Sibling Watchery: RuPaul's Drag Race S15E7 "The Daytona Wind 2" Review

Summary

Sibling Rivalry: Sibling Watchery - RuPaul's Drag Race S15E7 "The Daytona Wind 2" Review

Hosts: Bob the Drag Queen & Monét X Change
Date: February 15, 2023
Episode: Season 15, Episode 7 Review - “The Daytona Wind 2”

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Overview

In this episode of "Sibling Watchery," Bob the Drag Queen and Monét X Change bring their trademark banter and incisive drag expertise to a review of RuPaul's Drag Race Season 15, Episode 7: "The Daytona Wind 2." The duo discusses cast drama (especially the ongoing Malaysia/Mistress conflict), dissect the acting challenge, serve robust Runway critiques, and comment on Drag Race’s increasing self-referential humor. Their lively chemistry, as always, is laced with sharp-witted drag wisdom and plenty of personal anecdotes.

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Key Discussion Points

1. Setting the Stage: Pre-Show Antics & Mood (02:25 – 05:20)

• The episode opens with classic bickering about Bob’s mood as the show begins, highlighting how they “switch it on” once recording starts.
• Quote, Monét: “No one told me we were fucking recording. That’s okay.” (02:28)
• Early shout-outs to Mistress Isabel Brooks and Bob’s recent music success.
• Quote, Monét: "I want this fat bitch to win so bad. I love Mistress Isabel Brooks." (04:09)

2. Monet’s Opera Success & Artistry Beyond Drag (05:59 – 07:15)

• Monét recounts her final opera show in Minneapolis and the positive reception she received from the opera director and ballet scouts for further international projects.
• Quote, Monét: “People were really taken aback by your talents on the show ... number one is doing a Magic Flute ... I want it to be Queen vs Queen.” (06:09)

3. Debating Drag Race Drama: Malaysia v. Mistress (10:42 – 23:19)

• In-depth debate on whether Malaysia was “bullied” during Untucked, the impact of contestant language, and the perils of televised conflict.
  • Bob advocates for listening to individuals’ feelings, Monet stresses care with language given Drag Race’s toxic fandom.
• Quote, Bob: “Bullying is not a definitive word. ... It’s all based on how you perceive it.” (11:57)
• Discussion segues into the problem of half-apologies, the fraught phrase "sorry if you felt that way," and the expectations and realities of reality TV apologies.
• Quote, Bob: “Apologizing if someone felt some sort of way is not an apology. That is not an apology.” (14:15)
• Insights into the pressure cooker environment of Drag Race, with recognition that emotions and conflicts are often heightened by the show’s intense conditions.
  • Monét: “The stress of the show heightens feelings. ... You do feel stuff differently in this pressure cooker.” (23:02)

4. Challenge Distribution & Strategy (23:19 – 27:15)

• Aura Mayari wins the last challenge and doles out acting challenge roles—tepidly. Discussion on whether she strategized or simply caved to demands.
• Quote, Monet: “Did Mistress finesse the shit out of Ora Ma Yard?” (26:33)
• Both hosts agree Mistress is “smart, crafty, and sneaky”—qualities they want to see in a Drag Race winner.

5. Runway Critiques: "Puffa Please" (38:28 – 46:54)

• In-depth breakdown of each queen’s runway, with honest, sharp feedback:
  • Lucy Laduca: Impressive coat, but basic leotard.
  • Luxx Noir London: Balloon dog purse and consistent, strong looks.
  • Spice: Liked her attempt at runway variety, pleased to see a new silhouette.
  • Sasha Colby: High praise from both, especially for design and details.
    • Quote, Bob: “Sasha has ... done some really amazing looks on the Runway ... she is a fucking great drag queen.” (42:57)
  • Jax: Good outfit, mismatched hair as a recurring problem.
  • Malaysia: Both hosts marvel at her "turnaround" and newly elevated looks.
    • Quote, Monet: “This looks so cute ... the baby doll is coming to play drag.” (45:27)
  • Mistress: "No notes"—one of their favorite looks, with detail praised.
  • Anetra: A bit “real world”/pedestrian, but flattering.
  • Selina: Crowd favorite—smart, detailed referencing her own brand.
  • Marcia: Criticized for “diaper” look and tendency to overplay the “cold” walk.

6. Acting Challenge Recap: “Daytona Wind 2” (52:33 – 59:26)

• Both found the challenge underwhelming: referencing the show’s self-referential humor, which can alienate viewers who don’t know all the Drag Race lore.
  • Quote, Bob: “Drag Race might be getting a little too self-referential at this point. ... I wish they would just write things that are just funny.” (52:57)
• Standout performances: Mistress (winner), Malaysia, Lucy, and unexpectedly Marcia.
• Quote, Monét: “Stars of the challenge? Malaysia, Mistress, and I really, really enjoyed Lucy.” (58:07)
• Notable Misses: Lux’s “Southern accent” flops (“she was just doing Lux.”) and Spice’s ongoing struggle with acting.

7. Lip Sync & Eliminations (63:30 – 67:10)

• Bottom three: Spice, Jax, Aura Mayari.
• Lip sync song: "Sweetest Pie" by Dua Lipa & Megan Thee Stallion.
• Jax praised for acrobatics and energy, Aura for effort but “underwhelming” once coat came off.
• Jax sends Ora Mayari home.
• Quote, Bob: “As soon as I heard Dula Peeps, I said … everyone say goodbye to Ora Mayori. … Jax really did go bananas on this.” (65:31)

8. Reflections, Predictions & Fandom Banter (74:30 – End)

• Speculation on next week's Lollaparuza, both predicting Spice will be eliminated in any scenario.
  • Quote, Monet: “Spice can’t lip sync against any of these girls. Spice is going home down.” (74:44)
• Brief tangent on show business “doing the hits”—how queens should embrace signature bits for fans (“Do the hits, do the hits, Ms. Mamas!”).
• Raucous close with sexual joke banter and playful insults, centering their friendship’s signature “reading.”

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Other Notable Quotes & Fun Banter

• On apologies:
  Bob: “I don’t apologize if someone felt … Stop right there.” (15:25)
• On Drag Race references:
  Monét: “Do you know what show you auditioned to be on? … These aren’t like F side references. … These are like prime time Drag Race references.” (25:41)
• On recurring Drag Race influences:
  Bob: “The queens I think have really birthed a lot of queens: Raven, Trixie, Naomi Smalls, Kennedy Davenport.” (60:37)
• On “realness”: Monét: “I give our followers the realness. I don’t give them this ... professionalism.” (76:53)

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Timestamps for Key Segments

• Opening Banter/Moods: 02:25 – 05:20
• Monét’s Opera Story: 05:59 – 07:15
• Malaysia/Mistress Drama & Apologies: 10:42 – 23:19
• Challenge Role Assignment: 23:19 – 27:15
• Runway Critiques Start: 38:28 (continues until 52:25)
• Daytona Wind 2 Challenge Review: 52:33 – 59:26
• Lip Sync & Elimination: 63:30 – 67:10
• Predictions & Closing Banter: 74:30 – End

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Memorable Moments

• Physical Comedy: Bob knocks over a table imitating Mistress’s dance moves—“There’s hot chicken and sauce on the ground!” (27:49)
• RuPaul’s potential retirement: “RuPaul is not getting up there doing challenges. RuPaul is sitting behind a desk and saying yes, no, maybe.” (09:31 - Monét)
• Drag Race’s 'inside baseball' problem: “If you have not watched Drag Race for seasons, you will be like, what the fuck are they talking about?” (52:57 - Bob)
• ‘Do the hits’ wisdom: “Don’t try to. Because there was something … Monet was like, I don’t want to do a sponge thing. I was like, Monet, just do the hits. You can always do more stuff later.” (72:05 - Bob)

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Tone & Style

This episode is packed with Bob and Monét’s signature blend of shade, sharp analysis, and loving mutual read sessions. They agree and disagree passionately, grounding their commentary in their own Drag Race journeys. The conversation is playful, liberally sprinkled with inside jokes and fandom lore, but always circles back to a deep appreciation of drag as an art form.

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Summary prepared by Podcast Summarizer
Rich, engaging, timestamped, and keeping to the spirit and tone of the original conversation.

Transcript

[Monet X Change]

Close your eyes.

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[Bob the Drag Queen]

Feel your body relax.

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[Bob the Drag Queen]

And breathe. Oh, sorry.

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[Monet X Change]

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[Bob the Drag Queen]

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[Bob the Drag Queen]

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[Monet X Change]

Hey, y'. All. So listen, I am coming to Sydney. I'm going to be Sydney at the end of February. I'm gonna be in Melbourne on February 23rd doing World Pride there. And I'm doing the White Party in Sydney on February 24. So come out and check me out in Australia.

[Bob the Drag Queen]

Hey, everyone, listen. Thank you so much to everyone who has supported and purchased gay bars on itunes. Please listen on itunes, listen on Spotify. Wherever you listen to your music. If you buy it, it gives us an extra little boost. And. And please go watch the music video for gay bars available on my YouTube page right now. I've heard of going to sleep to white noise. How about black noise? Before you go to sleep, put myself on repeat. Turn the volume down, just. And just let into the morning. Write it into the morning, honey. My voice over and over again. But it'll subliminally go into your brain. Then I'll be with you always.

[Monet X Change]

Never enough.

[Bob the Drag Queen]

Never enough.

[Monet X Change]

Never enough

[Bob the Drag Queen]

for me. For me, for me, for me. You're not Lauren All Red. Stop trying to be Lauren Allred. You're Monet all brown.

[Monet X Change]

According to you, I'm all red.

[Bob the Drag Queen]

Today was your last day of your.

[Monet X Change]

Oh, wait, we're recording.

[Bob the Drag Queen]

Yeah.

[Monet X Change]

Oh, my God. No one told me we were fucking recording. That's okay.

[Bob the Drag Queen]

Y' all shy? Oh, I'm shy.

[Monet X Change]

Let me tell y' all how Bobby putting on Bob. Before the. Before we were recording, Bob was in y' all the only mood attitude. And now that he saw that little motherfucking red button at the top, talking about something you'll never be on red.

[Jacob (Producer/Moderator)]

Nah, nah, nah.

[Monet X Change]

Nah, nah. Now you want to put on. You n. You be putting the fuck on for these fucking bitches.

[Bob the Drag Queen]

Okay, first of all, you know Monet is full of shit. We didn't even realize that we were recording. So apparently this alleged shift.

[Monet X Change]

But you knew.

[Bob the Drag Queen]

You knew this alleged shift in my personality, but you. You knew this alleged shift in my personality. What was the shift?

[Monet X Change]

Jacob can. Jacob can corroborate that you were in a mood.

[Bob the Drag Queen]

Despite best efforts to put me in a mood. I'm not in a mood today. I am a little sleepy, which I've stated several times. I just woke up.

[Monet X Change]

Yeah, you sleepy just like your drag. Drowsy, right?

[Jacob (Producer/Moderator)]

So we are reviewing Drag Race Season 15, Episode 7.

[Bob the Drag Queen]

Jacob. First of all, to quote Malaysia to Marsha.

[Monet X Change]

Marcia.

[Bob the Drag Queen]

Marcia, don't ever cut me off. I don't cut you off. I never disrespected you. Don't disrespect me. You sit here every week talking about your makeup. Your makeup. I let you talk. I let you say your piece down.

[Monet X Change]

OK, can I just say, after. We are seven weeks into RuPaul's Drag Race season 15, I am officially obsessed with Mistress Isabel Brooks.

[Bob the Drag Queen]

I want her to since episode one. Like, what's like.

[Monet X Change]

But like now. But you like, you know, but like, you had that obsession. But now I'm like, like now you see their body of work. You're like, you see, she's a great fucking dancer. She always. She's, she's fashion. She looks good, she's funny, she's getting challenges. I want this fat bitch to win so bad. I want this bitch to win. I love Mistress Isabel Brooks.

[Jacob (Producer/Moderator)]

Yeah.

[Bob the Drag Queen]

Mib Men in Black is. She's great. Whenever I see her name, I always think Men in Black.

[Monet X Change]

I don't know why.

[Bob the Drag Queen]

Every time I think Men in Black.

[Monet X Change]

Bob, I miss you. Before we start, I want to celebrate you for a second. My little Daisy, my little dipsy doodle. I was so proud of you. I've seen so many little tags from your troubadour show. You were number one on the iTunes charts overall. Rap. You were number five on iTunes overall. So I'm so proud of you.

[Bob the Drag Queen]

So it is crazy.

