
What message did David Duke’s voters send to everyone else in Louisiana?
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This podcast contains language that some listeners may find offensive.
B
First of all, just so that I can inform the listeners where we are, would you tell us where exactly we are?
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That's Plato Robinson. It was the summer of 1990, and he was working on a public radio story about David Duke's campaign for the United States Senate.
C
Well, you know, you're at the hilltop, and what do you call this? Head of island. And whereabouts are we headed? We're headed to a place you can't get to by land. It's called the Blind River Bar.
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The Blind River Bar was in Livingston Parish, Louisiana, in swampland about 40 miles outside Baton Rouge. On this morning, 300 people were heading there to eat and drink and cheer on David Duke. Plato Robinson caught a ride to the bar on a motorized houseboat full of Duke supporters. Duke had staged a different kind of rally in Livingston parish in 1975. Back then, Duke, the Klan leader had burned a 40 foot cross, shouted the N word, and threatened black Americans with violence. Give us liberty, he said, and give them death. By 1990, Duke had learned to use softer language. But the politician and his followers were still focused on the same enemy.
B
What is it that brings you out here today in support of David Duke?
C
Oh, in support of David Duke. Cause I was a small businessman at one time that got run out by minorities.
A
The man Plato Robinson was speaking with identified himself as an unemployed boiler repairman. He said America was moving in the wrong direction and the Duke could steer it back on course.
C
I've been out of work for a year and a half, but I still sent him free contributions. They were small, but I sent them to him.
B
Did it make you feel uncomfortable to see the photograph of him dressed in the brown uniform of a Nazi stormtrooper?
C
It would have if I haven't, if I didn't hear his explanation and believe it.
B
But is it fair to say that you want to believe in him?
C
Oh, yes. Yes, it's fair.
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The people gathered at the Blind River Bar felt the same way the boiler repairman did. They wanted to believe in David Duke, and they were tired of the media telling them that they should know better than to vote for a Klansman.
C
Have you ever seen an article about David Duke and they say X2 plus Klansman David Duke. You think anybody in the state doesn't know that by now?
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But Duke wasn't running away from his association with the Klan. At another speech a few hours later, he presented his Klan days as an asset.
C
One newscaster, she said to me, she said, representative Duke, she said, don't you think that it hurts your credibility that you were once in the Klan? And I answered and I said, look, ma', am, I said, I think it proves my credibility. It proves that I'm a person that's going to stand up and say what he really thinks. Ladies and gentlemen.
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Duke was praising himself for his supposed commitment to authenticity. He said he was the only candidate who understood how white people in Louisiana truly felt.
C
I'm going to stand up and do what I know is right, and I'm willing to fight for you and to speak for you, say the things out loud that you all say in your heart and to your friends, your neighbors, at church, at work. I'm saying all that out loud. I hope I'm speaking for you. And if I want to do that, I'm going to ask you, will you do something for me and show where you stand and put a bumper sticker in your car? Will you do that for me? Raise your hands. If you do that for me, I want to see it.
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That thing about bumper stickers wasn't just a line in a speech. For Duke, it was an imperative. He said his fans needed to slap them on their cars and boats and trailers, no matter how much blowback they might get. A lot of Duke backers thought it was too risky to make their allegiance known. Some who did support Duke publicly complained they'd been targeted for their political views. One of Duke's local coordinators said yard signs were getting torn down and pelted with bullet holes. A woman outside New Orleans reported that one of her Duke signs got stolen and set on fire. And in Shreveport, Duke's campaign headquarters got tagged with big black swastikas.
C
I've talked to some guys that say I can't put a bumper sticker in my car. I might get a flat tire, might.
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Get a window knocked out.
C
There's an 82 year old woman that lives in a black section of Baton Rouge with a big old bumper sticker on her car and a yard sign, her front lawn. And I know some strapping young men that won't put a bumper sticker on their car, you know, won't put a bumper sticker on.
