The Trojan Horse Story by Cloak And Dagger

Summary

Relic Radio Thrillers: "The Trojan Horse Story" by Cloak And Dagger

Episode Overview: "The Trojan Horse Story" is a gripping Old Time Radio adventure presented by RelicRadio.com. Set against the backdrop of World War II, the episode delves into the shadowy world of espionage, featuring agents from the Office of Strategic Services (OSS) engaging in a high-stakes mission to deceive German intelligence about the planned American invasion.

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1. Introduction to Espionage and the OSS

The episode opens with a succinct narration establishing the theme of espionage and black warfare during the war. The host sets the stage for a tale inspired by real incidents from the OSS's Washington files, promising a story filled with mystery, intrigue, and suspense.

• Narrator [00:01:16]: "Black warfare, espionage, international intrigue. These are the weapons of the OSS."

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2. The Initial Contact: Paris Café Rendezvous

The narrative swiftly moves to August 1942 in Paris, where OSS agent Henri Fontaine initiates contact with Gabrielle Monet, a local woman with potential ties to German intelligence. The encounter takes place in the Bluebeard Café, a hotspot teeming with German officers.

• Henri Fontaine [00:01:45]: "I went there alone on the evening of the 15th and sent her a note with a waiter asking her to come to my table when she'd finished her song."

Gabrielle, portrayed as a savvy and cautious individual, questions Henri's intentions amidst the presence of German officers.

• Gabrielle Monet [00:02:43]: "You sit here in a room full of Germans and tell me this. What makes you think I will believe you?" (00:03:46)

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3. The Dangerous Journey to Casablanca

Henri successfully persuades Gabrielle to join the OSS, leading to their covert transportation to Casablanca. The journey is fraught with tension, especially during a customs check where Henri cleverly manages to distract the customs officer with a small dog, Jeff, ensuring their mission remains unnoticed.

• Customs Officer [00:09:00]: "What is in your trunk?" (00:10:04)

Henri's quick thinking allows them to pass through customs without raising suspicion, highlighting the constant danger OSS agents faced.

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4. Strategic Planning in Casablanca

Upon reaching Casablanca, the episode introduces Steve Lytel, another OSS agent, who briefs Gabrielle about the mission's true objective: to deceive the German Armistice Commission head, Paul Vogel, regarding the location of the upcoming American invasion.

• Steve Lytel [00:10:56]: "The planned American invasion. The closed secret is where and when. That's what Paul Vogel wants to find out for German headquarters."

Gabrielle's role is pivotal; she is to rekindle her past relationship with Vogel to extract and manipulate information.

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5. The Three Lanterns Café Operation

The heart of the mission unfolds at the Three Lanterns Café, where Gabrielle performs, drawing the attention of Paul Vogel. The atmosphere is thick with tension as both Henri and Steve monitor the interactions, knowing that any slip could jeopardize the entire operation.

• Henri Fontaine [00:14:02]: "A girl like that could make you forget the war, eh, Steve?" (00:14:06)

The strategic placement ensures that Gabrielle's performances serve as bait, enticing Vogel into a vulnerable position.

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6. The Web of Deception and Double-Crossing

As Gabrielle and Vogel reconnect, the layers of deception deepen. Gabrielle adeptly feeds Vogel false information about the invasion's location, all while maintaining her cover as a loyal German informant. Their interactions are charged with emotional complexity, reflecting past relationships and the high stakes of wartime espionage.

• Paul Vogel [00:16:40]: "How did you know that?" (00:17:40)

Gabrielle skillfully manipulates the conversation to sow doubt and extract critical intelligence, demonstrating her effectiveness as an OSS asset.

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7. Climax: Unraveling and Confrontation

The mission reaches its zenith when Gabrielle grows suspicious of Vogel's growing mistrust. Their confrontation becomes intense as Vogel begins to suspect her loyalty, forcing Gabrielle to act decisively to prevent the mission's failure.

• Gabrielle Monet [00:25:35]: "I remember thinking how very blonde was his hair... I got the automatic pistol that had been given to me by the Americans and shot him twice through his very blonde head." (00:26:19)

This pivotal moment underscores the perilous nature of espionage, where personal emotions often clash with professional obligations.

