#139 - The Foley Episode

Summary

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Smosh Mouth Podcast #139 – The Foley Episode (April 13, 2026)

Overview

In this creative and playful episode, Smosh hosts Shayne Topp (“short”), Amanda Lehan-Canto (“tall”), and guest Tommy (aka "Jeff") dive headfirst into the quirky world of Foley art—the craft of making sound effects for movies and shows using everyday objects. The team experiments live, attempting to create convincing (and often hilarious) soundscapes, all while reflecting on the surprising art and challenges of Foley, dropping plenty of self-aware comedy, and sharing some earnest life realizations along the way.

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Key Discussion Points

1. Introducing the Episode & The Foley Challenge

• The team explains their plan: use random props to perform Foley sound effects in real time, demonstrating the difficulties and fun of the process.
• Amanda and Shane discuss their respect for real Foley artists and admit they’re winging it:

  "We want to try that. Let's try it."
  "And we do the stupidest, worst version of it."
  – Amanda & Shane [02:36-02:44]

• The group jokes about their process for coming up with Smosh ideas—often spontaneous, sometimes chaotic.

2. Podcasting: Audio, Video, and Salad?

• Discussion about podcasts becoming more visual rather than purely audio, referencing the notion that everything can be called a “salad” if you try hard enough:

  "Everything's a salad, right?"
  – Jeff [03:55]

• Tangents on “Shane Ideas” and quirky radio talk show formats inject more improvisational fun.

3. The Foley Art Experiments Begin

• The first live Foley attempts: clacking shoes, cups, props with unclear functions.
• Amanda and Tommy try to analyze what each strange kitchen tool might actually be for.

  "What is this actually used for?" – Amanda [13:27]
  "That's for when you want to grab a ball the size of an acorn." – Shane [13:29]

• The absurd “Angela the 2” Mouse” scene, with Amanda scurrying in with coffee, spirals into more puppet-based improv [14:23–15:59].
• The “sick horse” sequence, feeding imaginary cereal, and escaping evil robot bathrooms leads to a series of ridiculous, organically developed audio stories [15:22–18:56].

4. The Orchestra Analogy & “Let Them Flop” Realization

• Jeff draws an analogy between Foley and orchestra performance:

  "If you've got a billion notes to play, you can get one wrong. But if you've got one note to play…" – Shane [09:58]

• A tangent leads to a vulnerable, heartfelt realization from Amanda about being controlling and learning to let others find their own way—even if that means letting a segment “flop”:

  "Why is it so hard to just let him flop and have people...go, this isn’t really the best time, but it’s okay. Why can't I let that happen?" – Amanda [20:24]
  "We need more clowning classes..." – Shane [20:33]

• This moment sets the theme for the episode's creative risk-taking: try, accept the failure, and move on.

5. Scenario Improv: “Costco Surgery” & More

• The group launches into a long, fully improvised hospital skit, with live Foley attempts (beeping monitors, shirt-ripping, bees from a patient’s stomach, lassoing spirits back into bodies), culminating in “Costco surgery” and high-heel drama.
  • Notable moment:

    "Where’s the glasses area?"
    – Shane, after being “revived” [27:46]

• Followed by a skateboard accident soundscape, with Jeff on “bone-breaking” SFX and Amanda’s water shoes gags [30:34–32:39].

6. The “French Burglars at the Louvre” Scene

• The team takes on exaggerated French personas, trying and sometimes failing to make accurate “ladder” and “laser” sounds:

  "Thank you for hiring me. I am not the most coordinated." – Shane [37:34] "Don't worry. I brought the Elmer's glue to put it back afterward." – Shane [38:45]

• Their determination to “grab the crown jewels” with elaborate, mostly off-the-mark sound effects becomes a running joke.
• The group reflects on the struggle to match sound props with expected effects:

  "...You think something's going to work, and then you go, that's not right. At all." – Amanda [44:05]

7. Foley Is Hard: Reflections on the Craft

• Members express deepened respect for professional Foley artists and note how the right tools and time are essential:

  "That's why it's a craft. You have to learn what makes what noise." – Shane [44:13]

• Shane demonstrates his “ceramic lid” ASMR moment, and the team shares their favorite sounds and ASMR triggers (wood-on-wood, soap-cutting, cleaning videos) [45:38–50:58].
• Jeff discusses his enjoyment of “purpose-filled sounds”—ASMR or satisfying videos with clear intent behind them, e.g., wood inspection [50:07–51:04].

8. Clowning Workshop: Embracing Failure and Finding Originality

• The team shares their experience at a clowning workshop, which helped them let go of self-consciousness, embrace failure, and rediscover genuine play:

  "It was so amazing to not use words, to just be completely in our bodies." – Amanda [64:33] "You have to move past, like, the cringe because it’s about failure…some of the funniest moments I’ve ever seen." – Jeff [65:27]

• This becomes a metaphor for creative life and the episode’s approach: keep taking chances, don’t be afraid to “flop”, and let the audience guide you [66:39–68:32].

