The Most Frightening Places: Montana, 2017

Summary

Podcast Summary: Sightings – "The Most Frightening Places: Montana, 2017"

Release Date: March 31, 2025
Hosted by: McLeod Andrews and Brian Sigley
Produced by: REVERB | QCODE

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Introduction

In the captivating episode titled "The Most Frightening Places: Montana, 2017," hosts McLeod Andrews and Brian Sigley delve into three spine-chilling supernatural encounters shared by their listeners. Hosted under the Sightings series, this episode transports listeners to classic horror settings where reality blurs with the paranormal, challenging perceptions of what's real and what's possible.

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Listener Story 1: A Red Orb in an Ancient Danish Manor

Timestamp: [03:03 – 08:35]

Narrator: Christian from Denmark recounts his unsettling experience living in a centuries-old house, the former servant quarters of a grand manor from the 1600s. Surrounded by an eerie tunnel of trees leading to the manor, Christian's peaceful coexistence changes dramatically when his cousin Carl, an eight-year-old, experiences a terrifying encounter.

Key Events:

• The Red Orb: One night, Christian awakens to Carl screaming, pointing to a fleeting red oval orb emitting white light in the room. Both witness this phenomenon, but the orb vanishes as suddenly as it appeared.

• Seeking Answers: Disturbed, Christian consults a clairvoyant aunt of a schoolmate, who identifies the orb as "a gateway to the other side." This revelation heightens Christian's anxiety, leading him to sense an unseen presence in his room intermittently.

• Escalation: Weeks later, Christian hears footsteps outside his door during the day, only to find nobody there. This incident solidifies his belief that a supernatural entity is present in the house.

Notable Quote:

Christian: "To me, the scary part was that something was there that didn't show itself often, creating an eerie tension."

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Discussion of Story 1

Timestamp: [08:35 – 11:44]

McLeod and Brian dissect Christian's narrative, initially perceiving it as a typical UFO or alien tale due to the appearance of the orb. However, the discussion pivots to the uniqueness of the red orb and its designation as a supernatural gateway. They ponder the historical significance of the manor's location and its potential as a conduit for otherworldly entities. McLeod commends Christian's storytelling for setting a haunting mood through vivid descriptions of the surrounding tunnel, emphasizing how the sporadic nature of the supernatural manifestations intensifies the fear factor.

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Listener Story 2: Strange Signals and Unseen Forces in Montana

Timestamp: [12:00 – 20:11]

Narrator: Henry, a seasoned rancher from Montana, shares his unnerving experience with anomalous ham radio signals that seemingly originated from beyond Earth. With two decades of ranching and ham radio operation, Henry was accustomed to strange frequencies but never encountered anything like the persistent clicking sounds that defied conventional explanations.

Key Events:

• Unusual Signals: Henry detects a repetitive clicking pattern (3 clicks, then 2, then 7) across multiple frequencies, distinguishing it from typical interference or known broadcasts.

• Attempted Communication: Compelled by curiosity, Henry responds to the signal. Immediately after his transmission, the clicking ceases, only to resume with a more deliberate pattern when he hears his horses agitated.

• Physical Evidence: Following the event, Henry discovers three odd impressions on his pasture's ground, resembling dried footprints, suggesting the presence of an unidentified craft or entity.

Notable Quote:

Henry: "I know this. Something heard me that night and something answered."

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Discussion of Story 2

Timestamp: [20:11 – 29:41]

McLeod and Brian express intrigue over Henry's account, particularly the blend of technology and the supernatural. They discuss the implications of the signals potentially being a form of communication from an extraterrestrial source. The discovery of physical traces in the pasture adds a tangible layer to the mystery, suggesting that Henry's encounter transcended mere radio interference. The hosts contemplate the possibility that Henry's interaction might have inadvertently drawn attention to his remote ranch, exploring themes of contact and the unknown intentions of the unseen forces.

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Listener Story 3: The Hidden Attic Creature in Boston

Timestamp: [22:46 – 27:48]

Narrator: Angel from Denver narrates his terrifying experience while living in a small one-bedroom house in Boston's Mission Hill. Amidst a heavy downpour, unexplained thumps from the attic lead Angel to discover a hidden space he was unaware of, culminating in a direct confrontation with a mysterious creature.

Key Events:

• Mysterious Noises: During a stormy night, Angel hears repeated thumps from the attic, initially suspecting a roof leak but finding no evidence.