A
I was 10 years old in the summer of 1990, and I don't remember following all the ins and outs of that year's Senate campaign. But I'll never forget Duke's campaign signs. They were always really blocky white text on a dark blue background. In 1990, those signs said David Duke, U.S. senate. The letters D U K E were way bigger than everything else. Those signs and bumper stickers weren't just simple expressions of political preference. They were a way to mark territory, to show who was welcome in certain parts of Louisiana and who wasn't. St. Bernard Parish is a working class, predominantly white community just outside New Orleans. When schools in New Orleans Lower 9th Ward began to integrate in 1960, white families swarmed to the still segregated St. Bernard. They did so at the urging of the parish's virulently racist political boss, Leander Perez, who told white parents, don't wait for your daughter to be raped by these Congolese. In 1990, St. Bernard still had the feel of a white separatist enclave, and David Duke's name was wielded there as a threat. When word got out that a black family was buying a home in a St. Bernard subdivision, 13 David Duke for Senate signs popped up around the house overnight. A black pastor also had bricks thrown through his windows and David Duke written across the windshield of his car. Tammy Barney wrote about that brick incident for the New Orleans Times Picayune. Barney was the newspaper's St. Bernard bureau chief, the first black journalist to have that role.
B
A requirement of the job was that I live in St. Bernard Parish, and so I started looking for a place to live and I found a two bedroom house. I moved all of my things in and went to stay with my parents in New Orleans for the weekend. I came back on Sunday and when I got back to the home, my electrical wires had been cut, my cable wires had been cut, and someone had spray painted on the back leaf inward in big black letters.
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Barney says that when she called the sheriff's office, they told her it was just some kids and nothing to worry about. Barney didn't let the racists run her out. She stayed in St. Bernard for three years and she later wrote a column asking why so many white people in the parish felt an attachment to David Duke.
B
I actually received a letter from a gentleman who said that he lived in New Orleans and that there were things he thought and felt about the black community that he couldn't say in New Orleans, because New Orleans was run by black mayor, because his neighbors were black, but that David Duke said those things for him.
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Duke gave a lot of people a voice, but it wasn't clear how far that voice would carry in his first statewide election. When Duke announced his run for the Senate, he'd been in the state legislature for less than a year and he hadn't accomplished anything of note there. But he wasn't interested in biding his time on the lower rungs of the political ladder. Duke had national ambitions and a growing grassroots following. What he lacked was institutional support. Duke's fellow Republicans in Louisiana hadn't taken a stand against him, as the activist Beth Rickey had urged them to. But they weren't eager to be seen boosting Duke either. And the party wasn't backing him financially. The official Republican candidate was another state legislator, Ben Baggart. In Louisiana's open primary system, both men were running against Democratic incumbent J. Bennet Johnston, the clear favorite. One August poll showed Johnston with 52% of the vote, Duke with 24%, and Baggart in the single digits. But the pollsters had been wrong about Duke before, and it was possible they were getting it wrong again. As he barnstormed across the state, a sort of Duke mania began to take hold among white voters in Louisiana. When Duke addressed his clamoring fans, he made it clear that this wasn't just a campaign, it was a cause.
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Now, ladies and gentlemen, I look around at this country, I love this country deep and I believe we're losing it. And I know what he wants more. And I want to make us great again, ladies and gentlemen. We got to stand up for this country.
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How did David Duke make himself a statewide sensation? Was he striving for political power or just for personal gain? And what message did his supporters send to everyone else in Louisiana? This is Slow Burn. I'm Josh Levine. Episode 4 A Silent Army. Bess Carrick spent 1990 following David Duke around. Carrick was making a documentary about Duke and his movement. After a while, all the rallies she went to started to blend together.
B
They had this blonde woman with a blue dress who just absolutely was like the picture perfect Aryan superwoman. And she sang the national anthem every time I went to a Duke rally. Oh, see can you see by the dawn's early light? Perfect blonde hair and lipstick and that blue dress and it's so singing the national anthem. And then he'd have, you know, some rabble rousers that would come on stage and this one fella, he would wind up the audience.
A
Duke's warm up act was a former Democratic congressman named John Rarick. Rarick had represented the Baton Rouge area in the U.S. house in the 1960s and 70s. One black legislator called him the leading racist in Congress. Plater Robinson recorded Rarick's speech at the Blind River Bar.
C
There's only one candidate that says he believes the whole civil rights bill should be changed to just say it's against the law for an American to discriminate against an American, wouldn't that take all.
B
This high fleet of food now? Yeah, Rarick. God, what a miserable son of a bitch that guy was. And, you know, when, when we would arrive and set up the camera, a lot of the people in the audience would, you know, get out of their seats. Everybody was very happy. And they would jump in front of the camera and wave and carry on and say, you know, put me on tv, Put me on tv. Then once Rarick got them all wound up, the mood in the room would just absolutely become palpably tense and bitter and horrible.
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David Duke didn't sound as angry as his followers were. He presented himself as a sorrowful patriot, a man who wanted to restore the United States to its former glories.
