The One About Arenas That Serve C*unt

Summary

Sibling Rivalry – "The One About Arenas That Serve C*unt"

Date: August 3, 2026
Hosts: Bob The Drag Queen & Monét X Change
Episode Theme: A hilariously chaotic journey through queer culture, abolishing straight men, sporting events, arena names, and the art of dragging each other through pop culture.

---

Main Theme & Purpose

In this episode, Bob and Monét blend sharp wit, unfiltered commentary, and sibling-esque banter as they dissect queer life, straight male culture, and pop culture phenomena (mostly from a Black queer lens). They spiral from joking about abolishing straight men to critiquing musical eras, recounting petty drama, and tumbling into tangents about movies, sports fanaticism, and even the marketing potential of drag-inspired makeup palettes.

---

Key Discussion Points & Insights

1. Banter & Multitasking Drag: Music, Memory, and Distraction

• The duo open with trademark playful chaos, often talking over and interrupting each other—debating the Wizard of Oz and All Stars (00:46), music from the aughts and disco, and cultural recall about anthems from Georgia to New York.
• Quote: "Aren't you gagged that I was able to talk and listen?" – Monét (01:26)
• They riff on aughts-era pop and disco, bringing up classics like “Vogue” and “Rapper’s Delight,” blending nostalgia with playful rivalry about who knows more (02:01–03:45).

2. Identity: Hats, Haircuts, and Bimonthly Confusion

• The "genderful" hat debate dovetails into a hair maintenance saga, including confusion over the definitions of "bi-weekly" and "bimonthly" (04:49–05:57).
• Quote: "Keeping up with them haircuts is a lot." – Bob (05:11)
• A petty (but affectionate) squabble over beliefs and facts, with Monét: "Why don't you believe when I just say stuff?" (06:01)

3. Kinks, Control, and Partnership Shades

• A thoroughly unserious Dom/Sub dynamic emerges as Bob jokingly withholds water from Monét until she can be “nice for 10 seconds” (09:44–11:02).
• Memorable Moment: "Oh God, it's getting kinky in here." – Monét [10:02]

4. Emotional Responsibility & Slapping Queens

• The duo debate whether others can “make” you feel things, leading to Bob’s jaw-dropping story about being slapped by Thorgy Thor while wearing his Drag Race crown (13:39–15:06).
• Quote: "I just walked off stage…The first person I see is Thorgy Thor. And she slapped me." – Bob (13:59)

5. Hot Take: Abolishing Straight Men, Kinks, and Testing for Gayness (15:08–19:02)

• In classic Sibling Rivalry style, Monét launches into an anti-straight-men fantasy world where girls, gays, and theys take over society, figuring out arbitrary “gay tests” at age 12.
• Memorable Exchange:
  • "So are we executing men on the 18th birthday, Gilead style?" – Bob
  • "No, before that. 12." – Monét (16:43–16:45)
• They riff on what would qualify as "the gay test" (17:14–17:41).

6. Unbreakable Bonds & Friendship Bits

• Bob tells the story of sending Monét a meme about being stuck together forever. Monét, at first, misinterprets it as mean—highlighting their comedic misunderstandings and the "slow Mo" bit (19:23–20:33).
• Quote: “I’m saying, you can’t not be my friend. You’re stuck with me.” – Bob (20:05)

7. Who’s Really European? Blackness & DNA

• Spirited banter about who’s secretly more European, including playful shade over DNA tests and Blackness (22:00–23:56).
• Quote: "Well, just because my skin is a little lighter does not make me European." – Monét (22:26)

8. Meeting Mayhem: Deadpan Sarcasm in Serious Situations

• The classic Monét/meeting confusion: is she serious or just doing a bit? Bob and the crew recount Monet’s habit of play-acting earnest disdain for certain Drag Race queens during scheduling (24:13–25:39).

9. Sports Fanaticism, Riots, And Why They're Truly Over Straights

• Recap of the chaos following the Knicks’ victory, blaming "straight culture" for sports riots and destruction in NYC (29:00–33:11).
• Quote: "This is straight culture. This is straight culture." – Bob (32:56)
• Bob also reveals almost getting attacked for wearing a rival team's hoodie in Chicago, blissfully unaware of sports rivalries (29:30–30:54).

10. Arena Names That Serve ‘C*nt’ (33:12–37:38)

• Hilarious rundown of America’s wildest sports arena sponsorships—The Smoothie King Center, Little Caesars Arena, KFC Yum Center—and which brands sound "cunt" or just ridiculous.
• Quote: "Should we sponsor an arena? The Sibling Rivalry Arena..." – Bob (37:18)

11. The Saga of the Presidential Makeup Palette

• Bob and Monét recount the concept and drama behind their failed drag makeup launch: 46 beige shades (for 46 white presidents) and 1 brown shade (for Obama), debating if Trump's should've been orange (39:19–44:47).
• They phone Kim Chi for a pro's opinion, who suggests (with characteristic logic) that all should’ve been “jet white” for maximum usability and cheekiness (43:57–44:43).
• Quote: "Well, she ate both of us up." – Bob (44:49)

12. Classic Movies: Blind Side, Magical Negroes, and Pop Culture Recaps

• The hosts recap and deconstruct classic films: “The Blind Side” (with its problematic white-savior narrative), "The Green Mile" (and Stephen King’s history of “magical negroes”), and run down what truly makes someone a "magical negro" in film (48:07–53:00).
• Bob admits she's never seen "Forrest Gump" and, at Monet’s urging, reconstructs the plot as best as possible, leading to a step-by-step jointly narrated (but often inaccurate) retelling (54:13–62:04).
• Quote: "Forrest is this, like, very, like, mediocre, average dude. He's not very smart, and that's my perception of him." – Bob (55:24)

13. Personal Recommendations

• At episode's end, both hosts recommend must-watch films:
  • Monét: The Color Purple (the original, not the remake) [63:22]
  • Bob: The Notebook [63:19]

---

Notable Quotes & Memorable Moments

• Monét (re: riots after Knicks win, 32:56): "This is straight culture. This is straight culture."
• Bob (on enduring friendship, 20:05): "You can’t not be my friend. You’re stuck with me."
• Monét (on sports, 29:05): "I'm happy that New York won... but, like, I don’t—"
• Kim Chi (on presidential palette, 44:29): "For, like, a fun piece like that, it would have been, like, white, white, white, white, white, like, set white. And then...a fun, cheeky project."
• Monét (on magical negroes, 52:04): "This is like. There's lots of magical Negroes. This Negro is genuinely magical."

---

Timestamps for Key Segments

• 00:46–02:01: Wizard of Oz/Technicolor All Stars, music era debate
• 09:44–11:02: Dom/Sub “be nice for water” challenge, kink jokes
• 13:39–15:06: Bob tells Thorgy Thor slapping story
• 15:08–19:02: “Abolish straight men” tangent, the gay test
• 19:23–20:33: The forever friendship slow-mo bit
• 22:00–23:56: DNA Blackness and “who’s really European” bit
• 29:00–33:11: Knicks chaos, sports riots, “straight culture”
• 33:12–37:38: Arena names that serve “c*nt” discussion
• 39:19–44:47: The Presidential Palette saga and Kim Chi call-in
• 48:07–53:00: The Blind Side, Green Mile, the “magical negro” trope
• 54:13–62:04: Forrest Gump recapped (and misremembered)
• 63:19–63:30: Favorite movie recommendations

---

Tone & Style

The episode is marked by razor-sharp wit, teasing shade, pop-culture references, and tender yet chaotic love between Bob and Monét. Listeners get a front-row seat to genuinely queer, Black comedic excellence and insight—anchored by inside jokes, riotous digressions, and candid cultural observations.

---

In sum:
If you missed this episode, you missed Bob and Monét at their best—tackling straight-man mayhem, turning arena naming rights into a read-off, and reminding us all to watch The Color Purple, with plenty of shade, karaoke, and sparkly drag wisdom along the way.

Transcript

[A]

My name is bob the drag queen,

[B]

and I'm monet x change.

[A]

And this is simply rivalry.

[B]

On this week's episode, we talk about abolishing straight men.

[A]

We decide what age should a straight man be executed. And we found out what made Monet say this.

[B]

Oh, God, it's getting kinky in here. And we find out what made Bob say this.

[A]

I'm in partnership with the Heritage Foundation.

[B]

Okay. So we did.

[A]

Did, did it. Okay. I was.

[B]

I was saying a thought, and you interrupted me.

[A]

I was saying of thought, too. Is it less than a.

[B]

So I think that when we do

[A]

the Clash, I think that we should

[B]

be like, kind of like All Stars, or like. It should. Like, which one is it? But the Clash should bring us into Cola. Like Technicola. Like Dorothy. It was the laws.

[A]

So you answered my thing, and I'll answer yours.

[B]

Okay.

[A]

You. Yeah. Wizard of Oz.

[B]

That wasn't the question. So you weren't listening. You weren't listening.

[A]

Yes, I can answer mine. It's dun, dun, dun, dun, dun, dun, dun.

[B]

Let's go, girls. You don't listen.

[A]

No, I wasn't listening. I was talking. But I think wizard of Oz. Yes. Clap. Technicolor All Stars. Wizard of Oz. I like that idea. It's a good idea. We should do that.

[B]

Aren't you gagged that I was able to talk and listen?

[A]

No, because you've heard me say this before. I don't think you were actually listening. I think you've heard me say what I've said before. Okay. On God. God.

[B]

Dead ass. I have never, ever. You say this all the time. You talk about this all the time.

[A]

I think I said it at least once, though.

[B]

And I was there for it. I just happened to be there for it.

[A]

You're always around. You're in my heart. You're where I go. Cause you're everywhere to me.

[B]

You know who sings that song?

[A]

Fiona Apple.

[B]

No. Vanessa Carlton.

[A]

Vanessa Carlton. She did a little. No, that's making my Way down.

[B]

The same person. Yeah.

[A]

Honestly, that was.

[C]

That.