• Discovery of the Attic: Upon investigation, Angel uncovers a concealed attic hatch in his closet, leading to a cramped, dark space hidden within the house's structure.

• Encounter with the Creature: Climbing into the attic, Angel beholds a figure on all fours near a hidden window. The creature's sudden appearance and subsequent escape down a tree branch leave Angel terrified and searching for explanations.

• Police Investigation: Authorities uncover dead animals and unexplained claw markings in the attic but offer no definitive explanation, prompting Angel to relocate.

Notable Quote:

Angel: "The one thing that has stayed with me is the image of that thing at the end of the attic on its hands and knees, staring at me with eyes full of fear and anger."

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Discussion of Story 3

Timestamp: [27:48 – 29:41]

The hosts delve into the plausibility of Angel's encounter, weighing the possibility of a vagrant versus a more sinister, possibly supernatural entity. The presence of claw marks and the creature's ability to manipulate the environment (opening windows, escaping with ease) point towards a non-human explanation. McLeod and Brian highlight the thematic consistency of hidden spaces—like tunnels and attics—in supernatural lore, discussing how such settings amplify the fear of the unknown and the unseen.

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Conclusion and Call for Listener Stories

Timestamp: [29:41 – End]

As the episode wraps up, McLeod and Brian express their fascination with the listener-submitted stories, emphasizing the universal allure of mysterious and unexplained phenomena. They encourage more listeners to share their own supernatural encounters, fostering a community of shared experiences and collective exploration of the unknown.

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Notable Quotes from Hosts:

• McLeod Andrews: "It's the tension of wondering if it will ever come back that's worse than something you can acclimate to."

• Brian Sigley: "At least they didn't seem to mean any carnal harm."

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Key Takeaways:

• Setting as a Catalyst: The episode underscores how specific locations—ancient manors, remote ranches, and hidden attics—serve as perfect backdrops for supernatural events, enhancing the eerie and unsettling nature of each story.

• Sporadic Manifestations Heighten Fear: Supernatural occurrences that are infrequent and unpredictable create a lingering sense of dread, making the unexplained more terrifying than constant hauntings.

• Human versus Supernatural Explanations: The discussions explore the thin line between plausible human actions (such as vagrants) and inexplicable supernatural phenomena, often leaving listeners questioning the true nature of these encounters.

• Impact of Personal Experiences: The hosts emphasize how these supernatural events leave lasting impressions on individuals, shaping their perceptions and behaviors long after the incidents occur.

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If you have a supernatural story to share, send it to the Sightings team at storiesightingspodcast.com or reach out via their Instagram. Your tale could be featured in an upcoming episode!

Transcript

[McLeod Andrews]

Some places seem like perfect settings for the supernatural. A centuries old house, a remote patch of land, a mysterious attic. We've seen all of these before in countless horror movies. But what happens when the horror comes to you? When your house, your land, or your attic become a gateway to the supernatural and change your life forever? Welcome to Sightings, the series that takes you inside the world's most mysterious supernatural events. Each week we bring you a thrilling story that puts you at the center of the action, followed by a discussion that dives into the accounts that inspired the story and our takes on them. I'm McLeod.

[Brian Sigley]

And I'm Brian. And since it's the last Monday of the month, we're bringing you three new supernatural listener stories.

[McLeod Andrews]

That's right. We're taking you to three classic horror movie locations. But this time, the stories are very, very real. Experience it for yourself on this episode of Sightings. Hello, everybody. Welcome to Sightings and that special episode of the month which is your stories, the listeners stories where you, I don't think, consciously try to freak me out, but that's often the fallout.

[Brian Sigley]

Absolutely. And again, we do not have titles on these, so you.

[McLeod Andrews]

Right. So it's always a surprise. This was a clever twist of yours, Brian, that I don't appreciate.

[Brian Sigley]

Yep. Well, we got three awesome stories today. As we mentioned in the opening, all of them are in kind of classic horror story locations. We've got a spooky old, old, old house. We've got a remote patch in Montana, and then we've got an attic that someone didn't even know was there. So it should be a lot of fun.

[McLeod Andrews]

Okay. Yeah, those are. It's so interesting that, like, place and setting is kind of a central theme or a binding theme of these stories.

[Brian Sigley]

Absolutely.

[McLeod Andrews]

And those all sound like very creepy spaces.

