Drag-On | ROC Solid w/ Memphis Bleek

Summary

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ROC Solid w/ Memphis Bleek: Drag-On (August 26, 2025)

Main Theme / Purpose

In this engaging episode of ROC Solid, legendary Roc-A-Fella affiliate Memphis Bleek welcomes Drag-On, the famed Ruff Ryders MC, for an unfiltered and heartfelt discussion. They explore the realities behind their respective legacies, reminisce about pivotal hip-hop moments, and take deep dives into the unseen grind, personal evolution, and spiritual growth that shaped both their careers. Listeners get rare insights into hip-hop camaraderie, lyrical competition, business ventures, and Drag-On's spiritual journey.

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Key Discussion Points & Insights

1. Lifelong Grind & Legacy in Hip-Hop

• Longevity & Relevance: Drag-On talks about still being driven after two decades, working on new music—"To have the pen gang for 20 years, bro, it's a blessing, man." (Memphis Bleek, 03:57).
• Current Projects: Drag-On is working on two albums, with Terry Sun coming before The Opposite of H2O Pt. 2 to “reintroduce” himself to the game (Drag-On, 04:01, 30:48–31:16).

2. Early Ruff Ryders & Roc-A-Fella Memories

• First Encounters & Competition: Drag-On and Bleek recall meeting on the Hard Knock Life tour, the pressure of living up to Ruff Ryders' spitter-heavy reputation, and friendly battles initiated by Swizz Beatz.
  • "Swizz is foul, too...he tried to get us to battle when we first met." (Memphis Bleek, 05:41)
• Impact of Legendary Crews: Both discuss how labels like Ruff Ryders and Roc-A-Fella threw their young artists “in the ring” for lyrical testing and sharpening against veterans—emphasizing pressure but also how it built camaraderie and respect (06:08–08:06).

3. Studio Process & Professional Growth

• Influence of Styles & Techniques: Drag-On was inspired by Jadakiss and Styles P writing without pen and paper, making him step up the professionalism of his own craft (08:06).
• Writing Without Pen and Paper: Drag-On first recorded "Spit These Bars" using this technique—"First song I did like that was Spit these Bars." (Drag-On, 09:19).

4. Collaboration Stories

• Recent Collab with Gat Murder: The process was organic, highlighting how loyalty and real connections drive collaborations in the underground scene (09:34–10:17).
• On Acting: Drag-On credits DMX for getting him into acting gigs, emphasizing that he never had a movie agent—"No, my agent was X." (Drag-On, 11:45).

5. Artistic Influence & Interpersonal Camaraderie

• Roles as “Under-Soldiers”: Bleek and Drag-On reflect on being overshadowed by “big homies” (Jay-Z, DMX), but note their vital roles in pushing their crews to greatness—"We help sharpen these guys…our young impact definitely impacted the OGs for sure." (Memphis Bleek, 12:49)
• Healthy Competition with DMX: Working on “Cradle 2 the Grave,” Drag-On spurred DMX back into the studio—"I could see X face like, hold on, hold on...next thing you know he started going in and blazing shit." (Drag-On, 13:09)

6. Overcoming Personal Struggles

• Speech Impediment: Drag-On opens up about his lifelong stutter and working to overcome it, notably through rap and self-training—"I was born with a real bad stuttering problem...in 2017, I actually started working on it." (Drag-On, 14:58).
• Acting Scripts: Memorizing scripts in advance helped him mask his stutter during film shoots (15:39).

7. Industry Game & Behind-the-scenes Stories

• Missing Artist in "Down Bottom" Video: Drag-On discusses how label politics kept Juvenile out of the video, despite him being scheduled, and how that strained relationships and expectations—"They did like some little slick shit...switched it on me right quick and said, yo, this a remix." (Drag-On, 18:59–19:22)
• Label Interference: Both reflect on how labels have kept key contributors out of music videos and features due to business politics (20:05–20:53).

8. Producer Talk & Creative Overlap

• Favorite Producers: While both have immense respect for Swizz Beatz, Drag-On names Timbaland as his personal favorite—"He's like my favorite...the sounds that he be using, where did he hear that?" (Drag-On, 26:55)
• Collaboration Without Meeting: They discuss recording tracks with artists they've never met in person, highlighting the remote nature of some classic collabs (28:01–28:19).

9. Regional Pressure, Roots, and Inspirations

• Upholding Bronx’s Hip-Hop Legacy: Drag-On reflects on coming from the Bronx—the birthplace of hip-hop—feeling the responsibility to live up to its reputation (35:02–39:46).
• Inspirations: Rakim and KRS-One are cited as huge influences—"Rakim was my favorite rapper in the world, bro." (Drag-On, 40:08). KRS-One was the first to hand Drag the mic onstage (41:14).

10. Spiritual Awakening & Israelite Identity

• Spiritual Journey: Drag-On goes deep into personal faith, identifying as an Israelite, reading the entire Bible, and the importance of scripture in understanding Black history and personal responsibility (42:44–54:30).
  • “I identify myself as an Israelite, so I follow the Bible...Five days ago, I just completed reading the whole Bible.” (Drag-On, 42:44)
• Advice on Studying the Bible: He encourages Bleek—and listeners—to read Deuteronomy 28 to understand historical connections (65:25–67:32).
• On Stereotypes: Addresses misconceptions about Israelite street preachers and advocates for open-mindedness—"Just stand there for like 10 minutes. I guarantee you gonna be like this. Oh, so hold up. Wait a minute. These niggas is yelling and fighting." (Drag-On, 60:50)

11. Business Ventures and Community

• Entrepreneurship: Drag-On plugs his daughter's Black Key Candle business and his wife's Light by Fire, highlighting a focus on family and generational empowerment (63:32–64:49).

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Notable Quotes & Memorable Moments

• “To have the pen gang for 20 years, bro, it's a blessing, man.”
  — Memphis Bleek (03:57)

• "Swizz is foul, too...he tried to get us to battle when we first met."
  — Memphis Bleek (05:41)

• “When I was talking to y' all before and stuff like that, man, if only y' all knew what I was doing in my mind just to create the conversation.”
  — Drag-On on battling his stutter (15:17)

• “We help sharpen these guys…our young impact definitely impacted the OGs for sure.”
  — Memphis Bleek (12:49)

• “X was a major, major goat. Major responsible for everything.”
  — Memphis Bleek on DMX (14:32)

• “If you want me in this movie, you got to put my little man in it.”
  — Drag-On on DMX getting him acting roles (11:45)

• “Rakim was my favorite rapper in the world, bro.”
  — Drag-On (40:08)

• “King James was a black man that ran England and Scotland and Portland and all these places.”
  — Drag-On (52:38)

• “It's like, see me, like, I never really knew that God gave us a manuscript for life.”
  — Drag-On (57:47)

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Timestamps for Important Segments

| Segment Topic | Timestamp | |-------------------------------------------------------------|--------------------| | Memphis Bleek intro, Drag-On's longevity | 03:30 – 04:10 | | Early label competition & "Down Bottom" origins | 04:43 – 07:02 | | Recording with Ruff Ryders, studio pressure | 07:45 – 09:19 | | Freestyle/IG connection, recent collabs | 10:10 – 11:16 | | Acting, stutter struggle, movies with DMX | 11:45 – 15:39 | | Label politics: Videos with missing features | 18:53 – 20:53 | | Producer favorites (Swizz, Timbaland) | 26:01 – 27:15 | | Collaborating without meeting artists | 28:01 – 28:19 | | Drag-On's inspirations: Rakim, KRS-One, Fat Joe story | 35:24 – 38:37 | | Spiritual awakening, Israelite identity, bible discussion | 42:44 – 67:32 | | Candles/Business plug & community support | 63:32 – 64:49 |

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Where to Find Drag-On

• Instagram: @dragon1
• Drag-On’s Candle Business (daughter): @blackkeycandle
• Wife's Candle Business: Light_by_fire

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Tone and Takeaway

The episode is conversational, funny, and real—an authentic look at hip-hop life after the spotlight, emphasizing legacy, continued creativity, and the deeply personal journeys that go beyond the music. Memphis Bleek and Drag-On’s brotherly dynamic is evident throughout, mixing nostalgia, new-school advice, and reflection on identity and faith.