[B]

That's like early aughts. Early aughts. Music was. I mean, I guess every era feels that way, right? Disc. I love a lot of disco songs. The only era I'm not like, oh, my God. The music of that time. The only era from the 50s up would have to be. See if you can guess.

[A]

Disco.

[C]

Oh, you like this?

[B]

No, I love disco.

[A]

Ragtime. No, Ragtime's twenties.

[C]

I like.

[B]

No, that's the twenties. Yeah.

[A]

You don't like. Like the. Like the hippie Dippy stuff.

[C]

Like the.

[A]

Like the Mamas and the Papas.

[B]

I love that. I don't know what is process of elimination.

[A]

I've tried a few rock and roll 80s. I want to get like 80s rock.

[B]

80s, like just general, like 80s rock.

[A]

What about Vogue?

[B]

Vogue is like more like. I mean, it's more like early 90s late. It's kind of in the middle of there, so I would count that. What about like on one of the cruises? Well, when I did the one in

[A]

Cancun, Vogue's technically 89.

[C]

Yeah.

[B]

So it's like 99. When I did the Atlantis, the Club Atlantis, when I worked that one and they did have an 80s club night. Like, one of the nights was 80s and it was a little fun. But I wasn't like, if it was a Disco 7, I would've bought it.

[A]

Like hip hop a hibbit a hibbit to the hip hip hop. You don't stop a rocket to the bang bang boogie. Said up jumps the boogie to the

[B]

rhythm of the boogie to be. When that song went at family reunions or family parties, my aunts, they take a whole hour and they play that. The other one, the jam master, the long one.

[A]

I was walking to the store and I saw a dog. The dog was sitting down and talking to a frog sat on a log. He said, oh, my God. Next thing I knew, I was walking the dog. And now, next thing you know, I'm McLeod sitting around down.

[B]

No Rapper's Delight. Do you know Rapper's Delight?

[A]

I think Rapper's Light is hip hop.

[B]

Hip is it?

[A]

Yeah.

[B]

Okay. Yeah. They.

[A]

Girl, they said a flubber to the double.

[C]

Dude.

[B]

The party will be going. Everyone's having a good time. We listen to Ahsoka.

[D]

We are.

[B]

We're drinking our water. We're minding our business, doing our thing. And they will stop the thing.

[A]

And they do two things. Can I get a red boy?

[B]

They do two things. Day one, they stop these to play the. They do a thing where they listen to the St. Lucia national anthem. They play the national anthem years ago. Sons and Daughters of St. Lucia, we're the land that gave us birth. Land of beauty, hills and valleys, fairest islands.

[A]

You can't throw a soda cake.

[B]

Taylor of the earth. And we got room temperature.

[A]

Taylor's been trying to do the same where he avoids the camera. And I'm fighting because Taylor's always trying

[B]

to get his booty in the camera.

[A]

Always back shots, girl.

[B]

Do you know the Georgian? Does each state have an anthem?

[A]

No, I don't Think Georgia. But Georgia has an official song.

[B]

And which is what again?

[A]

Georgia. Georgia.

[B]

Are you, like, sure that you just

[A]

think so the whole day three was Ray Charles.

[B]

I know.

[A]

Oh, I did. Mine is on vibrate. That's crazy. That's crazy. After all we've been through.

[B]

What does this hat say?

[A]

Genderful.

[B]

No, it doesn't.

[A]

Yeah, of course.

[C]

Am I.

[B]

Am I bugging?

[A]

It says genderful.

[B]

No, it is not. You're doing a thing.

[A]

I'm not taking it off because my hair looks crazy, but I know it says genderful.

[B]

You know it doesn't say genderful. He's right. But he's doing a bit.

[A]

Oh, I have one that says genderful. Oh, I grabbed one. I just grabbed this off the floor.

[B]

So now you're seeing. Now that. Now that you got a little. A little sprinkle, Sprinkle chia pet on her head. She was like, keeping up with them haircuts is a lot.

[C]

Yeah.

[A]

I do not have a haircut. My hair looks absolutely crazy right now. So I am wearing a hat.

[B]

Okay.

[A]

I'm wearing a hat.

[B]

When you had hair before. Before. This is part two of you having hair.

[A]

Yeah.

[B]

Did you. Were you a weekly haircut kind of girl?

[A]

Twice a week. No, once.

[B]

Twice a week.

[A]

Bi weekly. Every Once every two weeks. I don't like that. Bi weekly means twice a week and once every two weeks. Yes, it does. Bi. Monthly means once. Bi monthly means twice a month and once every other month. And I don't like that.

[B]

No. Bimonthly means bi. Monthly means every two months.

[A]

It is not bi. Monthly means. Yes, it does. But by monthly means twice a month, and it means multiple meanings. Yes.

[B]

Oh, really?

[A]

I know.

[B]

I thought that the thing. Like the.

[A]

Why don't you believe when I just say stuff?

[B]

Because, Bob, there have been times you said something on this podcast and you're blatantly wrong.

[A]

And you, too.

[B]

Exactly.

[A]

Like now.

[B]

I'm not saying.

[A]

I'm not. Don't ever grab my. I'll slap that fucking protein water out of your hands and you'll go down to bitch, please. Slap it.

[B]

Slap it. This is your studio space. I don't give a fuck, bitch. Throw it on the ceiling.

[A]

Throw it on your little equipment. I don't give a fuck, bitch. I don't care. Slap it all over your cute little pants. Okay. And I have another outfit in my bag, honey. And your little Gucci loafers.

[B]

These are not Gucci loafers.

[A]

Whatever the fuck they are.

[B]

They're Gucci loafers.

[A]

Gucci loafers. What were you Asking me?

[B]

I don't know. Cause you derailed my thought process.

[A]

You tried to slap my rebel out of my hand.

[B]

I did not try. I touched it. Touch it.

[A]

Did I go like this? That's what I felt. That's what I felt.

[B]

Feelings aren't facts.

[A]

What's the New York anthem?

[B]

Well, it is two right now, if you ask everybody. It's the New York Empire State of Mind by Alicia Keys and Jay Z.

[A]

I think Alicia Keys wrote par. State of Mind, then Jay Z did the remix. No, I think there's a version without Jay Z. I don't.

[B]

There probably is, but I think the song originally came out as the rap.

[A]

It was originally Alicia Keys, and then they did a version with Jay Z. Yeah.

[B]

Is it.

[A]

Damn, I'm. I'm on fire this week.

[B]

Jk, you look. I don't trust you either.

[A]

My goodness.

[B]

I don't trust you either. And you're from.

[A]

And this is. These are your New York buddies.

[B]

Jacob. Who am I new. Oh, Jacob's not. Jacob's from New Jersey.

[D]

New Jersey. I was wrong. I'm so sorry. I'm so sorry. Monet. You were right. I was wrong. Team Empire State of Mind is a song recorded. This is Wikipedia. Empire State of Mind is a song recorded by American rapper Jay Z and American singer songwriter Alicia Keys from the former's 11th studio album, the Blueprint 3.

[A]

But that doesn't. But that doesn't say. But also. Which one came first? Alicia Keys.

[B]

Here she goes.

[A]

New York song. Here she goes. What I'm saying. Because my part might still be true.

[B]

This is so. This is so about the drag queen.

[A]

We're about to find out that what I'm saying is true. Trying to find a way that has no Jay Z. And that is the original version out of a fucking rock. What? My. I think my answer is right.

[D]

No, I mean, I'm looking through the Wikipedia and it. I mean, I'll keep. I'll let you know, but I really.

[B]

Can you just concede? Hillary. Hillary concede.

[A]

First of all, Hillary did concede.

[B]

Trump concede.

[A]

So you don't even know nothing. Two me, one, you. Two for me, one for you.

[B]

Trump concede. You did not win his election.

[A]

Which version of Empire State mind came up first? The one with Jay Z. The one without Jay Z. Girl Vampire State.

[B]

Can you just concede?

[A]

Trump, you concede first. Say you were wrong.

[D]

She recorded a sequel version that was a solo after the original song came out.

[A]

I'll concede now.

[B]

Good.

[A]

Now I'll concede now.

[B]

You concede can we have a switchboard? I want a thing. And I want a thing that goes for us. It goes so good, so good.

[A]

Just as soon as Saint Lucia I have my win. So concede now.

[B]

No.

[A]

So you won't concede that I was right and you were wrong?

[B]

About what?

[A]

You don't remember this whole conversation we

[B]

just had earlier and I said you were right when you did say it again. No, I said it once.

[A]

Concede. I don't think you did.

[B]

I did say it.

[A]

I didn't hear it.

[B]

Jay, please loop it now. Jay won't do it. Cause he never does. But Jay, please loop me telling saying to Bob.

[A]

Or loop her not saying it.

[B]

Whichever one. But I'm definitely saying you were right. You wanna taste it?

[A]

Empty.

[B]

Why didn't you drink that so fast? That's 12 fluid ounces. I know.

[A]

If the hole wasn't so small, I'd drink it faster.

[B]

You could get. You know they make cans with bigger hole openings?

[A]

Not Red Bull.

[B]

Yeah, they do.

[C]

Once.

[B]

That's the thing now.

[A]

Now we gotta start our next thing. Let's see who's ready.

[B]

Can I have my water, please?

[A]

When you. I feel like you've earned it.

[B]

What is wrong with you?

[A]

When I feel like you've earned a sip of water, I'll give you a sip of water.

[B]

What is wrong with you?

[A]

This.

[B]

What kind of dom sub kink? I'm not one of your partners. I'm not into that.

[A]

We don't do dom sub kinks.

[B]

You don't?

[A]

No. Would you. Would Jacob and I do or Tao and I do? Dumps up kings?

[B]

I mean like when you have to tell them when to eat everything?

[A]

I've done that in relationship before. I don't think they would do it now. And I would say you can earn a sip of water, but just being nice to me for like a solid 10 seconds. If you can be nice to me for 10 seconds, I'll give you. I give you. I'll give you some protein. Oh, God. It's getting kinky in here. And we're up to five seconds already. So you're off. You're off to a good start. Now don't. Don't miss. Mess it up. You just.