[Brian Sigley]

Yeah. So this first story comes from Christian, or Christian, I'm not quite sure how to pronounce it. He is from Denmark.

[McLeod Andrews]

Oh.

[Brian Sigley]

And yeah, this is exciting. It's our first international listener story we've had on the show. So thank you. Thank you, Chrisean, for sending this in. McLeod, you don't need to attempt a Danish accent.

[McLeod Andrews]

Great, Good.

[Brian Sigley]

In this one. He did note in his email, in Denmark, we call our accent Danglish and it sounds horrible.

[McLeod Andrews]

Aw. I'm sure that's not true. I'm sure it's a perfectly mellifluous dialect.

[Brian Sigley]

So.

[McLeod Andrews]

Yeah.

[Brian Sigley]

So let's just play this as yourself, McCloud.

[McLeod Andrews]

Okay.

[Brian Sigley]

And let's get a little bit of spooky music going as. And here we Go, we're heading to Denmark.

[McLeod Andrews]

Back in 2008, when I was 17 years old, I lived in the countryside in a nice but very old house. And when I say old, I mean very old. The house was the former servant quarters for a big manor that was built in the 1600s. The manor was beautiful, with a big garden and a kilometer long avenue of trees leading to it that formed an eerie tunnel around the road. Creeped out, eerie tree. It's just like so evocative and I can see it and I'm like, no. Because it's always tunnels. Hallways are something so innately horrifying because they're leading you towards, they pinch you naturally. And there's just your imagination starts going crazy with what's at the end of it. What's at the end of the road? What's at the end of the tunnel.

[Brian Sigley]

Yep.

[McLeod Andrews]

Anyway, sorry. Okay, you got me, Christian. So let's revisit the tunnel here. The manor was beautiful with a big garden and a kilometer long avenue of trees leading to it that formed an eerie tunnel around the road. But my house was more modest, two stories. But it had gone through some renovations through the years and it had a cozy and isolated feel to it. So one day my mom's very close friend and her son, let's call him Carl, came to Visit. Carl was 8 years old then and he and I had a kinda big brother, smaller brother relationship. So whenever they came to visit, he slept with me in my room on the second floor of the house. We played a lot of PlayStation and ate a lot of unhealthy food. And when it was time for bed, I pulled out a mattress on the floor, said good night and turned the lights off. All was fine until I woke up in the middle of the night because Carl was screaming his lungs out and I almost fell out of my bed as I realized why he was screaming. There was this red oval orb floating in the middle of my room with strings of white light coming out of it. I only saw it for a split second before I turned my attention to Carl who was sitting up on his mattress wide eyed and screaming out of pure terror. Then I looked back to where the orb had been, but there was nothing there. Then the lights turned on and Carl's mother rushed in to see if he was okay. I quickly chalked what I'd seen up to my tired eyes. And just being woken with a shock by Carl having a bad dream, we went down to the living room. It took a while before Carl was back to normal. He had a blanket Wrapped around him. And when Carl's mom went to the restroom and we were alone, I asked him why he'd been screaming. He was quiet for a moment, then said he saw a red orb hovering in the middle of the room with strings of light coming out of it. My stomach turned and I felt nauseous. Because right then and there, I knew that what I'd seen for that split second was real. And not just my eyes playing tricks on me. One of the girls I went to school with had an aunt who was a kind of clairvoyant. So I met with her to ask if she had an idea of what the red orb could have been. She asked me to draw it on a piece of paper, and she instantly said it was a gateway to the other side. She even showed me drawings and some books that were similar to mine, and that scared the hell out of me. I spent a lot of time back then trying to convince myself that it was not real and she was mistaken. Because if I started to believe her, it would just be too much to handle. But every night when I was lying in bed trying to fall asleep, I kept looking at the spot where the orb had been. And sometimes I felt like someone was in the room with me. Sometimes I even felt like I saw a shadow in the corner of my room or at the foot of my bed, Even though there were no lights turned on in my room. So it was kind of hard for anything to cast a shadow. But I always chalked it up to my mind playing tricks on me. But there was one more episode where it was impossible for me to just play it off as my mind playing tricks. Well, two weeks or so after I saw the orb, I was sitting in my room doing homework when I heard my mom's tell tale footsteps walking up the stairs and towards my room. The footsteps stopped right outside my door, and I yelled to come in. But when no one answered, I got up to open the door, only to find no one there. I called out for my mom, but she was not even inside the house. She was doing some work at the far end of the garden. And since this was in the middle of the day and I was wide awake, there was no convincing myself it was fake this time. I did not tell my parents about this until years later. I think I was too scared of coming off as a crazy teenager who played too many video games. Also, to be honest, I didn't think they would believe me. So I still wonder what it could have been in that old house. To me, the scary part of it Was that something was there that didn't show itself often, rather than something constantly revealing itself because it created this eerie tension. Hoping it never showed itself again while trying to convince myself it wasn't real. At least until I saw or heard it again. Woo. Okay. I'm okay.

