The One About Nightlife

Summary

Podcast Summary: Sibling Rivalry — "The One About Nightlife"

Release Date: August 24, 2022
Hosts: Bob The Drag Queen & Monét X Change

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Episode Overview

This episode of Sibling Rivalry dives into the ever-evolving world of nightlife—its impact on the hosts' lives, how their experiences as drag performers shaped them, shifting dynamics in club culture, wild stories, etiquette (and drama!) around tipping, circuit parties, and a juicy breakdown of recent drag community drama involving Chanel from RuPaul's Drag Race season one. Along the way, expect the duo's classic banter, playful accusations of idea theft, role-play skits, and the rambunctious, competitive “rivalry” that fans adore.

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Key Topics & Insights

1. Defining Nightlife & The Performer Lifestyle

[03:01 – 05:54]

• Monét admits she no longer identifies as part of nightlife, reflecting on the demanding nocturnal schedule she kept in her earlier career (late gigs, daytime responsibilities, and sacrifices).
• Bob claims he is still part of nightlife, since he frequently works nights as a comedian and producer, though not in classic NYC clubland anymore.
• Both hosts agree that nightlife is physically and mentally demanding: "It was a very specific lifestyle... It is a hard, hard, hard schedule." (Monét, [03:18])
• Monét credits nightlife for developing self-discipline: “You are your own boss... No one else is going to go do your taxes.” ([03:01 – 04:24])
• Bob is more skeptical: "I don't think that nightlife taught me to be more disciplined than something else could have.” ([13:45])

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2. Rivalry Over Beyoncé’s 'Renaissance' & Bobbing the Bob

[05:54 – 12:14]

• Bob shares frustration at how others react when he mentions he hasn’t listened to every track on Beyoncé's ‘Renaissance’ album:

  "If you just say out loud, oh, I haven't listened to the whole album yet, people act like you just pissed in their mama's mouth." (Bob, [05:54])

• Monét suggests people are just excited to share music—but also teases that Bob’s own over-the-top reactions “train” people to escalate.
• Running joke: when Monét or others mimic Bob's tendency to take statements to extremes, they say, “They're bobbing you, Bob. Getting bobbed, bitch.” ([01:45], [08:54])
• Roleplay skit where Monét pretends to be Bob in a conversation about the album, escalating rapidly:

  “So you hate Beyoncé? Just say it and move on!” (Bob, [08:15])

• Underlying point on parasocial relationships: Bob’s fans reflect his own “bobbing” energy back at him, blurring lines between podcast personas and real interactions.

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3. Exhaustion with Small Talk & Club Etiquette

[15:25 – 23:29]

• Bob rails against small talk at clubs/airports, especially the "How was your flight?" question and being approached while wearing headphones.

  “If I sit next to you and I’m wearing headphones and you speak to me, you’re a bad person.” (Bob, [18:09])

• Monét pretends not to understand English or recites German songs to avoid unwanted conversation:

  “Acting like I speak a different language...I'll be like, Du bist die holde Kunst...” (Monét, [19:22])

• The pair humorously role-play annoying airplane seatmate interactions, escalating into an absurd "are you a comedian?" exchange ([20:06–22:09]).

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4. Drag Fashion: Accusations of Idea Theft

[28:04 – 33:07]

• Monét shows off a look for hosting the VMAs, and Bob jokes that the design is almost identical to a look of Bob’s, sparking a mock-accusation of theft:

  "Does that look familiar to anybody? ...I'm just asking, because it looks like I've seen it somewhere before." (Bob, [28:53])

• Monét counters by asking to compare receipts and attributes it to friendly rivalry—exemplifying the “sibling” dynamic and playful shade.

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5. Circuit Parties, Queer Club Culture & Sex Positivity

[32:11 – 39:47]

• Both hosts discuss experiences and ambivalence with circuit parties:

  "Every night on a gay cruise ship is a circuit party." (Bob, [32:33])

• Insights into club etiquette:
  • Music Preferences: Bob dislikes circuit party “tribal house” without lyrics ([32:55]), preferring DJ sets that play the full song.
  • Sexual openness in queer nightlife:

    “People at gay bars...there are certain bars in certain towns with certain rooms where you do what you do, and no one there is shocked because...it's part of the culture.” (Bob, [37:41])

• Monét explains circuit parties’ sex-positive, sometimes wild environment—e.g., Black Party, Horse Meat Disco, even people having sex on mainstream club couches ([38:10]).

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6. Tips, Drag Drama, and the Chanel Incident

[42:09 – 50:19]

• Tipping 101: Hosts discuss collecting and storing tips as performers. Bob kept his $1 bills in an Ikea bag under his bed for years ([42:13]).
• Drag Drama—Chanel Accused of Stealing:
  • Monét recounts Chanel (Drag Race Season 1) being accused of stealing $700 from an audience member’s purse at a brunch show.
  • Chanel’s lengthy public apology is critiqued, and both hosts reflect on the ultimate taboo of going into someone's bag without consent:

    “You just don’t go in someone’s purse...You never open someone's purse without consent.” (Bob, [44:38])

• Both recall times they did a purse-related bit on stage—never actually taking things inside, except from close friends.

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7. Go-Go Dancers and Club Behavior

[54:19 – 57:56]

• LA vs. NYC nightlife: Go-go dancers are more prevalent in LA; tipping interactions can get very intimate (“for a dollar, girl!”).
• Bob explains, “Go-going and stripping is rarely about the money you make standing on that block...It's about getting one person to be obsessed with you and [spend more].” ([55:31])
• Banter about performers making out with or hooking up with go-go dancers, stories from Club Feathers in NJ.

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8. Sibling Rivalry Chaos & Signature Banter

[59:19 – End]

• The episode closes with Bob and Monét breaking the fourth wall, asking the chat if Monét is intentionally “fucking with” Bob or just being dense ([59:19], [60:11]).
• More escalating bits, running jokes about giving/withholding praise and flower bouquets as metaphors for acknowledgment.
• Discussion of sleep habits with their partners, contrasting household dynamic and sleep preferences ([62:44]).

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Notable Quotes & Moments

Nightlife Prep:

“That shit was hard. And I think, honestly, I think that doing that nightlife track really prepared me for Drag Race.”
—Monét X Change [03:18]

Beyoncé Album Drama:

“If you just say out loud...I haven’t listened to the whole album yet, people act like you just pissed in their mama’s mouth.”
—Bob [05:54]

Cultural Openness in Queer Bars:

“And, and no one there is shocked because...it's part of the culture really. It really is just like part of the culture. And everyone's...you fuck on the dance floor. What of it?”
—Bob [37:41]

Drag Ethics:

“…You just net. I mean, you never open someone's purse without consent. Even picking up a purse is weird...I never want anyone—I’m not letting you interrupt me—what you gonna tell me…”
—Bob [44:38]

The Rivalry Dynamic:

“You want to steal another fucking dress of mine here?...What are you here to steal now?”
—Bob, mock-accusing Monét of idea theft [55:31]

"Bobbing" Bob:

“They're bobbing you, Bob. Getting bobbed, bitch. This is the inception.”
—Monét [01:45]

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Important Timestamps

• Introduction to Nightlife Topic: [03:02]
• Beyoncé Renaissance Discourse & “Bobbing”: [05:54–12:14]
• Small Talk & Club/Airplane Etiquette: [15:25–23:29]
• Drag Fashion/VMAs Look & Rivalry: [28:04–33:07]
• Circuit Party & Sex Positivity: [32:11–39:47]
• Tipping, Chanel Drag Drama: [42:09–50:19]
• Go-Go Dancer Culture: [54:19–57:56]
• Final Banter/Sleep Patterns/Chaos: [59:19–end]

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Signature Tone & Podcast Vibe

• Chaotic, sibling-like banter — constant interruptions, playful mockery, and a “who’s getting the last word?” energy.
• Candid, authentic, and sex-positive, with no topic off-limits.
• Deep insider knowledge of the drag/nightlife scene but always with an accessible, comedic tone.

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For New Listeners

If you're new to Sibling Rivalry, this episode offers a classic mix of:

• Personal storytelling about drag and nightlife
• Dynamic, sometimes combative friendship
• Hot takes on queer culture
• Unfiltered and playful discussions about topics others might avoid

You’ll come away with a strong sense of why Bob and Monét are legends in queer nightlife—not just for what they do on stage, but for what they bring off it.

Transcript

[A]

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[B]

My name is Bob the Drag Queen.

[C]

And I'm Monet X Change.

[B]

And this is simply rivalry.

[C]

On today's episode, did Chanel really commit grand larceny?

[B]

We talk about nightlife and we find

[C]

out what made Bob say this.

[B]

What do you want? You want to steal another fucking dress of mine here? You want me show you some more outfits I wore you can mop? What are you here to steal now? And we found out what made Monet X Change. Say this.