[B]

You just got five minute, Jacob, with five minutes said five seconds.

[D]

It's a. It's a timer that's going down because it might reset.

[A]

Now. When you're mean to Jacob, you're mean to me. So now we're back. Now we're back at 10 seconds again.

[B]

Oh, now Jacob is is an extension of you.

[A]

There are times when Jacob is. Yes, for sure.

[B]

Oh, wow.

[A]

And do you acknowledge that that is probably can sometime be a healthy thing to view your partner and yourself as a unity?

[B]

I can acknowledge that. If that works for you and your couple, that's great for you. For some people, it doesn't. If it does work for y', all, I'm so happy for you.

[A]

Can you be nice these last three seconds?

[B]

You cuss.

[A]

See, you were so close, Monae. Okay, we're starting the time over again. You just have to be nice for 10 seconds to me. That's all I'm asking of you.

[B]

You know, there's a few. A few days ago, you said, you come in here and you're all calm, and I come in here and I get.

[A]

Monet.

[B]

I get nasty.

[A]

That was not nice. You were just. Okay, this is your last opportunity. Just be nice to me in 10 seconds, starting now. You want to give me a compliment?

[B]

I love that.

[A]

Be nice.

[B]

I love that. You are so. You made the dress in there. It looks very nice.

[A]

Thank you. I worked. I've been working very, very hard.

[B]

I was on phone with you, and. It's been 10 seconds.

[A]

You knew. You're watching the clock too hard. It'll be 10 seconds when it's. We're three seconds away. You're almost there. Monet, don't.

[D]

No. You started 10 seconds when it was at 4.

[B]

Thank you.

[D]

It's been almost 30 seconds.

[A]

Can I have a sip?

[B]

You don't like it?

[A]

You don't know. I never tried it.

[B]

You do. I thought you tried it on air.

[A]

No, I tried. I tried your little. Your little chicken.

[B]

Chicken Chicken chips. I remember. I'll open that in here. It would make the whole.

[A]

Fumigate the room.

[D]

How does it taste?

[B]

It doesn't taste like Ghizo Extra. It just tastes like juice.

[A]

No, it does not taste. This does not taste like juice.

[B]

It tastes like crystalite.

[A]

This tastes like. It tastes like a. It tastes like a sugar substitute, but like a. It looks like. It tastes like a sugar substitute, but not like a good one. It doesn't taste like crystal light or like the Kool Aid splashers. It tastes like someone trying to be healthy, but with flavor to me.

[B]

Well, anyway, I was gonna say something to you now you. Maybe we talked three things.

[A]

I don't have that kind of power.

[B]

When we defer. When we first came from. Not when we first. Maybe like a little after we became friends. You probably do this whole thing. I would like. You made me feel like he's like. He's like, monet, I didn't make you do anything. He's like.

[D]

He's like.

[B]

You'd say, I'm not a witch. I'm not a witch.

[A]

I'm not a witch. I don't have the power to make you feel anything. It's important that you take responsibility. Well, it's important that you take responsibility for your own.

[B]

But you have to acknowledge that people can do things to put you in a bad mood or make you feel a certain way.

[A]

I think people can do things that can influence your mood, but it does not put you in the mood. That's how I feel about my. That's. That's me. People do things, and it can. It can. It has the power to influence your mood. But it. But ultimately I put myself in that mood. Ultimately, my mood is dependent on me and how I express things.

[B]

So if I walk into this room today, you. And. But first thing before you greet me, you slap me.

[A]

See, that's.

[B]

You made me angry.

[A]

Well, I've never slapped you.

[B]

I'm just. I'm not saying. I'm just saying if I walk into this room and I say, hey, Bob, and instead of greeting me, you slap me, bitch. You made me angry. I didn't make myself angry.

[A]

See, I guess I view it differently. I would.

[E]

You think.

[B]

You think I. You think I did the action and

[A]

I get to dictate what happens, and you slapped me. I get to dictate, like. Cause that did happen to me.

[B]

Who slapped me?

[A]

I wonder. Paul's Drag Race. And Thorgy slapped me. That actually happened to me.

[B]

Like, how hard this is my hand across my face.

[A]

I'm holding my check. My crown.

[B]

This is at stage 48.

[A]

Yep. My crown is balanced on my head. I'm holding a scepter and a gigantic check. I have been crying. I just walked off stage. The first person I see is Thorgy Thor. And she slapped me. I said, I just walked over, and I was like, oh, my God. On a scale of 1 to 10, how drunk was she? I would say she was probably like a 8.5.

[B]

And on a scale, just for the

[A]

audio scenarios, 10 being like, you can't stand up. She was like, a seven. Seven.

[B]

Okay. And then she could drive, though. But on a scale of 1 to 10, how hard was it for the audio listeners?

[A]

It was. It didn't hurt. It stung, but it didn't. The feeling wasn't more than a couple of seconds. I was shocked by it.

[B]

And what did you say in the moment?

[D]

I Don't think.

[A]

I mean, it was like 10 years ago, so I don't really remember, but I remember I didn't spend a lot of time on it. And I was annoyed that she did that. And I just wanted to keep on going on with my night and having fun. So I just kept navigating. I just. I was like, why'd you do that? Or something like that. Or I probably just said, you just slapped me. And then I just went about my business.

[B]

Got it.

[A]

And she was, like, smiling.

[C]

Like.

[A]

I think she thought she was being cute.

[B]

Right? Yeah. Hot take. Not even a hot take. We need to abolish straight people. Straight men.

[A]

I'm listening.

[B]

Abolish straight men.

[A]

They are just so you have my attention.

[B]

So the Knicks won the thing. I got any uncles? I do have uncles. Abolish them.

[A]

They're not gonna last this.

[B]

No, imagine. Imagine how much peace, love and harmony the world would have if the girls, gays and Days were all here together. The gays and they's. And some of the girls. We can give other people who can bear children. We have sperm banks who will be free. They can go in there and get the sperm whenever they need. And we'll all just be so happy. We can give them supply toys and.

[A]

But where are the straight girls gonna find their love? They're, like, romantic with other women, which

[B]

would be better than straight girls. Do straight girls get with women?

[A]

I saw a video recently of this guy, and he was like, if all the men were gone, who will protect the women? And she said, protect us from who? Right, Exactly. He was like,

[B]

they'll need no protecting. They're awful. Like, I. I just do not understand what in the world propellers you got.

[D]

Sorry, you were talking about the Knicks game?

[B]

Yes, this game. Like, what in the world propels you after your team, win or lose? But you won. Why are you burning the city down?

[A]

So Jenny Jefferson says they're not gonna make it.

[B]

Janet, Dan is not. Well, Dan is. He's on the spectrum.

[A]

Well, okay, so your brother's not gonna make it.

[B]

Sean is not gonna make it.

[A]

Damn. Are we. So are we abolishing? Are we executing men on the 18th birthday, Gilead style?

[B]

No, before that. 12.

[A]

Gilead.

[B]

12.

[A]

What is a Gilead?

[B]

Oh, Gilead.

[A]

It's the Handmaid's Tale.

[B]

The Handmaid's Tale.

[A]

What is that?

[D]

The Handmaid's Tale. It's the dystopian future where.

[C]

No.

[A]

What's the Gilead, though?

[B]

The Gilead is the country that it takes place with. What America becomes Yeah, I thought it

[A]

was a weapon or like some execution thing.

[B]

No, but take them to the Gilead. But the execute people like.

[A]

So we allow boys up until 18, 12. 12 in your. In the world that you're creating too.

[B]

Oh, yeah, because you know you gay by 12. Like the latest so on you by 7.

[A]

And do we do a test? Like, do we do. Okay, walk from here to there. And then we say, who's your favorite artist? And then we say hold your hands out. And then we play an episode of Drag Race. And play. And play an episode of NBA and see which one. And see which one.

[B]

One gives him a boner.

[A]

Yeah. And then. So what is the gay test?

[B]

I think it's a diva test. I think it's.

[A]

You gotta walk.

[B]

And we're monitoring your social media to see who you're looking at on social media.

[A]

So everyone has to have social media.

[B]

Yeah, everyone has to have social media.

[A]

Got it.

[B]

But you don't know what's being monitored. It's like. It's like a little surprise test. We get you into the room and then we pull this.

[A]

We don't know our social media is being monitored. You kick in. That's what's happening right the fuck now.

[B]

We pull you into a room, we see who you're talk if you are. If you were. If you are checking out Scott Disick and. And exactly. You wouldn't know you're gay.

[A]

Be like. So if we. I noticed you're not following Bretman Rock. I noticed you're not following Bretman Rock. You want to tell us why?

[B]

No Charlie xcx. Like, we need to know. You know what I mean?

[A]

Would you smash Brett Rock?

[B]

He's hot.

[D]

Very hot.

[C]

Yeah.

[A]

Very attractive.

[B]

Yeah.

[A]

And there was a.

[B]

You know what? I don't really. I don't always fill in my top bag, but I would top the.

[A]

Out of Bretman Rock into the mattress. Yeah, through the mattress.

[B]

Yeah, that'll be a good one. But back to you told me you're

[A]

morphing into a side.

[B]

I've always been a side. But you're always gonna side.

[A]

You're going back to your. You're going back to your roots.

[B]

Yeah, I'm going back to my roots. Season single is gonna curl your hat. Season 8. Season Single.

[A]

Season single. Oh, because. Yeah, yeah, yeah, yeah. Can I.

[D]

That episode with Ayana's already been out.

[A]

Can we talk about.

[B]

Okay.

[C]

What?

[A]

I. I don't know what that means. You know what I'm talking about.

[D]

We.

[B]

But like, you mean like.

[A]

Like, I don't know what. So I. Well, I sent you some Instagrams the other day. Yes, I sent two Instagrams the other day. One was about this thing I want to know if I can talk about with your permission. And the other one's about our friendship.

[B]

Oh, let's talk about the first one.

[A]

Okay. I'm sorry, Mo.

[B]

I love you.

[A]

But, like, it was.

[B]

I will admit it was a slow mo moment.