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Memorable Quotes & Moments

• “I also just want to say we respect the actual art and craft of Foley, because it seems really hard.” – Shane [02:31]
• “Show how hard…” / “Yeah, I'm not sure it's going to go well, but we have a bunch of Foley props and we brought our most talented Foley artist: Tommy.” – Jeff & Amanda [02:44–02:52]
• “Podcasts aren't audio anymore.” – Shane [03:47]
• "If you've got a billion notes to play, you can get one wrong. But if you've got one note to play..." – Shane [09:58]
• “Let them flop…You always have something. Everyone’s a baby again.” – Amanda [20:24, 68:32]
• “Being a Foley artist is hard.” – Amanda [44:37]
• "This was great. I felt very locked in today. Foley is very hard." – Shane [68:43–68:49]
• “If there are any Foley artists out there that want me to be their protégé...I will disappear off the planet.” – Shane [68:49]
• “That's what I love so much—being like, do we like this? No... stripping down those cringy moments, you get to, like, gold.” – Amanda [64:44–65:54]

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Engaging Skit Timestamps

• Introduction and Foley episode setup: [01:09–03:00]
• Podcast/salad/visual audio riff: [03:33–04:21]
• First live Foley attempts with props: [13:13–15:59]
• "Costco surgery" fully improvised skit: [22:05–29:50]
• Skateboard accident soundscape: [30:34–32:39]
• French burglars at the Louvre: [36:28–43:11]
• Foley mishaps/wins; what's hard about live Foley: [43:11–45:01]
• Ceramic lid ASMR and sound favorites: [45:38–47:37]
• Clowning workshop, lessons on failure/freedom: [64:23–68:32]

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Tone & Style

The episode is classic Smosh: chaotic, improvisational, honest, gently self-deprecating, and full of camaraderie. The improvisation is meta—constantly commenting on itself and playfully acknowledging both its failures and flashes of comic genius.

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Final Takeaways

This episode balances zany comedic bits and meta-commentary on the creative process. The team’s play with Foley art demonstrates just how challenging and nuanced sound design is—leading to a greater respect for behind-the-scenes crafts. Interlaced throughout are real moments of introspection, discussions of letting go of control, and an open embrace of creative risk. The episode closes with a shared sense of growth, joy, and a longing to keep playing and failing forward, together.

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For those who haven't listened: Expect a ride through slapstick, heartfelt inside jokes, wild improv, crash courses in vulnerability, and a genuine celebration (and respectful failure) at the weird-but-essential art of making sounds out of nothing.

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Transcript

[Liberty Mutual Spokesperson]

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[Shane]

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[Liberty Mutual Spokesperson]

And, Doug, there's nowhere I wouldn't go to help someone customize and save on car insurance with Liberty Mutual. Even if it means sitting front row at a comedy show.

[Amanda]

Hey, everyone, check out this guy and his bird. What is this your first date?

[Jeff]

Oh, no.

[Liberty Mutual Spokesperson]

We help people customize and save on car insurance with Liberty Mutual together. We're married. Me to a human, him to a bird.

[Amanda]

Yeah, the bird looks out of your league.

[Liberty Mutual Spokesperson]

Anyways, only pay for what you [e-mail] Liberty.

[Jeff]

Liberty.

[Amanda]

Liberty.

[Jeff]

Liberty. Hi, welcome to Smosh Mouth. I'm Shane.

[Amanda]

And I'm Amanda. And we have a wonderful guest with us today. Tommy.

[Shane]

Hold on, guys. I'll be right there. It's gonna be good. It's gonna be good. They're gonna love this one. Okay, I'll be right there, guys. Hold on. It's gonna be really good, okay?

[Amanda]

What?

[Shane]

Oh, God, these shoes. Hold on.

[Jeff]

Hold on.

[Shane]

I'm really far away.

[Amanda]

Whoa, oh, oh, oh.

[Shane]

Okay, guys, I made it.

[Amanda]

Sorry.

[Jeff]

Thank you, Tommy. Thank God for people watching and listening. You probably just heard a bunch of sounds.

[Shane]

Realistic, believable, and exciting sounds from someone who's hot.

[Jeff]

He was running down the stairs in high heels and fell. Today we have a bunch of Foley props. This was a pitch we had months ago. We're like, what if we did an episode where we do Foley sound?

[Shane]

Yeah, I remember that day. I think if I recall correctly, you were sitting there and you're like, wait a second.

[Amanda]

Fuck, Fuck, fuck.

[Shane]

Hold on, hold on. And you were like, wait a second.

[Amanda]

Fuck.

