The One Where Bob Fights his Painter

Summary

Sibling Rivalry – Episode: "The One Where Bob Fights his Painter"

Date: August 10, 2026
Hosts: Bob the Drag Queen & Monét X Change

Episode Overview

This week on Sibling Rivalry, Bob and Monét take us through a raucously funny and revealing hour centered around honesty, lying, and, most amusingly, “fighting” with a painter. The conversation covers everything from showbiz biopics and voice acting, to cultural nuances in slang, to playful debates about the ethics of lying and running scams—culminating in a dramatic role-play where Bob confronts his misbehaving painter.

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Key Discussion Points & Insights

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1. Showbiz Biopics & Casting Dreams

[00:41 – 06:18]

• The hosts debate whether actors in biopics should perform their own singing vs. lip-synching, citing examples like Rami Malek in Bohemian Rhapsody and Jennifer Hudson as Aretha Franklin.
• Both show an interest in playing Sylvester in an imagined biopic, with Bob joking, “Can I play Sylvester in the film?” (01:53)
• Bob critiques the trend of superhero and biopic blockbusters:

  “I feel like [biopics]... it's become the new, like, superhero... It's a new end game.” (04:06)

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2. Game Time: Guessing & Clues

[06:21 – 14:52]

• The crew plays improv guessing games reminiscent of $100,000 Pyramid, each taking turns giving clues and laughing over inside jokes and light-hearted sexual references.
• Notable moment: A comedic exchange about the correct number of participants for a bukkake.

  Monét: “That's too much come. Five. Too much.” (09:50)
  Bob: “That's not a bukkake.” (09:53)

• Segues into affectionate teasing about the concept of "sibling riverly":

  “Sibling Riverly is the show where we get everything wrong, which is every show.” (07:37)

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3. Cultural Slang: “BBC”, “Coochie”, and Linguistics

[15:02 – 18:48]

• The hosts dissect the origins and racial divides of slang terms:

  Bob: "I don't think black people created the term BBC, but when they created it, they should have had us in mind." (15:47)

• They explore “pudanda,” “punani,” and regional preferences for slang describing genitalia.
• Monét raises linguistic quirks:

  “Why is it Filipino with an F and Philippines with a P? That’s crazy to me.” (18:32)

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4. White Lies, Honesty, and Emotional Labor

[18:53 – 28:10]

• Bob and Monét open up about their personal policies towards “white lies.”
  • Monét admits: “I think that sometimes white lies are a thing, and I think those are okay.” (19:00)
  • Bob counters: “You can’t just find a real compliment?” (19:34)
  • Both discuss awkward moments after bad performances and the challenge in balancing honesty and kindness with friends.
• Bob shares: “When I lie, I pretty much immediately be like, ‘I lied, and I do not know why I did that.’” (20:47)
• Anecdote: Bob admits lying about a surprise birthday trip but just to keep the fun for others (21:33–22:58).

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5. The Painter Roleplay: How to Handle Conflict

[28:14 – 34:43]

• Inspired by their debate, Bob and Monét act out a “painter confrontation,” complete with accents and escalating hilarity.
  • Monét (as the painter): “You want me to pay for your floor?”
  • Bob: “I’m gonna need you to your company... do you own it?”
  • Monét: “I own it, yeah.”
• The sketch drifts into cultural references, boundary setting, and the ever-present urge to avoid actual violence.
• Monét presses: “You got to escalate, bitch. We’re on the escalator.” (33:15)
• The scene lampoons both conflict-averse and aggressive negotiation styles.

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6. Friendship & Lying: Where’s the Line?

[34:44 – 41:41]

• Bob, Monét, and producer Jacob confess to minor lies and how each manages honesty in relationships.

  Bob: “I think because I don’t lie, I’m often in really awkward situations…” (38:03)

• Both reflect on lying for surprises vs. lying to withhold truth, and how close friendships usually elicit more honesty.

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7. Infamous Liars & Real-World Scams

[42:00 – 48:16]

• The hosts name their picks for “best liars” (public figures): Elizabeth Holmes, Anna Delvey, and Billy McFarland.
  • Bob sums up Holmes: “She convinced everyone that she has developed a technology where she can take one drop of your blood and run dozens of tests from one drop.” (43:59)
• Discussion of “could you pull off a scam”—Bob considers domain squatting as an almost-scam from his past.

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8. Domain Name Debates & Spending Habits

[48:16 – episode end]

• Hilarious standoff: How much would Bob or Monét pay for their domain names?
  • Bob: “I would not go above $5,000.” (50:40)
  • Monét: “$10,000 is my ceiling.” (49:32)
• Exposé on Bob’s eccentric spending (flying hookups internationally, buying an outdoor gym, or stoning a car by hand); Jacob and Monét poke fun but Bob stands his ground.
  • Bob: “I bought a PT Cruiser for $1,500. I got a functioning car that is good for $1,500.” (53:26)

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Notable Quotes & Memorable Moments

• Monét, on biopics: “I would go for Sylvester Musical… I want to do both.” (03:08)
• Bob, on friendship and honesty: “I trust you to keep my secrets.” (26:08)
• Monét, on role-play confrontation: “You want me to pay for your floor?” (30:10)
• On linguistics: “Pudanda is white, southern.” (17:14)
• Monét, on fake email domains: “That's a gamble because what if you... you're not going to make them… but if I buy a bunch for like 15 bucks and I can sell one for $500...” (47:41)
• Bob, defending gym purchases: “People work out outside all the time.” (51:29)

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Timestamps for Important Segments

• Biopic/Superhero Movie Rant: 04:07–05:15
• Game Segment (“Pyramid” and guessing): 06:27–14:52
• Debate on slang (BBC, Coochie, Punani): 15:02–18:48
• Lying and honesty discussion: 18:53–28:10
• Painter roleplay sequence: 28:14–34:43
• Personal lying among friends: 34:44–41:41
• Famous liars/scams: 42:00–48:16
• Domain name pricing & eccentric spending: 48:16–53:36

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Tone & Language

The tone remains quick-witted, irreverent, and full of the warm, teasing chemistry for which the duo is known. Their banter is as insightful as it is hilarious; no section is safe from comic deconstruction or earnest reflection.

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Conclusion

This episode blends high-energy comedy, genuine reflection, and playful experiments with honesty and confrontation. The recurring motif of authenticity—whether in showbiz, personal friendships, or confrontations about fuchsia walls—reveals the deeper stakes underlying Bob and Monét’s uproarious dynamic. For listeners, the episode delivers not only laughs but also takeaways on how (and when) to say what you really mean.

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For Full Hilarity: Don’t miss the painter confrontation (28:14–34:43) and the candid friendship honesty confessions (34:44–41:41).

Transcript

[A]

My name is bob the drag queen,

[B]

and I'm monet x change.

[A]

And this is simply rivalry. On this week's episode, Monet falls off her chair and it's really embarrassing.

[C]

Bob fights his painter.

[A]

And we find out what made Monet say this.

[C]

I think the ones for coochie she understood. And we find out what made Bob say this.

[A]

I guess Jacob's just a dumb bitch. You make me feel. Can you rate that, please?

[C]

Can I write it?

[A]

Rate it.

[C]

Do it again.

[A]

I want you to rate the one that I did before.

[C]

I wasn't listening.

[A]

You make me feel.

[C]

I don't like the scoop into it. Just start it up.

[A]

You don't like it?

[B]

No.

[C]

Just start at the. What did I do on the picture?

[B]

You. You.

[A]

You make me feel.

[B]

No, no.

[C]

Now you're writing sharp.

[A]

I have a scoop. You make me feel.

[C]

Oh, it's good. I'll give that a 10 is like

[A]

the best that I've ever heard.

[C]

Or for you. For you or in Sylvester's a ten. Okay, where am I? Sylvester's a ten. You're five.

[A]

You just gave me a seven.

[C]

Well, I was doing it. I was like. To you like what I've heard your vocal ability. I've ever heard you do not to Sylvester.

[A]

You just gave me a seven a second ago. How did I lose two points in the game?

[C]

Because I was just judging by your vocal ability. What I've heard you do in the past. That doesn't seem fair.

[A]

I lost two points out of nowhere.