[A]

But also, I had a lot going

[B]

on when he sent it to me. I was like, I was in New York. I was on the subway. I lost service. So I came back into the video. Like, it was a lot going on.

[A]

So I sent Monet this sweet, very sweet video that y' all just saw. And Monet sent me a, like, DM back, and it was like, why would you send that? That's mean. With, like, a crying emoji. And I was like, what? Oh, Mane's doing a bit, but she was dead ass. She was like, you're telling me if I want to. If I don't want to be your friend, I can just leave and get in my car and drive away. And I was like, did you see the door? For those who are listening, it's like, if you're my friend, here's the door, and there's a door, but the whole door is bricked over. You can't. There's no door there. And it's like, get in this car and drive away. And the car is crumbled. It's like. It's like you've been smushed down. And Monet was like, this is so mean. I was like, monet, I'm saying, you can't not be my friend. You're stuck with me. And she's like, oh, I guess that is slow mo.

[B]

It was a little bit of a slow mo.

[A]

Can I say slow Mo is one of my best bits I've ever done?

[B]

It's mean.

[A]

Slow Mo is great. Oh, slow Mo.

[B]

It's mean. Oh, that makes you laugh more.

[A]

Oh, slow Mo. Wow. I don't. Because I don't believe you. I think I can tell what your feelings are. I can tell when I've hurt your feelings before. And I don't think this is actually one of the times Kimone does his thing, by the way. And me and Jacob were talking about this recently where you. You act like you're being serious, but you do it in really serious situations. And I know you're not being serious, but everyone doesn't know you like that, and it makes it really awkward.

[B]

I don't even know what the word serious was said so many times. I don't really know.

[A]

So, like.

[B]

Yeah, give me an example.

[A]

So we were.

[B]

Drink.

[A]

I don't have it.

[B]

Oh, you took it so long ago, I forgot.

[A]

Just finish it. Who drinks this slow?

[B]

All of us.

[A]

Finish your drink, bro. You've been sipping on 2 ounces of liquid for nine minutes. How long have we been podcasting, Kane? 20 minutes. 20 minutes.

[B]

It was full.

[A]

It was not full. It was. No, because I saw it between your thighs, and it was. The liquid was below your thighs, and it's nasty. That's why you're drinking it that slowly.

[B]

No, guys, let's just pace it out.

[A]

I don't understand people who drink that slow. This is crazy. Bob, first of all, why is it freezing cold? And why are you drinking it so slowly? That wasn't cold. But why. Why, like, why is your drink freezing cold?

[B]

I like cold. I like ice. So you see, you don't want to. Fucking European bitches. You know Europe. They don't believe in ice.

[A]

I'm not European.

[B]

But you. You drink like a European because they don't believe in ice in the family. Because y' all is European.

[A]

We are not.

[B]

I think y' all are from the European.

[A]

I bet you got a lot more European in your bloodline than I do.

[B]

I don't think so.

[A]

100%. I have. I have, like. No. My family. I did my. My thing back when it was. Back before it was 23 and back when it was like, myheritage or something. You remember what it was like? Like heritage.com. whatever. The heritage Foundation. Yes.

[C]

Jesus Christ.

[A]

I'm in partnership with the Heritage Foundation. Shout out to the Heritage Foundation. And it was like, you are like. It was. It was all. It was like that. You're just. It was like, you are just African.

[B]

Well, just because my skin is a little lighter, yours does not make me European.

[A]

Have European in your system.

[B]

I don't. I don't.

[A]

100.

[B]

I'm telling you, I don't.

[A]

There is no way you are. Are 100 African.

[B]

You know, people from Cameroon look just

[A]

like this, and a lot of them have a little bit of European in them, too. People from Africa also have European. Do you think that because you're born in Africa.

[B]

So. So. So by. By that logic, you have a lot of European. You, too?

[A]

No, I don't. I did the test. But. But. Okay. Because I have the results. Okay, but you've not done. That's that.

[B]

So many Back so many generations. They don't get your Europeanness.

[A]

No, you have it in you.

[B]

N, please.

[A]

And also you say nigga. Funny I probably told you this.

[B]

That's because I have an accent.

[A]

No, it's because you didn't grow up saying it. You started saying it, like, in, like, eighth grade or something.

[B]

No, I was in sixth grade.

[A]

And also, you Miss Hannah.

[B]

Since the womb.

[A]

I've been saying it my whole life. Like, as long as I've been talking, I've been saying nigga.

[B]

So at three years old, you were popping niggas out?

[A]

Probably. I mean, I don't remember what I was doing at three. But you also don't have parents to say the N word. Jackie don't say the N word.

[B]

But she does not say that.

[A]

I know she don't. Like she would say it.

[B]

She does not.

[A]

She probably thinks it's miserable.

[B]

That's a call. I haven't spoken to her.

[A]

But I grew. I just. My parents. Both my parents said my dad doesn't. Does my dad sing? Yeah, my dad says it, but not that much.

[B]

But, like, at 3, 4 years old, you were. You're. You're probably aware.

[A]

Probably. I don't remember what I was saying when I was 3 or 4. But at 5. I do remember saying it at 5.

[B]

Easily gaggy. We were talking about something else. We got so, so destructive.

[A]

You're you, but you're European.

[B]

You're European.

[D]

The friendship Instagram video essential.

[B]

Oh, yeah.

[A]

And then I. Can I talk with the other one?

[B]

No.

[A]

Okay.

[B]

Yeah.

[A]

All right. And I know when your feelings are hurt.

[B]

Oh, yeah.

[C]

Wait.

[B]

So sorry. Give me the scenario. Cause you said serious in a not serious, serious situation.

[A]

So we were in a meeting, and we were talking about some rude girl. Let's just say Selena, because I can't remember who it was. And having them on the podcast. And we were in this, like, actual real meeting or through text. It was either through a. Through a text thread or something.

[B]

I don't remember this meeting.

[A]

And it might have been a text thread. And you were like, I don't want her on the podc. I don't like her. And I was like, monet's doing a bit. And then you were like, I'm not doing a bit. I do not like her, and I don't want her on the podcast. But it was like, Selena. It was like.

[B]

It would never be Selena.

[A]

It was someone like Naomi. It was like someone that. It was like. It was like Bianca. It was like someone that you obviously don't have a bit with. Problem with. But you kept. But even in the meeting where we were, like, genuinely and seriously trying to schedule, you kept being like, I don't like her, and I don't want her on the podcast. And then. And then I think Jacob was like, I just want to be clear because I want to be a meeting with who it was. It might have been textured. And Jacob was like, I just want to be clear. Are you being serious? You're like, yes, I'm serious. I do not want her on the podcast. But it was. But it was someone that we know. You have no problems with it.

[B]

That doesn't sound like me.

[A]

Jake, does that sound familiar to you? That's absolutely sound familiar. Well, let me pull it up.

[D]

Jacob says, I'm looking.

[A]

Jake, let's say it was like, Bianca. You kept being like, I am. And Jacob was like, I know we joke a lot, but I just want to be clear because of scheduling purpose. I want to be clear.

[C]

Do you.

[A]

If you really have a problem with Bianca, then we want to have her on the podcast. And he goes, yes, I seriously have a problem with her, and I actually genuinely do not want her on the podcast.

[B]

I don't believe that. I gotta pull up the receipt.

[A]

And you do stuff like that all the time.

[B]

Pull up the receipt. I don't believe this.

[A]

I mean, me and Jacob are both telling you what happened.

[B]

Okay, but y' all said if there's a text.

[A]

Taylor has seen you do stuff like that. Taylor has seen you do stuff like that. That's not to what like, where Monae would be like, you'll be having a meeting about something serious. Then Monae would be like, I don't like that person. And then you'd be like, but I

[B]

don't drag it on. I'll say it once. And it's similar to that.

[A]

This time you were like, I genuinely, seriously, do not give me the ocular proof. Were you serious the other day when you thought that we did the podcast virtually? You're lying.

[B]

Which one?

[A]

That's a lie.

[B]

What?

[A]

You're lying.

[B]

I don't know. What time are you talking about?

[D]

It was one of the times we did watch Re. We did it in the studio, and you were at home, but I called you and I was like, are you coming in for watch Re? And you were like, oh, I'm home. I thought I just saw. We usually do watch free virtually.

[B]

Oh, yeah, I did. Because I didn't know if you were

[A]

in town, but it said in.

[B]

But to my defense, that has happened several times where it says, My defense

[A]

has a good drag name.

[B]

Maya Defense.

[D]

We can workshop it. There's something there.

[B]

There have been several times.

[A]

I don't like when you do that.

[B]

Well, someone just came in the fucking room, bitch.

[A]

Someone's here.

[B]

Yes.

[C]

Who?

[B]

I don't know.

[A]

Well, say something. Oh, I don't like that. Scares me. Well, bitch, someone's here. Yo, this is Monet. We'll be like, I did not do that.

[B]

Y' all just saw what I did.

[D]

I did not do that.

[B]

I just did.

[A]

We'll be talking. We're gonna be having, like, a calm conversation. And she'll be sitting. I'll be right there. She'll be like. I'll be talking. While I'm talking, she'll be like, where?

[B]

At the door? Here?

[A]

No, just, like, whoever's behind me. And I can't see when you'll be.

[B]

You're so dramatic. I do not do all that.

[A]

It makes me nervous.

[B]

I don't do it. But the door opens up. See? Thank you. To close the door. That's good. I can't see. So do you want me to not react? You want someone to come in here and steal your shit?

[A]

Oh, tell me what's happening. Taylor does it, too. Take Jacob. This is Jacob and Taylor. This is classic Thomas. Taylor arrear. We sitting down. We're just sitting in the office. I'm on my computer. He's on his phone, and he's like, oh, my God. And I go, what? No response. What? No response. Taylor. What? He has his hand over his mouth.

[B]

Twenty seconds later, I can't confirm Taylor and Jacob do that. I've seen them before.

[A]

Twenty seconds later, he's like, beyonce looks amazing at the Met Gala.

[B]

Jacob doesn't draw it all as much as Taylor.

