"Tig Notaro"

Summary

SmartLess Podcast Episode Summary: "Tig Notaro"

Episode Information:

• Podcast: SmartLess
• Hosts: Jason Bateman, Sean Hayes, Will Arnett
• Guest: Tig Notaro
• Release Date: January 20, 2025

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Introduction to Tig Notaro

In this heartfelt and humorous episode of SmartLess, hosts Jason Bateman, Sean Hayes, and Will Arnett welcome the incredibly talented Tig Notaro. From the outset, the conversation establishes a warm rapport, with Tig’s candidness setting the tone for an engaging discussion.

Early Life and Name Origin

Tig delves into the origins of her unique name, revealing that it was bestowed upon her by her older brother, who found "Matilda" challenging to pronounce. This anecdote not only highlights her family dynamics but also sets the stage for her later stories about personal identity.

• Tig Notaro [20:34]: "My brother came up with Tig because he couldn't pronounce Mattel, and somehow, he just created Tig."

Career Beginnings: From Music to Stand-Up Comedy

Tig shares her journey from managing rock bands to pursuing her passion for stand-up comedy. Moving from Denver to Los Angeles marked a pivotal shift in her career, driven by the discovery of numerous open mic opportunities that aligned with her long-held dream of performing.

• Tig Notaro [16:37]: "I spent the first two weeks going to every open mic I could possibly attend, practicing my material talking into a flashlight in front of a mirror."

Stand-Up Comedy: Triumphs and Tribulations

Tig recounts her initial experiences with stand-up, including her first performance on SmartLess, which she humorously describes as "horrifying." Despite early setbacks, such as bombing her second gig in Denver, Tig's resilience shines through as she explains how these experiences shaped her comedic style.

• Tig Notaro [25:21]: "At 22 years old, I thought my comedy was so bad it cost the club an emergency fill-in comedian. It was mortifying, but I learned to laugh at myself."

Personal Challenges: Overcoming Illness

A significant portion of the episode is dedicated to Tig's brave battle with multiple illnesses, including cancer, pneumonia, and C. Diff. Her openness about these struggles provides deep insights into her strength and how these experiences influence her humor and storytelling.

• Tig Notaro [54:41]: "I was deathly ill with three diseases at once. Collapsing and facing those moments taught me resilience and shaped my comedic voice."

Relationships and Love

Tig shares a touching and humorous story about meeting her wife, Stephanie, highlighting the serendipitous and unconventional nature of their relationship. The tale of swapping sweaters on Valentine's Day and the ensuing connection underscores Tig's unique approach to love and life.

• Tig Notaro [56:27]: "We switched sweaters at a bar, and that moment led to us making out and eventually falling in love. It was pure and unexpected."

Current Projects and Future Endeavors

Currently based in Toronto, Tig discusses her ongoing work in stand-up comedy, her upcoming documentary "Come See Me in the Good Light," and her involvement in various creative projects. Her enthusiasm for podcasting and directing showcases her versatility and commitment to her craft.

• Tig Notaro [65:27]: "My documentary about Andrea Gibson is set to premiere at Sundance. It's a phenomenal piece about a phenomenal person."

Comedy Philosophy and Style

Throughout the episode, Tig offers valuable insights into her comedic philosophy. She emphasizes the importance of authenticity, adaptability, and the ability to connect with the audience through genuine storytelling rather than rigid scripting.

• Tig Notaro [39:57]: "I leave my mind open during performances. If something crosses my mind or the audience says something, I go with it and explore that moment."

Family and Personal Life

Tig introduces her family, including her wife Stephanie and their two sons, Max and Finn. She shares adorable anecdotes about her children's sense of humor and her life at home, painting a picture of a joyful and supportive family environment.

• Tig Notaro [52:30]: "My son Max said, 'I'm getting the hell out of here. All these damn cats.' I loved his bone-dry humor right from the start."

Closing Reflections

As the episode wraps up, the hosts express their admiration and love for Tig, reflecting on her incredible journey and the laughter she brings into their lives. The conversation leaves listeners with a profound appreciation for Tig's resilience, humor, and the genuine connections she fosters.

• Sean Hayes [67:53]: "We've known Tig for a long time. She's always been so funny and unique. There's nobody like her."

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Notable Quotes with Timestamps

• Tig Notaro [16:37]: "I spent the first two weeks going to every open mic I could possibly attend, practicing my material talking into a flashlight in front of a mirror."
• Tig Notaro [25:21]: "At 22 years old, I thought my comedy was so bad it cost the club an emergency fill-in comedian. It was mortifying, but I learned to laugh at myself."
• Tig Notaro [54:41]: "I was deathly ill with three diseases at once. Collapsing and facing those moments taught me resilience and shaped my comedic voice."
• Tig Notaro [65:27]: "My documentary about Andrea Gibson is set to premiere at Sundance. It's a phenomenal piece about a phenomenal person."
• Sean Hayes [67:53]: "We've known Tig for a long time. She's always been so funny and unique. There's nobody like her."

---

Conclusion

This episode of SmartLess offers an intimate glimpse into Tig Notaro's life, blending humor with poignant moments. Through her stories of personal struggle, professional growth, and heartfelt relationships, Tig exemplifies resilience and authenticity. The hosts' genuine admiration and playful banter further enrich the conversation, making this episode a memorable listen for both long-time fans and newcomers.

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Note: This summary focuses exclusively on the content-driven sections of the podcast, omitting advertisements, intros, outros, and non-content segments to provide a clear and comprehensive overview of the episode.

Transcript

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[Sean Hayes]

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[Will Arnett]

I've got a microphone though. I'm ready to go with a microphone and a couple of headphones here. Let's.

[Jason Bateman]

And that just leaves me. And all I got is a really bad attitude.

[Will Arnett]

Oh, no. And a bad speech thing we're doing.

[Jason Bateman]

Welcome to the smart list.

[Will Arnett]

Oh boy.

[Jason Bateman]

Smart.

[Will Arnett]

Smart.

[Jason Bateman]

Smart.

[Will Arnett]

You know, Sean, you look like you look a little bit more blonde today.

[Sean Hayes]

I know. I got.

[Will Arnett]

Did you do a rinse this morning?

[Sean Hayes]

No, I got a Haircut yesterday. And. And I didn't color it. I got to color it. It's a little try.

[Jason Bateman]

I. I saw Sean yesterday, happened to be at cvs and he was buying. He bought three things of sun in and he. Bunch of sun and it is a.

[Sean Hayes]

Little lighter than normal and I don't like it. So I'm going to color it a little bit now.

[Jason Bateman]

Wait, but what color? Sorry, go ahead. You go ahead.

[Will Arnett]

Sorry. Yeah, because I. Hang on a sec. Will, this is important. What kind of color Schevo, though? Skew. The greatest name of hairdressing. Yeah. Sean, what is the color that one tries to target usually? Is there a name for it?

[Jason Bateman]

A name for it?

[Sean Hayes]

There's no name.

[Will Arnett]

Burnt sienna.

[Sean Hayes]

No, it's like number five and number two or whatever they have.

[Will Arnett]

Yeah, well, you blend. It's a blend.

[Sean Hayes]

It's a blend. But I know you don't like when I color my hair. But I like it.

[Will Arnett]

Well, you. Well, I want. I like what you like. Um, but I just want to make sure you know that I need no color to love you any more than I do.

[Sean Hayes]

Well, that's true.

[Will Arnett]

I'm at Max.

[Jason Bateman]

Yeah, I'm sorry, I'm still reeling. I can't believe you blend five and two. I honestly, I think the coloring world is going to be. I'm going to have to call Eli. Our buddy Eli. Thomas Skeva. We should have a conference of all the hair guys we know. We'll get McMillan in there.

[Will Arnett]

Old, sweet, sweet Chris.

[Jason Bateman]

Chris McMillan. And. And we'll bring them all in.

[Will Arnett]

Is Skevo short for anything?

[Sean Hayes]

No, he is a shorter fellow, but. No, his name. His full name is Scheven.

[Jason Bateman]

I met it.

[Will Arnett]

Do you call him anything for short? What would be Chef? Hey.

[Jason Bateman]

Oh, sometimes you drop the O, huh? What? Like if you're in a rush.

[Sean Hayes]

Yeah.

[Jason Bateman]

If you just gotta. If you're running a bunch of errands.

[Will Arnett]

And what's his last name? Because usually last name's more spicy than the first.

[Sean Hayes]

I'm gonna tell you right now. We can cut out this pause while I look it up.

[Jason Bateman]

Please, please be Miller.

[Sean Hayes]

His last name is Zamba. Zambila. Zambila.

[Will Arnett]

Zamboni.

[Sean Hayes]

Zambilis.

[Jason Bateman]

Would you say that you guys are tired?

[Will Arnett]

Hey, Will, by the way, I played golf the other day with the guy whose grandmother. I believe I'm getting this right. Semi right. Reinvented the Zamboni.

[Jason Bateman]

Oh. Oh, I've played. I've played golf with that guy, too.

