B (9:02)

According to the royal historian Qazvini, who was the writer of the history of the first decade of Shah Jahan, the love that he had for her, he had for nobody. They always stayed together in joy and sadness, travel together. This relationship was not based on carnal desires, but on the qualities she possessed of both body and mind. Suri Vamanavi in Persian the two had great physical and emotional bonding.

A (9:35)

But the course of their true love is not destined to run smooth. A year after the betrothal, Shah Jahangir did decides the time has come to bestow some responsibility on Corum. The teenager is quietly becoming thought of as his father's. Natural successor. And Jahangir wants to consolidate his favored son's position in the royal court. He puts him in charge of an area called Hisaafa Rosa, about 100 miles west of Delhi in the Punjab. It is a symbolic gesture, since this region is traditionally gifted to the heir apparent. It marks an important step in Kurum's journey towards becoming Shah Jahan. It also gives him an opportunity to start exercising some of his passions. High among them is an interest in architecture.

B (10:26)

Shah Jahan's passion for building was well known. He was building, repairing, rebuilding many sites during his princely time, and his father was very happy with his skill and supervision.

A (10:44)

But by now, Arjumant's family are out of favor. Her grandfather is accused of corruption and stealing from the emperor, so wedding plans are put on hold. Instead, in 1610, Kurum marries someone else, a Persian princess with whom he has a daughter. Even so, he cannot forget about his first and greatest love. Then the political sands shift again. It is quite usual among the Mughal elite for men to have multiple wives and concubines. And the Shah now marries Arjumund's aunt on her father's side. She takes the name Nur Mahar, or Light of the palace, and with the wider family back in favor of plans get underway for her niece's marriage to Kurum. It is the evening of May 10, 1612, a day considered auspicious by court astrologers. Ajman's family home is bathed in moonlight, but is also illuminated by countless torches and lanterns, their flames flickering in the cool night breeze. The property is alive with activity. Inside, Argimand is concealed behind a curtain. She's having her hands painted with henna and turmeric by skilled noblewomen in preparation for the imminent ceremony. As she waits for her designs to dry, she hears a group of Kurum's closest male friends arriving in high spirits, bringing gifts of money and jewels to her family. As the men disappear inside the house, there's another sound. A heavy thudding that seems to shake the ground beneath her. She peeks out from behind the curtain to catch a glimpse through a window. There she sees an elephant plodding towards the house, its noble trunk swinging from side to side, and on its back, a groom to be. She takes in his muscular physique and barrel chest as he cuts a mighty figure perched high on the beast. Not far behind in the procession is Jahangir, the man who is about to become her father in law. When Kurum has dismounted, she secretly watches as father and son prepare to enter her home with the emperor tying a marriage tiara of shining pearls on his son's head. Soon it's time. With her hands adorned, her face made up and dressed in all her finery, Arjumund at last emerges from behind the curtain. She shyly gives her consent to the marriage as is demanded by tradition. With that formality out of the way, she watches on as her family exchange gifts with Kurums. Her eyes dazzle as light reflects off a succession of stunning and costly gemstones, the ceremony drawing to a close. She waits as Kurum holds out his hands to have them washed in rose water. Then he drinks a goblet of water to confirm the union. Now, as husband and wife, the couple make their way outside to a celebratory feast hosted by Arjeman's father. Musicians fill the air with sweet music backed by the joyful beating of drums. The wedding party shares in a lavish feast. There is a seemingly never ending cavalcade of delicious rice dishes and subtly spiced meats served with raisins, almonds and pistachios. A whole grilled goose filled with lamb mints steals the show. And there are mouthwatering exotic fruits in sugary syrups. As the guests fill their bellies, the sky explodes with fireworks. Kurum and Arjumand gaze into each other's eyes. He can hardly suppress his grin as he looks upon her. The wedding celebration has been almost five years in the making, but it has all been worth the wait.

