Blockbuster Brothers: James & Sean Gunn

Summary

Summary of "Blockbuster Brothers: James & Sean Gunn" – Sibling Revelry with Kate Hudson and Oliver Hudson

Release Date: July 7, 2025 | Hosted by iHeartPodcasts

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Introduction

In the episode titled "Blockbuster Brothers: James & Sean Gunn," hosts Kate Hudson and Oliver Hudson engage in a heartfelt and insightful conversation with the talented sibling duo, James and Sean Gunn. This episode delves deep into the Gunn brothers' family dynamics, upbringing, and their collaborative journey in the entertainment industry, providing listeners with an intimate look at the bond that fuels their creative endeavors.

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Family Background and Upbringing [02:40 – 11:03]

James and Sean Gunn begin by discussing their large family, highlighting the significant age gap of seven years between them among seven siblings. Kate Hudson remarks, “Everyone knows everyone” [05:20], emphasizing the close-knit nature of their family.

Sean shares insights about their parents, with their father being a lawyer and their mother a homemaker who kept their household impeccably clean. “My dad was a lawyer and my mother was a homemaker. My mother took clean the house obsessively with six kids...” [09:28]. James adds, “We were not competitive... we always rooted for one another completely.” [08:26], illustrating the nurturing and supportive environment in which they were raised.

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Impact of Parental Influence and Overcoming Challenges [12:17 – 15:01]

The conversation takes a poignant turn as Sean discusses their father's battle with substance abuse. “My father quit drinking at a certain age and then he quit doing other chemicals and stuff at a later age.” [12:17]. This journey towards sobriety profoundly impacted the family, fostering resilience and unity among the siblings. James echoes this sentiment, highlighting their father's emotional openness and willingness to change: “He was someone who was open to change and he got better as he got older.” [12:17].

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Early Interests in the Arts and Creative Beginnings [23:07 – 34:00]

James and Sean delve into their early passion for the arts, nurtured by their parents. Sean credits their parents for introducing them to movies and theater from a young age. “My parents brought me to movies when I was very little... we always had a love for that stuff from a pretty young age.” [23:07].

James shares memories of attending repertory theater in Lake Ozark, Missouri, which ignited his desire to perform: “My earliest memories are of going to see theater... I felt like I want to be up there on the stage performing.” [23:14].

Their teenage years saw them experimenting with filmmaking, creating low-budget horror films using Super 8 cameras. Sean recounts their hands-on approach: “We made Super 8 films... we were obsessed with horror movies like Friday the 13th and Nightmare on Elm Street.” [39:20].

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Collaborative Filmmaking and Directing [44:33 – 62:17]

Sean discusses his evolution into directing, balancing creative freedom with studio demands. “I've always been able to do my thing... I'm incredibly fortunate in that respect.” [46:16]. He emphasizes the importance of selecting trustworthy collaborators and maintaining a clear vision.

James highlights the collaborative nature of filmmaking: “Film and television and storytelling is a collaborative art.” [50:13]. They discuss how working together as siblings enhances their creative synergy, with Sean praising James’s ability to deliver mass appeal: “Delivering the goods on the first Guardians movie... is just so insanely difficult.” [85:38].

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Personal Reflections and Future Projects [62:17 – 91:20]

Reflecting on their careers, James and Sean express pride in each other’s achievements. James shares his admiration for Sean’s dedication to projects like "Guardians of the Galaxy" and "Superman," while Sean praises James’s knack for threading mass appeal with creative storytelling: “Delivering the goods on all of that is astonishing.” [85:38].

They discuss the challenges of managing large franchises such as DC, with Sean noting the stress of high expectations: “We're an expensive movie. We don't have the same requirements as Guardians of the Galaxy.” [68:03]. James and Sean talk about the importance of maintaining a balanced life amidst the pressures of blockbuster filmmaking, with Sean sharing his commitment to personal well-being: “I have to come home and actually have a little bit of a life after shooting.” [63:31].

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Key Takeaways and Conclusion

Throughout the episode, James and Sean Gunn provide valuable insights into the importance of family support, collaborative creativity, and maintaining personal relationships amidst high-pressure careers in filmmaking. Their shared experiences and mutual respect highlight how sibling bonds can enhance both personal and professional growth.

Notable Quotes

• “We were not competitive... we always rooted for one another completely.” — James Gunn [08:26]
• “My desperation is more than Sean's... birth order and how they are among their peers.” — Sean Gunn [21:03]
• “Delivering the goods on the first Guardians movie... is just so insanely difficult.” — James Gunn [85:38]

Conclusion

"Blockbuster Brothers: James & Sean Gunn" is a compelling episode that offers listeners a deep dive into the lives of two influential filmmakers. Kate and Oliver Hudson facilitate a conversation that not only explores the Gunn brothers' professional triumphs but also underscores the enduring strength of their sibling relationship. This episode is a must-listen for fans of the Gunn family and anyone interested in the dynamics of collaborative creativity within the entertainment industry.

Transcript

[Kate Hudson]

This is an iHeart podcast.

[Ryan Seacrest]

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[Sean Gunn]

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[Sean Gunn]

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[Oliver Hudson]

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[Unknown]

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[Kate Hudson]

Hi, I'm Kate Hudson and.

[Unknown]

My name is Oliver Hudson.

[Kate Hudson]

We wanted to do something that highlighted.

[Unknown]

Our relationship and what it's like to be siblings. We are a sibling revelry.

[Kate Hudson]

No, no.

[Sean Gunn]

Sibling revelry.

[Kate Hudson]

Don't do that with your mouth.

[Unknown]

Sibling revelry.

[Kate Hudson]

That's good. Okay, well, this is fun we've got coming on right now. We have James and Sean. James and Sean Gunn.

[Unknown]

I mean, cool ass name.

[Kate Hudson]

Did James direct the episode? Pa was in the. I mean, the episode.

[Unknown]

Guardians.

[Kate Hudson]

Guardians.

[James Gunn]

I don't know.

[Unknown]

It's a good question. I'm not sure. Yeah, we gotta ask him that. Yeah, he's got Superman coming out. He's an incredible director. I think he was married to Jenna Fisher for a minute, who I worked with.

[Kate Hudson]

Oh, yeah?

[Unknown]

Yep.

[Sean Gunn]

And.

[Unknown]

I'm excited to learn about how, you know. And I think Sean has been in a bunch of his movies. He's an actor, I think. Let's just bring him on and talk to him.

Hi.

[Sean Gunn]

Hey. What's up?

[Unknown]

How are you?

[Sean Gunn]

I'm good. Good. There's Sean Gunn.

[Kate Hudson]

Hello, Sean.

[Sean Gunn]

Hey.

[Unknown]

So you guys grew. You guys grew up with the coolest last name ever. I mean, Jesus, a lot of pressure to become cool.

[Sean Gunn]

Well, there was a source of a lot of puns in grade school and so forth, you know.

[Unknown]

Yeah.

[Sean Gunn]

Tommy Gunn, BB Gun, Ray Gunn, everything.

[James Gunn]

But, yes, Son of a Gun was a really hilarious one.

[Sean Gunn]

Yeah. Yeah. Hey, we have some connections, guys. A few connections, you know, so I'm. You know, we're friends with. Well, I'm friends with Meredith and. And Wyatt.

[Unknown]

Yes.

[Sean Gunn]

Because Meredith was in a movie that I produced called Brightburn, and she's lovely, and I met Wyatt through her. And then Oliver. Did we meet one time with Kurt?

[Unknown]

Well, yeah, because. Did you direct his Guardians?

[Sean Gunn]

Yeah, I directed his Guardians and we met in passing somewhere for two seconds.

[Unknown]

But then you were also married to Jenna.

[Sean Gunn]

And I was also married to Jenna.

[Unknown]

Who I worked with for two years.

[Sean Gunn]

That's right. That's right. Yes. So. Yes, so. Yes. So we have many connections.

[Unknown]

Lot of connections.

[Sean Gunn]

Jenna and I are still very close. She's a great person. We have. I was talking to her yesterday for a long time. Yeah, I know. The buck, all the bucks. Yeah. Yep. Yeah, yeah, yeah.

[Unknown]

It's all the St. Louis connections. Everyone knows everyone.

[Sean Gunn]

Yeah.

[Kate Hudson]

You had a really big family.

[Sean Gunn]

Yeah, we have.

[Kate Hudson]

You have a big family.

[Sean Gunn]

There are. Well, there's four siblings between me and Sean.

[James Gunn]

Yeah, we're bookends, really.

[Sean Gunn]

Oh, really?

[Kate Hudson]

They're sick.

[Sean Gunn]

And a sister who passed away so there would have been five between us and. Yeah, yeah, there's. There's seven years between us. We had eight kids or six kids. Seven kids in seven years. Wow. I didn't have them. My parents had them.

[James Gunn]

Wow.

[Unknown]

Okay, so let's get into that. Okay, go ahead.

[Kate Hudson]

K. So what. So, like, so. So what. What was your family like? Like, what are your mom and your dad?

[Sean Gunn]

So how old.

[Kate Hudson]

First of. How old was your mom when she had. Are you the first one?

[Sean Gunn]

I'm the first one. She was 25 when I was born, and so, you know, she was.

[James Gunn]

Yeah, she was 33 when I was born.

[Sean Gunn]

Yeah. Yeah.

[Kate Hudson]

So by the time she was 30, almost 33.

[Sean Gunn]

Yeah. Not quite 63. Yeah. Yeah.

[James Gunn]

Not quite Sue's own. Yeah, she was 32amonth.

[Sean Gunn]

Yeah, yeah, yeah, 32. Yeah.

[James Gunn]

And she had all of us in that time.

[Sean Gunn]

We have two siblings that, like, my. How far are Patrick and then Beth are, like, 11. Yeah.