[C]

Yeah, because the scale is too Sylvester. Do you know that someone. I don't know who is making the biopic, but the world needs to know more about Sylvester. Why is Sylvester just like Lost?

[A]

Can I play Sylvester?

[C]

Oh, thank you.

[A]

Can I play Sylvester in the film?

[C]

I don't know what Sylvester even looks like.

[A]

Sylvester, can you pull up?

[C]

Can you pull up Sylvester? Jacob?

[A]

Sylvester's dark skin usually had a perm. Pretty tall and about my size, to be honest, depending on what part of his life he was in.

[C]

I feel like it looks like Mohart,

[A]

but he's too big for Mohart. Mohart's tiny. How, how, how.

[C]

How tall was Sylvester?

[B]

Six, three. Six.

[A]

Three.

[C]

Six, three.

[A]

So can I play Sylvester? And I'm gonna do Angela Bassett. I'm not gonna sing.

[C]

No. See, when I put it to the biopics again, love what's got to do with it. Angela not being able to sing didn't do anything. Didn't make the role bad or good. But I do for me personally, I do like it when the person can sing.

[A]

See, I don't like. I don't always like when they choose the person to sing because sometimes they're not doing the right acting choice. They chose to go with the singer.

[C]

And.

[A]

And oftentimes they don't sound like Aretha Franklin. I mean, Jennifer Hustle did not sound like. She didn't look like her. She didn't act like her. She didn't sound like her.

[C]

Oh, I think. I think. I think I should do Sylvester.

[A]

But they just took someone who just sings really well.

[C]

Yeah, I mean, I would go for Sylvester Musical.

[A]

You do the music or do the movie?

[C]

I want to do both.

[A]

Like, was the guy singing in Bohemian Rhapsody?

[C]

Rami Malek?

[A]

Jacob, can we.

[C]

It mixed?

[B]

Yeah, yeah.

[A]

So he's saying some of it and then they did some.

[C]

Freddy got it.

[A]

Does it have MJ too? And how about Whitney?

[C]

Did you see mj? No, I didn't see it either. Everyone told him how amazing it was, though.

[A]

I've heard mixed things. I know that a lot of the Jacksons are not happy about it.

[B]

Apparently.

[A]

Apparently got it. But that might be personal.

[C]

There's a Whitney biopic. Oh, the one that somebody that came out like two or three years ago, right?

[A]

Yeah.

[C]

I didn't see it.

[B]

She lip syncs all of that.

[C]

Did you. Did you see it?

[A]

I didn't see it. I kind of fell off of biopics. I haven't watched the biopic since Bohemian Rhapsody or maybe Rocket Man. They kind of soured for me because they just. I feel like they're just. It's become the new, like, superhero. Put every franchise together. It's a new end game.

[B]

Or.

[A]

What's it called?

[C]

Avengers.

[A]

Avengers. It's the new Avengers. Like, I would rather watch the individual movies than the one where you try to cram every superhero into one movie.

[C]

What do you mean? Oh, you mean I wanna watch Spider man, not Avengers?

[A]

Yeah, I don't wanna watch Avengers.

[C]

But I don't get how. Cause Are you saying biopics? They're putting a lot of people in it.

[A]

No, it's become like the way to get people to go see it. Go to the movies now. Whereas I feel like they used to be making superhero movies, now they're trying to cram all the men are. To get people in. And now the biopics. So I think that the. What I'm trying to say is the. They have lost their. The superhero movies have lost their artistic merit because they're just trying to make these blockbusters. And I feel like the biopics are doing the same thing.

[C]

Well, I disagree with you on the superhero thing. That's not why they do that. Because all like the superhero movies, you only get those big ones, everyone like every like five years. But the other ones are leading up to. Right. You have all the Ant man movies, all those individual Iron man movies, all the Spider man movies. They all have a lot of individuals and then they culminate. Because that's just how the comic book works.

[A]

It can't just be every five years. I feel like.

[C]

No.

[A]

What's it between Avengers and Avengers Endgame. How long?

[C]

That was four years.

[A]

And then the Justice Leagues.

[C]

Those are separate. That's a separate cut. Those are separate franchise.

[A]

The director's cut.

[C]

The Zach's not a director's cut. I'm sorry. And I love superhero movies. Why the fuck am I watching a five hour movie? And it was not good. It's just like I didn't watch it.

[A]

Couldn't be bothered.

[C]

It was ridiculous. I hated it.

[A]

You want to cast the Wizard?

[C]

Um, sure.

[A]

Okay.

[C]

We did this before, but we can do it again.

[A]

Oh, did we?

[C]

We have done the Wiz. We did Wiz of Oz and the Wiz.

[A]

Oh, well, I guess Jacob's just a dumb bitch.

[C]

I didn't say it. But you did.

[A]

Well then if we did it, we don't have to do it.

[C]

Is there something else we can cast?

[A]

You tell me.

[C]

What do you do? I always feel so disingenuous. I don't know. And I can't tell if. Yeah, I can't tell you. Just so fucking.

[A]

It's just your feelings.

[B]

Live action. Prince and the Frog.

[A]

I would probably cast the new Dream Girls. It has been over 20 years. Or I would do Little Trouble. Horrors. It's been almost 40 years.

[C]

Not a musical.

[A]

I think it's been over 40 years.

[C]

Can we do it with something that's not a musical? How about let's do. Let's cast a new A Death of a Salesman.

[A]

Let's move on to the next thing.

[C]

What game do you have, Jacob?

[B]

Oh, this is. Okay, so this is. We have this.

[C]

Is this Pyramid?

[A]

No, I want to play this game.

[C]

This is Pyramid.

[A]

No, it's not. Is this Pyramid? No, Pyramid. Well, Alex Mighty. So what happens is you and I have to get a secret word. We can only speak one sentence at a time to describe what this thing is. And then Jacob has to guess what the word is. So for example, if the word is leg, we'd go, what is below your waist? And then you hit your leg to Finish the sentence and then Jacob goes leg. Do you get the game?

[C]

Okay.

[A]

All right. So, Katie, can you give us some words so you'll flash the words so Jacob can't see us? Maybe you'll stand right there.

[C]

Flash the words. How's she flashing it on her phone? Oh,

[A]

you. We also have marker board if you want to use a marker board.

[C]

Yeah, yeah. Katie, who's on the phone? First of all, first of all, you as your bad vision. This is going to be you.

[A]

First of all, I'm. It's a nearsighted thing, so I. I'm actually quite good with things that are far away. That book over there says freedom.

[C]

You look at it every day. Oh, my. You love the book. Over says for years. Sibling rivalry actually says Riverly. Honestly, let's bring back Riverly. I liked it.

[A]

I think sibling Riverly is the show where we get everything wrong, which is every show. All right, so make sure Jacob doesn't see the word.

[C]

Jacob don't cheat.

[A]

Jacob would not cheat. We can only do matter with the wording. No, but it has to be one word, though. And then. And then we can only speak one word at a time.

[C]

I got it, Bob. I'm not remedial.

[A]

And then one of us decides when the tennis is over.

[C]

Oh, how. How do one of us just decide?

[A]

One of us just feels it. We're like, we think Jacob can get it from this.

[C]

Okay, got it.

[A]

And I would do I. And you want to get a few loaded up.

[C]

You know what? If you. If you stand in this doorway. Actually, that's probably better.

[A]

Jacob's eyes are closed.

[B]

You know, I don't really cheat at games, but we used to play a lot of board games with someone who did cheat. And I would actively cheat to counteract him.

[A]

He did.

[C]

Damn.

[A]

But Jacob, Jacob. Jacob would not cheat. I don't think that a word. Oh, you can be a person. Please put it back.

[C]

Put it back. I'm so sorry, Kane.

[A]

I mean, I think it's simply do a person. Thank you.

[C]

Where's the jacket from? I don't know. I don't know.

[A]

Okay, okay. I've added these. Rob added these work. Okay. The host of the most watched drag show, RuPaul.

[C]

There it is.

[A]

Ding.

[C]

All right.

[A]

That was easy. All right.

[B]

Yes.

[A]

See this? Yeah, that was a pretty easy.

[C]

That was a pretty easy one.

[B]

Okay, wait, can I. Can I. Can I do one?

[A]

Okay, so. Okay, so I'll close my eyes. I'll close my eyes.

[B]

Yeah.