[C]

They're bobbing you, Bob. Getting bobbed, bitch. This is the inception. But also because isn't that like such a trick? Like if you were to, if you were to start counterfeiting quarters, no one is expecting you counterfeiting quarters.

[B]

No, but money making a fake quarter will cost more than a quarter.

[C]

Listen, I don't know that I. I know that. I mean, it will, it will probably cost more. But, but if you're, if you're, if, if you're kind of fitting like a million dollars in quarters, maybe it equalizes. I don't fucking know.

[B]

That's. You know, I think you know, I think you know that counterfeiting, especially nickels, is not worth what the juice. The, the juice ain't worth the squeeze. Monet. Your name is Monet X. Change.

[C]

Change.

[B]

Change. Why do you not know the queen of change about change? Why do you not know about change? How do you.

[C]

Well, you know, we've been in. We've been in the change business since my great, great grandfather had me exchange. Since he started. He started the change Legacy. And so much has changed, so much has exchanged, so much has exchanged. I just haven't kept up with the Joneses. But I will be start doing my due diligence to be up with the change people.

[B]

Oh, she due diligence, honey. Honey. She Due diligence, Ms. Thing.

[C]

Yes, she do.

[B]

All right, today our topic is going to be a topic that is near and dear to both me and Monet's heart, which is nightlife. Monet, do you consider yourself still part of nightlife? You know, are you too good for nightlife now?

[C]

You know, honestly, I did not consider myself still a part of nightlife. Like, when I, when I was, like, when I was a part of nightlife. It was a very specific lifestyle, right? It was, it was working. It was working from 11pm, getting home about 4 or 5pm, sleeping until 2, 3 o' clock the next day and doing it all over. And it's, it is a hard, hard, hard schedule. So to all the local bitches out there who are doing that shit three, four, five, six times, six nights a week and still having to keep up with your day shit, because you work at night, bitch. The rest of the world is still operating during daytime, daytime hours. And sometimes, bitch, you get home at 4 o' clock in the morning, but you gotta get your ass up at 8 o' clock because you have to meet your tax person at HR block at 9 o' clock and then it fucks up your whole day and you start to get it. So shout out to all the bitches still doing that shit. That shit was hard. And I think, honestly, I think that doing that nightlife track really prepared me for Drag Race. I think that it really helped me get some self discipline about myself. And because you are, you are your own boss, like, it's up to you. No one else is going to go do your taxes. No one else is going to send the thing to the person. No one else is.

[B]

Like, you went to military school.

[C]

I mean, honestly, nightlife felt like military school. Like, it felt like, it felt like, it felt like some, like deep, intense training and self discipline.

[B]

Wait, so. But you know, I consider myself part of nightlife still.

[C]

You do?

[B]

Yeah. Maybe not the New York City nightclub scene, but I still work. You know, my entertainment is often at night. I'm a comedian. I work in a lot of comedy clubs. I still do nightclubs here and there. Not a ton, but I still do nightclubs. So I do think that my nightlife position has shifted, you know what I mean? But I consider myself someone who works in the nightlife. I still produce events that have that happen in nightlife. So, yeah, I actually do consider myself a part of nightlife. And I do agree with you. Okay, I want to ask this. I hope I'm in a safe space. Is there anyone else who has not listened to every track on Renaissance? And you're not saying anything bad about this album? Album? All you're saying is I haven't listened to every track and people go bananas on. You act like you have done some egregious ins. And all you're saying is, oh, I haven't listened to the whole album yet. Like, I. This is. This is wild. There. There seems to be no gray space between. Like, I've listened to every track on this album, and I hate Beyonce, which I have never even. I think Beyonce is a goddess amongst humans. She is super tal.

[C]

That.

[B]

She's next level. She's insane. But if you just say out loud, oh, I haven't listened to the whole album yet, people act like you just pissed in their mama's mouth.

[C]

I don't think. Okay, so in my experience, when I say that people aren't. People are on like, you. How dare you. They're like, girl, you're missing out. You gotta listen. It's gonna change your life. In my experience, when people say that people are like you, how do you know?

[B]

You have no experience because you haven't told anyone. You haven't listened. You have no experience.

[C]

But I've been around a lot. But I've been around a lot of people who love. Who love the album, and they go to people. And I've been in those same spaces. Listen, the other day, me and Selena Estidis were at dinner with two. With two friends, and one was like, girl, yeah, I would listen to a few songs. Selena loves Renaissance. She's like, bitch, what you do? Bitch, what you doing? You got to listen to the whole thing. It's so.

[B]

But what I'm saying is it's never

[C]

like, motherfucking bitch, you whore.

[B]

Cunting had more experiences. You don't know that because I've had more experiences saying, I haven't heard the whole album. Then you have secondhand experiencing people. So. Okay, so, yeah, that's what I. That's why I think, like, you gotta. You can trust my experience when I tell you as so, because you're experiencing every once in a while, second hand. Every time someone brings this album and I say, yeah, I really like the. The. The. The Queen's remix. And I really love Alien Superstar. And then everyone's like, have you not heard every. I'm like, I don't know what you want from me. I don't know what you want from me. I'm. I'm still stuck on. I'm still stuck on Doshi's she, her black Album. Like, I'm. I'm still trying to get through that. I mean, I. I'm stuck. Megan, Thee Stallion just released the album. I'm listening to this whole thing. I'm still trying to listen to super freaky Girl. There's a whole lot coming out right now. And no, I've not listened to every. I'm. I'm going at my own pace, and it is an aggressive. It is aggressive. I'm telling you.

[C]

So you tell someone. So you say that. So you say that. You say that. Are they. Are they are. Do they get aggressive and mean to you? They're like, you like. Like, I'm really curious, like, what the reaction is that you're experiencing. Okay, let's, like, let's play it out right now. Okay, let's. I'm you, and you're someone of a Beyonce person. Go ahead. Okay.

[B]

Oh, my God. Are you dying for Beyonce's new album? What's your favorite track?

[C]

I released the whole thing. I really just listened to Queens and.

[B]

Wait, you've not listened. You haven't listened to the whole album?

[C]

No, I haven't.

[B]

So you hate Beyonce? I just say you hate Beyonce. Just say it and move on. Just say it and move on. You have to listen to the whole album. You. You have to. You have to.

[C]

And also. And so something I noticed, Bob, I think that what people are doing with you specifically, that is the. That is a behavior you have put in people. When someone says something, you immediately take it left. Someone said, oh, I don't like carrots. Oh, so you hate bananas. They're doing a. They're bobbing you back. They're bobbing at you. They are bobbing at you. That is what you're experiencing. People. That seems to. Bob, a lot of people I don't

[B]

have relationships with, like, that bitch. I do that to you. I don't do that to every person. I talk to.

[C]

Parasocial relationships with everyone. A lot of people listen to your podcast. A lot of people experience you on TV. A lot of people digest you on YouTube, on Pit Stop. They're bobbing you. Bob. Getting Bob. I'm obsessed with you.

[B]

I'm obsessed with you. Just not telling. I'm obsessed with you not accepting that. This is my experience. This is wild. To me, I'm like, Monet, this is my experience. Monet's like, no, that ain't it. It's something different. Like, I'm like, I'm like, Monet, this is, this is my experience. And you, you cannot accept that this is my experience. And I'm also love. There are people that were like, yeah, I've had a similar experience. So is everyone in the chat. Are they all. Do they all have a history as well of doing the same thing?

[C]

Bob, I, I haven't heard your experience. I'm telling you why you're probably getting that reaction. I'm not talking about them. I'm talking about you specifically, Bob the drag queen Elizabeth. That's what I'm talking about.

[B]

But what about. What's the excuse for other people having the same experience?

[C]

I cannot speak to them. I don't know them.

[B]

Exact same response. So is. Is Brandon. You two too? Does Brandon. You also do the exact same thing? Why is Brandon getting their response made?

[C]

There's also a chance that maybe Brandon is being a little hyperbolic as well. I don't think that people are going to Brandon, like, you fucking cunt.

[B]

No one said. You keep adding this cunt.

[C]

I'm being hyperbolic, Bob. Of course, yes. Pretend like when you act like you don't know, act like you don't know.

[B]

And I keep telling you, it is an extreme reaction to being told. Like, I have. There's a lot of stuff I have not consumed I haven't seen. Like, for example, I have not seen. I have not seen all the Star wars films. I haven't seen all the Star wars films. But when I say that I have,

[C]

I've maybe seen half of a Star wars film. The one with this response.