[James Gunn]

You're familiar with an Irish twin where there's. If there's less than 12 months that separates, you know, siblings, they call them an Irish twin. My sister Beth is an Irish twin on both sides, so.

[Sean Gunn]

Oh, my God.

[Unknown]

She.

[Sean Gunn]

She.

[Oliver Hudson]

So your parents.

[James Gunn]

My brother Patrick was born, you know, 11 months before her, and then our brother Brian was born. Month was born 10 months after her.

[Sean Gunn]

Yeah, she was born in February, and then Brian, who was born with a twin, had born in December.

[James Gunn]

Yeah.

[Sean Gunn]

So there were women.

[Kate Hudson]

Women who have families like this are just. They're like superheroes. I can't even imagine. Like, I have three.

[Sean Gunn]

Right.

[Kate Hudson]

I couldn't imagine having.

[Sean Gunn]

Yeah.

[Kate Hudson]

And then. And then raising them.

[Unknown]

Well, at some point.

[Sean Gunn]

I'm.

[Unknown]

Deshawn. Did you eventually have to, like, just fend for yourself? It's like, I've done this a million times. Like, you're good.

[James Gunn]

Well, I think at some point, you know, there's like, a little bit of a pack mentality takes over, and we're like, our. Our mom is doing so much work raising everybody, but we're. But my older siblings also started to help share the load, so I'm also getting, you know, help and advice and things like this from all of. All of my older siblings. So, yeah, it's not like I felt neglected by my parents, but I also. I felt very much, you know, that. That my older siblings were very much part of. Of my upbringing.

[Unknown]

Were there some older siblings that were more nurturing than others, you know?

[James Gunn]

You want me to name names?

[Unknown]

Yeah, I do.

[Kate Hudson]

That's what this podcast is about.

[Sean Gunn]

Listen up.

[James Gunn]

List us from Most in order.

[Sean Gunn]

Yeah.

[Unknown]

Yeah.

[Sean Gunn]

List just who you love the most.

[Unknown]

Let's start with who. Who did not give a. About Sean, I was gonna say.

[James Gunn]

Can we start with the worst? He's the next. He's the next oldest from me, so he, you know, like, he's not doing his share of. Of the work raising me. If anything, he's picking on me too much. But no, you know, honestly, it's like the. It's. It's very interesting being the youngest in a. In a big family like this because I. I have little different things that I've. That I've learned from each one of my siblings and. And, you know, I could. I could go through and parse it all out, but I feel like there are elements of all of them in my personality, which is sort of a strange feeling. Mm.

[Unknown]

You're. You're a. A mix.

[James Gunn]

I'm an amalgamation.

[Kate Hudson]

What line of work were your parents in?

[Sean Gunn]

My dad was a lawyer and my mother was a homemaker. My. My mother took clean the house obsessively. With six kids, it was always completely spotless. And my next door neighbor never saw my mother without full makeup on until she was probably in her 60s.

[Unknown]

Wow.

[Kate Hudson]

Wow.

[Unknown]

So just so mom was on fire.

[Sean Gunn]

Old school type moms and 10 moms and 10 type.

[Kate Hudson]

A, like, was very structured household.

[Sean Gunn]

No, not really, because we kind of were left to our own devices. We just kind of did what we wanted. And I think it was a unique environment to grow up in because we were each other. You know, there were six kids, we were very close, and we played together a lot, and we laughed together a lot. And I think other families are sort of competitive in terms of, you know, academics or sports or things like that. And for us, it really was just making each other laugh. Like, that was so humor.

[Unknown]

Humor was a very big, sort of important piece of.

[Sean Gunn]

Incredibly that. That was absolutely. All we did was make each other humor.

[James Gunn]

And sharing pop culture, sharing movies, sharing music, sharing TV shows. And yes, to repeat what James said, it's like, I think if there was anything really unique about our family, it's that we, for whatever reason, we were not competitive with one another and still aren't to this day. We. We always rooted for one another completely.

[Unknown]

What do you. What would you attribute that to? Or is it just genetics in the way it is? Or was there something else?

[Sean Gunn]

I don't know for Sean, but for me, my. My. My dad and his siblings were a little bit competitive. And I saw that as a. As a really kid, a young kid, and it made me incredibly sad because they were this close family and everybody loved each other, but there was some competition among them in terms of they were all lawyers and my dad was very successful and they were all different levels of success. But it made me feel sad. And I think that affected me from an early age and that I just never felt like that with, with my, with my siblings, you know, and also to like.

[James Gunn]

I agree with that and I'm not even, even though my dad was part of it, I'm not sure he liked it so much being competitive with his siblings. And so I think that he, he actively would have, would have liked to foster that change in his own kids. You know, that, you know, our parents are really, really cool. They, they had a, they had a lot to deal with and they made a lot of mistakes, but I think they learned from their mistakes frequently, which is pretty amazing.

[Kate Hudson]

And I would assume that they were as funny as you guys were and they wanted to make you laugh as much as you guys wanted to make each other laugh.

[James Gunn]

Yeah, they're funny.

[Sean Gunn]

My mom is very funny. Yeah, my mother's very funny. She's. She's really funny. You know, my father was always funny, but my, my father had this big heart. He was just this emotional guy and he had a lot of issues growing up and he changed and got better as he got older, which is how I think he impressed me the most, was somebody who was open to change and he got interesting and changed a lot.

[Unknown]

Like later on in his life. Meaning.

[Sean Gunn]

Later on in his life. Yeah, I mean he, he got, he quit drinking at a certain age and then he quit doing other chemicals and stuff at a later age. And, and he just any, you know, he started out very close minded about things and then, you know, years later he's, he's, he's incredibly open minded and very supportive.

[Unknown]

And it's interesting, like as a child of someone who is dealing with some substance stuff, you know, as you get older, how to relate to your, that, that parent, you know, because you want to be a nurturer, you want to help. At the same time there might be some disdain or some anger.

[Sean Gunn]

Yeah.

[Unknown]

You know.

[Sean Gunn]

Yeah.

[Unknown]

I don't know how. I don't know how old you guys were.

[Sean Gunn]

I got, I got sober when I was very young and I went through rehab. And at that time my dad then had to be a part of like these family groups and he would come in and Sean would come in and he was a kid at the time and, and that's. My dad got, then went through rehab himself. And then my brother went through. And then my other brother. And so it was, you know, and we've all. Nobody's ever relapsed and all those years. So you.

[Unknown]

You sort of kicked that off. Yeah, essentially. Oh, yeah, yeah, yeah, yeah.

[Sean Gunn]

Definitely. Yeah. Yes.

[Unknown]

That's. That's pretty cool.

[Kate Hudson]

Oh, I love. But that's, like, said. But that, again, that just shows, like, how close all of you are. That. That you going through that process was. Became your dad kind of looking at himself. I mean, that must have been.

[Sean Gunn]

Yeah, I think it was. I think it was also because my dad had quit drinking and went to AA for a short while, but he was still using. A ton of. This is. He's. He's passed away, so I'm not like, you know, and he would. He would actually. He would love the fact that I'm sharing this story that he was on tons of prescription drugs. Tons. And he. He was. You know, he was a lawyer, but he represented doctors, and so he had access to anything he wanted. And I think when he went. When I went through treatment, he saw that all of those things were connected. And his prime addiction was not alcohol. His prime addiction was drugs and pills. And so that, you know, led him to make a change. And I think he didn't really see it like that before. He thought he was an alcoholic who quit drinking.

[Unknown]

Yeah, that's. That's. That's really interesting.

[James Gunn]

You know, and it was. And from my perspective, like, I was. I'm right at the age where, for James, he had gone. You know, he. James got sober when he was young, but he was still at least a young adult, you know, who had, like, who had, you know, was in his. You're 18, 19. When you.

[Sean Gunn]

19. Yeah, yeah, 19. Yeah.

[James Gunn]

But I mean, and so I was. I was 11 or whatever, or 12. And so I saw it for, like, the other. The other side of it, and I had a. You know, even though we're very close in age, I had a different father at the ages of 15 and 16 than James had, you know.

[Sean Gunn]

Yeah. There's a very big difference in the. The first half and the second half of the family. Yeah.

[Kate Hudson]

Talk about this a lot. This happened in our podcast. It's been so interesting because we've interviewed so many people that have. Especially when there's a big an age difference, like how different the parenting was and that their experience was just completely different.

[Sean Gunn]

Yeah.

[Unknown]

Raised by almost two different people.

[Sean Gunn]

Yeah. And so my family was more dysfunctional than Sean's family, in a way. And My family was definitely less well off than Sean's family was. So my dad started to make more money as, I mean, because he was 25 when I was born. So he was a young lawyer. He was, you know, making, he was surviving. He bought a house and. But I was, you know, first lived in an apartment and then a very small house and then we moved out to the suburbs in the house where my parents still live and that or my mom still lives. But it, they got, you know, they just had a lot more. Patrick and I had to work, I paid for my college. It was just a much different situation for me than for, for Matt and Sean.

[Kate Hudson]

So Sean, you didn't have to pay for college, right?

[James Gunn]

Yeah, no, I'm nodding by the way. You can't see me nodding. That's true. And I'll tell you the truth, I wouldn't have paid for college. I would have just. I don't know where I would have landed.

[Unknown]

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[Kate Hudson]

Ollie. Hey Ollie.

[Unknown]

Yeah.

[Kate Hudson]

Are you packed yet?

[Unknown]

Yes.

[Kate Hudson]

You're packed.

[Unknown]

I'm not. I'm gonna throw everything in a bag the night before. That's what I do.

[Kate Hudson]

Classic Ollie. Well, I've been dreaming about this trip for months and there's something magical about traveling internationally in the summer like we did last year, which we're doing again this year.