For fans, this is a rich listen packed with untold stories, peer insights, and life lessons—delivered 100% ROC solid.

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Transcript

[Drag]

This is an iHeart podcast.

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[Drag]

All?

[Memphis Bleak]

This your main man? Memphis Bleak right here. Welcome to Rock Solid a production of iHeartRadio and the Black Effect Network, in partnership with my guys over at Drink Champs. Big whipping. Yeah, Memphis, I'm back at it. Notice the difference. Just more grown. Prezi. No stones. Yeah, you already know what it is, y'. All. Yours truly back with another one. Like I said, this is rock solid. And if you see anybody sitting on this stage next to me, it only means one thing, that they solid. And I respect everything they got going for theyself. I got my brother in the building. You might not know we was this cool, but even though he from the double law and I'm just from the. Ah, it's always been family. Welcome to the set. My dude drag in the building, make some noise for my bro. You know what I'm saying?

[Drag]

Yeah.

[Memphis Bleak]

How you been, my G man?

[Drag]

Good.

[Memphis Bleak]

It's been a minute, man. Been seeing you murdering shit on the gram all day. I'm like, you part of the reason why I got back in the booth, too. Cause my bro Cheech was like, yo, Bleak, you gotta drop some music. And I'm like, man, let me see what niggas my age doing. Yeah, I go check you out. I'm like, hold on. Rap still. I mean, drag still murdering shit. Like, what the fuck is going on out here?

[Drag]

Good looking, man. Appreciate it, man.

[Memphis Bleak]

To have the pen gang for 20 years, bro, it's a blessing, man. How you been, my brother?

[Drag]

I'm good, man. Word. Like, I'm, you know, just grinding, like. You know what I mean? Word up. Like, right now, like, I'm in the process of working on two albums right now. Oh, sure. We just working, man.

[Memphis Bleak]

Damn. That's what's up, man. That was one of my questions I was gonna ask you. Cause I always wondered why you only drop one album.

[Drag]

Nah, on Rough Riders, I actually dropped two albums. But the second album didn't get promoted, like, at all, you know, like, you know what I'm saying? It was, like, a lot of paperwork and all that stuff going on and stuff like that. So in, like, 06, I sat back and I started my own record label called Hood Environment. You know what I'm saying? But the thing. It didn't start picking up until, like, 2016.

[Memphis Bleak]

Oh, wow. That's what's up, man. I didn't know that. But I know in the music game, you know, you got rappers that come that go. But there's people that's just here forever and make an impact. And you one of those guys, man. Like, I never forget the first time I heard Down Bottom, like, I said, we always been fam. But it always been a little bit of that sudden competition. Cause I remember when Down Bottom dropped and they came to the studio and they like, you ain't fucking with this bleak. And I'm like, what? They put it on. I was like, are you kidding me?

[Drag]

What?

[Memphis Bleak]

Like what?

[Drag]

Yo, it's crazy, too. Wonder why? Cause look on. I think it was the Hard Knock Life tour, right when that song came out, and I was walking through the hallway, and it's the first time me and you met, and I came across you the hallway, and you was like, yo, Drag. Yo, that Down Bottom is one of my favorite joints. Yo, big bro, listen. I went back to my hood. Like, yo, my nigga moment. That nigga Bleak. Y' all niggas be bumping and all that. That nigga fuck with my shit.

[Memphis Bleak]

That's right. Nah, nigga litted for that shit. Yo, and talking about the hard knock, my G, Let's Swiss. Swizz is foul, too. A lot of people don't know Swiss is foul. Cause he tried to get us to battle when we first met. I don't know if you remember that. We was in that 16 passenger van. He like, yo, come on, let me see. Go ahead, battle. But we only both spit one verse a piece. We ain't even get into nothing. It was one verse. You spit, I spit one verse. And then it was over, man.

[Drag]

Yeah, like, the Rough Riders used to always try to throw me in the ring with a bunch of dudes. You know what I mean? Cause like, to get signed to the Rough Riders, that's what you basically had to do.

[Memphis Bleak]

They damn near jump niggas in.

[Drag]

Yeah, yeah, I ain't gonna front. It was like a real initiation.

[Memphis Bleak]

And then that's what made me think about it. Cause seeing years later when Swizz had, you know, Freeway battle the homie, I'm like, yo, hold on. This Swiss move. He just tried to put niggas on niggas to see if his dogs is ready for the war. I'm like, that's smart, though.

[Drag]

He called Cash that night. And then he also called me that night, too, to come down there to battle, too. I was supposed to be there at night, but that night I had the flu, bro. I was cold sweats the bed like, yo, damn, this crazy. And then what had me sick was that that joint went viral. And that's like. That was a video that went viral before viral was even viral. You know what I'm saying?

[Memphis Bleak]

Free can't even get over that to this day, like, to this day, no matter what, Free, do they always bring up Cass? And I always wanted to know, when I ever talk to Cass, I'm asking, when you out, do they always bring up Free? Cause I'm telling you, bro, we done did interviews over the world, and they like, yo, but what happened with the cast? This, this, and that. And I'm like, all right, cool. But the Rough Rider, Cami, I had some spitters, man. You had E. The Locks?

[Drag]

Yeah, of course.

[Memphis Bleak]

You had the dog. God bless his soul. X was. Come on, man. We already know that's top golden status. But then Drag, come on, man. Like, was it any pressure of, like, yo, I gotta hold my weight against all these guys, or was it just like, man, I got this shit. It's nothing.

[Drag]

Nah, because, like, when I came into the game, I mean, you know, like, in my eyes, like, the Locks was already, like, pioneers to me. They already had joints with me. Mariah Carey. Yeah.

[Memphis Bleak]

And.

[Drag]

Like, Mary J. Blige, Puff and Kevin. You know what I'm saying? So I.

[Memphis Bleak]

That's a fact.

[Drag]

So, like, just to be in the booth with them, I'm like, this. Okay, all right, Drag, all that block shit ain't gonna work here. Here we go. Have to step this up and get this shit. Like, gotta be professional with this joint. Yeah, Word. You know what I'm saying? And then, like, what amazed me, the Locks was kissing Styles. I noticed that they was writing rhymes with no pen or paper. So that put me underneath a different type of pressure. I'm like, yo, these, like. And I'm sitting here, like, I'm whispering to my man. I'm like, yo, these niggas is writing with no pen or paper. My nigga. Real talk, they writing they verse right now. Yo, that's how these dudes is just sitting it. Yeah. Like, Big did it.

[Memphis Bleak]

Jay did it. For you to say they did it, it's like, I think me trying to be like Jay. When I stopped writing, that's when I fell off. Shit got whack after they don't fuck with Bleak no more. But word, you ever tried that? Like, not writing and going in the booth thinking of something off the mind?

[Drag]

Well, like, not really, like, freestyling, but I actually rode around with no pen and paper writing, you know, just being around them. And the first song I did like, that was Spit these Bars.

[Memphis Bleak]

Oh, word.

[Drag]

Word.

[Memphis Bleak]

Damn, that's one of my joints, man. You got a lot of classics, my G. That's why I was like, I gotta see what my guy into. Of course you were. You did. You just dropped the joint with one of my bros, my man Gat Murder, man.

[Drag]

Oh, yeah.

[Memphis Bleak]

Yo, that fire, too, bro.

[Drag]

Good looking.

[Memphis Bleak]

How that connection come about?

[Drag]

Yo, he him. He like, yo, Drag. Yo, my, yo, you gotta come to the show, bro. I'm like, this, yo, my four boy. I'll be a little laxadious with the interviews and stuff like that.

[Memphis Bleak]

Yeah, yeah.

[Drag]

He like, yo, Drag, listen, my. You gotta come to the show. And the next thing you know, he hit me. He like, yo, Drag, look, I got this joint. My imma lay my verse, but imma definitely need a verse. I'm like, my send it.

[Memphis Bleak]

Yeah, yeah, sit the back.

[Drag]

He like, drag, imma need you to come to New York, shoot this video. You got. Shoot the. And then once I got in the video, say, he like, yo, Drag, I got you here now. Yeah. And I'mma need you to come with me to go do that motherfucking show now.