[Will Arnett]

Yeah, and it happened down here in, like, Paramount, California. Surprisingly not In Canada.

[Jason Bateman]

Yeah.

[Will Arnett]

And, Tracy, the Zamboni is the machine, the little. The sweet little car or truck or minivan that you drive over the ice rinks to make it smooth and.

[Jason Bateman]

Yeah.

[Will Arnett]

And shiny.

[Jason Bateman]

Cleans the ice, use, you know, hot water and thing, and then drags and smooths it out. It's the one thing for hockey that's hurt it in terms of viewing because they have to ice between periods, and therefore, the intermissions are so long. And it's Pedetria. It's, you know, 20 minutes. And it's detrimental.

[Will Arnett]

There is no alternative. Why don't they get two out there?

[Jason Bateman]

They do. They generally do pro games. They do. Yeah.

[Will Arnett]

Maybe they need three.

[Jason Bateman]

They might need three. I don't know.

[Sean Hayes]

I was. You know.

[Will Arnett]

Wait, Sean's got something on this.

[Jason Bateman]

Yep.

[Sean Hayes]

Well, Michelle Pfeiffer's character's name in Greece, too, was Stephanie Zanoni. I always thought it was Zamboni.

[Jason Bateman]

Huh.

[Sean Hayes]

So, listen, we.

[Jason Bateman]

Sorry, do you want to go down. Do you have a list of stuff you misheard over the years?

[Will Arnett]

Okay, dudes. Every once in a while, we get to have a guest on that is also our friend. Today is one of those days. I love every moment I spend with this woman and always wish for more. She's funny, but never on. She's kind and warm, but never one of those smiley creeps. She's done movies, television, radio, podcasts, written a bestseller. She's been nominated for Emmys and Grammys. She's got two kids, one wife. She started in Mississippi, and now she's right here. Say good morning to the great Tig Notaro. Tig.

[Sean Hayes]

Oh, Tig.

[Will Arnett]

Tig.

[Sean Hayes]

Tig Notaro. There she is.

[Tig Notaro]

I love that I was described to a tee and Sean's still like, who could this possibly be?

[Will Arnett]

Yeah, I had to zip through it.

[Tig Notaro]

Yeah, you sound remotely familiar.

[Jason Bateman]

I knew you didn't know. I knew and I knew, and I didn't say anything because I didn't want my disappointment to come through the microphone so early. I didn't want my. And not even disappointment.

[Will Arnett]

Outrage now. Hey, Tig.

[Sean Hayes]

Tig, your hair's growing out. It looks good.

[Tig Notaro]

Oh, I just started today. I'm surprised you noticed.

[Will Arnett]

No way has it grown out.

[Sean Hayes]

Yeah, you really pushed our hair.

[Tig Notaro]

I just started growing it out today. I woke up and I was like, you know what? I'm gonna grow my hair out. And I can't believe you noticed.

[Jason Bateman]

Day one. Please do one of those things. You take a snapshot every day for 365, and then put it together as a video and set it to a really sad song.

[Tig Notaro]

Okay.

[Will Arnett]

Hey, Tig, speaking of sad songs, are both your parents still with us?

[Tig Notaro]

All three are dead.

[Will Arnett]

Three?

[Sean Hayes]

Three.

[Tig Notaro]

Well, I had a stepfather that raised me, and, in fact, not only is he dead, but he's not coming back. He has no way back to town. A couple of years ago, when he died, and we were having his funeral in Mississippi, it was an outdoor burial. And we were talking to. The priest, was saying, how do you want to do this? It's more casual outside. I said, well, I was going to say something. And my brother said, well, I'll go first. I'll just say something really quick. And he walks up, and he fell into a grave.

[Will Arnett]

No, no.

[Tig Notaro]

Yes, he did.

[Sean Hayes]

Is that true?

[Tig Notaro]

It is very true. And my entire family is sitting there, and you just go, oh, shit. Oh, my God. And my brother. And there's, like, this tarp over the hole. And you just see my brother slowly.

[Will Arnett]

It.

[Tig Notaro]

Like, it caught him a little bit, but he's slowly going down. And.

[Will Arnett]

Yeah, I mean, that would be overwritten in a comedy.

[Tig Notaro]

I know. It's too much. And we're trying to help it out.

[Jason Bateman]

Had he had a few. Had he had a few.

[Tig Notaro]

No, no, it was.

[Will Arnett]

No, he's just blind.

[Tig Notaro]

No, they. The place messed up. They were supposed to put plywood over it. And you see the people from the. From.

[Sean Hayes]

I love that the. I love that the lawsuit says that place messed up. We're suing you because you messed up.

[Tig Notaro]

That's the legal terminology. Yeah, we messed up. We messed up.

[Will Arnett]

What was the effort, like, getting him out? Was it tough to get him out?

[Tig Notaro]

Well, we were like, oh, my gosh. Trying to help him out. He's like, no, no, no, I'm okay. And he's pulling himself out like the Night of the Living Dead, like, with his dirty suit just grab. You know, grabbing dirt and gr. Trying to pull himself out of the hole. Like, he was not gonna let anybody pull him out.

[Jason Bateman]

Have you ever had a nightmare with that? Has that imagery ever come back to you, like, sort of?

[Tig Notaro]

No, that was like a dream come true. That was a nightmare. That was like, oh, my God. I couldn't believe my stepfather did not get to see that happen.

[Jason Bateman]

Right. You couldn't believe your luck that you got to witness it, too.

[Tig Notaro]

Well, and immediately I thought, oh, my God, this must happen all the time. And then I was like, wait, this can't happen all the time in Mississipp.

[Jason Bateman]

In Mississippi is the end of that sentence.

[Tig Notaro]

And people Ask. They're like, oh, how come? What's it with, you know, all of these stories from the south and Mississippi? And I'm like, I have no idea. But I truly just show up, look around and head home with stories like that. I really.

[Will Arnett]

Well, was that. What about. Is that. Did you. Was army of the Dead about zombies? You did an army of the dead.

[Tig Notaro]

Ooh, good transition. Army of the Dead. I did do army of the Dead, Yeah. In fact, I did it on green screen.

[Will Arnett]

Right. Because famously, you replaced a fella on that. Right.

[Tig Notaro]

Yes.

[Will Arnett]

And so you had to shoot everything on green screen, and then they superimposed you into a film that was already shot.

[Tig Notaro]

That's right. Yeah. Easy.

[Will Arnett]

And then. Were there zombies in it?

[Tig Notaro]

There were. There were zombies in it.

[Sean Hayes]

So were you like, ah, Ah. But nothing was there.

[Tig Notaro]

Oh, Sean, you saw the movie, I guess.

[Will Arnett]

Well, I've done clearly red for it.

[Sean Hayes]

I've done some good screen acting.

[Will Arnett]

Yeah.

[Tig Notaro]

Yeah. I had to. I flew the escape, like, the helicopter to get in.

[Will Arnett]

I've got to take off.

[Sean Hayes]

Yeah.

[Tig Notaro]

And I had to. That's not my typical, you know, acting role where I'm yelling things and fighting things and had to do it all.

[Sean Hayes]

Screen, screen. Literally, like, three feet away. Is craft service just three feet away.

[Tig Notaro]

Yeah. Every scene you see me grabbing a donut and it's all on camera.

[Will Arnett]

But you didn't have to. You weren't a zombie yourself. You didn't have to get into any zombie makeup, did you?

[Tig Notaro]

No, I was just. I think a lesbian.

[Jason Bateman]

Zombies aren't flying a helicopter.

[Will Arnett]

Just a lesbian flying a helicopter. Is that what you said?

[Tig Notaro]

Yeah, I think that's what I am and everything.

[Will Arnett]

No take. Now. What about in Star Trek?

[Tig Notaro]

I'm a lesbian in space.

[Will Arnett]

There's lesbians in space.

[Tig Notaro]

There are now.

[Will Arnett]

There are, yeah. Now, do you have to wear any alien makeup in Star Trek?

[Tig Notaro]

No. No. In fact, they barely put any makeup on me, I think, because they really want to.

[Sean Hayes]

They're just gobs of lipstick and, like, really big eyelashes.

[Jason Bateman]

Yeah, yeah, yeah.

[Will Arnett]

Or you just sexually active?

[Tig Notaro]

Massive cleavage, too. No.

[Will Arnett]

Truly.

[Sean Hayes]

No, no, no.

[Tig Notaro]

My tits are in a dumpster.

[Sean Hayes]

Yeah.

[Will Arnett]

In Hollywood, isn't that the title of your new special?

[Sean Hayes]

Yeah.

[Will Arnett]

All right. Hey, Tig, let's go back to the very beginning. All right, so we're in Mississippi. All right? We're in Mississippi.

[Tig Notaro]

Everyone's alive.

[Will Arnett]

Everybody's alive. Everybody's happy.

[Sean Hayes]

That's a good way to start.

[Will Arnett]

Now, but you did start as a rock band manager type of promoter. I'll help you get on stage and. From city to city type of person.

[Tig Notaro]

Yes, yes, yes.

[Jason Bateman]

Dude, have you ever spoken English before?

