partially unresolved as Carl Carson's involvement hangs in uncertainty. Parker's revelation underscores the pervasive nature of espionage and the personal sacrifices made by those in clandestine roles.

Final Reflections

Tammy Grimes closes the episode by reflecting on the age-old battle of espionage:

"So long as men and countries possess dangerous secrets, other men and other countries will try to steal them." [48:41]

This philosophical musing encapsulates the enduring allure and peril of spy narratives.

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Key Takeaways

• Espionage and Deception: The episode masterfully weaves themes of spying, hidden agendas, and betrayal, illustrating the relentless pursuit of power and secrets.

• Character Complexity: Everett Parker's dual identity as a magazine editor and MI5 operative adds depth, highlighting the personal toll of living a double life.

• Suspense and Revelation: The narrative maintains suspense through strategic revelations and unexpected twists, keeping listeners engaged until the very end.

Notable Quotes

• "I am waiting for you, sir." — Inspector Michael Fogg [00:17]
• "You've been in the hands of that maniac. It's unbearable for me." — Everett Parker [08:39]
• "I, as Everett Parker, used that cover for my real job. That of an MI5 operative." — Everett Parker [47:30]
• "It is better 10 guilty persons escape than one innocent suffer." — Tammy Grimes [16:17]

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Conclusion

"The Fifth Man" is a quintessential Old Time Radio thriller, rich with suspense, intricate plotting, and memorable characters. Relic Radio Thrillers successfully resurrects this classic tale, offering both longtime enthusiasts and new listeners an engaging auditory adventure into the shadowy world of espionage and mystery.

Transcript

[Lorette Rupe]

Foreign.

[Pat Summerall]

Welcome back to relic radio Thrillers. Stories of action, adventure and intrigue Every Friday at relicradio.com our story comes from the CBS Radio Mystery Theater. This week series that took to the air in 1974 and aired until 1982 produced 1,399 original shows. From those, we'll hear the Fifth Man. Their episode from June 18, 1982.

[Tammy Grimes]

The CBS Radio Mystery Theater presents. Come in. Welcome. I am Tammy Grimes. As long as there are haves and have nots, givers and takers, the affluent and the less fluent, there will be those whose only way of competing is to rob. Whether it is personal, good, industrial secrets, state or national secrets, whatever can be clandestinely stolen and sold will be. For every new kind of holdup or heist, there is a new method of detection. For every spy, a counterspy. As we hope to illustrate in today's mystery trauma.

[Everett Parker]

What are you doing in my house, Mr. Parker?

[Inspector Michael Fogg]

I was waiting for you.

[Everett Parker]

How did you get in? By the back door.

[Inspector Michael Fogg]

It was open. Let me identify myself before you call the police. Inspector Michael Foxer, Wimbledon police. I show you this picture. Do you know this person?

[Everett Parker]

Yes, I do. His name is William Jackson. He's a very good friend.

[Inspector Michael Fogg]

Why do you ask, Mr. Parker? Your very good friend has been murdered.

[Tammy Grimes]

Our drama the fifth man has been written especially for the mystery theater by James Agate Jr. And stars Norman Rose. I shall return shortly with act one.

[Everett Parker]

Hi, Pat Summerall. To say, facing the cold this winter can be a lot easier with the help of energy and money saving values from true value hardware stores. The McLenburg Duncan 36 inch Sealomatic door, bottom for just 777. Raises and lowers automatically to effectively seal out cold air and keep heat from escaping under your door. And for sealing around windows and doors, get the McLenburg Duncan New Coil Weather Strip. Right now, 17 foot roll is just 277 at participating True Value Hardware Stor Homesteaders.

[Lorette Rupe]

Mr. Gardner, those old newspapers are too heavy for you to lift.

[Inspector Michael Fogg]

My back just told me the same thing, Sally.

[Lorette Rupe]

Now you just sit there. I think my dad has some Doan's pills in the house.

[Olivia]

Doan's pills.

[Inspector Michael Fogg]

Just what this nagging backache needs. Good advice.

[Everett Parker]

Doan's pills. For temporary relief of simple backache pain.

[Inspector Michael Fogg]

Due to overexertion, stress or strain, use only as directed.

[Everett Parker]

Hello.

[Tammy Grimes]

Hi, Mr. Gardner.

[Lorette Rupe]

How's your back tonight?

[Everett Parker]

My back's doing just fine, thanks to.

[Inspector Michael Fogg]

You and those Doan's pills.

[Unknown]

The following is a paid political announcement.

[Jerry Cosentino]

What kind of man is Jerry Cosentino. He was born the second youngest in a family of 12. The times were hard, but his immigrant parents taught Jerry that with honest hard work and imagination you can make a difference. In 1959, Jerry and his wife began a small business of their own. And after years of hard work, they'd built it into one of the most successful and dependable transportation companies in the country. In 1978, we elected Jerry Cosentino State treasurer. And while some public officials were wasting our tax dollars, Jerry Cosentino was earning money for our state. $750 million in interest on state deposits and millions more by investing state funds throughout Illinois to create the new jobs we need. Now we have a chance to elect Democrat Jerry Cosentino as our new secretary of State with the energy of new ideas and the experience to make them work.

[Inspector Michael Fogg]

Paid by Citizens for Constantino.

[Lorette Rupe]

He was.

[Tammy Grimes]

Known in CIA, NKVD and MI5 circles as the fifth man. Briefly, there were four before him who sold classified British information to the Soviet. He was number five. We will meet him. But first, meet every Parker magazine editor who has just boarded the 8am Express from Brighton to London and opens a compartment door to find two men in a heated argument.

[Inspector Michael Fogg]

I tell you, I haven't got it. I don't know where it is.

[Olivia]

You promised to deliver it this morning.

[Inspector Michael Fogg]

I miss Laid it. You'll have it.

[Everett Parker]

Shut up.

[Sir Robert Leeds]

Hi.

[Everett Parker]

Hi.

[Inspector Michael Fogg]

Everett made the train again. I see.

[Everett Parker]

There's been a skin of my teeth. Managed to catch the last car and walked up through a corridor. I'm sorry if I'm interrupting.

[Sir Robert Leeds]

Not at all.

[Inspector Michael Fogg]

This gentleman and I were just going over the quicket results. You know, that sort of thing.

[Olivia]

If you excuse me, I think I'll get myself an eye opener. Which way's the bar car?

[Everett Parker]

Generally the first car behind the engine.

[Olivia]

Thank you. I'll be on my way.

