This episode, we talk about two monumental projects that were started in this reign. One was the historiographical project that likely led to the creation of the Kojiki and the Nihon Shoki. And then there was the start of the first permanent capital city: the Fujiwara Capital.

Listen to the episode and find more on our website: https://sengokudaimyo.com/podcast/episode-143

Rough Transcript

Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua and this is Episode 143: Temmu's Monumental Projects

Ohoama sat astride his horse and looked out at the land in front of him. He could still see the image of the rice fields, now long fallow, spreading out on the plain. To the north, east, and west, he could see the mountains that would frame his vision. As his ministers started to rattle off information about the next steps of the plan, Ohoama began to smile. He thought of the reports his embassies to the Great Tang had brought back, about the great walled cities of the continent. In his mind's eye, Ohoama envisioned something similar, rising up on the plain in front of him.

There would be an earth and stone wall, surrounding the great city. The gates would be grand, much like the temples, but on an even greater scale. Houses would be packed in tight, each within their own walled compounds. In the center painted red and white, with green accents, would be a palace to rival any other structure in the archipelago. The people would stream in, and the city would be bustling with traffic.

This was a new center, from which the power of Yamato would be projected across the islands and even to the continent.

Greetings everyone, and welcome back. This episode we are still focused on the reign of Ohoama, aka Temmu Tennou, between the years 672 and 686.

Last episode we talked about the Four Great Temples—or the Four National Temples. Much of this episode was focused on the rise and spread of Buddhism as we see in the building of these national temples, but also on the changes that occurred as the relationship between Buddhism and the State evolved. This was part of Ohoama's work to build up the State into something beyond what it had been in the past—or perhaps into something comparable to what they believed it to have been in the past. After all, based on the size of the tomb mounds in the kofun period, it does seem that there was a peak of prosperity in the 5th century, around the time of Wakatakeru, aka Yuryaku Tennou, and then a decline, to the point that the lineage from Wohodo, aka Keitai Tennou, seemed to have come in during a time when they were rebuilding Yamato power and authority.

This episode we are going to talk about two projects that Ohoama kicked off during his reign. He wouldn't see the completion of either one, since both took multiple decades to complete, but both focused on linking the past and the future.

The first we'll talk about is a new attempt to gather historical documents and records—the last time that was done was in the time of Kashikiya Hime, over 50 years ago. That was during the height of Soga power. Since then a lot had changed, and presumably there were even more stories and records that had been written down. Plus the tide had changed. So they needed to update—and maybe even correct—the historical record. But beyond that, there was a greater goal: Ohoama and his court also needed to make sure that the past was something that they wanted to go back to, among other things.

The other thing we are going to discuss is the start of a project to build a brand new capital city. And when we talk a bout city, we really mean a city. This was a massive undertaking, likely unlike anything that we've seen so far. Sure, there had been monumental building projects, but this was something that was going to take a lot more work - how much more monumental could you get than a new city? And it would create a physical environment that would be the embodiment of the new centralization of power and authority, and the new state that Ohoama was building, with his administration—and Yamato—at the center.

Let's start with the big ones. First and foremost, we have the entry from the 17th day of the 3rd month of the 681. Ohoama gave a decree from the Daigokuden to commit to writing a Chronicle of the sovereigns and various matters of high antiquity. Bentley translates this as saying that they were to record and confirm the Teiki, which Aston translated as the Chronicle of the Sovereigns, and various accounts of ancient times. This task was given out to a slew of individuals, including the Royal Princes Kawashima and Osakabe; the Princes Hirose, Takeda, Kuwada, and Mino; as well as Kamitsukenu no Kimi no Michichi, Imbe no Muraji no Kobito, Adzumi no Muraji no Inashiki, Naniwa no Muraji no Ohogata, Nakatomi no Muraji no Ohoshima, and Heguri no Omi no Kobito. Ohoshima and Kobito were specifically chosen as the scribes for this effort.

We aren't told what work was started at this time. Aston, in his translation of the Nihon Shoki, assumes that this is the start of the Kojiki. Bentley notes that this is the first in a variety of records about gathering the various records, including gathering records from the various families, and eventually even records from the various provinces. And I think we can see why. Legitimizing a new state and a new way of doing things often means ensuring that you have control of the narrative. Today, that often means doing what you can to control media and the stories that are in the national consciousness. In Ohoama's day, I'd argue that narrative was more about the various written sources, and how they were presented. After all, many of the rituals and evidence that we are looking at would rely on the past to understand the present. The various family records would not only tell of how those families came to be, but would have important information about what else was going on, and how that was presented could determine whether something was going to be seen as auspicious, or otherwise. Even without getting rid of those records, it would be important to have the official, State narrative conform to the Truth that the state was attempting to implement.

Ultimately, there is no way to know, exactly, how everything happened. If the Nihon Shoki had a preface, it has been lost. The Kojiki, for its part, does have a preface, and it points to an origin in the reign of Ohoama—known as the sovereign of Kiyomihara. In there we are told that the sovereign had a complaint—that the Teiki and Honji, that is the chronicles of the sovereigns and the various other stories and legends, that had been handed down by various houses had come to differ from the truth. They said they had many falsehoods, which likely meant that they just didn't match the Truth that the State was trying to push. Thus they wanted to create a so-called "true" version to pass down.

This task was given to 28 year old Hieda no Are. It says they were intelligent and had an incredible memory. They studied all of the sources, and the work continued beyond the reign of Ohoama. Later, in 711 CE, during the reign of Abe, aka Genmei Tennou, Oho no Yasumaro was given the task of writing down everything that Hieda no Are had learned.

The astute amongst you may have noticed that this mentions none of the individuals mentioned in the Nihon Shoki. Nor does the Nihon Shoki mention anything about Hieda no Are. So was this a separate effort, or all part of the same thing? Was Are using the materials collected by the project?

As you may recall, we left the Kojiki behind some time ago, since it formally ends with the reign of Kashikiya hime, aka Suiko Tennou, but realistically it ended with Wohodo, aka Keitai Tennou—after that point there are just lists of the various heirs. As such, there is some speculation that this was originally built off of earlier histories, perhaps arranged during the Soga era.

The general explanation for all of this is that Hieda no Are memorized the poems and stories, and then Yasumaro wrote them down. Furthermore, though the language in the Kojiki does not express a particular gender, in the Edo period there was a theory that Hieda no Are was a woman, which is still a popular theory.

Compare all of that to the Nihon Shoki. Where the Kojiki was often light on details and ends with Suiko Tennou, the Nihon Shoki often includes different sources, specifically mentions some of them by name, and continues up through the year 697. Furthermore, textual analysis of the Nihon Shoki suggests that it was a team effort, with multiple Chroniclers, and likely multiple teams of Chroniclers. I have to admit, that sounds a lot more like the kind of thing that Ohoama was kicking off.

We have an entry in the Shoku Nihongi, the work that follows the Nihon Shoki, that suggests 720 for the finished compilation of the Nihon Shoki. So did it take from 681 to 720 to put together? That is a really long project, with what were probably several generations of individuals working on it.

Or should this be read in a broader sense? Was this a historiographical project, as Bentley calls it, but one that did not, immediately, know the form it would take? It isn't the first such project—we have histories of the royal lineage and other stories that were compiled previously—much of that attributed to Shotoku Ta...