[Monet X Change]

No, you peaked in high school, honey.

[Bob the Drag Queen]

I peaked at number five on the for albums out of all album, which is really wild. And then I peaked at. I peaked at 1, which is as high as you can peak, honey. Now, granted, it was for like three hours, but that's not. That's not the point, actually. I went back and forth like two times. So there's this rapper named Big X, the Plug. Who, who. No, Big X album is really good. I'm not going to lie.

[Monet X Change]

I just don't know. I've never even heard that name before. I know that is.

[Bob the Drag Queen]

I went and listened to Mr. The Plug's music and I will say Big x has like 2 million Spotify listeners. So the fact that I even am up there with him at all is really, really impressive. But listen, if you. If you guys are listening and you have not had a chance to listen to my album yet, my episode, please, please, please go give my album a little listen and leave me a review on itunes. I would love, love, love if you could leave me a review on itunes, because I'm really proud of this ep. And we're turning up. Thank you so much. How was your last day of throwing

[Monet X Change]

up your lower back? Like, damn.

[Bob the Drag Queen]

How was your last day at the opera?

[Monet X Change]

This is my last day in Minneapolis. Today was our last show. We did a matinee today and the president, the director of the opera company, like the highest audition you can have at the Minnesota Opera here. Ryan Taylor came up to me before the show. He was like, I don't wanna get super emotional or make you think that I'm just saying this. Cause you're Monet. Whatever. He was like, in my decades doing this, I have never seen people react to someone the way they did to you at an opera. And he's like, it just speaks to, like, you know, just the people who a came to just see you because you're in this. But also people who love opera and were really taken aback by your talents on the show. And he was just really pleased with it. We're talking about doing some stuff in the future. I gave him. I have all these ideas of these operas I want to do. Like number one is doing a Magic Flute. I think I told you this before. I want to be Drag Zoroastro. I want it to be Queen versus Queen. I have the other ideas from Don Giovanni and some other operas. So we're working on some good stuff. The ballet hitting them up in Sydney, in Australia, they were like, we need Monet's contact information because we want her to come and do this thing in Sydney.

[Bob the Drag Queen]

So at the ballet. That's so cool.

[Monet X Change]

I know.

[Bob the Drag Queen]

Well, there were ballet dancers, there were ballerinas in the opera. So ballet and opera go hand in hand a lot.

[Monet X Change]

Yeah, I would say they go hand in hand a lot. There aren't many singing roles in ballet. Singing roles, singing roles in ballet. But they are acting Roles.

[Bob the Drag Queen]

I thought you said. I thought that was like, a Italian. Oh, Cingero. Oh, yeah. I was like, yeah, bitch, Zingero. I live for singero, honey. I was like, I'm in it, Cingero.

[Monet X Change]

Singer Rose had this idea. Y' all know Bob is the idea queen. If I was like, monet, you need to do a gay version of an opera and call it a name. That. I was like, bob, I love that idea. We cannot call it that name because only certain people can say the name of the show, which is a big part in a part of telling the news about the show.

[Jacob (Producer/Moderator)]

Just as a reminder, we've done an episode before where you both said the name loudly and then sang it like

[Bob the Drag Queen]

the part in the show. Yes.

[Monet X Change]

Oh, we did.

[Bob the Drag Queen]

Yes, I am.

[Monet X Change]

Obama thinks that I should do the gay marriage of Niggero. And I'm like, we can't call it the gay marriage.

[Bob the Drag Queen]

Honestly. That would slap the gay marriage of Negero. Honestly. Anyway, comment below if you want to see Monet do the gay marriage of Negero. Niguero. That is so brilliant. It's some of my best work.

[Monet X Change]

It's not about us, Bob.

[Jacob (Producer/Moderator)]

Today.

[Monet X Change]

This is about the new queens of RuPaul's Drag Race. In season 15, which there are 12 left. 11 left. 12 left.

[Bob the Drag Queen]

Do you think RuPaul's gonna retire soon?

[Jacob (Producer/Moderator)]

11. They're 11.

[Bob the Drag Queen]

11. Do you think RuPaul's Gonna Retire Soon? She has to at some point.

[Monet X Change]

She's.

[Bob the Drag Queen]

She'll be 65 next. Next she'll be 65.

[Monet X Change]

No, RuPaul is 63.

[Jacob (Producer/Moderator)]

Do you think Madonna's gonna retire sometime soon?

[Bob the Drag Queen]

Yeah, well, I think that What Madonna and RuPaul are doing is two different things. And I think that a lot of people. A lot of people do 60s and 70s, and I don't.

[Monet X Change]

And a lot of people host TV shows. Pat Sajak hosted Wheel of Fortune till he died.

[Bob the Drag Queen]

But it's drag. It's specifically Drag Race. It's not just. You have, like. You think pat Sajak and RuPaul are doing the same thing. There's a reason why RuPaul has way more Emmys than Pat Sajak's dusty ass. I'm just kidding.

[Monet X Change]

But Pat Sajak is passed away, I think.

[Bob the Drag Queen]

Is he dead? I don't think he's dead.

[Monet X Change]

I'm pretty sure Pat Sajak may be dead.

[Bob the Drag Queen]

Wheel of Fortune. He's alive, Monet. Oh. Anyway, Jacob will let us argue before he Googles.

[Monet X Change]

We would just go also. But, I mean. But they're still hosting TV shows. RuPaul is not getting up there doing challenges, and RuPaul is sitting behind a desk and saying, yes, no, maybe. So

[Bob the Drag Queen]

you said RuPaul ain't doing.

[Monet X Change]

Oh, my God.

[Bob the Drag Queen]

Monet said RuPaul is barely lifting a finger. Oh, my God. Why are you. Paul, like, always battling? Ever since she unfollowed you on Facebook, you've been real on Facebook.

[Monet X Change]

Damn. Bob is really in his Gen X bag. Not Facebook.

[Bob the Drag Queen]

Not Facebook. What about Facebook? Did I say Facebook? Did I say Facebook?

[Monet X Change]

With your Gen X and ass. With your Gen X and ass.

[Bob the Drag Queen]

Wait, what's the name of the episode? Oh, I didn't title the document. Sorry. I've been trying to open my document this whole time.

[Jacob (Producer/Moderator)]

It's Daytona Wins two, Episode seven, Monet.

[Bob the Drag Queen]

My prediction came true.

[Monet X Change]

Which was what?

[Bob the Drag Queen]

That they're gonna redo Daytona win. But there's no farts.

[Monet X Change]

That's what I said. Well, I thought that they were gonna tell the girls that there were farts and they were gonna take them out, but I think RuPaul told them what it was gonna be from Jump.

[Bob the Drag Queen]

Oh, really? Oh, did she?

[Monet X Change]

Yeah, yeah.

[Bob the Drag Queen]

Got it, got it, got it. So, okay, so, by the way, I hadn't discussed last time, but I. I've since watched Untucked for last week's episode, and Malaysia really let Marsha have it. And honestly, Team Malaysia. Really? Team Malaysia.

[Monet X Change]

I mean, we're gonna talk about it, too, because they go on about this in the fallout again, but. And we kind of differed last week in our opinions. And I still think that. I get that Malaysia is hurt, but I think she's doing the most. And because later on, when her and I don't want to. Where are we gonna start?

[Bob the Drag Queen]

If you guys want to understand my position better, go back and watch the episode called the one about Bob's tooth, and you'll see why I agree with Malaysia. Because some don't know when. When the joke. When the he Haa comes to an end.

[Jacob (Producer/Moderator)]

And.

[Bob the Drag Queen]

And you know what? I. I believe that Monet would be team everyone else. Honey.

[Monet X Change]

But anyway, in the episode, they're talking about it, and I agree, with luck, Rux is like, okay, I get you or her, but bullying, Especially with the fandom of RuPaul's Drag Race and the optics of that, we have to be really careful with what words we're using. Yeah, they were playing around so much. No one was bullying Malaysia. She was not bullying.

[Bob the Drag Queen]

It's how she felt.

[Monet X Change]

Yeah, but you can feel that way, but that does not make it true.

[Bob the Drag Queen]

Well, if bullying is subjective and that's how Malaysia felt, then it is what it is. Bullying is not a definitive word. It's all based on how you perceive it. And she felt like she was being bullied in the moment. Now imagine you were her and everyone's being like, bitch, you're overreacting. You don't know what you're talking about. None of us were there. She. She knows how she felt in that moment.

[Monet X Change]

But you have to be careful with the words that you use on TV when you come on the show. You have to really be careful. All of us, when we go on the show, it is up to us because again, fans watch the show and, and, and they're digesting what we're saying. So you have to be really careful about. About the words that you're using. And all of us watching it. No one felt that she was being bullied. Now, again, it's not our business.

[Bob the Drag Queen]

I'm not gonna say she was or was not bullying. I don't care.

[Monet X Change]

Do you feel that Malaysia was being bullied?

[Bob the Drag Queen]

I really think it's from the perception of the person who is being bullied.

[Monet X Change]

I know, I know, but I'm saying. But you just. If you watching as a student, did it look like a bullying scenario to you?

[Bob the Drag Queen]

I believe that Malaysia felt bullied, and I believe that's valid. Whether or not I was bullying. It kind of teeters back and forth for me. If they. If Malaysia wasn't joking, if Malaysia wasn't in on it and they kept making fun and. And she wasn't having fun.

[Monet X Change]

They weren't making fun. They weren't making fun, though.

[Bob the Drag Queen]

All I'm saying is if Malaysia felt bullying, I'm not going to be here. But say she. That wasn't bullying. You don't know what the you're talking about. You weren't getting bullied. You sensitive. You're just being sensitive.

[Monet X Change]

I did not say all that. See, you can't add. You cannot add all these.

[Bob the Drag Queen]

They call her a. You called her a dumb. You called her a sensitive cry baby. You said her trauma from her childhood doesn't matter also. So at one point, this is. We got one of these. I hate these apologies. Men in black goes. Men in black goes.

[Monet X Change]

I know exactly what you want to say.

[Bob the Drag Queen]

I apologize if I made you feel that way. Excuse me. Okay.

[Monet X Change]

And so I think everyone can identify with having to apologize to someone when you don't think you were in the wrong. And my thing is. Okay, here's my thing. I know this had a real. I Didn't apologize, but I think she did it because she wanted to make Malaysia feel better. And I think a lot of us can identify wanting to apologize to someone but not feeling that you did anything wrong. So I feel. And again, it may take some time, right? This just happened. This was what, probably in real time, like a four hour time difference. No one has had time to sit and think and process it. So it's like, I apologize if you felt bad. It was not my intention to make you feel bad. I apologize if that's what happened to you. And I think that's valid.

[Bob the Drag Queen]

I think that saying I apologize if I made you, if you felt some kind of way is basically like, I'm sorry that you're sensitive. That's what. In my opinion, and it's not an unpopular opinion. Apologizing if someone felt some sort of way is not an apology. That is. That is not an apology. Which is funny, because down the line, Malaysia gives mistress the exact same apology down the line. Sorry if you felt some kind of way. But none of them are ever apologizing for their behavior, for their actions. They're just apologizing that you felt. I'm so sorry that you felt some kind of way. I'm so sorry that you felt a kind of way.

[Monet X Change]

Well, as someone who has been on the receiving end of one of those. Bob, Apologies.

[Bob the Drag Queen]

I, I, I have apologized for my behavior. I, you, you, you can scour.

[Monet X Change]

Yeah, yeah. You never apologize to me. Yeah, that's correct.

[Bob the Drag Queen]

You can scour the. You can scour every hour of civilian rivalry, and you will not find me going, I apologize if you felt some kind of way.

[Monet X Change]

It's never happened on civilian rivalry.

[Bob the Drag Queen]

Oh, how convenient.

[Monet X Change]

Oh, wow, Bob. So our whole interaction, our whole friendship is just on fucking sibling rivalry.

[Bob the Drag Queen]

Is that what you think? Nigga, I don't apologize if someone felt. Stop right there.

[Monet X Change]

I don't apologize. Just stop right there.

[Bob the Drag Queen]

Monet, we also have full hours of you not apologizing to me, but we're gonna go into that. You literally refusing, even though I'm literally begging and with tears anyway. But I don't, As a rule, I don't apologize if someone felt some kind of way. That. That's just. To me, that's just not an apology. You know what I mean?

[Monet X Change]

Yeah.