[Will Arnett]

What the fuck is going on? I'm such a journalist. No, but, but, you know, I do, I do love that about our show. Every once in a while, as I said in the. In the intro, we get a friend on here and I end up learning so much more about them than I've ever learned in our personal life.

[Jason Bateman]

And why do you think we should ask?

[Will Arnett]

I don't ask.

[Jason Bateman]

I'm gonna side for a second. You do. You don't ask questions about other people, right?

[Will Arnett]

Hey, Wayne. Keep it quiet, Wayne.

[Jason Bateman]

You know what I mean?

[Will Arnett]

So. So. But what about this? So you were. You managed bands?

[Tig Notaro]

Well, I really love music and I play a little guitar, a little drum.

[Will Arnett]

Drums. Yeah, I read that. I read that.

[Sean Hayes]

And you're a lesbian, you said.

[Tig Notaro]

Just, I'm a lesbian, so.

[Jason Bateman]

Oh, just a little bit. Sorry, I. I got confused.

[Tig Notaro]

And these.

[Will Arnett]

These are drums with sticks. Not the hand drums.

[Tig Notaro]

No, no, no, no, no. That's. See, I'm still dabbling as a lesbian, so I'm playing actual drums. Once you cross over, then you start doing drum circles and stuff. Yeah, I've been dabbling for decades. Not sold on it, but. But yeah, I. I was too shy to perform. I tried and it was nerve wracking. And so my first girlfriend played in a band and so I just started booking the band and working in music. In the music.

[Jason Bateman]

How long was that? You did that?

[Tig Notaro]

I don't know. Maybe three years.

[Will Arnett]

And are we driving around in a van? Are we? Yeah.

[Tig Notaro]

Wow. Like, we went on tour in a van. You mean like that? Like when we were touring? Yeah, we were in a van. One time we actually rented a friend of ours, Bronco. And while we were on tour, the hood flew up and like bent in half.

[Will Arnett]

And you couldn't see anything.

[Tig Notaro]

We couldn't see anything.

[Will Arnett]

Oh, my God. That's my worst nightmare. I. I literally thought about that just the other day. I was watching. I could have sworn the hood was vibrating a little bit. I thought, what if this thing flies up? It's like a Chevy Chase.

[Sean Hayes]

It could have like an SUV type of thing.

[Tig Notaro]

Yeah. But it was like an old Bronco.

[Sean Hayes]

And so if the top goes off, why can't you see? Because there's still a windshield.

[Jason Bateman]

The hood, the hood.

[Sean Hayes]

The hood, the hood. Sorry, sorry, I thought you meant the roof of the car.

[Jason Bateman]

Are you catching every. Are you catching every third word?

[Sean Hayes]

What about. Actually about every fourth word?

[Will Arnett]

So now. But Tig, what Kind of music.

[Jason Bateman]

What kind of music did. Was the. The band or. The band?

[Tig Notaro]

You know, I mean, folk. Folk rock, of course. Of course.

[Will Arnett]

So. But now. But you decided to. To help this band out because you wanted to have a seat that exposed to the spotlight. But then while you're doing this, you said, well, hang on a second. Maybe I actually want to be up front again. I want to do standup now. Where there's nothing between you and the audience.

[Tig Notaro]

Yes. Well, what happened? I moved my very good friends that I grew up with that are still very close to me. We moved from Denver. We were living in Denver at the time, and we moved from Denver to la, and they moved there to pursue TV and film. And I was newly out of a relationship and I was like, well, I guess I'll just go with you. And so I went. And then when I got there, I saw in the LA Weekly all of the different opportunities to do standup, which had been my top secret dream.

[Sean Hayes]

Oh, about that.

[Will Arnett]

Even though you were shy.

[Tig Notaro]

Even though I was shy. And so I spent the first two weeks going to every open mic I could possibly go to. And then I.

[Will Arnett]

How nerve wracking. I'm getting nervous just thinking about it. What was that first?

[Tig Notaro]

Don't worry, it all works out okay. I end up on Smartless.

[Jason Bateman]

Yeah. Ding, ding.

[Will Arnett]

Now, wait, would you just, like, climb into a bottom of a bottle before you got up there? Like, how did you get over this initial stage fright and get up there and start doing it?

[Tig Notaro]

Well, somebody had canceled at the show that I was watching, and I asked the person, which is. So I should dig this footage up. I have footage of myself talking into a flashlight in a mirror, working out material in my studio apartment.

[Jason Bateman]

Amazing.

[Tig Notaro]

For those two weeks. And so I was practicing in the mirror in my flashlight.

[Sean Hayes]

You just. All you had to do is flip it on. You could tell ghost stories right after.

[Tig Notaro]

Exactly. And so I had all of this stuff worked out over those two weeks that I had been living in la. And then I asked the person, I was like, hey, can I. Can I go on stage? And she was like, sure. And so I did. And when I say it went well, if you showed me the footage now.

[Jason Bateman]

Yeah, yeah, yeah.

[Tig Notaro]

Horrifying.

[Jason Bateman]

But, Tig, what was the first. What was the first thing you said?

[Tig Notaro]

Okay, the very first thing is a true story. My friend who I rented the Bronco from.

[Jason Bateman]

Yeah. Who's mad at you because of the.

[Will Arnett]

Returned it without a hood. Yeah.

[Tig Notaro]

We moved beyond that. We got the car fixed and remained friends. So my friend his name was Ro, and.

[Will Arnett]

Hey, Ro.

[Tig Notaro]

He. Well, he passed away sadly.

[Will Arnett]

But everyone.

[Tig Notaro]

Anyway, Ro called me and told me our mutual friend Johnny was going to be in Denver.

[Jason Bateman]

Can we say hi to Johnny?

[Will Arnett]

Johnny's still with us.

[Tig Notaro]

I don't know where Johnny is. Say hi to Johnny.

[Jason Bateman]

Hey, Johnny.

[Will Arnett]

Johnny.

[Tig Notaro]

So he told me that our mutual friend was going to be in town when I was living in Denver. He said, johnny's band is gonna be there. You should go see him. And he hooked me up with the road manager for me to get tickets to Johnny's show. This is some backstory.

[Sean Hayes]

Yeah, I'll say.

[Tig Notaro]

I'll say. Oh, there's more. And so I called Johnny's road manager.

[Will Arnett]

That was the number.

[Tig Notaro]

This is where the story kicks in.

[Jason Bateman]

Okay?

[Tig Notaro]

So I called the road manager and I. I say, I'm Johnny's friend. Could I get tickets to the show? And he said, yes. And then at the end of the conversation, he says, now, I don't feel comfortable calling you this, but I guess I'll see you tonight, Pig. And I said, oh. I said, I actually don't feel comfortable calling you or with you calling me Pig either. I said, my name is actually Tig. And he said, yeah, that's what I said, Pig. And I said, no, it's Tig with a T. And he said, tit. And then I just say, yeah, that's right. It's Pig. Tit. I'll see you tonight. So, anyway, that was my first. That was my first story.

[Jason Bateman]

No way.

[Will Arnett]

That must have killed. Now, your name, Tig, was given to you by your brother when you were 2 years old. Yeah, see, guys, I know how to research shit.

[Jason Bateman]

Well, it's more fun to just ask her how she got it, and then she tells us that. Rather. You know what I mean? Wait, you.

[Tig Notaro]

Okay, we can do it.

[Will Arnett]

Are we still rolling?

[Tig Notaro]

Do it a few different ways and then just see which.

[Will Arnett]

Let's just get.

[Jason Bateman]

Why are you sweating, Bateman?

[Will Arnett]

I mean, okay, he loves me. Your real name, I think, is one of the best names in the history of names.

[Sean Hayes]

I don't even. I've known you for 75, 000 years. I don't even know.

[Will Arnett]

Can we say it? We can say it. It's on.

[Tig Notaro]

I don't even know if you'd pronounce it correctly. I know what you think it is.

[Jason Bateman]

Oh, well, then, let's hear that. Let's hear what he thinks.

[Will Arnett]

Can I guess the correct pronunciat? Matilda.

[Tig Notaro]

That's correct.

[Will Arnett]

Matilda.

[Tig Notaro]

No, it's Ma.

[Sean Hayes]

Oh, Matil.

[Will Arnett]

Well, then what happens to the M.

[Sean Hayes]

A T H I L M A.

[Tig Notaro]

T H I L D E. But it's pronounced Matil.

[Sean Hayes]

Matil. So you don't just. The D E is. No, there's no use of.

[Will Arnett]

That's French Creole. Yes.

[Tig Notaro]

I think it's just French.

[Will Arnett]

French.

[Tig Notaro]

My mother was Matteel. My grandmother was Matteel. My grandmother went by Teal. My mother went by Susie, and I go by Tig.

[Jason Bateman]

Wow.

[Will Arnett]

And then why did. Why did your young brother come up with Tig?

[Tig Notaro]

He was older than me. He couldn't pronounce Tig. Or he. He couldn't pronounce Mattel. And somehow, somehow he came up with Tig. And so.