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8. Mission Accomplished: The Invasion Commences

With Vogel neutralized, Gabrielle successfully ensures that the misinformation reaches German headquarters, thereby safeguarding the real invasion plans. The narration concludes with the confirmation of the mission's success as American forces begin their strategic move.

• Steve Lytel [00:28:28]: "The invasion's begun." (00:28:32)

The episode wraps up by highlighting the crucial role played by agents like Gabrielle in shaping the war's outcome through acts of courage and sacrifice.

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Notable Quotes:

• Customs Officer [00:10:12]: "No, no. Before you go."
• Gabrielle Monet [00:18:03]: "Have you taken many girls to the marketplace? Huh?"
• Paul Vogel [00:23:31]: "Now? Nothing."
• Narrator [00:28:51]: "Mission accomplished."

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Conclusion:

"The Trojan Horse Story" masterfully encapsulates the essence of wartime espionage, blending drama, tension, and strategic deception. Through the characters of Henri Fontaine, Gabrielle Monet, and Paul Vogel, the episode illustrates the intricate dance of trust and betrayal inherent in intelligence operations. Gabrielle's ultimate sacrifice serves as a poignant reminder of the personal costs borne by those who operate in the shadows during times of conflict.

For aficionados of classic radio dramas and tales of suspense, this episode stands out as a testament to the enduring allure of cloak-and-dagger narratives.

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Special Thanks:

This episode was based on the book Cloak and Dagger by Corey Ford and Alistair McBain, produced by Louis G. Khan under the supervision of Sherman Marks, with a script by Winifred Wolf and music directed by John Gart.

Transcript

[Narrator]

Relicradio.com presents stories of mystery and intrigue, espionage and suspense. Hear tales of ticking time bombs, mysterious crime scenes and cloak and dagger action. This is Relic Radio Thrillers.

[Customs Officer]

Are you willing to undertake a dangerous mission behind the enemy lines knowing you may never return alive?

[Narrator]

What you have just heard is the question asked during the war to agents of the OSS Ordinary citizens, who to this question answered, yes.

[Customs Officer]

This is cloak and dagger.

[Narrator]

Black warfare, espionage, international intrigue. These are the weapons of the OSS Today's story, the Trojan Horse, is suggested by actual incidents recorded in the Washington files of the Office of Strategic Services. A story that can now be told.

[Henri Fontaine]

August 1942. Report to OSS headquarters in Casablanca from agent Henri Fontaine in France. Contact with girl Gabrielle Monet was made in the Bluebeard Cafe in Paris. I went there alone on the evening of the 15th and sent her a note with a waiter asking her to come to my table when she'd finished her song. Then I sat and waited. German officers were spread about the room as they were spread about all of occupied France. I wondered what they would say if they knew why I had come.

[Gabrielle Monet]

You send me this note, huh?

[Henri Fontaine]

Oui. Mansel, will you join me?

[Gabrielle Monet]

Why not? I drink with anyone these days.

[Henri Fontaine]

What will you have, eh?

[Gabrielle Monet]

What have you Let me taste from your glass?

[Henri Fontaine]

It is very bad wine.

[Gabrielle Monet]

You are right. The only time a girl may get good wine nowadays is when she drinks with the Bosch. Never mind. I'm not thirsty.

[Henri Fontaine]

I enjoyed your song.

[Gabrielle Monet]

Is that what you wanted to tell me?

[Henri Fontaine]

I think you are wasting your time here in Paris.

[Gabrielle Monet]

Paris is wasting our time on Paris these days.

[Henri Fontaine]

I can offer you a better position in Casablanca.

[Gabrielle Monet]

What did you say? Who are you?

[Henri Fontaine]

My name is Henri Fontaine. I too have a good position with the American OSS in North Africa.

[Gabrielle Monet]

What are you saying?

[Henri Fontaine]

Before the Germans came to France, I was a poor poet. They did me a service. Now I'm a rich spy.

[Gabrielle Monet]

You sit here in a room full of Germans and tell me this. What makes you think I will believe you? What makes you think I won't turn you over to the Germans if I do?