[C]

So Jake, when I are doing it.

[A]

Yeah,

[C]

close your eyes. Close your eyes. Kesha on that. Kesha. Kim. Peter's in the album, I must say.

[A]

What?

[C]

Okay.

[A]

I was like, it's not a Kesha song. Can I open my eyes now?

[B]

Yep.

[C]

Open your eyes.

[B]

A circle of men.

[C]

Come all bukkake.

[A]

I want one. I want.

[C]

I want one.

[B]

Okay.

[C]

That is. Y' all are so gross. Ugh, gross. Thorgy Thor. Oh, Jesus.

[B]

Gross.

[A]

Ugh. Jesus. Gross.

[B]

Who's the guesser?

[A]

Would you do Monet? Would you do a bukakima? Like, either one.

[C]

Which role am I in either one.

[A]

Would you be in the middle of getting. Como.

[C]

It was. It's too much. Come like. Okay. How many people in this bukaki?

[A]

7.

[C]

That's too much. Come. 5. Too much.

[A]

3. That's not a. That's not a bukkake.

[C]

That is a bukkake.

[A]

You need at least four to. You need to decide, like, if it's. If it's two guys, that's a three

[B]

to the next word.

[C]

All right.

[A]

Mon's got her eyes closed. Mon's got her eyes closed.

[B]

Okay, Gotcha.

[A]

All right, this would be. We can do this in two words. Am I you going for eyes now? We do this in two words.

[C]

Your favorite scissor. There it is. Okay.

[B]

Do one.

[A]

That's a word. Like a word that'll make it easier. That'll make it harder. Yeah. Your favorite scissor. We would go on one of these shows and destroy.

[B]

I. I.

[C]

Do you think you and I could do pyramid?

[A]

I don't really know how pyramid works.

[C]

We. Jake, I would love to play a pyramid if we can.

[B]

Okay.

[C]

Okay.

[A]

Wait.

[C]

Who's. Are we?

[A]

Are we?

[C]

Who's.

[A]

I'll close my eyes on this one. Or we'll go back to Jake. What's going. Order. So Jacob, don't look. Just show me your mo.

[C]

Ooh. Ooh. Okay.

[A]

Oh, we're playing tough now.

[C]

We are.

[A]

All right.

[C]

You already tried it.

[A]

On the sidewalk.

[C]

You will step on this.

[B]

A crack.

[A]

It is made of this.

[B]

It is made of this. Did you point at something? The

[A]

ground on the sidewalk is made.

[B]

There we go.

[A]

Okay, let's do another hard one. That one was crazy.

[C]

That was hard.

[A]

When I say it is made, I meant it. The sidewalk. We were continuing with the. With the. With the storyline.

[C]

Got it.

[A]

That one was what? My car. I've been crazy the whole time.

[C]

Oh, I thought that was. I generally thought that's how it was. I thought it was supposed to be, like, popped. Got it. It's probably back. Is that. It looks good. It doesn't look weird.

[A]

All right, who's closed their eyes this time?

[C]

You guys want to close your eyes?

[A]

Close my eyes.

[C]

Close your eyes. Yeah. $100,000 pyramid is one of my favorite game shows ever in the uk. Okay, Jacob, look.

[B]

Okay, great.

[C]

Okay.

[A]

Can I buy us?

[C]

Yes.

[A]

Okay.

[C]

These buildings are tall.

[A]

Skyscrapers. Yeah. Okay. I was like, burj Khalifa. What is it? What is it?

[C]

Burj Khalifa. Burj Khalifa in Dubai.

[A]

I don't know where it's at, but I know it's the world.

[C]

I know it's in the Middle East.

[B]

I know it's the world's all in Dubai video.

[A]

Which one?

[B]

Rihanna on the Burj Khalifa.

[C]

I don't even know. I don't even know that.

[A]

I think I have seen this.

[C]

I didn't know this.

[A]

Have you been to the top of the Empire State Building yet?

[C]

No.

[A]

It's a fire.

[C]

Oh, yeah, I did. For All Stars. They brought us. No, bitch, they brought us to.

[A]

Yeah, I went to the top.

[C]

Like when you walk around the thing outside, like the spire.

[A]

I did it. Yeah.

[C]

Where they were hanging that flag the other day. It's crazy up there.

[A]

Yeah, I went up there.

[C]

I couldn't look down, though, because I was like. I just feel like.

[A]

I love the rush.

[C]

Did you really?

[A]

Oh, when I used to. I used to always. Whenever I go to top of a building, I always go to the edge of the building. Oh, it's so incredible. Time. You've been to the triangle or. Not the triangle.

[B]

The.

[A]

The thing. The freedom in the city. No, there's like a thing.

[B]

The one that looks like a piece of halal meat. Yeah.

[A]

And you. And you go to the edge. And you.

[B]

The vessel.

[A]

Oh, no, not the vessel.

[B]

The edge.

[A]

The edge. The edge. You go, you. You step and they. They've made the ground completely glass. And you step over. That's Rihanna. They did her forehead dirty. They did her dirty. This. The scaling's not right.

[C]

That's shady.

[A]

All right, let's. Let's. I love what someone. Instead of putting LOL. They go. They just put KS.

[C]

They go, so $100,000 pyramid is that basically.

[A]

We have one more and then we're gonna do pyramid.

[B]

Oh, all right.

[A]

Who is it this time? Again?

[C]

It's my turn.

[A]

Yeah, yeah. That's our last one.

[C]

Jacob, close your eyes.

[A]

Okay, here we go.

[C]

Elbow open.

[A]

Yes. This train is underground subway.

[C]

There it is. Work. We would crush this hundred thousand dollar pyramid is you. There's like a. There's an iPad in front of me and like words Will come up, like, up to seven of them. My goal is to give you a clue to get it without saying a word. Kind of like taboo, basically. Yeah, yeah. But pyramid is my favorite.

[A]

Wait, so you have. I have to guess the way it unifies them or I have to guess each word individually?

[C]

Each word. But there'll be a category. It'll be like things at a carnival. So you see like corn dog, merry go round things at a carnival.

[A]

No, no, no.

[C]

But I'm saying I'm trying to guess each word individually.

[A]

Okay, so. Okay, so how are you going to get me to corn?

[C]

Okay, so you eat this meat on a stick. You eat this meat on the stick. That's fried. That's kebab. That's deep fried halal. You don't have deep fried halal. You were like corn dog.

[A]

Ding.

[C]

Okay. When you get really sick on a ride, you do this when you get off because you hold your stomach anyway. But yeah, I want to have.

[A]

What if I went on and just trolled you the whole time and I

[C]

was like, what if I could absolutely see you doing that?

[A]

I don't want to win money for

[C]

our charity, Vuh Charity.

[A]

They don't do charity on Celebrity Pyramid.

[C]

You know, it will be a. A charity called Jackie's Kids.

[A]

They actually do the, you know, Traders uk. The celebrities do it for charity.

[C]

Oh, yeah, yeah, for sure.

[A]

In America we're like the.

[B]

Isn't there like a prize money rule thing in the uk?

[C]

Yeah, I think that's why. Because for. For celebrity stuff, you get if it's on the BBC. Oh, okay.

[A]

But now Drag Race gives money.

[C]

Why is the BBC not bbd?

[A]

What is the bbd?

[C]

The Big Black Dick. Why does it have to be Big Black Hawk?

[A]

The BBC does not stand for that one.

[C]

I know what I'm saying. Yeah. It's non sequitur.

[A]

But white people say cock, then white people don't really say dick like that.

[C]

But they know black people say dick, so why would I not say big black dick?

[A]

Because I don't think black people created

[C]

the term BBC, but when they created it, they should have had us in mind.

[A]

I don't think. I don't think white people really know that. Black people don't say cock like that.

[C]

I think they do. I think that's pretty universally understood that white people say cock. Black men.

[A]

Did you know that before? I told you, Jacob?

[B]

I guess not really. Yeah.

[A]

I don't think white people know that. Yeah, you learn it. It's the thing you learn.

[B]

Huh?

[A]

I've Seen Jacob learn a lot of black things and be like, oh, I

[C]

think the ones for coochie are understood. I mean, for vagina. Like, white. Like, black people say dropping a hard coochie.

[A]

Hard coochie is crazy.

[C]

Like, do white people say punani? No, but it's a black term.