[Bob the Drag Queen]

But also something else that Men in Black say, that kind of drove me crazy. She goes. She goes, but I wrote it down or I typed it down. She goes, but what you don't have to do is speak about me when I'm not in the room, bitch. I will speak about anybody I want in any way I want, at any time I want. I don't necessarily agree with the notion that's like, you can't speak about me behind my back, bitch. But I can.

[Monet X Change]

But there's context. She was saying that because Malaysia was saying all this stuff and she wanted Mistress. I'm not. I'm not going to let my v. She wanted Mistress to, like, own up, to festive, distinguished, when. When she was not there for the whole discussion. So how am I. How am I going to hear your side of the story when I wasn't even there to hear what you're talking about?

[Bob the Drag Queen]

I think that Malaysia was just, in my opinion, I don't know, but I think Malaysia was just a little bit too upset to rehash it. So Malaysia didn't feel like. Didn't feel like getting into it. And then when Lux brought it up, Malaysia said. She said all of my thoughts. Malaysia didn't back down. She didn't say. I didn't say that. She didn't cower in the corner. Malaysia said. She said all of my thoughts. All the things she said was how I felt, but in the moment, all

[Monet X Change]

the things she said, all the things

[Bob the Drag Queen]

you said, but in the moment, she just didn't feel like she just wanted to. Well, she was in a bad mood. I think she was acknowledging that she was in a bad mood. And I can only imagine how upsetting it is when you're in a bad mood and everyone keeps acting like you being in a bad mood, it's out of control. When you're in a bad mood and everyone's like, we're all just kidding. What's wrong with you? That shit would drive me fucking crazy. No one's bullying you. You're acting crazy. And then. So she just said. She said. She said all my thoughts. So in my opinion, Malaysia owned up to her feelings without having to hash it out. And I don't necessarily agree when folks say, but what you. What you're not going to do is talk about behind my back.

[Monet X Change]

But like, Mitchell said that after Mitchell said that before, Malaysia said, look, that on my thoughts, I can't remember.

[Bob the Drag Queen]

I can't remember if she said it

[Monet X Change]

before or not, but that's a sequence. It happened because, sure, I don't remember Lux at the thing. Then Mistress pops off and she's like, well, you talking about me when I'm in the room? Which was. Which prompted Malaysia to say, well, Luxx just settled my thoughts. And I thought about the thing Then that's when Mistress was like, well, bitch. Da, da, da, da, da, da. But also, we're talking about, like, again, the shreds of Drag Race at this point. You're. This is what two. Two weeks in about. You are like. This is when you start to go crazy. I think three weeks is, like, the really good going crazy part, but this is when you start to unravel as a person who's done it three times.

[Bob the Drag Queen]

Have you been not talking about people when they're not in the room?

[Monet X Change]

No, I've talked about people when they're

[Jacob (Producer/Moderator)]

not in the room.

[Monet X Change]

But I will say, if I say

[Bob the Drag Queen]

it's the point, I'm getting at the line where she goes, what you're not gonna do is. What you don't have to do is talk about me when I'm not in the room. I don't believe that we have a right to dictate when other people talk about anything.

[Jacob (Producer/Moderator)]

Really.

[Monet X Change]

I will say it is annoying and frustrating when someone will say something about you when you're not in the room. And when you're in the room, they're like, huh?

[Bob the Drag Queen]

She didn't go, huh?

[Monet X Change]

She. I know, I know, I know. I'm saying. I'm saying that is. That is a frustrating and an annoying thing to me. When you and this mic. When someone. The squeeze. Ricky, Ricky, Ricky.

[Bob the Drag Queen]

It was what? I just won't touch it.

[Monet X Change]

When someone would say something about you when you're not in the room. And then when you're in the room, they're like, huh? What do you mean? I didn't say that. Oh, well, what I meant to say was, no, bitch. What did you say when I wasn't there?

[Bob the Drag Queen]

Well, that is kind of annoying. But that's not what happened. That's not what happened here. Yeah.

[Monet X Change]

Anyway, we can't harm it on it. We have a whole episode on Malaysia.

[Bob the Drag Queen]

On Malaysia, Baby doll Fox, name these men in black apologists.

[Monet X Change]

Oh, my God, please. Anyway, moving on, Bob.

[Bob the Drag Queen]

Also, I love the next day they walk in. Malaysia got these girls on eggshells. Malaysia got these girls.

[Monet X Change]

Not the mistress. Not the mistress, honey.

[Bob the Drag Queen]

Mistress literally didn't even want to look at Malaysia's. Malaysia's. I am not looking at this girl at all.

[Jacob (Producer/Moderator)]

Some other inside tea is that Malaysia left. Set for a while and they had to go bring her back when she was gone for, like, 45 minutes.

[Monet X Change]

Oh, Malaysia left.

[Jacob (Producer/Moderator)]

Simple.

[Bob the Drag Queen]

See, this is why I'm so. It kind of drives me a little bit crazy because, like, a lot of people are going on about how this. How this queen overreacted, and we. We do not know. You cannot. You cannot determine whether or not someone else is overreacting. Like it is so invalidating to tell someone their action is an overreaction when we have so little of the context for why they're reacting the way they are.

[Monet X Change]

But she's also overreacting. A girl, she's yelling on people. She's popping off on people. She's. So. She's taking her. Her anger, and then it's bubbling over and pissing other people off. So these. So. But then. So we're invalidating other people reacting to her. They're reacting to the energy she's giving them.

[Bob the Drag Queen]

That's not the same thing. I. I'm not invalidating anyone when I'm saying. When you're saying someone's overreacting. I'm not saying. I'm not saying that anyone's overreacting. I don't think anyone is overreacting. I'm not invalidating anyone's feelings. It is invalidating, though, when you say, oh, ketchup, mustard. It is invalidating, though, you and me. It is invalidating, though, when you say that someone's reaction is in a reaction. I don't think that Men in Black is a reacting. I don't think looks direct. I don't think Marsh is overreacting. So I don't see how I'm invalidating anything. But also, when you're angry and someone tells you to shut up or stop talking or I'm sick of talking about this. That would piss me off.

[Monet X Change]

No one said that to her.

[Bob the Drag Queen]

Yes, she did. Marcia said it to her in the last week. Marcia said, I'm sick. I'm sick of hearing about this. Marsha said.

[Monet X Change]

Is that what Marsha said?

[Bob the Drag Queen]

Really? Mar said, I'm so sick of this subject. While she was in the middle of

[Monet X Change]

her thing, I didn't watch untucked. I just saw a little clip.

[Bob the Drag Queen]

So I remember so sick of the subject. And Malaysia was like, baby, I'll let you complain for three weeks about your makeup. Don't cut me off. Do not cut me off.

[Monet X Change]

That's fierce.

[Bob the Drag Queen]

And I think that that is super duper valid. And when she was in that room, she didn't. She never backed. She never lied. She never denied. She just was in her feelings. And it is okay to have feelings. We do not know why this queen is reacting how she is. So that's. I don't think that she's overreacting, and I think it's weird that Everyone keeps telling her she is. And obviously, if she left the room for 40 minutes or so. However, even if she left the room for 10 minutes, clearly this affected her very greatly.

[Monet X Change]

Where it's out with that. I'm saying, had I been in a situation, I'd have like, bitch, it's not that deep. And that would have been my thing.

[Bob the Drag Queen]

But that's so invalidating. Tell us. That would have been my experience.

[Monet X Change]

That is my experience. No, if I was in that situation, if I was Mistress and I mean, again, I can only see what we're seeing when the cameras. Right? If I was Lux and Mistress, when everyone was like. Because it wasn't even Luxx, only Luxx and Mistress playing around, everyone was laughing at Kakeen, even Malaysia. I watched the clip again. Even Malaysia was. And Sasha were like, laughing around. Sasha was, like, making funny eyes. So I could see how Malaysia and Luxx were like, oh, we're just. We're just. We're just Kiki. And even later, when Mistress and. And when Mistress and Malaysia talk about it, they even talk about, like, this is the dynamic they have off camera. This is how they play around all the time. So that's why Mistress didn't think that it was anything crazy. She thought that Malaysia was just playing around with them because that's the dynamic they have off camera, on camera all the time.

[Bob the Drag Queen]

The way I probably would have handled it, I probably would have said, you know what? I apologize. I didn't realize that would be upsetting. And I thought we were just kidding. And I can see now that you're not in a good mood. And I apologize. If I would have realized that you were upset when you were, I wouldn't have made those jokes. So I apologize. I'm sorry. That's what I would have done. Instead of being like, it is not that deep. Imagine when you're mad and someone and two or three people going, it is not that deep. It's not that serious, baby. I mean, imagine how you would feel if someone did that shit to you.

[Monet X Change]

I will say on Drag Race again at this time, Drag Race, really, the stress of the show heightens feelings. It heightens emotions. You, like, you do feel stuff differently where you're in this pressure cooker of the show and with all the stresses of the show. So I think that that factor plays into it and why things got misconstrued.

[Bob the Drag Queen]

I love Alaysha. Let's move on.

[Monet X Change]

Anyway, the next day, Ru introduces a challenge. They're doing the Daytona Wins, part two. And basically, because Aura won Last week's challenge, she gets to dish out the roles, and I think Ora is dishing out the roles, and I think she sees everyone choosing fancy. So she goes for fancy. I don't think her natural inclination was to go with fancy, but I think in her mind she's like, oh, everyone's choosing that. I should choose that role because that's what everyone wants.

[Bob the Drag Queen]

I haven't given that much thought. I mean, maybe what was weird to me was that I kind of like. So Aura gets to sign the rose. Cause she won last week's challenge and she says that anyone who's been nice to her is gonna get the roles they want. I don't know if she's just kidding or not, because she seems to just kind of. She doesn't. She doesn't really seem to do anything shady with the passing out of the role. Maybe she was just. Maybe she was just like doing a bit because she didn't seem to favor anyone particular. Did you think so?

[Monet X Change]

No, I don't think so.

[Bob the Drag Queen]

She also said that she's never done anything over the top, but last week she was really over the top. It was kind of the whole thing that she was really over the top.

[Monet X Change]

Oh, yeah. The old lady over the top.

[Bob the Drag Queen]

And like, last week I was like, girl, last week you were really. The whole thing was. And also her Runway was over the top. She does a lot of over the top stuff. Like the one with her back exposed, she does a lot of over the top stuff.

[Monet X Change]

Yeah, yeah, yeah. But I mean, in this challenge, we're gonna see she struggled a little bit. Well, not a little bit. A lot of it in the challenge. And maybe it's cause she wasn't allowing herself to go a little over the top.

[Bob the Drag Queen]

So everyone's saying that. So during rehearsal, everyone's gagging because Malaysia, Malaysia, who's got these bitches on their fucking tippy toes.

[Monet X Change]

Mistress and Malaysia, they're in the same group. They end up being the same.

[Bob the Drag Queen]

I know everyone's gagging because Malaysia got these bitch on their tippy toes and mistress and her in the same group. Why do you hate Malaysia so much? What's your issue?

[Jacob (Producer/Moderator)]

Stop.

[Bob the Drag Queen]

What's your issue with Babe?

[Monet X Change]

This is your. You're on your Tamisha Iman shit. You're on your Tamisha Iman shit, son. And Charlotte is not there. You're on your Tamichemond. I am not playing this game with you. You're on your Timmy Shayvon.

[Bob the Drag Queen]

What's your issue with the Fox?

[Monet X Change]

You're on your Timmy Shimon. Stuff. I'm not playing this game with you. Anyway, they said what the Fox said.

[Bob the Drag Queen]

You know what the Fox said? The parent of the Fox says, don't ever interrupt me. That's. What does the Fox say? Don't ever disrespect me. Cause I've never disrespected.

[Monet X Change]

You mention some Malaysia in the same group.

[Bob the Drag Queen]

What does the Fox say? The Fox says, I said what I said.

[Monet X Change]

And when they're rehearsing, it's clear that Ora Mayari does not know a lot of Drag Race references.

[Bob the Drag Queen]

Like, I'm like, watch the show.

[Monet X Change]

I'm like, bitch, do you know what show you auditioned to me? How do you not know these references to the show? And these aren't like F side references. Like, you know, like something Bob the Drag Queen said on season eight. These are like things like soak it up when they exchanged it. Vive Asia. These are like prime time Drag Race references.

[Bob the Drag Queen]

Rigga Morris, she didn't know what any hole is a goal is. And I was like, does this girl watch the show at all?

[Monet X Change]

It's so crazy.

[Bob the Drag Queen]

This like when Viviz de Harbour didn't know who Ornaysha was.

[Monet X Change]

Oh, she didn't. I don't remember that. Yeah.