[Unknown]

Family vacay. Totally. In the past, you know, we stayed in some amazing Airbnbs.

[Kate Hudson]

By the way, there's incredible Airbnbs, including one in Greece that we absolutely loved.

[Unknown]

Yeah, I'll say like, and if you're heading out this summer, it's a perfect time to host your home on Airbnb.

[Kate Hudson]

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[Unknown]

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[Unknown]

This is just interesting. Like if you could have self analysis to sort of how you guys are different based on how you were raised and how different that might be, you know, what did like, James, what did you might gain that Sean didn't? Sean, what did you gain? Maybe James didn't know. Is there a grit that you have, James, that Sean didn't you know? Is there a security that Sean has that James didn't?

[Sean Gunn]

I think, I think I'm, my desperation is more than Sean's. Yeah. And which is a, you know, desperation and ambition go hand in hand for, for me. And so those things are very connected. But I, but I also, I also think that, you know, and they talk about this a lot in psychology, that the biggest determining factor of any person's psychology is their birth order and how they are among their peers. And Sean and I are oldest and youngest of a large family. And I also know, you know, Sean and I are very close to this day and We've worked together more than any of the other siblings, and we really rarely ever have any sort of conflict. And it's like those two. Those. Most of my friends in my life are like the youngest of large families. There's something about those two. We make up completely different parts of the personality spectrum.

[James Gunn]

Yeah. And I would say that, you know, it's definitely true. Like, if you reverse engineer this, it's definitely true that James has always kind of worked harder than I have as a. As a professional and out in the world, like, he's more. Well, first of all, working less than James is a. Is a low bar to clear.

[Sean Gunn]

Yeah. Yeah.

[James Gunn]

He's a crazy. He works like a maniac all the time. But I also. I have less. I have less drive and less focus in some ways, which. Which is. Is maybe partially informed by our birth order. But there's also the baby. You know, there's tons of factors and.

[Sean Gunn]

Yeah. Personality. There's personality, too. I mean, it's just. Yeah.

[James Gunn]

And there's genetics.

[Sean Gunn]

Where do you land?

[James Gunn]

You know?

[Unknown]

Yeah, well, I mean, look, if we just. If we just go off of your backgrounds right now, it's easy to tell, you know what I mean? Like, you've got the bar, you're in Mexico. We've got. We've got some amazing paintings. Cat and, you know, Churchill.

[Sean Gunn]

I don't know.

[Kate Hudson]

Ta. Ta.

[Sean Gunn]

That's Ta. Sorry.

[Unknown]

That's ta.

[Sean Gunn]

Yeah.

[Kate Hudson]

When you. So, so who introduced you to. To the arts?

[Sean Gunn]

I think it was going well. My parents. I mean, my parents. Yeah, that's true. Yeah. Yeah, that's probably.

[James Gunn]

For me, it's my. My. My older brothers.

[Sean Gunn]

Yeah, I'm sorry. My. My parents brought me to movies when I was very little. And like, I just. I mean, I. I loved the magic of the movies. We always, like, we were raised by the television, like a lot of kids in the 80s, you know, it's just. And we also were. And we all. They also took us to plays in theater, and they love. We. We grew up with a love of theater and musicals and things like that. So my parents, my grandparents, met on sort of a vaudeville. They were. You know, my grandfather was a lawyer and his, you know, his. His wife was a homemaker, but they met acting on the vaudeville on, like this sort of off vaudeville circuit when they were young. And. And so it's in our blood. It was always. My dad acted in plays, you know, in high school. It was always in our blood. Show business. It was like. It was like the recessive gene. And then somehow it Became dominant in our family because, you know, all of our. My. My sister is a lawyer, but the five brothers are all in the entertainment industry. You know, my brother Brian is a screenwriter who's written a bunch of movies. My brother Matt has been one of the main writers on the Bill Maher show for the past 20 years.

[Unknown]

Favorite show on TV.

[Sean Gunn]

And. And. And then my. My other brother Patrick, sort of on the business side of film. He's, you know, no one knows what Patrick does. Yeah, Nobody. We don't. You know, I try to explain.

[Unknown]

He's like, yeah.

[James Gunn]

My earliest memories, in some ways are of going to, like, going to see theater in this, like, small repertory company down in Lake Ozark, Missouri, and being a little kid and watching. Watching plays and. And feeling like I want to be up there. I want to be up there on the stage performing.

[Sean Gunn]

Yeah, yeah. That was like, the weird thing. That's.

[Kate Hudson]

Yeah, I talk about that because I was always like, you know, when did you know? It's like, I'm not so sure. It's not even like, did you know? It's like, no, that you. It's like a. You're, like, drawn to a stage. It's literally like, oh. You're like, no, that's where I need. I need to go there.

[James Gunn]

I feel exactly the same way. It's when people say, when did you know? It's like, no, it's. It's. You're getting in the wrong order. When did I. Yeah, like. Like, I knew before I. I knew, like, my consciousness, like, fully developed.

[Unknown]

Do you guys have any recollection of the moment where it was like, holy shit, like this. Whatever I've just watched has inspired me to say, bang. This is what I want to do with my life.

[Sean Gunn]

I think I can say that in different ways, but for me, a way in which Sean and I are incredibly different is that Sean dec. At the age of seven or whatever, that he was going to be an actor. And he never wavered from that. He never thought and. Whereas I was always just more of an artist. And I was like, kind of like, however it's going to happen, it's going to happen. And, you know, I played in rock bands. That was like, the main thing I did when I was younger. But I drew comic strips that were published all over the place. I did.

[Kate Hudson]

What did you play? What do you play? Do you play guitar?

[Sean Gunn]

I sang. I sang in a band. I sang in a couple bands. Yeah, the Icons and the pods. People can go listen to the icons and hear, you know, thousands of Views. But I've also written a bunch of songs. You know, I have a song and coming up in Superman, but I also have written songs for a bunch of different places. Cool. And. And so, yeah, so I was more of just like. I just liked entertaining and telling stories in show business. And however it worked out, I was going to be happy because I'm just happy spending my day being creative and I don't really care how. And I happen to be good at directing. Like, I kind of fell into it, you know, in a weird way. Like, this is my backup job. This is my directing is plan B. Plan A was playing in bands, and then I sort of fell into the film industry. But at the same time, it's hard to say that because I started making movies when I was a little.

[Kate Hudson]

Wait, James, we have a similar thing. My plan A just never even happened because I just started getting where I was. Like, my plan A was always to sing.

[Sean Gunn]

Oh, yeah.

[Kate Hudson]

I always wanted to sing and write and write music. But of course, I was like, you. Like, I just wanted, you know, anything creative. Anything. Perform, performance. But I wanted to be on a stage. And.

[Sean Gunn]

Yeah.

[Kate Hudson]

Then I just started getting movies and I was like, well, I guess I'm.

[Sean Gunn]

Yeah. Because you're. You were so young when you started acting.

[Kate Hudson]

I was so young.

[Sean Gunn]

Yeah.

[Kate Hudson]

20 or 19.

[Sean Gunn]

Yeah. That's crazy. That's crazy. Wow. But you're like the female Eddie Murphy.

[Kate Hudson]

And this is what.

[Sean Gunn]

This is what I. This is what I mean by that.

[James Gunn]

I'm sure you've heard that many, many times.

[Unknown]

Of course.

[Sean Gunn]

Because I'm always. It's a little less so now, but Eddie Murphy seems to have been around since I was a little child. Yeah. And he's. No, he's not that old. Yeah, he was around since he was 19. Still so young. And yet you've been around for so long. You know, it's like. It's these people that you're so surprised.

[Kate Hudson]

I had this. I did this, like, retrospective the other day, and it, like, I, like, shocked myself. I was like, yeah. Oh, my God. Like, I was. I started so young that I think people think I'm like, 65 years.

[Sean Gunn]

Exactly. There are people. There are many actors. There are actors your age getting their first stab at something.

[Ryan Seacrest]

I know, I know.

[Kate Hudson]

I. I'm like. It makes me really happy. And, like, I was just thinking about it today. Like, I. That I actually had, like, my show did really well, and I was like, thank God I'm still working. Like, I. Thanks. I. I'm just grateful that it's still going, you know. Okay, so what was, so what was like, did you have a definitive movie that was like your, all the kids were like, like you went home and like you, like your imagination went wild.

[James Gunn]

I love this question. It's so good.

[Sean Gunn]

What is it? Because there's a few of them. There's a couple of them. Yeah. Yeah, there's a couple.

[James Gunn]

I mean, do you want to name a, a couple that come to mind for me?

[Sean Gunn]

Star Wars.

[Kate Hudson]

Yeah.

[James Gunn]

Well, yeah.

[Sean Gunn]

Okay.

[James Gunn]

That's.

[Sean Gunn]

Yeah. I mean, come on. We. Star Wars. Of course I was, I was jumping.

[James Gunn]

Ahead a few years from that, but because I was two, I was three when Star Wars.

[Sean Gunn]

Okay. Yeah. Yeah.

[Unknown]

But like.

[James Gunn]

Yeah.

[Sean Gunn]

Grief.

[James Gunn]

Grace.

[Kate Hudson]

Grace.

[Sean Gunn]

Yeah. Because we used to perform summer nights and for our families. Yeah. Yeah. With me and my sister. It's kind of creepy, but. Yeah.

[James Gunn]

If you skip ahead a few years.

[Sean Gunn]

Yeah.

[James Gunn]

Like to win to. When you. James was more of like early teens, but I was also getting a little older. There's movies like the Flamingo Kid and like Birdie and the Wanderers. The Wanderers, yeah. Like these movies, I'm, I'm going more like artists. Like, what makes you want to be like, like the. Oh, that's art. You know, when you're like 8, 9 years old and you're like, I'm looking at art.