[Will Arnett]

And there's. His name is Ron Rudd.

[Tig Notaro]

Renault.

[Will Arnett]

Renault.

[Sean Hayes]

Renault.

[Jason Bateman]

R E N A U L T. Hanaud.

[Tig Notaro]

R E N A U D A U, D. Renault.

[Jason Bateman]

Renault.

[Tig Notaro]

Renault.

[Sean Hayes]

Who was French? So people speak French.

[Tig Notaro]

My mother.

[Jason Bateman]

Is Renaud still with us?

[Tig Notaro]

Yes. He's the one that fell in the grave and left.

[Jason Bateman]

Oh, he's the one.

[Will Arnett]

Renaud.

[Jason Bateman]

Let's just say shout out to Renault. Savara.

[Will Arnett]

One cigarette, one girlfriend, Baguette.

[Jason Bateman]

Wow.

[Will Arnett]

And we will be right back.

[Sean Hayes]

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[Jason Bateman]

And now back to the show.

[Sean Hayes]

Wait, I want to know. Like back to the stand up. And that was a really funny story. Did you know? Because you're welcome.

[Jason Bateman]

Jesus was there.

[Tig Notaro]

Come on, you know we'll stay out of this. Okay.

[Sean Hayes]

God was there. Did you know? Cause when I first did it, I was terrified.

[Jason Bateman]

This is where we take a break.

[Tig Notaro]

Sorry, did you stand up?

[Jason Bateman]

Hang on, Tig. We always do this where we're taking a break, Sean. And why don't you just tell Our audience knows, but tell Tig what your first joke was. Let's go ahead.

[Tig Notaro]

Well, I think it's not pig tit, is it? Sean?

[Sean Hayes]

It's a callback. My first joke was, well, I'll do two. Cause one's not even One was, they say ballet is one of the most difficult things you could do, so just don't do it. That was the first one. And then the second one was.

[Tig Notaro]

Wait, I'm sorry, that was the joke.

[Will Arnett]

There was a joke? Yeah.

[Tig Notaro]

Wait, you gotta say it again.

[Jason Bateman]

You're with it.

[Sean Hayes]

So they say, you're on it.

[Jason Bateman]

You're right on it.

[Sean Hayes]

Doing ballet is one of the most difficult things you could do. So I say, just don't do it. And then the second one was.

[Tig Notaro]

What was the second part of your speech?

[Jason Bateman]

Appropriate joke. Appropriate response.

[Sean Hayes]

And then the second one was really bad. There's not even a joke.

[Will Arnett]

Wait a second, it got worse.

[Jason Bateman]

Go ahead with the segue, Sean. You've got the audience now. You've got the audience.

[Tig Notaro]

He's on a roll. Let him go. And then what?

[Jason Bateman]

He had the audience with that first.

[Sean Hayes]

One and you didn't know how to write a joke.

[Tig Notaro]

What was your closer?

[Sean Hayes]

My clothes. My closer. Something like, hey, isn't it funny when you see people outside in public call their pet for the first time? Like, you know, hey, Spot. Hey, whatever. But like, what if it's like, hey, mustard, come here. Hey, ketchup. And it was. There's not even a joke. It's just bad. At 22 years old, I'm like, this is gonna kill. And it was terrible. I mean, I don't even know what the joke is.

[Jason Bateman]

Honestly. It's mystifying that somebody would not just have the balls to get up and do it. We know how scary that is. I'm not a stand up. And neither.

[Sean Hayes]

Yeah, but then be that bad.

[Jason Bateman]

But to go. But to go up and think.

[Sean Hayes]

Think right, that you could just talk.

[Jason Bateman]

I thought I could just say in front of a group fuck. As a comedy. Just to say out loud as a.

[Will Arnett]

Thought and to relay that in front of someone who was take. You had the number one selling comedy album in the world in 2013.

[Jason Bateman]

Yeah, number one.

[Tig Notaro]

Even without Sean writing my material.

[Jason Bateman]

Jake, is there. Jake, is there a way. Is there any way you can make Sean's. Either of Sean's. And I mean you use the term joke loosely. Would you ever be able to make that work on stage? Do you think that that's.

[Will Arnett]

Change the name of the animal from mustard a ketchup to something that would be a little bit funnier to hear yelled across a park?

[Sean Hayes]

Or just set the. Or just construct a joke about it? Which was my question. Which was I was getting at. Which was like did when you got up and. Cause you're a very great Storyteller. And a lot of your comedy comes from things that have happened to you in life.

[Tig Notaro]

Thank you.

[Sean Hayes]

Did you.

[Jason Bateman]

Fucking hell. Honest to fucking God.

[Sean Hayes]

Did you. How did you learn how to craft, like, the rhythm of a joke or a story? Because I got. At the point of me telling you how bad I was, I got up and thought I could just talk. And were you that way when you first started or did you know how to write?

[Tig Notaro]

I thought. And I realized I must be like everybody else that you go watch standup and you think, oh, my God, I can do this. Everybody that does standup thinks, oh, my God. And you know, there's. I get calls from people that are like, oh, my friend at work is so funny. He's moving to la. Can you meet with him? It's like, yeah, everybody in the office is hilarious. Everybody watching stand up thinks they can do it. And it just was, you know, I took the leap like everybody else and I think my first one did go well. And then I signed up for a competition the second time I did stand up and I bombed so hard. And the only thing I heard in the audience, aside from silence, was my friend Derek choking to death laughing at me. And then I ran off stage and we drove back from Orange county back to la. But. But it's just been a process of, you know, of. I mean, I thought I could do it. I have been doing it. And, you know, I started out doing kind of deadpan one liners and then they kind of got longer and I will say, Will, I'm talking.

[Jason Bateman]

No, I was gonna tell you something. I know we always interrupt. This is our hallmark of our show is interrupting our show.

[Tig Notaro]

Once I was finally. No, go ahead, Will.

[Jason Bateman]

Well, I just wanted to say what I was kind of agreeing. I wanted to say that it's not surprising and kind of going off what Sean said. It's not surprising because you have one of those. You are the type of person. And I don't know you that well, but we've known each other over the years a little bit and gotten to know each other a little bit more. You are a very funny. And it's not true for all standups and you're not just a standup, but you are a very naturally funny person. You don't have a choice in it. I will say that, like, I don't think that.

[Tig Notaro]

Thank you.

[Jason Bateman]

Now, sorry, Sean gets that one there first. And you are a very naturally. So, you know, I think that it does come. I'm not surprised that the first time you went up that you were able to sort of connect with the audience because you're a very naturally funny person. I will say that that's what I wanted to say.

[Tig Notaro]

Well, I appreciate that. Well, and certainly after I thought I had gotten my bearings in stand up, I thought, well, I've got this. And I booked my first gig on the road and it was like in this comedy club in a strip mall. And I had only done shows in Los Angeles and kind of hip rooms and whatever. And then now I'm like in the middle of nowhere strip mall. And I was staying with friends and they let me use their car, but the venue actually will put you up at a condo and they have a car for comedians. And I was like, oh, I don't need the car, but thanks. And this club was called Wit's End in Denver.

[Sean Hayes]

Oh, that's good.

[Tig Notaro]

And I bombed. This is my first road gig. I bomb the entire weekend and then I hear before the second show on Friday or Saturday, I hear the owner saying, where is our emergency fill in comedian? And I was thinking, oh no, what happened to Nancy? Because I was thinking something must have happened. I was mortified. I thought she died. And he was like, has anyone heard from the emergency fill in comedian? And I'm like, what the hell? And then he walks up to me and gives me my check and fires me. And it was so mortifying. It's again my first gig on the road. It's the holiday season. I walk out the front door and I'm like, oh no, I forgot my friends were coming that night. So my friends are in line to get into the show and they're like, woo, we're so excited. And I was like, I said, oh, I was just fired. My comedy was so bad it cost an emergency. And so they're bringing in a fill in comedian. Like they couldn't even stomach me for the rest like that last night. So they said let's all go meet at the Mercury Cafe. I'm like, okay. I go to get in my friend's car and I drive off, hit an ice patch, no spin, out of control like in a cartoon. I'm still in the parking lot of Witzen.

[Sean Hayes]

Oh my God.

[Tig Notaro]

Okay. And then the car stops and I'm of course pointed in the wrong direction. I'm mortified. I'm like, I thought for sure I was gonna be wrapped around a pole. And then I start laughing when I realize I lived through it. Cause I immediately thought, what if I had used their car? Their car was a station wagon from the 70s. That had clowns painted on it that said, follow me to Wit's End comedy club. And if I had died in that moment, wrapped around a light post after being fired. After being fired. Fired. So anyway, it's been a long road, But I'm almost 30 years in.

[Will Arnett]

Yeah. How did you stick with it, with that kind of a start? Why didn't you say, yeah, fuck this, I'm gonna start a different career?

[Tig Notaro]

You know, I feel like standup is like, if you're in an abusive relationship and you keep thinking it was good once, I can get that feeling back, you know, because the first time I did stand up, it was. I do think it went well enough. And then the second time I did not win the hundred dollars in the competition I signed up for.