[Henri Fontaine]

Eh, Mamzel, I am not such a brave man. Neither am I a fool. We have kept you under observation for months. We know you better than you know yourself. Is there anything you'd like to know about yourself?

[Gabrielle Monet]

What do you want of me?

[Henri Fontaine]

On our side, we have only the very best forgers, counterfeiters, cutthroats and spies. Will you join us?

[Gabrielle Monet]

Ah, just tell me what you want me to do.

[Henri Fontaine]

Agent Henry Fontaine in France to Agent Steve Lytel in Casablanca. Arrangements have been made to transport the girl, Gabrielle Monet, to the south of France and then to Casablanca. Awaiting further instructions. Over. Bonjour. Bonjour. The roses will bloom early this year, I think. 3. But not too early, I hope. Good. Good. I have been waiting for you. It is dark. I can't see you well. Is the girl with you? She is here. Gabby says something so often, will know you are here.

[Gabrielle Monet]

I am tired.

[Henri Fontaine]

Did you have difficulty reaching my safe in Paris? Not too much. With swarms of displaced persons all over France to mingle with, and a slight bit of help along the way from the underground, it was not too bad. Good, good. Now follow me. I will take you to the fishing schooner. But I know, I know you're tired. Cheer up, Gabby. You'll have a nice long trip by water to rest up. And then another nice long trip by auto to Casablanca.

[Gabrielle Monet]

Oh, I like automobiles. In the old days, I like nothing better than a pleasant ride.

[Henri Fontaine]

But Gabi did not like the automobile trip to Casablanca. It was probably nothing like the old days. I drove up front alone while she was spitting in the trunk of the car behind gasoline drums. There were gunny sacks in a Moroccan rug thrown over her. Across everything a heavy canvas cover lashed down with just enough air left for her to breathe. We drove that way over rough roads for several hours. When it got dark, I pulled over to a side lane and let her out. Gabby, come out. Come up.

[Gabrielle Monet]

Oh. Oh, my back. It is broken.

[Henri Fontaine]

I will gladly massage it for you.

[Gabrielle Monet]

You are too kind.

[Henri Fontaine]

Not at all.

[Gabrielle Monet]

No, thank you.

[Henri Fontaine]

Pity.

[Gabrielle Monet]

Why did we stop?

[Henri Fontaine]

To give you a chance to stretch your legs. And a cigarette.

[Gabrielle Monet]

Oh, I would die for one. Give, give, give, give.

[Henri Fontaine]

I have one lit here.

[Gabrielle Monet]

Ah, merci.

[Henri Fontaine]

You see, I try to be gentle. I try to make up for the inconvenience I am causing you. I remember what another poet once said. A German, by the way, but not a Nazi. His name was Goethe.

[Gabrielle Monet]

What did he say?

[Henri Fontaine]

He said, be gentle with women. Remember, they were made from a broken rib.

[Gabrielle Monet]

I am not amused. Ansari, you are always smiling. Do you enjoy the war? Huh?

[Henri Fontaine]

I am a poet. There is poetic excitement in being behind the lines, working underground. I enjoy being a spy.

[Gabrielle Monet]

Well, I am no Mata Hari.

[Henri Fontaine]

You will do.

[Gabrielle Monet]

You still have told me nothing. Why did they send for me?

[Henri Fontaine]

You remember a German named Paul Vogel called?

[Gabrielle Monet]

What do you know of him? Tell me.

[Henri Fontaine]

Not now. The time is late.

[Gabrielle Monet]

But I must know.

[Henri Fontaine]

Why did you mention later? We have a long Journey ahead. If we pass the border post, I will tell you. If we do not, the words and minutes would only be wasted. I thought I would never reach the border. It's been a long trip.

[Customs Officer]

Where are you headed?

[Henri Fontaine]

Casablanca.

[Customs Officer]

You anything to declare?

[Henri Fontaine]

No, nothing.

[Customs Officer]

Let me see your passport.

[Henri Fontaine]

Here you are. All of a sudden, I spotted a small black dog sniffing and whining at the trunk of the car where Gabrielle was hidden. The customs officer had not noticed him, and I knew I had to find somewhere to keep him from noticing. Ah. One becomes stiff after so long a ride. While he looked over my passport, I went to the rear of the car, picked up the dog by the scruff of the neck and started to pet him.