[Sean Gunn]

Yeah.

[Kate Hudson]

Stand By Me was like. I remember watching Standby. Well, first of all, I was in love with every single one of those boys, but. Yeah, yeah, but I just remember watching River Phoenix and I remember this scene where he was crying about his life and I was like, I need to be in like a female standby.

[Unknown]

When were you old enough to appreciate the older classic, incredible movies as a director and as an actor?

[Sean Gunn]

For me, as a, as a kid, I remember watching on PBS when I was probably 13, the Humphrey Bogart Film Festival and it played non stop over a weekend and I watched it, cut the whole thing and fell in love with those older, you know, Humphrey Bogart movies. And then that led into like Preston Sturges, who I still would say is like my biggest influence. And you know, all these, you know, but also all the Altman Films, you know, McCabe and Mrs. Miller, long goodbye, all of that stuff. We just, we always had a love for that stuff from a pretty young age.

[James Gunn]

I, I saw Chinatown and the Godfather and when I was like 8 years old, I saw those movies because my, because I had the older siblings and I got to, got to see movies like that. And then by the time I was just a little bit older I had siblings in college when I was still in. In middle school, and I was getting introduced to, like, Chaplin and Keaton and Preston Sturges and. And just always took on as much as I could.

[Sean Gunn]

I think for me, it was seeing Bonnie and Clyde for the first time, and it was on TV when I was very young. And when they get, you know, rattled with bullets at the end of the movie. Spoiler. Sorry, I should have said that first. I was like, holy cow. A movie can do anything. It can end in any way. It can take any twist or turn. Because until then, I really only seen Disney movies. I don't know what my dad was even letting me watch this movie for. And it was just. It was so incredible. And so Bonnie and Clyde was a huge one for me, you know, so interesting, isn't it?

[Kate Hudson]

Because, like, movies can completely change your life. I mean, I know that sounds really dramatic, but I feel like it. It's like the movies that really. If you're a creative person and you. You won't enter a world of storytelling. Right. Like, there are certain. Like, Bonnie and Clyde would have never been that movie for me. Right, Right. But it was free. But, like, for me, like, when I saw, you know, Postcards from the Edge or Terms of Endearment, it was like. It was like, oh, my God, this movie, like, Terms of Endearment was like, you can make stuff like. Like, it's so hard to make people feel that way and to have that emotional experience in a. In a film.

[Unknown]

You know, for me, it was like some, like, Summer School with Mark Harmon.

[James Gunn]

Oh, my God. I saw that movie so many times.

[Sean Gunn]

Yeah.

[James Gunn]

Can I make a detour? Oh, gosh. I don't know if I should say this, but I won't. I don't want to name names, but when I first moved to Hollywood, one, I like, one of the actors from that movie I. I bumped into in the middle of the day in a bar, and he was really, like, not in great shape. And he was just talking about how Hollywood would spit me up and swallow me.

[Sean Gunn]

Swallow me up and spit me out.

[James Gunn]

And then I should quit now and move back to Chicago, where I just moved from one of the summer school. I know.

[Unknown]

That is so funny.

[Kate Hudson]

So funny.

[Sean Gunn]

Kirk.

[James Gunn]

By the way, the. The Thing was a huge movie.

[Sean Gunn]

That's a big gun family movie.

[James Gunn]

It's one of my favorite movies ever.

[Unknown]

Truly an incredible movie.

[James Gunn]

It's astonishing, and it's one that I saw when I was, like, I was just young enough that it made a massive impression on me, but Old enough that it didn't scare the daylights out of me too much.

[Kate Hudson]

Also John Carpenter, that was one of his greatest.

[Unknown]

One of, one of his.

[James Gunn]

That movie's amazing.

[Sean Gunn]

Yeah, yeah, yeah. I got to work with him. When I first came to town, my brother Brian and I pitched a TV idea to John Carpenter that he wanted to do and I don't know, I remember what happened. I got distracted and do something else.

[Kate Hudson]

He was my first big audition.

[James Gunn]

Thing is one of those rare movies that, that holds up better is as well. Not only does it hold up, it's like almost better now than it was when it came out.

[Unknown]

Oh yeah, yeah.

[Kate Hudson]

What the thing?

[James Gunn]

Yeah, yeah.

[Unknown]

Oh well the themes in it are evergreen, you know, it's, it's. You'll never. The themes of the thing, those can.

[Kate Hudson]

Just play throughout time and just the increasing paranoia.

[Unknown]

Also, also you can't trust anyone, you know.

[Kate Hudson]

Also a sense of humor. That great like moment when the head is, you know, crawling across the floor and the guy just looks and goes. You gotta be.

[Sean Gunn]

You gotta be fucking kidding me. Yeah, that's the best. That's so good.

[Unknown]

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[Unknown]

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[Sean Gunn]

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[Sean Gunn]

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[Kate Hudson]

Were you guys like us in the since like you'd get inspired and then you'd make movies. Like, did you ever.

[Sean Gunn]

Yeah. No. I started making movies when I was 11. Yeah, Sean was often the star of these movies.

[Unknown]

We did the same thing.

[Sean Gunn]

One of the first things I did was have my brother Matt, you know, I liked. I saw Night of the Living Dead, which was like blew my mind because it seems like you can make a movie for $2 and that in Friday the 13th in those movies. I started seeing those in my, you know, when I was 11, 12, 13. And so I started trying to make these like slasher movies and they didn't go very far. And I made animated movies with Playmobil figures and Sean was in that. He killed my brother Patrick. There was always death. Always death.

[Kate Hudson]

Oh, yeah.

[Unknown]

My best friend and my now producing partner as well. You know, what's always a director as well. But that's all we did was make movies. And it was slasher based. We were obsessed with horror. We were obsessed with Friday 13th, Nightmare on Elm street and I spit on your grave and all those blockbuster titles that we used to go in and being like, oh my God, you know.

[Sean Gunn]

Were you shooting on Super 8 or what were you. What were you. We had.

[Unknown]

We had. Well, yeah, we had V. We had those big. The big VHS cameras that were like this big. We got filters. We had this. We all was all in camera editing. You know, it was like, like erase it right there and then tape over it. I mean, that's how we sort of did it. And then we would blood and knives and latex.

[Sean Gunn]

All the things. Yeah, yeah.

[Unknown]

And we would do these things where we would put in a Ziploc bag, we'd mix like a blood mixture and water and then we'd put it under a shirt and then we'd cut little holes in it and take fireworks.

[Sean Gunn]

Yeah.

[Unknown]

Put it in the thing and light it. And the guy, the actors with the gun going, like, you can see the thing.

[Sean Gunn]

What could go wrong? That's realistic. Yeah, yeah.

[Unknown]

Every weekend we're doing something.

[Kate Hudson]

It makes me sad that our kids don't get to have the experience of like, having to make their imagination, like to actually get their imagination to work with their hands to create these things versus, like it in their phone.

[Sean Gunn]

I mean, I, my, my, my friends of, in high school were called the splicers because we made Super 8 films. And we each had our own little, you know, editing bay, the little tiny scenes, and we. I would cut and splice my own movies. So I would edit on actual 8 millimeter film. And on. When it was, when it was Super 8 and it was video, it was hard because the film strip goes further than the, the picture. So it was always really, you know, it was fun. And I had just fell in with this group of kids that all did the same thing.

[Kate Hudson]

You should do a passion project, Cold splicers. It's gonna be a horror movie on Super 8 and you're gonna splice.

[Unknown]

No. The murder weapon. Is an actual little splicer where they just like slit people's little jugular.

[Sean Gunn]

Yeah, yeah, yeah. I mean, in my first movie ever, we actually cut on film. That's the only movie I've ever cut on film. And it was because it was in a low budget studio. I mean, avid was already the way people were cutting things. And you know, what was that movie? It was a movie called Tromio and Juliet.

[Kate Hudson]

How many films have you done now?

[Sean Gunn]

It's a classic. Directed. Oh, directed. I think this is eight. Okay, this is eight. But I've written like I don't know how many movies.

[James Gunn]

I was just talking about Tromeo Juliet last night because I was in that movie and I was telling the story of how my character gets punched in the nose.

[Sean Gunn]

Oh, yeah.

[James Gunn]

And how I actually got punched in the nose. And the sound, the popping sound you hear in the movie when I get punched is the actual sound of my nose breaking.

[Kate Hudson]

It actually broke.

[James Gunn]

It was a blast.

[Sean Gunn]

Yeah, yeah, yeah, it was, it was good times. It was. Our friend Val, yes. Troma, if you don't know, is the oldest independent film company in the world and they've been around for, I don't know, 50, 60 years now. And they, they, they create all sex and violence, very low budget movies. And that's where how I got my start in filmmaking was writing the screenplay for Tromeo and Juliet for $150. And then, and then just became involved in the movie and sort of just inserted myself until I was, you know, directing actors and, you know, choreographing sex scenes and, and, and all of that stuff and brought all my friends in, like Sean and my friend Val, our friend Val, to act in it. And, and yeah, and it's still.

[Unknown]

It played for a year in theaters, isn't it?

[James Gunn]

Isn't it?

[Unknown]

Isn't that so great? I know we're talking about Superman in a second, but obviously you're doing these big ass action movies and there's the artists and you will always be there. But there's also this sort of not sadness, but how free it all was where you could just go do whatever the hell you wanted to do.

[Sean Gunn]

But I'll be honest, I feel more free now. I definitely, definitely. Because I can do anything I want.

[Unknown]

No, I know, but you've, you've reached that point right, where that studio is not going to fuck with you, really, and you can kind of do whatever you want.