[Everett Parker]

That's a rude character, isn't he?

[Inspector Michael Fogg]

Do you know him?

[Sir Robert Leeds]

Is he a friend of yours?

[Everett Parker]

No, but I seem to remember him. That red face isn't forgettable, you know.

[Inspector Michael Fogg]

I told him this compartment was taken. A friend of mine and I generally ride in this compartment alone. Half a years.

[Everett Parker]

That's too bad.

[Inspector Michael Fogg]

He said. I've paid for my ticket and I'm entitled to sit wherever I like. Just about then when you came in.

[Everett Parker]

I must have misunderstood completely what you two were talking about.

[Inspector Michael Fogg]

I never saw the man before in my life.

[Everett Parker]

I have. I'm trying to think where. Have a good weekend, Ev. Oh, Bill, it was too good.

[Sir Robert Leeds]

Too relaxing.

[Everett Parker]

Read some fascinating accounts of Bleriot in the early days of flying. I think I'll assign one of our writers to write it up for the magazine. The chances those early pilots took.

[Inspector Michael Fogg]

People don't dare the fates like that anymore.

[Everett Parker]

It made me realize what I'm doing. Putting out that little airplane magazine is pretty small beer.

[Inspector Michael Fogg]

Oh, Eve, what are you talking about? The last issue was tremendous. I sent it round to all the boys door office and Sir Robert kept it.

[Everett Parker]

Oh, really? So my views on air warfare may have some influence.

[Inspector Michael Fogg]

I wouldn't be surprised. Speaking of small beer, I have suddenly developed a tremendous thirst.

[Everett Parker]

You Tom teetotaller at 8 in the morning.

[Inspector Michael Fogg]

So if you'll excuse me, I think I'll wander up to the bar car.

[Everett Parker]

Obviously he was going forward to meet the man I'd found in the compartment. Mondays are always difficult at the magazine. Material piles up over the weekend. But that didn't surprise me. What did was a message on my answering machine when I got home. Would I please hurry over to the Brighton hospital. Nurse. Yes, sir. My name is Everett Parker. I have a message to come to the hospital.

[Lorette Rupe]

Oh, yes, Mr. Parker. We have a patient who's been asking after you.

[Everett Parker]

Francis. Oh, my Lord, not again. Don't tell me.

[Lorette Rupe]

Hello, Everett. You got my message.

[Everett Parker]

How do you feel?

[Lorette Rupe]

Not too badly. I had a good night.

[Everett Parker]

You've been in the hospital since last night?

[Lorette Rupe]

Oh, since yesterday morning. I fell down those cellar stairs again.

[Everett Parker]

Francis. Francis, let's not talk about that. Does Bill know?

[Lorette Rupe]

He should.

[Everett Parker]

I mean, does he know that you're in the hospital? I rode into London with him this morning. He didn't say a word about you.

[Lorette Rupe]

Well, why would he?

[Everett Parker]

Francis, this is terrible. You. You can't go on like this, married to a man who.

[Lorette Rupe]

Everett, I don't want you to talk about it.

[Everett Parker]

This is the second time you've had to come here to be treated.

[Lorette Rupe]

Perhaps.

[Everett Parker]

Well, isn't it?

[Lorette Rupe]

Well, I must be accident prone. I mean, I keep falling down at home.

[Everett Parker]

I don't believe that. I never have. I don't care what it is. Frustration, anger. He must not be allowed to lay a hand on you.

[Lorette Rupe]

He doesn't.

[Everett Parker]

He.

[Lorette Rupe]

It's really not his fault.

[Everett Parker]

Whose fault is it then?

[Inspector Michael Fogg]

Look at you.

[Everett Parker]

Your arm is bound up. Is it fractured? Is it broken? Oh, your eyes. Black and blue. To see you like this in the hands of that maniac. It's unbearable for me. Do you understand?

[Lorette Rupe]

It'll be all right.

[Everett Parker]

It'll never be all right. Now, I've decided I either go to the police about this or talk to him myself. But I'm not letting this go any further now, Francis. You want me to do something, don't you?

[Lorette Rupe]

I guess so.

[Everett Parker]

I know so. Why else would you leave word for me to come to the hospital?

[Lorette Rupe]

Because I didn't have anyone else I could turn to.

[Everett Parker]

When are they discharging you?

[Lorette Rupe]

Not for another day, I think.

[Everett Parker]

Fine. I'd rather you didn't go home until I've had all this out with Bill. If he can't control himself, something will have to be done to protect you.

[Lorette Rupe]

Thank you, Everett. I'm so sorry to put this on you. I really am.

[Everett Parker]

I went directly to Bill Jackson's house. It was dark. I knocked, I rang the bell, rapped at the windows. No answer. The next morning, he was not on the 8 o'clock that night when I got home, I opened my door to find an unannounced visitor.

[Inspector Michael Fogg]

Good evening, Mr. Parker.

[Everett Parker]

What are you doing in my house?

[Inspector Michael Fogg]

I am waiting for you, sir.

[Everett Parker]

I don't mean that. I mean how did you get in?

[Inspector Michael Fogg]

By your back door. It was open. May I identify myself before you call the police?

[Everett Parker]

I think you'd better.

[Inspector Michael Fogg]

Inspector Michael Fogg, sir.

[Everett Parker]

My id.

[Inspector Michael Fogg]

Wimbledon Police.

[Everett Parker]

What do you want from me?

[Inspector Michael Fogg]

Information about a person by the name of William Arthur Jackson, Inspector.

[Everett Parker]

You may remove your hat and coat and sit down like an ordinary person. Tell me, do you chaps always wear a raincoat, even when it's not raining?

[Inspector Michael Fogg]

Mr. Parker, do you mind if I ask the questions? Just come to our attention, you may have been the last person to see Mr. Jackson alive.

[Everett Parker]

Do you mean he's dead?

[Inspector Michael Fogg]

Yes, sir. We have reason to believe he may have been murdered.

[Everett Parker]

Good Lord.

[Inspector Michael Fogg]

You did know him?

[Everett Parker]

Oh, yes, certainly.

[Inspector Michael Fogg]

When did you last see him?

[Everett Parker]

Oh, yesterday morning. We rode into the city together on the 8 o'clock.

[Inspector Michael Fogg]

The Brighton London Express.

[Everett Parker]

Yes. Shared a compartment as we have for over two years.

[Inspector Michael Fogg]

Quite aware of that.

[Everett Parker]

I didn't know my life was such an open book.