[B]

I haven't seen Lord of the Rings. I haven't seen anything. I've seen one Harry Potter. It's not this same response to this thing. People don't see. So you hate it. You hate Harry Potter. So you hate Harry Potter. And I'm like, I just, I just, I saw the one. I'm sure Harry Potter's. I'm sure Star wars is a great set of films and I'm sure that Star wars is great. I just, I just haven't seen them all. I haven't made it around to finishing the, the Star wars franchise.

[C]

Okay, well, you have experience that. William apparently experiences that with Harry Potter. So there are different. Again, I don't know what William Williams relationship with Harry Potter is, but I do know Bob the drag queen and I know that people 1000, 1000% civil rivalry. They're still rivaling you and bobbing you 100%.

[B]

What is that based on?

[C]

What be how people react to me everywhere I go when I do stuff. Literally, a lot of people who are fans of you and me, always when we see them at the meet and greeting, they say, I don't know. Oh my God, Monet, I bought you flowers. I know. I bought you some roses. I don't like roses. So, so, so you hate flowers. Like, that is just. That is a sibling rivalry, Bob. Monet, that is a thing. Bob, you, you cannot deny that. That is not a thing.

[B]

Maybe, maybe Brandon and other people in the chat are also having the exact same response. So maybe they're getting bobbed too because of their correlation. I mean, people know, they listen to the podcast. Anyway, let's move on. So moving on, Nightlife, I, that's why, anyway, I like, I consider myself a. I still consider myself a nightlife person. And I've not listened to this album. And that's, that's.

[C]

My God, you're you bringing it back up. So you must be upset with that. Do you that nightlife changed, like conditioned you for what you for your life changing at the Drag Race?

[B]

What.

[C]

I mean, I don't consider myself a nightlife person because I just feel like that was a very specific lifestyle. And, you know, now my life has changed a lot post Drag Race. And when I was before, when I was working in nightlife, I was. My schedule was. I would leave for the gig by 10 o', clock, 10 o', clock, 10:30, whatever, be there from, from 11 until like 5, 3 o' clock in the morning, get home by like 4:30, go to sleep by 7, wake up at 2 o' clock and 2, 3 o' clock the next day, and cycle repeat six times a week. And I think that it really taught me a lot of self discipline because even though you have this crazy schedule, bitch, the rest of the world is operating on a regular schedule. A 9 to 5, most people. So you still have to be at the H and r block by 9am you have to go meet the designer at fucking 12 o'. Clock. Because they have a regular job and they go to Steven Knight. So I think it taught me a lot of self discipline and it really made me, it helped train my mind to learn how to get a schedule that works and how to keep appointments and keep those things. Because I feel like maybe if I had a regular when I worked at a Yale club, bitch, I didn't care. I was Very fly by night. But nightlife forced me to be more disciplined in my scheduling.

[B]

I don't think that nightlife taught me to be more disciplined than something else could have taught me to be. I mean, I think there's a, there's a possibility that I, you know, would have learned this with a set of other skills. And I don't, I don't know, maybe. Maybe it did. It's really hard to, to. It is really hard to do the guessing game of what my life could have been and what it is now and how life was and like, what would have changed. I, I know a lot of people who work night life and it feels like it didn't teach them a goddamn thing. They're just, they are, they miss appointments, they're late for, you know, lazy hoes. So I think that maybe it came from, maybe it came from the people that I work with in night life, the people who I surrounded myself with. Maybe it came from. Who knows? I, who knows? I, I can't say if that, that it necessarily came from nightlife. I think that I learned a lot of. I can attribute my, like, creativity, my ingenuity, my ability to, like, a lot of the skills that I've learned because of working in nightlife. I have figured out how to do stuff, maybe not at a super, you know, great level, but to sew, to do audio engineering, engineering, Photoshop promotion and producing. Like, I learned to do a lot of stuff, stuff that I probably would have never hair. I've learned to do a lot of stuff that I probably would have never done if I was not working in the nightlife field in some capacity.

[C]

Do you still go out to clubs?

[B]

Sometimes? I mean, not a whole lot. I think that's more of an age thing too. I don't think that if, even if I was still working in the clubs in New York City that I wouldn't. And also going to the club now is such a different experience than. It's just such a different experience than it used to be. Like, it used to really be a lot of meeting up with my friends and now it really is, it really is like a meet and greet or I have to be in like some gated off area or otherwise I'm just taking pictures all night long. So. And I think that that's just something that I, that come the territory of, you know, being America's next drag superstar seven years ago and I guess I'm still, you know, dealing with the residuals of, you know, being on RuPaul's Drag Race. Back in 20 rubles. So sometimes, just sometimes for me, being, I'm telling you, like, being in the club is just because I don't, I, I loathe, I loathe small talk. It is, it's almost impossible for me. I, I don't have the capacity. I don't have the, Wherever I am in my life right now, I do not have the capacity to do small talk. I just can't. And a lot of that is small talk. A lot of it is, it's like so, you know, you know, Question I fucking hate. How is your flight? Don't ask me that fucking question, bitch. I'm here. It was uneventful. It was completely uneventful. Most flights are uneventful. On the off chance that we hit some crazy ass turbulence. Even the crazy turbulence isn't that eventful. Like, I just, I'm just like, I don't want to talk about my flight. I hate that question.

[C]

You heard it here first. Bob hates flights.

[B]

How was your, how was your flight, bitch? I got on a fucking plane one time. The lady next to me asked me where I was going, bitch. The same place you're going. We're on the same plane, bitch. I'm going to Chicago. O'. Hare. I'm going to o', Hare, lady. Where you think I'm going? Maybe, maybe you had a connecting. Maybe you had a connecting. I don't want to tell you where I'm going. I don't know you and I don't want to tell you. I don't want to talk about my connecting flight. You are some lady sitting next to me on the plane, bitch. I don't want to. When I sit next on the plane to a person who looks at me and if I'm wearing headphones and breathe.

[C]

If you sit next to me and you are breathing, converting oxygen into carbon dioxide. I hate you.

[B]

If I sit next to you and I'm wearing headphones and you speak to me, you're a bad person. Let me just finish this out real quick. If I, if I sit down that plane and you're talking to me, you can see these. I wear big ass headphones, right? And you see me and I'm, and I, I can see you. I can probably even hear you half the time. There's nothing even playing. Nothing is. If I have to do this, If I. Oh my God. When I have to do this. Huh? Thank you. Yeah, I, I, I found it at a store in downtown la.

[C]

Yeah.

[B]

And then, and then, and then five minutes later, I see your ass Telling some. And I'm like, yeah, yeah, I'm going to Chicago. That. Oh, my. Oh, bitch.

[C]

Take social cue when I have headphones on. I just, I, I. You could be screaming. Unless I really want to engage. I won't engage. Like, if you're not queue.

[B]

You ever had a.

[C]

I, I've had a. I've had a tapa before. And then, like, you're forced to engage, but they. People will rarely touch you. Most of the time, they'll, they'll just

[B]

be like, all right.

[C]

And I'll just sitting there like, so. And I would. And I, I would just one night, I would just not engage. Because also, Al, unless it's obviously a really hot guy, then I will engage. I'll be like, yeah, you know, I like, like that. I'll be that girl, girl. But if it's someone I don't want to talk to, just don't just, just pretend like, oh, I also try this. Acting like I speak a different language, which I will. I will recite a German art song. I'll be like, dubist de halde kunst in vil de grauen sticks. Yeah.

[B]

When they hit you with a motherfucking Guten Talk. Yeah. What's good?

[C]

Hasn't happened yet. It hasn't happened yet. Not Bob having a nip slip.

[B]

I know. My titties keep popping out. All right, so here it is. All right. How would you handle this? I'm the lady on the plane.

[C]

You ready?

[B]

I'm the lady on the plane. Put your headphones on.

[C]

On.

[B]

You ready? You got your fake headphones on? You ready?

[C]

Huh?

[B]

Hi. Hey. I'm, I'm now waving your face.

[C]

Hi.

[B]

I'm literally in your face. What are you doing now? Hey. Hey. I just noticed your, your tattoos. What do they say? Can I see them?

[C]

Yeah, they're. They're money symbols and a smiley face.

[B]

Oh, my God, I love, I love that you're so jazzy, like. Where are you. Where are you going? Hey.

[C]

I, I, I.

[B]

Hey. Hi.

[C]

Hello.

[B]

I don't think you heard me.

[C]

Sorry.

[B]

Where are you going?

[C]

Oh, I, I, I'm going to hell.

[B]

Oh. Are you a comedian? Are you a comedian?

[C]

No, I'm a lawyer.

[B]

Are you. You're funny.

[C]

Yeah.

[B]

You're. You should be a comedian. And you're. With all those tattoos. With all those tattoos. You're a lawyer. Where you. Who are you representing? The people on death row. I'm kidding. I'm kidding. What did you. Excuse me.

[C]

Sorry.

[B]

It's my last, my last question. My last question.