[Jeff]

If anyone's curious about how we come up with ideas at Smosh, that is. It was.

[Amanda]

And then when Shane came up with the idea, we all went, cheers, there it is.

[Jeff]

And then a frog came out, and it was like, I've never used one of these before.

[Shane]

I also just want to say we respect the actual art and craft of

[Amanda]

Foley because it seems really hard. See, this is what we do on Smoshmouth. We go, we want to Try that. Let's try it.

[Shane]

And we do the stupidest, worst version of it.

[Jeff]

And, I mean, show how hard.

[Amanda]

Yeah, I'm not sure it's going to go well, but we have a bunch of Foley props, and we brought our most talented Foley artist, Tommy.

[Shane]

Sounds. Noises. It's what I like, because I don't words well.

[Amanda]

He actually is very, very good at sounds. I think Tommy does actually think in sounds and noises.

[Shane]

Yeah, that's probably right.

[Jeff]

Oh, yeah.

[Shane]

During the pandemic, I used to. This is how the make that Sound game started. When I pitched that. One of the many things that I've pitched at work. And I was with my boyfriend at the time, and he was playing video games, and they had such little, like. And I would just sit there and echo them like a strange little parrot. It was the best. And then I was like, wait, we got to do this?

[Amanda]

Well, the last time you were on, I think it was when we did the cartoon sounds.

[Jeff]

Yes.

[Amanda]

Where I did really well and you did way better.

[Shane]

Oh, yeah, yeah, yeah.

[Jeff]

Such a good one. And also, I feel like I see so many comments of people talking about how this is a podcast, which is an audio medium, but such. We do so much visual shit.

[Amanda]

I know.

[Shane]

Podcasts aren't audio anymore.

[Jeff]

I know. They're fully just a video, really.

[Shane]

Everything is a podcast. Everything is you and your mom in the car. It's kind of you on the toilet.

[Jeff]

It's the equivalence of cereal with food. Right. Where isn't ever a salad. Everything's a salad, right? What is the argument?

[Shane]

Like, everything's a salad.

[Jeff]

Everything's a salad.

[Amanda]

Let me get some cups for us to sit down for this conversation.

[Jeff]

I think it was Noah who said this, like 10 years ago to me that everything's a salad, because a salad is. What is a salad? It's a combination of. Of things.

[Amanda]

That's so true.

[Jeff]

And every plate of food is a combination of things. So that's so.

[Shane]

It's like.

[Jeff]

It's not.

[Shane]

Oh, Shane Idea, guys. That was a legitimate Shane idea.

[Amanda]

Wait, that's. That feels like old news stations, remember? Or like, radio stations.

[Shane]

We'll be right back with Scoogum and McGoogie. And before that, we've got another episode of shane idea on BBC2.

[Amanda]

Duh.

[Jeff]

Hello and welcome to Shane Ideas.

[Amanda]

Duh.

[Jeff]

What are you doing? And also, some kid in the back is playing Roblox.

[Amanda]

You guys know those radio stations. It's like, bo, hey, how are you doing that?

[Jeff]

What are you talking about?

[Shane]

I do. I. Okay, so not Exactly. So hold on. So hold on, guys. That was an Amanda moment.

[Jeff]

That was Amanda moment.

[Shane]

That was an Amanda moment.

[Jeff]

Are you watching?

[Shane]

Aw. I know what you're talking about. It's like on the.

[Amanda]

I got a. Yeah, the radio.

[Shane]

Yeah, on the.

[Amanda]

And it's just like. You didn't tell me that. It's like,

[Jeff]

we got Jake the. Here.

[Amanda]

Okay, guys, this episode's gonna be really artistic and very fun.

[Shane]

It's gonna be.

[Jeff]

So we're losing our minds.

[Amanda]

We're not losing our minds.

[Jeff]

We're having the polar opposite type of losing our minds right now because we've been in the middle of the move. So we actually haven't been filming anything. We've, like, kind of been. Not. I think a few months ago, we were losing our minds because we were filming so much like we're filming so

[Amanda]

now thing where it takes an element to start the engine, I think, for us.

[Jeff]

Yeah.

[Amanda]

And I will say, I am so into. I don't know. When we pitch Foley, I was like, yes, I'm so into it. Because you don't realize, like, every show, every movie, it's all fully. It's all Foley.

[Shane]

Every time I see someone in a kitchen in a movie, when they're in the kitchen just doing kitchen stuff, you know, there's a guy in a closet.

[Amanda]

Yeah.

[Shane]

Like.

[Amanda]

But I don't think people know that.

[Jeff]

They're right behind the camera.

[Amanda]

Yeah. Make your

[Jeff]

good sound. Yikes.

[Amanda]

That person was very thirsty. They were just buried alive and they needed something to drink.

[Jeff]

I. This is. I'm very excited for our audio listeners to comment on this because they don't see the items you're picking up. The sounds just happen.