[Inspector Michael Fogg]

When it's a case of murder, one asks a great many questions.

[Everett Parker]

How did Bill die?

[Inspector Michael Fogg]

He was discovered lying beside the tracks, three miles this side of Charing Cross Station.

[Everett Parker]

Oh, my Lord. But could he have jumped from the train?

[Inspector Michael Fogg]

Possibly. He could also have been pushed.

[Everett Parker]

Has the War Office been informed?

[Lorette Rupe]

Ah.

[Inspector Michael Fogg]

Then you know he worked for the War Office.

[Everett Parker]

Yes. Also know his bureau chief, Sir Robert Leeds. He happens to have contributed to my magazine.

[Inspector Michael Fogg]

And that would be? Airspace.

[Everett Parker]

I see you've done your homework, Inspector. William Jackson and I were more than casual acquaintances. As I said, we've ridden that train five days a week for over two years.

[Inspector Michael Fogg]

Would you be good enough to tell me what you remember of that last train ride and I'll try to recall as much as you can. Your testimony could be quite crucial to this investigation. As well as establishing your innocence or guilt.

[Everett Parker]

Oh, come now, Inspector. You're not saying that I'm suspected of pushing Jackson off the train?

[Inspector Michael Fogg]

At this point, anyone and everyone is under suspicion. Please proceed. Tell me what occurred that morning.

[Everett Parker]

I told the inspector that William seemed in a good mood. I mentioned the man with the red face whose identity still escapes me, and that I'd followed William to the bar car where I found the two of them arguing. The inspector took it all down, thanked me and said he'd return in a few days. I went directly to see Francis. Mrs. Jackson.

[Lorette Rupe]

Everett. I'm so glad you came over.

[Everett Parker]

I'm glad you're home from the hospital. Are you feeling better?

[Lorette Rupe]

Yes. Better and worse. And frightened.

[Everett Parker]

The police were here.

[Lorette Rupe]

I didn't know what to tell them. A nice inspector who wanted to know why Bill might have jumped. Well, I had no idea. And if he didn't, then why would anyone want to push him out?

[Everett Parker]

Anything else?

[Lorette Rupe]

How well did I know you? And were we good friends? I said we were, Everett. Who could have done such a thing?

[Everett Parker]

The impression I got is the police think it might be me.

[Lorette Rupe]

You, Everett? That's terrible. You of all people. Why do they suspect you? What did you tell them?

[Everett Parker]

All that I know there was a man in the compartment. When I got there, he and Bill were talking. And then later, both of them were having angry words together in the bar cart.

[Lorette Rupe]

You know the man?

[Everett Parker]

I think so. I know him from somewhere. Well, then they left the bar car. They didn't see me. I ducked behind a newspaper. I thought they were going back to the compartment.

[Lorette Rupe]

So it's still an open question. Did Bill fall? Was it an accidental? Was he pushed?

[Everett Parker]

Francis, he did not fall. There is no way anyone could fall out of the train between the cars. They're locked to one another with a concertina passageway. Somebody opened the outer compartment door when.

[Lorette Rupe]

You alight from at the station and forced him out.

[Everett Parker]

Since I was sharing the compartment with Bill, that's why I am a prime suspect. A little unnerving.

[Lorette Rupe]

Why only you? What about that other man?

[Everett Parker]

I'm having a hard time making anyone believe he existed. He had a very red face. Heavier than I am. Older. Does he sound like someone Bill had dealings with?

[Lorette Rupe]

Oh, Bill had rather a life of his own, you know. That, for one thing, his work at the War Office was very secret. And then there were people he spent time with. He never introduced me to or brought home. It was one of the things we thought about. Why he wouldn't take me into his confidence. I knew he had another life, but he kept denying it.

[Everett Parker]

What made you so sure?

[Lorette Rupe]

Well, he couldn't account for hours and days of his time. He'd pack up and not tell me where he was going or when he'd be back.

[Everett Parker]

Couldn't it have simply been some project for the War Office?

[Lorette Rupe]

The last time he was away, I called the War Office and I spoke to Sir Robert. He said Bill had asked for leave and he was surprised that I didn't know where he was. So you see, Bill could have had dealings with half a dozen red faced men and I'd know nothing about it.

[Everett Parker]

Of course, the two of them meeting on the train could have been a coincidence and nothing to do with Bill's death.

[Lorette Rupe]

Why do you say that?

[Everett Parker]

That's what I hope. If that red faced man had a hand in it, then he knows I saw him. And I would give evidence he was on the train. Though he might not hesitate to do away with me as he had Bill. It wouldn't be safe for him to let me live.

[Lorette Rupe]

No, Everett A.

[Everett Parker]

Wait. Carl Carson. That's who he is. I remember now. He had a beard then. See? What do I know about him? Yes, he owns a private airport and rents planes. Carl Carson. I knew it had finally come to me.

[Lorette Rupe]

Is that his name? The red faced man?

[Everett Parker]

Perhaps not, but that's the name he uses now. If Carl Carson has committed murder, it wouldn't be difficult for him to hop into one of his own planes and get out of England. Then they'd have a devil of a time finding him and bringing him back.

[Lorette Rupe]

Don't be hasty. You're implying this man is guilty, but there's no proof. You didn't see him do anything.

[Everett Parker]

Ah, but I know Carl's history.

[Lorette Rupe]

Well, just the same, when you talk to the police, you should make it clear there's a very big if. I mean, supposing after all this, they find out your man is innocent and someone else is guilty.

[Tammy Grimes]

This may be the occasion to quote Blackstone, who said, it is better 10 guilty persons escape than one innocent suffer. Frankly, at this stage of the plots unfolding, I haven't a clue who is guilty of murder. But I hope, along with yourselves, to learn more when the curtain rises shortly in Act 2.

[Everett Parker]

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[Lorette Rupe]

I'm Lorette Rupe, director of Peace Corps. In 60 countries around the world, Peace Corps volunteers are sharing their skills and knowledge with people who really need them. But we need more volunteers, and we need them now. Volunteers are urgently needed in agriculture, math, science and biology. Call Peace Corps now for more information. 800-424-8580. It's the toughest job you'll ever love.

[Everett Parker]

A public service message of this station and Peace Corps.