[C]

My Last question. Excuse me. Excuse me.

[B]

Yes.

[C]

Excuse me. Okay, you're. Now you're. You're really getting. You're going left. You keep on invading my personal face and waving in my face. And I have a really hard time with people getting very close to me because of ptsd, of some things I've experienced. So please do not wave in my face.

[B]

I have a lot of anxiety on flights, and you look like my bitch.

[C]

First of all, how you. How you crying? But I ain't see no fucking tears, you bitch.

[B]

You look like my.

[C]

How you cry where the tears.

[B]

Can I please, please say one thing, is that you look like my friend who passed away. And when I saw.

[C]

Bitch, you don't got no black friends. You. Oh, he dead. How he died, I'm sure a police was probably all. All upon him.

[B]

It's clear that you. Are you wearing shades? I'm black.

[C]

I'm. Excuse me.

[B]

Is it my voice?

[C]

Excuse me.

[B]

Bitch, you think because of. Let me take. Let me take. Oh, I'm wearing. I'm wearing a full ski mask. Hold on. I'm black. I'm black, too.

[C]

Well, the palm of your hands is real white, so I was very confused.

[B]

I'm actually from St. Lucia. I'm, like, black. I'm black like that. Fluorescent beige. Black like that. I'm probably one of the blackest to walk around this county. Yeah, I know. Renaissance comfortable in my skin. I told y' all niggas I've been listening to Renaissance the whole time.

[C]

Confirm.

[B]

Hey, confirm. Confirm. Bob knows more than two stuff.

[C]

Nigga, you lied earlier. You said the Queen's remix, and you said Alien Superstar. Nigga, you know, Cozy.

[B]

You a lying ass.

[C]

Nigga, you a lie.

[B]

You're the line. The line, the lines, the lines, the lines. I'm black like that,

[C]

Bob.

[B]

Now you lie.

[A]

You lie.

[B]

No, I've listened. I've listened to Bob Exposed. Bob Exposed. I've listened to more than two songs. I've listened to a good bit of the album. And I do love Cozy a lot. I just love T.S. madison so much. And I've listened to Honey Miss Honey

[C]

Miss Honey Miss Honey Miss Honey.

[B]

That really. I really took that to a great. I took that scene to a really. I elevated that scene. Can we. Can. Can you acknowledge that, please?

[C]

No. Wow.

[B]

You want Give me my flowers, Mary, upon request. How about that? Can we start.

[C]

I don't like flowers.

[B]

Can we start giving flowers upon request? Why I gotta get my. Why I gotta get my. My praise all humble and why I gotta. Why I gotta bow My head to get my pray. Why can't I stand in my glory and get my praise?

[C]

Honey, if you want praise, then go. Go talk to one of your partners, gonna tell them give you praise. I ain't gonna give you praise until I want to give you praise.

[B]

You'd be acting like I you. You always saying I celebrate you, but not. But never upon request.

[C]

Yeah, you're right, because I'm gonna. I'm gonna give you praise on my conditions, not yours. If you want conditions on your own, talk to you. Look, look at the mirror. Talk to yourself in the mirror. Look, people give you some flowers, some daisies, some sunflowers. Go. Go to the chat for some flowers.

[B]

If you can't give me praise upon my request. Bitch, save the crummy praise. I don't want your scrap praise. I want the good stuff.

[C]

Okay?

[B]

I want another one again with a nice cut.

[C]

You'll never get another one again. You'll never get another one again.

[B]

Far apart, I won't even notice. I won't even notice they're gone.

[C]

Great.

[B]

Now if you want praise, I'm still willing to give you yours, even upon request. When you tell me you want to feel good about your little crunchy soul.

[C]

But since you know it's Tim robbery, I need to ask myself my own questions. I do not like to go out. Even before, when I was in nightlife, when I was in nightlife, I was not a big go outer. But also because I've been going out since I've been sneaking to the club since like 12, 13, 14. So I feel like I honestly got that out of me like before I even went to college. So from college on, working in nightlife, even there, everyone knows I was not the girl that be like, ooh, let's go out to the club tonight. Unless I was gonna go see a queen, a good friend perform or something, I would much rather stay home and kiki and fucking eat, order food. I love ordering food and eating with friends. That's fun.

[B]

I don't know. Do you feel like you're too old for the clubs?

[C]

No, I don't think I'm too old for the clubs. I think, bitch, I see older than me looking, having fun at the clubs. I'm just not a club person.

[B]

I'm not too old for you. It's not about. It's not about people old. It's like, are you too old for yourself? Like, because I feel, I feel like you go out. I remember one time you told me you was going to. What was it? A beat. What was that party? Evita? I said not, I said mon. I saw Monet in line, had on some coochie cutters. Monet was standing in line with some coochie cut, looking like Beyonce and dangerously in love coochie cutters in a white tank. In a white tank top. And I said in line, how y' all live like this?

[C]

No, I was not in line where.

[B]

I said in line, how y' all live like this?

[C]

I, I, I've been to Aida twice. One time I performed. The other time I went to see Cracker perform. And I, when I went both times, I drove my car and I packed. I parked in the thing and Andre took me in. I've never said, honey, I don't even

[B]

stand in lines the bank, honey, I didn't even stand in lines in school to get my lunch.

[C]

I walked through because that, that's because they bring the broke niggas to the front so they can get more money from y' all motherfuckers.

[B]

It's not how it works. I did, first of all, free lunch gang sign off. Yes, I got free or reduced lunch. What, what of it? Yeah, yeah. And yeah, your mama paid for it.

[C]

But my mom don't live in America, so she the, she did.

[B]

I'm talking about the one you live with in America, honey. Yeah, your aunt.

[A]

Wow.

[C]

You don't even know.

[B]

Wow.

[C]

This don't know about me. Remember we played that game? Yeah.

[B]

You've never introduced nothing about me ever. You never introduced me to your family. I flew you to Atlanta. Flew out, flew out.

[C]

Y' all bothered not fly me to Atlanta. I canceled the gig.

[B]

Miss. Did you walk?

[C]

I, I canceled the gig. And Bob didn't even get me. Bob did not even get me my, my return flight out of Atlanta. Patty and I had to book it ourselves.

[B]

What's the problem, Monet? Just like you when you, you have asked when I don't want to give it to you. I give you flights when I want to give you flights.

[C]

I cancelled a gig to help out Ms. Martha, my boo, at her club, to, to perform at her club.

[B]

Oh, so now you're holding it over by me now you mom's head. Wow. Bobbing, bobbing.

[C]

So then when?

[B]

So then.

[C]

So when they see you on the club like, wow, so you hate Beyonce. They bobbing you. They bobbing you.

[B]

You on my mom money. You are out of control ever since I said next to that flight and you yelled at me for trying to engage in conversation, cuz you look like a dead friend. You have been completely out of control. You need to call Mar and give her.

[C]

Oh, my God. Oh, I can share this with you guys. So I'm doing the VMAs. I'm hosting this red carpet thing, me and Peppermint, and y' all want to see the look I'm doing? It is so fucking cute. I am very excited about it. I'm gonna look. So I had a fitting for it last night. It's coming along very well. And this is the look, y'.

[A]

All.

[B]

Oh, you're like a sunflower.

[C]

No, it's a daisy. Not a daisy. I know what kind of flower this is, but I said it's coming along so cute. Is that a daisy? What kind of flower is that? The dandelion y' all do.

[B]

I just want to know real quick. Dude, do that. Hold that look up again. Hold that look up again.

[C]

Are you talking about your little orange look? Do not look. That is not your orange look.

[B]

I just want. I just want. I'm just asking. Asking. Does that look familiar to anybody? I'm just asking as a friend, because it look like I've seen. I feel like I've seen it somewhere before. That's so crazy. Does anyone else? Because. Oh, because I'm not. I'm not saying anything. There's just people. There are people sounding off in the chat. I haven't even said anything, okay? In fact, you're the one who said it.

[C]

Can someone please pull up a picture of Bob's orange look and let's put it next to this one?

[B]

Yeah, because it. That's just so. Wow. That's. That is so.

[C]

All I want to say is, let's see a picture of Bob's and put it next to that one.

[B]

That's so. That's so.

[C]

Let's take a picture.

[B]

That's so interesting. Oh, my God. It looks so. And can you go back. Were there, like, flowers in your hair? Can you go back to that, please?

[C]

There were flowers in my hair.

[B]

Oh, my God. That is so. That's so interesting. Does anyone else find that interesting? I just want to know in the comments. Do you. Do you guys find any of that remotely? And was there, like, a big flower on your. On your torso?

[C]

Yes.

[B]

Oh, my. Isn't that so, y'? All? That is kind of. That is kind of crazy. That is so. When they. What color is the. What color is the outfit?