[Sean Gunn]

I know, but I'm an idiot. I've always treated myself like that. Like I've Never. I've always. Every movie I've made is a movie that. That I've directed. Now writing is a different story. Writing was pretty hellish for me because I'd have to write and turn it over. And then sometimes I got a good director and sometimes I didn't. And it was.

[Kate Hudson]

That must be so difficult.

[Sean Gunn]

It's so frustrating.

[Unknown]

No, I know, I know. Yeah, yeah, go ahead.

[Sean Gunn]

But as a director, like, I could imagine, like when I made super, my, you know, my second film I directed, I had all these action sequences in my head that I wanted to do that I couldn't afford to do, you know, and so I can do all of that with Superman, I could do all that with Guardians of the Galaxy, you know, and then I go and I do tv. So I do like, the Peacemaker series, which, you know, comes the second season in August, and I can do that's like, as, you know, R rated as we want it to be, and has action and drama and comedy and everything. And there's no rules to that whatsoever.

[Unknown]

That's pretty great.

[Sean Gunn]

Yeah, I get that.

[Unknown]

I know what you're saying.

[Kate Hudson]

I guess also, I think you get when you have, like, a really clear vision, too, I would assume that you end up working with the people and the executives and people in the studio system that like, you know, that you trust that. Trust you back. So you have sort of a nice.

[Sean Gunn]

Yeah, I think I always survived in the Hollywood system by being the non squeaky wheel. So even from my. The first movie I directed, Slither, very influenced by the thing.

[Unknown]

Now even from that movie, from that.

[Sean Gunn]

Movie forward, I just was always responsible, under budget, made my days, made sure the dailies look good. And there was always another in a Marvel, same thing. There was always another project that was causing more problems that the studio was involved in. And so I never had. I never have ever had any interference whatsoever from any studio I've ever worked with. So I hear all the time people talking about studio interference and getting upset with that, and I know it exists. I have friends it's happened to, but it just never has happened to me. I've always been able to do my thing, and I'm incredibly fortunate in that respect. But I also choose good. I'm really good at choosing people, whether it's people that work for me or whether it's partners that I'm going to, you know, like, you know, dealing with, you know, Kevin Feige at my Marvel or, you know, Dylan Clark on my first movie, Slither or whoever it is, the studio who I'M dealing with. I. I'm good at that as well.

[Kate Hudson]

I think that's such a good lesson for people who really have strong, like, drive and vision to want to be. To work with people. Like, I think so many people are like, well, how did you succeed? Or how do you get, like, to actually be someone who shows up, says what they're going to do, gets like, gets it done on. On time, on budget, creates like, not. Doesn't. Doesn't. Isn't the problem. Isn't the. Isn't the problem maker, but always the problem solver.

[Sean Gunn]

Yeah. Yeah.

[Kate Hudson]

It's a lot easier said than done. Like, I think it is.

[Sean Gunn]

Yeah, it's easier. But I think the. The other thing that I think is necessary for a filmmaker is. Is listening to people. You know, So a studio exec comes in and they tell you their ideas. Now there's those people out there that take it all as the word of God and do whatever they want. And that leads to issues, you know, and then there's other people that are like, nope, off. And then it's. Then they are a problem. But if you can sincerely listen to someone, consider the idea. People sense that in you. They know that you're listening and considering what they're saying. And then you have the ability to say, if you're honest, say, listen, I thought about it, but I don't think it works as well as what I'm thinking. Because of this and this and this. They usually are very amendable. You know, they're. They listen to that.

[Kate Hudson]

Yeah.

[Sean Gunn]

And having that relationship is important.

[Kate Hudson]

And I think when you're the listener, like, you know that people will be incredibly respectful when you. They know you're taking in everything and that you're honoring everything they're bringing to the table.

[Sean Gunn]

Yes.

[Kate Hudson]

That when it comes time for you to say, this is what you need.

[Sean Gunn]

Yes.

[Kate Hudson]

Yes. That. Then they.

[Sean Gunn]

Yes. And. And also, you know what? It's just good for you as a filmmaker. I mean, we, you know, we look at these great filmmakers of the 70s, and a few of them kept making good movies, but most of them made a couple good movies. Yeah. And then made shit. Yeah. And I don't know what the reason for that is. Some people just don't like. They. You're a man that is a part of society, and you listen to other people and you go to work and you buy milk, and then all of a sudden you're in this place where you're not connected to other people. And then people bring you ideas and you're like, no, I'm the greatest. I'm going to do whatever I want. And you get eaten up by that. And it's so. It would be so easy for me to make a movie without listening to anyone, and it would be to the detriment of the film itself.

[James Gunn]

And I think that some of this is how you. Is how people identify as artists that, like the, you know, we're all artists, but. But for some people, to them, being an artist means it's all my vision. And that's all my vision all the time. As though they're a painter or something like that. And they forget the idea that film and television and, you know, storytelling is a collaborative art.

[Sean Gunn]

Yes.

[James Gunn]

So it has to be. You can't be the person who's, you know, has a singular vision all the time, that it's collaborative.

[Unknown]

It's a great point because you actually, you actually leading into what I was actually going to say, which is working with actors and egos and, you know, situations where, you know, there are collaborative sort of disagreements potentially. How do you navigate that world?

[Sean Gunn]

I can't deal with it. You know. Yeah. I can deal with actors who are difficult. Yeah. But if they are disrespectful to people or they're trying to assert authority over the directorial vision, it's just not. It won't happen. I, you know, some actors have a lot of questions. I just dealt with Superman. Both David and Rachel have a lot of questions. Your dad has a ton of questions.

[Kate Hudson]

So many questions.

[Sean Gunn]

Question the actor I've ever watched.

[Kate Hudson]

Oh, my God, totally.

[Sean Gunn]

But they're, but they're good to the, they're good to the crew. They're good to people. You know, your, your dad was so nice and so good to people. Constantly putting that son of a bitch Chris Pratt in his place. Yeah. And there's a great story about your dad where, where Chris is like, Chris is. By the way, Chris Pratt's one of my best friends.

[Unknown]

Oh, yeah, yeah, yeah.

[Sean Gunn]

Chris was in the trailer and he's, you know, we just finished shooting for the day and he's sitting there and he's. He's going through his post. Post shooting routine with, like, the cucumber, literally cucumbers in his eyes and getting all his face, the makeup taken off his face and all the little, you know, pieces of the costume. And he's getting, you know, getting taken apart. After all, by the way he took it, Chris Pratt took more time than Dave Batista. Get ready every morning, all day. And so he's about to. And so they. Oh, that's right. You worked with him on glass, Chris. Yeah.

[Unknown]

Oh, yeah.

[Sean Gunn]

He's getting taken apart. Your dad comes into the trailer, he's getting his, you know, he's getting his makeup off or his beard or whatever he had on. And. And he's like, you know, Chris goes to your dad, he says, you know, what time is call time tomorrow to Kurt? And. And he goes. And Kurt says, you know, Kurt says, oh, I think it's at whatever, 7am and that was like 11 and a half hours from the time. And he goes, what, What. What are we. You know, he says, you know, he says, yeah, we're off the clock a half hour ago. And Chris says, what? I'm not working now? And your dad goes, oh, this is working. Oh, look at how hard you're working, working.

[Unknown]

I want to talk about Superman, but what's it like directing your brother and Sean? What's it like being directed by your brother? Has there ever been pushback where Sean's like, yo. Like James N. They can't do that.

[Sean Gunn]

Only on Humanzy.

[James Gunn]

Oh, yeah, that's right. Let's not talk about that. Well, I always. First of all, the fact that he's the oldest of six and I'm the youngest of six helps, you know, it helps the dynamic on set. There's an idea of like. Of like, you're not really the boss of me, but you're kind of the boss of me. That is that. That I think, is that I think is useful for our jobs on set. And it's like, it's just comfortable. It's like, he's a director and I'm an actor, and we. It's always been that way. So us working together, we slip right into our roles quite easily. And I. You know, part of my whole philosophy as an actor is that once I do my work with my character, once I'm on set, I'm a soldier. So I'm like, I'm doing whatever this. Whatever the story takes once I'm there. And I think James actually really respects, you know, not just me, but actors who are. Who are like that. And so I've always felt like collaborating with James is actually easier than with anyone else I've ever really worked with.

[Kate Hudson]

I love that. I don't think I've ever heard anybody say it like that. Like, I'm like a soul. I'm like a soul drawn set. I feel similar. Like, I. I always feel like I'm there. You do the prep, you do the work, but I'm there to Facilitate the vision.

[Sean Gunn]

Yeah.

[James Gunn]

I always feel like there's two parts to my job. The first part is being true is that my first boss is the character I'm playing. So there I have to tell their story truthfully or I'm not doing my job. That's number one. But once I feel capable of doing that, then I'm at the mercy of the storyteller and of the people on set, the director and co workers.

[Sean Gunn]

Sean is, is literally my favorite actor to work with. And I just, you know, I just never half. I mean, I really don't have to direct you very much. You know, sometimes I guide him because I have a better sense of what the overall story is or what's happening in the scene or how this scene relates to the next scene. But it's always just kind of tonally moving things around. It isn't, it's about dialing, it's not about changing anything, doing or. There's very rarely a moment where I go the way you said that didn't work.

[James Gunn]

And I have a pretty good sense for like I can finish a take and look at his face right as he's sitting at the monitor and know and know like, oh, that and, and, and just cut to the chase and like, what's not working? This isn't right. What do we need to do?

[Unknown]

Yeah, just tell me what is this?

[James Gunn]

And just.

[Sean Gunn]

Yeah.

[James Gunn]

Shortcut.

[Unknown]

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[Kate Hudson]

Ollie. Hey Ollie.

[Unknown]

Yeah.

[Kate Hudson]

Are you packed yet?

[Unknown]

Yes.

[Kate Hudson]

You're packed.