[Unknown]

One restaurant in Chicago that really is one of a kind. It's the Atlantic restaurant at 7115 West Grand Avenue. Yes, it's the only authentic British restaurant and pub in Chicagoland bringing you the taste, sound and atmosphere of the British Isles. Stop in Sundays for their Irish breakfast served between nine and three. You'll find up upon Irish. You'll fill up, that is up on Irish sausages, black pudding, Irish bacon and delicious Irish soda bread baked fresh daily. And don't miss the Atlantic Restaurants gathering of the clans Wednesday nights at 7. Enjoy live entertainment with Scottish pipes and drums and Irish folk songs. And also their Wednesday night special, fish and chips. All you can eat for $3 and 50 cents. For reservations, call 622-3259. There's always good eating at the Atlantic Restaurant. Try the British Minister's Lunch. Steak and kidney Pie, Big Ben and hearty Shepherd's Pie or a Dublin Grill. Have a jolly old time at Chicago's only authentic British restaurant, The Atlantic Restaurant, 7115 West Grand. For reservations, phone [phone].

[Tammy Grimes]

A man has been killed and thrown from a moving express train. His widow is not weeping for her deceased husband. A magazine editor is suspected of having had a hand in the death and he believes another man is involved. A man with a red face.

[Inspector Michael Fogg]

Mr. Parker, I appreciate your assistance in identifying this man you allege was on the train.

[Everett Parker]

Allege, Inspector.

[Inspector Michael Fogg]

But there is a more important matter that concerns the department. We're on the point of holding you as a material witness. Mind you, you're not being accused of the crime, although we have reason to believe you may have a motive.

[Everett Parker]

You come to my House to tell me this?

[Inspector Michael Fogg]

I came for a statement.

[Everett Parker]

Before I call my attorney, would you mind telling me how you have come to such a conclusion?

[Inspector Michael Fogg]

A rather clear case of cherchez la femme, I would say.

[Everett Parker]

Would you mind repeating that in English?

[Inspector Michael Fogg]

The lady. Sir, we have evidence that supports a theory of your interest in Mrs. Jackson, and we have witnesses who have confirmed it.

[Everett Parker]

May I be told what they have said?

[Inspector Michael Fogg]

I don't have the transcript at hand, but the sum total appears to be that Mr. Jackson had become increasingly angry over your attentions to Mrs. Jackson, and that is why he was so severe with her physically.

[Everett Parker]

Inspector, if I am formally brought up on this ridiculous charge, I shall use every legal means I can to sue the department for illegal arrests, false statements and impugning my character. Now, if you will be so good as to hand me my telephone, I would like to call my attorney. My attorney told me to keep cool, cooperate fully, and he would keep tabs on what evidence was being collected. I drove out to Cheshire to the airfield, out of which Carl Carson's Air Livery operated. Anyone here in the office? Oh, I didn't see you.

[Lorette Rupe]

What could I do for you?

[Everett Parker]

I'd like to rent a plane.

[Lorette Rupe]

Well, you'll have to talk to Mr. Carson.

[Everett Parker]

I'd like to. Okay.

[Lorette Rupe]

Mr. Carson.

[Everett Parker]

Hey.

[Inspector Michael Fogg]

Who is it?

[Olivia]

Olivia.

[Lorette Rupe]

Man out here wants to rent a plane.

[Olivia]

What's his name?

[Lorette Rupe]

What's your name?

[Everett Parker]

Everett Parker from Airspace magazine.

[Inspector Michael Fogg]

I heard that.

[Olivia]

I'll be right out.

[Lorette Rupe]

Right out. Mr. Parker.

[Olivia]

I didn't expect to see you here.

[Everett Parker]

I didn't expect to see you on the Brighton Express. It's been a long time, Carl. Can we talk alone?

[Olivia]

All right, Olivia. Go on, buzz off. Leave that door open. I can watch a field. Yes, indeed. It's a long time. What do you want with me, Parker?

[Everett Parker]

What did you want with Bill Jackson?

[Olivia]

I think that's none of your business.

[Everett Parker]

What was it Bill Jackson did not deliver to you?

[Olivia]

I don't know what you mean.

[Everett Parker]

That morning when I came into the train compartment, what was he holding out on you?

[Olivia]

You are nosy, aren't you? Always were.

[Everett Parker]

As I remember, you always talk too loudly. Not only in the compartment, but in the bar car. Just like the old days. I suppose it isn't news to you that Bill Jackson is dead.

[Olivia]

Why do you say that? Sure it's news.

[Everett Parker]

You didn't know anything about it.

[Olivia]

I'll be known the country for a week. I just got back.

[Everett Parker]

Yes, when you thought things had cooled down.

[Olivia]

Look, will you stop talking in riddles?

[Everett Parker]

You knew Jackson?

[Olivia]

Yes. Yes, he used to weekend abroad, enjoy himself. Used to One of my flying wings if I remember.

[Everett Parker]

But you didn't know that he was murdered. Smashed on the head or strangled and pushed off the train three miles out of Charing Cross station.

[Olivia]

What didn't have anything to do with that.

[Everett Parker]

I didn't expect you to admit it Carl. But I came here to tell you that I'm going to be watching you very closely from now on. So don't try anything you wouldn't like to be arrested for.

[Tammy Grimes]

What's with that bloke?

[Lorette Rupe]

Comes in here to rent a plane. I just saw him drive off.

[Olivia]

Olivia. Next time that gentleman shows up I'd like to arrange a little demonstration.

[Lorette Rupe]

I thought demonstrations were just for those who tried to get in our way.

[Olivia]

You described Mr. Parker exactly, remember? Now should he appear again, I think we should show him how our propeller self starters operate on the flying wings. Of course we'll have to be careful. As you know, sometimes these nosy parties get so interested in these new devices they stand too close to the propeller. We can't have that, can we?

[Lorette Rupe]

Sir Robert? We've talked a few times on the telephone. But it's a pleasure for me to meet you in person.

[Sir Robert Leeds]

Is this your very first visit to the War Office, Mrs. Jackson?

[Lorette Rupe]

My very first. Bill never offered to show me around and I never insisted.

[Sir Robert Leeds]

Mrs. Jackson, may I express my personal sympathies. Your husband was a dedicated servant in His Majesty service. He will be missed. Now is there anything I can do?

[Lorette Rupe]

I've brought something that I believe belongs to you. I have it in my handbag. This little notebook. Please take it.

[Everett Parker]

Ah.

[Sir Robert Leeds]

Where did you say you got this Mrs. Jackson?

[Lorette Rupe]

I didn't say yet. It does belong to you, doesn't it?

[Sir Robert Leeds]

You are going to tell me how it came into your possession.

[Lorette Rupe]

I suppose now that Bill's dead it can't hurt him anymore.