[Amanda]

I think they're. I think it's. I don't know if it's gonna go our way.

[Shane]

I think we're gonna do just fine.

[Amanda]

I think we're gonna do just fine.

[Shane]

We're gonna do just fine.

[Amanda]

I think we're gonna do just fine.

[Jeff]

This doesn't involve a prop, but this is me on a swing explaining the plot of Buffy the Vampire Slayer. Okay, so in season one, it's a little bit more like Monster of the Week. And then later on in season two, you get Spike introduced, and they start to do, like, a little bit more of a, like, regular thing. And then season three is absolutely its peak. But season four, it kind of goes up and down, and then it keeps then. But season.

[Amanda]

Hey, kid, get off that swing. It's been like, it's my turn.

[Jeff]

You. I'm gonna do a flip. Hold On. I'm gonna do a flip. I'm gonna do a flip.

[Amanda]

You know what? I'm getting out of here. I'll see you later. Bye.

[Shane]

That has been the episode of Shane, whatever. The setup, like I said before on BBC2.

[Amanda]

Shane idea.

[Shane]

Shane idea.

[Jeff]

I would. It would be so fun if we had a PBS show.

[Shane]

I'd love that if we just. Did PBS make it?

[Jeff]

What?

[Shane]

Did it make it?

[Amanda]

Did PBS make it?

[Shane]

Did it make it? I forget.

[Jeff]

I don't know if it made it publicly.

[Amanda]

Wait, isn't that.

[Jeff]

They're trying to. They're trying.

[Shane]

They've been.

[Jeff]

The government is trying to get rid of.

[Amanda]

I'm actually not sure that PBS made it, guys.

[Jeff]

Damn it.

[Amanda]

They made it. Okay, James.

[Jeff]

They made it. James said they made it, but they lost their federal funding, I think. I, like, I know NPR lost its.

[Shane]

So now it's really brought to you by viewers like you.

[Jeff]

Yes. Yeah. No, it was crazy when they announced it, they were like, yeah, so, like, please help support us so that you can get the news. And I was like, Jesus, this is.

[Amanda]

This is PBS in the editing room.

[Shane]

Hold on, hold on.

[Amanda]

Cut it. It cut the string.

[Shane]

That was an Amanda moment.

[Amanda]

Thank you.

[Jeff]

This is me. This is me getting out a bag of cereal. And then an X wing or a TIE fighter flies by. Okay, so. Oh, God. I think these a little stale. What the.

[Shane]

That was the fastest eye fighter I've ever seen.

[Amanda]

Watching Shane get actually so overwhelmed in that moment, like, I got scared. I, I.

[Shane]

There it is.

[Amanda]

You're. You're not gonna lose your job. Wait, Watching Shane get actually spooked. He looks like it was his first job.

[Jeff]

Like, wait, do I not know how to use this? I was like, what the.

[Amanda]

It looks like it was your first day on the job and like, you could have gotten fired if you didn't hit.

[Shane]

That was an emergency for you.

[Jeff]

I look like. When, when it's like the LA Philharmonic and there's a guy who has the one.

[Amanda]

One thing.

[Shane]

Oh, yeah.

[Jeff]

He goes and he does it. He's like.

[Amanda]

I think about the orchestra. Orchestra. The guy.

[Shane]

I think about the orcs. How many violins they got. Are we cutting the moment away?

[Amanda]

I'm cutting that idea.

[Shane]

No, tell me about the orchestra.

[Amanda]

No, I think about the orchestra when I sit back and watch it sometimes. And there's just the guy in the back. Like, he's just waiting so desperately for his time, and I, I feel so much stress for him.

[Shane]

If you've got, if you've got a billion notes to play, you can get one wrong. But if you've got one note to play.

[Amanda]

Oh, yeah.

[Jeff]

And you're one of, like, several. Right. If you're in the. The.

[Amanda]

Like, you're one guy.

[Jeff]

Or the. The clarinets. It's like, okay, I mess up, but there's a few of us. They don't know who did it.

[Shane]

Who did it.

[Jeff]

It's kind of like how back in the day, you know, with. I was going to say. I was going to say an Ian fact.

[Amanda]

Say an Ian fact.

[Jeff]

A horrible Ian.

[Shane]

Oh, one of the horrible.

[Amanda]

Oh, I love a horrible fact.

[Jeff]

I don't know why my brain went to this. It's like back in the old days when it's like, oh, like execution by firing squad. They would. It'd be like, oh, several of them have blanks, and only one has a real bullet. So they get to all be like, we don't know who actually killed him.

[Amanda]

Is this an Ian fact that he told you?

[Jeff]

All right, that's a fact that I've heard, but I feel like that's. But I feel like playing a clarinet is similar to execution.

[Shane]

You heard it here first.