[Bob the Drag Queen]

Vivida Harbornet on All Stars, on All Stars 3. She didn't know who. She didn't know who Ornisha was.

[Monet X Change]

Well, I fully. I don't think Bebe has watched a single episode of Drag Race that she's not on.

[Bob the Drag Queen]

You're probably right, like, knowing Bibi. Yeah, but, yeah, they're really gagging. So what ends up happening is. Do you think that. Did Mistress play her?

[Monet X Change]

Did Mistress, like, Mistress finesse the shit out of Ora Ma Yard?

[Bob the Drag Queen]

She was like, that's what I would have done, girl.

[Monet X Change]

I was watching. I was like, this is some Bob the Drag Queen tactic, girl. This is so Bob, you probably like Monet. If I were you, I would give that role to me, because I honestly think you would. You would just shine better as doing this, Monet. Trust me when I tell you, Monet, you.

[Jacob (Producer/Moderator)]

This is.

[Monet X Change]

This is you, Monet, this is you.

[Bob the Drag Queen]

But also, Mistress was right, though. Like, she. I mean, was she finessing? Probably, but I think that Ora would have got even more lost in the sauce.

[Monet X Change]

I agree.

[Bob the Drag Queen]

If she had. If she had the role of Fancy, she would have got completely lost in the sauce, in my opinion.

[Monet X Change]

Mistress is smart, she is crafty, she's sneaky, she's beautiful. She has everything that we need in a drag, in a Drag Race winner. I love her.

[Bob the Drag Queen]

Yeah, Mistress. Mistress is a really great. Is a really great queen. And she also. I saw a couple of her online dancing. She danced, bitch.

[Monet X Change]

Me too. In the white thing.

[Bob the Drag Queen]

She danced like Kenny Davenport, Bob.

[Monet X Change]

That's what pushed me over the hill.

[Bob the Drag Queen]

I was like, this bitch.

[Monet X Change]

She met a whoop.

[Bob the Drag Queen]

My entire table.

[Monet X Change]

Belinda China Shop girl, welcome to the stage. Belinda. Belinda China Shop.

[Bob the Drag Queen]

Oh, my God. There's. There's hot chicken and sauce on the ground.

[Monet X Change]

Hot chicken and sauce. I'm fucking dead.

[Bob the Drag Queen]

I have to get it before it stands. The carpet.

[Monet X Change]

On the carpet. Oh, my. Y', all, this is. I can't.

[Jacob (Producer/Moderator)]

Can you just repeat what Bob said just in case?

[Monet X Change]

So this nigga was. This nigga was trying to show us the Mistress dance moves. And the first little fuerte he kicks over a table which has hot sauce and chicken all over it, apparently, he kicked it onto a rug, so he needs to clean the rug before it stains.

[Bob the Drag Queen]

Oh, my God. Anyway, we can't all be mistresses. We can't all be men in black. We can't all be men in black. So when price goes up.

[Monet X Change]

Are you talking about the Extra Challenge, right? The Extra Challenge duet. I talk about the rehearsing or, like, rehearsing. Rehearsing.

[Bob the Drag Queen]

Rehearsing.

[Monet X Change]

Yeah.

[Bob the Drag Queen]

It's the same, right? It's the same.

[Monet X Change]

It's so tired.

[Bob the Drag Queen]

It's my Cyrus.

[Monet X Change]

It's tired. I mean, what. I honestly think this is my. You tell me what you think about this. I think that Spice is. I like Spice. I think Spice is funny, and actually, I think she's cute. I just think that Spice has not had a whole lot of time to cook and marinate in the real world of trying to do this stuff. Whereas you have King's like, yeah, Marcia has only been doing drag for two years, whatever it is. But she's also a theater kid, right? Marcia has had to act. Marcia has had to do all these things where she had to build different characters and do different stuff. So that's why, even though they've been doing drag for the same amount of time, it is just different. Like, Spice has not had enough time to do this stuff to try to perfect these skills.

[Bob the Drag Queen]

Also, somebody gathered. They said, marcia has never been on Broadway. Someone was like, let me tell y', all, Monet and Bob, I love y'. All. Marcia's not. As a Broadway. Marcia has never been on Broadway, honey.

[Monet X Change]

Oh, my God.

[Bob the Drag Queen]

I was like, damn, y' all are passionate. Not the Broadway gatekeeping. Not the Broadway gatekeeping.

[Monet X Change]

Well, because Marcia Is a theater kid. Let me say that she's had time to do all this stuff despite just having at the time. And it is the same character every time, bitch. When Ru and Michelle dread her on the main stage for that fucking. Your favorite little move.

[Bob the Drag Queen]

Oh, I hate that move by A N T I. You're a N T. And I was like. I'm like, what is Miles Harris doing back? Like, how did Miles Harris get back in here?

[Monet X Change]

And as soon as Jax came onto the scene. A mess, a mess, a mess, a mess, a mess. Jax is just not. Jax is not working.

[Bob the Drag Queen]

Jax is a very understated queen. But also, I don't think that, in my opinion on Drag Race, I would not personally go for the stoner character. And if you do, it has to be over the top. It has to be Cheech and Chong. It can't be Clerks. It has to be. It has to be, like, half baked, not Clerks.

[Monet X Change]

You know what I mean?

[Bob the Drag Queen]

It has to be. It has to be. I mean, even you think of a stoner like Laganja. Laganja is a stoner, but she's not like, yeah, man.

[Monet X Change]

Yeah.

[Bob the Drag Queen]

Turns up of all of us.

[Monet X Change]

But even when she was doing the Stone character, I'm like, that wasn't even giving me Stone character. It looked like she was just like, yeah, how are you? It wasn't giving me like, yeah, yeah, man. You know? It was like. It was. Even her stone version of herself was still so subdued.

[Bob the Drag Queen]

Yeah. It really kind of felt like pulling blood from a stone at certain points.

[Monet X Change]

That's a good. That is some Southern. That is a Southern thing. Is that a Southern thing?

[Bob the Drag Queen]

I don't know. I mean, is it?

[Monet X Change]

Yeah, girl. It's like pulling blood from a stone.

[Bob the Drag Queen]

I don't know. I don't know. Maybe it is Southern sometimes. A lot of stuff I do, apparently I found out was black or Southern. When someone told me it was black or Southern, one of my friends told me, I didn't realize it was a black thing until a white person told me, and I was like, oh, is that a black thing? I did not know this was a black thing.

[Monet X Change]

What?

[Bob the Drag Queen]

In bodegas, if you hold up something and say, how much is this?

[Monet X Change]

Is that a black thing?

[Bob the Drag Queen]

But not near the Casper. You have to be where the thing is. Apparently, it's the black thing to, like, go to be where the thing is and hold it up and look at the clerk and go, how much is this? How much is this?

[Monet X Change]

Well, I thought that was just a New York thing. I didn't Realize that was like a black thing.

[Bob the Drag Queen]

I do it, I do it, I do it. I used to do it all the time in New York City. And there's something.

[Monet X Change]

Oh yeah, same. I'm trying to think if any of my white friends would do that. And I don't think I have a recollection of. Imagine Nick at the bodega. Like, how much is this?

[Bob the Drag Queen]

Yeah. No. Jacob, would you stand over by the sodas and hold it up and ask how much it is?

[Jacob (Producer/Moderator)]

That is not a behavior that I particularly identify with.

[Monet X Change]

Like, I don't see. I don't see Mateo walking in and asking how much the muscle milk is like at the fridge. You know what I mean? I did a bitch. I will be. I will be in the back, you know, because if they're not like a little narrow thing that you. I would be in the back corner.

[Jacob (Producer/Moderator)]

But like, but don't. I feel like most bodegas have those little, little red stickers that have the cost on them?

[Bob the Drag Queen]

No, baby, they charge you what they. The prices differ at midnight versus noon versus five o' clock every Am I liable night. Depending on how much the person likes you, the prices will change.

[Monet X Change]

Uhhuh. Exactly.

[Bob the Drag Queen]

You the same thing. You got the same thing yesterday. How is it $6 more today? I did not know it was a black thing.

[Monet X Change]

That's why you can never walk with. You always walk with excess money because you don't know. You don't know what inflation is going to be that day. You don't know what the price is going to be that day.

[Bob the Drag Queen]

Also, fun fact, if you go to New York City, by the way, this is illegal, but they're going to do it anyway. If you use your debit card, they're going to charge you more.

[Monet X Change]

That's not a two dollar thing.

[Bob the Drag Queen]

You're not supposed to be able to do that. They would just charge you for just for using a debit card.

[Monet X Change]

Yeah, that shit is crazy. New York is on some. New York be finessing niggas all the time.

[Bob the Drag Queen]

Oh, finesse down every second of the day. But I still love this. I'm actually really happy to be back. Now let's go to the mirror moment. So Malaysia then turns around and says to mistress that she apologized to her if she felt some kind of way. Which is so it's such a weird apology to me. To me personally. Well, yeah. You don't think that's a weird apology?

[Monet X Change]

I don't think I do. I don't think it's a weird apology. I think it's An I've used before when I did. When I genuinely am not feet. I'm not. I'm not feeling like, sorry.

[Bob the Drag Queen]

What are you apologizing for, then? You're not really sorry.

[Monet X Change]

But I always say to the person, I'm like, I'm like. I'm like. I will say this. I genuinely don't think that I did anything wrong. And I'm going to be very honest with you, but I. But I am sorry if it made you feel bad, because it was not my intention to make you feel bad. I have said that because sometimes someone just wants to hear you say those words of I'm sorry that I made you feel bad. That I think people. That makes people feel better, that you are acknowledging that you are. That you are sorry that an action you did make them feel bad. I think that's a real thing. Right. So I. But I always say, I will not

[Bob the Drag Queen]

just say, I'm not saying sorry that I made you. When people say sorry that you felt. There's a difference between saying sorry I made you feel bad and sorry that you felt a kind of way. Those are two very different.

[Monet X Change]

This is true. I don't say the first one. I say sorry that what I did made you feel bad. It was not my intention to do that. I was simply blah, blah, blah, blah, blah.

[Bob the Drag Queen]

But anyway. But yeah, Mistress. So Mistress and Malaysia. Malaysia gathers. Mistress one more time.

[Monet X Change]

You are so problematic. Mistress.

[Bob the Drag Queen]

Malaysia grabbed Mistress by the fucking. All that hair. She gathered. All that curly hair, that curly, thick mane, and she fucking grabbed men in black.

[Monet X Change]

Honey, I wrote down. I think the Mishra brings up a very good point that the language that Malaysia is using can be dangerous, especially with the fans watching. Because. Because even they both agree that off camera, like, they were playing into their usual dynamic that they have on camera. Like, I don't know what off camera means. I mean, from my experience on Drag Race, that means at lunch, on the bus, back at the hotel, when you get to go to the pool with someone, the gym with someone, whatever it is, like, that is a dynamic that they have on camera. And I think that that's what she's playing into and that's why some lines were crossed and lines are blurred.

[Bob the Drag Queen]

I think that another mirror moment. Oh, not the section of mirror moment, but Harvey Guillen. We judged Dracula together.

[Monet X Change]

Oh, he was also at our judge for Laugh Show.

[Bob the Drag Queen]

Yeah, I remember. Yeah, that's what I told you. I was like, me and him, Judge Dracula together. Being a judge on a drag show is kind of strange. I'm not going to lie. It's just. I don't typically offer drag queens my thoughts on their drag to their faces. The only time I'm ever really talking about someone's drag is either on a review show or with a friend in private. But rarely do I just go up to a cleaning.

[Monet X Change]

We have a podcast about where you literally do it weekly for the past three years.

[Bob the Drag Queen]

I mean, I've done three seasons of the Pit Stop. I've done several seasons of this. I have my own show. But going up to someone's face and being like, this is what I thought about your. Right after the performance, when it's still raw is not something I typically make a habit of doing. So it is very interesting.

[Monet X Change]

You know, I've judged. I judged some really great queens on Canada versus the World. And I was.

[Bob the Drag Queen]

It's a.

[Jacob (Producer/Moderator)]

It's.

[Monet X Change]

I didn't feel weird about it. I was like, you know, I was like, I think I have a very good opinion. I've been doing drag for a long time. I think I have a very strong point of view in drag, and I feel great offering my thoughts to these girls. And again, just like I do with judges on the show, I can take it or leave it. You know what I mean? Or like, I apply or let it fly.