[Customs Officer]

Your passport seems to be in order. But what's the matter with Jeff?

[Henri Fontaine]

Nothing. Perhaps he does not like to be picked up.

[Customs Officer]

If he did, he wouldn't try to bite. You Better put him down.

[Henri Fontaine]

I knew if I put Jeff down, he'd go back to sniffing around that trunk. I felt like strangling that cute little black puppy.

[Customs Officer]

Well, put him down.

[Henri Fontaine]

I. I have taken a fancy to him. How do you feel about selling him to me? Eh?

[Customs Officer]

Well, I. You. You are serious, monsieur?

[Henri Fontaine]

Oui. I like him. Come, come. How much? Eh?

[Customs Officer]

Oh, take him. There are two more like him around somewhere.

[Henri Fontaine]

Thank you. He will liven up the journey.

[Customs Officer]

Wait. Before you go.

[Henri Fontaine]

Yes?

[Customs Officer]

What is in your trunk? I said, what is in your trunk?

[Henri Fontaine]

Let me put the dog in the car, and then I will show you the trunk. I will show you. You see? Gasoline drums.

[Customs Officer]

Yes, I see. Very well.

[Henri Fontaine]

Close the trunk and they go.

[Paul Vogel]

Of course.

[Henri Fontaine]

Thank you again.

[Steve Lytel]

For Joseph 1942 report to OSS headquarters in Washington. From agent Steve Lytel in Casablanca. Fontaine and the girl arrive. I knew as soon as she walked in that Paul Vogel could not have forgotten her. I only hoped her memories of him weren't too strong. Now, as you know, Miss Monet, this is an international zone. We are, in effect, neutrals. In Casablanca, we pass each other in the streets. Germans, Americans, Vichy and Free French. You can imagine what a hotbed of international intrigue we have here.

[Gabrielle Monet]

I. I know nothing of that kind of intrigue.

[Henri Fontaine]

Then perhaps we can broaden your horizon.

[Steve Lytel]

Hold it, Henri. Now listen to me, Yebby. The head of the German Armistice Commission in Casablanca is a man named Paul Vogel. Does that name mean anything to you?

[Gabrielle Monet]

We knew each other once, before the war.

[Steve Lytel]

Knew each other?

[Gabrielle Monet]

He was an attache to the German consulate in Paris.

[Steve Lytel]

You almost married him once, isn't that so?

[Gabrielle Monet]

That is my business.

[Steve Lytel]

I'm afraid we've made it our business now, Gabby. We've kept close watch on you these past months, and we're sure that you're no Nazi or Vichy sympathizer.

[Gabrielle Monet]

Oh, I hate them all for what they are doing to France.

[Steve Lytel]

But Vogel, what are your feelings toward him?

[Gabrielle Monet]

I haven't seen him in years.

[Steve Lytel]

It's not answering my question.

[Gabrielle Monet]

If he is a Nazi, I have no feelings toward him.

[Steve Lytel]

All right. Then. The open secret here in North Africa is the planned American invasion. The closed secret is where and when. That's what Paul Vogel wants to find out for German headquarters.

[Gabrielle Monet]

I still don't understand what I.

[Henri Fontaine]

You're to tell him. Sherry.

[Gabrielle Monet]

What?

[Steve Lytel]

Henri's right. You're to take up this friendship with him once more. Give him all the information he wants. You'll get it direct from us. Look now, rest assured, it'll be the wrong information. You understand now?

[Gabrielle Monet]

Ah, I'm beginning to.

[Steve Lytel]

Good. We have a job for you at the Three Lanterns Cafe. Now, starting tomorrow, Agent Henri Fontaine and I were at the Three Lanterns Cafe the next night when Gabrielle opened there, Cafe was packed. But even the crowd around the bar, officers with ribbon chests, waterfront riffraff and black marketeers, all of them were quiet. When she sang, she was wearing a red dress. In the spotlight, her face looked smaller and whiter. Her hair looked blacker. There wasn't a man in the room who could take his eyes off her. I wondered how soon it would be before Paul Vogel came in and saw her too.

[Henri Fontaine]

A girl like that could make you forget the war, eh, Steve?