[Jason Bateman]

Did you ever think about sending, like, the charts from your number one comedy special and sending it to the dude in Denver?

[Tig Notaro]

Well, he also died.

[Sean Hayes]

Oh, my God.

[Will Arnett]

Black widow.

[Jason Bateman]

Stay away.

[Sean Hayes]

Out of the path of pig.

[Tig Notaro]

Yeah, I mean, what.

[Will Arnett]

Well, how about. Do you think that your, your, your, your talent, your skill, your. Your angle on all of this has progressively been arcing up? Like, has it. Does it continue to get better and better and better and better?

[Tig Notaro]

My attitude?

[Will Arnett]

No, no. Doing standup and your experience with it. And like, my question is your attitude.

[Sean Hayes]

Yeah.

[Will Arnett]

Do you find. Do you find that. That you're getting? Is stand up a thing that can be. I find that I'm getting hopefully a little bit better each year. I continue on doing whatever the hell I'm doing.

[Jason Bateman]

Oh, really?

[Will Arnett]

I think.

[Tig Notaro]

I hope he's talking about golfing.

[Jason Bateman]

Let's be clear.

[Will Arnett]

Yeah, it's golf. Is that something that you're still enjoying? Are you still ascendant in your life?

[Tig Notaro]

Well, you know, I finished my last tour and put out my stand up special, and my last tour really kind of ran me into the ground. And I'm working in Toronto right now, so this painting behind me is not mine.

[Will Arnett]

That's not you. I was gonna ask you about that listener. It's just a shot of basically Jesus's home. It's up there in the clouds somewhere.

[Tig Notaro]

That's right.

[Sean Hayes]

Yeah.

[Will Arnett]

Go ahead.

[Tig Notaro]

It's a nice hotel painting, but I've been working on new material when I have nights off here, and that's felt good, but I've had this building need and interest in doing a one person show and so.

[Will Arnett]

But isn't that what you do?

[Tig Notaro]

No, I want it to be a little more of a theme and like a.

[Sean Hayes]

Like a two act, three act structure, like on Broadway.

[Jason Bateman]

Yeah, no, more of a like, but like a. More like like, I love you. You're perfect. Now change. Like one of those ones that used.

[Tig Notaro]

To pass down South Avenue. Singing, dancing.

[Sean Hayes]

Well, my Big Fat Greek Wedding was a. Was a one woman show that turned into a movie because it was her story. So you mean something like that?

[Will Arnett]

Like a Spalding Gray type of thing?

[Tig Notaro]

Something. Something like that.

[Jason Bateman]

Or like a talk radio. Are we gonna keep going with.

[Tig Notaro]

Yeah, keep guessing. More examples so I'll have a copy.

[Sean Hayes]

Sent to you today.

[Will Arnett]

So then it is. So then there's a theme to it and it's a little bit more scripted or fully scripted.

[Tig Notaro]

Well, I mean, my standup is scripted, but I do interact with the audience or if an idea comes to me while I'm doing a show, I'll just go with that and just kind of explore it. Because I don't sit down and write my comedy. I write on stage in front of a live audience. So I do it fully, you know, without a net type writing.

[Sean Hayes]

Yeah, yeah, yeah.

[Jason Bateman]

Do you, do you. I know you're up there in Toronto working. Do you do. When you have free nights or whatever, do you still go and perform out, like at clubs in Toronto? Are you doing that all the time?

[Tig Notaro]

That's what I'm doing is there's a comedy club. Yeah. Out here in Toronto. Comedy bar. And I've been doing shows like, I don't know, two or three nights a week.

[Jason Bateman]

Wow.

[Sean Hayes]

You get a comedy bar car, they send you a car that says comedy bar.

[Jason Bateman]

It's a Zamboni bar. Just for a callback.

[Will Arnett]

Now you dabbled in. You do, you, you do the, you do the acting as well. And then you dabbled in directing with Stephanie, your wife. Right.

[Tig Notaro]

We directed Sean Hayes.

[Sean Hayes]

Yeah. Good luck.

[Will Arnett]

Oh, boy.

[Jason Bateman]

Talk a little bit about that.

[Will Arnett]

Go ahead. Stage is yours.

[Tig Notaro]

We did. We made this decision last minute to hire him. We couldn't get anyone else in the room.

[Sean Hayes]

I was the emergency.

[Tig Notaro]

The emergency fill in actor.

[Sean Hayes]

I was Nancy. Yeah, that was super fun. I laughed so hard those two days. It was really fun.

[Will Arnett]

Is this a project we should plug? What's it called?

[Tig Notaro]

It's called Am I okay? Starring Dakota Johnson.

[Jason Bateman]

Am I okay?

[Sean Hayes]

It was out a couple years ago, Right. Or something like that.

[Tig Notaro]

It came out this year. So thanks for being on top of that, promoting. You've been such a good friend.

[Will Arnett]

So what kind of part?

[Jason Bateman]

You don't forget he does or you don't forget? He doesn't ask any questions. He has no idea. And he's not Curious about your life?

[Sean Hayes]

Yes.

[Jason Bateman]

Go ahead, Jason.

[Sean Hayes]

You know, I want to say something about the stand up thing, though, because you know what always blows my mind?

[Will Arnett]

You want to change subject from your.

[Tig Notaro]

No, he has more bits that he is.

[Sean Hayes]

No, no. You know what blows my mind is, like, when you. When people get up there and they can just. How can you just talk? Like, how do you have so much material that you don't? Cause I'm used to memorizing a script, right? And so. But there's nothing. And I know you've written it all, but just to, like, if somebody says a topic, you can have the perfectly constructed joke about that thing and you have it all at the bank of your head.

[Tig Notaro]

But it's not all perfectly constructed. It's that I just try to leave my mind open outside of what I've already written or thought about. And then if something crosses my mind or somebody in the audience says something, I allow myself to go with that, whatever that is.

[Sean Hayes]

Yeah, yeah, I got it.

[Jason Bateman]

And explore and find what's funny about that.

[Sean Hayes]

And now that you've had all of this tremendous success over the years, do people come up to you all the time and say, hey, I'm such a fan. Can you just do. Can you say that funny thing? Or, like, do they try to prompt you to perform for them?

[Tig Notaro]

I would. I would say the most common thing I get is that, no, no, people don't do that. But I did this, like 15 minute bit about running into the pop star Taylor Dane. I did this story years ago, and I did it on this American Life. I ran into her so many times, and the first time I ran into her, I genuinely said, excuse me, I'm sorry to bother you. I just have to tell you, I love your voice. And she was rude to me and she said, yeah, I don't do that anymore. And then turned and kept talking to somebody. And then I kept running into her. And every time I saw her, I was like, oh, my God, I'm gonna go up and say the exact same thing I said to her at that point.

[Sean Hayes]

And just for my sister, Taylor dan was a big 80s pop star. Like, just in case people don't know.

[Jason Bateman]

Who Taylor Dan was, your sister born after the 80s. The fuck are you doing?

[Sean Hayes]

That was mine.

[Will Arnett]

Me too, by the way.

[Jason Bateman]

Was it really? You didn't know who Taylor Daniel?

[Tig Notaro]

You don't know who Taylor Dan? Tell it to my heart Tell it to my heart Love will lead me back Nope.

[Jason Bateman]

Anyway, so you see her a bunch of times.

[Tig Notaro]

You keep the same I see her out to dinner. I see her at cafes. I see her everywhere. And I just walk up and I interrupted her every time and would say, hi, excuse me. I'm sorry to bother you. I just have to tell you, I love your voice.

[Sean Hayes]

I love your voice.

[Tig Notaro]

Yeah, every time. And it became this. It became this experiment that I was doing because I was like, did you.

[Jason Bateman]

Know it was you every time at this point?

[Tig Notaro]

No. No, she never resurrected. Never did.

[Sean Hayes]

No way.

[Tig Notaro]

Yeah. And. But anyway. Huh?

[Will Arnett]

Is she alive?

[Jason Bateman]

Did she die?

[Tig Notaro]

No, she's alive. And then. And then we actually became friendly because of this, because word got out that, you know, I was doing this story and then whatever. And I did this. On this American Life, they did the story and then invited Taylor Dane to that performance. And so I met her there.

[Jason Bateman]

No way.

[Tig Notaro]

But anyway, people come up to me all the time and say, excuse me. I'm sorry to bother you, but I just have to tell you, I love your voice.

[Sean Hayes]

Oh, that's amazing.

[Jason Bateman]

Wait, Tig. Tig. That's so good. I love that you did that. First of all, I love your commitment to shit like that. You've told me umpteen stories of things that you do, and one of my favorite. Please tell us about some of the things you'll do at parties, because it's my. These are my favorite party bits.

[Tig Notaro]

Sure.

[Jason Bateman]

Party bits.