[Jeff]

You heard it here.

[Amanda]

Here first.

[Shane]

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[Liberty Mutual Spokesperson]

And Doug, there's nowhere I wouldn't go to help someone customize and save on car insurance with Liberty Mutual, even if it means sitting front row at a comedy show.

[Amanda]

Hey, everyone. Check out this guy and his bird. What is this, your first date?

[Jeff]

Oh, no.

[Liberty Mutual Spokesperson]

We help people customize and save on car insurance with Liberty Mutual together. We're married. Me to a human, him to a bird.

[Amanda]

Yeah, the bird looks out of your league.

[Liberty Mutual Spokesperson]

Anyways, Only pay for what you [e-mail] Liberty.

[Jeff]

Liberty.

[Amanda]

Liberty.

[Jeff]

Liberty.

[Amanda]

This episode of Smoshmouth is sponsored by Rocket Money. Shane, I heard what you did.

[Jeff]

What are you. What are you talking about?

[Amanda]

I heard the way that you've been tooting that thing. You haven't been tracking your subscriptions and expenses with Rocket Money. You need to get it together, man.

[Jeff]

Dang. You can tell just by me tooting this thing?

[Amanda]

Yeah, you're tooting weird. Look Rocket Money can track subscriptions and has the ability to cancel unwanted ones within the app with a few taps, saving users over $880 million in canceled subscriptions.

[Jeff]

$880 million.

[Amanda]

I set budgets and goals, get personalized insights and regular reports, and receive real time alerts for large transactions, upcoming bills, refunds, and low balances. Users who create a financial goal with Rocket money save over $70 on average within the first 30 days. I love Rocket Money so much. It is so easy to use the dashboard and I check it every single Sunday.

[Jeff]

Okay, you've inspired me. I'm gonna change and with that, I'm not gonna make any more sounds. Just kidding.

[Amanda]

Rocket Money is a personal finance app that helps find and canceled unwanted subscriptions, monitors your spending, and helps lower your bills so you can grow your savings. Let Rocket Money help you reach your financial goals faster. Join at RocketMoney.com Smoshmouth that's RocketMoney.com Smoshmouth RocketMoney.com/Smoshmouth Back to the show. Just keep tootin Shane.

[Jeff]

Will do.

[Amanda]

Should we tell them the props that we have or. No, just keep it.

[Jeff]

I don't think.

[Shane]

I don't think they get.

[Jeff]

For people watching, they get to see it, but I think for those.

[Shane]

Let them experience the truffoli, they get

[Jeff]

to be completely blindsided.

[Amanda]

Can I ask a question then? What is this actually used for?

[Shane]

Well, that's for when you want to grab a ball the size of an acorn.

[Jeff]

Yeah. Is that for ice cream?

[Amanda]

Is it chestnuts?

[Shane]

I don't think roasting it definitely gives. I'm holding a hot ball.

[Amanda]

So, guys, it's scissors with a me every night.

[Shane]

Sorry. I'm so. I'm so sorry. Hold on, hold on, hold on, hold on.

[Amanda]

What?

[Shane]

That was a Tommy moment. Okay. Amanda's holding a thing that holds hot balls.

[Amanda]

Yes. So it's scissors with a ball thing attached.

[Shane]

Got it.

[Jeff]

A hot.

[Shane]

An apt description, if I may.

[Amanda]

To be honest, I'm kind of scared to like make noises cuz for some reason I'm like, oh, this will be easy. And now I'm like.

[Jeff]

I think now that it's placed in front of us, we realize the reality of the situation.

[Shane]

Yeah. We're more doing soundboard art as opposed to fully art.

[Amanda]

Right. Okay. Can I do one thing, though?

[Shane]

I would love if you would do more than one thing.

[Amanda]

This is Angela coming in to a meeting late with her coffee.

[Jeff]

Hold on.

[Shane]

Shit. Okay. Because Angela is a two foot or, sorry, a two inch long mouse scraping to get in and she's wearing boots. Okay.

[Amanda]

Ugh. Sorry, you guys. Sorry. Hold on. Oh, let me run to my seat.

[Jeff]

And this is where Angela's Pinocchio.

[Shane]

I was about to say this. I was literally about to say this was before the Blue Fairy turned Angela into a real girl.

[Jeff]

Yes.

[Shane]

Yeah.

[Amanda]

Let me get my coffee.

[Shane]

Oh, she dropped it on the floor for a second, I think.

[Amanda]

Oh, my coffee's filled.

[Shane]

Oh, it's a quiet coffee.

[Amanda]

Should I get the job? How was my audition for Foley Artist?

[Shane]

Yeah, you know what?

[Amanda]

You're right. This is actually for a puppet.

[Shane]

Like a little marionette puppet. Okay, but it's a horse, too.

[Jeff]

Well, it's like a marionette horse. It's galloping strings.