[A]

That's a northern black term.

[C]

Northern.

[A]

Yeah. I mean, we know in the south, we know what punani is. We don't really be saying punani like that. Really? Yeah, we don't really say punani like that.

[C]

Oh, we say.

[A]

We say coochie.

[C]

Coochie.

[A]

Coochie.

[C]

But coochie is northern, too. Yeah.

[A]

I think coochie is universal. And punani, I feel, is like. I know what a punani is.

[C]

Right.

[A]

But I did not grow up with anyone saying punani.

[C]

Got it. Yeah. And pussy is just universal.

[A]

Yeah. I think pussy is. Every race. Every. Every. At least all over America. I think all the races, all the ethnicities and the gender appropriations apparition are all saying punani.

[C]

You mean pussy. They're not saying pun. I mean

[A]

pudanda.

[C]

Panda is southern.

[A]

Yeah. Panda is white. Southern.

[C]

That is so southern.

[A]

Pudanda is white. Southern. White southern.

[B]

Are you.

[C]

What's wrong with your tongue? Right?

[A]

Maybe. Maybe I. Maybe I had a little work done. I was. You read young Pierce?

[C]

No. Never spoke to me.

[A]

I did.

[C]

I remember. I remember you telling me. I never saw you, but I remember you telling me this. In Spain, the Spaniards have this lisp thing. Do you know this?

[A]

Everyone knows about the Spaniard lisp. Yeah, I heard about Espana.

[C]

Espana. They.

[A]

Everyone knows about the Spanish list.

[C]

Gracias.

[A]

Yeah.

[C]

And they say Ibiza. Like, what? It's just weird that everyone in Spain has agreed to have this lisp.

[A]

I don't think it's that weird. You just hear your teacher say it and your parents say it, then you say it.

[C]

When they say S's and other things, they don't say it with a list.

[A]

They don't have a lisp.

[B]

Monet.

[A]

They just pronounce it with a th. So we don't have a lisp. When we say theater, we just know people say theater.

[C]

We gotta go with that. But that's how th is pronounced. But in them, S is not always pronounced that way. It's only certain words which we have. Which us. Th is pronounced.

[A]

We have that in English, too.

[C]

Theater. I guess The. The. No, theater.

[A]

We have certain things where. Like, we'll see it. And it's pronounced this way on this word. You'll see it's pronounced that way on another. I can't think of one right now off top of my head, but we. We certainly have them.

[C]

I mean, it's just also, the insiders are so, like, it's so dumb. Why the. Is it knife? Just call it knife.

[A]

I don't understand why it's Filipino with an F and Philippines with a P. Like, it is the Philippines P. Filipino F. That's crazy to me.

[C]

Yeah, it's so many things like that. The English language is so fucked. It's so stupid.

[A]

How do you know about liars?

[C]

What?

[A]

Give me. Like, how is it okay to lie? Like, is it okay to be. Is it okay to lie?

[C]

I think that sometimes white lies are a thing, and I think those are okay.

[A]

Do you tell a little white lies?

[C]

I do.

[A]

Like, when would you tell a little white lie?

[C]

Like, if I went to. We kind of talked about this before a little bit. If I come to a French show that was not.

[A]

He's not calling us out for repeating things.

[C]

I mean, we did this.

[A]

No, I mean, it is what I'm doing now.

[C]

But if we. If I go to a friend's show that wasn't particularly great and it wasn't great.

[A]

I will not.

[C]

And you asked me at the end of the show. I'm not gonna. I'm at the stage door at your dressing room. I'm not gonna say that was. That sucked. I would say something like, it was good and I will lie about it.

[A]

You can't just find the compliment, the real compliment.

[C]

Which is what?

[A]

You did a good job, but you did a good.

[C]

But did they. But did the person do a good

[A]

job in this scenario, the show is bad, but you did a good job.

[C]

Okay, let's say. Let's say the costumes are bad, the show is bad, the music was bad, your friend did bad. What are you saying?

[A]

I've always told you my go to, which is always true. I had so much fun. Do you not have fun, though? I like watching. I like watching bad theater. When I go to a cringe ass drag show and it's bad, and her pantyhose are falling down and her wig is slipped off, I'm cackling. I'm genuinely enjoying myself.

[C]

Bob, a fucked up drag show is different than someone's theater performance.

[A]

I like.

[C]

I think everyone loves bad drive.

[A]

Or. Or if I didn't have fun, I'll go. It was so good to see you up there. Yeah, and it was good to see you up there.

[C]

How do you feel about lying?

[A]

You know, I don't like Lying. I told a lie the other day.

[C]

Ooh, tell me about this.

[A]

And I don't remember what it was.

[C]

Do you remember what it was?

[A]

It was. You and Ty were there.

[B]

Oh.

[A]

And I said something, and I was like, I lied about that.

[B]

Oh. I was thinking about a different.

[A]

I know that lie you're talking about,

[C]

too, but if I lie twice last week.

[A]

No, that one was, like, weeks ago. But when I lie, I pretty much immediately be like, I lied, and I don't know why I did that. I don't know. I don't know what happened in that moment. I. It just came out. And I will. I will. Like Jacob can attest, I will immediately be like, I lied, and I do not know why I did that. And it just came out of my mouth, and I regret it.

[C]

Got it.

[A]

And I. And. But it's usually about, like, little nothing burgers. You know what I mean? Like, I would not lie about something. Something major. There was something the other day. Me, you and Ty were doing, and I lied about something, and I was like, that was a lie. That was a lie. I did. Oh, I did not come clean. Jacob called me out, and then I said, I lied. We're driving to Riot Games, their headquarters. And Tao was driving, and I.

[B]

For Bob's birthday, I got him a private tour of the League of Legends headquarters. And we were trying to keep it

[A]

a surprise, so we ended up going to the wrong riot headquarters. So there's. Apparently there's more than one.

[B]

No, not that. We were trying to put in the address without saying, we're going to the riot headquarters so we could get there. But, like, the navigation would be like, you're going to riot headquarters. And the riot headquarters has a certain amount of numbers in a row, and we accidentally cut off one of those numbers. So instead of four numbers in a row, we only had three numbers in a row.

[A]

That's what happened.

[B]

Yeah. And we were going to a completely wrong address because we were going to. Then we. But we realized and rerouted.

[A]

So then Jacob was like, let's just put it back in. And then I closed my eyes, and then they put it back in, and then they were like, all right, good. So I opened my eyes, but I think they were saying, good, we got it. Not good. You can open our eyes. And then I saw where we were going, and then Jake. And then we're just riding the car for, like, maybe three more, and Jacob goes, did you see that?

[B]

And.

[A]

And I went, no. And then he goes, are you lying? And I said, yes, I Lied. But I lied because I wanted to. I wanted them to have their moment of surprising me. But then I had it early. But I wanted to give them the surprise because it was a big. It was a gag. I did not know where I was going. And when I got there, I had so much fun. It was such a fun time and.

[C]

Come on.

[B]

Yeah.

[A]

Acting like I fell through the curtain.

[B]

Can you explain what happened to our

[A]

audio loosers when they tried to adjust herself for the seat and her arms slipped off the arm. You acting like I fell through the curtain. And her arms took off the armrest and she goes, oop.

[C]

I love people that hurt, but it does not feel like it was that funny. But y' all are all cackling, so I guess it was. You know, I thought we were gonna friends, Chris.

[A]

Now.

[C]

Now we're done.

[A]

Her name's Katie, not Chris. Her name's Katie.

[C]

Katie.

[A]

We're not friends anymore. She wanted the turns. That's what we call them. The turns.

[C]

The turn is so crazy.

[A]

The turns.

[C]

Do you like that term for yourself?

[A]

Okay.

[C]

I just want to make. I like to make sure there's consent all the way around.

[A]

The turns. Love it here. I want to be clear. The turns are. They can come when they want. They are here way past there. A lot of time. Because they love hanging out here. This is the best internship in the city, honey. And when y' all started having turns over your broke down, raggedy ass, capitalist slave driving, emotionally abusive studio.

[C]

No, we ought to do that to you.

[A]

They'll come running.

[C]

We only do that to you.

[A]

Over to pfs, honey.

[C]

We only do that to you.

[A]

And then they're going to talk to each other.