[Tig Notaro]

Actually, you know what a bit that I did on radio, morning radio, when I first started doing standup, I'd have to go at six in the morning in some, like, Fargo or something to do to promote my show. And I would always ask the radio host to please, like, as soon as I come on the show, please talk about how gorgeous I am and just, like. Just go on and on. Like Howard Stern and certain people just like, you are beautiful. I mean, look at you. And. Because I thought, oh, maybe that'll get people to the show. But also, it really made me laugh to think of people showing up to see. This is years ago. And just seeing a disheveled, monotone lesbian on stage, you know, talking about my cats.

[Jason Bateman]

You're like, I didn't know I was going to an Indigo Girls concert. Hey, wait a second. But talk about. But talk about the party bits. The fucking.

[Tig Notaro]

God, I'm so one of. I feel like you really liked this one. But my friend Henry Phillips, who is one of the funniest comedians, please look him up and watch everything he does. He's so funny.

[Jason Bateman]

Hi, Henry.

[Tig Notaro]

Hi, Henry. And he has a couple of movies out. Punching Henry, Punching the Clown. I'M in one of the movies. But anyway, he and I do so many bits together. He's so good. And I used to live in Venice in California. And he was like, hey. He was like, I'm at a party near your house. He was like, I don't know any of these people. He's like, you gotta come do some bits with me. And I was like, yeah, sure, I'll head over.

[Jason Bateman]

I love the mischief of it.

[Tig Notaro]

So I go meet him, and we're just loose at this party doing all these different bits that are truly for our own amusement, which is what I do things for. And if people catch on or they enjoy it too, that's fine. But I love looking foolish. So I go in. I don't know anybody at this party except Henry. I go into the kitchen. There's like five people standing around, leaning against the kitchen counter, having a drink, chatting. And it's a Saturday night, maybe 9:30, and I lean in and I just tap the wall and I go, hey, guys, I'm gonna be going to bed in, like, 10 minutes. I have no idea if the owner of the house is in there. I have no idea if the host is in the kitchen. I don't know who those people are. And then I go find Henry, and I'm dying laughing. And I was like, oh, my God. I just told five people in the kitchen I was going to bed 10 minutes. And he's like, oh, my God. He said, there's like 200 people in the backyard. You have to go out on the deck and announce that. So I was like, no problem. And this is years ago, before I was, like, on TV regularly and whatever that is, really. And I walk out on the back deck, everyone's holding their solo cups and whatever, and I'm like, hey, everybody, just so you know, I'm gonna be going to bed in like, 10 minutes. And. And to me, I'm like, you know, it, it, it. I am. I. For all you know, I could be going home and going to bed in 10 minutes. That doesn't mean I own the house.

[Will Arnett]

They're bad. Not yours.

[Jason Bateman]

There's something about that that I've just always loved. I think it's the funny. It's so. That is profoundly funny. It reminds me, I used to always want to do this, but I never had the guts. I wanted to drive around, like, Beverly Hills, Bel Air, like, in a fancy car and pull up to gardeners as they're about to start on these big fucking estates and just go roll my window down and go I just spoke to the missus. She said, you guys can take the day off fully paid and just start relieving gardening crews around Beverly Hills and Bel Air. And they're, like, looking at each other, like, fully paid. Yeah, you guys, she's. The missus said, go ahead and take it off.

[Will Arnett]

She had a long night. You guys still turn that shit on? Get out of here.

[Sean Hayes]

I remember one time you texted me to. You said, I'm about to drive by your house. I want you to stand outside and look on your phone, but don't look at me as I drive by. And so I was like, okay, I'll do it. And I stood by and I couldn't look up. And you drove by and you said, hey, Sean. Hey, Sean. And I didn't look up. That was the bit. That was the bit. I had a beat buried in my phone. I didn't quite understand it, but it made me laugh.

[Tig Notaro]

You don't understand it.

[Sean Hayes]

It was like performance art.

[Will Arnett]

Yeah.

[Jason Bateman]

God, that is so good. You know, Tig, you'd like this. My buddy Pete Serafinowicz and all these English guys, they did this bit once. They'd go to a restaurant in London, and they all learned beforehand. They got together, they conspired, and they learned, and they sang. It was somebody's birthday. So they sang Happy Birthday, and then everybody at the table, like, eight of them, launched into a second verse that they had written. So they start singing a second verse to Happy Birthday, and everybody in the restaurant starts looking at each other like, hey, what is this? As if they've never done the second verse.

[Tig Notaro]

That is so funny.

[Jason Bateman]

How fucking funny is that?

[Tig Notaro]

Oh, my God.

[Will Arnett]

That's great.

[Tig Notaro]

I am so jealous.

[Jason Bateman]

I know.

[Sean Hayes]

We'll be right back.

[Jason Bateman]

I love coming to my house. I love spending time outdoors at my house. It's one of my favorite things to do. I don't know if that makes me outdoorsy, but I do like being out of doors because I just. I don't know, I like the sound of nature. I like being in fresh air. And there's just no better place to do that than in your home, if you can do it. And, I don't know, I love my home. So Wayfair makes it really easy for me to create a space where I can kind of relax and unwind at my own home. Outside, it's the place where you can shop for everything for your home. Home. From your living room, you want some seating that fits the whole family to the bedroom where you can, you know, cozy up and snuggle in. Wayfair is the go to destination for everything home. No matter what your style or budget. There is a Wayborhood in every zip code brought to life by everyone who makes their home truly their own With Wayfair, a huge selection of home goods ranging from appliances and area rugs to bed and wall art. Everything you need for your home from living room and outdoor areas to bedroom, bathroom and more. Wayfair makes it easy with fast and free shipping, even on the big stuff. And they'll even help you set it up which is so absolutely key. Again, I mentioned that I like spending time outdoors. I was looking at some stuff [e-mail] I was actually looking at umbrellas. Not, you know, the kinds that you put in your backyard, not the kind that you walk around and bump into people holding and and also these sort of Adirondack style chairs. And so after looking at a bunch of choices because they had so many and I ended up choosing the ones that I really wanted. But I was happy to have a variety to look at. A massive variety. And now I'm happy. It's good to come home when you live in the Wayborhood. Visit Wayfair.com or download the Wayfair app. That's W A Y-F-A-I-R.com Wayfair Every style, every home.

[Sean Hayes]

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[Will Arnett]

All right, back to the show.

[Sean Hayes]

Take. What about the kids you now have with your wife, Stephanie? You have two little. The cutest boys ever.

[Tig Notaro]

And Max and Finn. They're doing well.

[Sean Hayes]

They have senses of humor.

[Will Arnett]

Seven.

[Tig Notaro]

They are eight. They will be eight and a half this month. And huge into golf these days. Truly, they are so into golf. Come on. They're so into. They're into baseball, basketball. They're on swim team. But yes, Sean, they have a sense of humor. My son Max, I think that. Well, I tell everyone he's bone dry. And we don't know where he got that.

[Will Arnett]

Was there a bone dry comedian that really kind of defined your comedic sensibility? Was it like, Steven Wright or somebody like that?

[Tig Notaro]

I was really into Steven Wright. And I also really loved Paula Poundstone. I thought she was so great at writing jokes, telling stories, and also interacting with the audience. I felt like she could do everything and still feel that way. But, yeah, my kids, they're, like, little. A friend of ours described them as like, little Midwestern uncles because they're just. They have, like, a certain maturity about them. And my son Max, one of my favorite things that he said when he was 4, Stephanie and I were sitting on the couch with Max, Finn, her dad, and our three cats. And Max got up when he was four, just got off the couch, and he said, I'm getting the hell out of here. All these damn cats walked out of the room. I was like, I like your style, kid.

[Will Arnett]

No way.

[Jason Bateman]

That is funny.

[Tig Notaro]

Yeah, they're the best.

[Will Arnett]

Never dogs for you.

[Tig Notaro]

No, I've had dogs. I've had a couple of dogs in my life, but we call our house Kitty City.

[Will Arnett]

Yeah. And do you like that the cats just sort of. They take care of themselves and they don't bother you. You don't bother them.

[Tig Notaro]

Yeah, I like that in a person.

[Will Arnett]

Yeah. A dog needs shit, right? A cat needs nothing.

[Tig Notaro]

I mean, but I do love an excited dog that's just, like, about to have a stroke. They're so excited to see Zoomies. Yeah.

[Jason Bateman]

Now, Stephanie, you really make Stephanie laugh, too, which is great. You guys laugh. Yeah.

[Sean Hayes]

I love Stephanie.

[Tig Notaro]

Stephanie really makes me laugh a lot.

[Jason Bateman]

Yeah. And she's really funny, too.

[Tig Notaro]

She's funny. She's so funny. And she's in love with Will. I'm in love with Jason. And we don't know where Shawn fits into this equation.

[Will Arnett]

Sean was with the kiddies.

[Jason Bateman]

I love Stephanie.

[Sean Hayes]

Yeah, I love Stephanie.

[Will Arnett]

I love Stephanie. Was there a meet cute there you want to share with us?

[Jason Bateman]

Yeah.

[Tig Notaro]

We met on the movie Lake Bell's movie called In a World.

[Will Arnett]

The Great Lake Bell.