[Sir Robert Leeds]

Tell me, have you looked into this notebook?

[Lorette Rupe]

Yes. And I have a pretty good idea how dangerous it is.

[Sir Robert Leeds]

Do go on.

[Lorette Rupe]

Bill used to get up before me. He'd have a quick breakfast and run down to catch the 8 o'clock. One morning I woke up when he was getting dressed and I saw this notebook fall out of his pocket.

[Sir Robert Leeds]

This was in your husband's possession?

[Lorette Rupe]

Yes. I saw all those names of all those people in the different countries and I guessed what it must be and I hid the notebook. And that night he came home and asked me for it. I said I hadn't seen it. He hit me so hard that I ended up in hospital, he'd do that, you know. Flare up, uncontrollable. I. I never saw Bill alive again.

[Sir Robert Leeds]

Well, this is very serious, Mrs. Jackson. I'm afraid I shall have to ask you to remain.

[Lorette Rupe]

You mean here? For how long?

[Sir Robert Leeds]

That I can say. Stanton, I'd like you to come in, please. And bring the machine.

[Lorette Rupe]

I haven't done anything wrong, have I?

[Sir Robert Leeds]

That remains to be seen.

[Lorette Rupe]

I've never told a soul about this, not till now. I knew they were names of our intelligence people in those communist bloc countries. I knew it right away.

[Sir Robert Leeds]

How did you know that, Mrs. Jackson?

[Lorette Rupe]

Because I guess I really should tell you everything.

[Sir Robert Leeds]

Stanton, start your machine, then sit over there and take notes. Give me the microphone.

[Inspector Michael Fogg]

Yes, Sir.

[Sir Robert Leeds]

This is Mrs. Francis Jackson, widow of William Arthur Jackson, formerly in the employ of the D2 Section Intelligence Division, the War Office. Mrs. Jackson, we will continue at the point where you told me how you knew. The notebook you have just handed me, which was in the possession of your late husband, contained a spy inventory.

[Lorette Rupe]

Are you recording what I'm saying?

[Everett Parker]

Yes.

[Inspector Michael Fogg]

Yes.

[Sir Robert Leeds]

Now, please go ahead, Mrs. Jackson.

[Lorette Rupe]

My husband and I had several quarrels over the past six months, during which he frequently hit me. He frightened me so much that I never told anyone what these quarrels were about. Not even our very best friend, Mr. Everett Parke.

[Sir Robert Leeds]

Would you mind spelling that name, please?

[Lorette Rupe]

E, V, E, R, E. Double T, P, A, R, K, E, r. Although Everett, Mr. Parker, had seen me a few times. Pretty badly bruised. I never told him why or what it was about.

[Sir Robert Leeds]

Mrs. Jackson, what was. What was it about?

[Lorette Rupe]

Suddenly, about six months ago, Bill seemed to have a lot of money. He told me he'd had a winning streak. First it was the races, and then the football pools. Then the races again. And then there was that telephone conversation.

[Sir Robert Leeds]

You overheard the telephone conversation of your husband.

[Lorette Rupe]

We have an extension telephone in the bedroom, and I wanted to call my mother. And I had picked up the bedroom, and I could hear Bill talking on the downstairs phone. And he said, no, names of plans I can't get, but names of people I can. And then I heard him say. Francis, is that you on the upstairs phone? I can hear you breathe. Of course, I was frightened to death. I hung up quickly and I locked myself in the bathroom. And he came upstairs and he pounded on the door. And then. Then the phone rang and he went to answer it. And when I came out, he had left the house.

[Sir Robert Leeds]

How did you associate that experience with this notebook?

[Lorette Rupe]

He used to joke about the four men who had spied for the Soviet Sold our secrets to them. You know there's always room for the fifth man, he'd say. And I knew he wasn't just joking. He was testing me to see how I'd take it. And then one day I found a letter with the number five under the doormat. The next day it was gone.

[Sir Robert Leeds]

So you presumed your husband had removed the letter and that he was indeed the fifth man.

[Lorette Rupe]

I hated to believe it, but I knew it was true. I. Oh, Sir Robert, this is so painful. Could I stop now?

[Sir Robert Leeds]

Oh, yes, yes, yes. That will do for our first session. Stanton, take the tapes and have them transcribed. And arrange for Mrs. Jackson to have a 24 hour protection. I'm placing a 24 hour guard around you because, well, my dear lady, undoubtedly enemy agents will have you followed. And I don't wish any harm to come to you.

[Lorette Rupe]

Is that really so? Right here in England in peace time, there are enemy agents?

[Everett Parker]

Oh, yes.

[Sir Robert Leeds]

We're not the only ones who plant agents in other countries. Theirs are right under our noses here.

[Inspector Michael Fogg]

Shall I stop the recorder now, Sir Robert?

[Sir Robert Leeds]

By all means, Mrs. Jackson. We shall get a message to you by hand to arrange for further taping session.

[Lorette Rupe]

But I could call you as I used to when Bill worked here.

[Sir Robert Leeds]

Don't use your telephone to call me. There's a 100% probability that it's not a secure phone.

[Lorette Rupe]

Not secure?

[Sir Robert Leeds]

We must assume it has been tapped by those with whom your husband had dealings. Now, you mentioned Everett Parker. Friend. I know him. Don't talk to him on your telephone about coming here. Don't say anything to anyone about your husband's death.

[Lorette Rupe]

People will call me to extend condolences. What do I do about that?

[Sir Robert Leeds]

Except the sympathy, matter of factly? But if they ask what happened? How did it happen? Don't volunteer any information. I understand the average person has no idea how ruthless agents can be. Stanton.

[Inspector Michael Fogg]

Yes, sir.

[Sir Robert Leeds]

I want a lady operative to guard Mrs. Jackson. Ms. Davies will do nicely. Yes, Mrs. Jackson. As soon as Ms. Davis can be rounded up, she will leave with you and remain with you by your side at all times until further instructed by us. Good day. And Again, thank you.

[Inspector Michael Fogg]

Mr. Parker. If you knew all this, why didn't you speak up sooner?

[Everett Parker]

My dear Inspector, what a short memory you have. Right in my house. I told you about Carl Carson. But the department had already made up its mind that I had done away with. With Bill Jackson.

[Inspector Michael Fogg]

Yes. How far is Carson's airfield from here?

[Everett Parker]

Sit tight. We'll get there as fast as I can.

[Inspector Michael Fogg]

My head will roll for this If I don't apprehend the right party.