C (15:11)

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A (16:30)

this is a paid advertisement from Indeed. If you're a small business, the right hire can be make or break. Hoping the right people see your job posting isn't the best growth strategy. When the pressure's on and you need the right hire. This is a job for Sponsored Jobs. Indeed Sponsored Jobs gets you quality candidates when you need them most. Sponsored Jobs boosts your job Post in search results so you can reach the people that help your business thrive. Plus, with Indeed Sponsored Jobs, you only pay for results. Spend less time searching and more time actually interviewing candidates who check all your boxes. Less stress, less time, more results when you need the right person to cut through the chaos. This is a job for Indeed Sponsored Jobs and listeners of this show will get a $75 sponsored job credit to help get your job the premium status it deserves@ Indeed.com podcast just go to Indeed.com podcast right now and support our show by saying you heard about Indeed on this podcast. Indeed.com podcast terms and conditions apply. Have hiring this is a job for Indeed sponsored jobs a little over 10 months after their wedding, Ajamund gives birth to a daughter in Agra. However, hopes of an easy life of married bliss do not last long as dynastic squabbles soon begin to boil over in the royal household. Shah Jahangir is overly fond of wine and opium, and his newest wife, Nur Mahal, is becoming an increasingly potent force the power behind the throne. But she doesn't favor Kurum to succeed her husband. Instead, she supports Kurum's younger brother Sharia, who is not only her stepson but also her son in law, having married her daughter from a previous marriage. Concerned for his future chances of claiming the throne, Kurum launches a move against his father in 1622. But after a year of bitter war, the coup fails and Kurum flees to southern Rajasthan. He and Ajumand remain in the political wilderness for four years until eventually Jahangir forgives him and he returns to life at the royal court. Just a year later, in 1627, Jahangir succumbs to a severe cold while traveling to Lahore. His death reignites the succession crisis. In one camp, Kurum, backed by his wife's influential father. In the other, Shahriyar, supported by Arjeman's aunt, Noor Mahal. Arjeman's father, moves quickest. He manages to isolate his sister while Kurum defeats his brother on the battlefield, executing those whom he fears might move against him, including his brother and nephews. Kurum ascends to the throne in 1628. He is now Shah Jahan and Arjumund becomes Mumtaz Mahal. Though sources differ on the exact number of wives he takes. She is by now one of at least three, but she is irrefutably his favorite. It has been a bloody path to power, but now that he has it, his reign is characterized by general stability.

B (19:56)

Shah Jahan was creative right from the beginning when he was a prince, a bit extraordinary compared to his brothers. He was full of love for his family, his wife particularly Mumtaz, and his children, full of grit and determination. Because he had to fight for the throne, he was a good administrator. Shah Jahan rebuilt the imperial treasury from scratch by taking a series of fiscal measures, which were successful.

A (20:29)

He initiates reforms that centralize and systemize administration across the empire. Vitally, he overhauls the tax system so that he has plenty of money to play with. This allows him to begin indulging his desire to expand the architectural grandeur of his realm. His rule ushers in the golden age of Mughal architecture. From his royal palace in Agra, the Shah nurtures a community of craftspeople, artists and architects from across the empire. They oversee the construction of a succession of landmark projects, including large parts of the Agra Fort, Delhi's Red Fort, and the Jama Masjid, which is still one of India's largest mosques. The Shah is also responsible for commissioning the legendary jewel encrusted peacock throne, reputedly one of history's most valuable treasures. At his side throughout is Mumtaz Mahal. She is not only a lover and soulmate, but a trusted advisor in political matters. She has also borne him no fewer than 13 children. And now, in the late summer of 1631, she is pregnant again, aged 38, accompanying her husband on his latest military campaign. She is quartered in a palace fortress in the city of Boranpur, on the river Tapiti, some 500 miles from Agra. It's June 16th when she goes into labor. One of her older daughters is by her side and her husband is in an adjacent chamber. It's agonizing hour, stretching into hour, day into night, into morning. For 30 hours, midwives and doctors toil around her, trying to get the baby out. Then, at last, the room fills with the cries of a newborn. A little girl. But there is no sense of joy, because Mumtaz Mahal lies motionless, blood soaked and barely conscious. Shah Jahan is sent for immediately. When he goes to his wife, she momentarily rouses, but then she is gone, a victim of postpartum hemorrhage. As is Islamic custom, her body is bathed, wrapped in a shroud and quickly taken away for burial. She's carried to a nearby Mughal pleasure garden where she's put in a temporary tomb. Her head points northwards and her face is angled towards Makkah al Mukarrama, known in the English speaking world as Mecca. There is widespread mourning. At news of the loss, the grief stricken Emperor disappears from public view.