[C]

It. Listen, we're gonna see. We're gonna see my. We'll see my look next to yours, and then we'll see what. What's good.

[B]

Asking one more question, please. What color was your. Was your outfit?

[C]

It's orange.

[B]

That is kind of. That's kind of cra. Anyway, so. So do you can say. So tell me what I want.

[C]

I want to say this too. I want to say this. The designer who's making this. They make so from have the same hip measurement. She is 2 inches smaller than me in the waist and we have the same bust measurement.

[B]

Who's the designer?

[C]

I'm a bitch. I am.

[B]

Who's the designer? I want to see if they follow me on Instagram. Who's the designer?

[C]

No, I just.

[B]

I just want to. I think you don't want to tell me because whose designer? I just want to know if they follow me. Who's designer?

[C]

His name is Pinwheel. I don't know if you know him.

[B]

No, I just want to know who the designer is because I. I feel I have a sneaking suspicion they might be one of the 1.6 millie.

[C]

1.6 nigga.

[B]

What's her name? Colleen. Don't change the subject. Ain't nobody sneaking in your house. Colleen ain't breaking nothing. Colleen can walk on anything she want to walk on. She has my permission.

[C]

His name is Pinwheel, not Monet.

[B]

Gate. Not Monet. Gatekeeping. The design. Monet. You know, this is y'.

[C]

All this me and me and are 2 inches away in the waist. Do not bitch.

[B]

I'm going to change.

[C]

I am going to. I am going to get. I'm going to get a liposuction. The house down to have these same waist as. I'm very proud of this. And she wears. She has size 13 shoes.

[B]

Someone said it. This is the look over there. The look over there of this.

[C]

Well, they.

[B]

Are you part of nightlife? Do you. Do you. Do you still consider. Do you work at nightlife? I can't

[C]

wait. We don't even know. We don't even know that question anymore. Oh, yeah. Circuit parties. Have you ever been to a circuit party?

[B]

I. By accident. I've been on a.

[C]

By accident.

[B]

I've been on a cruise ship and every night on a gay cruise ship is a circuit party. Every night on a gay cruise ship is a circuit party.

[C]

That sounds exhausting.

[B]

I mean, if you're there for it, it's only for a week. It's actually. I mean, I don't like the music at circuit parties. If it was. It's terrible.

[C]

It's like tribal music. It's like tribal house music. That's what they call. That's what it's called Tribal House.

[B]

I don't. I. It's just not my kind of music. I really like. I like words. And I think that that music is really intended for people on drugs. I. I Genu. Oh, for sure have to be on drugs to. Maybe I have to. But I've never been on those kind of drugs. But I'm assuming if I was, I'd probably feeling the fantasy. And I like to sing songs I like. And. And if you're a DJ and you're here and you're listening, can I tell you what you. What you really should not be doing? And I'm telling you, this shit is. This shit is exhausting. You are a deejay. Play the song all the way through. Play the whole song. Don't cut the song. Do not. When I was someone, they played Bang Bang, and the DJ cut it off before Nikki came in. You're done. Kill the dj. You're done. One time, I was at the outfest. They have, like, a. Like a outfest is queer music, queer. Queer film festival. It's like the biggest queer film festival, and they have, like, a. One for, like, people of color. It's like. So I was part of. I was part of two films in the festival, and I was all the. All the, like, the queers out there dancing, dancing, dancing. And then we were listening to Beyonce's Get Me Bodied. The dancer, like, the extended mix. And Beyonce said, ladies on the floor. All my ladies on the floor. Da. And as I was about to drop down and almost hit the floor with it.

[C]

Drop down with what?

[B]

This tapped me on my shoulder. This tapped me on my shoulder and was like, hi, I just want to see. And I was like, wait a minute. You cannot inter. So everyone is dropping down and almost hitting. Everyone's having fun. And I'm over here just talking to some. Talking to this girl from the plane. Hi. Is that. What does it say? Butch Queen.

[C]

I love.

[B]

I love that. Yeah. I was about to get into a tick fight. Thank you, Allison. I was about to get into a tick, tick, tick, tick, tick, tick fight, like. And the DJ's not gonna play. Here's the thing. The DJ is not gonna run it back. We already know that. And the DA is not gonna play the song again all night. I miss my chance to do that. That in a club setting on this night. I was very upset. Very upset.

[C]

Yeah, I agree. When. When DJs do that. That is annoying. And. Oh, we talking about circuit parties. I mean, the. The only. I have never really been to a circuit party. There's only one. I kind of like what you call it. It's. I think it's called Hort Me Horse Meat Disco. I went to horse meat disco one time and again that. I think that's a circuit party. But I'm not a circuit party people. A lot of people in New York, black party is one of the big ones. New York black party is a big circuit party. And some people, Some people, like there's a jury on it. Some people say that all circuit parties are sex parties and some people think it's not. I mean, again, I've only been to one horse meat disco. There were a few people fucking around, but I. Black party is like a sex party. Like people are there hopped up on drugs to just to fuck at a big circuit party with music. So those are my. Those are the extremes of circuit party. I know like a regular horse meat disc party or black party, which is like wild and aggressive and people are like on drugs and fucking. And people are there until like 6 o' clock in the morning. People are going and coming. There's a whole black corner with like hundreds of people just sucking each other's off and fucking people on the dance floor. It's. It's wild,

[B]

you know, I'm sorry, I'm still trying to get over the pigtails. When you were making tips at, at your shows, how did you collect your tips? What did you do with them?

[C]

Yes, bitch on the dance floor. Wait, I had to read the comment. So if people don't know. At a lot of circuit. Gay circuit parties, people are fucking like on the dance floor. People are. They're like. There's like full penetration happening like on the dance floor. Not, not sometimes. Not reserved for the back room. It's happening like where everyone is at. Just like, like, like that. Like, that's the thing that if. In case you are really like, this is like a foreign concept, J. That can confirm work. Dr. You know, I gotta let y'

[B]

all know if, if you're not. If you're not. If you're not used to going to queer bars and queer spaces. People, People at, at gay bars, not all of them, but there are certain bars in certain towns with certain rooms where you do what you do and you do it where you do it. And, and no one there is shocked because we're all, all. It's what you. It's part of the culture really. It really is just like part of the culture. And everyone's. We're really used to it. We're all like, yeah, that's what you. You fuck on the dance floor. What of it?

[C]

Yeah. Even at. Even at regular bars in New York. Like, which I can. I have seen someone get. If anyone is familiar with bars in New York City, industry bar, there's that big couch in the middle. Like, if you're walking to the. To the back of the bar, the big. The stage is back here and there's that couch. And if they. I see people getting their dick sucked there. And that's like a. That's not a circuit bar. It's like a regular bar. I see people having sex at many places inside gay bars. It's just part of the culture, honestly.

[B]

And people be like, oh, my goodness. Yeah. Yeah. Full on dick sucking, finger blasting. If you see a. If you see a water bottle on top of the urinal or on top of the toilet seat, girl, it was in someone's butthole.

[C]

Emergency. Emergency douche. I have never had some emergency douche. I could not imagine. Bitch, water gets. Bitch, your pants. Water gets everywhere. You're shit. Gonna get wet and poop.

[B]

So you just.

[C]

Have you ever.

[B]

So the other what? The other option. You just don't clean up and let them just blast out?

[C]

Oh, no. Oh, you're not fucking me. We are sucking dicks. Not unless you say that you're clean and you. And you can get fucked. I'm not putting my. I'm not. No, no, no, no, no, no, no. Have you ever. Have you ever emergency douched or has someone emergency douched for you at a club?

[B]

No, but also, if you. I mean, maybe if you didn't douche before you went out, you didn't want it bad enough. You weren't. Maybe you weren't planning for success. If you don't plan. If you don't plan to succeed.

[C]

No.

[B]

If you don't. If you don't plan.

[C]

If you don't plan that the.

[B]

Wait, no, it's. If you don't.

[C]

If you don't plan the thing right.

[B]

If you failed. If you fail to plan, then you plan to fail. That's what it is. If you fail to plan, then you plan to fail.

[C]

If you don't plan to succeed, of the failure plans, you fail to plan to succeed.

[B]

Do I like you to hear it. If you. If you. If you fail to plan, then you plan to fail. So if you don't. If you got. If you, you know, get it together. If you stay ready, you ain't got to get ready.

[C]

Yeah, there you go, Willem. William is your one. Everyone's letting us Know, in the chat tips when I was working night, I mean, I would get them throughout the number, but a lot of my numbers had monologues in them, so I would. Unless it, like, punched what I was doing or it made sense in my monologue, I would normally typically get money during, like, the choruses or singing parts, or if it's just a song that was fully just a ballad or something. I. I would hand them strategically in there, but rarely would I get them during a monologue unless there was. I can, like, accent it with, like, a grab or a fucking something to make it fierce.