[Memphis Bleak]

So I'm like, yo, I ain't going front. When it come down to niggas like, Gat Murder, Graff, you, I could say y' all really like, Gat is new. Graff, you, me, we all from the. You know, the real cloth that really started in New York, the underground. To see y' all keep going and still be as nice as y' all was when you first started. That shit is inspiration to me, bro. Like, and I hope other kids out there feel the same way. Cause, bro, like, I ain't gonna lie. You go viral every time you do one of the IG freestyles.

[Drag]

All right, Good luck, man. I appreciate it.

[Memphis Bleak]

That's how I started following you. Word up. Like, I remember seeing the Free. I'm like, drag out an ig. How the fuck I ain't following, bro? And that's how we connect that word, man. Like, that shit is insane.

[Drag]

I hear you out there, too.

[Memphis Bleak]

Going there, too, though, bro. I'm trying. I'm trying the opposite of H202.

[Drag]

I definitely need you on the worry. Cause you can ask anybody at the. I definitely wanted you on part one.

[Memphis Bleak]

You should have hit me, bro. You know, that's nothing anytime, man. I'm always on deck, bro. And one thing I wanted to. That I admired of you in your career, too, because I was scared to do it. Acting, bro. Oh, that. Yo, bro, I literally sat in the crib and not gonna forget watching your movies that I don't know this guy. Look, this dude. It's Morris Chestnut on the TV right now. Like, you killed. You did your thing. Man, how you ever felt about getting back in the act?

[Drag]

Yeah, I mean, you know, like. And to be honest with you, like, I never really wanted to leave. You know what I'm saying? You know, but when I was in the acting joint, I never really had a movie agent at all world. You feel what I'm saying? It was my nigga X. My nigga X was like this. Yo, my nigga, look, if you want me in this movie, you got to put my little man in it. Boom. When I was getting in them like that, you want to say I never really had, like a. Like a. Like a real agent, you know what I'm saying? So, damn. But no, my agent was X.

[Memphis Bleak]

You killed it, bro. Like me and Jet Lee, of course. The beautiful, God rest her soul. Aaliyah, man, like, bro, you. You got some classics out there, bro. Movies, records, everything. I remember the first time hearing you was on the. This is for my dogs. This is for my dogs. This is for my dogs. I was like, who is this nigga right here, bro? Like, that's what I mean. Like, I don't think people appreciate the under the soldiers with the big homies. Like, we always get placed in the shadow. Like, yeah, they in the shadow, but we never wanted to be these guys.

[Drag]

Yeah, yeah.

[Memphis Bleak]

And they don't give us the credit that because of us, we help sharpen these guys. Like, I think, you know, our young impact definitely impacted the OGs for sure. Like, you. You definitely help X sharpen his skills when you was around. Like, he was a little bit more vicious when you there.

[Drag]

Yeah. Like, X. Like, X was always vicious world. You know what I'm saying? But X was always, always like a competition person. You know what I'm saying? So, like, when we were shooting, like, the crater to the grave, right? You know what I mean? Another competition. God damn. I was out there, and they had just opened up my second budget for my second album, right? So I'm out there shooting the movie and then at night, going straight to the studio and recording mad joints. So I used to wake up on the set the next day and go to the set with, like, three, four records, and I could see X face like, hold on, hold on, hold on. Cause for months, for months, they was trying their best to get him in the studio, like, before I got there. But as soon as I got there and I'm going straight in the studio, he's like, hold up. And next thing you know, that nigga X started going to studio, started blazing Shit. I'm like this. Yeah, let's go.

[Memphis Bleak]

And you could hear it. Like, the records that you featured on with him, you could hear it. It's like, yo, hold on. He like, hold on. Little homies sparking. I gotta. I gotta show I'm the big homie. Like, you can hear it. And I always felt that way rhyming with Jay, too. Like, certain records, I bought that. That killer instinct out of there where, you know, Hova's always laid back. But then when you hear, like, a foot of fam and I set it off, it's like, wait a minute. I can't lay back on this one. Big think he the goat. No, no, no. Let me spank him.

[Drag]

That's a fact.

[Memphis Bleak]

That's dope. Y' all had that same. That same camaraderie, not rivalry. Cause you the little homie, he the big homie and was respected, right? X was a major, major goat. Major responsible for everything. I've seen an interview you did where you was saying that when you rap, it helped you get over your stutter. I didn't even know, bro. I've been around you 20,000 times in my life and never knew you stuttered. Like, that's dope, man.

[Drag]

Like, I was. I was born with a real bad. Real bad stuttering problem. But, like, 2017, I actually started working on it. Word. You know what I'm saying? So I'm a lot better. Word. But when I was talking to y' all before and stuff like that, man, if. If only y' all knew what I was doing in my mind just to create the conversation.

[Memphis Bleak]

No way.

[Drag]

It's crazy. Word. You know What I'm saying? 2017, I was like, you know what? I'm tired of this. Let me start taking little classes on YouTube and stuff like that. Oh, no. And then my shit got a little bit better. But I always had a stubborn. So that's why, like. Like, in. In 01, man, you couldn't get me in front of these cameras, no way.

[Memphis Bleak]

And you was doing the movies, though.

[Drag]

Like, yeah, see, now that right there, I was telling my manager, right? Like, yo, just get me the script. If you could get me the script at least two to three weeks before, I'm good. And they was able to get me the scripts a month before. So I'm like this, I bet. Go. If they would have gave me the script, like, the day of. Oh, no.

[Memphis Bleak]

It had been done.

[Drag]

It had been a rap, man.

[Memphis Bleak]

That's crazy. God bless, bro. Like, shit, I would never know, bro.

[Drag]

I'm telling you.

[Memphis Bleak]

I tweeted, I told People I'm like, yo, I got my bro Drag coming on the spot. Any questions niggas want to ask? That was the one thing. And I'm like, since when? I never noticed that. But from everything else, nobody had no questions. Everybody was saying, the number one thing is, yo, how he been? Where he been when he dropping another project? Mad people saying, yo, the opposite of H2O when he's dropping. Like, yeah, all these are the questions people want to know because they genuinely love you, bro. And. And I want you to be able to reach back to these people. Because now this is the platform everybody on. They don't give us our platform to speak right and tell our truth. If we're not saying negative, they don't want to hear from us, right? Well, we not them guys. We paved the way for these young guys.

[Drag]

You know what I'm saying?

[Memphis Bleak]

And they gotta make sure they understand who paved the way for them. Like, you know, we. We the young guys to the OGs. Like, you got little Cs. Was the head to the throne. The big you x me hov. Like, us three in the room together is royalty, bro. It's insane. Like, just the amount of knowledge we got from these guys, People would pay to hear that shit from you.

[Drag]

It's royalty. And loyalty, of course.

[Memphis Bleak]

All day, bro. Like, I heard. I heard after, like, two, somebody said to me, they was like, yo, bleak how he did a deal with Mayweather. You did a deal with Floyd before.

[Drag]

Nah, nah, nah. But Floyd is my man. So, yeah, Floyd cool as hell.

[Memphis Bleak]

That's the homie.

[Drag]

Yeah. Like, he actually had a artist. And he had called me, like, two o' clock in the morning one night, like, yo, Drag, I'm gonna need you to come down to the. No, he said. He said, yo, Drag, listen. And all the studios downtown is booked. And I'm gonna need you to find a studio for me in the Bronx. I'm gonna bring my artist through, and I'm gonna need you to jump on this track with him. So I had called my man Lobson at the time. Boom. And we went down and recorded in his crib, where, you know. And the dude was nice, too. I ain't confronted. I was like, okay, all right. I mean, it was a dude from Cleveland and all that. You know what I'm saying? But me and Floyd was always cool, though.

[Memphis Bleak]

Yeah. Nah, Floyd a good dude, man. One time, Floyd thought I was following him. Cause I bumped into him. I seen him in Vegas one night. Two days later, I bumped into him in Aruba. Then A day later, I seen him in Miami. That N. A looked at me like bleak. What's going on, yo, what's up? I'm like, nah, dawg, we ain't got. I'm not an op. It's just so happened. We lit together. Word. Floyd, he was looking at me like, nigga, you smart with me. Like, what you doing? My G. One thing I wanted to ask too, that was always weird to me. Cause Ja Rule did it to me. So I wanted to know if it was purposely on your end or was it they side?