B (23:29)

And once she was dead, Shah Jahan was totally devastated. Obviously there was a very strong bond, attachment, love between the two, and it was a natural outcome of that. For a week he did not appear in the oriel window or jharukha, which was a regular royal ritual. When Mughal emperors appear on the balcony to show themselves to their subjects who assembled outside, the intensity of the grief turned his hair grey. For the next two years, he abstained from music. Nor did he put on magnificent dress or wore jewelry. At Eid and other such festive occasions, he wept bitterly, lamenting the loss of the most loved of all his wives.

A (24:23)

For a while, it seems that Shah Jahan might turn his back on the empire he has fought so hard to rule.

B (24:30)

Shah Jahan also once remarked that but for the divine duty laid upon him by God, he would have divided his empire among his sons and retired. And there were so many courtiers, including from the family of Mumtaz Mahal, who impressed upon him that no matter how much the grief was, he had the duty to rule and he had to run a large empire and therefore he had tremendous responsibility. And slowly and gradually, Shah Jahan began to realize that he had to live with the grief. But he also had to rule.

A (25:15)

Plans are made to transfer his wife's body back to Agra In a golden coffin, surrounded by soldiers, she is carried in a procession, passing through villages, towns and cities. Vast crowds line the route, paying their respects. By the time she reaches Agra, the Emperor has taken possession of the garden on the banks of the Yamuna. Mumtaz Mahal is laid to rest there and a small domed building is raised over her coffin. But in his grief, Shah Jahan has been developing something much grander nearby to honor her memory. In the designs, he is tapping into a rich cultural heritage.

B (26:03)

There was a tradition of magnificent funerary architecture in Central Asia in Iran, the two regions which were culturally connected with the Mughal Empire. Therefore, it was natural that he would build a magnificent monument as the mausoleum of somebody he deeply loved and missed. And truly, he put his energy and resources into the construction of the Taj as a symbol of love.

A (26:35)

The identity of the architects he uses is uncertain and much disputed. What is not is the unique confluence

B (26:43)

of inspirations, the combination of different architectural styles. Iranian, Central Asian, a bit of European in the Petra dura decoration, which gives the monument a very unique, colorful character. Considering that it's all white, it's neither Iranian nor Central Asian nor Islamic. It's a unique admixture of different traditions, including the Mughal tradition, because Shah Jahan introduced many of his own ideas and designs, so it in a sense, transcends many big and small traditions. That is what perhaps makes it unique and a distinct Mughal monument that you do not find anything that could match the majesty and beauty of the Taj.

A (27:46)

He employs trusted hands from his previous building projects to oversee the construction. And in 1632, he moves back permanently from Burranpur to Agra, from where he can keep an eye on progress. Over the course of several months, he works closely with his architectural team. After many meetings, he signs off on a design that covers a plot measuring about 1000 by 1800ft. Building gets underway in the early part of 1632. As construction hastens, there are as many as 20,000 labourers on site at any one time. The Shah pays for 1,000 elephants, along with mules and oxen to transport materials. The weight of the dome alone is estimated at 12 tons.

B (28:40)

The first thing is the scale of the monument. The mausoleum is only one part of the complex, albeit the most significant. In most garden tombs, you have the tomb situated in the middle of the garden, but in this case it's quite extraordinary that it's towards the end and beyond the monument is the river. If you take this whole thing into account, this entire space, from the river to the end point of the complex, the forecourt, then its scale is staggering.

A (29:18)

The centerpiece is, of course, the mausoleum in which Mumtaz Mahal is to lie. It is hewn the finest Makrana marble.

B (29:28)

White marble was chosen because white is the color of renunciation in India. When Shah Jahan's father Jahangir died, his wife Noor Jahan always wore white. Shah Jahan himself did that after the death of Mumtaz Mahal for quite some time. So his choice of this particular stone and color is also significant.

A (29:53)

It includes a spectacular double dome. The internal one rises 80ft, giving an intimate feel to Mumtaz Mahal's final resting place, not to mention an ethereal echo. But the exterior dome climbs much higher, to 240ft. Chroniclers describe it as resembling a guava or a flower bulb. The celebrated Indian poetry Rabindranath Tagore will later describe it as a teardrop on the cheek of time. Around it are four domed kiosks resembling the claw of a ring surrounding the gem of the main dome. And the entire mausoleum sits on a vast marble plinth surrounded by four tapering minarets with a slight outward lean.