[Bob the Drag Queen]

No, I agree. I don't. I don't mind being judged. Like, getting judged on the show is. I mean, I haven't done it in a long time, and so maybe I really don't quite really remember how I felt. And I never. I never got anything too horrible, to be perfectly honest. But I do remember getting really harsh judging when I did America got last coming standing and an American got talent. And it really crushed me. Like, they were. They were so mean. They were so mean.

[Monet X Change]

The jokes on them.

[Bob the Drag Queen]

Should we go into the looks?

[Monet X Change]

Jokes on them.

[Bob the Drag Queen]

Jokes on them.

[Jacob (Producer/Moderator)]

Thank you.

[Bob the Drag Queen]

Should we go into the looks?

[Monet X Change]

Let's go into the lurks.

[Bob the Drag Queen]

I love Harvey Gyan's top. His little pussy bow. Harvey Gyan looks so cute. I love this.

[Monet X Change]

I do love a pussy bow.

[Bob the Drag Queen]

Carson always looks great. Everyone looks good.

[Monet X Change]

They're all wearing blue besides Harvey, but the main judges are all wearing blue. RuPaul is. She went into her little nude illusion Midra fantasy for a while now.

[Bob the Drag Queen]

Yeah, yeah, she has. She's been living her little. Her little mid drift Yana dreams. So puffy, by the way. I can't believe they actually let them call the category of puff A, please.

[Jacob (Producer/Moderator)]

Why?

[Monet X Change]

I mean, you're not saying the word.

[Bob the Drag Queen]

I know, but it's Just like, not puffa, please.

[Monet X Change]

Well, you know, RuPaul loves the N word. I've heard RuPaul say the N word twice.

[Bob the Drag Queen]

Yeah, yeah. I mean, yeah, yeah. A lot of black folks say the N word. Yeah.

[Monet X Change]

I think that if left his own devices, RuPaul would say it every week.

[Bob the Drag Queen]

She probably does. Just like you and me. So let's go into these looks. So Lucy Laduca is the Stay Puft Michelin Man. And I love this coat. This coat looks really cool. I do wish the leotard had a little bit more design elements to it. Not everything elements to it.

[Monet X Change]

When she first came out, I did not know who she was until I. Until I heard her talking head. I thought she was what I thought she was. I was like, she's Sailor Moon with a puffer coat on. I was like, I don't get it.

[Bob the Drag Queen]

But I recognized it immediately.

[Monet X Change]

Really?

[Bob the Drag Queen]

Immediately? Yeah. But also I grew up watching. I grew up watching Ghostbusters and the Stay Puff Miss. The man was a huge. Was like a big part of that. I always thought he was just the guy from Ghostbusters. I didn't realize that he had a whole thing outside of that until later on. So I recognized it right away. I think she looks good. I do think that she is literally just wearing a white leotard over it though, which is like, which is a little bit, kind of like you could have a little more design, but overall she does look good.

[Monet X Change]

Yeah, I agree.

[Jacob (Producer/Moderator)]

I agree.

[Monet X Change]

Let's move on to Lux. So I think Lux is doing a play on. Cuz her, her purse is a balloon dog. So she's supposed to be like a balloon creature.

[Bob the Drag Queen]

Is she. I mean, she looks good.

[Monet X Change]

She looks great.

[Bob the Drag Queen]

Is she a balloon creature? I don't know.

[1-800-Contacts Ad Voice]

She.

[Monet X Change]

She.

[Bob the Drag Queen]

She said something. I can't remember what she said.

[Monet X Change]

Yeah, I don't remember either.

[Bob the Drag Queen]

But, but she does look good though. I. I like this outfit. And she looks, she looks really good.

[Monet X Change]

Yeah, yeah, yeah. Lux has been doing some really great runways and she is continued to come through.

[Bob the Drag Queen]

Let's go into Spice.

[Monet X Change]

I like that this is a different silhouette for Spice.

[Bob the Drag Queen]

I agree. And she looks really good. This is a great look for her.

[Monet X Change]

She looks.

[Bob the Drag Queen]

I have. No. I have. Besides the. I do hate that fucking walk. It is, it is annoying. And maybe I'm just boring because like Marcia also did some, some walk that I hate. I can't remember what she does remember. I just remember writing down, I wish Marsha would have just walked. Oh, she was freezing. She was acting like she was cold. The whole time, part of me is like, can y' all just run away? Can we just have. Can we just run away? But. But, you know, teach their own.

[Monet X Change]

Yeah. I think I like Spice's look. I love the hair. I love the. The. The fur, the white. The colors look good. I think Spice looks good. I'm like, yes. Give us variety, bitch. Like, and this a little bit some Malaysia. Not this week, but, like, when. When girls are packing all your future bitches for season 16 and however many seasons, when you go in for the show and you're doing your runways, like, I mean, just give yourself variety. Like, just, like, just don't pack so many of the same silhouette. The fact that Malaysia packed five gowns for runways, to me, that is crazy. That is crazy.

[Bob the Drag Queen]

Bianca would like to have a word with you.

[Monet X Change]

I. I mean, she did win, but also, we can all agree Bianca is an exceptional drag queen. Bianca is insanely funny, and she's good at all these things. You know what I mean? So whatever.

[Bob the Drag Queen]

Ora mayori. I really like the coat. I don't love the pants. And.

[Monet X Change]

Well, it's a Balenciaga moment. It's a nod to Balenciaga for sure.

[Bob the Drag Queen]

Oh, is it?

[Monet X Change]

Yeah, Balenciaga. This is a very Balenciaga silhouette.

[Bob the Drag Queen]

What's the.

[Monet X Change]

It's like the shoe into the stocking into the legging situation.

[Bob the Drag Queen]

Oh, I don't love it. I love the. I love the kimono, though. The kimono. The puff kimono is really cute.

[Monet X Change]

I disagree. I like the whole look. I think. I think it looks very chic. I like the hair with the two. I think this whole thing is very cute, and it's a very. In a cool way that I would not think to do puffs and to have the.

[Bob the Drag Queen]

I wish it was a skirt. A little bit.

[Monet X Change]

A skirt.

[Jacob (Producer/Moderator)]

Yeah.

[Monet X Change]

Could have been cute, but I happen to like this. I think it looks good.

[Bob the Drag Queen]

Let's go on to Sasha. Sasha. Colby. This is so good.

[Monet X Change]

She looks so fucking hot. I would fuck this queen. She looks so hot.

[Bob the Drag Queen]

Yeah, this outfit is amazing. Sasha is. Sasha has pretty consistently, especially for the past three weeks, done some really amazing looks on the Runway. And she is just. She's a. This. This bitch is a fucking great drag queen. Like, she is a fucking drag queen.

[Monet X Change]

Yeah, this looks very good. Like, how it's not just a regular little bodysuit. How, like, the different this looks, the asymmetry of it. Sasha looks so, so, so, so, so good. And the hair.

[Bob the Drag Queen]

That's what I mean when I say, like, you know, Lucy, just put on like a white leotard. And Sasha seemed to have really thought about the elements of like, not just putting on just like a half yellow, half black leotard. She really. There's so many design elements going on.

[Monet X Change]

Yeah.

[Bob the Drag Queen]

Not just the coat, you know.

[Monet X Change]

I agree. Even. Even how she look at the skirt, it's like. It's like the. The snappy part of like a skirt. She chopped it off and she, like made it asymmetrical. I think it's just so good. So well done.

[Bob the Drag Queen]

I agree.

[Monet X Change]

I wish instead of that honey blonde, that 627 in the ball. I wish the ball was black. But I guess she wanted to give more dimension because if the ball was. Yeah, I think it should have been black. But she's probably trying to get more dimension and more extra. I don't think she needed that.

[Bob the Drag Queen]

It compliments the coat, in my opinion.

[Monet X Change]

The hair. The honey blonde.

[Bob the Drag Queen]

Yeah. Like the black and the lighter color compliments the black and the yellow in the coat. I think.

[Monet X Change]

No, that part. But the actual ball is 627. I see the yellow streaks, but the actual hair is like 627. I think it could have just been black. You would have still see those yellow stripes.

[Bob the Drag Queen]

I like it.

[Monet X Change]

I think it's a little nitpicking. Not anything important.

[Bob the Drag Queen]

So let's go to Jack. Okay. I was torn because I really. I actually like this outfit. I do not like this hair.

[Monet X Change]

The hair is always bob. The hair is always a mission every time.

[Bob the Drag Queen]

And it's not fair as bad. It just doesn't make sense with this look.

[Monet X Change]

Doesn't make sense. I don't understand.

[Bob the Drag Queen]

Even if.

[Monet X Change]

Honestly, even if this bitch has got a black kitty cat, it would have made more sense.

[Bob the Drag Queen]

A black kitty cat would have been really cute with this, you know, like,

[Monet X Change]

just why this hair? She's always fucking up with the hair every time. The hair is always. Her hair has not made sense with any look she's worn on the entire season.

[Bob the Drag Queen]

The comment. The comment section is crazy. They cannot believe Monet would recommend a kitty cat. They're like, not Monet and. But no, a kitty cat would. A kitty cat would have made really good. But this look is really cute. I mean, it's not necessarily her fault, but like, when you are a shorter person, you do have to be a little bit more conscious of your silhouettes. And she is a tiny queen. But this, I would wear this outfit. I love this outfit.

[Monet X Change]

Yeah, I agree. I agree. Let's go on to Miss Malaysia, bitch. When this fucking bitch turned the corner. I said Malaysia. The baby doll fox. The baby doll is coming to play drag. This is such a cute. This looks so cute.

[Bob the Drag Queen]

Thank you for finally putting some respect on the. On the fox, man. No, Malaysia looks amazing. Malaysia, this is such a good look. Malaysia has hit her stride. Like something happened, like, two episodes ago. I think it was when Marcia cut her off, something that lit a fire. And Malaysia has been. She. Is she. Because she. She even turned it up in the challenge, like she was fading in Snatch Game, and we're going to get to it. She was so good in this challenge.

[Monet X Change]

Yeah. Yeah. I think Malaysia did a really good job.

[Bob the Drag Queen]

And lining is great. This is.

[Monet X Change]

Lining it in that yellow to make everything else pop was great. I want my one little effect. A nitpick kind of like with Sasha. We've seen this hair a couple times. I wish you would have thought about some different hair with it. I like this hair with it, but it's something we've seen, like, her like, four, five. Four times now. But I think this look is. Even the little juice box purse. She really nailed it. She looks really good.

[Bob the Drag Queen]

Stunning. Let's go into Men in Black. My girl. Amazing. So good.

[Monet X Change]

I love this queen.

[Bob the Drag Queen]

I love this queen.

[Monet X Change]

I love her. I love this bitch so much.

[Bob the Drag Queen]

This is a very good look. She looks. I can't think of anything about this look that I dislike. Everything about this look is good. So kind of no pockets.

[1-800-Contacts Ad Voice]

No.

[Monet X Change]

No pockets.

[Bob the Drag Queen]

No. But this is a very good look.

[Monet X Change]

This is even the small details. Those black accents and the waistband on the thing, it's saying mistress on it. It's like those small details. Right. Like, I. And, you know, I know Bob hates straight, flat hair, but she's wearing straight, flat hair with this. But it's still. It's teased, so it's volume in the straight, flat hair.

[Bob the Drag Queen]

Right. I do not hate, hate hair down like her. This is not. This is not unstyled human hair. Now, if you go back and look at Spice, I think Spice has unstyled human hair in her look, which I don't even hate it here because she has a hat on, but also Mistress has on a hat. And this hair is also. Isn't it multicolor?

[Monet X Change]

I don't. I don't remember that. I just thought it was blonde.

[Bob the Drag Queen]

But I don't think this is just unstyled human hair wigs. I think that this looks really good. So, no, Mona, do not spread rumors that I hate.

[Monet X Change]

No, I did not say. I said you had straight, flat hair.

[Bob the Drag Queen]

Bob hates flat, straight hair, which Is that's verbatim.

[Monet X Change]

You said on this podcast many times

[Bob the Drag Queen]

I said, unstyled human hair wish.

[Monet X Change]

How do you know this is. How do you know this is. How you know this is not. This is not unstyled?

[Bob the Drag Queen]

Because you can tell there's a tease in it. Even you said there's a tease in it. Yeah. Eat your words. Gobble, gobble, bitch. Numb. Was that good? You want some of the hot sauce I spilled on the floor earlier?

[Monet X Change]

But let's go on to Mistress. I mean, to Anitra. I think Anitra looks real quick. What, baby?

[Bob the Drag Queen]

Where has Anetra been? There was a moment where I was like, oh, my God, Anetra. Where is she? She is so quiet.

