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This week on Shelf Criticism, we’re tearing down the backroads of Southern-fried chaos with Barry Battles’ 2012 neo ... pseudo ... quasi-exploitation flick The Baytown Outlaws. It’s got outlaw brothers, ridiculous gangs, Billy Bob Thornton being menacing, and Eva Longoria playing against type—but does it live up to its grindhouse ambitions, or does it stall out in the dust?

Stephen dives into the film’s messy blend of action and exploitation, its flirtation with problematic imagery, and the fine line it walks between being wild fun and just plain off the rails. From Confederate flags to questionable gang portrayals, this one gets complicated—but don’t worry, there’s still plenty of gunfights and mayhem to unpack.

Plus, Stephen reflects on his own connection to the film, chats about how it almost flirts with greatness, and of course, makes the final call on where this chaotic ride lands on the Shelf.

Strap in, folks. Next stop: The Baytown Outlaws.

🎧 Available now wherever you get your podcasts!