[Drag]

Yeah.

[Memphis Bleak]

Why wasn't Juvenile in the Down Bottom video, was he? Cause you know, labels would be like.

[Drag]

Yeah, that joint right there had me pissed. Word. Trying to say word. I mean, you know. Cause he was supposed to be in the video. And like, the label, they did like some little slick shit real quick. And Swizz had an artist named Young One, which was dope, though.

[Memphis Bleak]

That's who I was thinking about earlier.

[Drag]

Young One, like, Young One was super nice at the time.

[Memphis Bleak]

Yeah, he's from the A too, right? Yeah, I remember Young One.

[Drag]

Yeah, super nice. So definitely shot at Young One. You know what I'm saying? But I was a little upset. Cause I never really knew him. So I'm on my way, going to the set, and I'm thinking it's gonna be juvie. And they just switched it on me right quick and said, yo, look, this a remix for him. And I ain't even know this dude. Oh, you know what I'm saying? But then after that song, it's how me and him got cool. Word. You know what I'm saying? By the cash money bus motherfucking tour, he actually rolled with me on my bus. Word. You know what I'm saying?

[Memphis Bleak]

That's dope, man. Juvie always been a good nigga. See me from.

[Drag]

I really wanted that juvie look, though.

[Memphis Bleak]

Hell yeah.

[Drag]

You know what I'm saying? Cause that was my man. I'm like, this. All right, look, this a good.

[Memphis Bleak]

I thought it maybe would have came because, you know, back in the day in the industry, if an artist was in too many videos, the label would hit you with the bullshit. Yo, he in too many videos right now.

[Drag]

Even Baby. Even. Even. Even Baby came to me like this. Yo, Drag. Yo, yo, what the happened? Yo, I had no answer for him like this.

[Memphis Bleak]

Yo, bro, yo, I don't know.

[Drag]

Worry like you feel what I say.

[Memphis Bleak]

It happened to me on my own record.

[Drag]

That's crazy.

[Memphis Bleak]

I did a record with Jai. They come to me like, yo, let me put this on JA album too. I'm like, all right, cool. I thought this was a feature just for my album. Cool. We put it on JA album. I'm watching BET the video on I ain't in it. Like, yo, fam.

[Drag]

Yeah, that should be happening. Yeah, that shit.

[Memphis Bleak]

And when I had job, he said somebody from the label was like, yo, Bleak can't be in the video right now. They hit him with the bullshit. I thought Juvenile would have been on. They told him that with me. And it's like, nah, fam. Somebody at the lab capping. I gotta find out who did that.

[Drag]

Yeah. I was like, this, yo. Come on. This is this.

[Memphis Bleak]

That's historic.

[Drag]

This is one of my biggest records. Like my.

[Memphis Bleak]

I lead the Juveniles insane, my G. Like, one question I wanted to know, cuz after seeing the verses with the locks and dipset, is it anybody you think you would jump on stage and battle verses like that? You had in mind, like, not to try to listen. We not trying to start. Don't think he want to battle you now. Only if it's a battle or versus Be very clear, Swizz. Have to call and cut the check. Don't just start rapping on YouTube, please.

[Drag]

Yeah, like, like, I don't know. Like far as versus. Like, I never really thought of a person who would I like, let me go up against, like, you know, say, like, I know I got about like 13, 14 good joints that I know the streets, know and love.

[Memphis Bleak]

Kidding me.

[Drag]

Like, you know more than that. You know what I'm saying? But I never really thought of who to go up against, though.

[Memphis Bleak]

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[Ryan Seacrest]

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[Commercial Announcer]

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[Memphis Bleak]

That's me. I always felt like when they asked me I'm like man anybody you pick them up, whoever wanna jump in the ring and feel like they wanna wrestle a bear, put em in there baby. Let's go, let's go man. I'm with it against anybody but yo swizz. Like they always ask me, I don't wanna be like yo biased cause Swiss the big homie, like the homie to everybody like but when they ask me they Always be like, yo, who your favorite producer working with? Like outta just Blaze, Kanye, Bink, the Monster, Swiss. You know, we had Timbo, we had everybody. And I always tell everybody, hands down, Swizz, the energy Swizz brought to the table. Swizz will sell you a beat just by bopping his head. The beat ain't even finished. Nigga just play the drums.

[Drag]

He like this.

[Memphis Bleak]

He like. I want that. So is it anybody? I don't want to put. Cause you worked with Swizz all day. So is it anybody outside of Swizz that you would say, nah. This vibe with this producer, was it.

[Drag]

Me? I worked with a lot of up and coming producers and stuff like that. So I got a. Like, like a bunch of producers that. I mean, you know, that actually helped me. Like, like not me, you know, like shout out to craze on the beats. Oh yeah. Word. Euphrance. Shout out. Shout out to the homie pk. Shout out.

[Memphis Bleak]

Yeah, PK guy, I know pk, he got that. Word. I did a couple joints with P.

[Drag]

You know, but my man David forth, like, I mean, you know, it's. It's. It's a few like up and coming producers that I. That I always call the vibe with. But my number one favorite producer in the world is Tim Orlando.

[Memphis Bleak]

No way.

[Drag]

Word. Yeah, yeah, yeah. I never, I never, I never met him or nothing like that. But he's like my favorite. Just. Cause the sounds that he be using, I'd be like, where did he think about this sound? Like, where did he hear that?

[Memphis Bleak]

Timbo, you owe that beat. Cause listen, send that beat on Swiz Tab.

[Drag]

Timbo is like my favorite producer. Like, wow.

[Memphis Bleak]

Nah, we and HOV tab. Send that beat. Nah. But Tim is. It's so weird that I had a record from Tim and Timbo, but I don't take it as mine. Cause it was a J record. It's not your chick, it's J record. It was on his album released in Europe. And the record did so good. He hit me like, yo, Bleak, throw some verses on here. We make it a single. So I never really looked at it like, yeah, I worked with Timbo.

[Drag]

Yeah, but I ain't gonna front though. You definitely killed that.

[Memphis Bleak]

Nah, my brother. Appreciate you, my G. Like, it's so ill with that. Cause I tell people I did a video with Missy and never met her. I still haven't met Missy to this day. And she's on that record. That's horrible in the video and everything. Is there anybody like that you worked with? Never Met.

[Drag]

Yo, look, me and juvie had to do your niggas bush your guns out on the Hard Knock Life tour.

[Memphis Bleak]

Yes, yes, yes.

[Drag]

I didn't meet juvie until the last date of the Rough Rider Cash Money tour when we performed it.

[Memphis Bleak]

Chill, chill. And that was like two, three years later.

[Drag]

Word up. I met him the last day of the Rough Rider Cash Money tour. And it's crazy. Cause the whole tour, we didn't perform it. But on the last day, which was New York, right? Boom. They made sure he came out for that. And that was when I met him. Yeah. And he looked at me like this. The happened to the video. I'm like, yo, bro, listen. I met. I met. I met the nigga young one that day, bro. I didn't know what was going on.

[Memphis Bleak]

You still got me bugged off that day. You met him that day. And I shot the remix video, even though that turned out to be a classic too.

[Drag]

But his verse was fire.

[Memphis Bleak]

Yeah, but the original is.

[Drag]

Yeah, but the original is what made it. And people wanted to see that. And my thing was just feeding the people with what they want. Like, you feel what I'm saying? If they want this, give them that. Like, it's like when you try to do a show and you know you just got a new album. I work. You feel what I'm saying? Like, you actually got a new joint out right now. You know what I'm saying? But you know, when you get on stage, you know you gotta give him round hair. Round hair. Round hair, definitely. Like, you know what I say? Like, you know you gotta give them. Like, hold on. You know what? Let me give them these bangers right quick. Get this shit litty.

[Memphis Bleak]

That's why niggas trust me.

[Drag]

That's what I want to do.

[Memphis Bleak]

They'll be scared to get on the verses with you. First of all, you got too many records with X. Got produced by Swizz. Like, your catalog is fucking insane. Niggas think twice before you pick Drag.

[Drag]

Yeah, I don't know.

[Memphis Bleak]

Yo, Graff, is you somewhere talking about me? My gas.