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I know why I'm here, and I know why you're here. We know that America cannot prosper and be safe and sound for all of its citizens and offer hope for all of our young people until we have a system that rewards people who work and produce.
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The people that work and produce. That was a not so coded reference to Duke's white base. And then there were the people that allegedly didn't work and didn't produce. Duke talked about them, too.
C
And finally, ladies and gentlemen, we've got to find a way to reduce the massive illegitimate welfare birth rate. Because I tell you, people on welfare having children faster than they can raise our taxes and pay for them all.
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Before I started working on this season of Slow Burn, I wrote a book and made a podcast series about the origins of the welfare queen stereotype. When Ronald Reagan ran for president in 1976, he told an exaggerated story about a woman named Linda Taylor, an anecdote that depicted poor black women as a drain on society.
C
In Chicago, they found a woman who holds the record. She used 80 names, 30 addresses, 15 telephone numbers to collect food stamps, Social Security, Veterans benefits for 4 non existent deceased veterans husbands, as well as welfare. Her tax free cash income alone has been running $150,000 a year.
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During his 1990 Senate campaign, Duke put his own spin on the welfare queen myth. The story he told was cruder than Reagan's and even more ludicrous. But the crowd reacted just the way Duke wanted it to.
C
Picked up the phone, the doctor said, he said, representative, I've got a bit of information for you you might find interesting. He said, right now, I have a lady in my outer office who's on welfare. She's in her 30s. She has three teenage daughters. They were all born illegitimate. And this lady is pregnant now with an illegitimate child, and all three of her daughters are now also pregnant with an illegitimate child. And he said, you know what else? And I said, I can't imagine what else. He said, the woman and all three of the daughters are all pregnant by the same man. I tell you, that guy's just jealous over there.
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Telling stories was a new thing for Duke. His 1989 race for the state legislature had depended less on stagecraft than on knocking on doors and shaking hands. But in 1990, those priorities flipped. His Senate rallies were big and loud, and for his fan base, extremely exhilarating. But even if the delivery was different, the underlying message was the same. Here's Marc Morial. In 1990, he was a candidate for Congress. He'd later become the mayor of New Orleans. In any debate in those days, if.
B
You asked Duke a question about anything.
C
If you asked him about hurricanes, you asked him about utility bills, if you asked him about higher education, if you asked him about health care, Ultimately, he found a way to inject welfare recipients as being the problem that the state faced.
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Aid to Families with Dependent Children, the program commonly known as welfare, made up just 2% of Louisiana's annual budget. The state's monthly stipend for a family of three was one of the stingiest in the country. $190. But for David Duke, the reality of welfare wasn't important. What mattered was the message he sent by demonizing it. The people at Duke's rallies were primed to receive that message. At one campaign event, a woman screamed out, we're tired of those lazy bastards collecting checks. Here's the filmmaker Bess Carrick again.
B
I've been around, you know, racist and whack jobs, but the problem with David Duke's rallies was that he would create that virulent crowd mentality. And he had a real cult like following. And they were transfixed with what he had to say, and they would do whatever he told them to do.
A
One time at a Veterans of Foreign wars outpost in New Orleans, Kerrick's cameraman started shooting B roll of the crowd. She followed him down the center aisle.
B
And we see the faces of the Duke supporters, and I looked in their eyes. It felt like they had been broken a long time ago. And it hit me like a wave. And I felt extremely nauseous and sad at the same time. That broken people do search for these leaders that imbue them with a sense of rage and power. That's all a complete illusion. Like if we did not have our own barriers up in our own awareness, we could feel the fish hooks of his propaganda, like hooking into part of our brains and just reeling us off to the side. He is just very convincing. And everything he says, if you don't examine it carefully, if you just eat it, eat it, eat it in, swallow it, you're gonna buy it.
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In March 1990, seven months before the Senate primary, David Duke drew about 275 people to a Holiday Inn in Alexandria in the dead center of Louisiana. People are coming out of the closet, Duke told a reporter. At the end of June, 400 people showed up to see him at the B and M gas station and restaurant in the southwestern part of the state. Ever see anyone who could get this many people to a little dump like this? One local man asked is cars lined up for a half mile in both directions? Staffers for Duke's Democratic opponent, J. Bennett Johnston, didn't think they were at serious risk of losing. Given that 26% of voters in Louisiana were black, Duke would have to get an enormous number of white votes to have any chance. But these Duke crowds were starting to look kind of enormous. Bob Mann was the press secretary for Johnston's campaign.