[Tig Notaro]

Yeah. And I was deathly ill. I didn't know I had three deadly diseases at one time. And then I collapsed, went away, and dealt with.

[Will Arnett]

Wait, was this the cancer?

[Tig Notaro]

It was cancer, pneumonia, and this intestinal disease called C. Diff. I had it all three at once.

[Will Arnett]

Christmas.

[Tig Notaro]

So I go away, and I was in a relationship. Stephanie had never dated a woman. We really enjoyed each other on set, but I wasn't thinking I was into her romantically, and she wasn't thinking that about me. So I collapse. I go away. Six months later, I resurface in the world. And the movie's going to Sundance. And we exchanged numbers. And I told her, I said, you know, I'm not the biggest texter. And I told her about this girl that texted me incessantly after coffee. And that she texted that night. She said, sweet dreams. The girl I had gone out with. And not that I thought Stephanie was into me, but I was just giving her the example that I'm not great at this. And that night, Stephanie texted me sweet dreams. And I was like, oh, that is hilarious. And then we start texting, and it's kind of building. And I'm thinking, oh, I'm really into her. And she had invited me. I was writing my book at the time. She invited me to come meet her and her friends at La Pobelle in Los Angeles. And I thought, oh, my God, it's 11:00. I haven't showered. I'm wearing this big wool Canadian wool sweater with an eagle on my back. I can't go meet her. And then I thought, oh, well, she's not even into me, so who cares what I look like? And it happened to be Valentine's Day. And so she's sitting at this table.

[Jason Bateman]

It happened to be.

[Tig Notaro]

But truly, she wasn't into women. And. And so she's at this table with friends. I walk into the bar, she is wearing a dark blue Canadian wool sweater with an eagle on her back.

[Will Arnett]

No way.

[Tig Notaro]

And I was like, this is insane. I said, let's switch sweaters. So we switch sweaters and her friend says, get together so I can take a picture of you. We go to hug each other and we start making out immediately when we touch each other. And then so we end up making out that night. And then she writes me a 5 million page email the next day. I get it. That's telling me how much she loves hanging out with me, how funny she thinks I am, she's not gay, but that she wants to be. Friend like goes, I can't tell you how long this email was. I'm reading this going, ah. Cause I realized I do like her, you know, but I thought I can't chase her because she's not into it. So I wrote back, okay, dyke. And that's the only thing I wrote. And then she said when she got that response, she just thought, okay, I like this person. And so now, yeah, that's great.

[Will Arnett]

And then, so I mean, you know, however you're comfortable relaying this, if there's any further in the story, you're willing to go, how does that do you guys just start seeing each other for what? Because you want to respect her sexuality but you want to continue seeing her, but you also don't want to like, you know, work on flipping her or like, how do, how does that go?

[Tig Notaro]

What happens? Well, so it's true.

[Sean Hayes]

That's a good question.

[Will Arnett]

I just don't like, how do you protect your own, how do you protect your own heart and like, you know, go to work.

[Tig Notaro]

I didn't know that she had that. Okay. I didn't know. Ok, dyke made the impression that it did. I just thought, I need to be light hearted, let this go and just see her as a friend down the road. But I knew it was gonna take me a beat. So I told her, I said, I get it, you know, like when we talked again, I said, I just need some space and then I'll be able to see as a friend and everything's fine. And so I went to Montreal and was doing shows there and she reached out to me like a few weeks later and she said, I'd like to see you when you get home. And I said to my friend who was there with me and I was like, why does she want it? What? And he was like, cause she likes you. And I was like, no, no, no, I know, but she told me she doesn't want to. He was like, what do you think? She's like, oh, I want to see you again so I can tell you for sure I don't like you. And I was like, I don't know, maybe. And then she told me you had.

[Will Arnett]

Multiple friends that were females that weren't gay. Right. You had multiple friends that were females that weren't gay. So you were thinking, you know, maybe this is just another one of those. Perhaps, right?

[Tig Notaro]

Yeah. I just didn't know what to think. But I got back to LA and she came over and she's just a very. She's a very confident, comfortable person, and she's very straightforward. And it's what I realized I'm so into about her. And so she sat down on my couch and she just turned to me and said, I realized that I want to be with you. And I was like, oh, what do you mean? And she said like, I want to be with you. I don't want to. I'm not saying I want to see how it goes or check things out. I want to be with you. And I was like, what? I was.

[Sean Hayes]

So you still had the eagle jacket on or.

[Tig Notaro]

I did.

[Jason Bateman]

You still hadn't shot. You still hadn't shot.

[Tig Notaro]

We took our eagle jackets off and we got down to it, and it was just pure.

[Will Arnett]

It wasn't about declaring as a label or anything. It was just like. All I know is I just really want to be with you. Whatever that is. It is. And yeah. Yeah, that's great.

[Tig Notaro]

Yeah. And we did. We make each other laugh a lot and very cool.

[Sean Hayes]

I love her so much and I love you so much. And I remember one time you were doing your live show and you wanted me as a guest, and it was at the Coral. Where is that? Largo. At Largo. And so we had such a good time and we laughed really hard. And then the next day, literally the next day, next morning I go, yeah, the next morning, I go to La Pan, this restaurant on Larchmont, and you walk in and we both have the exact same outfit on that we had that we were on stage in.

[Jason Bateman]

No way.

[Sean Hayes]

Yeah.

[Will Arnett]

We both slept in those clothes and.

[Sean Hayes]

Then woke up thinking, well, it's early. I just want an egg. I want a couple eggs. And I'm gonna go home and shower and change.

[Will Arnett]

Across the city, no one from the show is gonna be there.

[Sean Hayes]

Yeah. Do you remember that?

[Tig Notaro]

Except we live close to each other and dress alike.

[Sean Hayes]

Yes, exactly.

[Tig Notaro]

Oh, and you know what? I have to say? Also, Stephanie directed my latest standup special, no way. And was nominated for an Emmy. And so was the editor. And so was everyone else except me. I was the problem.

[Sean Hayes]

Really?

[Will Arnett]

Oh, no. Now, wait, what is the name of that one? Is that one hello again.

[Tig Notaro]

That is hello again. Yeah.

[Will Arnett]

Very, very nice. Very nice.

[Sean Hayes]

So, wait, Tig, are you in Toronto doing stand up or a movie stand up show?

[Jason Bateman]

Yeah, I pay attention because I know what she's doing because I did Star.

[Tig Notaro]

Trek with Holly Hunter and Paul Giamatti.

[Jason Bateman]

Yeah.

[Sean Hayes]

Oh, great.

[Will Arnett]

Wow. Do they have to wear the alien makeup?

[Tig Notaro]

Paul? Yes. Holly, no.

[Jason Bateman]

Are they lesbians in space, too? I haven't asked. Just for full.

[Sean Hayes]

For fairy.

[Tig Notaro]

Called Obsolete Academy. Lesbians in Space. That's the new series is.

[Jason Bateman]

I don't know, Holly Hunter. But we love Paul Giamatti. He's just a gem. He's a gem, gem, gem.

[Will Arnett]

Yeah, he is.

[Tig Notaro]

Yeah. And Holly's great, too, I'm sure. Obviously a real talent. And then I'm thrown in the mix.

[Jason Bateman]

Don't you dare. Don't you dare.

[Will Arnett]

Don't you say that. Tig Notaro's a gem.

[Tig Notaro]

But I do have. I mean, close to lesbians. Well. Well, it's across the spectrum, but my podcast, Handsome, is right here on Planet Earth. It's like my fourth podcast. I don't know if you know, I've been podcasting for a long time, you guys.

[Jason Bateman]

Yes.

[Will Arnett]

And how are you loving it? Are you loving it? You still loving it?

[Tig Notaro]

I really enjoy podcasting. Oh, my gosh. Yeah. I was so baffled by it in the early days. I think I started in, like, I don't know, 2006 or something. I have no idea. But I do enjoy it. It's such a different way to be comedic and tell stories.

[Will Arnett]

Yeah. And you can do it inside the comfort of an air conditioned room, in.

[Tig Notaro]

The comfort of an air conditioned or heated furnished apartment in Toronto.

[Will Arnett]

Up there with the Jesus painting behind you.

[Jason Bateman]

Do you want. I'll text her real quick. Guaranteed, she's available. Do you want to have lunch with my mom today?

[Tig Notaro]

I would love to.

[Jason Bateman]

Would you?

[Tig Notaro]

Yeah.

[Will Arnett]

She's close.

[Jason Bateman]

She's a character. She's a lot of fun.

[Tig Notaro]

She'll keep you on your toes.

[Jason Bateman]

Okay, I'm gonna hook it up.

[Will Arnett]

Tig, hurry home and get back to our Sunday rhythm.

[Jason Bateman]

Yeah. We miss you. We miss you.

[Tig Notaro]

I have missed you.

[Sean Hayes]

We would love to see you.

[Tig Notaro]

When does this come out?

[Will Arnett]

Today.

[Sean Hayes]

It's on right now. You gotta tell your family.

[Tig Notaro]

Yeah, I'm gonna tell all my dead.