[B]

I'm sorry. I'm ready to move on. I am. But can you just show me that picture one more time? There was one more detail I wanted to see in it. Please.

[C]

No, you ain't gonna see shit.

[B]

I'll run the footage back.

[A]

All right, close your eyes. Exhale. Feel your body relax.

[C]

Let go of whatever you're carrying today.

[A]

Well, I'm letting go of the worry that I wouldn't get my new contacts in time for this class. I got them delivered free from 1-800-contacts. Oh, my gosh. They're so fast.

[C]

And breathe.

[A]

Oh, sorry. I almost couldn't breathe when I saw the discount they gave me on my first order. Oh, sorry. Namaste. Visit 1-800-contacts.com today to save on your first order.

[C]

1-800-contacts.

[B]

What do you.

[C]

What? How did you get tips?

[B]

People hate them to me.

[C]

People hate them to me, nigga. Elaborate.

[B]

How do I get tips? People?

[C]

Yes.

[B]

Hand me tips.

[C]

And I'm saying so. You were so. So, so. So the whole number, you're taking them. You don't even. Even if it falls in a part of the number, you just. You just taking money the whole time. Do you want to. I elaborated.

[B]

Elaborate.

[C]

The out of the question. Damn.

[B]

I think I asked you, what do you do with how you. I ask you, what do you do with the tips? How do you save them? You ask me, how do I get them. I just take them out of people's hands, nigga.

[C]

This is a podcast. Engage. Make up something.

[B]

I mean, that was the weird question. I take tips out of people's hands, and then I put them in my brassiere. I take the tips, and I put them in my kitty.

[C]

Yeah, you put dirty tips in your brier, in your brassiere, on your skin.

[B]

I put them in my brassiere, but when I would save them, I would put them in this big Ikea bag. I saved tips for years, years for. I think I saved my tips for probably legit every $1 bill I got, I would save all the $1 bills for years in this IKEA bag that I would hide under my bed, and I took them all in one day. What?

[C]

Okay, listen, if y' all have not heard about the Chanel drama, I saw the video, and I see Chanel's apology video. Oh, oh, you said something about the sips.

[B]

Because you did this. I thought. I thought you were gonna say something.

[C]

No, go ahead, continue.

[B]

I took the tips into the bank.

[C]

All right? I have to say I had a

[B]

whole story about the tips, but you kept me off.

[C]

Go ahead.

[B]

I took the tips to the bank, and then the lady asked me if I was a stripper. Asked me if I was a stripper. I said, yes. She said, no, you're not. Thank you for coming out. TED Talk. Well, what's your. What's your. What's your. What's the show? What's your. What's your show?

[C]

So Chanel from season one of of Drag Race. There's this video she's performing at a brunch at. At her show in Vegas. And where the video starts is you see her, like, walking around with, like, this woman's. Was with someone's purse, and then she has, like, a wad of money in her hand. He's walking around. She walking around. Then she gets to the table of where the purse that she. That she got. She took the purse from earlier, and then she goes inside the purse, takes some more money, and then leaves, right? So then apparently. And then when the woman got her purse back, apparently there was missing what she said $700 was missing from. $700 was missing for her money. But she goes back up to the stage and, like, makes, like, a little. A little stink about it. And Chanel, like, goes off on her, calls her a Karen and, like, and the woman, like, throws her out of the building.

[B]

She's thrown out of the brunch.

[C]

He's thrown out of the brunch. And then. So afterwards, they tried to.

[B]

They.

[C]

They hit up the managers of. Of the club, of the. Of the. Whatever it was, the performance space. And so, like, get the money. Then all of a. And all of a sudden, they got her lawyers involved, and they said that they were trying to get $6,000 back from this place because. For. For damage, for. For actual money stolen and damages. And then Chanel put her video out today about.

[B]

It was reading that, like, that was an is. Chanel was reading a letter. I thought there was like. I was like. She is reading it was giving Trinity

[C]

and Murray and Peter.

[B]

Oh, my God, that was so wild. I forgot about that. But I was like, she's reading this. Like. Like. Like the reporter in the Dark Knight Rises when he was reading the Joker's letter. You could hear the joker laughing in the background. I was like, oh, I remember. My God, this is wild. And I will say this. In the past, I have done a bit where I. Where I grab someone's bag. Bag. I don't think I do it now, but I don't. I never. I never. I never open someone's bag. Like, it's kind of just this thing you learn as a Southerner is you just don't go in someone's purse like it is. It was. Maybe. I don't know if it's all something, but it was ingrained in me. You just net. I mean, you never open someone's purse without consent. You can. You can. Even. Even picking up a purse is weird. You know? I mean, I might do it as a bit, but I. I. The as. Also. I'm a black. And I'm a big black man who's been accused of stealing more times than I have ever actually stolen. So I. I make sure everyone can see. I. I never open it. I never move. And I give it right back when I. When I walk away. I. I never want anyone. I'm not letting you interrupt me. What you gonna tell me? You gonna interrupt my story again? What?

[C]

Talk? Did I say anything? Talk?

[B]

You're doing this.

[C]

Okay? That's for me to remember. This is.

[B]

This is why.

[C]

Why you acting brand new? This is we all this. We always do this. We always do this.

[B]

Honey, you are acting. You are wild.

[C]

This is hype.

[B]

This is hype. This is. This is.

[C]

This is Bob. This is how Bob acts. Bob just gets wild. Nigga, did you. Did you smoke some weed today?

[B]

I'm talking, and you go like. So I'm like, oh, you have a point. And then you change the subject.

[C]

That's for me to remember. Continue.

[B]

I don't want to tell story. You are. Oh, my God. When you interrupt my story. I don't want to tell the story anymore.

[C]

You did not interrupt the story. I literally was like. And then normally you finish, and then I will come in. This is a sibling rivalry.

[B]

Normally you do this.

[C]

Never. Yeah, sometimes. Or sometimes I'll be like. And then you. Can you finish? And then I'll go anyway, back to Chanel. Wait, one word. Are we. Are we. Are we playing charade?

[B]

Wait, wait, wait.

[C]

One word. What word? Film. Film. Mine. Ten Words. Six words. No country. No country for old. No, that's five. I don't know, ten words. Oh, ten things I hate about you.

[B]

You're w. I've never taken. I, I would never pick up someone. I would never take someone, reach into someone's bag and remove anything. And, and that. I, that, that, that sounds very upsetting. That sounds very upsetting.

[C]

Yeah. I mean, I, I've also done that bit before. Do you know this? I would say it's Beyonce.

[B]

That was.

[C]

Lord, what are you doing to this?

[B]

No, you're doing this. No, I'm going. Lord had this bit where she would sing a song and she, she did a few. She'd be like the Riding on the wall. And then the audience started to sing with. And then she'd, she was like. The audience was singing with her and every time they would sing in on this one acapella part, she would be like. And she. So someone made a super cut of every time she ever shushed anyone. The way that had me cackling.

[C]

I thought she, I thought she was so funny.

[B]

It was just one part of the show that she really wanted to sing acapella. But she would be away from the microphone, so she'd be over here. It was just, it was really. There was, it was, it was a serve.

[C]

So can't confirm you love Lord.

[B]

I like some music. Yeah.

[C]

Yeah. I've definitely done that bit before as something. I, I, I probably have not done that bit since I was in Drag Race.

[B]

Like, I. Purse.

[C]

No, like, I would, I would, I would grab someone's purse. That was when I was like, open. I would like, look at it and I'll like make like a funny face. Like, and I put it back to it. But I would, I've never taken something out of someone's purse. I don't, I don't think I have. Because also. But you never know what you're gonna find in somebody purse. Or if, or if it was like a friend. Like, if a friend came, like for example, Bradley Wilson, you know, Bradley was crazy. Brady. Bradley would have his little purse or something. And then I would take Bradley's because I know he'll have something crazy in there, like a douche or like a 12 inch dildo. Because Bradley was wild. I will, like, that would be ammo for number to do something funny with it. But if it wasn't a friend, I wouldn't, I wouldn't go into someone's purse. Imagine. But here's. Okay, so, yeah, so Chanel was reading this letter and he asked for $6,000. I did not finish the video. It's like a 12 minute video. I was like, girl, this could be told in five minutes. So I don't know how the video ended, but I know they were asking for $6,000. And the. And the bar met her, said, we will give you, you $2,000, $1,200 for the nine tickets you purchased and $700 in good faith, because they. Because they counted the tips that Chanel made, and it was like she didn't even make. Well, Chanel didn't say how much, though. She was like. And the bar counted my tips, and I did not make $700. She was like, I made 699. But. So, but will. But in good faith, we'll give them $700.

[B]

I was.

[C]

I was like, why can't you say the number? But tell us the number, Barry.