[Steve Lytel]

I've got a wife I can. Syracuse.

[Henri Fontaine]

Can she wear red like that?

[Steve Lytel]

My wife can be trusted. And this girl? She and Vogel were pretty close in the old days.

[Henri Fontaine]

I know my own kind. She can be trusted.

[Steve Lytel]

I hope you're right. The success of the whole American invasion may hinge on it.

[Henri Fontaine]

A lot depends on how hard Vogel falls for that little bait up there on the bandstand. Steve Google. He's just come in.

[Steve Lytel]

That's all I wanted to see. Come on. Let's get out of here.

[Henri Fontaine]

Excuse us. Pardon. Pardon.

[Paul Vogel]

This table is free. Waiter.

[Customs Officer]

It will do. Oui, Argel.

[Paul Vogel]

You wish to see the wine list? Oh, I. That girl, how long has she been here? The singer, you mean? She started only tonight. Tell her to come to this table when she's finished. You understand?

[Customs Officer]

I understand.

[Paul Vogel]

No, you don't. You only think you do. Go tell her what I said. And bring a bottle of your best wine.

[Gabrielle Monet]

And I had no idea it was you. Paul, when the waiter came to me. How like you to walk back into my life so quietly after making so violent an exit.

[Paul Vogel]

Ah, the world is small after all.

[Gabrielle Monet]

Gabi, I'm amazed to find you in Casablanca.

[Paul Vogel]

I can say the same of you. What are you doing here?

[Gabrielle Monet]

I arrived here a few days ago. But I've been in North Africa for months. Tangier, Orange, Tunis. Singing.

[Paul Vogel]

How were you able to leave France after the occupation?

[Gabrielle Monet]

You should know how well I always got along with Germans.

[Paul Vogel]

You don't seem angry with me any longer, Liechen. After that last time six years ago.

[Gabrielle Monet]

Life is too short to be angry for too long at anyone. Besides, I was a fool to have been jealous of that silly blonde with the bad legs. I've even forgotten her name.

[Paul Vogel]

Suzanne.

[Gabrielle Monet]

Aha. I see you have not forgotten.

[Paul Vogel]

Oh, it's a wine. Gabby. How good it is to be with you again.

[Gabrielle Monet]

How good it is to be with you, Paul.

[Steve Lytel]

For you.

[Henri Fontaine]

For me.

[Paul Vogel]

Now we will drink to what is to believe Him. You could have no better guide through Casablanca than I, Gavi. Come. What else would you like me to buy you from the marketplace?

[Gabrielle Monet]

A scarf, perhaps?

[Paul Vogel]

A gold scarf to put around your hair.

[Steve Lytel]

Yeah.

[Gabrielle Monet]

Have you taken many girls to the marketplace? Huh?

[Paul Vogel]

Will you be forever jealous of me, Liebling? What? Is it the French in you?

[Gabrielle Monet]

Ah, it is the woman in me. I imagine you are in great demand by the women here. The chief of the German Armistice Commission.

[Paul Vogel]

How did you know that?

[Gabrielle Monet]

I know more than you think.

[Henri Fontaine]

Oh.

[Gabrielle Monet]

Would it interest you to know the name of one of the most important American agents in North Africa?

[Paul Vogel]

Who?

[Gabrielle Monet]

Steve Leiter.

[Paul Vogel]

But you know him.

[Gabrielle Monet]

I know him. And he knows the details of the planned American invasion.

[Paul Vogel]

Cop. I will buy you a gold scarf.

[Gabrielle Monet]

Have you nothing to say of what I just told you?

[Paul Vogel]

I knew that already. I, too have agents, however. Thank you for telling me. I can promise you more than a gold scarf if you find out additional information for me.

[Henri Fontaine]

Is this possible?

[Gabrielle Monet]

It might be very possible.

[Steve Lytel]

Agent Lytel in Casablanca to OSS in Washington. The girl, Gabrielle Monet, has been in the paid employ of the German government here for several weeks, according to our plan, and will transmit to them the dakar cover project.