[Monet X Change]

I think Anetra is out.

[Bob the Drag Queen]

Is she just really quiet?

[Monet X Change]

I think Anetra may be a really quiet girl, and I think because she had such a big splash in the first episode, we were all like, oh, shit. Anetra is one to watch. I think Anetra may be a naturally quiet person, and maybe she doesn't excel in challenges outside of something like what she did for. Cause these. The talent show. You're doing something in my. For what? I think you're doing something that is your thing, something that is in your bag, something you can do in your sleep to impress people. And maybe acting is not her thing and other things. And we have to wait to see a challenge she excels at again.

[Bob the Drag Queen]

Yeah, she's been in the background.

[Jacob (Producer/Moderator)]

I also think it's part of the. Like, this episode. Sasha Colby also had no talking heads.

[Monet X Change]

Sasha Colby, but she was still prominent, though.

[Bob the Drag Queen]

Yeah, but. Yeah, but Sasha had that moment where she. Where she was in the middle of the argument, and she was trying to mediate between Malaysia, baby doll and. And Lux and Mistress. But anyway, she looks pretty good. Like, this look is not crazy, but she looks again, I know I say this, but if I. If I saw her in the club, I go, hey, girl. And I probably wouldn't think much past that.

[Monet X Change]

Yeah, I think it's fine. This is. To me, this is a soft too. It's fine.

[Bob the Drag Queen]

It kind of looks like a coat you'd, like, buy in the real world.

[Monet X Change]

Oh, girl. I think that's what it is. I mean, she said it was lined with this and that and the other, but it looks like, bitch, I can get this coat at. Pretty girl, Rainbow would like to have a word with Anitra about this coat.

[Bob the Drag Queen]

Yeah, she does look good in red, though. She does look good in that color

[Monet X Change]

palette that pink and red is Sexy. Especially Valentine's Day Selena with her makeup.

[Bob the Drag Queen]

That little scar.

[Monet X Change]

I want to start doing that. See, now, you know, Shay does that. And, I mean, I didn't know Anitra. Maybe Anitra does a lot, but I know Shay for having the, like, bloop, bloops. But, you know, who knows?

[Bob the Drag Queen]

Lots of bloop, bloops. I love Selena's look. I think it's so cool.

[Monet X Change]

I love Selena's look. I love it. It's such a smart idea how she brought it in the middle and having all those little tchotchkes and all, like, the puffer thing. I think this is so well done. Selena looked great. Love, love, love, love, love this look on Selena.

[Bob the Drag Queen]

This is my favorite look. Selena's down on the Runway, actually, I would agree. And I love that each. I love that you can see the polyfill in each pocket. I love that she has a thing in each one. It's really a cool idea.

[Monet X Change]

And the one that says her lipstick, Selena, based on her pocket. I think it was very well done. Very good job.

[Bob the Drag Queen]

Not. I didn't like the. I don't like when people put stuff on a crotch as a joke. I don't know why. It's just not funny to me. I don't. I just don't think that's funny. I have cheetos on my pussy, okay? Like. Like, I remember I kind of got to a Derek on my season because Derek put a reef on her pussy. I was like. And I was like, that's not funny.

[Monet X Change]

I want to play devil's advocate. I think there is a way that that could be funny. I don't think Selena succeeded, but I. Bob loves to be like, I don't think that's ever funny. When I know if someone did it in a really funny way, Bob would find it funny. Like, again, I think there's something you could do, Bob, that I would find embarrassing.

[Bob the Drag Queen]

I know me better than you know me, bitch. What Bob would do. I know Bob would think this more than Bob does. Nigga. Know yourself.

[Monet X Change]

To thine own self be true. Let's go on to Marcia. It's fine.

[Bob the Drag Queen]

It's not fine. It's not fine. First of all, this literally looks like a diaper. This is a diaper. She's wearing a diaper. And. And the legs are, like. I don't know if the legs are actually filled themselves. They're, like, uneven. And. And I also wish. I wish she had just walked the Runway instead of doing this whole, like, cold character thing. I. I do not like this look. And I don't think it's fine.

[Monet X Change]

Yeah, it's not my favorite. I mean, and she keeps on doing this red thing, like for either her nose is bruised or she has sunburns. I'm like, bitch, put it on your face. Put like, do your makeup. Stop spending time making your body burn. Bitch, burn your face. Do like, do that. So, yeah, I do. I want to really, you know, give her a hand, a clap for trying a little harder.

[Bob the Drag Queen]

That's admirable. Should we get into the actual episode? I mean, the filming or the.

[Jacob (Producer/Moderator)]

What do you call it?

[Bob the Drag Queen]

The challenge?

[Monet X Change]

Yeah. What were those?

[Jacob (Producer/Moderator)]

Weird.

[Monet X Change]

I know they were trying to evoke some type of era TV, but I didn't find it to be funny. 90s sitcom, but 90s sitcom had the laughter. Applause. To make you like.

[Bob the Drag Queen]

Or like this had laughter too.

[Monet X Change]

Oh, I didn't hear it on my. Maybe I wasn't listening to. I mean, I watched the episode. I didn't like it. I did not like it. I didn't think it landed. They were intending it to.

[Bob the Drag Queen]

You know, I think, and I said this before, I think that Drag Race might be getting a little too self referential at this point. Like, it is. It is to the point where if you have not watched Drag Race for seasons, you will be like, what the fuck are they talking about? Yeah, like, aura was like what Aura was like, what is it goal? Like, like, if you have not been watching Drag Race for seasons, I think the oldest joke they went back to was back to season, I think 10. They might have had some even before that. I think they may have, you know, they even had some. There was some old references in here. So I think Drag Race might be a little too self referential these days in these challenges. And I wish they would just kind of just write things that are just funny just because they're funny. Even if you don't watch Drag Race.

[Monet X Change]

You know, I want to go back a little bit. In the runways when Mistress came out and she said a puffer coat on a big girl would be an absolute disaster. I fucking lost my shit. That is hilarious. He's like, I'm not gonna do that. I'm gonna do this anyway. I wanted to give my girl a little. Yeah, I agree. I think they are getting a little too self referential. And I think there is stake in referencing things outside of Drag Race. Right. Like, there's a lot of pop culture going on. Things that we all as a world view and we comment on. I agree. I think they can work in some more of that stuff. So my aunt that watches every 12 seasons can watch a show and still find things funny and, like, carry on with the show. I agree. I agree.

[Bob the Drag Queen]

In their defense, when you're there, you can't really make a current reference because whatever's current then is literally, by the time I watch, it is 10 months old. And there was also a point, but

[Monet X Change]

they used to do it before.

[Bob the Drag Queen]

There was a point during Drag Race UK where they were making jokes about the queen, and the queen had passed away after they had filmed it.

[Monet X Change]

But there are certain things, right? Like in season nine, we had a Kardashian the musical. And there are certain things, yes. They might not be as popular, but they are mainstays in pop culture that you can reference periodically to at least, you know, cut it up a little bit.

[Bob the Drag Queen]

Well, yeah, Drag Race does that with, like, Britney the Musical and stuff like that. Yeah, yeah. No, no. Britney was in the Kardashian musical.

[Jacob (Producer/Moderator)]

What?

[Monet X Change]

She Britney Spears.

[Bob the Drag Queen]

Britney. Which one was Britney in Pep? Perry played Britney.

[Monet X Change]

Pep played Britney?

[Bob the Drag Queen]

Yeah. Do you watch the show, Tamar?

[Monet X Change]

No. This was you talking.

[Bob the Drag Queen]

You're thinking.

[Monet X Change]

You think in Alaska when they all

[Bob the Drag Queen]

did the Britney Zipperman played Britney Spears.

[Monet X Change]

I don't remember this.

[Bob the Drag Queen]

During the rusical. Jacob, what was the rusical? Season nine.

[Monet X Change]

It was Kardashians. Rusical.

[Jacob (Producer/Moderator)]

It was the Kardashian.

[Bob the Drag Queen]

And pet played Britney.

[Monet X Change]

Why would Pep play Brittany and Kardashian the rusical?

[Bob the Drag Queen]

Because I think. I think that Kim Kardashian used to organize Britney's closet or something.

[Monet X Change]

Paris Hilton.

[Bob the Drag Queen]

Well, Paris was in it too.

[Jacob (Producer/Moderator)]

I'm looking. Give me one second.

[Bob the Drag Queen]

For some reason, Pepper Mo is Britney.

[Jacob (Producer/Moderator)]

Peppermint was Britney Spears.

[Bob the Drag Queen]

Yeah.

[Monet X Change]

Oh. Oh, no, no, Bob. That's All Stars 8.

[Bob the Drag Queen]

Oh, my God. No. Peppermint was Britney Spears on 9. I'm telling you, we're. We can't talk about this.

[Jacob (Producer/Moderator)]

We need to move on.

[Bob the Drag Queen]

Not. Jacob said Jacob's are. Jacob. Jacob. Jacob has a marsha bag today.

[Jacob (Producer/Moderator)]

Well, after. After re. After the reunion. We can't talk about All Stars 1 reunion.

[Monet X Change]

Jacob does her own reunion. The girls of seasons all star seven were just gonna hang out. There was no reunion.

[Jacob (Producer/Moderator)]

Oh, yes, after.

[Bob the Drag Queen]

I wish that Malaysia. When she spoke in tongues, she would have used some lyrics from Call me mother.

[Monet X Change]

Oh, that would have been a good one.

[Bob the Drag Queen]

I wish she would like Sha na na na na na ta da tat tat Nah, nah, nah. That'd have been goody giggity. How bad? Get back.

[Monet X Change]

I was thinking she could have said Some things like arriving a Honda, leaving Alexissa, like things like that. That could be like people would be able to pull in and argue.

[Bob the Drag Queen]

That's a little too Tyler Perry. I don't think Tyler Perry made it, but Tyler Perry, you know, Tyler Perry bought a Mazda, but. Yeah, I bought a Mazda, but I should have bought a Honda. I don't know if that is. I don't know if.

[Monet X Change]

No, I bet we used to say that back in when we used to go to when. When we. When none of us spoke tongues yet. Because we thought this. We thought that the spirit didn't get us yet. We would like say things like arrive at a Honda. Leave it, Alexa.

[Bob the Drag Queen]

So, you know, Tyler Perry was writing movies. I mean, musicals and plays way before you were Skip. Skip.

[Monet X Change]

Yeah, but they weren't popular like that.

[Bob the Drag Queen]

Yes, they were.

[Monet X Change]

Hold on, hold on. Yes, he was.

[Bob the Drag Queen]

Speak for yourself. You're in New York in. In Georgia. They were massive.

[Monet X Change]

Well, they weren't popular for us. This is. We. They were not. We are not popular for us. I'm not saying he would. He didn't start writing yet, but they were not popular.

[Bob the Drag Queen]

A little bit of Tyler Perry could sneak up to. Which it wasn't in the 1800s. I bet a little bit of Tyler Perry could have made its way up to New York City even. I bet.

[Monet X Change]

I would say. But they were not pop culture for us. In the church in New York City,

[Bob the Drag Queen]

at my church, discredit like the hardest, like the hardest working because of his

[Monet X Change]

misogynoir against black women. Honey, that's why.

[Bob the Drag Queen]

Yeah, I'm sure that's the reason why. I mean, actually I'm acting like I love Tyler. I have practically no talk about it.

[Monet X Change]

You heard it here first, Bob. Worship at the church of Tyler Perry.

[Bob the Drag Queen]

You know me, if there's one thing I love, it is religious based Christian movies.

[Monet X Change]

Well, Bob, I don't know. Since you work with Madonna, you've changed. You've changed.

[Bob the Drag Queen]

And you know what? And our Lord and savior like to have a word with you

[Monet X Change]

in the stars of the Challenge. I would say the stars were Malaysia, Mistress, and I also really, really, really enjoyed Lucy Laduca's part.

[Bob the Drag Queen]

Well, whose name. Whose name did you say first? Who's the first one you said?

[Monet X Change]

I said Malaysia, Mistress and Lucy.

[Bob the Drag Queen]

Yeah, exactly.

[Monet X Change]

But I do think Mistress was the best overall. But I did enjoy Malaysia's as well.

[Bob the Drag Queen]

I'm just being silly. No, Mistress did a good job. Malaysia did a great job. I also thought that. I genuinely thought that Marsha had a great moment with who Has Marsha teamed up with, for a second there,

[Monet X Change]

Selena?