[Brian Sigley]

This was a cool story because when I first read it, I'm like, oh, this is like a UFO alien story or something like that. You wake up and you see an orb, like a red orb with light coming out of it in the middle of your room.

[McLeod Andrews]

Yeah, the red, the red was unique for me.

[Brian Sigley]

But then when he went and talked to the clerk and she's like, this is a gateway to the other side. It kind of makes sense. He's in this like 400 year old house. I wonder if there was some kind of gateway in that house. I don't know.

[McLeod Andrews]

I don't know. I wonder if Christiane knows any more about, like, the history of the, of the house, like that he could send us.

[Brian Sigley]

I don't know. I just. He did, he did mention in the email, like, they only lived in this house for three years. So it sounds like they made the right move and got out before anything else really bad could happen. But I can't just, I'm, I'm, I'm envisioning that, you know, this portal's opening up or whatever when people aren't there and ghosts come walking out. And that's what he heard, you know, when he thought it was his mom. But.

[McLeod Andrews]

And I also, I want to just give some storytelling kudos here to Christiane for like, you know, the tunnel that I mentioned and harped on. It ultimately had nothing to do with the story, but it had the effect of kind of setting the mood and the tone. It was good detail, good, like groundwork. And then I liked his little analysis at the end too, sort of about why the story resonated and stuck with him for so long.

[Brian Sigley]

Yeah. That the thing didn't show itself very often. And that's right.

[McLeod Andrews]

It's the tension of wondering if it will ever come back is worse than something that you can acclimate to and get used to.

[Brian Sigley]

Ooh, Love it. Well, thank you for sending in this really cool story, Chrisean, but we have got two more stories coming up. We'll be back right after this. McLeod, I have to tell you, all these supernatural stories are making me realize I would be an absolutely miserable ghost.

[McLeod Andrews]

Because you'd be stuck in eternal purgatory.

[Brian Sigley]

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[McLeod Andrews]

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[Brian Sigley]

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[McLeod Andrews]

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[Brian Sigley]

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[McLeod Andrews]

Lifesavers. Sounds like the ghosts needed those.

[Brian Sigley]

I know.

[McLeod Andrews]

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[Brian Sigley]

Thanks Marley Spoon for sponsoring this episode. Okay, welcome back. McLeod, you ready for another one? Sure. Excited as always. We are coming back stateside for this story. This one comes from Henry, who's from Montana.

[McLeod Andrews]

Oh, nice. I used to spend some time in Montana. My. My family and I wouldn't. We wouldn't do the beach thing on like spring breaks and vacations. We went to Montana.

[Brian Sigley]

Awesome. Well, Henry is a rancher, so I don't know if that informs your voice at all, but it sounds like the story happened some time ago. But he's been ranching for 20 years, so I assume he's in his 40s, 50s, whatever. But yeah, here we go. Let's get some music going for this one.

[McLeod Andrews]