[B]

What.

[C]

How much was it? You know, years ago, but who knows?

[B]

Years ago we were at Saliva Tuesdays. And I'm telling you right now, if Thorgy has one thing, it is the nerve. We were at this party and there was this tip bucket girl, this one person whose job is just to pick up tips, right? And it's usually like a baby queen who's trying to, like, you know, get up in there and, you know, make a. A splash in the scene. So this baby queen is like collecting these, these tips. And then this one queen who came down from Philly, I cannot remember her name, she did Rihanna, she did Umbrella. That's how long ago it was.

[C]

Black queen.

[B]

Yeah.

[C]

Vincelle.

[B]

No, this was. No, no, no, this was. Vince. This was. I mean, this was. This was when Umbrella came out, probably. It was long ago. So she. She was a. She was a really short queen. Not short. She was. Anyway, she was. She was doing this number. And then. So the, The. The drag girl Leapolitan gave her her tips. And then. And then she was like, this is not. This is not the amount of tips I had. And then she. She was like. She goes, they were going crazy. I know I had more than this. And then she was. Leopoldton was like, this. This, like the sweetest.

[C]

Sweet.

[B]

I mean, like, soft spoken. Yeah, like. Like a timid. You know what I mean? And then this queen was accusing Leapolitan of stealing her tips. So then. So then she was like. So she was the girl. I think the girl made like 20 bucks. And then the queen was like, I made at least 200 bucks on that tip. She goes, oh, did you? Thorgy goes, did you? She goes, at Least. And Thorgy goes, okay, quick question, Bob, how much did you make in tips tonight? Okay, Monet, how much you making tips tonight? Okay, Azra, what did you make? Okay, I made this. Okay. And Leah, what did you make? And then she did the math. She added those up. She goes, so you're telling me that all of us collectively, throughout the whole night, we made $204. And you. She pointed, she said, and you made $200. You was fucking drunk in one night number. And the way that girl just looked at Thorgy like, you just ruined me, and I will never get Thorgy. Also, one time we were working at Lucky Chang's and there was this new manager that came in. This brand new manager came in and he was. He was like. He was the new manager in charge or whatever. And he was like, oh, we're interviewing all the new girls because there was all the girls who worked, like, James downtown and all the girls who worked Lucky Chang's uptown. So we. The ones who joined uptown were called the new girls. But this new manager started that day. So he bought. He pulled all of us in the upstairs office one by one and walked in, he goes, I'm just interviewing all the new girls to see if there's still room for them here at the company.

[C]

Girl.

[B]

He pulled Thorgy in there and. And he said, we're just. We're just interviewing all the new girls to see if they still have space in the company. And then Thorgy said, new girl. I'm not new.

[C]

You're new.

[B]

You just started today.

[C]

Sounds like Thorgy, that.

[B]

I was like, oh. She said, I'm not new.

[C]

You're new.

[B]

You just started today. That I was like, that is honestly brilliant. And my dynasty's like, well, we'll see. Let's see if I still have a job. I mean, I ended up quit. I ended up quitting after. I ended up quitting after that day because he ended up telling all the queens that we had to work off his just tips and we wouldn't be getting paid. So I was like, I'm done, girl. Thought you read him the fucking. His Miranda rights. His new drag name was Miranda rights. I gagged.

[C]

Here's a question about nightlife.

[B]

That was nightlife. All nightlife. Yeah.

[C]

Yeah. In New York, I think. I mean, because I think the bars that I worked at there weren't. There weren't a lot of. They weren't go bars. Like, industry is not a go go bar. Therapy was not a go go bar. Hardware was not. Pieces was not. Boots didn't have so but in la, a lot of bars here there are Go go bar. They go go dances, pretty much every bar. And have you, have you seen this when they go to tip someone? Like, like tipping is like tipping. A Go go dancer is like carte blonde should just full on fornicate with them. Have you seen this? All for a dollar, girl.

[B]

All for a dollar. Dick is on the dollar menu. Dick is on the dollar cheats pole is on the dollar menu. It's crazy on the dollar menu.

[C]

It's insane. I'm like maybe, maybe that's what gogo culture is. But I have never experienced it. But it gets wild. I do that for a dollar. Not a dollar,

[B]

girl. They do what they do. Listen, you know what? Because if you let that person grope you for that dollar, they're probably gonna come back with another dollar later on and then another dollar. Let me try now. Go, going, go, going. And stripping is not is, it's rarely about the money you make standing on that fucking block. It is about getting one person to be obsessed with you and they will come back and give you every spare dollar they have. What? What? What do you want? You want to steal another dress of mine here? You want me show you some more outfits I wore? You can mop. What are you here to steal now? What mo. I have this green. You want this green one? You want this green one? It's a feather on my head. What do you want?

[C]

Brandon, you said I have seen. We, we have to let, we have to unmute. Brandon. Brandon said, I have seen a specific rude girl make out with gogo boys at the club. Okay, I'm, I'm g, I'm gonna give you some clues and you tell me if you can figure it out, right? It, it was a season 13 finalist

[B]

who won.

[C]

13? Which one? Which one of the season 13 finalists do you think was the one kissing? That's you.

[B]

Simone got Mick Candy Muse. I wouldn't say Simone. I would say Mick or Muse. Not Ros, Mick or Muse.

[C]

It was got, it was got meek.

[B]

I, I, I tip Go go boys down. Have you ever met out with one? No. And I love a, a, I love a. I want the dollar to stick. I love a sweaty Go go boy. Oh, honey. Sweat dripping. Yes, absolutely.

[C]

No, not I. Have you ever. Okay, have you ever. Have you ever tips a Go go boy and suck or a little?

[B]

I've never sucked a Go go boy stick. No, I mean I've probably hooked up. I, I've hooked up with a Go go boy. I've hooked up with a person who was a Go Go boy, but I've never sucked a Go Go boy's dick at work, but I've hooked up with a person who was a Go Go boy.

[C]

Got it back at. Back at Club Feathers. Club Feathers was the club in New Jersey that I. I would work at often. I used to make out with one of the Go Go Boys there because. So the stage is right by. Right off the dressing room, and we would. It was. The dressing was for y', all a tiny dressing room. I mean, like, what. Okay, 10 things.

[B]

Yeah, yeah, yeah, yeah, nigga. Yeah.

[C]

What movie?

[B]

How you like that?

[C]

But so are we just gonna play charades in the middle of my question?

[B]

That's not a char. How are you not getting what I'm doing?

[C]

I don't understand what you.

[B]

How are you not getting what I'm doing? Everyone in the chat gets what I'm doing. Everyone gets what I'm doing except you. Everyone. How do you not get it?

[C]

It's not Jackbox Party games. They're doing a podcast.

[B]

Oh, my. It's. Oh, my God. You. Sometimes you are so smart, and then sometimes I'm like, how does this bit. How. How.

[C]

How does this bitch. So.

[B]

It is.

[C]

It was a small. It was a small dressing room, and then so oftentimes I would make out with the Go Go Boys all the time. There was this one. One really hot dude. He was. He was Dominican and black. He was like six foot two, and we. We. Which. He was such a good kisser. He was great. It was lovely. And he so. Club Feathers. Go Go Boys. Hey, I miss y', all, girl.

[B]

Yo, I, I. I need. I need y' all to sound off in the chat. Is Monet fucking with me? Is. Is this one of the things where Monet intentionally gets under my skin and she knows what she's doing, or is she this dense? Is she acting dense, or is she really this dense? Because this is. This is insane. This is in. This is madness. Monet, I feel crazy. You have been fucking with me this entire podcast. You are fucking with me, and I'm not. No, we're gonna talk about this. This is wild. This is how bitches are at their wits end, where. I don't know what's up. I'm in the upside down.

[C]

This is how I felt when I

[B]

was doing Crystal Methods makeup. This is how I felt when I drew the lips on while doing Crystal Method makeup.

[C]

Lloyd said, Bob is losing a little bit of Harry as.

[B]

Thank you all for validating Me in the chat. Cuz Monat is with me. She's with me. You haven't with me.

[C]

Okay, I feel like this wits podcast has gone on for 27 hours. We have to cut it off. At some point we have to end the podcast. You know what? Cut off.

[B]

I know how to get you to cut it off. Let me start telling another story. All of a sudden you'll think of a new topic. We're done.

[C]

Oh, wait. I do have one question. This. What?

[B]

You waited because I had a thing to say and then you got inspired again? This is. Is madness.

[C]

Okay, now he's not doing a thing. I don't. Now. Now you're have.

[A]

You're.

[C]

You're. You're completely. Now you're. You are. Now you. Now you're getting crazy. I don't. I'm not doing anything. I have not doing anything. I'm not even be extra. I'm not doing anything. I promise. I'm not doing. I'm not doing anything right now.