[Everett Parker]

When did you finally decide that Carl Carson was your man?

[Inspector Michael Fogg]

When we lifted a set of his fingerprints from that compartment door handle.

[Everett Parker]

Well, how did you know?

[Inspector Michael Fogg]

They were his regulation left over from the war. All people connected with the private airport owners, managers, pilots, main and so forth must be checked. Their fingerprints are on file. We ran Carson's through the computer and there he was up in Cheshire.

[Everett Parker]

I knew him during the war. There were some shady transactions involving stockpiles of unused weaponry which found its way into the wrong hands. He had good lawyers who got him off with a six month suspended sentence. But evidently that never stopped his accreditation.

[Inspector Michael Fogg]

Parker, when you saw him up at his airport, what did he say when you accused him of complicity in the murder of William Jackson?

[Everett Parker]

He is much implied. It was my word against his.

[Inspector Michael Fogg]

His word? I'm afraid that might not be good enough.

[Tammy Grimes]

Countless experts in the law agreement with the premise that they have never known a guilty person to plead anything but innocence. Admission one way or the other seems to have nothing to do with clean hands or dirty work to sort it out. To arrive at the truth, we rely on evidence, scientific and sworn to facts and juries. And even they sometimes can be mistaken. I shall return shortly with act three.

[Everett Parker]

Weekdays from the creators of the Young and the Restless. It's capital, desire and passion set behind the marble curtain of power in Washington D.C. then follow the lives of people searching for their place in the sun on Guiding Light. And stay tuned for glamour and laughs as Bert Conby brings you celebrity couples and their hilarious secrets on Tattletales. You never know what Tattletales will tell. That's capital, Guiding Light and Tattletale weekdays on CBS Television. Check your local listings for the time.

[Lorette Rupe]

Hello, I'm Nancy Marchand. When we speak of priorities, there's one that comes first with most of us, the well being of our families. Unfortunately, millions of families in developing countries know only poverty, hunger and sickness. You can help them through care. Your contributions will provide the means for survival today and self support tomorrow. Contribute to Care Box 576-New York 10156 or your local CARE office.

[Everett Parker]

News Radio 78, this is WBBM Chicago. We'll take more care of you.

[Inspector Michael Fogg]

Nobody guarantees you London the way British Airways does. For instance, we guarantee you show tours at unbeatable prices. Take our famous London Showtime package for a show stopping $190. It guarantees you six nights at London's Tavistock Hotel, tickets to three hit shows, unlimited bus and subway travel, a banquet Even a visit to Madame Tussauds or for $426, our magnificent London Showtime. Plus, it guarantees you all those things. Plus all your meals for the week. I mean, talk about good show.

[Everett Parker]

British Airways.

[Inspector Michael Fogg]

We take more care of you. I guarantee it.

[Everett Parker]

Prices are per person, double occupancy. And effective November 1st through March 31st, 1983. Prices do not include airfare. Call now toll free. 1-800-331-11005.

[Tammy Grimes]

Inspector Michael Fogg is about to make an arrest in the case of the Crown against an unknown assailant. The evidence he has is as conclusive as fingerprints can be. Theorizing that the killer throttled his victim then opened the compartment door and pushed the body from the train. Those fingerprints that obscured all others must point to the murderer. Inspector Fogg and Everett Parker have just pulled into that private airport in Cheshire.

[Everett Parker]

Is Mr. Carson in?

[Lorette Rupe]

Oh, hello. Aren't you the gentleman you was here just the other day?

[Everett Parker]

Yesterday.

[Lorette Rupe]

I don't think Mr. Carson is on the premises.

[Everett Parker]

Why don't you make sure?

[Lorette Rupe]

I'm sure.

[Inspector Michael Fogg]

Will you tell Mr. Carson that Inspector Michael Fogg of the woodland police would like a word with him?

[Lorette Rupe]

Yes, sir. Mr. Carson, there's an inspector from the police to see you.

[Everett Parker]

What? Olivia?

[Olivia]

Is he near you or is he outside?

[Inspector Michael Fogg]

I'm right here, Mr. Carson. I suggest you come out quietly. I further suggest when you do that you raise your hands in the air.

[Lorette Rupe]

Oh, no.

[Inspector Michael Fogg]

Is your name Olivia?

[Lorette Rupe]

Yes, sir.

[Inspector Michael Fogg]

If you will stand against the wall, Olivia, you won't get hurt.

[Lorette Rupe]

Yes, sir.

[Olivia]

What's this all about? I'll put my hands up, but it's only in self protection.

[Inspector Michael Fogg]

Your inspector rape them up. Mr. Parker, do me a favor. Search the gentleman.

[Everett Parker]

Not.

[Olivia]

Just a minute. He's very high ended. I think you owe me some verification that you are who you say you are.

[Inspector Michael Fogg]

Certainly. See for yourself. I think this identifies me.

[Everett Parker]

And this pistol which I find strapped to Mr. Carson's leg, I think identifies him. Inspector, you'd better take charge of it.

[Inspector Michael Fogg]

Thank you.

[Everett Parker]

Carson.

[Olivia]

Merman. I have a license to carry out.

[Inspector Michael Fogg]

If you have the gun will be returned to you. You are Mr. Carl Carson?

[Olivia]

Yes. Yes, I am.

[Inspector Michael Fogg]

You are under arrest, charged with involvement in the death of William Arthur Jackson on the 10th of this month during the round of the 8am Express train Brighton to London.

[Olivia]

On what evidence am I being charged?

[Inspector Michael Fogg]

Your fingerprints have been found in the compartment shared by Mr. Jackson and Mr. Parker here. You are entitled to advice of council and as soon as we return to headquarters and you have been booked. You will be permitted one telephone call.

[Olivia]

You're making a big mistake. I had nothing to do with his death. I had nothing to gain by it. Or even that man standing next to you had more to gain than I did.

[Inspector Michael Fogg]

I suggest you calm yourself, sir. I shouldn't like to have to resort to handcuffs. If you maintain self control, we can all have a pleasant ride back into town.

[Olivia]

No. No handcuffs. I'll be all right.

[Inspector Michael Fogg]

You are entitled to as much protection under the law as anyone in England. And if we have made a mistake, you may be sure we shall acknowledge it.

[Everett Parker]

You know, Francis, I had ridden on a carousel since I was a child. Whatever gave you the idea to come here?

[Lorette Rupe]

Necessity. I had to talk to you, Everett. And I thought sitting on this double seat with you, we couldn't be overheard. I saw Sir Robert. I told him I suspected Bill of being number five.