B (30:44)

As a marvelous piece of funerary architecture, not only in the Mughal empire, but anywhere. The use of white marble, prominent double dome, tapering minarets, exquisite calligraphy with black stone, all set in a complex of red sandstone, gave an extraordinary visual character to this architectural venture.

A (31:08)

But the complex includes many other buildings as well, rising in red stone and brick. To the west of the mausoleum, a three domed mosque, and opposite, to maintain perfect symmetry, an identical guest house. At the other end of the plot is an ornate gatehouse and beyond that, a forecourt with accommodation for attendants and enough room for several bazaars. A 10 mile earthen ramp is constructed to bring materials to the complex. As the building gets higher and higher, supervisors design a complex pulley system to lift the stonework into place. Meanwhile, the gardens are divided into four equal sections. One large water channel dissects it down its length and is crossed by a secondary channel at its midway point. The planting beds in each quarter, sown with assorted flowers and trees, are picked out by pathways. The aim of the gardens is to evoke what are called the holy abodes of paradise. The workforce are pushed hard, but it seems a remarkably harmonious place to work. The project coincides with a generally calm period of Mughal history. There is political and fiscal stability and no major distractions for the Shah to contend with. Moreover, the Taj provides a boon for the local economy and good quality work for thousands.

B (32:39)

We should also remember that there was a pool, a very large pool of free wage laborers. And since it was a mausoleum, it could not have been built using coercion or slave labor, or any other form of labor which was not considered to be pure and irreligious. So it's important to remember that the sentiments that are attached to the building of a mausoleum, which is a holy place. You have to keep in mind that everything is to be done by the book and you do not deviate. You do not employ any measure which goes against the spirit of the religious protocol that guide the building of Mausolea.

A (33:38)

While the Taj will appear like a vision in white from a distance, its exact tone changing with the ebb and flow of sunlight. The marble is in fact intricately decorated. The mausoleum is adorned with Quranic inscriptions rendered in the most beautiful flowing calligraphy. This work is overseen by a Persian master of the art, Amanat Khan, who has the honor of being the only person allowed to inscribe their name on the Taj, something he does twice. Other artists carve mostly floral designs into the stone irises, lilies, lotuses, tulips and more. Master craftsmen inlay over 40 varieties of colored stones and precious gems. There is jade from China, Jasper from the Punjab, turquoise from Tibet, diamonds from Panna, sapphires from Arabia, and other stones from distant regions of India, Ceylon and Afghanistan. The work stretches from months into years, but in 1643, on the 12th anniversary of Mumtaz's death, Shah Jahan is for the first time able to mourn her at the ceremonial feast of Urs inside her tomb. Her body has recently been moved to its final resting place from its temporary home, where it had been since before building began on the Taj. It will be another five years before all embellishments to the mausoleum are complete, and the entire complex is not finished until 1653, but it is now a usable space.

B (35:27)

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A (35:59)

this May on the Noiser podcast network, Real Vikings concludes as the epic excursions of the Norsemen culminate in a monumental showdown on Short History of will witness the world changing events of the Spanish Civil War and uncover the real James Bond. On Real Survival Stories, a remarkable tale of escape from a devastating earthquake in China and an extraordinary encounter with a humpback whale. And in Sherlock Holmes short stories, we're amidst the misty expanse of Dartmoor for one of Conan Doyle's most beloved works, the Hound of the Baskervilles. Get all of these shows and more early and ad free on Noiser plus. And by the way, a short history of Ancient Rome. Noyes first book is out now in paperback, available in all good bookshops. Anyone who sees the Taj, whether from near or far cannot help but be awestruck. But for the time being, it is to be a private, not a public space.

B (37:04)

The monument was not open for public viewing in the beginning at least, and only members of the royal family and the close circle of the nobility or elites accompanying royal ladies or the king whenever he went there for prayer or attend the death anniversary observance, they were the ones who could tour the given access to the monument, not the general people. So frankly, it was a kind of an exclusive private enclave.