[C]

You're not going to talk money to us. Yeah, so. Yeah, so, like, I mean, but then you look at someone like Ginger Minj, right? No shade. This may be a hot take. I don't think Ginger Minj is lies. Like, yes, we're talking about this. I mean, she's the biggest liar outright.

[A]

I want to be clear. Monet is saying all these things.

[C]

No. Well, I want to say this like it was camp. It was fun. Ginger Minj is not hurting anyone with her lies. So I think.

[A]

I think it got weird when people

[C]

started acting like Ginger Minj was doing this thing. Like. Like she's hurting people or. The lies. She's only like. Gingerbread is making up lies and stories about her own life. How is that affecting anyone else's daily thing?

[A]

Yeah, I will say they are. They are camp.

[C]

It's innocuous.

[A]

They're very, very camp, and they. They don't seem to really impact much or anything. What.

[C]

What much? What are the impact.

[A]

Sometimes they will discredit someone else's accomplishment.

[C]

Oh, like the check winning?

[A]

Yeah, like. Like the check thing. Okay. Like, actually, Violet was never supposed to win. It was supposed to be. And I've never actually broken the story before, but someone told me that she was like, I was actually supposed to be in Moulin Rouge. And then I couldn't do it, so they gave it to Bob.

[C]

Which. Can we circle back? That was one of the things that you had told me that I didn't want to say in the video because

[A]

I was like, I've never mentioned it before.

[C]

I know. Yeah.

[A]

But I want to rewind back to

[C]

the video when your response saying that I.

[A]

Whatever.

[C]

I was like, I'm literally. I'm actively in this moment withholding information because I care about our friendship more and I want to.

[A]

I trust you to keep my secrets.

[C]

I know, but in the video, you're acting like I don't keep your secrets. In that video.

[A]

No, I said you lie. I never said you give away secrets. Something.

[C]

You said that, like, I don't. Basically, the sentiment was, I won't say a thing knowing that it's true. But I was like, no, I'm not saying. Because I don't want to lose your trust for something that you confided in me.

[A]

Well, to be clear, I trust you to keep my secrets.

[C]

That's cool.

[A]

Thank you. Don't ask, don't lie. I'm not gonna ask. Don't ask.

[B]

When you say Monet lies, in what way Monet lies?

[A]

I think that Monet. I honestly feel like Monet is a people pleaser, and I think that Monet will lie because she doesn't want to give you the truth. Monet will say about what, exactly. That was a great show. True or Monet will. If there's a.

[B]

If it.

[C]

I would do so I would lie about doing. If someone asked me something I don't want to do, but I think I know they really want me to do it, and I feel bad.

[A]

I will lie about why you can't

[C]

do it or to do the thing.

[A]

What do you mean, lie?

[C]

To do the thing. Like, example. Let's say you are.

[A]

You're.

[C]

I don't know. Scenario. You're doing some paintball thing in the Valley, and you really want me to. And you. And you really want me to be a part of it. And I don't. I don't like paintball I don't like doing paintball. I will say I'll make a. I will say a lot to be like, yeah, I can't do it because of this thing.

[A]

Yeah, you'll make up. You'll make up a fake reason why

[C]

you can't do it.

[A]

Yeah, you also, like, but because I've

[C]

told you, and you slash me, I'm like, oh, my God. Like, what is it now?

[A]

And, like, in the. Like, in the Ginger Minj interview, you lied and said that we've never spoken about her, but I think it was because in that moment, you wanted her to feel comfortable. But that's not true. We have spoken. We had spoken about her before. I don't want to talk too much about Gingerbrink. You brought it up. And I don't want to drag it because I want her to have a good night's rest, and I do not want her to think. I don't want people to think that I have anything against Ginger Minx.

[C]

I do have. None of us have anything against Ginger Minch. Let me not speak for you.

[A]

I don't have anything against Ginger Minj.

[C]

I don't either.

[A]

I spoke to her at the south of Chamber and told her she did a good job.

[C]

Yeah, yeah, we saw her there. She was very emotional, which rightfully so. This is her first feature film. Not her verse.

[B]

Her.

[C]

Like. What's it called when you start. I guess her. Her first starring role, major motion picture, but her first. But she's a major motion picture. She did Hocus Pocus.

[A]

Oh, maybe her first. Her first feature or. No, principal role. That's Broadway.

[C]

That's Broadway. That's what I'm saying. Like lead.

[A]

Lead. Lead role in a major motion.

[C]

In a major motion picture.

[A]

Yeah. Yeah.

[C]

But. Yeah. What is this question?

[A]

Okay, so what about. So I feel like. Here's where I think you would not lie. If someone was painting your home and they did a bad job, you would. I think you would, like, unearth the earth, I think. I don't know. Would you be nice about it?

[C]

I would not be nice about it.

[A]

You can't just be nice about it. If you can be nice, say it's bad and be nice.

[C]

No, because I think sometimes in situations like that, and, you know, when I was redoing my house and stuff like that, I.

[A]

All right, those are our final.

[C]

What are you doing?

[A]

I think we're done here.

[C]

No, we talked about doing a different color. You painted a completely different color.

[A]

Okay. No, this. They were out of that color. And this is the Closest one they had.

[C]

That's not how that works. You talk to me or Tim. You don't just paint any color you want. Let me call Tim.

[A]

Wait, wait, wait, wait, wait. You're Tim, by the way. Wait, wait, wait, wait, wait, wait. Before you call it, have you already called?

[C]

Yes, Tim.

[B]

Oh, shit. Hi, diva. It's me, Tim Tirico, interior designer to the stars.

[C]

This dude just painted the wall fuchsia. We said millennial pink.

[B]

He what?

[C]

Fuchsia.

[B]

I'm gonna send someone over to kill him right now.

[C]

Good. Slaughter them. Cause stuff like that. I think when my money's involved and stuff like that, I chemically, I have a different. Like I don't see the niceties there.

[A]

Here's how I would do it. You ready? You gotta tell more guys. Whoa, whoa, whoa.

[C]

Excuse me, excuse me. Hey. Hey, Bob. Good to see you, Bob. How you doing?

[A]

I'm great. Good to see you too, Dikembe. You can't smoke in here.

[C]

But I see you vape all the time.

[A]

It's vapor. It's not smoke. It's my house and you can't smoke in here.

[C]

Okay?

[A]

Excuse me. I've noticed that now. There's a burn mark in my carpet.

[C]

Oh, I got my family. I can fix this. Don't worry, don't worry.

[A]

This is a one of a kind carpet. So I'm gonna need you to your company. Do you own the company or.

[C]

I own it, yeah.

[A]

I'm gonna need you to pay for this.

[C]

You want me to pay for your floor?

[A]

You Jamaican now?

[C]

I've always been Jamaica. You say eh, eh, eh.

[A]

That's for. Okay. So, so sorry. Hussein.

[C]

Uh huh. So you want me to pay for your floor?

[A]

I would like for that, yes.

[C]

Passarang.

[A]

Can you tell me?

[C]

Pass around.

[A]

Keep them.

[C]

Passarang.

[A]

Okay. I don't know what that means. Can you tell me what pasta wrong means? Move.

[C]

Move from me. I'm gonna finish my job and paint the wall. Then I'm leaving.

[A]

Well, okay.

[C]

I'm not fixing the mother the bloody fucking floor. Now.

[A]

Now what? Okay, let's have first of all.

[C]

Now what?

[A]

Let's have a few conversations.

[C]

Now what? You wanna fight?

[A]

Do I wanna physically.

[C]

Yes.

[A]

No. Why would I wanna fight you physically?

[C]

Come and tell me all this nonsense, man.

[A]

Can I ask you what's going on in your life?

[C]

What's going on in your life? I see you. You know, I ain't working here for three weeks.

[A]

You have partners and friends.

[C]

Everybody come up in the house and all kind of thing and things like

[A]

that are you feeling lonely?

[C]

I'm not feeling lonely at all.

[A]

Do you have people coming to your house?

[C]

I have a lot of people come to my house. I fucking pussy and punani.

[A]

So you understand and coochie. I also do that. I also do that. So we have something in common. What I'm hearing is that we have something in common.

[C]

I have nothing in common with you. Well, not a thing.

[A]

You got American for like a second.

[C]

Ain't no American ear.