Alright. I've had a small ranch outside BOZEMAN for about 20 years now. It's not fancy, but it's quiet and I like it. And one of the things I've done to fill the time is messing around with my ham radio. Most nights I just sit there with a cup of coffee, scanning frequencies and chatting with other operators from all over. Sometimes I even pick up folks from as far away as Japan. But one Time. I wonder if I ended up hearing something from much, much farther away. It was a regular night. Clear sky. And I was at my usual spot in the den, running through frequencies like I always do when I picked it up. This really strange clicking. It was almost like Morse code, but different. More irregular. And it sounded almost organic, if that makes sense. I'm not sure how else to describe it. Like a clicking sound with an odd pattern to it. Three clicks, then 2, then 7. Then it would start over, then it would iterate. At first I figured it was just interference. Maybe somebody's electric fence acting up or something. But here's the thing. It wasn't just on one frequency. I found it all over different bands, always that same pattern. And that gave me the creeps, honestly. I've been operating ham radio since I was in high school. And in all those years, I've heard all kinds of strange things. Distant broadcasts bouncing off the ionosphere, military chatter, even some bizarre Cold War numbers station. But this was different. It just didn't feel right. And I knew it. In total, the signal kept up for about 10 minutes until it ended. And though I sat there for another couple hours, it didn't come back. I made some notes about it in my radio log, which I've been keeping faithfully for decades. And even now, that entry stands out. You can tell I was kind of shaken. The next night I listened again and even had my old tape recorder hooked up in case I caught the signal another time. And sure enough, right around the same time as the night before, that same strange pattern came back. 3, 2, 7. Then iterates back and forth. I don't know why, but I then did something I probably shouldn't have. I transmitted back just my usual. This is Ka7, BDE, Montana, receiving your signal over. Basic stuff, but in hindsight, stupid.

[Brian Sigley]

Potentially, yeah.

[McLeod Andrews]

But I couldn't resist either. How can you resist? I get like. I totally get it.

[Brian Sigley]

Yeah.

[McLeod Andrews]

Okay, so let me connect it. Basic stuff, but in hindsight, stupid. Because as soon as I said over, the clicking stopped dead. Like whatever was making this signal had heard me. Of course, I didn't dare speak again. I just sat there with my headphones on, barely breathing for probably half a minute. Then the clicking started back up, but different this time. Faster, more deliberate, if that makes sense. Almost like it was responding for clarity. I wasn't thinking about UFOs or any of that at the time. I just thought this was some signal that was strange, but not much else. But then I heard my horses going crazy outside, going absolutely nuts. I keep four of them in the stable about 50 yards from the house, and they sounded like they were going to tear the place down. So I grabbed my gun and light and ran out there to check. All four horses were pushed up against the back of the corral, eyes all wild, nostrils flaring. And Tornado, my oldest, he never spooks, but he was shaken. So I looked around, checking everywhere, from mountain lions, coyotes, raccoons, but there was nothing there. But something had scared the crap out of those horses. I stayed out there a while, settling them down and still looking around from time to time. And when I did go back inside, the radio was silent. But this doesn't end there. It just gets stranger because the next morning I got up and everything seemed pretty normal until I was out checking the north pasture and I saw these. I don't know, but they seemed to be odd impressions on the grass. Each about two feet across, three of them. And the grass wasn't just pressed. It looked dried out, drier than the surrounding grass. And I stood there a long time, not knowing what to make of them. But it was hard not to imagine the possibility that a craft or something had landed here, especially given what had happened on my radio and to my horses. The timing was just too spookily strange to be coincidence, in my opinion. I kept checking the radio after that, but never heard that clicking again. Just normal chatter, the usual guys I talked to. But I know this. Something heard me that night and something answered. And I don't know if it's related, but something was on my property making those marks in the ground. And whatever it was, it nearly scared my horses to death and probably would have done the same to me had I seen it for myself. Whoa.

[Brian Sigley]

Yeah.

[McLeod Andrews]

Until the horses. Like, kind of what I really loved about this story was, like, it gave me this kind of sense of wonder, this feeling of, like, what is he communicating to? Like, I didn't. It was nothing so specific as, like, a ufo. Like, there was room in my brain for, like, an adventure. Almost like more of a contact type story, which is ultimately about aliens, but like, but a little bit kind of bigger than that. And that's the vibes I was getting. Like, the mystery of it. I really like the mystery of it.

[Brian Sigley]

No, cool. I agree wholeheartedly. I think the thing that then stood out to me too was that there was, I guess, evidence after the fact, you know, the things.

[McLeod Andrews]

It's also interesting that he, like, you know, he reaches out to them and then it seems that, like, draws their attention to him and like, if this ufo, if it was a ufo, suddenly goes like, wait a second, who's listening? And like comes. But he can't be the only person hearing this, right?

[Brian Sigley]

Well, I don't know. That's the thing. I don't know enough about how ham radios work. I know you can pick up signals from all over on a ham radio, but I think that since this thing was kind of clouding all of his frequencies, it sounded like. It sounded like it was like right on top of him practically already. And then.

[McLeod Andrews]

But that moment of terror of like thinking you've drawn the attention of something. Leviathan in size, sort of.