[Drag]

They say, that's my nigga, too.

[Memphis Bleak]

That's my bro. But my thing is, you know, when they say, you say somebody name, that mean they talking about you. So he's somewhere out there probably talking about major shit about me right now.

[Drag]

Graff is a spitter, too. That's why.

[Memphis Bleak]

You know what I'm saying? Hey, he got a new joint with Busta Shout Out Graff. That's the bro. You already know this all family here, but Drag, what else could the people expect? What's new besides H20? What else you working on? Like, I wanna make sure people can find you where they can check you at. Everything you got going on, my brother.

[Drag]

Like, before I say that right, I gotta tell everybody, go get Bleak new. Real talk. Yo, look, go get Young Chris and Dave east new. That just came out. Like, yo, this is real hip hop. Like, go get those albums right now. Like you say, like, go get them joints.

[Memphis Bleak]

Like that. That's what's.

[Drag]

I'm bumping them joints, bro, all day. Like, for real. Like, go get them joints. You know what I'm saying? But right now, I'm working on the opposite of H2O, Part 2, and also another album called Terry Sun. And the Terry sun is coming out first. Because it's like. It's just. It's just like a reintroducing of drag. That's right. I'm trying to say, for the niggas that get it so confused and think niggas is industry. Hold on. At the end of the day, I'm just Terry, son. You feel what I'm trying to say? So I'm give them that project and that's going to be promoting the opposite of H2O, where hopefully. And I better get the big homie on there.

[Memphis Bleak]

Come on, that's done. You ain't even gotta ask. It's done. Send the record. It's done. One of my favorite verses from you is like, yo, I ain't gonna lie. And this. I play this shit to this day. That ain't no other nigga got love for me. Ain't no cat gonna bust slugs for me. Yo, my nigga, you fucking got on that record and walked on it. Now that's a record. I could say X couldn't fuck with you. You over.

[Drag]

Hey, hey. But X was standing right over me, too, while I was writing at you. He was like. He was like, drag, listen, I need you to rap this way right here. Like, he came away and everything. He was like this. And me and my damn time, I tear that back. It's heavy, right? I need you to stay just like that. When I went off a little bit, he was like this. I don't. Like. I didn't tell you to do that. That. I need you to go just like that. Damn. So that's when I just put the words to it. You fucking with me. And he keeping your. He was like this. Yeah, that's it. That mouse. And so I ain't gonna front. He stood over me on that verse. Like, nah, that's it right there, bro. You know what I'm saying?

[Memphis Bleak]

That's legendary shit, man. You know how many artists today would love to have X coach him? Like, yo, I'm gonna give you the rhythm, the melody. All you gotta do is fill in the words is just make shit even better. Like, what was it like working with Eve, though? That's one person I always wanted to feature with. I was always like, damn, we had Emile, but Emil was more on the I'm fashion, I'm litty. Eve was like, I wanted a dog.

[Drag]

Yeah. Like, yeah, yeah, yeah.

[Memphis Bleak]

I'm in the stew with the dogs. So how was that relationship with you and Eve? Cause that's my sister. I love Eve.

[Drag]

Yeah. It's like me and Eve was always like brothers and sisters, man. Like, you know what I mean? You know, Like. Like, we was tight, you know what I mean? You know, One of our first records that we ever did, the Streets, like, the world loved it. And it wasn't even her single, but it played probably even more than her single, which is the let's Talk about joint. That joint right there, classic. It wasn't even single, but it was like the first joint me and her did. And I just appreciate her and I had so much respect for her because the first song me and her did, the Streets picked it up and they just devoured it right away, like, yo, this is fire. And there wasn't no single, it wasn't no video, nothing to that joint. They just picked it up. That's the ones we gonna play that.

[Memphis Bleak]

That's the ones that go, bro. It usually be the ones that we pick and be like, yo, this the single and it be the record that you wasn't even thinking about that go, man. And that's one of them joints that went, man, like, like, unbelievable crazy.

[Drag]

Yeah, yeah. For real. I ain't gonna find that joint. Like, so. So, like, me and Eve is always like brothers and sisters. Like, after that, we got like, the scenarios and stuff like that where we all did. I mean, you know? But when me and her was in the studio, Nami. Cause that joints are back and forth, so it's like, it wasn't. No, you over there, you over there. Like, nah, we need y' all to.

[Memphis Bleak]

That's how it was back in the day. You had to be there together. That email averse center here. We both in the same spot. Ain't gonna blow our spot up. Cause we layin low, you know what I'm saying? Don't look for Us, cuz, but we in the same spot. We gonna link and do our joint facts. The airdrop shit, I ain't with it. That's the best time to work is when you together. Cause you really get the energy off each other, the feet off each other in the studio, the vibe. And you really talk about the same thing. Cause I hate to hear a record with one person talking about this and the other person talking about this. It's like, yo, we know y' all wasn't together when you made this record.

[Drag]

That's a fact.

[Memphis Bleak]

It's insane. Like being a major goat spitter from the bx, man. Home of where hip hop was fucking created. Was that any pressure in your career? Like, they like, I gotta live up to what bx? Cause y' all niggas birthed some fucking. Some heavy hitters out of the Ex.

[Drag]

Yeah. Like, what really gave me the confidence, like, you know, like what actually really gave me confidence, like, you know what? What? I might could really do it, right? I' ma tell you a story. And it's. It's a story about Fat Joe. Fat Joe don't even know this story, though.

[Memphis Bleak]

No way.

[Drag]

If you ask him, he gonna be like, he probably don't remember, right? But it was a. A contest, right? That Crazy Sam from Video Music Box.

[Memphis Bleak]

That's back in the day.

[Drag]

Yeah. So you know what I'm saying? I had to bring it back, right? So Crazy Sam had a rap contest, right? Probably like 95 or something like that, right? Boom. And it was like a worldwide joint. And I won that joint first place, right? But look, I won the joint first place, right? But they made a mistake that night and gave the award to somebody else and said that I was second place, which I was cool with. I was like, oh, I bet you it was flying in from all type of places to go.

[Memphis Bleak]

Yeah. Video Music Box was major.

[Drag]

Yeah. You know, major. You know, he had the joint, that spot that was right next door to Apollo and all that. I forgot the name of that joint, you know what I'm saying?

[Memphis Bleak]

Right next door to Apollo, you know, 125th. You know where he talking about?

[Drag]

Yeah. You know what I'm saying? So he had that joint right there, and I came in second place. And then they called me a week later, right, and say, yo, hey, you came. You actually came in first place. My fault. And it was our fault that you came in second place. Stuff like that. But we want to correct it and give you the award or something. I'm like, all right, cool. Now I'm supposed to be jumping around the static, right? But the part what really had me more happier than finding out that I actually won first place was I'm in the bathroom after I got finished performing, right? And one of Fat Joe homies. And I don't know if they still cool, but it was a dude named Macho.

[Memphis Bleak]

Yeah, yeah, they still cool.

[Drag]

Okay, okay. Yeah. Boom.

[Memphis Bleak]

That's crazy.

[Drag]

And Mancho had came in the bath. These might not remember this. This is on my daughter. Listen. And Macho came in the bathroom and was like. And he seen me like, yo, I ain't gonna front. And a Fat Joe definitely likes your be.

[Memphis Bleak]

No way.

[Drag]

Yo, listen, that was the most. I didn't even care that I won first.

[Memphis Bleak]

Like, like, from the eggs.

[Drag]

My thing was like, yo, Fat Joe said he liked my.

[Memphis Bleak]

That's it.

[Drag]

Like, yo, that's all I cared about the whole. I ain't even care about winning second place or first place. My thing was when Macho came in and said, yo. Cause I seen the sitting with Fat Joe, too. This is nine five. You feel what I'm saying?

[Memphis Bleak]

And it's back in the day.

[Drag]

Yeah. And I'm a little kid, so I'm sitting there, I see him. I'm like, oh, look, the Fat Joe here. I'm on stage. I ripped this, right?

[Memphis Bleak]

Of course.

[Drag]

I went in there, went it back. He was like this. Yo, I ain't gonna front. I mean, you know, like, the big homie Fat Joe, definitely with your joint. I'm like, oh, world, that's crazy. I went home. I was hyped off that more than the win.