[B]

Okay.

[A]

It just sound like you were.

[C]

And I want some beer. It just you sounded American because I

[A]

fear people like you. You want some beer?

[C]

Some beer.

[B]

Okay.

[A]

Well, I'm not going to be giving you any libations. You're not getting beer from me.

[C]

I mean, I asked you for no libation. I want beer.

[A]

I'm not giving you drinks. You're not getting anything from me. First of all, you're not getting money from me. But I want to talk about what's going on in your life. That like. So is it bothering that I have like friends coming over and partners?

[C]

No, it's. It's not the godly way to do things, Bob.

[A]

I'm sorry, they're what?

[C]

Godly.

[A]

Oh, the godly way.

[B]

Yeah.

[A]

I don't believe in God. Yeah. So. Wait, wait, whoa, whoa, whoa. I just want. Before you leave here, which we're both agree you're going to leave, I need to make sure that. That I have your number. Okay, so go ahead and give it to me.

[C]

718-555-911.

[A]

That's not enough numbers.

[C]

Zero.

[A]

Did you forget to say the zero? I'm gonna need to you to give me your real phone number?

[C]

No.

[A]

Well, then I'm have to follow you to your car and take a picture of license plate.

[C]

So you want to fight physically?

[A]

No, I don't want to hit you

[C]

emotionally, spiritually, all of it.

[A]

I'm comfortable having a conversation and an argument. I'm comfortable with that. But I do not want to get in a physical altercation with you. No, I don't want to. So.

[C]

That's a pretty good Caribbean accent.

[A]

Yeah, I've been. I've been begging for it for years. Begging for it. Begging. You finally built up the courage.

[C]

The fact that someone is smoking your house and painting. You try to have a. That's crazy to me.

[A]

What do I start swinging?

[C]

Not swinging. Well, you got to be a little more aggressive, Bob.

[A]

There's.

[C]

He's smoking in your home.

[A]

I'm de Escalating.

[C]

No, you got to escalate, bitch. We're on the escalator.

[A]

I don't want to fight. I don't want to physically fight anymore.

[C]

I don't want to fight. But you got to. You got to.

[A]

First of all.

[C]

No, wait, hold on.

[A]

No, hold on. We're gonna do that.

[C]

Bob, you are literally.

[A]

You are.

[C]

You already.

[A]

Bitch.

[C]

I come in here drinking too loud. You already yell at me when someone's

[A]

in your house smoking, and maybe you look like, hey, first of all, I don't really yell at people.

[C]

What am I not a person?

[A]

I don't yell at you. Money outside this podcast. I don't yell at you. You know, I don't.

[C]

Yes.

[A]

You like moay. That's not yelling. I'm exas. I'm exacer. I'm exacer. Exacerbated. I'm like, mo. Nay.

[B]

Exasperated.

[C]

Exasperated. What's. What's. What's exacerbate over.

[B]

Do something to make something worse.

[C]

Oh, right.

[A]

I'm not. But I'm not.

[B]

I'm.

[A]

I'm not like you. Like, I don't yell at. I don't. I don't really yell at people.

[C]

Fair.

[A]

Except Nick. I do yell at Nick. I yell at Nick. Nick is the one person I actually genuinely yell at out of pure frustration. And it's not a bit. I am genuinely frustrated, and I'm actually yelling at him. Outside of that, I don't really yell at people.

[C]

Yeah.

[A]

I have a weak vocal cord, so I can't.

[C]

I don't.

[A]

I don't have what it takes.

[C]

Well, which is. Which is because when you do Carrick in my house the way that you are. That's why I was watching something the other day, and these people were screaming out because I guess as I've gotten older, I've noticed that my voice is a little more sensitive when I hear people just yelling. I'm like, jesus Christ. I can't even imagine what the chords look like.

[A]

I really want to hear kids crying to the point of like.

[C]

Yeah, yeah.

[A]

I'm like, that has to hurt.

[C]

Okay, wait, so white lights are not okay with you?

[A]

I don't like to do them. And I don't. Like what? And I don't understand why other people do them, but when I have done them, I'm like, I need to immediately fess up because I feel bad about it.

[C]

Yeah, yeah, yeah. I think.

[A]

Yeah, yeah. Like, I mean, like the other lie that I told Jacob, I was just like. I came back and I was like, I don't know why I lied about that. I just gotta Come clean. But I think I've never. Have you ever lied to me, Jacob? You obviously have. What are you lying about?

[B]

Oh, I mean, the same thing you lied to me about that we were talking about.

[A]

The thing I lied about.

[B]

Yeah.

[A]

Do you wanna talk about it?

[B]

Yeah, sure.

[A]

So the other day, I got up and I went to a hookup, and Jacob was like, where'd you go? And I was like, I went outside

[C]

and.

[A]

Which I did go outside. I did go outside, But I did it sincere. I told half the truth.

[C]

Half the truth.

[A]

And then I got back, and I was like, I do not know why I did not. Cause there have been several times where I'm like, what do you know? I'm like, I'm going to hook up. And.

[C]

Okay.

[A]

I think I was ashamed that it was just so early, and I just woke up and I went to go hook up so early in the morning.

[C]

Got it.

[A]

And I was like. I felt ashamed that I was like. The first thing on my mind was hooking up. But this hookup that I have, who lives in the neighborhood was like, oh, now's a good time. And I was like, okay, great. And Jacob was like, I came back. He said, no, I came back. He said, where'd you go? He didn't say, where'd you go? He said, where'd you go? Yeah, that's what it was. But we've also both been like, I'm going to hook up. And then the other one's like, okay, see when you get back. But I guess we both had times where we were just like, girl.

[B]

I mean, specifically when I would lie about my hookups, I think it was early on when we were first opening up and getting into polyamory. And one of the things that I was looking for for myself, like, you had another relationship? And I felt like I needed something similar in my life, but, like, I wasn't dating anybody. So, like, by having hookups and, like, being like, I just want to hang out with a friend, or like, I just went on a walk, made me feel like I had something special that was, like, just mine in a way, that you had a relationship that was just yours outside of me, which, you know, I think I've gotten to a better place and more secure. So I haven't, like, that hasn't been a vibe for a while, but, like, that's. That was one of my coping mechanisms.

[A]

But you never came clean.

[B]

I just did.

[A]

That's true.

[C]

You did just come clean. Yeah, ironically, that was the thing.

[B]

I mean. I mean, yes, I did do you feel. Do you feel hurt and harmed by that lie?

[A]

No, I don't feel hurt and harmed. I think I. I think. I think I'm shocked that you didn't think that I'd be like, okay, no,

[B]

no, it wasn't about keeping it from you. It was about. It wasn't about your reaction. It was about keeping it as something for myself that was mine.

[A]

Yeah, that's fair.

[B]

Yeah.

[A]

I also thought you could have. You could have been like. Well, I think if you'd have been like, don't ask me where I'm going, that would have been like, what? That would have been weirder. So I guess I prefer you do what you did as opposed to being like, don't ask where I'm at. I'd have been like, why don't you

[C]

want me to know where you're at? That's crazy.

[A]

That's crazy. But the thing is, my lies were both. Both two lies I told were, like, very recent, like in the last month. And I can't really think of any lies that I've told outside of that. Have you. Have you have ever. Have you ever caught me in a lie? I don't really. Like, I think because I don't lie, I'm often in really awkward situations, like having very uncomfortable conversations because I'm. I am particularly truthful.

[C]

Got it.

[A]

You know what I mean? But I'm trying to think if I

[B]

lied to you, not outside of doing bits.

[A]

No, outside of a bit. I've never really lied to you.

[C]

I think I've ever lied to you.

[A]

I'm trying to think real hard.

[C]

Like any, like, any crazy, like, hard lie. I don't think so. Yeah.

[B]

I mean, also, like, first, like, we. We threw that surprise party from Monet and you technically lied to her then.

[A]

Yeah, first surprises and bits.

[C]

You threw a surprise party for me.

[B]

Okay. I mean, it was the All Star 7:1 where we made the Barbies.

[C]

Oh, yeah.

[B]

Yeah.

[A]

And you lied when you moved to la. But it's for the surprise in the bit. But, yeah, I don't think we. I don't think we never lied to each other. Me, you doing better than me and Jacob.