D
I don't recall Duke in our polls ever getting above the low 30s. And it wasn't the polls that worried me so much that gave me heartburn. It was the fact that wherever Duke went, he was packing halls, he was filling auditoriums. He would go to a town and five or six hundred people would show up, and we would have struggled to get 200 people in that town to show up.
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J. Bennett Johnston was one of the most powerful people in Washington. He was the chair of the Senate Energy Committee and a senior member on the Appropriations Committee. Johnston had been in the senate for nearly 20 years, and during that time, he'd brought a huge amount of federal spending to his home state. He'd been reelected twice without any trouble. But 1990 felt different. Johnston drew 600 people to his hometown of Shreveport for a hundred dollar a plate fundraiser. A week later, a crowd of 1,500 came out for Duke in neighboring Bossier City. They weren't the kind of people who could pay $100 a plate, but Duke knew how to open their wallets. Tyler Bridges covered Duke for the Times Picayune.
B
Yeah, that'd be a really unusual thing at a Duke rally where at a certain point he would literally pass the hat or pass a bucket around and people would throw in a $5, $10, maybe $20.
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Duke paid close attention to this bucket brigade. In a video taken during the 1990 campaign, you can hear him micromanaging the operation.
C
I don't know how much we collected. Hopefully we covered that.
B
The collecting.
C
Passing of the buckets, I thought could.
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Have been a little bit more.
C
Yeah, you saw it, too. I saw from the podium that we did not get it down the rows.
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In all three rows.
C
This is about the third time in a row. It's making twice. And next time what we're gonna do, everybody take one bucket, okay?
D
And it's gonna be just like church.
C
One bucket on each side. One bucket. And it's gotta go all the way down the aisle. And the other person on that end.
D
Takes it and puts it down the other aisle.
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The bucket system wasn't the only way the Duke campaign made money.
B
The typical politician that I've covered would be thrilled to give away T shirts. But Duke had such fervent followers, he could sell them. I work with David Duke. This is his sweatshirts we have.
C
They're $15.
B
And we also have regular shirts, and they're $10.
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Duke's supporters also paid cash for hats, bumper stickers, buttons, beer coozzis and visors. Nobody hid their allegiance at a big Duke rally. They were all on the same team. In his stump speeches, Duke explained that he needed hundreds of thousands of dollars to air a series of infomercials statewide. Those ads started running in July.
B
You've read about him, you've heard his critics. Now hear David Duke. You're about to spend 30 provocative minutes with the U.S. senate candidate all of.
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Louisiana is talking about.
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Duke was using these TV ads to. To win over the kinds of white voters who didn't go to his rallies. Richer, better educated types who might support him if his candidacy became more socially acceptable. On tv, Duke did his best to look and sound normal. He wore a dark suit, sat in a leather chair, and talked about the America I grew up in.
C
I remember when criminals, not homeowners, lived behind bars. I remember when names like New York, Miami, New Orleans, and Detroit evoked images of promise and prosperity. I remember when kids played ball on the streets till bedtime and their parents didn't worry.
A
At the end of one of these spots, he brought out his teenage daughters, Erica and Kristen, holding the girl's hands and calling them his two main sources of comfort and strength.
C
Have you all enjoyed working on the campaign so far?
B
I'm enjoying it. I like traveling around the state and meeting all the wonderful people of Louisiana. And I'd like to ask you to vote for my dad because he'd make a great U.S. senator.
C
Well, let Me tell you something. I appreciate both of you very much and love you both, and we're gonna go win this race.
A
Duke's infomercials were themselves a money making scheme. In one ad, he urged his supporters to dial a 1, 900 number where they'd hear a message about his political philosophy, then get charged $10 on their phone bills. At the end of that call, they'd hear a solicitation for a second 1, 900 number, this one costing $25. By the end of the campaign, Duke had raised $2.4 million, about as much as Jay Bennett Johnston. Most of that came from donors who gave less than $100. A good chunk of it went to Duke himself. During the Senate race, the Duke campaign paid Duke, the individual, thousands of dollars for access to Duke's own fundraising lists. It wasn't the first time Duke had been accused of self dealing. The previous year, the Times Picayune had reported that a company owned by Duke got $140,000 from his political campaigns and the national association for the Advancement of White People. Tyler Bridges, who wrote the article, says it made Duke extremely agitated.
B
I don't think Duke really minded when somebody called him a Klansman. You know, him talking about having been a Klansman spoke to how he was going to shake things up. But the story I wrote about his campaign paying him money spoke to something different.