[Gabrielle Monet]

September 1942. Report to OSS headquarters. From agent Monet. I had a feeling that things were going too smoothly. I seemed to be holding my breath, waiting for something to go wrong. And on the night of the 29th, it did. Old Vogel was in my room above the cafe. We were listening to my record of our favorite song. Oh, Mama, you are you'll have to go soon. It is late.

[Paul Vogel]

Forget the time. Who would think it would come to this again? G After that day in Paris when we quarrel.

[Gabrielle Monet]

I remember that day. We showed poor judgment to argue out of doors. It was raining. I got a terrible cold in the nose.

[Paul Vogel]

Poor Gabby. Let me kiss that poor nose.

[Narrator]

Sherry.

[Gabrielle Monet]

You really must go. But before you do, I. I have a paper for you in my pearls. Dates when high officials will be in Casablanca. I get it.

[Paul Vogel]

I want to talk to you.

[Gabrielle Monet]

You're hurting my arm. Let me go.

[Paul Vogel]

He is paying you well for this information you are giving us. Some of it is useful information, but none of it is as important as I would like.

[Gabrielle Monet]

I will try to do better.

[Paul Vogel]

You had better do better. You know what would happen, Gabi, if I found out you were crossing?

[Gabrielle Monet]

I would not cross you.

[Paul Vogel]

It is nothing for me to twist your arm like this. Such a small arm. Think what I could do if I really tried to hurt you.

[Gabrielle Monet]

You hurt me now because you don't trust me. What do you want?

[Paul Vogel]

You claim to know this American lifetime.

[Gabrielle Monet]

I do.

[Paul Vogel]

You claim you get your information from him. Is that all he gives you? What about his love? Does he give you that too?

[Gabrielle Monet]

Haul. The shoe is on the other foot. Now it is you who are jealous. Oh, how foolish of you. Think. Would I lie to you?

[Paul Vogel]

Kabi. Kabi. Oh, copy. If you ever lie to me, I would rather see you dead at my feet than standing looking at me and lying. You hear what I say?

[Gabrielle Monet]

Yes. Yes, I hear. I hear.

[OSS Agent]

No, no.

[Paul Vogel]

No. More wine. I must keep my head clear to think of what you have just told me.

[Gabrielle Monet]

Now, are you satisfied that I am earning my money?

[Paul Vogel]

Dhaka. So the Americans will land in a few weeks at Dhaka? Very likely.

[Henri Fontaine]

Very likely.

[Paul Vogel]

Dakar is strategically important.

[Gabrielle Monet]

It will be more important if the German fleet is there to stop the invasion.

[Paul Vogel]

That bungled attempt at a landing under Degor's leadership failed. So the Americans probably figure we would not dream that they would try it again in the same place.

[Gabrielle Monet]

One American, Steve Lyttel, does not dream. You know this. Are you going to tell German headquarters?

[Paul Vogel]

But of course. This is something they will want to know.

[Gabrielle Monet]

He believes it, Steve. Every word of it.

[OSS Agent]

Good.

[Gabrielle Monet]

The German plead is being sent to stop the invasion at Dakar.

[Steve Lytel]

Good, Gabby. Good work.

[Henri Fontaine]

Steve. Radio report just in from Gibraltar.

[Steve Lytel]

What is it?

[Henri Fontaine]

No, no, no, no. Let me tell it, Jeff. General Clark will rendezvous on October 21st at point agreed near Algier.

[Steve Lytel]

You know what that means? Final preparations for the Iran invasion. Nothing must go wrong.

[Paul Vogel]

Now?

[Steve Lytel]

Nothing.

[Gabrielle Monet]

November 4, 1942. Something very wrong happened. Ball came to my room just before I was ready to go downstairs to the cafe. Paul.

[Paul Vogel]

Gabby. Your friend Lyttel has been playing you for a fool. You hear what I say?

[Gabrielle Monet]

I don't understand.

[Paul Vogel]

The invasion is not the car. I just learned myself. It's to be Oran. Oran? The German fleet, on my suggestion, is waiting in the car for nothing. And will continue to wait for nothing. Do you know what this will mean to me? Do you realize what the High Command will do to me for this?

[Gabrielle Monet]

Please. Please, Paul.

[Customs Officer]

Perhaps.

[Gabrielle Monet]

Perhaps your latest information was wrong about Oran.