[C]

I don't really lie to my close friends. Like, people who I lied is. Because, again, but my close friends, I don't really feel a need to lie to them about the thing. Cause there's nothing that I'm secretive to my friends about. Not about sex. I don't really care what y' all think about my sex life. Sex.

[A]

You don't Care because you think we're not judging.

[C]

Maybe that's what it is. But also, I don't. If people do judge, I don't really care.

[A]

Also, I don't think I'd have a. I don't think I'd be close friends with someone who judged my sex life.

[C]

Right. Maybe that's it too.

[A]

Yeah, like, we would. We wouldn't be close friends.

[C]

Yeah. It wouldn't be a thing. I mean, we're. We were in Madrid. I was there with the one. And then about like day three, I was a hookup number. He was like, damn, girl. He was like, God damn.

[A]

But also, your close friend stories were crazy.

[C]

They weren't.

[A]

They were mo. They were the last one. The last one. See you later, bookie. I was like, this is I love you.

[C]

It was not. No, I love you.

[A]

It was giving. I like you. It was giving. I like you. It was very much giving. Big I like you vibes. Very big I like you vibe.

[C]

I love the close friends. If any of my close friends story ever got leaked, none of it is ever anything that crazy.

[A]

So.

[C]

But like, I would be.

[A]

So was I banned from your close stories? Your close stories at one time?

[C]

No, boy, I didn't.

[A]

There was a big chunk where either you just weren't posting.

[C]

I just wasn't posting close friends for a while. How many people are on your close friends list?

[A]

I don't know. I've also constantly banned. I think you've been banned for mine. I told you before, if you don't give me compliments, you're banned.

[C]

Which is so crazy because you have maybe commented on your close friends. You maybe commented maybe one, maybe twice.

[A]

But your close friends aren't serving the purpose that my close friends are serving.

[C]

What's your serving my close friends is

[A]

to big up me on my health transfer, like physical transformation. But I don't like posting pictures of myself, my body, on the Internet.

[C]

Yeah.

[A]

Even when I think my body's looking particularly great, I don't want it. But I want someone to validate me and I need. I. It helps me stay in the gym.

[C]

Mine is to post things that I don't want. Like to get the music out to like my close friends. Like, I think my close friends list about 62 people. And so it's like.

[A]

But if you told me that you wanted validation in yours, I would give it to you. Every time I saw one. Every time.

[B]

Time.

[A]

Every single time I saw, I'd be like, you just double tap it. Give it a heart. I'm not Asking you to write a paragraph. Doo doo.

[C]

That is not the sound. You talking about like the, like the 40s, like breaking news sound? No. What are you doing?

[A]

Kane? What's that? Hello? Somebody?

[C]

Oh, okay.

[A]

Do you watch Love Island? Monet, the pitch you were in.

[C]

You're a lady. You're not even. A different key. You're in a different universe.

[A]

Did you know what it was? Everyone knew what it was.

[C]

Also, the rhythm is off.

[A]

You don't know. Arianimatics turns around. Hold on.

[C]

Do it one more time with Jacob. I want you to play the sound.

[A]

No, it's.

[C]

Okay.

[A]

That is literally. That is not it. That sounds like.

[C]

What are you talking about?

[A]

Okay, I know. I was like. I know I'm not crazy here.

[C]

And Katie's at some of us on Love Island.

[A]

But he knew. Well, I don't know how he knew

[C]

because at the time.

[A]

And Katie knew. Katie. Just say yes, Katie. Katie is an adult woman. Katie's not a child. Katie's not a girl. Katie's a grown ass woman who can speak for herself.

[C]

That sounded nothing like that. So you agree what you did?

[A]

No, it was not that. But I do. But I think they can agree that what I did was recognizable.

[C]

Was not recognizable to me.

[A]

Who is the best liar that you know What? I don't want to say the best liar I know. I know the, the person who lies the most about. I don't want to say it.

[C]

Why?

[A]

And it's too personal.

[B]

We used to stand for something we use.

[C]

We used to.

[A]

It's too personal.

[C]

Well, you got.

[A]

They have to bleep it.

[C]

Okay.

[A]

I don't think I, I, I. He's not the best, but he lies a lot like he, like he will not stop lying.

[B]

Okay, but maybe at best, I mean like someone who's convincing get away with it.

[A]

Yeah, but don't you know. Yeah, don't put his name in there.

[C]

The best liar I know. I don't know about Elizabeth.

[A]

Elizabeth Ho. I don't know her. But Elizabeth Holmes, that can lie like she can deceive. She's better than the other. The, the, the Yugoslavian lady.

[C]

Anna Delvey.

[A]

Way better than Russia. Wherever she from, she way. But Anna Delvey ain't got shit. Anna Delvey. And who's Fyre fest?

[C]

What's his name? Billy. Billy. Not Billy Flynn. Billy something, whatever.

[A]

Billy Eichner. Whoever. Whatever his name is. Those two need to go to the school of Elizabeth Holmes to learn how to sing.

[C]

I didn't watch her.

[B]

Billy McFarlane.

[A]

Billy McFarlane. Baby, do you know what? She got away with the blood thing. But do you really know it?

[C]

I mean, I've seen things I didn't watch.

[A]

So she convinced everyone that she has developed a technology where she can take one drop of your blood and run dozens of tests from one drop of blood.

[C]

Because if you're ever giving blood, bitch,

[A]

they are taking gallons.

[C]

I was like, they took seven vials. I was like, why do you need that much but share it. Why do I need seven vials full of my blood? That was crazy to me.

[A]

So she made the machine. She would get Theranos. It was called Theranos. She would have these investors come down. She would never brush her hair. Never brush her hair. It was like her thing. Messy hair was like her thing.

[C]

Maybe because she. Probably. Because that probably made her seem more approachable and made her seem more trustworthy.

[A]

Probably she'd take their blood, put it in the machine. Let's go walk around the venue to see what we got cooking here. Someone comes in, takes the blood out. The machine is just fully not working. The machine doesn't do anything.

[C]

So this person was obviously in on it with her as well. The person who had taken the blood.

[A]

Yeah, she would have certain scientists or whatever they are.

[B]

I think she would defuse the teams around. So the person who's taking the blood only took the blood, and their job was to deliver it to another person, and the other person's job was to, like, put it into this machine and spin it around. And the other person's job was to, like. So.

[C]

Well, somebody on the team is lying. Someone. Someone else has to know besides her.

[B]

People. People did know. But also she split up the teams of workers who were different, doing different things. So people also weren't. People who were working on the process, weren't fully involved and didn't know all this, but they're still.

[A]

What is that, lip balm?

[B]

Yeah.

[C]

Can I have some? But they're still culpable. Like, she. She didn't. She didn't go down her own right. Those people were culpable as well. Because if.

[A]

If.

[C]

If the. If the four of us are running a scam, the five of us ain't running a. I'm Elizabeth Holmes. You're the blood taker guy. You're the blood tester guy. You're the blood reserve.

[A]

I don't know what he's doing with it. My boss told me to get the

[C]

blood, but not you. But somebody in the chain knows that there's some funny business going on.

[B]

Yeah, Other people up in the company went down with her for sure.

[C]

Got it.

[A]

I mean, I probably know the machine don't work, but I think he's taking it to another machine. I don't know if we can do that.

[C]

Blood. Is there a scam you think that you could pull off?

[A]

Yeah.

[C]

Like what if you put a pull off, you're not gonna do it, so. But, but if we're gonna do a scam, what scam are you doing? I think that besides the one that you run in here at the Perch for a studio in Hair.

[A]

I don't. In Hair?

[C]

Yeah, the hair scam we have going on.

[A]

I feel like I could get away with a couple of scams, to be honest. I really feel like I could probably effectively get away with credit card fraud

[C]

for quite a bit by how stealing credit card.

[A]

I had a scam I was gonna do years ago, but I decided it was immoral, so I chose not to do it. Okay, go to Broadway shows. Type in everyactor's name.com by the name DM the person. If you want this, it costs this much money, so you can buy it for like 15 bucks. And I'd be like, I'll sell it to you for $500. But I have WayneBrady.com I am now in, I am in possession of WayneBrady.com

[C]

but you had to try to get people who aren't blown up yet who are going to blow up.