A
Duke wasn't charged with any financial crimes in connection to his senatorial campaign. But in the mid-1990s, he'd collect more than $230,000 under false pretenses, sending out fundraising letters that claimed he was facing economic ruin. He'd then blow a good portion of that money gambling in casinos. Duke would ultimately spend a year in prison after pleading guilty to mail fraud and filing a false tax return. Journalist Stephanie Riegel investigated Duke's finances during his run for the Senate. Riegel came away believing that Duke was soaking his followers. But she doesn't think he was running for office solely as a grift.
B
It was political, it was philosophical for him, and it was also financial. He had a couple of things going on at once. I mean, if you could have seen him in those years, there was so much ego, you know, I mean, he just loved being an icon to these people.
A
Riegel saw another side of Duke when she went to interview him at his campaign office, which also served as his house and the headquarters of the naawp. She says he came down the steps wearing a pink shirt with a collar flipped up like an extra in Miami.
B
Vice and he just walks over and he puts his hand up against the wall and cocks his other hand on his hip and kind of leans over me like a cheesy guy would do in a bar. And he's like, hey, he was right up close in my face and in my personal space. And I guess that was his tactic to try to disarm you or to try to charm you maybe. And even as a 24 year old, that was very, very obvious to me at the time.
A
Riegel wasn't charmed, but other women were. The reporter John McGinnis described the Duke campaign as a rock and roll tour with screaming fans and nightly groupies. Duke's attorney told McGinnis that the candidate's obsession with female companionship got in the way of his other duties. At one rally, Duke blew his choreographed entrance because he went on stage to get a better look at a blonde in the third row. Another time, when a campaign worker told Duke he needed to stay away from young women, Duke reportedly answered, look, isn't it enough that I'm trying to save the white race? Can I see who I want to see? Let's take a quick break. J. Bennett Johnston wanted to run on his record and ignore the ex Klansman in his rearview mirror. But a month before the primary, it was clear David Duke wasn't going away. It was the candidate's 31 year old son, also named Bennett, who convinced him to change his approach. Here again is Johnston's press secretary, Bob Mann.
D
We were in Farmerville in northwest Louisiana, and right before he got out of the rv, young Bennett handed his father a piece of paper and it said he'd just written the simple words, nazi, racist, bigot, get mad.
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A couple of days later, Mann recorded Johnston's new fiery or stump speech.
C
Now why can't people wake up? Why can't they wake up? Don't they understand what's going on? I mean, people have sort of flirted with some of these ideas. I mean, how many times have you heard people say, well, I don't much like David Duke, but I sure like what he's saying. He's standing up for us. Standing up. Bull. He's not standing up for anybody but himself.
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Two weeks before election day, Johnston released the first attack ad of the campaign.
C
David Duke led the Ku Klux Klan as an adult. There's no more truly representative symbol of the white race than the fiery cross. It is our symbol. White victory.
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The commercial showed Duke presiding over a cross burning in the late 1970s. When Duke said white Victory. He raised his left arm in a stiff salute. Bob Mann thought the cross burning ad was a kill shot. At first, it seemed like he might be right. The Johnston campaign's internal polling showed that Duke dropped six points after the spot started airing. But a week later, Duke's numbers had bounced back up.
D
It's always made me wonder if what we were doing in a way was telling Duke's supporters that he may be talking in all these code words and dog whistles and really toning it down a lot, but no, no, no, he's really the racist that you want him to be. And so in some bizarre way, we might have actually helped him with some of his most racist supporters.
A
The state's main anti Duke activist group, the Louisiana Coalition Against Racism and Nazism, thought it was still possible to scandalize some Duke voters. Lance Hill was the coalition's executive director.
C
As our polling showed, the place where he really took a dip was on his Nazism because the Klan was identified among white people as part of their political tradition. But the Nazis weren't.
A
Duke's fascination with Nazi ideology was public knowledge by 1990, though, a lot of people in Louisiana either hadn't absorbed it or didn't care to believe it. That summer, the Times Picayune's Tyler Bridges published some new information. His source was a woman Duke had dated in the mid-1980s.
B
Yeah, she told me how for the time that she was with him, she remembered that he would celebrate Hitler's birthday every year and he'd have a cake and it was an important occasion for David Duke.
A
Duke tried to brush off that claim, saying, hitler's never showed up in my house for any birthday parties. Johnston and his staffers couldn't be sure if that Hitler birthday story was going to stick. All they knew was that Duke was posing an ever larger threat.