[A]

No. Taylor's the worst.

[B]

I've seen Jacob do this too.

[A]

Taylor is definitely.

[B]

I know a lot of people that do that, but you are one.

[A]

I don't do that.

[B]

You don't draw it out, but you have big react, literally.

[A]

But I give you an immediate, what's going on?

[B]

No, you don't. You don't, Bob.

[A]

I will immediately tell you why I'm reacting.

[B]

No, Bob, you, like, you only feel

[A]

like, oh, my God. And then if you ask what, I'll say what it is. Yeah.

[B]

But there's a delay in time. But do you.

[A]

Why do you have to react so

[B]

big to something so minuscule?

[A]

Well, mine don't be minuscule. Taylor will be like, no, no, no.

[D]

You fully been like, oh, my God. And I'll be like, what? What is it? He's like, this gown is beautiful.

[E]

Literally.

[B]

So. What are you talking about? That is literally you.

[A]

But the gown is beautiful. But when you see it, you're like, oh, my God, it is beautiful.

[B]

No, I'm like, oh, that's cute. But you have such grand reactions to

[A]

it because she looks so beautiful. Like, she looked. Whoever it was in the picture looked stunning. And you can acknowledge that that was. That it merited that response.

[B]

Okay, wait, so. Abolishing straight dudes. What I'm saying is that because you've seen all this reaction to the Knicks winning, right?

[A]

Yeah, I'm trying, I'm trying to avoid it. Like, the other day I went live while I was sewing this dress, and it was like, Knicks 5, Knicks 5. And I kept being like, guys, what do you think about the Knicks? And I was like, I don't think about the Knicks. I'm happy that New York won. That's exciting for me because I love New York. I'm a New Yorker. But, like, I don't.

[B]

No, not even them winning about people rioting after the win.

[A]

Yeah. I was telling you on the phone the other day that I almost got to fight in Chicago.

[B]

You didn't tell me this.

[A]

Yes, I did, Monet. Oh, my God. I was wearing that hoodie.

[B]

Oh, yeah.

[A]

I buy hoodies at the airport because I like hoodies with town's names on them. I have quite a few. And they always have this one. It's like a one. They all have this, like, same, like, collegiate looking letters on it, and it just has the name of the town. They're often blue. They're often like baby blue. And the wording is baby blue. And the hoodie's usually like, whatever. So I was, I bought one, but apparently this one was a sports shirt. A sports hoodie. I didn't realize it was sports. It had a name of a town. And then I just wore it to Chicago during the World Series. And I almost got into a fight in the lobby of the hotel because this guy was like, take that off. And I was like, right now. Take it off. I was like, I love Kesha. And then he's like, you can't wear that here. And I was like, what do you. I, I, I didn't even. It never even computed what he was talking about to me because I was so confused.

[B]

Far removed from, like, what the. What. Yeah. What any of that meant.

[A]

And then eventually it got out that I was wearing a jersey of a team. I think I was wearing the jersey of the team. They Were playing.

[B]

How did you get there? What would you say? Like, how did you get that realization? He was like.

[A]

I think he was like, you can't wear that around here. And then I was like, what are you talking about? Was he saying, I'm, like, scantily clad? Because I was. You know me, I don't dress like that.

[B]

Yeah.

[A]

And then I think someone else was like, don't wear a Cardinals jersey in Chicago on this week of all weeks or whatever. I can't even remember who it was, but I think they had just played them the world. And I think maybe Chicago lost them. I can't remember because, you know, that's not far from Wrigley Field.

[B]

The Cardinal. What?

[A]

No. Roscoe's.

[B]

Yeah, yeah.

[A]

It's not far from Wrigley.

[B]

We're talking about the places you stay when you normally do Roscoe's.

[A]

Isn't it as the gum.

[C]

What?

[B]

Roscoe's?

[A]

Wrigley.

[B]

Oh, Wrigley Field.

[A]

Is it the gum?

[B]

Wrigley's. Maybe. I don't know. Maybe Wrigley's. Probably someone had a lot of money that owned a lot of things.

[A]

I think Detroit. I performed at the Detroit Arena. Okay, let's talk about arena names that feel kind of cunt.

[B]

Wait, before we go, that. I was talking about the straight guys. The straight guys and not the winning.

[A]

Can you just remember arena names that feel kind of cunt.

[B]

But how they have. How they destroyed New York City. Like, they. A mob of people stopped Times Square, and they stopped six cheese buses, like school buses, and they set them on fire. You didn't see this. It's everywhere. They, like, they were pulling.

[A]

Were there children in the buses?

[C]

No.

[B]

Hopefully, no.

[A]

It was at night, so there's no kid.

[B]

It was at night, but they, like, pulling the drivers out of it.

[A]

And the Knicks won.

[B]

They won.

[A]

So I don't understand.

[E]

Can you pull up.

[B]

So just. Can you look up some of the. Just. I just don't understand.

[A]

Is the losing team rioting?

[B]

No, the winning team.

[A]

Who did The Knicks beat?

[B]

The Spurs. The San Antonio Spurs.

[A]

I know where the spurs are from.

[B]

Did you? Because when we played that game, you did it.

[A]

I knew where the spurs were from. I know that the Spurs. I did not know the spurs from San Antonio. I mean, that looks like people haven't found.

[B]

That's a celebratory one, I'm going to say.

[A]

I mean, I do believe you, but I don't understand what they're. I don't understand.

[B]

Yeah, there we go.

[A]

Knicks fans set a world cup shuttle bus alight during celebrations.

[B]

And it's just one of many. They're like pulling the drivers out of. Out of the thing.

[A]

They were like, why would you stand on a flaming bus? Because in movie they always explode.

[B]

This is. This is. This is straight culture. This is straight culture.

[D]

Oh, if you could take your picture on a flaming bus.

[B]

Honestly, Don't let me go to mirrors.

[A]

Put me on the blaming bus.

[B]

This is the celebration of your team winning.

[A]

Winning. You know, that's crazy.

[B]

It's insane. There were like 60 stabbings. I'm like, for the win. And I was in the middle of it. Dewan and I.

[A]

Because.

[B]

Because we're gay. Well, not because we're gay. I know there are gay guys at boxers wherever watching the game, but we don't respect them. But I had no idea.

[A]

I had a friend of mine found out watch. Watch football. And I was like, what?

[B]

Plastic's husband is really big into, like, sports.

[A]

Jacob told me that one of our friends watched. I was like, what? I was literally like. He was like, I go to the sports bars with him and I just leave.

[B]

And I'm like, do I know who they are?

[A]

Yeah. Weird. You were the guy who used to go watch sports with the ones going to the Ariana Grande concert.

[D]

Oh, yeah.

[A]

And I was like, what? Yeah, I thought it was so weird.

[B]

I mean, and so I. I had no idea. So Dan and I were.

[A]

He watch like college football or something.

[C]

Wait, who?

[D]

Sorry, about the one going to the concert or.

[A]

No, the one who's going to Iron Gr concert by himself in the front row because he loves her so much. That one. Does she really like college football?

[D]

Yeah, just like regular football.

[A]

Oh, she does.

[B]

She watches football.

[A]

Girl. My mind was blown.

[E]

Really?

[A]

And goes to the bar and watches it.

[B]

Oh, wow.

[A]

That. That homosexual.

[B]

My sports is women's volleyball. I love indoor volleyball. I watch it like, I. I subscribe to channels on.

[A]

They're hot women. I would. I would. I would let a woman's.

[B]

I think that's what I need. I think if. I think I would love to be taught by a woman. She has to be like a woman's volleyballer because all those. The Average height is 6 8.

[A]

So she was an outside hitter in high school.

[B]

Was she really?

[A]

I don't know if it was high school, but she was an outside hitter.

[B]

She's pretty tall.

[D]

Yeah, arena names that feel.

[A]

Kind of Feel Cunt.

[D]

Yeah, arena names the Feel Con.

[A]

Oh, so the T Mobile arena that feels cunt to me.

[B]

Why?

[A]

I. I don't know. The Best Buy Arena. That feels kind to me.

[B]

You know more of these names than me. I didn't, I didn't know all these arenas.

[A]

I was in one that felt crazy.

[B]

What?

[A]

The Papa John's arena in Detroit, Michigan?

[B]

Yeah, that sounds pretty shitty.

[A]

Like what? Discount? No, Shade. Detroit, Right? Can you Google it? I think the Papa John's arena, all

[B]

green and red like Christmas.

[A]

I, I, I, I, I don't remember because it, I was, I don't remember because I saw a bunch of arenas at. On that tour, but like the Papa John's Arena. I think it was Papa John. Whatever, Whatever the, the arena in Detroit is. I was like, what is going papa. The Papa John's Arena.

[B]

Little Caesar.

[A]

No, the Little Caesar. That's what it was. The Little Caesar. That's even worse than the Little Caesars Arena.

[B]

But if it was the Domino's Arena. That kind of sick.

[A]

That's cunt. Yeah, the Domino's Arena.

[B]

Pizza Hut.

[C]

Not.

[A]

No, Little Pizza arena is more comp. Than Domino's.

[B]

No, Domino's Arena. That sounds good. The Pizza Hut Arena.

[A]

Now you're right, you're right. The Pizza Hut Arena.

[B]

You know, what is the word? Hut.

[A]

The Crypto arena sounds nice.

[B]

Oh, but that one has gone through so many. No shade. The Kia Forum doesn't sound fierce.

[A]

The Kia Forum sounds amazing.

[B]

Like the Forum. The Forum.

[A]

Well, it was. It's always been the Forum. And then whoever buys it or sponsors it changes it.

[C]

So.

[A]

So I don't even know if it's the Kia Forum anymore. But it used to be. It's always been the Forum.

[D]

The Kia Forum.

[A]

It's not the Key. So it used to be the Key Forum. Now it's just the Forum.

[D]

No, it's still the Kia Forum.

[A]

That's what I said.

[D]

Yeah.

[A]

So anyway. But it used to be something else, but then Kia got it, so now it's the Kia Form. I think that sounds kind.

[B]

Not the Smoothie King Arena.