A (37:41)

The Taj is by no means the last great building project of Shah Jahan's reign. In 1638, he had ordered work to commence on a new capital at what is now Old Delhi. Ten years later, he moves his royal court there. But age, grief and the demands of empire are beginning to catch up with him. He tries to defy time, living like a man much younger and taking various drugs in a bid to pep himself up. But in September 1657, he falls ill. Chroniclers tiptoe around exactly what is wrong with him, but it seems he has problems with his digestive system and urinary tract. This episode brings into sharp focus the question of his succession, a matter he has had little interest in addressing. But now a bitter struggle between his four surviving sons by Mumtaz gets underway.

B (38:37)

Well, in 1658, there was a war of succession between the four sons of Shah Jahan. Although the Mughals did not follow any rule of succession, which was a very clever strategy, political strategy, not to allow an alternative source of power to be built in the lifetime of the emperor. The Emperor, in this case Shah Jahan, had been grooming the eldest son, Dara Shikko, as his successor.

A (39:07)

When Dara Shikoh takes the reins as regent during his father's illness, his three brothers all conspire to take the throne themselves. After a series of intra family battles, it is his warrior brother Aurangzeb who emerges victorious. He seeks Shah Jahan's blessing to take over from him. But the emperor, now recovered from his illness, refuses to give it. Aurangzeb declares his father unfit to rule and effectively imprisons him in Agra Fort. He remains there for the next eight years, attended by Jahanara, his favorite daughter, by Mumtaz. These are hard years in which all of his sons but Aurangzeb meet violent deaths.

B (39:58)

So whatever little we know about These years between 1658 and 1666 were years of sorrow and sadness and depression and lack of ability to do anything about what was happening in the empire.

A (40:20)

But there is at least One comfort to be found in his cell.

B (40:26)

Perhaps the only solace he could have was looking at the monument from the window of his palace. The monument was visible, particularly during the full moon. It was marble sparkles in moonlight. And there are a couple of recordings of how Shah Jahan reacted when he looked at the monument. So I suppose the Taj was a major source for him to go back in time and think about his life with Mumtaz Mahal and the days they spent together, the days of happiness. So all these memories must have crossed his minds and must have derived some solace, some strength from these memories.

A (41:17)

Early one morning in January 1666, Jahanera sits on a carpet by her father's bed, reading him passages from the Quran. But he is unattentive, distracted. He has fallen ill again, with symptoms similar to those he suffered when the dynastic dispute between his sons exploded eight years ago. Feverish and desperately thirsty, he asks to be moved nearer to a balcony where he can get a better view of the Taj. A last look. Jahanara stays close, and she can sense life is ebbing from him. His eyelids close, and with that, Shah Jahan is dead. Aurangzeb denies Jahanara the grand funeral she requests for their father. Instead, his body is quietly transported to the Taj, where it is put to rest in a tomb next to his beloved Mumtaz. Aurangzeb rules for almost another 40 years, and the empire expands to its greatest extent. But after him, it goes into decline. A number of emperors come in for short reigns, and the Mughals suffer territorial losses. They are not so financially well off as they once were either, and the tightening of the purse strings shows as the Taj falls into a state of disrepair. In 1739 D, Delhi is raided by the Persians, who plunder the city and take away treasures, including the Peacock throne. As the 18th century progresses, the Taj also falls prey to looters. The Jats, a rising military force in northern India, are accused of stealing a set of bejeweled silver gates and of carting off marble and sandstone for their own palace complexes. Other groups get in on the actual and by the turn of the century, carpets, jeweled canopies and wall hangings have all disappeared. By now, Britain wields vast power over swathes of India via the British East India Company, a commercial entity that effectively acts as a military and administrative force for the British state. In 1803, it occupies Agra, and within seven years, a comprehensive survey of the Taj is backed up by initial restoration works. But there is a disconnect between Shah Jahan's vision for the complex and how the British regard it. It's the 1830s, a balmy Saturday evening in February. Out on the Taj's marble terrace, an Englishman perspires in his formal evening wear. He, a mid ranking company official who has transported his family to India, takes the hand of his wife. Resplendent in a powder blue silk dress, the pair would not look out of place in any of London's most fashionable ballrooms. Beneath Shah Jahan's famous dome, an orchestra plays a quadrille. The man leads his wife to the dance floor where with three other couples, they perform a series of choreographed steps. Every move is caught in the gleam of the Chinese lanterns that illuminate the terrace. It is a poignant moment for the couple. Just a few months since their friend, 31 year old Barbara Duncan, wife of a doctor from back home, lost her life here. That too had been at a Saturday night of revelry until the unfortunate lady lost her balance while sitting on a parapet overlooking the terrace, crashing to the floor below. The Taj has long been a focal point for carousing by company men and their loved ones. Banquets are a frequent occurrence. The mosque to one side of the Taj has even been rented out as holiday cottages to honeymooning couples. In stark contrast to its original intended purpose. Tonight, the couple raise knowing eyebrows at each other as they pass one of his colleagues cozying up to a woman they have not seen him with before. At least he's not lying on the grass, drunk senseless, like the soldier they spotted on their way here. The orchestra finishes its quadrille to a chorus of plight, laughter and applause. The man and his wife retreat from the dance floor past a wall which she notices has a pair of English names etched into has been a tradition to turn up with hammers and chisels to chip out the souvenirs from around the cenotaphs of the Shah and his empress. They settle at a quiet table where the gentleman pulls out a chair for his wife. But before he can even sit down, a servant scurries over, a bottle of champagne in hand. With a gesture of approval from the Englishman, the servant pops the cork and paws for them both before discreetly heading off to top up the guests. There is nothing quite like an evening here. Just as at the courtly bazaar where the Shah first met his Mumtaz, it's a place to see and be seen at once deliciously exotic and comfortingly familiar. A London style night on the Town transferred to a setting rooted in an entirely different culture. There were already plans to come back for the next scheduled soiree in a week or two. But not for a moment is the question raised of whether this is a respectful use of the Taj Mahal. The last hurrah of the now vastly depleted Mughal Empire comes when it joins with fellow Indian allies to oppose East India Company rule. They embark on what becomes known as the Indian Rebellion, from which the British emerge victorious. In 1857, the Mughal's last emperor is sent into exile, marking the end of his realm. The British state now assumes control in place of the British East India Company. And the age of the British Raj begins a new era for the Taj.