[Everett Parker]

Number five? What does that mean?

[Lorette Rupe]

To remember those four traitors who sold out to the Soviet. I believe Bill was the fifth man. And that is why he was killed by the Soviet. For something he did they didn't like. Or. Or perhaps they thought he was a double agent. I've read about that.

[Everett Parker]

You might have added another piece to the puzzle. This Carl Carson I told you about. He could have been a group leader or possibly a courier. Something went wrong and he had his orders.

[Lorette Rupe]

You think he did it?

[Everett Parker]

He was on the train. They found his fingerprints smudged over everyone else's on that door handle.

[Lorette Rupe]

They stopped Bill in his tracks, Everett. They could also stop me.

[Everett Parker]

Why you?

[Lorette Rupe]

They might figure I know too much and I'll talk. I have already.

[Everett Parker]

What did Sir Robert advise you to do?

[Lorette Rupe]

Well, not to use the phone. It's probably tapped. You see that woman over there by the cashier's booth? She's carrying a gun. That's Ms. Davis. She's my bodyguard. Everett, I can't live like this in fear of my life. What can I do?

[Everett Parker]

Let's stand over here where your guard can watch us and no one can hear us.

[Lorette Rupe]

I'm so frightened.

[Everett Parker]

Francis. Don't do anything. First of all, Carl Carson has been arrested, so he's no danger to you. Secondly, I don't believe anyone is going to call attention to themselves or to the spy ring by attacking you. So just call.

[Lorette Rupe]

They caught him.

[Everett Parker]

This Carl present, he's in the Wimbledon jail right now.

[Lorette Rupe]

I want to see him.

[Everett Parker]

What for?

[Lorette Rupe]

I want to see him to confront him. If he killed Bill, I want to know why. If he denies it, I want him to tell it to me, Right to my face.

[Everett Parker]

Francis. He'll deny everything anyway. I don't know if they'll permit you to see him.

[Lorette Rupe]

Well, people visit prisoners all the time.

[Everett Parker]

After they've been convicted. But why see him?

[Lorette Rupe]

I want to face to face.

[Everett Parker]

I thought you just said you were going to put all this behind you. Well, all right, I'll give it a try. I'll talk to the inspector. But don't be surprised if they say no.

[Lorette Rupe]

Can you find out today?

[Everett Parker]

Now, if the inspector is in, I'll talk to him.

[Lorette Rupe]

And when will you let me know?

[Everett Parker]

I have to go up to London tomorrow morning as usual. I'll phone you from the station.

[Lorette Rupe]

Oh, no, no, don't telephone. I'll meet you there 7:45 before the train gets in. All right. By the newspaper kiosk.

[Everett Parker]

Francis, I wish you weren't so determined to go through with this. It's. It's almost ghoulish.

[Lorette Rupe]

I have my reasons.

[Everett Parker]

You're not thinking of something mad, are you? Shooting the man or something? You'll never get away with it.

[Lorette Rupe]

Hard to make you understand, you know there wasn't any love between Bill and me. But I still want to see this through. It's like putting a marker on his grave. If that's the man who did it, I just want to look at him once.

[Sir Robert Leeds]

Oh, Robert Lee. Oh, yes, sir. Oh, that is bad news. Did you say six of them, my lord, I was hoping this list of our agents hadn't yet been transmitted to the other side. What I mean is, when Mrs. Jackson brought me that list, I hoped her husband hadn't yet passed the information along. Six men. Oh, terrible. Which ones?

[Everett Parker]

Ah.

[Sir Robert Leeds]

Aha. Two by umbrella dart.

[Everett Parker]

Ah.

[Sir Robert Leeds]

Strangled.

[Everett Parker]

Oh.

[Sir Robert Leeds]

Motorcycle accident. Terrifying. They must have got to them right away. No, we have nothing definite yet, sir, on that. Yes, sir. Good night, sir.

[Everett Parker]

I learned later that six of our men had met death the same day, each in the country to which he was assigned all the work of Jackson and his list. It was something I could not and would not pass along to his widow. The following morning I was at the Brighton station.

[Olivia]

The 8 o'clock for London will leave Brighton on time.

[Everett Parker]

Francis, over here.

[Lorette Rupe]

Good morning, Everett. I was awake all night thinking about this. What did the inspector say? Did you reach the.

[Everett Parker]

I spoke to him last night. He said he saw no reason whatsoever why you should not have a talk with Carl Carson. He might even welcome it to prove his innocence.

[Lorette Rupe]

When did the inspector say when?

[Everett Parker]

I didn't set a time. I thought you'd arrange that yourself. I told him I was meeting you at the 8 o'clock train and I'd tell you.

[Lorette Rupe]

And what time do you get back from London this evening?

[Everett Parker]

Well, I plan to stay over. Actually. It's two days before we go to press and there's always last minute work to be done on the magazine.

[Lorette Rupe]

It's only that. I mean, if this man is, you know, a murderer, I, I just don't want to see him alone.

[Everett Parker]

They're not going to let the two of you be in a room alone. Whatever made you think that? There's a screen barrier between the prisoners and the public and there'll be gods everywhere.

[Lorette Rupe]

Well, it's not that. It's just that I'm not as brave as I thought I was. I need you. Of course.

[Everett Parker]

I understand it's too much for you. I wish you hadn't thought of it in the first place. Besides, supposing Carl Carson says no? Why don't you wait till the day after tomorrow? Then I'll be here for the weekend and we can go together to discuss it a little more. Process it. It really might be harmful to you.

[Lorette Rupe]

But if I decide to, you will go with me? Yes, of course you will. Thank you. I just won't feel it's all resolved, you see, until I do.

[Everett Parker]

Here's my train. I'll stop by your house Saturday morning. Parker. Parker, wait. Inspector. What is it?

[Inspector Michael Fogg]

Oh, I'm glad you told me where you'd be.

[Everett Parker]

Oh, Inspector, I, I, I can't talk to you now. I miss my train.

[Inspector Michael Fogg]

Don't go, Parker. Carl Carson has escaped from jail. Which way is the main airport office?

[Everett Parker]

Right in front of us with the main hangar behind it. Hold it, hold it. Inspector, there's something wrong here.

[Inspector Michael Fogg]

I'll go in the front door. Is there a back way out?

[Everett Parker]

Yes, there is. Caution's inner office which opens into the hangar. Now wait, won't you?

[Inspector Michael Fogg]

Parker, we can't wait. If he's in there, we have to take him.