[Shane]

Oh, it's a little sick.

[Jeff]

Whoa. A sick horse galloping.

[Shane]

Oh, he's fast. Oh, no. Oh, it's over. It's about to be over. Pay your respects.

[Amanda]

He has something underneath his foot.

[Shane]

He's trying to get it off.

[Amanda]

And now it's done. Okay, just for a second, because he wants to take a moment to look at the.

[Shane]

Oh, so he's. Well, actually. Oh, he sounds happy now.

[Amanda]

And that's it. That's my horse.

[Jeff]

Okay.

[Shane]

Wait, can I feed him something?

[Amanda]

Sure.

[Shane]

Oh, my God, I would love to feed him something.

[Amanda]

Yeah.

[Shane]

Where was that cereal? Can I see some of those?

[Jeff]

I'll walk over to you.

[Shane]

To you. All right, I think I've got. All right, I've got a few treats in my hands. Come here, bud. Come here, come here.

[Amanda]

Okay, he's running a little fast. Come on.

[Shane]

Oh, my God. He's approaching me really fast. Oh, oh, oh, oh. Here, here, here, here. Take some. Take some out of my hand. Go for it.

[Jeff]

I wouldn't trust that horse if I were you.

[Shane]

But he seems so nice.

[Jeff]

Oh, he seems nice.

[Shane]

Is my hand gonna be okay, or.

[Jeff]

I don't know about your hand.

[Amanda]

Oh. Oh, God, yeah.

[Shane]

Oh, I'm running away immediately. I'm running away immediately.

[Amanda]

You can definitely hear heels in grass.

[Shane]

Oh, okay.

[Amanda]

Okay. This horse said that was you.

[Shane]

That was an evil horse.

[Amanda]

Yes.

[Shane]

I knew there was something wrong with it.

[Amanda]

His name is Chartreuse.

[Jeff]

This is a robot. Like a very, like, old school robot. Like a steampunk robot trying to use the bathroom.

[Amanda]

Okay.

[Jeff]

He's having trouble.

[Amanda]

Okay, okay. All right.

[Jeff]

Oh, my God. You just couldn't.

[Amanda]

Watching Shane go through this.

[Shane]

Wait, I'm sorry.

[Amanda]

Watching Chanel. I know.

[Shane]

No, I want to. I really want to support you and enjoy the moment, but I did not.

[Amanda]

Watching Shane experience this is actually a greater joy than Any Foley that he could do.

[Shane]

So he's trying to get a zipper.

[Jeff]

Trying to get a zipper, and then he's getting. This is his penis. Yeah. He's trying to get it out and he's like, robot.

[Amanda]

I didn't know that robots had penises.

[Shane]

Well, every robot has a penis, Amanda.

[Amanda]

Come on. What about the woman robot somewhere. What is this?

[Shane]

What a good question.

[Amanda]

Yeah, yeah, I'd love to know.

[Jeff]

Wait, sorry, did you ask. What was the question?

[Amanda]

I know you're fully.

[Shane]

You know. Yeah. Wait, you know what?

[Amanda]

Just watching Shane do this, it's almost like he's. Like he really wants the job, but he already got the job. But it is his first day and he feels like he's going to get fired.

[Shane]

Yeah. Yeah, yeah, yeah.

[Amanda]

And I like it.

[Jeff]

Okay.

[Amanda]

I like it.

[Jeff]

Thanks.

[Amanda]

It adds a lot of stakes.

[Jeff]

Okay.

[Shane]

I'm going to be the robot in the stall across from that guy who is at the urinal.

[Amanda]

Yeah.

[Jeff]

Okay.

[Shane]

Okay.

[Jeff]

Okay.

[Shane]

Pooped. And that.

[Amanda]

Was a Tommy moment.

[Shane]

Everyone loved it. Everyone loved it. Yes. The buttons play. Oh, yeah. That's how. That's how it sounded. So crisp.

[Amanda]

Do you know what it's like that

[Shane]

Mary had a little lamb, but wrong. Let him have this.

[Jeff]

I'm trying. I'm trying to figure out the notes,

[Amanda]

you know, that I wanted to move on, but I won't.

[Shane]

No, we're gonna stay here until we figured it out.

[Amanda]

Okay?

[Jeff]

I. Okay.

[Amanda]

That was really good.

[Shane]

It was really good.

[Amanda]

I'm sorry.

[Jeff]

I fucking found it.

[Amanda]

No, you killed

[Jeff]

that shit.

[Amanda]

I'm actually kind of controlling. Sometime

[Shane]

you're realizing now.

[Amanda]

Yeah.

[Shane]

Sometimes you gotta let go of it.

[Amanda]

I said it to my husband the other day. I said, am I kind of controlling? And he was like, yeah, a little bit. And I was like, oh, my God.