[Brian Sigley]

I guess he should be glad that they didn't flatten his horses like they flattened the animals in Stardust Ranch.

[McLeod Andrews]

I had the same thought where I was like, oh, yes. At least they didn't seem to mean any carnal harm.

[Brian Sigley]

So. Thank you for sending this in, Henry. Really cool story. We love getting UFO stories because a lot of the ones we've been getting are, you know, spooky things that people see in their houses. But this one, this one was fun and I love the radio element of it too. It was really neat.

[McLeod Andrews]

I really like the radio. Radio element. That's very cool.

[Brian Sigley]

We're going to be back with one more story though. This one's going to be the attic story, so stay tuned right after this.

[McLeod Andrews]

I hate addicts.

[Kristen]

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[McLeod Andrews]

What else?

[Kristen]

Oh, it's tracking, in fact. Value surge alert. Trucks up 2.5%, vans down 1.7.

[McLeod Andrews]

Just as predicted. Mm.

[Brian Sigley]

So we gonna.

[Kristen]

I don't know, could sell.

[McLeod Andrews]

Could hold the power to always know our car's worth.

[Kristen]

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[Angel]

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[Kristen]

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[McLeod Andrews]

Will that be cash or credit? Credit. 4 Galaxy S25 Ultra the AI companion that does the heavy lifting so you can do you get [e-mail] compatible with select apps. Requires Google Gemini account. Results may vary based on input. Check responses for accuracy okay, here we are, back for more terrifying adventures.

[Brian Sigley]

Well get ready for this one. We're heading to an attic this story comes from Ancient angel from Denver and he's telling us a story about when he was in school in Boston. So it's set in Boston. Okay, so let's get some music rolling.

[McLeod Andrews]

Okay. I was 22 at the time, still in grad school at Boston University and living in a very small one bedroom house in the cheapest area of the city, Mission Hill. After work on a Friday night I hopped online to game with a bunch of my friends. It was the perfect night for staying up late with heavy downpour outside and no work or school. The next day we played for probably two hours before a sudden sound had me put everything on pause for a minute. It was a thump sounding like it was coming from upstairs. My initial concern was a possible leak in the roof caused by the rainfall, so I went up to look. The only rooms upstairs were a single bedroom and a half bathroom and neither of them had any signs of leaks anywhere. So I ran back down and got back online with my friends. We finished up at about 2am and I shut everything off and sat on the couch with some snacks while I watched something on TV. But 10 minutes later I heard another thump from upstairs again, but it was so muffled that it almost sounded like it was on the roof or something. I did an even more thorough search of both my bedroom and the bathroom up there, but there wasn't anything showing itself to be the cause of the sound. I was sure it wasn't thunder either because it vibrated through the walls like something was literally hitting the house. I was so determined to figure out what it was that I put my shoes on and went out into the rain to see if there was something more noticeable from outside. At first, I saw nothing of significance, but then I noticed a tree branch getting pretty close to my house. It was a large and sturdy branch, but it was still a good three or four feet away from the siding. And it wasn't swaying much, so it seemed unlike it was actually banging the side of the house. As I looked, though, I realized there was a small window on the house that the tree kind of covered up, and it was higher than my bedroom window, meaning it had to be an attic. But I had no idea there was an attic in this house. The hatch was nowhere noticeable, and the roof wasn't a steep slope, so it didn't look like there would even be room for one. But this hidden window was the first clue I'd ever seen to indicate there being something up there. I went back inside, more curious than ever, and started searching for the hatch that I knew had to be somewhere. It took a minute, but I found it inside my bedroom closet. It was small and perfectly smooth, with the ceiling basically blending in with it. So I stood up on a box and pulled it down, releasing a rusty ladder from the opening. Even from my closet, I could tell the attic was extremely short, maybe 3 or 4ft tall at most. But I climbed the ladder carefully and looked into the tiny space. Basically a wide, dark tunnel. Here's those tunnels again. Basically a wide, dark tunnel with that hidden window at the end. And there by the window was a figure ducked down on all fours and looking straight at me. I almost fell off the ladder trying to jump down and run away. I heard shuffling up there as I grabbed my phone and fled the house before calling 911 in my driveway. And right after I called the cops, I could see this creature, or whatever it was, open that attic window, jump onto the nearby tree branch, slither down the trunk, and run on all fours into the darkness of the night. When the cops got there, I explained to them the whole story, but I omitted certain parts, being careful not to sound too crazy. The cops told me that there were a lot of vagrants in this area and that it was probably just some homeless person squatting in the attic. Nevertheless, the cops went into my house and up that ladder and were taken aback by the repugnant smell coming from the attic. Up there, they found evidence of dead animals, some rodents, a pigeon, and some other mammal. They also found these huge claw markings on the floorboards, marks that didn't appear to Be from any animal, but almost. What? They also found these huge claw markings on the floorboard. Marks that didn't appear to be from any animal, but almost humanoid in shape. The cops offered me no explanation of these findings and just told me to call them again if the homeless person came back. But I was convinced this was no man. The absurdity of it all was almost unbelievable. I moved out very soon after that, and in every house or apartment since, I've always checked for attics first. Good on you. Again, another reasonable person who gets out of there. But the one thing that has stayed with me is the image of that thing at the end of the attic on its hands and knees, staring at me with eyes full of fear and anger. I've never forgotten that night.