B (47:52)

Well, the British presented themselves as heirs to the Mughals, yet at the same time they introduce a whole range of new institutions and practices to strengthen their rule. The 19th century was a period in which many of these monuments in India, including the Taj, were documented, preserved, repaired. Some changes also took place in the landscape of many garden monuments, including the Taj. So, generally speaking, the attitude of the British administrators towards the Taj was positive because it was an extraordinary monument. It was something that made Indian architecture looked quite extraordinary on world scale. That was something that they were quite conscious about.

A (48:43)

In 1899, Lord Curzon becomes Viceroy of India, the monarch's chief representative. He considers restoration of the Taj a personal mission, but one he undertakes with British sensibilities. He authorizes sweeping and often controversial changes to the complex, not least in the gardens, which are cultivated much more along the lines of an English park. Out go the trees and flowers and in come neat lawns to create an entirely different vista.

B (49:15)

It is true that Curzon converted the Mughal garden into an English garden. There he intervened culturally in a very big way. He believed that many rich architectural traditions came to India from outside and there was nothing wrong in the introduction of a new European element. He believed that India's imported heritage was rich because of the cross fertilization of Byzantine, Iranian, Central Asian traditions, the best of these traditions. And in one of his speech delivered in 1900, he argued that the British too were agents of architectural transformation.

A (49:59)

But within India, the tide is turning against British rule. Spearheaded by Mahatma Gandhi's National Congress, the call for Britain to relinquish India to the control of the Indian people is irresistible. In 1947, the British Raj comes to an end, its Indian empire reconfigured as independent India and Pakistan. The Taj Mahal sits within the boundaries of the new India and There is a sense that it is returned to the people who created it.

B (50:31)

During the national movement and after independence in 1947, there was obviously a reaction, a reaction that Lord Curzon's attempt to change the character of the garden of the Taj from Mughal to English was something that was not acceptable.

A (50:53)

And so it is reinvented again, not as an Islamic mausoleum, a product of Mughal multiculturalism, or even a symbol of British imperial power, but as a totem of Indian statehood.

