Hosted by Symphony Space · EN
In the second of two programs created with the podcast Death, Sex, and Money and our live event host Anna Sale, we explore issues of happiness. Host Meg Wolitzer introduces a satirical romance by Oscar Wilde (did he write any other kind?). “The Model Millionaire” is read by Peter Francis James. In Kevin Brockmeier’s “Space,” a grieving widower and his son try to get past their loss, looking for light in the darkness. The reader is Michael Stuhlbarg.
In the first of two programs created with the podcast Death, Sex, and Money and host Anna Sale, we explore issues of identity and connection. In “Sacrament of Confession,” by Ernie Wang, a man struggles with a messy past that is affecting the present. The reader is Richard Kind. And in a touching do-over, a man meets his wife for the first time—again. Amy Ryan reads Seth Fried’s “You Again.”
Host Meg Wolitzer presents four stories, recorded at the Getty Center in Los Angeles, in which characters shape their expectations and dreams to a manageable size. So if you’re “Medusa,” as in our first story, by Tania James, you try to figure out how to live in the world instead of turning it to stone. The reader is Constance Zimmer. Parents in our second story, “We Only Wanted Their Happiness,” by Alexander Weinstein, make a tactical choice about technology. It’s performed by Randall Park. The narrator of Honor Levy’s “Good Boys,” read by Annie Hamilton, understands that infatuation is a phase. And a man and a woman sidestep romance in “Arrangements” by Charlie Watts, performed by Laura Harrier and Will Harrison. The program was created in cooperation with Belletrist, an online book club created by Emma Roberts and Karah Preiss.
Host Meg Wolitzer presents three stories about social occasions for introverts and extroverts alike, curated with the Belletrist Book Club, founded by actor Emma Roberts and producer Karah Preiss, and recorded at the Getty Center in Los Angeles. Humorist Samantha Irby asks “Please Invite Me to Your Party,” but we’re not sure she means it. The reader is Richa Moorjani. Victoria Lancelotta’s “The Anniversary Trip,” performed by Judy Greer, is, and is not, about the married couple making the trip. And Jen Spyra takes to extremes what it takes to get to the altar in perfect shape in “The Bridal Body,” performed by Erinn Hayes.
Host Meg Wolitzer presents two stories about characters who find themselves in a place in which they need to make a choice, something that will affect them for the rest of their lives. In Ursula K. Le Guin’s classic, “Direction of the Road,” an ancient being has to make hard choices in its role as a guardian and a force of nature. The reader is Nikki M. James. In Helen Schulman’s “The Shabbos Goy,” a divorcee and a rabbi develop an interesting relationship around their mutual love of poetry. The reader is Jessica Hecht.
Host Meg Wolitzer presents four works in which nature and the out-of-doors drive both plots and character. Humorist Jenny Allen does battle with her stubborn plants in “Garden Growing Pains,” read by Kirsten Vangsness. The majestic Canadian border separates an Indigenous family in Thomas King’s “Borders,” read by Kimberly Guerrero. A housewife masters one of the elements in “Flying,” by Alyce Miller. The reader is Kirsten Vansgness again. And a sudden storm creates a sense of abandon in the Kate Chopin classic “The Storm,” read by Jane Curtin. “Garden Growing Pains,” “Borders,” and “Flying,” were presented in cooperation with CacheArts and Utah Public Radio, KUSU-FM.
Host Meg Wolitzer celebrates Jane Austen’s 250th with works by, and inspired by, the enduring romance novelist. Ann Harada performs an early Austen piece, “Edgar and Emma;” Sophie Carmen-Jones reads a letter from Austen to a mentor, James Stanier Clarke. Then things get playful in the T.C. Boyle parody “I Dated Jane Austen,” performed by Wyatt Cenac. And Hugh Dancy reads from an Austen classic, “Persuasion.”
Host Meg Wolitzer presents two works with unusual family dynamics. In Zadie Smith’s “Grand Union,” the mother-daughter bond transcends death and brings with it a whole family history. The reader is Kaneza Schaal. And Richard Bausch’s “What Feels Like the World,” read by James Naughton, explores the bond between a grandparent and a grandchild.
Host Meg Wolitzer presents three works about scaling the outsized real world down to manageable proportions. A couple brings the Papal seat home in Ben Loory’s “The Vatican,” read by Santino Fontana; In “I Love Betty,” by Kaitlyn Greenidge, communication problems invite interesting solutions, in a story read by Nathan Hinton. And in Shirley Jackson’s “The Beautiful Stranger” a wife and mother wonders if she’s in the right life, but tries to fit into it. It’s read by Maggie Siff.
Host Meg Wolitzer presents three works that crossed the boundaries between fiction and film for our collaboration with this prestigious New York film Festival. An eerie game has unexpected consequences in Richard Matheson’s “Button, Button,” performed by Marin Ireland. Michael Stuhlbarg gives a rousing performance of Lewis Carroll’s “Jabberwocky;” and Andrea Martin reads the story that inspired the Hollywood classic All About Eve—Mary Orr’s “The Wisdom of Eve.”