[B]

What. What are me and everyone in the chat talking about? We are all on one Accord. You're. You're. We're on an Accord and you're on the Centra. You're on. You're on. We are on one Honda Accord. Accord. And you're on the. Freeze.

[C]

Come on. This last thing. I was like. I have one more question. You were like. I don't understand that reaction. I don't know what just happened to you there.

[B]

Because you waited until I had another thing to say and then you only get your inspiration to think. Mon. Say your last thing. I can't. Say your last thing so we can get the out of here. You are wild. Say your last thing. Say your last thing.

[C]

Well, it's just reminiscing on old times. Remember you and I, we used to. Even the nights we were off, we would stay up like, we would like go to bed like 6, 7 o'. Clock. Even on nights ago, like we were. We were staying up late. But now my bedtime by 11, 12 o' clock I have to be in bed. I'm so tired. Even if I was. Even if I was up early, I'm at work late. You know what I mean? Do you feel the same thing?

[B]

No, I. I can stay up late if I need to. I mean, I woke up very early this morning. I was in drag. I Woke up at 4 in the morning. To get in drag. To get in drag.

[C]

Right, because we did a thing to. Yeah, yeah.

[B]

I Woke up at 4 in the morning. I woke up very early

[C]

morning.

[B]

I woke up very early in the morning being dragged today. And I came home today, I hung up. I hung over that side who is like, we have to have a side on the podcast one day because, y'. All. I can't explain the nuttiness that is our friend Assad without you meeting him. He's just so great. He's so nutty. And he. He's the director of Purse First, Soak It Up Love like this and the movie Cherry Pop. He's a really great filmmaker. I love, love, love him, but he's very draining. He's that friend. He's very, very draining. And I was. He did. He did you song. He doesn't want to know that, though. And I fell asleep and I came on. I was like, I gotta lay down. I gotta lay down. But then I got into this. So I want folks who I can. As long as I don't stop, I can keep going. But the moment I slow down, if I'm tired, I crash. You know what I mean? But, yeah, I. I do. I do remember those days. And I remember reminiscing and staying up late, and I can. I can still pull an awkward nighter. Sometimes I just be like, not sleepy, girl. Jacob, honey, I. I don't know who I'm married to, but Miss thing over here is Jacob will be. Jacob will be in bed by 10. No, not 10. Goes bed before I do. And also, Jacob. I know I said married. It's a. It's a euphemism. We're not actually married. And Jake. We're not. We're not actually married, y'.

[C]

All.

[B]

We didn't have a secret Mar. It was. It was a bit. Sometimes Jacob and I jokingly say, this is not the man I married, but we're not married anyway, way. So. J. Can I. I don't know if I can say. Jacob probably get mad at me. If I. If he mad, just let me know later and we'll.

[C]

We'll have it out.

[B]

But Jacob is like, when Jacob goes to sleep, girl, I. Jacob cannot sleep with a crack of light. Jacob cannot sleep with a sound a. A. A ruffle of a chip. I be in the. I be in the house trying to watch tv.

[C]

I couldn't. I could not see. I cannot see what Jacob, Andy and I, we have better here because our

[B]

place is bigger here. But when we were living with Zach, Jacob used to come. I would watch TV while Jacob was going to sleep, and Jake would come back, and I would swear the volume would be like. I would be Ear to the tv, trying to listen. And Jake would be like, you have to turn this down. It's so. It's so loud. And I'll be like. And I'm like, it's so quiet. And I can imagine that it's very frustrating to not be able to sleep.

[C]

You need.

[B]

What? You need to sleep. You need to sleep. How? You need to sleep. That is completely, completely valid.

[C]

I could not.

[B]

And, And I. And I. And I. And I really try my best to accommodate. I really try my. I need to accommodate.

[C]

I can sleep, my love. As long as it's not like someone said, wow, the Ezra favoritism. Y' all are wild. I can sleep.

[B]

Well, I sleep before Ezra.

[C]

Is Ezra a light sleeper, too?

[B]

No, I not. And I don't know. I always go to sleep before Ezra. Every time. And I will sleep. I. I can fall asleep during anything. Usually Ezra is watching TV while I'm sleeping. I actually like when he watches tv. I fall asleep while he watches tv. Like, he'll be, like, watching always Bob's Burgers or Golden Girls. Always Bob's Burgers. Over and over again. I mean, over and over. The amount I've fallen asleep while he's watching Golden Girls. And I just. And I. And I pass out. So Jacob usually sleeps before I do, and Ezra usually. No. And I usually sleep before Ezra does. But. So. Yeah, but. But he's not. He's not very. He. He's a. He's not, like, a strong, strong sleeper. But I just. I usually never have that problem.

[C]

Yeah, I, I, I need to have. I can't sleep in silence. People that can sleep in, like, silence, like, literally not anything is going on. I cannot sleep with that because to me, that's so loud. Like, I. I need to have, like, a fan or, like, something playing. I cannot sleep. Sleep. And just, like, pitch silence. That's. I can't see with that.

[B]

Okay. I went to Monet's place late night, and Andy told me to shut the up. Andy told me on the way over to keep my black mouth shut. Andy told me on the way over.

[C]

That's not what he said. He said, bob, shut your mouth. That's what he said.

[B]

Monet, you. You about to get your boyfriend run out of town.

[C]

You know what he just said? Stand by, black mouth one

[B]

run out of town. He did not say that. He did not say.

[C]

Oh, but you imagine. Imagine if. Okay, let's. Let's play scenario. Imagine that happened.

[B]

All right, I'm Andy. All right, I'm Andy. You ready? Last role Play of the evening. You ready?

[C]

Okay.

[B]

Hey, my. Hey, my lovely little.

[C]

This is too much. I'm uncomfortable. I can't. Someone said, I'm uncomfortable with conversation. I can't, I can't, I can't, I can't.

[B]

I'm uncomfortable.

[C]

I'm uncomfortable.

[B]

I can't.

[C]

We say to him, I can't, I can't, I can't. I'm uncomfortable. I'm uncomfortable.

[B]

I can't, I can't, I can't.

[C]

My skin is melting off of my face. Can of worms. Oh, that was me. To quote Bob, what's your part in this?

[B]

What's your part? All right, we gotta go. Monet, I love you. Goodbye.

[C]

This podcast is chaos. This podcast today was chaos. It was crazy.

[B]

You. Monet. I will not let you fucking fuck with me. You're not with me. You with me. This entire podcast. I will not take. I will not take you. You are out of control. You are out of control.

[C]

This is crazy.

[B]

You. You are ruining me is what you're doing. I. I have some stuff to show you on a digital call after this. I picked up some stuff I.

[C]

To show you, too. I. I got. I got some sketches for something. You see.

[B]

Okay, this another thing.

[C]

This is another thing. So all it takes is one person to be like, here we go. Let me show how crazy the bobbleheads are. Right? So Margaret Roman goes. Monation is victorious once again. Here comes Easy. Isla. Isla. Talking about some. The bobblehead stand strong. Why I gotta. Why I gotta do that?

[B]

Why I gotta do that? The bobbleheads.

[C]

The bobbleheads are too much. The bobbleheads are too much, too much

[B]

in here right now.

[C]

The Making the Band. Y' all know the Making the Band video? Taquita. Too much. Taquita. Too much.

[B]

Listen, last thing I'll say before I go out. Hashtag bobbleheads. Logic and reasoning for life.

[C]

Monation.

[B]

Logic and reasoning Team Team. Logic and reasoning Team.

[C]

Logic and reasoning team. That's what they are. Team Mon.

[B]

Mon. Mon. Claimed her. Team Team. Y' all heard it.

[C]

Monation. Send. Send them. Send them green apples, baby. Post them green apples, baby. Post the green apples.

[A]

Bo.

[B]

Hey, y'. All. Post sunflowers like Monet's stolen dress. Goodbye, everyone. Thank you all for joining us today.

[C]

Sunflowers. That ain't make sense. Maybe just post a bald head. That's y' all thing. A little bald head. Oh.

[B]

Cause what are you. What are you, Bob Marley?

[C]

What? What, honey? What? What, honey? I am giving. I'm giving Martin Hernandez. Honey, what what?

[B]

From the costume to the all right, Jacob, we got in. All right. Thank you all for joining us.

[A]

Summer is here, which means we all want to look and feel our best. A GLP1 may be right for you. Visit orderlymeds.com to learn more about which GLP GLP1 you could be eligible for. Getting started is fast, easy, and happens virtually through telemedicine from licensed professionals. Check it out for yourself. Go to orderlymeds.com podcast. That's orderlymeds.com podcast. Taking care of yourself feels great. Compounded medications are not FDA approved. Eligibility required and determined by a licensed provider. Individual results may vary. See website for details.