[Memphis Bleak]

Damn, that's dope, man. But think about it, bro. Coming from the ex, man, y' all created hip hop. Cool Herc and all of them, man. Then you got Fat Joe, Big Pun, God bless Remy. Now you got the young boys, the A boogie with the hoodie and all, man. Like, it just don't stop. I feel like between the Bronx, Queens, Brooklyn, I think every year is a new rapper born. Straight up. Every year is a new rapper born every year from each borough. But y' all definitely been holding it down. Birth of hip hop, it's just like super genuine. Spitters come out the X, you know, like, it's not too many different genres out the X. It's just certified bonafide. Spitters is born in the X. Yeah, Where? Brooklyn. You got a lot of different artists to try different shit. You know, be on this vibe, that vibe. Everybody ain't just focused on spitting. I feel like everybody out of the X is on some I kill you don't get in the booth with me I'm a murder you.

[Drag]

Yeah, yeah. I think we always.

[Memphis Bleak]

We always.

[Drag]

We always like. Like me, like, I always had super respect for Brooklyn, though. Like, you know, like. Like, from the age of, like, eight or nine because of Rakim. You feel what I'm saying? Like, Rakim was my favorite rapper in the world, bro.

[Memphis Bleak]

Like, everybody that say that is super nice, though. You know that?

[Drag]

What is that?

[Memphis Bleak]

Any rapper that you did in any interview, and they say Rakim is their favorite rapper.

[Drag]

He's my favorite rapper.

[Memphis Bleak]

Follow what happens next. They're super nice.

[Drag]

I go, like, rock him. Like, the Let the Rhythm Hit him album. Like, that was something that mold me, that album right there. Like, the moment the untouchable joint and the mahogany joint that he had, like, the mahogany joint was out of. Like, I was just looking at the rail. I'm like, these niggas are not playing this record on the radio. This record is.

[Memphis Bleak]

Yeah, no, Rakim was ahead of his time, man. Like, you could play his albums today, and it sound like a nigga spitting right now. But me growing up, Big Daddy Kane was my favorite. Him and KRS1, man.

[Drag]

Yeah. Like, the Big Daddy Kane was definitely like, my number two, but my number one was Rakim. But another crazy story where a rapper don't even know that he influenced me. And he might not remember this. If you ask him, it's KRS1. He's the actual first rapper to ever pass me the microphone on stage in front of a crowd.

[Memphis Bleak]

No way.

[Drag]

And if you ask him, he's not gonna remember this joke.

[Memphis Bleak]

He done did 4,005 million shows in his career. Yo, think about it, man. Like, yo, the Bronx, y' all niggas was so much all hip hop. KRS1 is legendary for rushing a nigga show and taking the mic like, it's my shit now. Like. And that's what I mean. To come up behind guys like that and still have your name put on the highlight up on the raft. You gotta feel honored to know, like, you. You did your thing, man. And if nobody never told you, I want to be a pair to tell you my. I'm a fan, bro. And I'm appre. I love everything you doing and been doing.

[Drag]

My G. Same here, bro.

[Memphis Bleak]

Like I said, KRS1 was one of my favorite artists when he made Love's gonna get you. The bridge is over all them records.

[Drag]

I'm sitting there like, Love's gonna get you Was deep.

[Memphis Bleak]

Like, deep, bro. I'M telling you, that's what we had back then too. We had, remember. I remember when KRS1 came out first and was on some G shit. Then he turned it to the. I'm the philosopher.

[Drag]

Yeah, yeah.

[Memphis Bleak]

Like we had that knowledge in our music back then. Today I feel like that's missing. Like there's nobody really giving no game to the kids. They just everybody on a crash out mission.

[Drag]

Yeah.

[Memphis Bleak]

So like, do you feel like being a vet in the game and the OG that is your duty to let these young niggas know some real truth about life and what's really going on on this next project?

[Drag]

Yeah, like on this next project, I'm definitely super touching on the Bible or you feel what I'm saying? Because and I identify myself as an Israelite, so I follow the Bible and I walk around with my fringes and stuff like that as God says that he wants his people to do so. Five days ago, I just completed reading the whole Bible. It took me like a year and a half before I said because I don't just read the Bible. Like I actually try to read it for an understanding, actually understand each scripture. You know what I'm saying? So that's real, man.

[Memphis Bleak]

You know, I never read the Bible because to me it's just, it's, it's a bunch of words to me. I don't, I don't understand it. I need somebody to break it down.

[Drag]

To me like, hey, hey, hey. You know about the transatlantic slave trade, right? Yes, yes, of course. Did you know that Moses spoke about.

[Memphis Bleak]

That in the Bible?

[Drag]

Yeah. And keep this in mind. That Bible was written 3,000, what's that, two, 3,000 years ago?

[Memphis Bleak]

Yeah.

[Drag]

Moses said that that was going to happen to.

[Commercial Announcer]

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[Ryan Seacrest]

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[Memphis Bleak]

See? Yeah, no the Bible is just it's for each his own. Like I felt like I have a bible. I have the Quran. I don't. I believe in the higher power. That's my thing. You know what I mean? But like to be like you said you are Israelite. That's we the Gods. We are God how do you get into that religion? Not really a religion, it's just belief what you are. We are gods, man.

[Drag]

Yeah, it's just back probably like two years ago, and I had went through a real, like, a real like spiritual battle, you know, saying like, I was like. I went through something real crazy where I was driving one on because. And I used to have the Bible in my car world, you know what I'm saying? And this is before I knew that I was an Israelite, right? You know, I mean, I was round about. Well, I was going through a spiritual battle where I was just like cursing God out. I flung the Bible out my car and everything. No way, you know what I'm saying? I was crying this down the third. And then I called my man Bug and he knew he was Israelite. It's crazy because I grew up this since 1987, bro. I never knew this. Knew the Bible like that. Yo, listen, I was saying certain things. He was making me repent some of the things that I was saying and take back. And then he started giving me the word, you know what I'm saying? And of course I was just like, you like, man, listen, this joint is a bunch of. Although Romeo.

[Memphis Bleak]

Yeah, like, I don't understand that.

[Drag]

And then he started breaking down word of honsey. Because at first I was like, nah, man, you know. Cause me and I was raised by my grandma's, what I'm saying? And my grandmom's is not racist, so she didn't raise me racist, you know what I'm trying to say? So I really didn't care what the color was. Christ. All I know is that he's Christ. Like it really didn't matter to me. Like you say he could be purple. And then I read the Bible where the Bible says, no, if you love him, you have to love on him as the scripture describes him. And then as I'm reading, I'm like, oh, snap, Jesus is black.

[Memphis Bleak]

That's a fact, bro.

[Drag]

And I'm not just saying that because I'm black enough like that.

[Memphis Bleak]

The way they describe actually reading scripture.

[Drag]

Yes, I'm like, hold on, this dude is black. So that's how he was able to hide in Egypt and do this and this, that and the third. You follow what I'm saying? Because we all know that the Egyptians were super, super dark skin, like, cool, snap. And I'm reading it. But I mean, you know, like then people started. I mean, you know, but I still was in kind of disbelief. I'm saying. So then people started Bringing up, like, the archeology and stuff like that. Like, I bet, hey, do you remember the transatlantic slave trade? I bet we'll read Deuteronomy, chapter 28, verse 68, right? Boom. So now I'm reading. I'm like this, hold up. It says that if we don't keep the Commandments, we going to go. So keep this in mind. This is 3,000 years before this happened now, right? Because the translated slave trade was in the 1600s, right?

[Memphis Bleak]

Yeah, no later than 17, for sure.

[Drag]

I'm reading the joint, and the scripture says, if y'. All. If you don't keep the Commandments, right? He's speaking to his Israelite people. He's saying, if y' all don't keep the Commandments, right, y' all will be transported in ships back into Egypt. But Egypt, meaning in bondage, you follow? Because that's what that word mean. Like bondage, right? In ships. Now, at first I'm like, yeah, but it says Egypt. But then I have to remember the Israelites was able to walk out of Egypt, so, you know, they definitely didn't need the ship. That's right. So I'm like this. All right, hold on. So this joint is actually described, and it says how we're going to be looking on the ships. We're going to have the yolks of irons around our neck. And then I start going back into the archaeology, and I'm just like you. I'm like this.