[Brian Sigley]

Oh, man.

[McLeod Andrews]

Well, angel, you know, what I love about this story is, like, I feel like all of us at some time in our life have been in Angel's position. Like, this was a very relatable. I mean, what he found, maybe not necessarily, but, like, certainly that. Like it being a storm. Hearing bumps on the roof and sounds.

[Brian Sigley]

Thinking it's a tree.

[McLeod Andrews]

Thinking it's a tree. The smell. Oh. I mean, like, the first place my mind goes is like it's a bobcat or something. But, like, the bobcats of Boston doesn't really strike me as a common.

[Brian Sigley]

I'm just envisioning almost like a golem kind of creature.

[McLeod Andrews]

Yeah.

[Brian Sigley]

Oof. And then the whole moment where it slithered out of the. You know, it opened the window, left the house, went down the tree and ran off on all fours. The way he described it did not make it sound like a cat.

[McLeod Andrews]

No, but there are claw marks.

[Brian Sigley]

But cats don't open windows either.

[McLeod Andrews]

The cats are pretty clever. You know what it's opening the window and then closing it again behind itself.

[Brian Sigley]

Exactly.

[McLeod Andrews]

Strains credulity, for sure.

[Brian Sigley]

Exactly. And then part of me was like, well, maybe it was just some kind of a vagrant or something. But this vagrant must have been cosplaying something because.

[McLeod Andrews]

Yeah, yeah. Then climbs down a tree and has claw marks. Like, I don't believe the vagrant thing.

[Brian Sigley]

Of course that's what the cops would say, though. Of course.

[McLeod Andrews]

Well, I mean, of course the cops are just going to go, I don't know.

[Brian Sigley]

That image is going to stick with me for a while. The tunnel, like, appearance. We got two tunnels in this one. You're right.

[McLeod Andrews]

Two tunnels. I love that, though, about, like. About supernatural stories. Like the kind of common commonalities, those, like, thematic consistencies of tunnels, storms, Orbs. Absolutely great stories this week, everyone.

[Brian Sigley]

Thank you for sending them in, everyone. Keep them coming. We've been getting new stories every week from people, more than we can do right now. But we want to keep doing more listener story episodes every month. So please send them to [e-mail] or always feel free to shoot us a message on Instagram.

[McLeod Andrews]

We'll see everybody next week. Brian, where are we gonna meet our audience?

[Brian Sigley]

So we are heading to Georgia next week, and I am struggling to figure out how to describe this one. It's kind of a UFO story, but it also has some conspiracy elements and is kind of one of the wildest stories I think we're gonna have done on the show so far. And we've done a lot of wild episodes.

[McLeod Andrews]

So modern or like old school.

[Brian Sigley]

1970S.

[McLeod Andrews]

1970S. All right.

[Brian Sigley]

Yeah.

[McLeod Andrews]

Okay.

[Brian Sigley]

So see y'all next week, same time, same place, right here on Sightings. Sightings is hosted by McLeod Andrews and Brian Sigley. Produced by Brian Sigley, chase Kinzer, and McLeod Andrews. Series music by Mitch Bain. Mixing and mastering by Pat Kicklater of Sundial Media, artwork by Nuno Cernatos. Sightings is presented by Reverb and Q Code. If you like the show, be sure to subscribe on your favorite podcast platform so you're first to hear new episodes every week. And if you know other Supernatural fans, tell them about us. We'd really appreciate it.