[Unknown]

I'm not. I'm gonna throw everything in a bag the night before. That's what I do.

[Kate Hudson]

Classic Ollie. Well, I've been dreaming about this trip for months and there's something magical about traveling internationally in the summer like we did last year, which we're doing again this year. This year.

[Unknown]

Family vacay. Totally. In the past, you know, we stayed in some amazing Airbnbs.

[Kate Hudson]

By the way, there's incredible Airbnbs, including one in Greece that we absolutely loved.

[Unknown]

Yeah, I'll say. Like, and if you're heading out this summer, it's the perfect time to host your home on Airbnb.

[Kate Hudson]

Please, please host it. And with the co host feature, you can team up with someone local who handles all of it. Your listing, guest messages, even making the place look amazing.

[Unknown]

Find a co [e-mail] find home wherever.

[Ryan Seacrest]

You roam at Sinesta Es and Simply Suites. Stretch out and enjoy homelike amenities for however long you need. And when you're a Sinesta Travel Pass member, staying at Sinesta Es and Simply Suites means earning points toward free nights, upgrades, and more. Go to sinesta.com and book your stay and unlock their best rates with Sinesta Travel Pass here. Take today, Rome tomorrow. Join [e-mail] Terms and conditions apply.

[Unknown]

Hi, I'm Cindy Crawford and I'm the founder of Meaningful Beauty. Well, I don't know about you, but, like, I never liked being told, oh, wow, you look so good for your age. Like, why even bother saying that? Why don't you just say you look great at any age? Every age. That's what Meaningful Beauty is all about. We create products that make you feel confident in your skin at the age you are now.

[Sean Gunn]

Meaningful Beauty, beautiful skin at every age.

[Ryan Seacrest]

Learn [e-mail].

[Oliver Hudson]

Hey, it's Ryan Seacrest for Albertsons and safeway. Now through July 15th. Stock up on all your favorite personal care brands and earn four times points to use on later purchases. For discounts on groceries or gas, shop in store or online for items like Pantene Shampoo, Old Spice, Total Body Deodorant, Tampax Pearl, Venus Razors, Head and Shoulder Shampoo, Olay Body Wash, and Pantene conditioner. And earn 4 times points. Hurry before these deals are gone. Offer ends July 15th. Restrictions apply. Offers may vary. Visit albertsons or safeway.com for more details.

[Kate Hudson]

Is it super professional on set when you guys are working together? Because I know that if it was like me, me and Ollie was directing, I'd be like, if Oliver tried to direct me, I'd be like, no, no. I just feel like I just cracking jokes the whole time.

[Unknown]

If you want to be great, listen to me. If you Want to be good, do your own thing.

[Sean Gunn]

No, they're really. I mean, really. It's just never like that. I mean, I think, you know, you know, I. Everybody trusts me. I mean, so it's like I work with. With the same actors again and again, and I'm really comfortable with that because, you know, you get to know them inside and out. You know, I'm going on the, you know, press tour stuff for Superman, and I'm writing Chris every day because I miss. I miss him so much because he was my partner for so many years in this stuff, and it was so fun being around him. But, you know, whether it's him or John Cena or, you know, Linda Cardellini or, you know, you know, my wife Jen, who's on Peacemaker, or, you know, Sean Stevie Black, who's been in almost every single one of my films, you know, Nathan Fillion, Michael Rooker. Like, I like working with the same people because, you know, directors are difficult, and it takes me, you know, and I make long movies, so I make movies that usually are shooting for, like, four or five months. Right. And it takes me about half of a movie to figure an actor out, you know, to see what works and what doesn't. You know, you know, should I do this person's cover coverage first or should I do this person's coverage second? Yeah, you know, and it's all, you know, like, when I first worked with Chris Pratt and Zoe Saldana, Zoe was the bigger star at the time, and so I shot her coverage first and then Chris's, but I found out that Zoe gets better and better with every take. Yeah. And Chris is a crate. You know, he was. Especially early on, he was more, you know, crazy and, like, kind of started off hot and then went down and then came back. And so, you know, as time went on, then I started with Chris's, and then when he started to falter, I'd turn around to Zoe, and then he'd come back, and I'd turn around and get him again. Yeah. And, you know, you don't know that for. It takes a couple months.

[Unknown]

That's such a beautiful thing about directing, especially directing actors. Is this the nuance that goes into all of that stuff that people don't have, don't get to really see a director, do they? See what's on the screen? But those little things we can. Which. Which can change performance, which can elevate performance because, you know, how to unconsciously sort of manipulate it is, you know, that. That's the. That that's that's the sauce that people don't get to see as much.

[Kate Hudson]

It's also like the magic of just being in the circus, like all together.

[Unknown]

It's just so fun. It's the greatest.

[Kate Hudson]

You have good people that are smart and, and you're, you know, I, I, you just have this like, I don't know, it's, it's, it's, it's like the most beautiful, weird roller coaster and everyone starts to get to know each other and if it's good people and there's good energy, there's just nothing better.

[Unknown]

It's just like, you think, oh, it's the most fun. It's the best place to be.

[Sean Gunn]

I hated it until a couple movies ago. Did you? Oh, really? Yeah, Yeah. I loved pre production and then I loved post production and I hated shooting because it was, I was a madman and it was so intense all the time and so. But over the past few movies, I think since the Suicide Squad, Guardians two was like the, the height of like, I have to change the way I'm living, otherwise I can't do this for the rest of my life, you know, because it takes too much out of me and I'm too insane. I'm. Don't sleep. And so something changed and I've had more and more fun on every project since that time.

[Kate Hudson]

Did you, did you have to, like, do like, did you have to create a different routine?

[Sean Gunn]

I did. I did. I can't, you know, I can't work. I work a lot. I work seven days a week. Nor in my normal life, but I, I can't. I have to come home and actually have a little bit of a life after shooting. If you're going to shoot as, as much as I, I shoot, I mean, mean, I'll shoot sometimes, you know, you know, for, you know, 200, you know, days out of the year. So it's like, I, I can't, I have to have a life. You know, when you, when I started out and I'm making a movie every three years or whatever, because that's when you get the opportunity to do it and you're always trying and then you get to do it. Then, you know, you can live like a mad person and not sleep and then just do nothing else but that for the time you're doing it. When I was also only shooting for, you know, 30 days, 40 days, 45 days, as opposed to 90 days, 100 days, 110 days.

[Unknown]

Is it fair to say that you had a great time shooting Superman?

[Sean Gunn]

I did. I had I had the best time shooting Superman. I think that was the greatest time I've ever had shooting anything because it.

[Unknown]

Looks fucking great, by the way. And I'm not just blowing smoke right now, but I saw, I was actually watching Wyatt's movie Thunderbolts.

[Sean Gunn]

Yeah.

[Unknown]

And, and the first trailer was Superman and the audience was just taken aback. It's this cool sort of throwback feel for me. Like I was just like, wow. It just had a different quality to it that looked really, really exciting and really, really fun.

[Kate Hudson]

Who, who shot it? Who do you, who do you work with?

[Sean Gunn]

Henry Bram is his name. So Henry shot. Starting with Guardian 2, he shot all of, of all of my movies.

[Kate Hudson]

Cool.

[Unknown]

And he, who's, who's the Superman? What's his name?

[Sean Gunn]

His name is David Coren Sweat. And he is a great. He is.

[Unknown]

He looks amazing.

[Kate Hudson]

Okay.

[James Gunn]

He's amazing.

[Kate Hudson]

I have something to say about this. He's a twister. I'm watching Twister. I was at the, I went to the London in London to the premiere. I turned to my agent who is with me and I go, that guy's a movie star.

[Sean Gunn]

Oh, wow, that's so funny. Yeah.

[Kate Hudson]

And she goes, oh, my God, he's the new Superman.

[Sean Gunn]

Oh my God.

[Kate Hudson]

Oh my God. And I just immediately was like, like, who is he? He.

[Sean Gunn]

I just like, I, I had the similar. I saw him in Pearl. My, My friend Ty West's film, a magnificent little horror horish movie has a small role in that. And not, it's not that small, it's medium sized role in that. And I'm like, oh, this guy. Shoot, could this guy be Superman? And so I wrote our casting director because I was just starting at that time to put things together. I'm like, make sure this guy David Corin Swift auditions for the movie. And it was actually like the second audition I saw. Really? Yeah. I mean we went through hundreds after that screen tested, you know, but I was really lucky, lucky that he was like the second person I saw auditions and Rachel was like the 10th Lois Lane I saw.

[Unknown]

Wow.

[Sean Gunn]

So I, I kind of knew that I had these, you know, really good audience options early on. You know, I, I think both of.

[James Gunn]

Them, they're, they're both, both David and Rachel. Like their performances are just astonishing. And I think that I, I always try to point out that to, to a lot of just regular viewers, it's hard to understand the degree of difficulty of playing and I, because it just seems like, oh, movie star, superhero role. Like all you got to do is look good and And. But it's. It seems it looks easier than it is. And they're both. They both give it such incredible layers of depth. They're really both. They're really, really great performances.

[Unknown]

And the aesthetic looks great of the whole movie, at least in the trailer. And then he looks amazing. He's almost like this cross between Reeves and Tom Welling in a weird way.

[Sean Gunn]

Oh, yeah, Yeah. I totally see that. Completely. They are his parents. Those are his parents, actually, so.

[Unknown]

Yeah.

[Sean Gunn]

Okay, good.

[Unknown]

I knew I was. On its own.

[Sean Gunn]

It's a little. He's a little sensitive about it. Not many people know.

[Unknown]

Do you get stressed out about the performance of the movie and all that, or do you kind of let it go?

[Sean Gunn]

I work at letting it go, and I get stressed out about it, you know? Yeah, definitely. I mean, stressed out about it.