[A]

Smoothie King center sounds crazy. No shade. New Orleans. The Smoothie King center is a great. We're at the Smoothie King Center. Guaranteed Rate filled. Chicago. The Guaranteed Rate field is crazy.

[B]

So it's not Wrigley Field anymore. It's a guarantee. So Wrigley. So that's what I was saying before Wrigley, I think, is a brand that they were just sponsoring Arena.

[A]

And they just moved off of it. Yeah, the KFC Yum Center.

[B]

Why the Yum? Honestly, the KFC center would be great.

[A]

The KFC Yum Center.

[B]

The Yum is what's Taking me out Lone Depot park is kind of cunt.

[D]

No, no.

[A]

Lone Depot Park. Lone Depot park is the. Is probably. This is like the Rent a Center arena.

[B]

Oh, my God. Rent a Center. That was a thing.

[A]

Wait, why does that sound familiar?

[B]

The Renison arena was absolutely a thing.

[A]

The Rent A Center center. The Ren.

[B]

Should we sponsor an arena?

[A]

The sibling rivalry arena. Can you imagine the Beaumo Auditorium?

[B]

Stop.

[A]

No one's coming.

[B]

I was cleaning up my drag thing. Cause you know where. Move into the space. And I found my Cha Ching palette unused, just like all the rest of the. You didn't even use it.

[A]

But you didn't even use it, bitch. You didn't even use it.

[B]

Do you have yours?

[A]

I carry. I travel with a pretty funny palette everywhere.

[B]

I said Cha Ching.

[D]

Oh, no. She legitimately uses that blue all the time.

[A]

All the time.

[D]

Yeah.

[B]

She uses it on me in my video.

[A]

And I use heckler and I use the brown one from your side. What's it called again? Knockout.

[B]

Knockout. No, I said the Cha Ching. I didn't say. Pretty funny.

[A]

I have mine yet?

[B]

Yeah. Okay. Do you use it?

[A]

No, it's mint condition.

[B]

I haven't for.

[A]

Can I tell you, and I. You can tell me anything you want to tell me.

[B]

I said this, and I was. I was vetoed on this decision.

[A]

By whom?

[C]

I'm just laughing.

[A]

I said, you tell me anything you want to tell. Thought was funny.

[B]

I thought it was funny.

[A]

And then we were laughing at that. We were sitting here yesterday, and then someone said. Someone was sitting here with us, and they were talking about. They were talking about someone who was. Who had loss of hearing.

[C]

Hearing.

[A]

And then the person was like, they're probably gonna watch this, but I'm not

[B]

gonna say who it was.

[A]

They were like, he's death in one ear.

[E]

Death.

[B]

Oh.

[A]

And then I looked tail and I went. And then cougar. Like, I can't believe he just said

[B]

death in one ear.

[A]

And they were like, maybe it was a. Maybe it was a one. Maybe it was a one time thing. That's the one.

[B]

Yeah.

[A]

I was like, maybe it's a one time thing. And then he was like, because he's deaf. And he kept saying it, and it was so hard to keep a straight face and not be like. Like, I'm sorry. But I didn't say anything.

[B]

We just.

[A]

We just kept looking at each other like, and he's grown.

[B]

I know.

[A]

I was, like, deaf and whatever. So, you know, if you're watching, I still.

[B]

I love you a lot.

[A]

But that was. I was I was like,

[B]

someone came into. Recently. They came to my show.

[A]

They got beat out on something.

[B]

Yeah. They came to one of my shows and they had a presidential palette, and they wanted me to sign it. And I was like, yeah, cool. And they were like, can I. Can I ask you something? I was like, what? They're like, really big missed opportunity. Why don't you guys make 45 orange? And I said, that's what I wanted to do. And I was vetoed on that.

[A]

Feedback on one person?

[B]

No. But then someone else chimed in. It was their friend. They were like, oh, my God, that's a great idea. I was like, I know.

[A]

I didn't want to make it seem like Trump was special. We had this whole conversation.

[B]

But he is special. You never had another one like him. He's special in the worst way possible. So I think.

[A]

No, don't try to backtrack.

[B]

So I think singling.

[A]

He's a special man.

[B]

Singling him out as literally a.

[C]

A, A.

[B]

An anomaly.

[A]

I wanted to crush it and smash and destroy it and have open everyone and crush that one. That's what I wanted to do. But I don't want to be special orange.

[B]

And then. So then Bob said that more.

[C]

Huh.

[B]

And maybe. And then.

[A]

And I just want Andrew Jackson to have a little bit of specks of red in it from, like, his, His. His murders on indigenous people.

[B]

That would. That would be kind too.

[A]

I. I think any.

[B]

And then Bob said.

[A]

But I didn't want them.

[B]

Bob said in the meeting. And everybody else jumped to the bandwagon.

[A]

And then.

[C]

And.

[B]

And then. Then was made to feel like a fucking idiot for my idea because everybody else.

[A]

We all gave input and we. And we all agreed, but everyone was

[B]

on my side until you were like, I don't want to make it special. Then I think everyone felt weird about making him special. And then everyone was like, yeah, that's weird.

[A]

I was like, the feedback of two people.

[B]

Can we ask the room? Jake, what do you think?

[A]

You guys don't know? We released a presidential palette, and we probably have one. Can you see if there's one in the. In the palette box, Taylor? And It's. It was 45 makeup. I think it was 46.

[B]

46. Yeah.

[A]

46, like beige eyeshadows and then one brown eyeshadow for Obama. 43.

[B]

No, 44.

[A]

To show that we. To show how little diversity we've had in our presidents.

[B]

Yeah.

[A]

That was the point of the whole thing.

[C]

Yeah.

[B]

And then. So. And I wanted to make 45 orange.

[A]

So, Jacob, do you think 45 should have been orange. Yeah. You got taco cream.

[D]

I mean, here's the thing. Objectively, it sounds like you were releasing like, like an. A political art statement.

[A]

Yeah.

[D]

Rather than like a makeup line.

[E]

Yeah.

[B]

It was this. Not supposed to. Oh, this is very mobile.

[D]

So, like, as an art statement, I do agree that, like, there should only be. There should be. I don't think the orange works in that context based on, like, what Bob's artistic statement is saying. If you are trying to, like, give it a little bit more diversity as a palette, then maybe we could have added another color. But like, like, as a artistic statement product, I, I think based on what Bob's intent was behind his artist statement, it makes more sense given his thing. And I don't necessarily see how Trump would fit in there.

[B]

K, what do you think?

[C]

I'm not Mike, so it doesn't matter.

[A]

He's not Mike, so it doesn't matter. I'll repeat it.

[D]

You can come over.

[A]

I'm not Mike. I'm not. I have no opinion. I have no opinion about it. But what Jacob said is. Makes the most sense. I'm. I'm just parroting back his, his sentiment so you all can hear it. So you and two people.

[B]

No, I think.

[D]

Can we call Kimchi?

[B]

That's a good idea. I don't have my phone.

[D]

I feel like that's a makeup.

[B]

Sorry, I have my phone, but Kimchi always answered my call. Let's see, she answers.

[A]

Bob, Kim answers for me.

[B]

No, it's okay.

[A]

I don't call Kim terribly often.

[B]

S says, I think it's funny. Taylor says, I think it's punny.

[A]

Hey, Kim, you're on the podcast. We have a question for you.

[C]

Yes, what's up?

[A]

So, as a person with a very successful makeup brand, and Monet and I with our crumbling, failed, bootleg, busted ass, raggedy, second rate makeup brand that failed. We have a question.

[C]

Oh, my God. Yes.

[A]

So we released this thing called the Presidential Pal. Right, right. And the, the palette is supposed to be an art. It's like a, it's like an artistic piece. It's not really to tell makeup. So what we did is we released 46 shades of beige eyeshadow to represent. We have 46 white presidents, and then we had one brown one that represent. We had one black president Monet thinks we should have made Trump's orange the 45th one orange to show that he's like, he's an anomaly in the worst way possible. And I think we should leave it beige. Beige to show that he is no different than everyone else.

[C]

And.

[A]

And it's about how little diversity we have. What do you think racially?

[C]

What do you.

[A]

Would you have made it orange, or would you have made it beige?

[C]

I think because, like, the whole palette is, like, a cheeky, like, collector's edition. I think the orange would have made sense. But also, personally, what I would have done is instead of using beige, I would have made all the other shades, like, white, jet white. Because people are always, like, looking for. Why does, like, the one that people go through the most? So why? We'll still get, like, the message across while still making, like, a usable piece that people will purchase. If people will only use beige so many times, like, in their makeup house.

[A]

Well, where were you when we needed you?

[C]

So for, like, a fun piece like that, it would have been, like, white, white, white, white, white, like, set white. And then, like, the ones at the end would have been, like, a fun, cheeky project that assumed that kids would actually use.

[A]

So you all let us know we release it. Will you buy it this time?

[B]

All right.

[A]

I love you, Kim.

[C]

Thank you.

[A]

Bye.

[B]

Thank you.

[C]

Bye. Bye.

[B]

Well, she ate both of us up. Kim said, well, you dumb fucking losers, if I was gonna do with my successful brand, I would have done this.

[A]

Maybe one day we'll relaunch. I don't think you did your. I don't think you did your tattoo task.

[B]

Oh, I didn't do my task. Jacob gave me one that was impossible today. He gave me one that was quite impossible.

[A]

It was impossible.

[B]

It was quite impossible.

[A]

I don't think it was impossible.

[B]

Yeah, I think it was. Can you.

[A]

Mine is in. You have to say yours first. Mine is in relation to yours, so you have to say yours first.

[B]

Mine was. We had to swap hats. Then you have to take your hat off. And I was like. And when. When I walked in today and I saw you today, I was like, ain't no way about taking his hat off on camera today. When I walked in, I was like, there's no way you take your hat off. Okay, I just gave up.

[D]

Yeah.

[A]

I was not taking it out.

[B]

There's no way you're gonna do it.