[Jeff]

And then he said, can I come out now?

[Amanda]

And I said, no, stay in there, idiot.

[Jeff]

Can I lean on.

[Shane]

Can I. No.

[Amanda]

You know what I realized? It's not that I want to control you because I don't think you're going to do a good job. I want to control you because I want them. I know that. It's. I kind of know how to have a good moment. And then I realized, what the fuck? That's kind of egotistical.

[Shane]

So you're going, damn, he's flopping over there. I better save his ass, to be fair.

[Jeff]

Yeah, it happened.

[Amanda]

Yeah. But then I went, amanda, let him flop.

[Shane]

Yeah.

[Amanda]

Why is it so hard to just let him flop and have people kind of around? Go, this isn't really the best time, but it's okay. Why can't I let that happen?

[Shane]

We need more clowning classes so that.

[Amanda]

You really do gotta let it go, guys. I'm not even kidding. Last night, I was in bed going, oh, my God. Am I controlling? And h. And I talked about it for probably 30 minutes, and he wasn't like, yeah. And then you said after 30 minutes,

[Jeff]

he said, I'm done talking about this.

[Amanda]

No, he just went, why do you think that? And I realize sometimes I'm afraid to, like, say what I want to do because I'm worried that people will be like, well, I don't want to do that. And he's like, why can't you just say what you want to do and set the path and let people have their own journeys in your path.

[Jeff]

Wow.

[Amanda]

We had like. And I was like, oh. And I said, but what if someone's having a bad time in their journey? And he said, let them. Yeah, that's not on you.

[Shane]

Exactly.

[Amanda]

And I was like, whoa.

[Jeff]

It's their journey.

[Amanda]

So that whole moment where Shane was trying to play Mommy Had a Little Lamb, or whatever the F it's called,

[Jeff]

Mommy Had a Little Lamb from the

[Shane]

perspective of Mary's son, I just sat

[Amanda]

there and went, this is my time to practice sitting. Sitting and letting him have his own journey. And you said, let them. And I went, ah.

[Shane]

Anyways, thank you for sharing that beautiful moment. No, don't cut it. Don't cut it.

[Amanda]

Okay. No, you're welcome.

[Shane]

But you can scoop it with a ball.

[Amanda]

When you have a child, you have so many aha moments. It is. It is the hardest thing ever. But then you go, whoa. I got to that aha moment so fast.

[Shane]

Yeah. That's awesome.

[Amanda]

Yeah. Yeah. Every month, you.

[Shane]

Every month.

[Amanda]

Every month, you grow a whole lifetime.

[Jeff]

All right, so two people are gonna do voices. One person's gonna do the sounds.

[Amanda]

Looks like Tommy's ready.

[Jeff]

Selena's gonna give us a scenario.

[Shane]

Okay. I would love to do the sounds. Yeah.

[Jeff]

Okay.

[Shane]

I thrive in the background. I'm ready to go.

[Jeff]

Good. Because clearly, sounds not my thing.

[Amanda]

Shane, that's not true. You guys are a surgeon and an assistant operating in the operating room.

[Shane]

Okay, hold on. Let me.

[Amanda]

Let the. I'll be the.

[Shane]

Let the artist grab what he needs. Okay.

[Jeff]

Okay.

[Amanda]

First, we're gonna let the artist prepare

[Shane]

a surgeon and the assistant and the officer.

[Amanda]

So I'll be the assistant. I don't like blood. And you. Do you watch the pit?

[Jeff]

Do you not watch the pit?

[Amanda]

No, Shane, I couldn't watch ER and that's the original. The pit. Okay, so do we know what's wrong with the patient?

[Jeff]

Well, I'm the doctor, so I'm gonna figure it out.

[Amanda]

Whoa. Okay, you're right. You're right.

[Jeff]

Okay, Assistant doctor, I know this is your first day, but this is a teaching hospital.

[Amanda]

Yes.

[Jeff]

So this is how we do things. All right, are you ready? We're going in. This. This patient not looking good. They're unresponsive.

[Shane]

Okay.

[Amanda]

Seems like this monitor's going slower.

[Jeff]

I need you to hand me the utensils. The medical utensils.

[Amanda]

I'll hand you the medical utensils.

[Jeff]

Hand them to me.

[Amanda]

Scalpel. Let me just get it.

[Jeff]

Yeah. Could you sharpen the scalpel a little bit for me?

[Amanda]

Yes, of course.

[Jeff]

Okay, nice. Get it real nice and sharp. Just be careful. There's sparks coming out of that.

[Shane]

Right?

[Amanda]

Oh.

[Jeff]

Oh, gosh.

[Amanda]

Ow.

[Jeff]

I got a small fire. We started a small, small fire on the patient.

[Amanda]

Let me get some water and put it out.

