This episode has been presented by System1.

Everyone talks about the full funnel. Amazon has actually built it. Day 2 of the Sleeping Barber's Cannes Cut takes Marc and V from the Amazon port activation, a full marina-length brand experience housing a cafe, a speakeasy, 30 meeting rooms, and a stage headlined by Shaquille O'Neal and Oprah, to a sit-down interview with Lauren Anderson, US Head of the Brand Innovation Lab.

Lauren explains what the 'canvas' framing actually means for advertisers: not a menu of placements to check, but a working-backwards discipline from brand objectives through to seamless customer handoffs. The Hellman's 'Mayo for a Melody' campaign, extending the Andy Sandberg Super Bowl spot into a Fire TV karaoke experience with QR-enabled purchase, is the clearest case study of how awareness converts to action without the usual clunky hand-off between platform teams.

The conversation also covers creator partnerships (co-collaborators, not billboards), the messy middle of measurement (experiential value is real but long-horizon), and why the Brand Innovation Lab's ethos is restraint: not throwing every part of the canvas at a brief, but identifying what's most fit for purpose.

Buzz Cut guests from the catamaran round out the episode: Esther Benzi (CMA President), Zach Grossman (Director of Sales, TikTok Canada), Neil Mohan of ClickHealth, and Jeanette from Hashtag Paid, all weighing in on creativity, measurement, and what it actually feels like when AI takes the backseat at Cannes.

Chapters

00:00 - Cannes 2025, another look

05:13 - Amazon's Brand Activation at Cannes

10:03 - bInsights from the Boat: Networking and Learning

11:43 - Lauren Anderson and The Role of the Brand Innovation Lab

19:59 - Campaigns that Connect: Hellman's and More

31:36 - Esther Benzie

32:52 - Zack Grossman

34:26 - Neil Mohan

37:17 - Jeanette Rees