[A]

No, no, mine. I thought you were gonna try to tell me five lies, but Jacob said, when I didn't tell you five lies, you have to try to catch all of them. Which I kept being like, you're lying. Jesus Christ. You're lying, Jacob. And should have pit us against each other. Wow.

[B]

The real villain is the villain of the season, honey.

[A]

The villain of the season villain of the season, Miss Mama. So can I tell you something? So we released. You guys can watch on Tubi. Monet was really, really such a great part of our series Game Night. We did Blood on the Clock Tower. So I've partnered with Tubi, and we have produced a show called Game Night where me and my friends get there and play games. And the first one is Blood on the Clock Tower. It is so fun. It's hosted by me. Lindsay Shee is the game master.

[B]

Lindsay.

[A]

It features. Sorry, the Storyteller. Thank you, Lindsay. She is a storyteller. It features Sashir Zamaida. Monet X Change, Kim Chi.

[B]

Oh, how's it a poster?

[A]

It's great. Mark Sully, Kiki Miles J. So many fun people. And it's out on Tubi right now. You can watch it for free. Juno Burch. You can watch it right now for free on Tubi. All four episodes are already out, y'. All. It is so fun. Monet x change is 100% the villain

[B]

of the season anyway.

[A]

100% the villain of the season.

[B]

No. I had such a great time doing it. It was so fun. Thank you for inviting me to come be a part of the game night, and I hope this is the first of many. It was a lot of fun.

[A]

Are you coming to the premiere tonight?

[B]

Yeah, I'm coming tonight. Well, we're talking about this. We'll talk. Yes. The answer is yes. I'm going to be here. In what capacity? I don't know, but I will be here tonight. Don't worry about it. The episode's almost over. Calm down.

[A]

I'm calm.

[D]

We have 13 minutes.

[A]

Yeah, we have 13 minutes. That's almost.

[B]

It's closer to being done than when we started, right?

[A]

Yes, Monae.

[B]

Thank you.

[A]

And you're closer to 40 than you are to 30. Ain't Noah. Yeah. Ain't Noah.

[E]

Yeah.

[A]

Aino is. Yes.

[C]

Yeah.

[B]

Wait, what? Is that from Miss Congeniality.

[A]

I've only seen it once.

[B]

What?

[C]

I think.

[A]

I think Ms. Congeniality has never seen Cola Parents Purple.

[B]

She's never seen Color Purple girl.

[A]

That's what I said. That's what I said.

[B]

That's crazy.

[A]

That's what I said.

[B]

That's actually crazy.

[A]

That's actually what I said.

[B]

Miss Congeniality, in my opinion, is one of the movies that does not get talked about enough as, like, being, like, an iconic gay movie.

[A]

I just remember seeing her with that gun. I think so.

[D]

Oh, no, no, it's.

[A]

I mean, I just remember that gun on her thigh.

[B]

And it in the poster.

[A]

It was in Texas, doesn't it?

[B]

No, that's the second one at my.

[C]

No, the first one they shot it at.

[B]

Oh, yeah, yeah.

[A]

Cuz she's at the San Antonio. Yeah. At the water and she. At the water thing. Yeah, at some point. Yeah, yeah, it is River Walk is what it is.

[B]

It is such a good movie. And I just, I, I, I feel like the gaze on Claim down. She's a great actress. What's that movie? She obviously see that she got the Blind side. Yeah, the people. People were mad at her for, for that role, right?

[A]

No, people were mad. Okay. There's a few things going with the Blind side. So the character, the actual person, the character's based on the woman or the man? The man, the football guy. He is saying that he was actually taken advantage of by his adoptive parents. So they wrote the book and told the story. Like they saved this broke nigger from the street who was sad and crying and his family was this, that and the other. But he's like, they took me in, but they took advantage of me. They milked me for money. And then on top of that, they like used his success as if they're the ones who took this like sad little dumbass. Like he's also portrayed quite dumb in the movie. Yeah, like, it's like Green Mile.

[B]

Yeah, the Green Mile.

[A]

They make him look like Michael Clark Duncan in Green Mile. And he's like, I'm not that, I'm not dumb. I was not like some dummy bitch. You know what I mean? And he doesn't like how he's portrayed. And then there was like litigation. So I think, I don't think they were mad at Sandra Bull. They were just, I think they were mad at the family. Central Strays. Because the actual portraying. Because the actual woman.

[B]

Yeah, yeah. Well, the villain in his story.

[A]

Yeah, but she was the hero in the book because they were telling the story from the perspective of the white parents. Right. Not the black child.

[B]

Yeah, the Green. The Green Mile. There's a whole.

[A]

He should do his version. Call it Blindsided.

[B]

Oh, blindsided.

[A]

And tell her from his angle. Coming to Purse for studios will produce it for you. It'll be super low budget. It'll be. Yeah, exactly. It'll be on YouTube.

[B]

There is in the movie the Green Mile. It's been so long since I've seen it. But it's basically this man who's on death row and Tom Hanks plays death row. Death row. And Tom Hanks plays the cop who thinks he's not who thinks he's innocent, but remember, there was a part of the movie where he opens his mouth and bees come out of his mouth. Was he also, like, magical?

[A]

I don't think it's bees, but I think it's like a. Like a substance. Yeah, he. So he.

[B]

There were bees.

[A]

Oh, it was bees. So he heals people.

[B]

He's a healer.

[A]

He takes your pain away from you and then releases it through bees and releases it through. That's what it is.

[C]

Yeah.

[A]

So he'll, like. He'll, like, open his mouth near your mouth and he'll take your illness from you.

[B]

Okay.

[A]

And then he'll release it. That's what he releases through bees. Now, is this a magic.

[D]

This is the.

[B]

It's a true story.

[A]

Now this is a.

[D]

This is a.

[A]

What's the creepy guy name?

[C]

Stephen King.

[A]

This is Stephen King.

[B]

Oh, is it?

[A]

Yeah.

[B]

Okay.

[A]

True story.

[B]

Monet. What?

[A]

How would this be a true story?

[B]

Okay, not literal bees coming out of someone's mouth, obviously, but what part of

[A]

it taking someone's illness.

[B]

Yeah, like there.

[C]

That.

[B]

That is the thing, girl.

[A]

In.

[B]

In. In Eastern medicine.

[A]

And there.

[B]

There are people who can. Who can take people's. Take people's pain. And like, that's a thing. That's not a crazy, crazy story.

[A]

No, when he takes it, he embodies

[B]

it, but he gives it away. Like, he, like, he's taking it from them. Like Reiki's the thing where you take people's energy and.

[A]

But, you know, but he holds it. So, like, when he takes your cancer for a brief moment, he has cancer. Oh, when he takes your stomachache for a brief moment, he has a stomachache until he releases it. I didn't know he was releasing it from himself.

[C]

Can he release it or he can put it into somebody else.

[A]

Oh, yeah.

[B]

Oh, I. I gotta watch it again. It. It was a good movie, right?

[A]

It is the ultimate magical Negro.

[B]

Oh, it really is.

[A]

This is like. There's lots of magical Negroes.

[B]

This.

[A]

This Negro is genuinely magical.

[B]

Yeah.

[A]

And he is John Bailey.

[C]

He's.

[A]

It's so small. John Coffee. That's his name. John Coffey.

[C]

Yeah.

[A]

He is the ultimate magical Negro.

[B]

Yeah.

[A]

I mean, there's a couple of magical Negroes. There are some time where magic Negro can be. Can be fierce, though.

[B]

Like who?

[A]

Like Morgan Freeman as God and Morpheus. And Morpheus.

[B]

But would you. Is Morgan Freeman really a. I wouldn't call him a magical Negro, though.

[A]

He's helping the white people.

[B]

No, he's not.

[A]

And.

[C]

And.

[A]

And Bruce Almighty And Bruce Almighty.

[B]

He's not helping white people.

[A]

He's helping Jim Car. No, he gives it to Jim Carrey. Wait, Jim Carrey becomes God.

[B]

Yeah.

[D]

Jim Carrey becomes God.

[B]

Jim Car. Yeah. Morgan Freeman is not. Is not. Is not a magical Negro.

[A]

He is a magical Negro. And Batman, though.

[D]

And he is listed as one on the Wikipedia summary of appearances.

[A]

Yeah, I think he's a magical Negro. And he's a magical Negro in.

[B]

In Batman and Driver Miss Daisy.

[A]

And Driving Miss Daisy. Yeah, exactly, man.

[B]

Because he plays. He plays Alphus. I mean, what's the name? No, Alphus.

[A]

Lucious Fox. He's not. He's not Alfred.

[B]

Oh, yeah.

[A]

He's not Alfred is that British guy. Some people just want to watch the world. Michael.

[B]

Michael Kane.

[A]

Some people. I love that line. Some people just want to watch the world. But I think about the line all the time.

[B]

That Michael card that might.

[A]

No, that's exactly how he said it. Some people just want to watch the world.

[B]

Bun, you're trying to do his thing. Well, we. I mean, this is the ultimate.

[A]

That is exactly how he said it. No, babe, no. John Coffey is the ultimate magic Negro because he's actually magical. And there is a magical Negro in. In. In another. Stephen King writes a lot of magical Negroes. There's also a magical Negro in the one where they're in the hotel.

[D]

The Shining.

[A]

The Shining?

[B]

I've never seen the Shining.

[A]

He's the one who's like, you got the Shining? Oh, master. You got the Shining, massa.

[B]

Oh, yeah.

[A]

The Oracle in the Matrix.

[B]

The Oracle. What's this one?

[A]

This is. This is Bubba Gump.

[D]

Forrest Gump.

[A]

Bubba Gump.

[B]

Bubble Gump is a restaurant based on the movie?

[A]

Yeah, no, Bubba Gump is the character. Oh, is it his name like Gump?

[B]

Oh, just Forrest Gump is.

[A]

He names his company Bubba Gumps.

[C]

Yeah.

[A]

So Bubba? You ain't seen Bubba?

[B]

I've never seen Forrest Gump.

[A]

Forrest Gump is one of the best movies of all.

[B]

Is it really?

[D]

Baby, they're doing the most.