[Bob the Drag Queen]

Yeah. Selena and Marcia had a great moment. Selena. I mean, Marcia was like, acting. I was like, Marcia could really be on. Marcia was really good in this. I genuinely thought that Marsha did a really good job. I was very impressed with how much mileage she got out of that little part. Anetra was really stayed quiet the whole time. And that Danny Trejo bit coming at the end was really funny.

[Monet X Change]

Did you. Okay. I didn't think it was that funny. Like, I like Danny Trejo. He's my favorite character for Spike is. But I thought it was. I was like, okay, okay.

[Bob the Drag Queen]

I thought it was funny. I think just the cultural reference to Danny Trejo walking through the door saying a bunch of Drag Race quotes over and over again to me is a very funny concept.

[Monet X Change]

No, I did not think so. I was like, okay, sure.

[Bob the Drag Queen]

Wow, you're banned from Trejo Donuts banned.

[Monet X Change]

I will say this to fucking. Lux's fucking Southern accent was despicable. It was. She was just doing Lux. Was just doing Lux. She's like, oh, my God. Yeah, because the girls, like, need to go down. I was like, lux, not even trying.

[Bob the Drag Queen]

I don't even. It didn't even register me that she was doing us with an accent. It literally never even registered that she was ever doing us with an accent. So, yeah, the way Luxx talks is so northeast. It's so northeast.

[Monet X Change]

It's like, okay. So when Naomi's on this podcast, I realized there's so much about Luxx that really reminds me of Naomi Smalls.

[Bob the Drag Queen]

Is it? Or is it? Or is it la? Well, I think I thought when I said that she was dark skinned Naomi. Y' all act like I was crazy, but now you're saying it.

[Monet X Change]

Now you're saying it well, because Naomi brought up points when she was here and like, Luxx. Luxx said that, like, Naomi Small is like, one of her favorite. Is her favorite Drag Race queen. Like, like.

[Bob the Drag Queen]

So Naomi has a lot of sons in this world, honey.

[Monet X Change]

She's bir.

[Bob the Drag Queen]

She's birthed a lot of these kids, honey, let there. Let me. The queens who I really think literally

[Monet X Change]

birthed a lot of Frozen.

[Bob the Drag Queen]

Am I FR for you, Jacob, you're back.

[Jacob (Producer/Moderator)]

You're back.

[Bob the Drag Queen]

The queens who I think have really birthed a lot of queens. Raven has birthed a lot of queens. Trixie has birthed a lot of queens. Naomi Smalls has birthed a lot of fucking queens.

[Monet X Change]

Who else?

[Bob the Drag Queen]

Those are the only three, the main three I can think of right now. Oh, Kennedy Davenport. But also, I don't know if Kennedy Davenport. I mean, obviously RuPaul. Yeah, sure, sure, sure, sure. But not Kennedy Davenport. No, I think that's like a lot of the way that she's performing that. The way that Chichi Devane used to worship at the altar of Kenny Davenport. So does Mistress Isabel Brooks, especially in the way they perform. A lot of the way they're performing is very reminiscent of the way that a lot of them are literally doing Kenny Davenport's exact, exact dance moves.

[Monet X Change]

Well, I will say I didn't, but a lot of that. I don't know how much I was chucking up to Kennedy. I'm not trying to invalid Kennedy, but I thought a lot of that was just like, how a lot of Southern dancing queens perform. You know what I mean? Especially going around. That's how a lot of them dance. I thought that was just like a Southern dancing thing.

[Bob the Drag Queen]

Specifically, a lot of her. The way that she learned to dance was from watching Kennedy Davenport video. Specifically from watching Kenny Davenport videos work.

[Monet X Change]

And that being said, the winner of this week's challenge is finally. Because she's been robbed a couple times, she should have about two wins under her belt, maybe three. But Mistress finally wins a challenge.

[Bob the Drag Queen]

Yeah, Mistress it might be. And I think she deserved to win the challenge. She did a really good job.

[Jacob (Producer/Moderator)]

Agreed.

[Monet X Change]

Handhold Runway was fabulous.

[Bob the Drag Queen]

If I would have given it a. If I was giving out high, say whatever the kid's doing, I would say second place for me would probably go to Malaysia.

[Monet X Change]

I would say that too. Her Runway was fabulous, and she did a great job initially.

[Bob the Drag Queen]

They worked really well together.

[Monet X Change]

They did, they did. They did. Honestly, I admire putting your bullshit aside and just getting the job done.

[Bob the Drag Queen]

Yeah, for sure.

[Monet X Change]

I do it weekly, twice a week on this in my life.

[Bob the Drag Queen]

Anyway, so I had that moment with Derrick Barry where Derrick Barry had to. Had to put our differences aside to. To come together and work as a team.

[Monet X Change]

Did you.

[Bob the Drag Queen]

Did you have any, like, rivalries during, like, during your season?

[Monet X Change]

Like, no, Bob. Everyone likes. I get along with everyone. No one has a. I'm not bad, but with anyone.

[Bob the Drag Queen]

That's not true. Do we need to run back all the scandals we have of. Of the queens? Who was the.

[Monet X Change]

Who was at the percent of all of them? Who was the reason?

[Bob the Drag Queen]

What is your point? Any of this? What's your part in any of this?

[Monet X Change]

No, no, I don't have to have a part in it. My part is you instigating all my fights.

[Bob the Drag Queen]

What's your part in any of this Bob, is like.

[Monet X Change]

Y' all ever see those viral videos of, like, people fighting? And, like, the big sister is the one. Is the one doing all the talking, and then the little sister has to fight. That's literally me. I'm the little sister. Like, no, no, I don't want to Bob.

[Bob the Drag Queen]

Like, yeah, yeah.

[Monet X Change]

And he gonna whoop your ass. I'd be like, no, no, I don't wanna fight. Yeah. You see me see my little sister, she go, take off your book bag. Take off your book bag. Tie your hair up. You fighting right now. That's me.

[Bob the Drag Queen]

What is your part? And it's all me. You have no Samuel.

[Monet X Change]

You just correct.

[Bob the Drag Queen]

Someone needs to learn about taking responsibility for their actions. But. So the bottom three are Spice, Jax, and Ms. Ora Mayori.

[Monet X Change]

Yeah. I would have put Aura. It could have been any. All three of them were terrible. But runways, I think Spice's Runway was better. Spice and Aura had some. To me, the same level, definitely Jax, for sure. But Spice or either of them could have been in the bottom. I'd have been like, sure.

[Bob the Drag Queen]

The only thing I didn't like about Jax's Runway was her hair. The rest of it, I liked. I just didn't like the hair. And I wish that Aura had a skirt on instead of the pants. You know what I mean?

[Monet X Change]

Yeah.

[Bob the Drag Queen]

But Spice, I do think Spice, runaway was just a solid look. I mean, a part of it is. It is a. It is a little. It's a little bit pedestrian. And when I say pedestrian, I don't mean, like, if I saw a person on the street wearing this, I'd be like, wow, you are really wearing a very intricate outfit. But for drag, it is a skoach pedestrian. For drag, when you put her next to. If you put Spice between Malaysia and Mistress, you'd be like, where's the drag? Look on the screen. Imagine putting Spice directly between Malaysia and Mistress, and you'd be like, this is a little bit pedestrian.

[Monet X Change]

Yeah, I would agree with that. But I also. Everyone, y' all know me, I like a pedestrian look. I wear pedestrian stuff very often. But you don't do it on the Runway.

[Bob the Drag Queen]

You don't. You don't do it on the Runway of RuPaul's Drag Race.

[Monet X Change]

True.

[Bob the Drag Queen]

That's time and a place.

[Monet X Change]

You know what I mean? Oh, my God. You'll be coming. Someone's mama. There's a time and a place for everything. Oh, my God.

[Bob the Drag Queen]

Anyway, so Spice is safe, and the bottom two are Jax and Or Mayori. And I always say, reserve my judgment. Before. Until I hear the song. What was the song again, Jacob?

[Monet X Change]

I definitely don't know.

[Bob the Drag Queen]

No, it was.

[Jacob (Producer/Moderator)]

Oh, it was. Oh, no, I do remember it was a sweetest pie.

[Bob the Drag Queen]

As soon as I heard Dula Peeps, I said, everyone say goodbye to or mayor Everyone. Everyone say good night, everyone. Yeah, say goodbye because Jax was eating down. Jax with Jax really a she. She really did go bananas on this.

[Monet X Change]

Yeah, I agree.

[Bob the Drag Queen]

I think that the. Or also it makes sense to why she took off her. Her kimono because it was so massive and she said it was like £40. But also like wait a little like at the top of the number. Like, y' all come on, like save something, build to something. And also the moment she took it off, she was just like. She was in the most underwhelming outfit

[Monet X Change]

you could be in.

[Bob the Drag Queen]

Like, the moment she took off the puffer quote. She was just in a pair of legs.

[Monet X Change]

Puffer quote, the puffer quote.

[Bob the Drag Queen]

Puffer quote, the puffer quote. I saw we.

[Monet X Change]

Yeah. And Jax was Molly Watho. Jax was doing. Jax has some very. Jax is obviously very acrobatic. We've seen from week one. And Jax has a very. She moves very swiftly. I do wonder, like, if she has to lip sync again. Have we seen everything? Is it going to be tied the next time we see a lip sync? I'm going to be like, girl.

[Bob the Drag Queen]

Well, you never know. You know, people. People think that Brooke Lynn Hytes is every time this is going to be kicks and splits. But if you go see Brooke Lynn Hytes on tour, she doesn't like, she does a ballot down. Same with Kenny Davenport. Kenny Davenport does a ballad.

[Monet X Change]

Dad, have you ever seen Can Kenny Davenport do The Gladys Night 11 minute number?

[Bob the Drag Queen]

Yeah, I have. It's really good.

[Monet X Change]

So good.

[Bob the Drag Queen]

On the Internet. I've never seen it in person, but I've seen it on the Internet. Internet though.

[1-800-Contacts Ad Voice]

Yeah.

[Monet X Change]

Yeah.

[Bob the Drag Queen]

So just because the girl bugs doesn't mean she can't, you know, park and bark.

[Jacob (Producer/Moderator)]

This is true.

[Bob the Drag Queen]

This is true.

[Monet X Change]

But Jack sends Ora Mayari home and Ora Mayari, she put out. She put out.

[Bob the Drag Queen]

I will say this. There are very, very few queens I know who, who do great parking barks who are young. Like, I don't know a whole lot of queens who do a fierce parking bark who are like in their 20s. Like, we just name like Brooke.

[Monet X Change]

Besides Monet,

[Bob the Drag Queen]

how old do you think you are? I want you to tell me you

[Monet X Change]

think Brooklyn Heights is in her 20s.

[Bob the Drag Queen]

No, no, I said I don't know a lot of queens who are in their 20s who do a great parking park.

[Monet X Change]

Then you said Brooklyn Heights.

[Bob the Drag Queen]

No, Monet. I'm saying I'm naming queens who aren't in their 20s. All the queens I named who do great parking parks, none of them are in their 20s.

[Monet X Change]

Well, I'm in my 30s. You want to give me some flowers?

[Bob the Drag Queen]

It's still listening comprehension for me.

[Monet X Change]

You want to give me some flowers?

[Bob the Drag Queen]

No. Cause you're not in your 20s. You don't fall into the category. Monet, it's not about you. This has nothing to do with you. Everything's not about you.

[Jacob (Producer/Moderator)]

Naomi Smalls can do a good park and bark.

[Bob the Drag Queen]

I've never seen Naomi do a park and bark, and I don't think I have.

[Monet X Change]

She did. I'll never love this way. That Arizona sky from. Spit it out.

[Bob the Drag Queen]

Shout from what I just said.

[Monet X Change]

Spit it out. Jacob. What's that movie with Jabab? Lady Gaga and Bradley Cooper? Oh, my God. A Star is Born. She does a great battle with that.

[Bob the Drag Queen]

It's really beautiful.

[Jacob (Producer/Moderator)]

Bob, have you seen Monet do any parking lot numbers before she turned 30?

[Bob the Drag Queen]

Yeah, yeah, I saw them. Yeah, I saw them. Should we.

[Monet X Change]

Should we keep moving? Should we move it on? Should we keep.

[Bob the Drag Queen]

Should we keep going?

[Monet X Change]

Such a. You are such a bitch.

[Bob the Drag Queen]

Do you have any other questions?

[Monet X Change]

You are such a.

[Bob the Drag Queen]

Monet does a great job. Well, you're not parking in the opera. You bark, but you don't park. You move around a little bit and you do a reveal.