[Kate Hudson]

I. Oh, God.

[Sean Gunn]

Stressed out about it.

[Kate Hudson]

It's like you. I mean, I think anybody who has high stakes, I mean, there's. This. Is, like, you know, hundreds of millions of dollars.

[Sean Gunn]

Yeah.

[James Gunn]

It's part of the job, you know.

[Sean Gunn]

Yeah.

[James Gunn]

You're, like, at that level, right?

[Sean Gunn]

I mean. Yeah. Yeah, I know it is. I mean, you know, it's. It's. It's part of it. And it's. It's stressful. And we've, you know, Peter and I took over dc, so it's just this whole thing, you know. But also, one of. One of this. I'll tell you one of the most stressful things about it is that people have these expectations that are so much higher than what my expectations are.

[Unknown]

Yes.

[Sean Gunn]

We're an expensive movie. We certainly aren't as expensive as, like, Guardians of the Galaxy, Volume 3. Yes. And so we don't have the same requirements in terms of, you know, we're creating a, you know, a superman in a world that, you know, it needs to make a certain amount of money. But when people come up with these outlandish ideas about what that's supposed to be, I'm like, God, guys, it's just like, don't put that on me. You know? And it's also like, you know. You know, articles come out and they're like, you know, talking about some aspect of Warner Brothers and, like, everything rides on Superman. I'm like, no, it doesn't. It doesn't. You know, we are. We are taking care of us. DC Studios is 14 people, you know.

[Kate Hudson]

Yeah.

[Sean Gunn]

And we have, you know, we're taking care of dc. We're not not, you know, taking care of all of Warner Brothers, which, by the way, has had a Magnificent year. So.

[Unknown]

Oh, dude, with Minecraft, you know, Jesse Ehrman's my best and oldest friend.

[Sean Gunn]

The greatest guy.

[Unknown]

Yeah. I mean, and he basically, Minecraft is his. I don't care what anyone else says, I'll say it straight up. Like he, he shepherded that movie from the beginning for a long time. And when people didn't want. It's been 12, 13 years in the making.

[Kate Hudson]

So great.

[Unknown]

You know, a lot of people were saying, no, no, no, we don't want anymore. He's like, no, this is going to be, this is going to happen.

[Sean Gunn]

And bang. That's my point. Well, Minecraft, I mean, first of all, Jesse is one of those great guys that is, you know, the head of a, you know, is a very powerful executive. Yeah. But everyone loves, he's the best and he's such a good guy. But, but beyond that, Minecraft, Final Destination, Sinners have all done so extraordinarily well. It's a really, it's good and it's a good time for the movie.

[Unknown]

Well, for the record, I did do the voice of plastic man in an animated show.

[Sean Gunn]

You.

[Unknown]

I am throwing my hat in the ring for a 48 year old plastic Man.

[Sean Gunn]

Perfect.

[Unknown]

If there's any live action, I've got a decent wingspan. I know you use cg, but I can help you out with some of my lankiness.

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[Kate Hudson]

Summer is in full swing and I've been feeling that itch to get out and explore. One of my favorite things about traveling internationally is how every city has its own rhythm, whether it's the food, the fashion or just the way people live. In the past, I've stayed in some incredible Airbnbs in Europe that made me feel like I was part of the neighborhood, not just visiting. And if you're planning to be away this summer, why not consider hosting your home on Airbnb while you're gone? With Airbnb's co host feature, you could team up with a high quality local co host who can help with everything from managing reservations to getting your home guest ready. It's a great way to make some extra money while you're off making memories. Find a co [e-mail] host find home.

[Ryan Seacrest]

Wherever you roam at Sinesta Es and Simply Suites. Stretch out and enjoy homelike amenities for however long you need. And when you're a Sonesta Travel Pass member, staying at Sonesta Es and Simply Suites means earning points toward free nights, upgrades and more. Go to sonesta.com and book your stay and unlock their best rates with Sonesta Travel Pass here today, Rome tomorrow. Join [e-mail] Terms and conditions apply.

[Unknown]

Hi, I'm Cindy Crawford and I'm the founder of Meaningful Beauty. Well, I don't know about you, but like, I never liked being told, oh wow, you look so good for your age. Like, why even bother saying that? Why don't you just say you look great at any age, every age. That's what Meaningful Beauty is all about. We create products that make you feel confident in your skin at the age you are now.

[Sean Gunn]

Meaningful Beauty, Beautiful skin at every age.

[Oliver Hudson]

Learn [e-mail] hey, it's Ryan Seacrest for Albertsons and Safeway. Now through July 15th. Stock up on all your favorite personal care brands and earn four times points to use on later purchases for discounts on groceries or gas. Shop in store or online for items like Pantene Shampoo, Old Spice, Total Body Deodorant, Tampax Pearl, Venus Razors, Head and Shoulder Shampoo, Olay Body Wash and Pantene conditioner and earn 4 times points. Hurry before these deals are gone off rents July 15th. Restrictions apply. Offers may vary. Visit albertsons or safeway.com for more details.

[Ryan Seacrest]

Is there a gun?

[Kate Hudson]

A gun? Family trait. Like, is there something that when you see it, it's just like creatively that your family's like, oh, that's so our family.

[Sean Gunn]

What is it? Sean.

[Unknown]

Feels like it's got to be humor based some way.

[James Gunn]

Oh my gosh.

[Sean Gunn]

We disagree on so many movies and so many things. Do you? My brother Brian is an artist. Like, he does not, you know, he finds flaws and things, you know you know, I. I love, you know, for instance, Wicked. Like, he hated Wicked. You know, it's like. Yeah, it's very much like that. That type of thing.

[James Gunn]

You know, I think it's fighting to. Like I said, like we said earlier, we're not competitive, and we're not competitive, but we will fight to the death on what we. On what we like and what are what movies we think are good. And, like, probably the angriest I ever get at my siblings are in movies that they like that I think are terrible.

[Kate Hudson]

Yeah, you guys would be a fun, like, screening party. Just like Academy. Academy time. Like, fall. Just all watch at the gun. At the gun family.

[James Gunn]

We definitely all, like, stick it. I mean, James is all James movies are like this, but we all, like, like sticking up for the little guy, having the. The like the sort of band of misfits, things outsiders.

[Sean Gunn]

Yeah, yeah.

[James Gunn]

You know, like, we all grew up and, you know, outside of the suburbs, outside of St. Louis, Missouri, and we all. I think all of us to some degree, felt like outsiders a little bit. So. So things that champion outsiders is probably a through line for all of us.

[Sean Gunn]

Yeah, we definitely were outsiders in terms of Los Angeles, like, in terms of Hollywood. You know, we. You know, I remember one time as a little kid seeing Danny Kaye walking by in the airport with glasses, surrounded by bodyguards, and I was like, holy, that's like a magic man. You know? And if to me, it was always. It was. This was a pipe dream. It seemed like a pipe dream. This was not. I never knew anybody in the entertainment industry. Like, it would have been amazing to be a morning dj. Like, that was the. The biggest I thought was possible. So the fact that we're doing what we're doing now is just. It's crazy.

[Unknown]

Pretty awesome.

[Sean Gunn]

Yeah.

[Unknown]

A couple more questions because I. I love talking to you guys so much like this.

[Sean Gunn]

Same, same. But.

[Unknown]

But okay, really quickly going back to Superman. It's such an iconic brand, and we've seen all these different sort of iterations of Superman. Like, how does James Gunn. What did you do to sort of put your own spin on it, to put your twist on it? What did your own nuances to Superman? Did you have an idea of, like, here's how I want to just be a little bit different?

[Sean Gunn]

Well, I think it wasn't. You know, it doesn't so much come from a matter of how can it be different? Because if it was the same and good, I'm fine, you know, but for me, how, like, looking at it afterwards and what is different about It. And what do. What really interested me was bringing. I grew up with comic books. I loved comic books. As a kid, I started reading with comic books. And so back in the. Even when I came to comic books and I'm reading super comic books, he always came with a world of superheroes and metahumans and, you know, all these different people. It was a universe. It was a DC Universe that was a different reality, an alternate reality to the one we lived in. So I wanted to create Superman in a different universe where there were these other heroes. Just like when I came to comics and started reading those. I didn't have to learn where he came from and all that. Everybody knows where he came from. So I wanted to come into the story at a different place with Superman as a young man at the beginning of his relationship with Lois Lane at a part of his life that we hadn't necessarily seen yet, and then also surround him with these big science fiction things that we don't normally see in Superman movies. There's a flying dogs and robots and giant monsters, and all these things are a part of this world. But then at the same time, I always ask myself, and this is like when I first started doing Guardians of the Galaxy the Galaxy. And they first pitched it to me, and I went, oh, my God, how am I gonna do this? This is like Bugs Bunny in the middle of the Avengers. I don't know. You know, you know, it's talking raccoon. And then I said, okay, well, stop. Wait a minute. What if the raccoon was real? Right? And I thought, oh, my God. That means he's totally. He was created by this person. He was completely alone. He's the only one of his type in the world. And he's the saddest being in the universe. That, to me, became the engine for the entire Guardians of the Galaxy trilogy. And why, to me, Rocket was always a secret protagonist and why the ending of that movie was where it was leading from the very beginning. It was about a character finding his. Finding his humanity, finding, you know, God in one respect, you know? And so for me, it was like, okay, well, what if Superman is real? So that. That leads to a whole bunch of different things that are completely true to the character. I mean, he's got glasses that hide his identity. How does that work? He's got this relationship with Lois Lane. Well, what does that exactly mean? If you're in a relationship with somebody who can squash buildings? What are the problems with that? He's completely a hero. He believes in saving lives. No, Matter what. And what is that ideological? How does that play when you're a journalist? And she sees things in a little bit more balanced way, a more utilitarian way. And so what is that relationship like? And so it's about taking these broad, big concepts and bringing them to the screen in the most comic book y movie of all time, but simultaneously having the humans be as real as possible and having the characters be as real as possible. So we have an interview scene with Clark and Lois that lasts for 10 minutes. Minutes. Wow. And it's about the. It is both about her interviewing him as Superman, and we find out what he did, where he came from, what's going on, but also it's about their relationship and the. Their different ethics and different moralities.