C
Louisiana has an open primary.
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That means if one candidate gets more.
C
Than half the votes, he or she wins.
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But if not, there's a runoff between.
C
The two top vote getters.
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And if there's a runoff in the U.S. senate race, there's a good chance.
C
That one of the candidates will be David Duke, former Grand Dragon of the Ku Klux Klan.
A
If Johnston didn't get a majority in the October primary, that would raise a lot of questions about just how powerful the Democratic senator really was. David Duke would also get a month in the national spotlight before a November runoff. And there was a real chance that Duke could win that runoff and become the next United States Senator from Louisiana. The truth was, it was too late for Johnston to control his own fate. Heading into the home stretch of the campaign, there were two men taking votes from him, not one. Ben Baggart had won the endorsement of the Louisiana Republican Party, but he hadn't found a constituency. Baggert, who positioned himself as a pro life, welfare reforming environmentalist, wasn't left wing enough to win over liberals or right wing enough for conservatives. When Baggard's candidacy failed to take off, he tried to elevate himself by tearing down David Duke. Here's how he remembers it.
D
Actually, at one point I declared that we shouldn't make a maggot into a martyr. And boy, he really didn't like that. Or I would tell him, David, your chin's falling. You know that plastic surgery didn't work really good. You want to take an extra minute to go push it back up, things like that.
A
Baggard's insult comedy routine didn't change the dynamics of the election. He was always the third wheel in a two man race. In the closing days of the campaign, eight Republican senators announced they were endorsing Johnston. Even though he was a Democrat. Baggard was totally alone. He had no money, no staff and no hope. On the plus side, he was a pretty good guitar player. There is not much sunshine these days.
C
For Ben Baggart, the endorsed Republican candidate.
D
Running a distant third in most polls. Dogged by Duke backers as he campaigns.
A
So today, Baggart withdrew from the race and said he would vote for Democrat Bennett Johnston.
C
I'm not endorsing anybody, but you know, I'm not voting for David Duke. But will his voters take his advice?
A
Baggart pulled out just two days before the primary. Duke would cry conspiracy, alleging that someone had paid Baggert to take a dive. Baggert, who's now 76 years old and practices law in New Orleans, says that's not true.
D
As it got close and as I realized that I would never make it, I. I said no, I've got to pull out of this thing. I can't let my footnote in history be that I was the guy who wouldn't pull out of the race and put Duke in a position to go to the U.S. senate. I don't want to be known as that. I'm satisfied that I did the right thing and it was something that ended my political career.
A
Bennett Johnston's pollster thought the election was sewn up. With Baggart out of the running, he figured Johnston would get around 65% of the vote. Then the polls closed. Here's Bob Mann.
D
Well, election night, we booked a big ballroom at the Riverside Hilton in New Orleans. And that night, as the results began coming in, it was clear pretty early on that this was not going to be a 6040 race.
A
It wasn't 60 40. It ended up 54 to 43 and a half. Bennett Johnston had avoided a runoff, but David Duke had outperformed every poll. When all the ballots were counted, 607,391 people had voted for the neo Nazi.
D
It was the most depressing win I think that I've ever been a part of because it just felt like even though a majority of the state had voted for, for Bennett, that you just knew that it should have been a lot more like, you know, how could this many people vote for this guy?
A
Johnston gave a victory speech that night saying that Louisiana was united. But it was Duke who sounded triumphant.
C
We are going to build a political movement in this country to bring back the rights of the American majority, Ladies and gentlemen.
A
Once again, the polls hadn't captured David Duke's true level of support in Louisiana. Duke's Ku Klux Klan ally, Don Black had provided under the radar support during his friends campaign, using his computer skills to help with voter outreach. Black had a name for Duke's hidden voters, the ones who didn't identify themselves to pollsters, A silent army of white believers. In the days following Duke's second place finish, the makeup of that army came into focus. Duke had won 60% of the White vote in Louisiana. It hadn't just been poor and less educated whites, rally goers and bumper sticker buyers who'd cast their lots with him. Duke's base was white people.
D
It just defied reason to me that someone who was that open, this guy wore a hood, he celebrated Hitler's birthday. You know, just go down the list. There's just no way that people are going to embrace that. And you know, I now realize that Duke's, you know, embrace of that Persona was exactly the thing that drew people to him, including the man that would become my father in law. I mean, you know, my father in law, who was a wonderful, lovely man, was a Duke supporter. And you know, I was, I remember the first time that my wife, then girlfriend brought me home. I was very suspect to these people. I was the press secretary to the enemy.