[Memphis Bleak]

I don't know.

[Drag]

Let me see. I'm reading them like this. I'm going to archaeology, genealogy. It's in lining with the. With the King James. I'm like, hold on, hold on, hold on. Wait a minute. And then. And in the book of Deuteronomy, chapter 28, right, from 1 to 14 is the blessings, right? And then from 15 to 68 is the curses. And that's how you know what tribe you from. Because these blessings and curses only happen to certain people. Like, you feel what I'm saying? Like, I might give you, like, a curse that maybe only the Dominicans would. You know what I'm saying? But you'll be able to do archaeology. Hold up. Only they went through that. So they were. Wow, bro, listen, it's so deep, like the Bible, bro, I commend you. Please open that. Open the Bible. Just read it on your own. Yes.

[Memphis Bleak]

No. And I have family members. Like, you know, my aunt officiated my wedding. She's, you know, she's ordained. I have a friend in New Orleans who just got ordained to Become a minister. So it's in my life. It's just once I traveled the world, bro, going to Africa, going to Rome, going to Greece. And you hearing the stories of all these books and creators like I want to be. Because there's no way I could read the original book because it's written in Hebrew. So I would have to have it translated.

[Drag]

And that's why you got to read the King James 1611. Because the Bishop Church back in 1603, they asked him to go back and go through all of the archives, even. Even the Book of Enoch, go through all of those books and come up and write and translate everything into English. Because King James was a black man that ran England and Scotland and Portland and all these places.

[Memphis Bleak]

Put me on. Because you naming all the books. I know every book you name.

[Drag]

And I know for sure, like this is why they called it the Dark Ages, because at that time the black people was in rulership. So a lot of people don't know that King James from the Bible is black. He's a black dude.

[Memphis Bleak]

That's right.

[Drag]

You feel what I'm saying?

[Memphis Bleak]

Come on. His name is James Word.

[Drag]

You know, I never went and met.

[Memphis Bleak]

A white man named James Word, you.

[Drag]

Know what I'm saying? So they had asked him to go back to the Hebrew because the church that he was dealing with, right. It was still kind of like. Like separation amongst people. And they didn't like that. So they asked him because he. He just became the ruler of England because his mom's died, she was the ruler of England, but he was already the ruler of Portland and. And Irish and all these other places you find out, say. But he inherited that through his moms. Right. You know what I'm saying? So they asked him, listen, can you go back? So what he did was he hired 60 scholars and used 47 of them. Right. And broke the 47 down in six groups from all over the world. It was half Greek and half Hebrew, you know what I'm saying? And they went through all of the Bibles I'm talking about, even the ones that did not make it there.

[Memphis Bleak]

Yeah.

[Drag]

And pulled out all the things that. That have. That have only. But the prophecies in it, you feel. Not saying things that actually get you in heaven.

[Memphis Bleak]

So King James is the original book broken down into English.

[Drag]

Right.

[Memphis Bleak]

See, that's the. That.

[Drag]

Yeah.

[Memphis Bleak]

Learn something new every day. Now I gotta. Because me, you know, we. We from the hood. I lost many friends. And I have a Bible that I had since probably like 1997. Yeah. No, no, no, bull, bro. My Bible is just filled with obituary cards.

[Drag]

Cards.

[Memphis Bleak]

That's why like I use it, I keep it, you know, I pray every day, but I just have all my loved ones from friends, grandmoms, aunts, everybody is just filled with obituary cards. Open my Bible, bro. It shows me all the things I lost. So that's why I almost stay away from it because it's so sacred to me. Like when I open it, like I said, it shows me the most precious things in my life that I lost.

[Drag]

Yeah, yeah.

[Memphis Bleak]

So you know, but the King James book, I'm gonna have to go pick that up, man.

[Drag]

You gotta get the King James with the Apocrypha in it. You feel what I'm saying? So it's King James with the Apocrypha. Don't get the one that have 66 books. It should have 80 books in it. One of them. Cause the apocrypha is like 3 to 400 years of black history.

[Memphis Bleak]

That's right.

[Drag]

You know what I'm saying?

[Memphis Bleak]

So it's weird you bringing this up right now too. Cause bro, I got a daughter, she just turned seven years old and out of nowhere, probably like two weeks ago, my daughter come to me and she like dad, I want to go to church. And I'm like, what the hell you watching that you want to go to. It's nothing on YouTube, kids talk about church, there's nothing on Disney Junior talking about church. So it's just something that's in her. So you know, my mother in law took her and I'm thinking she gonna go and be like, ah, it's not for me. She came home like I like it, we gotta go back. I want to find a church here.

[Drag]

Like no doubt.

[Memphis Bleak]

So like I'm a really have as a father, I'mma have to know. I don't want my daughter asking me questions. And I don't know. So.

[Drag]

But, but, but. Nah man. You know, not to cut you up, but definitely open up that Bible. One of cuz see the Bible is going to teach you more than any church could ever teach you. Because the church, they have rules and stipulations that they have to stick by. Like a lot of churches, they can't really go into too much detail of the Old Testament or they'll lose their funding so they can't teach you. And in the Old Testament is where you'll learn what tribe you from trying to say. Because they try to make us think that we're not the descendants of the people of the Bible. No, but we are though. We are 100%. No way to know that word.

[Memphis Bleak]

No way. No one is going to convince me that, that all of this is created by an explosion.

[Drag]

Yeah, yeah, yeah.

[Memphis Bleak]

There's no way. I don't care what scientists saying, whatever. We blowing satellites up in space as we speak. Ain't no new life form come out there like we blowing stars up still to this day. So I know it's a creator and just by you even saying that to me and the conversation I just had with my daughter two weeks ago is like, you know, when the light bulb cut on, I gotta pick it up, I gotta open the book now because.

[Drag]

It'S like, see me, like I never really knew that God gave us a manuscript for life. Like, you know, say like, you know how like when you go in the Best Buy and you might buy like a stereo system or flat screen TV and everything electronical. Right. It comes with a book.

[Memphis Bleak]

That's right.

[Drag]

So you can learn how to work.

[Memphis Bleak]

It if it tweaks.

[Drag]

Yeah, it could work, work a lot better. You feel what I'm saying? Yeah. You read the instructions, the Bible, that's our book.

[Memphis Bleak]

See, but I always thought, yeah, because not to be naive, but from the women, you know, you always see the trappers go to church, always felt like when you at the end of your rope, do you turn to this?

[Drag]

Yeah.

[Memphis Bleak]

Like, you know, a lot of people, you see a lot of fiends went to like when they got clean, went to church. So I always thought it was like a rule book that was like, man, I don't listen to my moms, I'm not going to listen to no book.

[Drag]

Yeah, see but a lot of that stuff, what you're saying actually goes down in the church. But once you open up the Bible and God actually be able to speak to you, it's going to hit you way different. See, the church people will come in church on Sunday in their best outfit.

[Memphis Bleak]

That's right.

[Drag]

Boom. And then on Monday they.

[Memphis Bleak]

Yeah, you already know back at him. That's right.

[Drag]

You know, you read the Bible, stuff like that and you read some of the commandments and stuff like that that God actually wants you to do in order to get inside of his kingdom. You follow what I'm saying? Because see, the churches try to make you think that the commandments are done away with, but it's not. No, like you find trying to say like, you know, they try to make you think like all you got to do is have faith in Christ like another. In other words, you could go kill somebody, stab them to death. As long as you have Jesus in your mind while you stabbing him, you're good like that. That's crazy.

[Memphis Bleak]

No, thou shalt not kill. That's it. I know that.

[Drag]

Yeah. You know what I'm saying? So, yeah, you know, so it's just certain things that once you open up the book yourself and you read it to your daughter, like, boom. And take your time.

[Memphis Bleak]

Don't rush that. That's the time.

[Drag]

And go through scripture to scripture, you're gonna be like this. Oh, yo, I ain't gonna front. I see what this drags talking about. You know what I'm saying?