B (51:08)

The Taj is a national monument now. It has a different character, if you follow Shah Jahan's logic. The head of the state is the trustee of the monument. The monument belongs to the people of India. They have access to the monument. It's a public monument, therefore everybody could go and see. It is definitely considered as one of the most majestic monuments in India today. It's very difficult to forget that it was built through the labor of hundreds and thousands of Indian people and laborers from the money that was obtained from ordinary peasants of India.

A (51:54)

In 1983, UNESCO declares the Taj a World Heritage Site, citing it as the jewel of Muslim art in India and one of the universally admired masterpieces of world heritage. The journey from national symbol to global icon is complete and it continues to draw high ranking visitors from around the world. In February 1992, the most photographed woman in the world, Diana, Princess of Wales, is in Agra. She is on a tour of India with her husband, Prince Charles, heir to the British crown. The Taj throngs with paparazzi and as she arrives, the cameras start to flash with ferocious intensity, the journalists desperate for the shot that might make a fortune. Diana, dressed in a purple skirt and red jacket, takes up a position on a bench in front of the Taj. There have recently been rumors of troubles in the royal marriage. And now here she sits, hands clasped on her knees, a lonely figure in front of the world's greatest monument to love. It becomes an iconic image, though the Taj's power as a symbol of romantic love remains unrivaled today highlights a relationship where many suspect such romance is dying. The Taj fascinates in other ways too, with rumors forever swirling around it. One that particularly grips the popular imagination is that Shah Jahan had plans for a twin mausoleum of his own across the river from the Taj, built not from white marble, but from complementary black stone instead. It's an appealing notion, and despite the lack of firm evidence, one that continues to attract attention from academics and non academics alike into the 21st century. The Taj continues as a cultural touchstone, receiving over 7 million tourists each year. But it also reflects some of the difficulties facing Indian and indeed global society in an era when nationalistic politics have risen to the fore. Within India, it is at the center of a tug of war between opposite schools of thought. On one side, those who regard it as a pinnacle of Islamic cultural achievement. On the other, those who trace its origins to Hinduism, whose adherents, they say, raised a temple on the site centuries before. This argument is championed by, among others, figures within India's incumbent ruling party, the bjp. Even so, the Indian High Court and the Archaeological Survey of India both refute the suggestion. Then there are environmental threats. Acid rain and air pollution have taken their toll. Meanwhile, the pollution of the river Yumana has led to an increase in algae, fueling the proliferation of masses of insects whose droppings also damage the exteriors. The river's water level is falling too, with potential dangers to the Taj's foundations.

B (55:09)

The Government of India, including the Archaeological Survey of India, which is the body dedicated to preserving monuments, protecting and preserving are both taking measures time to time to repair, to allow the monument to retain its splendor, like shutting down refineries or places of emissions which cast a dark imprint on the Taj. The river which flows at the back of the monument needs to be cleaned. That is not happening. So there are shortcomings in the project to make the Taj a better and better national monument. But efforts are still on.

A (56:02)

As it heads towards 400 years old, the Taj remains a timeless symbol of marital devotion. It is awesome, not only in its physical scale and beauty, but in its demonstration of humankind's creative spirit and imagination, and in its symbolism of India itself. But it is also a building whose meaning evolved over time. There are those who want to employ it for their own divisive ends. Yet it manages to continue to be a largely unifying structure.

B (56:39)

95% of the people I have met in the Taj during my innumerable visits were Indians. All kinds of Indians, belonging to different regions, cultures, caste, communities. If you speak to them, one could see the admiration they have for the monument. And in this admiration and the reaction they have, there is hardly any sectarian element or any element of bigotry. And that really is what India is all about. Harmony, unity in diversity. And as long as Indians hold on to the notion of cultural harmony, tolerance, tolerance of diversity, and a belief that anything that is of national importance is theirs, is their heritage, and it doesn't belong to any individual or a group, people all also appreciate this monument as a symbol of love and admire the degree and intensity of that love which gave birth to this monument, which was the raison debt of this monument.

A (58:06)

Next time on Short History of We'll bring you a short history of the Dam Busters. Well, flying a heavy multi engine aircraft deep into unfamiliar, heavily defended enemy territory by moonlight at 60 to 100ft can't be considered anything but extremely dangerous. It was pure muscle power and concentration for some six to seven hours. There were no power assisted controls or fly by wire. A moment's lapse of concentration could have meant disaster. That's next time.