[A]

We are not doing the most.

[B]

Jessica. They both from the South.

[A]

No, no, no, no, no. Forrest Gump is a brilliant movie. Like, it's insanely good.

[B]

Okay? Your first Gump is my Color Friendship.

[A]

Color Friendship is not. No, Color Friendship and Forrest Gump don't have. Are in different categories. No, they're not even close. This movie. Forrest Gump is a brilliant. What do you think Forrest Gump is about? Tell me what Forrest Gump is about.

[B]

Okay, from being. You know, from. Just from the world. And social media, everything. I think Forrest Gump is about a man named Forrest. He gets enlisted in the military, and he's in love with a woman named Jane.

[A]

Keep going.

[B]

And he goes to the military, and he starts a restaurant called Bubblegum Shrimp after the military.

[A]

That's the whole movie. Can you tell me a little bit about Forrest?

[B]

Forrest is this, like, very, like, mediocre, average dude. He's not very smart, and that's my perception of him.

[A]

So her name is Jenny. Jennae.

[B]

Jennae. That's what it is.

[A]

Forrest Gump. It has autism. Like, pretty high functioning autism. But he does have autism. He's also born with a deformity where he has to wear braces on his legs. And because he. He's autistic, and he is also deformed, he gets teased a lot. And then at one point, Jenny is like, he's trying to run away from the kids. This is such a good part of the movie. He's trying to run away from the kids, but he just cannot fucking run. Cause he wears the braces. And then she yells, run, Forrest, run.

[B]

I do know that reference.

[A]

And then the braces break off of his legs magically. No, I guess he's kind of the magical wigger. And he is. We grow, and he is running, and then the braces just snap off his legs, and he just. It just runs and he gets all the way home. And then from that point.

[B]

So he didn't. He never needed the braces?

[A]

No, he overcame. He needed them, but he. Yeah, he overcame it. And from that day on, he was running. So he's, like, always running now.

[B]

And then he's a runner and a track star.

[A]

And then one day he. And then one day, he just never stops running. One day he leaves the house, and he is just.

[B]

Why did he leave the house running?

[A]

Because he just. He doesn't know. His mom was like, just go run for us. And his mom always said life was like a box of chocolates. You never know what you're gonna get. So his mom tells him he goes running one day, and he just never stops. And people think he's running in protest of the Vietnam. Vietnam War, but he's not. He's just running.

[B]

We say he doesn't stop. How long is he running for?

[C]

Days?

[A]

Months?

[B]

Well, that's just not possible, Monet.

[A]

He also can't run. It's a movie.

[C]

Come on.

[A]

He's magical. He's the magical. We grow.

[B]

See, this is how I felt about the time travels.

[A]

He's growing. He's Growing a giant beard because he will not stop running. He's getting interviewed. Everyone's like, why are you running? He's like, I don't know. I'm just. I'm just.

[B]

How fast is he running?

[A]

Yeah, he's just running. He's not, like, crazy.

[E]

He just.

[A]

He just. He just. He just. He just doesn't stop running.

[D]

Okay. There's also a scene where, like, he is out in the rain with his love interest, and they go back to her dorm room, and she gives him, like, her roommate's bathrobe. And then she's like, I want you to fuck me. And then he, like, comes. And that's like, a part of the movie. I saw that when I was seven. Yeah.

[A]

So. So he's. So he goes running, right?

[B]

How fast?

[A]

He's just jogging. He's jogging.

[C]

I could jog. Okay.

[A]

But he. But it's not his speed. It's his endurance, right? And everyone thinks. But no one can figure out why he's running. So then finally one day, he just stops running. He just stops. He's like, I guess I'm done running. And then he decides to go. Then he gets enlisted. Enlisted? Or he goes into the military. And then he. He's like, now I'm gonna play table tennis. So he. Well, because he got. Because he got shot. That's right. He got shot during the war.

[B]

So he can't run now because he's shot.

[A]

Well, yeah, he can't run.

[C]

But he.

[A]

But he also. He also. His best friend is Bubba. Bubba is a black guy who's also autistic.

[B]

He's a magical Negro.

[A]

Yeah, they're kind of both magical. We grows and Negroes together.

[B]

Got it.

[A]

And Bubba has. Has big gums, okay?

[B]

So Bubba gum.

[A]

So his gums stick out because he has big gums. So there are these two autistic buddies in the military, and they're fighting the Vietnam War. And then Bubba dies. But Bubba's a good cook. Bubba taught Forrest Gum how to cook shrimp. And then when he gets shot and he can't be in the field anymore, he starts playing table tennis.

[B]

Now he's the original Marty Supreme.

[A]

Exactly. But he is a brilliant, brilliant. He's so good. He meets Richard. He goes to the White House through his table tennis.

[B]

Who's the president? That's Nixon.

[A]

Nixon's the President. Then he comes back to America, and he steals the black man's recipe and

[B]

starts his own restaurant.

[A]

But he gives the money to his family.

[B]

Okay, good. Okay, good, good.

[A]

And I think he gives the Restaurant to his family too.

[B]

Good white man.

[A]

He gives the whole family over to Bubba's.

[E]

But it's not a restaurant.

[C]

It's a shrimp bar. Boat.

[A]

Yes, a shrimp boat. He has a shrimp boat. He gives a shrimp boat over to Bubba's family.

[B]

Okay, good.

[A]

And it's a really cute scene, but

[B]

he gives a restaurant.

[A]

No, there's no restaurant. Oh, there's no restaurant.

[B]

And then the restaurant only exists on Times Square.

[A]

Yes. And then in the movie, his lieutenant in the military is like really mean to him. He's a hard lieutenant. But then we end up with his lieutenant who had his legs blown off off during the war.

[B]

He gets the magical braces.

[A]

No, he's in a wheelchair. Just a regular wheelchair. So now him and Forrest Gump become buddies because he finds Lieutenant Dan. Lieutenant Dan. Lieutenant. Lieutenant Dan is now homeless.

[B]

Why?

[A]

Or down bad. So Forrest Gump finds him and then he like just kind of like helps out Lieutenant Dan. Cause a lot of veterans end up homeless. Cause of mental health issues and trauma from war. And then, then Lieutenant Dan is prostitutes. But Forrest Gump doesn't want to the prostitute because he's a little awkward.

[B]

It is a comedy or a drama?

[A]

It's a dramedy.

[B]

A drama.

[A]

And this is when he comes all over himself because the prostitute gets on him. And then he just.

[D]

No, it's not the prostitute.

[A]

No, it's.

[D]

It's earlier on. It's before he has the beard. He's younger and it's. Oh yeah, it's Jenny in her dorm room.

[A]

That's right. He doesn't go. The prostitute. Yeah, he throws the prostitute off. That's right.

[E]

Tastes like cigarettes.

[A]

That's right. He throws the prostitute off him. And then. And Lieutenant Dan's like, you're fucking up the vibes, man. Like, why are you. And he goes, she tastes like cigarettes.

[B]

And then cigarettes are gross.

[A]

And then he goes back home to Mississippi and I think his mom dies, who's played by Sally Fields.

[B]

One field is not from any Fields, you fucking nigger.

[A]

Sally Fields dies and then he reconnects with Jenna and then he has babies.

[C]

Wait, wait.

[D]

Taylor, you need to come over in the mic,

[B]

right?

[A]

I mean, for a 35 year old movie.

[E]

No. So one time in college they hooked up.

[A]

Yeah.

[E]

And then he goes off to the military and doesn't know that she actually

[D]

was had a baby.

[E]

And so he comes back and meets. Meets his son. And she said, I named him after his father. His name's Forrest. His dad's name is Forrest too.

[B]

You're the father thought he just came on her road. He came inside of her.

[A]

No, he came in her.

[E]

Jenny is like, the only woman she. He ever loved and was.

[D]

We never see him come inside her, but we do see him come on.

[C]

The robe.

[B]

Yeah, got it.

[A]

Yeah.

[B]

Damn. He must have had a lot. A lot of juice.

[A]

I mean, the robe.

[C]

The robe.

[A]

Got it.

[B]

The walls. Got it. The. Got it.

[A]

Damn. But it's a really good movie.

[C]

It's so good.

[E]

Brilliant. And it's really cool how they bring in, like, actual events through historical, like, things and. And mix the story in as if he was there. It's really cool.

[A]

And also, before we wrap, I do love Jaco sometimes movies that I think are objectively great. And Jacob's like. I'm like, this is crazy.

[B]

That was like, me, like Little Shop. Little Shop's a great movie.

[A]

Brilliant.

[B]

What do you think about the.

[D]

This stage musical is better.

[A]

I agree.

[B]

What do you think about Jurassic Park?

[A]

Great movie.

[B]

I disagree. I thought it was fine. Thank you, Jacob.

[A]

Jurassic park was fine.

[B]

Maybe. Maybe if I saw it back with the dinosaurs. Yeah, I just saw it maybe four years ago for the first time. I was like, this is fine. Maybe if I saw it in the. The first one. If I saw in, like, the 90s, maybe I'll be impressed.

[A]

It's a draction film.

[B]

A drag.

[A]

No, Come, come. What? I'm trying to make comedy in action. A comet action film.

[B]

A come action.

[A]

A come action film. It's great.

[B]

I think it's fine.

[D]

Were you into dinosaurs as a kid? Like, did you play with dinosaurs?

[B]

No, I was not a dinosaur girl.

[A]

Before we go, can you. Oh, did I play with dinosaurs? A little bit. But I was, well, kind of through Power Rangers, so. Robot dinosaurs. I was really, really, really bad. Big Power Rangers fan.

[B]

You have a mor. I had a morphin thing.

[A]

I sure did. I sure did. So before we go, can you recommend one film they absolutely have to watch?

[B]

Ooh, that's very easy. It's the Notebook.

[A]

The Notebook. I'm gonna tell you guys right now that you have to go watch the Color Purple. You have to. You have to go watch it. You have to.

[B]

The new one or the original?

[A]

The original. The original. You have to watch it. On that note, we will see you guys next time.

[E]

Bye,

[A]

Sam.