[Memphis Bleak]

No, definitely. I'm gonna check it out, man. And yeah, like you even saying you an Israelite and even breaking it down. Because, you know, growing up in New York, when they be like, yo, the Israelites out there is Smokey on the corner. They out there trying to slap niggas. They yelling on the mic. You ain't one of the gods. So for you to even be talking like, you know, in. We grow up with what they call it. What's the word I'm looking for? Well, we stereotype certain groups of people. So I'm glad you even brought it up and brought light to it like this. Cause a lot of people might feel like, me, man. Yo, these niggas like a gang over there, like, trying to force me to get down.

[Drag]

They over there actually fighting for us, though. Word. You feel what I'm saying? Look, the next time you come across a group of Israelites and you know how they be dressed, looking like they got sword.

[Memphis Bleak]

Yeah, like they ready for the apocalypse.

[Drag]

Right now, Just stand there for like 10 minutes. Just give him 10 minutes of your life right quick. I guarantee you gonna be like this. Oh, so hold up. Wait a minute. These niggas is yelling and fighting.

[Memphis Bleak]

Cause as a kid walking through the city with my moms, you like, ma, come on. When somebody try to hit you in the head and I gotta fight now. Yeah, Nah, they just been yelling at everybody. I'm like, so as a kid, I just always was like, nah, they tripping over there. I don't know what they talk about, but I'm gonna walk a little faster.

[Drag]

Yep, yep, yep. Like, when I was younger, I thought the. Like this. Ah, man, now I gotta walk past these and they gonna tell you right here how you don't understand.

[Memphis Bleak]

They gonna say something. You original, man. It's like, what? I'm going to get some joints, man. What are you talking about? I ain't come outside for that today.

[Drag]

Yeah, but they actually over there trying to teach you to have your faith in Christ, but to show you how to love God. Because just saying that you love God is just not enough for God. You know what I'm saying? And it says that. That in the Bible, like, saying that you love me is just not enough. You know what I'm saying? You have to do this, you have to do that, you have to do this. And a lot of people think it's grievous, but it's not. It'd be, like, small things, you feel. I say, like in the Bible, right? God says he like his Israelite men to wear beards. So I started growing my beards. See, it's simple shit. Yeah.

[Memphis Bleak]

You know, my shit ain't gonna connect back.

[Drag]

I'll let you know.

[Memphis Bleak]

My. My is not gonna get back. They gonna think I'm from Philly. My start growing, they gonna be lacking from Philly. Definitely. My don't connect. My g. My just grow into a little spike. They gonna think I'm more some ludicrous or Cisco where they first came out. Word up.

[Drag]

Yep, yep, yep. But that's the light commandment that. That God says in the joint that I feel as though it's kind. You can shape it up, but just let it grow. You feel what I'm saying? Because in the Bible, God says it's a way to show him that you love him. So I'm like, dude, you know what? I do love him, so let me just fuck it. You know what I'm saying?

[Memphis Bleak]

So if y' all see me woofing, just know. Yeah, so did it. He converted me, y'.

[Drag]

All. It's all love. It's all.

[Memphis Bleak]

Hey, my brother, man. I appreciate you, man. This has been enlightened. I know people definitely happy to see you.

[Drag]

No doubt.

[Memphis Bleak]

I'm happy to see you. I know we gonna definitely connect on it. Off of this. This is nothing. If people looking for you, where can they find you? Plug them in everywhere. They could tap in with you.

[Drag]

Yo, find me on Instagram. My Instagram is dragon1. Cause I stay on one.

[Memphis Bleak]

That's right.

[Drag]

You know what I'm saying? Also, I opened up a candle business for my daughter that's doing great. I appreciate everybody that's been showing love. Love. Because I've been. I've been. I've been dumping boxes. I appreciate y'. All. Listen. Her Instagram. The Instagram for the candle page is Black Key candle. You know what I'm saying? Black Key. Like a Key in the door, black key, candle, all one word. Follow that. That's my daughter's candle. Page is doing great. I appreciate all the support. Also, for those that don't know, my wife also have a candle business called Light by Fire. So go follow that. Yes. I'm surrounding around beautiful scents and fragrances you need, but go follow those pages. Listen, you know what I mean?

[Memphis Bleak]

I just followed the black key candle.

[Drag]

Okay.

[Memphis Bleak]

I'm gonna follow Light by Fire, you said, right?

[Drag]

Yes. Light Godfrey, Light, underscore by underscore, fire.

[Memphis Bleak]

Cause my wife, wife is a candle freak. We in Marshalls, Target. Yeah. And I mean, I'll be going there with her, thinking we going to buy some food, a tv, something, and we get a whole shopping cart full of candles. Yeah, we gonna support the fans, man.

[Drag]

I appreciate it.

[Memphis Bleak]

Straight up, brother. We on it, man. It's been a pleasure. Drag, I appreciate you coming through. You know, you my brother.

[Drag]

Yes.

[Memphis Bleak]

Anytime you got anything to promote or even if you just want to get a word out, you feel like.

[Drag]

Yeah, no doubt.

[Memphis Bleak]

They ain't yet. They don't hear your voice enough, bro. My platform is your platform. You know, it's Rockefeller Rough Riders to the death, bro. And I always love you, as always. Continue to stay blessed, man, health wise. Always been a family and do what you do, man. And I'm, trust me, I'm not just saying this. I' ma definitely get through at least three chapters. If it don't catch me at three. Yeah. I'm a promise. Three.

[Drag]

All right, look, so you know what? So look, so you know what? Start In Deuteronomy, chapter 28. Deuteronomy, chapter 28. And if you forget it, call my phone, your driver. I'm going tell you start and do. Because see, it's important for you to start right there because that's going to give you one of our. Because people like this. Yeah. How you know you from the tribe of Judah? How you know, how you know the Puerto Ricans is this. How you know the Dominicans is this. See the Deuteronomy, that chapter, chapter 28, it gives you the. The blessings from 1 to 14, right? And then from 15 to 68, right, it gives you the curses. These curses is only going to fit certain people. Like you're going to know. You feel what I'm saying? Like, like, like, like the blacks, part of our curses was, right? How I know from the tribe of Judah, you. So he told the tribe of Judah, I'm going to put y'. All. He told the Southern tribe, I'm going to put y' all in slavery ships in bondage, and y' all gonna be sold for. For slave men and slave woman. And I'm going to put this on you, like, and y' all going to go through shifts and y' all going to have yolks of iron around your neck. Like, it's certain things that you can ask, let's say, like, like a Puerto Rican, their history. And they're going to know, oh, no, that only happened to us.

[Memphis Bleak]

That's right.

[Drag]

You know what I'm saying? So that's why I say to read if you're going to start anywhere, it's the fifth book in there. You feel what I'm saying? That book is written by Moses.

[Memphis Bleak]

28.

[Drag]

Yes, that book is written by Moses. What you say? Like, Moses wrote the first five books of the Bible, Right? So that's by Moses And Moses in chapter. In chapter 28, from 1 to 68 is give the blessings and the curses and see which one fits your people. Like your ethnic background, whether you black or whether you Jamaican or whether you Puerto Rico, whether you're Dominican, whether you whatever.

[Memphis Bleak]

Every nationality been through their own crisis, right?

[Drag]

Where y' all know y' all history? Start from there. Just start from right there.

[Memphis Bleak]

I am, bro. And I'm telling you, all of this shit is, like, clicking, bro. I just came from St. Maurice for my wife's birthday, and we, we. They took us on some excursion called the Moses Walk. When we was walking through water, like, where it's a part of the ocean where it's literally you walk and it looked like you walking on water. He said it's the Moses walking you. Now you tell them it's too much. Everything is clicking, man. It's like. It's clicking. Everything is clicking. But I'm definitely on it. Like I said, I appreciate you being here, my brother, and it's always family. Y' all already know what it is. This is rock solid. Definitely brought to you by Doucet in the Streets. If you ain't drinking what we drinking, you hiding in the crib. It's rock solid, y'.

[Drag]

All. Yeah, it is.

[Memphis Bleak]

For more podcasts from iHeartRadio, visit iHeartRadio app, Apple Podcasts, or wherever you listen to your favorite shows at. And you can follow me on any social media platform under the name Memphis Bleak. You see anybody frauding, flag them.

[Ryan Seacrest]

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[Ryan Seacrest]

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[Memphis Bleak]

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