A
Did her father have economic anxiety?
D
No, no, he did not. He was a very prosperous fellow. I don't think it was economic anxiety that was prompting his support of David Duke.
A
A post election survey found that 25% of Duke's white voters were upscale white collar professionals. One of the most common reasons that Duke supporters gave for backing him was that he took a strong stand on cleaning up the welfare mess. The other most popular rationale, that he had the guts to take pro white stands while other politicians cater to minority groups. The rise of David Duke was a political story about a candidate learning to harness white rage. But it was also a personal one for the people appalled by Duke. His growing power didn't feel like a distant force.
E
One way that I describe those last few weeks before election day is that it felt like a series of weights were being placed on me.
A
That's Michelle Belle Boissier. She identifies as black and Louisiana Creole. Her family has been in southeast Louisiana since the 1740s. In 1990, she was a 25 year old biology graduate student at Tulane University.
E
It seemed like those weights were getting heavier and heavier and it was harder to function, harder to make forward progress in my own life because of this idea that there are going to be thousands upon thousands of people who actually vote for this individual.
A
Boissiere had never spoken out about politics, but after the Senate primary she sent a letter to the Times Picayune. I asked her to read some of it.
E
I have been haunted by the fact that 60% of the Caucasians in Louisiana supported David Duke. I have spent the last few weeks in a state of paranoia unlike any I have ever experienced.
A
Boissier was the only black PhD student in her department at Tulane or in any other science department at the school.
E
So I was very much alone all day and I had to wonder, well, of the 50 white people that I talked to tomorrow, which 30 of them voted for David Duke? Because they're not necessarily going to be bold and bragging about it. In fact, they probably will not. And that was really, really hard to accept. It was hard to realize that people you wanted to trust and thought you should be able to trust, perhaps you couldn't trust.
A
Did you ever ask any of your white acquaintances or friends or colleagues explicitly if they had voted for Duke?
E
I never asked anyone if they did, no. A few people made a point of telling me they didn't.
A
In her letter, Boissiere wrote, I am a part of a generation of African Americans who were never forced to sit in the back of a bus, never denied admittance to restaurants on the basis of color. A generation of blacks who have always had the right to vote and never participated in a freedom march. She said that all those votes for David Duke were the most blatant sign of racism she had ever witnessed. And the blatancy of it made her feel blacker in some ways, I guess.
E
It opened my eyes. It made me realize that I had to be more expressive in who I am as a black woman because I was now in a situation where that was warranted, it was really needed.
A
Boissier is now a biology professor at New Orleans Historically Black Xavier University. I wanted to talk to her now, three decades after she wrote that letter to the editor, because I was hoping she could help me answer a question. It's something I've been asking myself for the last 30 years. How do you continue to live in the state and move through the world and go about your business knowing how people voted in that election?
E
Oh boy. Luckily, I have enough to do and to keep me busy that I don't have a terribly large amount of time to ponder about all of these things every day. And I also know that the work that I do and the way that I conduct myself is a source of pain for people like David Duke. I know that in my career I help young people, primarily people who are African American. I help them complete career journeys that people like David Duke think they're not well suited for, think they're not capable of doing. So I know that I live my life doing things and being a person that is disturbing to him, and that's quite comforting.
A
Next time on Slow Burn Duke for governor Slow Burn is a production of Slate Plus, Slate's membership program. Slate plus members get weekly bonus episodes of Slow Burn where we'll dive deeper into the history we're exploring this season. On this week's bonus episode, you'll hear my interview with Topher Grace, who played David duke in Spike Lee's film BlackKklansman. Head over to slate.com slowburn to sign up and listen. Now, we couldn't make Slow Burn without the sound support of Slate plus, so please consider signing up if you like this series and are able to contribute. It's only $35 for the first year and you get a free two week trial. Go to slate.com slowburn to find out more. Slow Burn is produced by me and Christopher Johnson, with editorial direction by Lo and Liu and Gabriel Roth. Madeline Ducharme is our production assistant. Assistant Sophie Summergrad is Slow Burn's assistant producer. Our mix engineer is Paul Mansey. David Gross composed our theme song. The artwork for Slow Burn is by Lisa Larson Walker. Tyler Bridges is the author of the biography the Rise and Fall of David Duke. Bess Carrick's documentary on Duke is called Race and the American Dream. Some of the audio you heard in this episode is courtesy of the Ronald Reagan Reagan Presidential foundation and Institute and the Amistad Research Center, New Orleans, Louisiana. Special thanks to Jordan Hirsch, Jessica Seidman and Slate's Chao Tu, Katie Rayford, Laura Bennett, Allison Benedict and Jared Holt.