[A]

But you, Wayne Brady, probably you'd be shocked. Back, back when I was doing this, this was when I was like, just Google my phone. Like, this is crazy how many folks do not have, do not have their, their, their names. So I was gonna be like, I would go by waynebrady.com waynebradybroadway.com wayne brady actor.com wayne bradyimprov.com and be like, I have them all. Wayne bradyimprov.co.edu.uk I have them all.

[C]

But that's a gamble because what if you, you're not going to make them like you buy all of those?

[A]

It's a gamble. But if I buy a bunch for like 15 bucks and I can sell one for $500. So that's how. Is that how Boyang ended up with Faye Dunaway as his.

[B]

No, I think he, he just got it. And before she made an Instagram or

[C]

wanted one, does, I mean, before she want, does she want one now?

[A]

She probably wants her name now that that Bowie ain't took Faye Dunaway.

[C]

Is he Faye Dunaw on everything or just.

[A]

IG I think it's just ig.

[C]

I love Bowen. He's so sweet.

[A]

But I think so that was a scam. I was gonna run, but then I was like, this seems really immoral. But I was. I was blown away by how many people do not have their domain name.

[C]

There are scams, I think, going on every day. People just participate in them.

[A]

Is what I just said illegal, though?

[C]

I don't know if it's illegal. It's definitely immoral, and it's definitely. But I don't know if it's illegal because there is no precedent about that. Like, you can buy whatever website you want and you can sell to whoever you want. Some people, you know, people have Monet Xchange.

[A]

Would you buy Monet xchange.com?

[C]

i already have Monexchange.

[A]

No. Would you buy it from someone if you didn't have it?

[C]

I was probably thinking of a different workaround, depending on.

[A]

You're telling me.

[B]

Depending on.

[A]

I'm giving me 500 bucks. You're not gonna. You're not gonna buy it?

[C]

500 bucks? Yes. But there's one that I wanted. There's from Monet. Someone took a Monet off.

[B]

Well, I mean, someone. Someone has siblingriverypodcast.com and it's not us, right?

[C]

And we didn't. We were just like. We just figured our workaround.

[A]

No one's going to our website.

[C]

I mean, but we should have still had it. But it wasn't that important to us. And I think if I remember the price at the time, we were like, girl, No, I think it was. It was somewhere around $5,000.

[A]

So I want to find out where you would stop. Stop paying for monexchange.com. so let's start really high. Would you pay. Would you pay a hundred thousand dollars for 1A talks monexchange.com? no, no, no.

[C]

There's something else.

[A]

$10,000 from monetchchange.com. i got that ass. I got that ass.

[C]

I probably would.

[A]

So you pay 12, then.

[C]

No, I'll stop at 10.

[A]

You pay 12.

[C]

10 is my ceiling.

[A]

10's your max.

[C]

My ceiling.

[A]

$10,001.

[C]

No.

[A]

You're going to not pay the extra $1.

[C]

I don't want it.

[A]

I wish I had a way to prove this.

[C]

This someone had Monet talks.

[A]

And who do you think it is? And who.

[C]

Imagine the whole time it's you. Imagine that would be crazy.

[A]

Would you be mad at me?

[C]

We would. We would. Our friendship would. Would cease to. Because we had conversations with this person? Well, back when I was a pg, David and Jake were.

[A]

And what do they say? You.

[C]

I don't know. You tell me.

[A]

What did that person say? When did they say when you reached out?

[C]

I. They were doing. I. I didn't correspond.

[A]

Do you remember any of the correspondence at all? Do you remember the price they quoted you?

[C]

I don't remember. I think it was like 15.

[A]

$1,500. Thousand. Oh,

[C]

it was thousand dollars.

[A]

Would you really be mad at me if I took it?

[C]

Yes. That would be insane. To sell it back to me. Are you fucking kidding me?

[A]

Then I give you the money back. No, that's not funny.

[C]

That's not funny. I don't think it's cute. And that's kind of like a lie by omission.

[A]

Well, thank God it's not me.

[C]

Okay. How much would you pay for Bob thedragon.com?

[A]

i would probably. I would not go above $5,000.

[C]

Really?

[A]

Not a dollar above it.

[C]

For your name, Bob the Drag Queen. Dot com? Nah, that's crazy. Here's the thing that's crazy about that.

[A]

I go to bobdragonwebsite.com.

[C]

here's the thing about crazy about Bob, y'. All. I have seen Bob spend ridiculous amounts of money on the dumbest shit.

[A]

What are you talking about, Jacob?

[C]

Is Bob not the most eccentric person that will spend money on random things?

[B]

Can you talk about this outdoor gym space?

[A]

Yeah, I want to buy an outdoor gym for my home.

[C]

That makes sense.

[B]

Thank you.

[C]

Yeah. Gym space in my house.

[B]

Can you. What is it?

[A]

It's on my Instagram. I have to, like, find it.

[C]

What's the Jacob thinks?

[A]

Jacob thinks it'll be riddled with cobwebs and spiders and iguanas.

[C]

No, no, no, no, no, no, no.

[A]

That's what I keep saying. People work out outside all the time.

[C]

Oh, yeah.

[A]

Jacob is also son averse. Jacob is like, this outdoor jam LA is crazy.

[C]

No outdoor al gyms in la.

[A]

Thank you for validating me.

[C]

One of the biggest ones, the one Muscle beach in Venice.

[B]

It's going to be gross. They're going to be spiders and roaches living in it.

[A]

No, Jacob, no. I grew up with roaches. I'm not as scared as you, jigger.

[C]

You are on Lonely Island. This one. Aldo gyms are dope, but what. What are y' all talking about?

[A]

That I'm spending crazy money on What? Bob, I'm not gonna have any of

[C]

my friendship with you. I. I mean, you know me. I don't. My memories are horrible.

[A]

But Jacob has a great memory. What he got?

[B]

Oh, I mean, do you actually want me to.

[C]

Please, Jacob, just give us one or two.

[A]

Like flying people around. But yeah, I will fly my partners or hookups around. Hookups. That's different.

[C]

Fly your partner.

[A]

Boy.

[C]

First of all, putting a partner hook up in the same thing as a flight is crazy.

[B]

You flew a man from Australia to Hawaii to you.

[A]

And I do it again. And I do it again.

[C]

That's crazy.

[A]

Bop bop.

[C]

That's.

[A]

I'll tell you.

[C]

Do I know them Is the one. I know.

[A]

You don't know him, but there's a. There you. You have something in common more than the fact that you're Australian.

[C]

Got it.

[A]

You know what I'm talking about.

[C]

Idaho.

[B]

Yeah.

[A]

You don't know. You don't know. You don't know him though. You don't know him.

[C]

Bob, you're an extension person. You spend money on strange things.

[A]

Like what? Someone flying people around is not crazy to me.

[B]

What about buying a car to stone it?

[A]

Okay.

[B]

Kane said what about buying a car to stone it?

[C]

So what's up?

[A]

Okay, I think. I think. Hey, listen. I think that working on having cars as a hobby is a thing. It's not unheard of. And my car is really inexpensive.

[C]

Where is that car by the way?

[A]

It's at home. I bought a PT Cruiser for $1500. I got a functioning car that is good for fifteen hundred dollars.

[C]

Did you get it checked?

[A]

Yes, of course.

[C]

Have you seen. I follow that girl that stole her a Honda crv. Did you see this?

[A]

I'm following pretty much all the car stoners. I just gotta go get my car wrapped and I have to get my car wrapped so I can.

[C]

Why don't you wrap it but so

[A]

that if I want to peel it off and I can stone it again.

[C]

Yeah, I wanna. I really want to stone mine. Well, I would never like my car now if I want to wrap it like a hunter green and put like use olivine stones. But I'm like that the cost of stone a car is like $100,000. The girl who's stoned.

[A]

It's stoning my car myself over how long. And you're going to help by the way. A lot of my friends are coming to help however long it takes.

[C]

That's crazy. But you remember my head took eight hours.

[A]

I know. That's insane. But luckily the car is a little smaller.

[B]

That was clever.

[C]

Since the coolest Edwards. So you think you're clever.

[A]

Well, she's quoting Faye Dunaway right?

[C]

So you think you're clever, don't you?

[A]

Think you're very clever, don't you? All right. Yeah, we gotta go.

[C]

All right, bye.