[Unknown]

Did you ever take the piss out of the glass thing? Meaning, like, how no one knows it's him? Is that.

[Sean Gunn]

Is that. We explain it in the movie. If you see the movie, we explain why. Oh, you do? Great. I can't wait. Yeah, yeah, yeah, yeah. Explain it. We explain it.

[Kate Hudson]

I feel like there's this. It's, like, taking over D.C. and then there's the whole Marvel kind of. Of, you know, people calling it, like, Marvel fatigue and. And, you know, box office declines and all that kind of stuff. It's like, how. What you're saying, you know, is, like, there's this thing that you sort of. I wonder. Well, I guess my question would be, like, how do you approach D.C. as a. As. As the world, so that you're not, you know, going down kind of that path of, like, oversaturation?

[Sean Gunn]

Well, I think it. For me, it isn't so much, you know, superhero fatigue as it is. People get bored with seeing the same things again and again, you know.

[Kate Hudson]

Right.

[Sean Gunn]

And so it's about, you know, focusing on script first and foremost. And the thing I miss the most in Hollywood from when I started out is that even back when I was, like, writing Scooby Doo do, right, that screenplay didn't. It didn't. That movie did not get greenlit until the studio was happy with the screenplay. This is, like 1999. Today, it doesn't work like that. Today, people greenlight ideas and ips without having finished screenplays. And I'll never allow a movie in DC Studios or make a movie that doesn't have a finished, really good screenplay. You know, and I think that that is the. You know, obviously, IP drives a lot of the business, but at the same time, I think we can be. We can be more. Being a former writer, I try to Be as I like to prop up the writers as much as possible.

[Unknown]

Well, actually leading into my sort of last question, I wanted to ask was, will you ever go back and make smaller movies or something that is not sort of these IP the DCs? I know now you're so ingrained in that, but is there any desire to sort of move into or at least do a movie that's not so massive? And where are the. Do you think those movies will ever come back? Those 30 to $50 million movies? Like, where are the comedies now? Where is this all. Is it going to come back?

[Sean Gunn]

I think the comedies will come back. I think that there's a place for watch. You know, right now it does seem as if people want to see spectacle films in studios, whether it's superheroes or Lilo and Stitch or whatever, and they want to see horror movies in theaters always, you know, and, and then other theatrical experiences. People have great television sets, so they're like, I can see a Nora at home and get a lot out of it. Which is one of the, you know, it's an amazing film. Well, we're seeing in the theater, by the way. But, but I think that it. That is changing a little bit. I think comedies are kind of the biggest, big question mark because why have. What has happened to the hangovers? Why are there no big comedies right now? Why are people staying at home?

[Kate Hudson]

I think it's the same thing you said about. About script.

[Sean Gunn]

Yeah.

[Kate Hudson]

I know in my experience when it comes to comedy or rom com, it's just talent. It's. It's writing talent and investing in it. And you know, you find it's like it's the place where people find like new talent or someone who wants to do it instead of like investing.

[Sean Gunn]

Yeah.

[Kate Hudson]

Great writing.

[Sean Gunn]

Well, I think the other thing is, is that when I came to town, you know, the, the people that were made the most money as writers were screenwriters and then a handful of big television writers of people who created friends or, you know, you know, whatever. Law and Order, you know, today it's like it's very hard as a writer to come to, you know, into the industry and be like, okay, I can write dribble for films and not get paid that well, or I can go create, do anything I want and create the craziest. I can create, you know, you know, the craziest show of all time and, and have it on TV and have complete freedom and be the boss because I'm the writer and have a writer. The bosses. Right. Have helped help. Yeah. And that is a hard. You know, with the rise of premier television, that is a really hard thing for a writer not to say, you know, yes to. And so I think the screenwriting pool of. Of talented writers writing for film has gotten smaller. Movies. There's not as many movies, but there are also the writers. It's gotten smaller because a lot of the best and the brightest have been, you know, are moths to the flame of television. Yeah.

[Kate Hudson]

Yeah. Okay. Proudest achievement of each other. There's the two part. This question, and we'll do our last question. But the proudest achievement in each other.

[James Gunn]

Like, so. So my proudest achievement of.

[Kate Hudson]

Yeah.

[James Gunn]

Of James.

[Kate Hudson]

Yeah. It doesn't have to be related, but it can be.

[James Gunn]

But, like, for me, I think it.

[Sean Gunn]

The.

[James Gunn]

I think the thing that comes to mind is really delivering the goods on the first Guardians movie. Making that jump from being a smaller sort of niche artist to making an actual great movie that has mass appeal is just so insanely difficult. And I think the degree to which he delivered the goods on all of that is. Is astonishing. And there's a lot of elements of James's job in his career that I think are really impressive and. And where he. He really is the best at what he does in a lot of ways. But. But that first one is the. Is. Is the one that's kind of like, wow, holy. Holy smokes. That really. That really threaded the needle.

[Unknown]

Cool.

[Kate Hudson]

James.

[Sean Gunn]

You know, it's interesting because I feel unspeakably proud of Sean when we're working together. And, you know, I even said at the end of Guardians 3, and I got emotional when I was giving my speech to the cat, the casting crew that, you know, the best part of making the movies was, was being with. With my brother Sean, and was. Was having somebody that you trust and love around you all the time is incredibly important to me. Without that heart, I. I just. I. I don't know if I could do it, you know, but, I mean, Sean, I. I don't. I don't really know. I mean, it's. It's. Selena is the proudest I've ever was of you.

[James Gunn]

But that's another podcast.

[Sean Gunn]

Yeah. Yeah. I mean, it's a simple thing, but that's another. Sean helped a family member when they were very, very much in need and did the right thing to a degree that very few people would, and showed what a truly good and caring and loving human he is. And. And in a way that none of my other siblings nor me stepped up, in a way. And. And that's that it's, it's that, that heart that he has and that true concern and love for other people that makes me the proudest.

[Kate Hudson]

The first part of the question is, you know, what is it about your sibling that you would love if you had more of something you could emulate, that you wish you could emulate? And then the other part of it is, what's one thing you would alleviate from your sibling that you, you think would make their life easier and smoother?

[James Gunn]

I mean, that's like, the one thing that I wish. I wish I had his energy and focus. Like, if I had. I feel like I would love to have one quarter of James's energy and focus.

[Unknown]

Can I interrupt really quickly? Because I'm like, yeah, if I had even like a quarter of Kate, sort of drive, ambition, her energy, her focus, I would be George Clooney and Steven Spielberg. I would be both of them. There is so much bubbling up inside of this, but I, I wish I had just even, like, just an ounce of her, too.

[James Gunn]

I'm gonna throw it over to him. While I think about the second part of that question.

[Sean Gunn]

I, I, I, I wish I wasn't allergic to cats.

[James Gunn]

We both love cats, and I have.

[Sean Gunn]

A cat that's all over, and I love my cat more than anything. But, yeah, I think Sean is way more chill than I am, and so I, I can be very reactionary. I react to things immediately way too much. And if I could have a little bit more of the sobriety in reacting to situations that Sean has and take a beat before becoming, have making an intense. It's part of me that's good as a director because I make intense, quick decisions. But when it comes to real life and just doing that constantly, it's, it really is a wear and tear on me. So I wish that I could have what he had.

[James Gunn]

Well, that, that feeds right into what I would, what I would, you know, alleviate is I would, I would give you the ability to, to fully chill, at least for, like, you know, two weeks at a time when you needed it or something like that. Like, I don't, I don't, I, I, you know, you, he, your, your, your stress level starts to raise with, when, when you get dormant, and I think, like, a little bit more. Yeah, a little bit more chill.

[Sean Gunn]

I would, I'm gonna work on that after, after, after, you know, Superman and Peacemaker comes out. I really am, I'm committed to it. I've told my wife I'm gonna do it, so that's great.

[Kate Hudson]

Yay.

[Sean Gunn]

I think if I could alleviate one thing from Sean. It's that he's really hard on himself. So I think that if I could relieve him of, of just being so hard on himself, I would, I would love to see that. Yeah. Great.

[Kate Hudson]

Oh, this is so fun.

[Unknown]

So fun. I thank you guys for taking the time. It went long, but I, I, it's just so great talking to you guys.

[Sean Gunn]

I loved it. I loved it. I hope I see you guys in person.

[Unknown]

Yeah, we will. Good luck with the movie, man. I cannot wait.

[Sean Gunn]

Yeah, good luck.

[Kate Hudson]

We'll see you around. Yeah, for sure.

[James Gunn]

Thanks, guys.

[Unknown]

Later, guys.

[Sean Gunn]

Great.

[Kate Hudson]

Awesome. That was so great. I love. I learned so much from both of them. Sean is so cool and he's like.

[Unknown]

Reminds me of me. He's like super chill.

[Kate Hudson]

Like great head of hair. I wish you were more like Sean.

[James Gunn]

What do you mean?

[Sean Gunn]

We're cool.

[Unknown]

We're like two peas in a pod.

[Kate Hudson]

I loved it. That was so much fun.

[Unknown]

Have a good table read.

[Kate Hudson]

Okay. Bye you guys.

[Sean Gunn]

Love you.

[Ryan Seacrest]

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[Unknown]

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[Kate Hudson]

This is an iHeart podcast.