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Slow Burn (Slate Podcasts) — Season 4, Episode 4: "A Silent Army"
Date: July 8, 2020
Host: Josh Levin
This episode explores the explosive rise of David Duke, former KKK Grand Wizard, within Louisiana politics during his 1990 U.S. Senate campaign. Against a backdrop of deep-seated racism and white grievance, the episode investigates how Duke harnessed discontent and covert support among white Louisianans, transforming his campaign into a mass movement complete with its own “silent army.” Through archival audio, first-person testimonies, and on-the-ground reporting, the episode probes how Duke’s candidacy threatened to upend institutional politics and revealed disturbing truths about the state's electorate and American political culture.
The Weight of White Support for Duke (38:38–41:43): Michelle Belle Boissiere, a Black Creole doctoral student, describes the profound alienation and anxiety caused by knowing how many neighbors secretly (or openly) supported Duke.
Enduring Legacy (42:18–43:58): Today, as a biology professor, Boissiere reflects that her success and mentorship of Black students stands as rebuke to Duke’s vision:
“It would have if I didn't hear his explanation and believe it….Oh yes, yes, it's fair.” — Unemployed boiler repairman, explaining why he supports Duke despite Nazi past, 02:01–02:12
“Duke wasn’t running away from his association with the Klan…He presented his Klan days as an asset.” — Narrator on Duke’s campaign rhetoric, 02:34–03:02
“Those signs and bumper stickers…were a way to mark territory, to show who was welcome in certain parts of Louisiana and who wasn’t.” — Narrator, 04:49
“I've talked to some guys who say, ‘I can’t put a bumper sticker on my car. I might get a flat tire, might get a window knocked out.’” — Duke supporter, 04:23–04:31
“He’s standing up for us. Standing up. Bull. He’s not standing up for anybody but himself.” — J. Bennett Johnston, 28:46
“It just defied reason to me that someone who was that open—this guy wore a hood, he celebrated Hitler’s birthday…there’s just no way that people are going to embrace that….I now realize Duke’s embrace of that persona was exactly the thing that drew people to him.” — Bob Mann, 36:59
“I have been haunted by the fact that 60% of the Caucasians in Louisiana supported David Duke. I have spent the last few weeks in a state of paranoia unlike any I have ever experienced.” — Michelle Belle Boissiere, reading her 1990 letter, 39:38
| Timestamp | Segment/Topic | |-----------|-----------------------------------------------------------------| | 00:15 | Plato Robinson reports from a Duke rally in Louisiana swamps | | 03:02 | Duke reframes Klan association as proof of "authenticity" | | 04:49 | Stories of sign vandalism, intimidation, and territoriality | | 06:33 | Tammy Barney recounts racist vandalism as a Black journalist | | 13:14 | Duke’s versions of the “welfare queen” stereotype | | 16:41 | Bess Carrick on the cult-like mentality at Duke rallies | | 19:34 | Bob Mann on the intimidating size of Duke’s crowds | | 23:06 | Excerpt from Duke's infomercial, appeals to nostalgia | | 26:40 | Stephanie Riegel describes Duke's ego and financial opportunism | | 28:46 | J. Bennett Johnston's new, confrontational campaign speech | | 29:57 | Reflection on potential backfire of anti-Duke ads | | 31:10 | Duke's Nazi celebrations come to light via journalistic probes | | 34:21 | Baggart on dropping out to prevent a Duke win/runoff | | 35:04 | Election night: shock at Duke’s vote tally | | 38:38 | Michelle Belle Boissiere on feeling threatened and isolated | | 42:18 | Boissiere on living meaningfully in opposition to Duke's values |
The episode strikes a tone of urgent historical inquiry—somber, sharply observant, and deeply empathetic to those harmed or appalled by Duke’s rise. There’s a persistent undertone of disbelief at the scale of his support, countered by personal stories that ground the history in lived experience. When quoting supporters or Duke, the show maintains a journalistic detachment but does not shy away from calling out the reality of explicit and coded racism.
Summary prepared for listeners seeking a thorough understanding of "A Silent Army," Slow Burn Season 4, Episode 4.