[Will Arnett]

Parents to listen but hurry home so we can hang out again.

[Jason Bateman]

There's a better chance of them listening than of Sean's dad listening. Put it that way.

[Tig Notaro]

Wait, how can I naturally mention. Cause I wanted to naturally mention something.

[Jason Bateman]

You're doing it.

[Tig Notaro]

Naturally mention it.

[Jason Bateman]

You're doing it.

[Tig Notaro]

I have a documentary that just got accepted to Sundance.

[Jason Bateman]

You ready for this? You ready for this?

[Sean Hayes]

Fantastic.

[Jason Bateman]

And weren't you working on a documentary for a while?

[Will Arnett]

Yeah, I was gonna get to that. Will, you know, I've got a bunch of questions.

[Sean Hayes]

Jason.

[Jason Bateman]

No, Sean, you didn't. Jason, you didn't even know about it.

[Tig Notaro]

Thank you for asking. Will. Of course I have been working on a documentary, and I had called. They're incredible filmmakers. They did the Pamela documentary and the Dr. Ruth documentary, Serena Williams, all this. But I was like, I can't sell you on this person. You have to do a deep dive. Not even that deep on Andrea Gibson. And they called me three days later, and they were like, we're in. And they got on a plane, flew to Boulder, Colorado, and started filming.

[Sean Hayes]

When does it come out?

[Tig Notaro]

Well, it's gonna be at Sundance. Sundance.

[Jason Bateman]

Okay.

[Will Arnett]

That's January, right?

[Tig Notaro]

They still do that in January. But Andrea is a brilliant poet. Just a brilliant poet. Mind blowing.

[Will Arnett]

Yeah. What's it called?

[Jason Bateman]

What's the documentary called?

[Tig Notaro]

I believe right now. Come See Me in the Good Light. Come See Me in the Good Light.

[Jason Bateman]

The title's kind of shifting a little bit as we get closer to finish.

[Tig Notaro]

Well, I mean, that's the last I've heard is. That's the working title is Come See Me in the Good Light. But it's a phenomenal documentary about a phenomenal person.

[Jason Bateman]

Sorry. Mention Andrea's full name again for the.

[Tig Notaro]

Andrea Gibson.

[Jason Bateman]

Andrea Gibson.

[Sean Hayes]

Andrea Gibson.

[Tig Notaro]

Written eight books.

[Jason Bateman]

Oh, amazing.

[Sean Hayes]

Wow.

[Tig Notaro]

Incredible.

[Sean Hayes]

I'll check her out online.

[Jason Bateman]

Amazing. These guys will love the books.

[Will Arnett]

Yeah. Is there an audio version? And these are pictures now, that's. Are you gonna go to Sundance? Okay, good.

[Tig Notaro]

I'm gonna go to Sundance and. Yeah. Yeah. Going to Sundance.

[Sean Hayes]

Yeah.

[Will Arnett]

Well, that's good. Good Luck with it. Thank you. Congratulations on that. Finish strong there in Toronto and get your ass back home here.

[Jason Bateman]

Send our love to Stephanie, who we.

[Tig Notaro]

Also miss, and all of my love to your families, and I'll see you at Sunday Funday anytime. I'm home very soon.

[Sean Hayes]

Wonderful, Wonderful.

[Will Arnett]

All right. Love you. Thank you for doing this. Enjoy the rest of your day. Stay warm up there.

[Tig Notaro]

Well, truly, thanks for having me.

[Sean Hayes]

Of course.

[Tig Notaro]

Love you all dearly.

[Jason Bateman]

That was awesome.

[Sean Hayes]

Love you, honey.

[Jason Bateman]

That Was awesome.

[Tig Notaro]

Bye.

[Will Arnett]

Bye, guys. That was Tig Notaro.

[Jason Bateman]

Yeah. Yeah.

[Sean Hayes]

That was Tignatar.

[Will Arnett]

Spelled T I G. Yep.

[Sean Hayes]

That was such a funny story about her name. Good gourd.

[Will Arnett]

About the pig teeth. You know. You know, pigs do have teats. And you can get. Did you know you can get milk from a pig? That there's pig milk. There's certain countries, they drink pig milk.

[Sean Hayes]

Oh, God. I'll try it.

[Will Arnett]

Did you know that, Will? Did you know that?

[Jason Bateman]

No, I don't know what you're talking about, man.

[Will Arnett]

Pig milk.

[Jason Bateman]

Okay. Okay.

[Sean Hayes]

Yeah.

[Jason Bateman]

And people drink pig milk. They put. Yeah, yeah.

[Will Arnett]

You knew that.

[Sean Hayes]

Cereal. I'll put in.

[Jason Bateman]

I. I didn't. No.

[Will Arnett]

No.

[Sean Hayes]

Good.

[Jason Bateman]

I actually. Actually, I feel worse for now.

[Will Arnett]

It's not true. I was hoping you would say. Yeah, of course.

[Jason Bateman]

I knew that. You.

[Sean Hayes]

How great is Take. Take. We've known for. I've known Tig for a long, long, long, long time. She's always been so funny and so unique. Like, there's nobody like her.

[Will Arnett]

No, they're really. Yeah. And I just. I love. I just love. Because I usually end up sitting next to her at Sunday, and I just. I love. I just drink it all up. I love her. I love every minute with her. Yeah. So, Willie, I say you call your mom and I might do it. I would have lunch with your mother in a heartbeat if I was in trouble.

[Sean Hayes]

Oh, my God. I would, too. I would love. When is she gonna come down here? I want to talk to her.

[Will Arnett]

You know what else I'd like to do? I'd like to go to your childhood home. I'd like to see your bedroom, which I bet is still pretty much intact.

[Sean Hayes]

Yeah.

[Jason Bateman]

No, no, no, no. I've moved a few times since. Yeah.

[Will Arnett]

What would we see on your boyhood wall when you were growing up in the house? There were there, like, posters of hockey. Hockey players. Like, you know, 12, 13, 14.

[Jason Bateman]

Okay. Well, these are various. So, like, 11, you know, from the time I was, like, 6 to 11, I had a map of the world. This is true. Huge map of the world. And then underneath, on the sort of the legend underneath, it had all the countries and it just had. Listen. Just basic info about every country, capital, the size. It's, you know, sort of square mileage, population, et cetera, for every country in the world. So I had that.

[Sean Hayes]

Wow.

[Jason Bateman]

And then when I was a teenager, I ended up having, like. I went to boarding school, as, you know, for a few years, and then I came back and I had. I had a Smith's poster on My wall?

[Sean Hayes]

Yeah, sure.

[Tig Notaro]

Yeah.

[Jason Bateman]

I had a big. The World Won't Listen in a Morrissey poster.

[Sean Hayes]

Yeah.

[Will Arnett]

Were you kind of like a mod? Did you ever wear, like, eyeliner?

[Jason Bateman]

No, no, no, no. But I wore like. I wore like tapered, like green sort of Dickies type pants. I wear a lot of that. And I wore Doc Martens. Doc Marten brogues.

[Will Arnett]

What are brogues?

[Jason Bateman]

Like, like shoes, right? Like wingtips, sort of like. You know what I mean?

[Sean Hayes]

Yeah, yeah. Like ducky from. Pretty impressive.

[Jason Bateman]

Yeah, but I never. But, yeah, but like. But never. I wasn't a mod in that sense. But I. It. Yeah.

[Will Arnett]

You kept it tasteful.

[Jason Bateman]

Sure, yeah. Of course. You keep it timeless. That's the key.

[Sean Hayes]

Oh, 12 or 13. 12 or 13.

[Jason Bateman]

Did you have posters of yourself on your wall because you were in like Tiger beat and 16 and all that.

[Will Arnett]

All the different hairstyles and there's different sweater in each one, you know.

[Sean Hayes]

Yeah, yeah.

[Jason Bateman]

God, I wish it revealed that Sean had a post review in his room. It would be the best thing. That would be the.

[Will Arnett]

I had a. I had a. I think we said this when Rashida was on the show. I had a life cycle poster of Quincy Jones on my wall.

[Jason Bateman]

Did you really?

[Sean Hayes]

Oh, wow.

[Will Arnett]

That my dad just put up there for me and I just never took it down.

[Jason Bateman]

You never took it?

[Will Arnett]

Yeah.

[Sean Hayes]

All I had was Michael Jackson posters everywhere.

[Jason Bateman]

Did you really?

[Sean Hayes]

When I was a kid and. And my favorite one was probably Bailey Jean.

[Jason Bateman]

Oh, my God. Bye. Smart Less. Smart less. Smartless is 100% organic and artisanally handcrafted by Bennett Barbico, Michael Grant, Terry and Rob Amjarf. Smart Less.

[Will Arnett]

Hello, friends. Jason here. We are so excited that Smartless has officially joined the SiriusXM family. We can't wait to announce new surprise guests who we know that you'll love. And if you want to be the first to hear new episodes ad free and a whole week early, subscribe to Sirius XM Podcasts plus on Apple Podcasts to start your free trial today.

[Tig Notaro]

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