[Paul Vogel]

No. No, no, no, no, no, no. It all ties in. They. The Americans wanted me to believe. Gaby. What had you to do with this?

[Gabrielle Monet]

Now what are you saying? I'm getting tired of your suspicions. One day you trust me, the next day you don't.

[Paul Vogel]

Your French. What kind of French?

[Gabrielle Monet]

Instead of questions, ask yourself this. Would I betray you, Paul? Not Germany? But you think. Look at me. Look at your Gabby Janasa.

[Paul Vogel]

I.

[Henri Fontaine]

I.

[Paul Vogel]

No, of course not. Not you. You wouldn't dare. There may still be time to stop the Americans at Iran. I must get back to headquarters and let them know by radio. I should have done that right away instead of coming here.

[Gabrielle Monet]

Have a drink first.

[Paul Vogel]

No, no. Later. I'll be back.

[Gabrielle Monet]

It will not be easy for you to tell the High Command this. A drink will fortify you.

[Paul Vogel]

Perhaps. Perhaps you're right. One drink.

[Gabrielle Monet]

Hold. Sat on the edge of a couch, his head in his hands. I remember thinking how very blonde was his hair. How large his hair. It was not difficult for me to drop half the L tablet from my purse into his glass as I poured the liquor over it. Here you are. Poor Paul. Poor petty. You look so tired. Dream.

[Paul Vogel]

Where are you going?

[Gabrielle Monet]

To put on the record you like. We played it so often lately, Paul, that one of these days it will just rise up in protest. You tired?

[Paul Vogel]

No. No. Why should I be tired? I must go now. I've had my drink.

[Gabrielle Monet]

Hear my records. Then you will go.

[Paul Vogel]

No. Now I must go. You're so good, Maker. You love me. You love me very much.

[Gabrielle Monet]

His head had fallen on his arms and rested on the table. The tablet had begun to work, as I knew it would. I got the automatic pistol that had been given to me by the Americans and shot him twice through his very blonde head. Report from Agent Gabriel Monet.

[Steve Lytel]

Well, it ought to come any minute now. News of the invasion. I've had word that Eisenhower and Clark were in Gibraltar on November 8th. I'll let you both know as soon as something comes through on the radio.

[Henri Fontaine]

Are you all right?

[Gabrielle Monet]

Bemis me. Don't concern yourself.

[Henri Fontaine]

You did what you had to do. It took courage.

[Gabrielle Monet]

If I had thought about it longer, perhaps I would not have had the courage. You cannot know.

[Henri Fontaine]

I think I do.

[Gabrielle Monet]

He meant a great deal to me. A long time ago. I killed him.

[Henri Fontaine]

Listen to me. I told you something once that the poet Goethe said. He also said this. Give up what perished long ago and let us love what's living. Do you hear? Gabi, do you hear? Franklin, Midway, Lincoln, Obed, Ar.

[Steve Lytel]

Ob. That's it. The code name Robert's arrived. The invasion's begun.

[Henri Fontaine]

Do you hear? Did you hear? Gabby, did you?

[Gabrielle Monet]

Yes. Yes. Yes, I heard.

[Narrator]

And once again, the report of an OSS agent is closed with the words Mission accomplished. A further adventure in black warfare is next week.

[Customs Officer]

Cloak and Dagger.

[OSS Agent]

Heard in today's story were Jane White, Barry Kruger, Leon Janney, Joseph Julian, Carl Weber, Raymond Edward Johnson, Guy Sorrell and Bernie Gould. Script was by Winifred Wolf. Music under the direction of John Gart. Today's true OSS adventure was based on the book Cloak and Dagger by Corey ford and Alistair McBain. This has been a Louis G. Khan production under the supervision and direction of Sherman Marks. Stay tuned for the second big mystery, High adventure on NBC.

[Narrator]

That's the show for this week, but don't forget, there are thousands more like it at relicradio.com horror, strange tales, science fiction, crime, all available for free. Like to donate to Relic Radio and have help keep it all free. You can do that through the website as well. Visit donate. Relicradio.com to find out more about that and see the special downloadable sets that are available. My thanks to those who have donated and thanks for listening today. Talk to you again next week.