[Monet X Change]

I do the little reveal. I do a little reveal. Someone posted your thing on Reddit and everyone said, do you think this is

[Bob the Drag Queen]

going to be a reveal? It's one of this massive coat. Everyone said. Do you guys think she's going to reveal?

[Monet X Change]

You know, one of my favorite tiktoks, what I did of you, Shanda and Eureka at the season two rear premiere. You have on our pink Dream Girls outfit. Eureka.

[Bob the Drag Queen]

I look good, though.

[Monet X Change]

You look great. You look beautiful.

[Bob the Drag Queen]

Well, I didn't. I. I didn't feel like changing up too much, so I just put something on top. But honestly, I look good. I. I need to wear that more often. I look good.

[Monet X Change]

No, you. You. That's hours. You wear it when we say you can wear it.

[Bob the Drag Queen]

Wear yours, you wears and I wear mine when I wear mine. No, you cannot.

[Monet X Change]

If I come out somewhere, what you going to do?

[Bob the Drag Queen]

I was somewhere and you saw me wearing it. You know what you did? You took a picture you posted on the Internet. You the hell up.

[Monet X Change]

I approved it. Cause I was There, I approved it.

[Bob the Drag Queen]

I shut my fat ass up. You sit down. I shut my fat ass up. You was there when I wore it. You didn't do nothing. And that's what you gonna do next time, too, so. Oh, yeah, I did see Aura's Aura. Did she release aquarium merch?

[Monet X Change]

Aquarium merch? What do you mean?

[Bob the Drag Queen]

Aura released a shirt that said, any hole is a goal.

[Jacob (Producer/Moderator)]

I thought it said any hole is a hole because that was the line she keeps on.

[Monet X Change]

Yeah, Any hole is a hole. Yeah. Yeah.

[Bob the Drag Queen]

Atlanta Public School. If you all want to see Ora Mayori's butt or Mayuri posted, let me. Let me see it.

[Monet X Change]

Huh?

[Bob the Drag Queen]

Or am I. Why does she not pop up? Oh, am I blocked?

[Monet X Change]

Shut up.

[Bob the Drag Queen]

No, I don't think

[Monet X Change]

she pops up for me.

[Bob the Drag Queen]

I'm not blocked. There's no way I'm blocked. No, she's here. Oh, it says, any hole is a hole. Oh, okay, that's funny.

[Monet X Change]

Yeah, and it's. It's a key merge.

[Bob the Drag Queen]

I. I'd buy that if y' all want to see Aura's butt. She posted the whole thing. Not the whole thing. Not the whole thing. The whole thing.

[Monet X Change]

I said. I said this from the beginning. Aura should have all the cringe queen stuff and it kiss my muscles or should have really leaned into that. I think Aura should have sold a Cringe Queen T shirt. Aura should sell eight by tens of her out of drag, kissing her muscles. Bitch. That's the stuff we want, baby. Lean into DragCon. LA is coming up. Lean into it, Aura. If you hear this, Aura Mayari, you need to make cringe queen merch and you need an 8 by 10 in black and white note shirt of you kissing your fucking muscle. And sell that shit at dragcon. I'll buy one.

[Bob the Drag Queen]

Money. Just tell her to make an only fan at this point. Jesus Christ. I'm just telling you a video of you getting your back blasted out. Hear me out. Listen, you're on a bed, holding your legs, ankles by your ears, getting fucking

[Monet X Change]

like, that's what we want. Or give us. I mean, give us a pin of just your bag, your bicep with like a kiss kiss on it. Like that's what we want.

[Bob the Drag Queen]

I always tell Monique, Money trying to. I think Monet's taking some advice herself here because Monet does thing where she. Monet wants to sometimes distance herself from certain things. And I'm always like, monet, do the hits. I'm like, monet, do the fucking hits. Like, when we did our tour, I was like, monet, we're just gonna come out of purse first and soak it up. Just do. Don't try to. Because there was something. When I was saying she didn't want to do sponges anymore, it was something recent. Monet was like, I don't want to do sponge. I don't do a sponge.

[Monet X Change]

It wasn't for our tourists or something else. It was.

[Bob the Drag Queen]

It was something. I don't remember what it was, but Monet was like, I don't want to do a sponge thing. I was like, monet, just do the hits. You can always do more stuff down the line. I was like, bitch. I remember when I. When I. When I. I saw. I didn't see her there, but there's. What's that? What is that? Cabaret space right next to Ellen Stardust Diner. It's called the Iridium. I think it's called the Iridium. It's here in New York City, and someone went to go see Jennifer Holiday there, and they're like, girl, 40 years later, she is still singing. And I'm telling you. And that's because when you go, if you went to go see a Jennifer fucking Holiday concert, how would you feel if she did not do. And I'm telling you, you. She did the whole show and she said, thank you, good night. And you didn't hear it. I'm telling you, I would be like, I want to hear. And I'm telling you,

[Monet X Change]

come back for them. The not Christmas show.

[Jacob (Producer/Moderator)]

Purse first. Your Trouble show.

[Monet X Change]

Yeah. Thank you, Jacob. Did you do purse first? So if I went to the Bob the Dragon Trouble show and I put my ticket thinking I would see Purse, I didn't see it. I want a refund. How about that? I love when Jacob. Jacob will come in and gather your black ass. Thank you, Jacob.

[Bob the Drag Queen]

First of all, I'm about to. To. I'm about to Malaysia, Baby doll Fox, all of you.

[Jacob (Producer/Moderator)]

You, you.

[Bob the Drag Queen]

And Lux Mistress, Men in Black and London. London. Lux Noir.

[Monet X Change]

Jacob. Jacob is. Jacob Will. Jacob will read the dolls.

[Bob the Drag Queen]

I just. I believe you got to do the hits, do the hits, do the hits, do the hits, do the hits. Ms. Mamas, do the hits. Also, thanks to everyone who came to the troubled show. We were turned up. And if you want to go, oh, also, over on my YouTube page, I'm releasing a video. Me and Ocean Kelly did a countdown of our favorite 10 verses in the history of Drag Race top 10 verses in the history of Drag Race.

[Monet X Change]

And Ocean Kelly produced most of the album with another person. So Ocean Kelly did. Ocean Kelly is great.

[Jacob (Producer/Moderator)]

Yeah.

[Bob the Drag Queen]

Ocean Kelly's phenomenal.

[Jacob (Producer/Moderator)]

Ocean Kelly.

[Bob the Drag Queen]

When I'm talking right now, Ocean Kelly. When it comes to this list, Ocean Kelly knows what the fuck he's talking about. Monet, what was next week's challenge? I can't remember. What was next week's challenge?

[Monet X Change]

I don't remember the Lollaparuza.

[Bob the Drag Queen]

Oh.

[Monet X Change]

I mean, this is fine. I want.

[Bob the Drag Queen]

Who's going home?

[Monet X Change]

Who's going home?

[Bob the Drag Queen]

I think it's gonna be everything nice.

[Monet X Change]

Spice. Oh, yeah. Spice can't lip sync against any of these girls. Spice is going home down.

[Bob the Drag Queen]

Imagine if the first one is like, Spice versus Anetra. Anitra's over here fucking. Fucking dipping, jumping, splitting, and Spice going

[Monet X Change]

home, going

[Bob the Drag Queen]

that shit. Maybe she's a little cringey. She's a little cringey, too. Rip hug.

[Monet X Change]

Yeah. Spice is absolutely going home for sure.

[Bob the Drag Queen]

Watch she wins. Watch she wins. And we're both looking crazy as hell.

[Monet X Change]

Bitch. They could put the Powerpuff girl theme song, and this bitch ain't winning. Sugar, Spice, and everything Nice. This is still not winning.

[Bob the Drag Queen]

That's not the pop of girl theme song.

[Monet X Change]

Yes, it is.

[Bob the Drag Queen]

No happen to fighting crime, trying to save the world.

[Monet X Change]

Oh, the Powerpuff girls.

[Bob the Drag Queen]

She is the joy and the laughter of Puddlecup. She is the strongest fighter. Something Powerpuff said that. But I do remember they're all in the. In the city of Townsville.

[Monet X Change]

Yeah.

[Bob the Drag Queen]

But then it goes into the song. I. I think. I think. No, I think the Powerpuff. That song we were singing is the closing credits, actually.

[Monet X Change]

Yeah. It starts with the professor making sugar, spice, and X. Everything nice. Yeah.

[Bob the Drag Queen]

Yeah. Different song beginning.

[Jacob (Producer/Moderator)]

Anyway.

[Bob the Drag Queen]

Well, I love you so much, and

[Monet X Change]

I'm happy you got in a good mood. I was nervous about today, y'.

[Bob the Drag Queen]

All.

[Monet X Change]

We started this podcast, and I was like, oh, well, how about that with

[Bob the Drag Queen]

you shutting the fuck up.

[Jacob (Producer/Moderator)]

We were sitting here.

[Monet X Change]

Bob was like, I can't get this to work. I was like, oh, God, here we go. But you put it together.

[Bob the Drag Queen]

I told you guys I was sleepy. And just because I just. Because I have a level of professionalism. So when the camera turns on, I'm not a curmudgeon like you were. But if y' all want to see Monet when she can't get her attitude together, go back and watch the Bob Ross challenge, and you'll see what it's

[Monet X Change]

like to work with someone who can't.

[Bob the Drag Queen]

Who can't flip the switch and make it work for camera. So, yeah, I was a little sleepy.

[Monet X Change]

I give our followers the realness. I don't give them this. The realness,

[Bob the Drag Queen]

the professionalism. So, yes, I was. I was. Yes, I was sleepy. It took me a second to wake up. I was not. I was not in a bad mood. I was just. I wasn't grumpy. I wasn't snapping. I was just sleepy and moving slowly. Do you mind? That's okay with you, right? You don't mind, do you?

[Monet X Change]

And do you want to. All the fans saying that Monet would have literally a landslide. That I will body you on a dick sucking contest. Body you.

[Bob the Drag Queen]

That's you, literally. Would you literally.

[Monet X Change]

Monet, read the comments, baby, on YouTube.

[Bob the Drag Queen]

And I don't care what the comments are saying. I don't care what the comments are saying. Monet, first of all, your toothy ass, it fixed itself.

[Monet X Change]

Because I'm fit. I'm at the end of my Invisalign scrapers.

[Bob the Drag Queen]

That's what we call you. Democrat dick scrapers. Okay, Monet, first of all, let me tell you right now, there is a way we could literally, we could resolve all this. I'm gonna put that right there. We could resolve all of this.

[Monet X Change]

So you sucking Andy's dick?

[Bob the Drag Queen]

No. And you're not sucking Jacob's dick. We gonna find a third party. We could have this resolved very easily. If you are a patron out there and you are attracted to both me and Monet, if you're one of our listeners and you're attracted to both, we will fly you out to la. We will put you in a nice hotel. Flew that. We're gonna give you three nights. The first one of us is gonna go. We're gonna give you a whole day as a palate cleanser. Actually, I'm gonna go first because once Monat scrapes all the skin off your dick, I don't want to go in second after you're all chopped and screwed, Honey. Monet, let's fly someone. We're gonna fly someone out. We're gonna. We're gonna officially get this whole thing done. We're gonna do a whole Patreon. A whole Patreon exclusive.

[Monet X Change]

I'm in a monogamous relationship. Exactly.

[Bob the Drag Queen]

Yeah, exactly.

[Monet X Change]

The only answer is you have to suck Andy's dick.

[Bob the Drag Queen]

You've had excuses. You've had excuses ever. That's not. How is it monogamous if I'm sucking stick?

[Monet X Change]

I'll let it. I'll let it fly.

[Bob the Drag Queen]

You've had excuses ever since you were single. I have told you time. Time. I've been Cyndi Lauper time after time. I'm stepping up to the plate, honey. Okay, you.

[Jacob (Producer/Moderator)]

You.

[Monet X Change]

You.

[Bob the Drag Queen]

You don't. You don't want any of this.

[Monet X Change]

Oh, my God. Okay, wait. So I'm going to. Anyway, we'll, we'll. We'll fit.

[Bob the Drag Queen]

We'll, we'll, we'll, we'll, we'll.

[Monet X Change]

We're not doing that.

[Bob the Drag Queen]

Yeah. Cause you don't wanna get dusted. Exactly. And then all your little monations, they're gonna have to acknowledge, honey. Once that person gets on and says unequivocally, without a shadow of a doubt, Bob the Drag Queen bodied that and Monet left me literally scraped and screwed.

[Monet X Change]

Bitch. Good.

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