[Everett Parker]

Don't you notice? There's absolutely no activity on the field. Most of the planes are not here. That's a flying wing to the right of the main hangar. But nobody's in sight. Nothing's coming in or taking off. Huh. I have a feeling there's no one in here. The door to Carson's office is open. There's no one in there either.

[Inspector Michael Fogg]

He's had four hours head start. He could have taken off in a plane and gone anywhere.

[Everett Parker]

We made a thorough search and we were sorry we did. Outside, lying right in front of the Flying Wing was Carl Carson. Or rather, what was left of him. It was inconceivable to me that a man who'd lived so much of his life around airplanes could have deliberately walked into a propeller.

[Inspector Michael Fogg]

So you don't think it was an accident?

[Olivia]

No.

[Everett Parker]

No, it's not possible. He must have been ready to take off with that woman. We met that Olivia and then gone round to check something. And whoever it was hit the automatic starter and that was it. The prop started to spin.

[Inspector Michael Fogg]

Someone started it up.

[Everett Parker]

He's got extra fuel tanks, all filled. And look there.

[Inspector Michael Fogg]

What?

[Everett Parker]

Special instruments for high altitude flying. Now wait a sec. There's a map here. Huh. Was on his way to Moscow. The Sheremetyevo airport. See? It's got a red circle around it.

[Inspector Michael Fogg]

You think he was intentionally cut down?

[Everett Parker]

I'm sure of it. That assistant of Olivia, she was probably an NKVD agent assigned a watchcar. Just the way chauffeurs are assigned to keep tabs on Soviet diplomats.

[Inspector Michael Fogg]

Wonder where that Olivier is.

[Everett Parker]

Well, she'll turn up.

[Inspector Michael Fogg]

I'd better put in a call to MI5 to close off this entire facility until they get here. I'll have my men surrounded. There's more here than police ought to be responsible for. I guess now you'll never know whether it was Carson who pushed Jackson out of the train or not.

[Everett Parker]

Yes, you're right. No one will ever know. Except the person who did it. If he's alive. Until now, this account of the fifth man was secret. But since I am no longer a member of Britain's secret service, I received permission to tell you that I, as Everett Parker, used that cover for my real job. That of an MI5 operative. We knew Jackson was passing secrets to the Soviets and that his courier was Carl Carson. I was commended for handling the case, specifically for transferring Carl's fingerprints to that door handle. My own technique the chief took. Though if there was a next time, I had better use a portable laser beam, pocket sized. Today, I understand they could have lifted my fingerprints from the door handle, even though I'd worn gloves to push Jackson off the train.

[Tammy Grimes]

Splitly speaking, a spy can only be sentenced to death by a military tribunal in time of war. However, the fifth man was more of a one man fifth column. He did not conduct espionage in the strict sense of the word. Having obtained a government position of trust, he betrayed that trust and therefore died the death of a traitor. Am I five saw to that. I shall return shortly.

[Inspector Michael Fogg]

Dinner's done.

[Everett Parker]

The day is ended.

[Inspector Michael Fogg]

Peace and quiet have descended Nights just.

[Everett Parker]

To you and you Maxwell's House More coffee Joy flavor Talk about what's new Spend some precious time together Maxwell House to you get that good let's drop feeling with Maxwell House Only Maxwell House gives you let's drop Maxwell House Maxwell House has a taste, a feeling that no other coffee can give you Because Maxwell House is always good to the last round.

[Tammy Grimes]

Spies in disguise have an ancient history. The Fifth Column was a sizable army inside the Trojan Horse. Joan of Arc was betrayed by an Englishman disguised as a French bishop. And over the centuries, many, many more. And who were the great, great grandfathers of espionage? Cardinal Richelieu, Frederick the Great, Napoleon, Alexander the Great. The list will never end, for it will reach far into the future. So long as men and countries possess dangerous secrets, other men and other countries will try to steal them. Our cast included Norman Rose, Bernard Grant, Lloyd Batista and Marion Seldes. The entire production was under the direction of Hyman Brown. And now, a preview of our next tale.

[Inspector Michael Fogg]

Peter.

[Everett Parker]

Peter.

[Inspector Michael Fogg]

You see what I mean?

[Everett Parker]

Stefan.

[Inspector Michael Fogg]

He's just standing there, stricken.

[Everett Parker]

I can't think of any worse fate than being the only gravedigger in the.

[Sir Robert Leeds]

Village and having to bury your own wife.

[Lorette Rupe]

Oh, please, please, can't we go home now? My dearest Judith, of course we can. I can't stand a moment longer in the cemetery. Dr. Kadali, I'm sorry. I must go. I can't understand why my mother. She was so young.

[Everett Parker]

Why. Why, Judith.

[Inspector Michael Fogg]

Medicine did everything possible to save her. It was the Lord's will.

[Lorette Rupe]

Oh, that's what I don't understand. Why did the Lord will it that my mother should die?

[Tammy Grimes]

This is Tommy Grimes, inviting you to return to our Mystery Theater for another adventure in the macabre.

[Everett Parker]

Until next time.

[J]

Nestled in the foothills at the edge of the Aegean Sea is a little restaurant named the Brothers Kutsamides. And although it's a dusty, bumpy hour's drive from Athens, people flock to the restaurant to enjoy their renowned souvlaki sandwich. First, fresh, warm stone ground pita bread is laid flat and spread over with the Kutsumides Brothers original tzatziki sauce. Next, chopped lettuce, onion and tomato are laid generously atop the sauce. And finally, tender cubes of delicately marinated pork loin, crisp and hot, off an open, open fire are heaped on top and served open faced. Today you can enjoy an authentic souvlaki sandwich inspired by the Brothers Kutsamidi's original recipe at a famous Chicagoland restaurant. Where at Golden Bear, the Brothers Kutsumidi Souvlaki Sandwich, the Food Adventure of the Month at all Golden Bear Family restaurants.

[Lorette Rupe]

You can choose what you like. You like what you choose.

[Pat Summerall]

There's more from the CBS Radio Mystery Theater, Relic Radio Thrillers and all of the other podcasts at the website relicradio.com you can support this and all of the shows through the website as well, or visit donate. Relicradio.com We've got some downloadable sets for certain donation amounts, so any amount is always helpful and appreciated and how we've been going for 18 years. Thanks to those who have helped out over those years. Thanks for joining me this week. I'll be back tomorrow with the hall of Fantasy and the Horror and next Friday with our next episode of Relic Radio Thrillers.