[Jeff]

Yeah, pour out. Pour it. Oh. Oh, my God.

[Amanda]

I got it.

[Jeff]

Okay, you.

[Amanda]

I put it out.

[Jeff]

Put that out.

[Amanda]

Thank you so goodness.

[Jeff]

Okay, can you. Can you plug in the. The monitor and. And check the vitals?

[Amanda]

Oh, yeah. I unplugged the monitor by accident because

[Jeff]

I tripped over when you lit it on fire.

[Amanda]

Okay. Okay, let's check the vitals.

[Jeff]

Can you type in some things on that monitor? Really?

[Amanda]

What's great about the monitor is it only does it once a minute.

[Jeff]

Yeah.

[Amanda]

So you don't need to know it

[Jeff]

fully has beep and see, There it is. Once a minute.

[Amanda]

Okay, let me check the vitals. Just gonna type in what exact vitals to put in. Oh, okay, so ibuprofen, 800 milligrams. Vitals.

[Jeff]

Okay, good.

[Amanda]

Because he's. He's in a lot of pain.

[Jeff]

Yeah, yeah, yeah. 800.

[Amanda]

All right, let me just send it to print. Sent. Printing.

[Jeff]

Okay. All right.

[Amanda]

They really need to replace these printers. I know.

[Jeff]

We're really behind on our technology here.

[Amanda]

We're really behind. Let me get the paper.

[Jeff]

We need to. Now we need to cut open this guy's shirt really quick.

[Amanda]

Oh, yeah. I'll put the paper down. Okay. So I just wanted to have it printed just for medical records. We're gonna cut the guy's shirt.

[Jeff]

Yeah. Crumple up that paper and throw it away.

[Amanda]

Okay,

[Jeff]

Kobe.

[Amanda]

All right.

[Jeff]

I'm so sorry.

[Amanda]

I did miss.

[Jeff]

You missed that horribly.

[Amanda]

I'm an assistant.

[Jeff]

Yeah. It's okay. You'll learn. Okay, now we need to rip open his Shirt.

[Amanda]

Okay, let me rip open his shirt.

[Jeff]

All right.

[Amanda]

It is a metal shirt. Oh, there's a bee in here. What the hell? Oh, my God.

[Jeff]

We have a bee. There's a bee. Oh, my God. There's tons of bees inside of him.

[Amanda]

There's, like, three bees in here.

[Jeff]

Oh, my gosh. I think this bee.

[Amanda]

Let me hit it. Here. Pass me that book.

[Jeff]

Yeah, okay. Here's the book.

[Amanda]

Got it. Got all three of them in once.

[Jeff]

God.

[Amanda]

The Bible is good to have in a room.

[Jeff]

Yeah, it's good to have the Bible. Oh, my God. Is it Christ?

[Amanda]

Wait. No, he. Wait. We're losing the patient. He's here.

[Jeff]

He's going to. He's going to heaven.

[Amanda]

Wait, wait.

[Jeff]

We need to.

[Amanda]

When it goes faster, we need to.

[Jeff]

Oh, my God.

[Amanda]

Oh, my God.

[Jeff]

Okay, okay, okay. Lasso him. Lasso his spirit.

[Amanda]

Okay.

[Jeff]

Whoa.

[Amanda]

Come here, spirit.

[Jeff]

Okay, simultaneously, I need you to do chest compressions on him.

[Amanda]

Okay. I put his spirit back in.

[Jeff]

Ready?

[Amanda]

I'm gonna put it back in.

[Jeff]

Okay. Put a spirit back in. Nice.

[Amanda]

Good work.

[Jeff]

That's the sound you want to hear. Okay, chest compression.

[Amanda]

Chest compression. Okay. 1, 2, 3, 4, 5, 6, 7, 8. Let me blow in his mouth.

[Jeff]

Yeah, blowing his mouth a little bit.

[Amanda]

If you throw up a little bit, he wakes up.

[Jeff]

Okay.

[Amanda]

Three.

[Jeff]

Oh, my gosh. We're getting the vitals back.

[Amanda]

One more blow. Stable. Okay.

[Jeff]

Okay, I think he's coming back to us.

[Shane]

Stable.

[Jeff]

Come back to us. Wake up.

[Amanda]

What?

[Jeff]

I really face really quick.

[Amanda]

Okay,

[Jeff]

good. Oh, I think we're getting something.

[Amanda]

Okay.

[Shane]

Oh, no, no, no.

[Amanda]

Okay, okay.

[Jeff]

Simply too alive.

[Amanda]

Let me. Let me get this. I'll big the big injector in his chest like they did in Pulp Fiction.

[Jeff]

Yes. That's what he needs. He needs adrenaline.

[Amanda]

Okay, here we go. One, two, three.

[Jeff]

Boom. I think he's dead. He's dead for sure because the needle

[Amanda]

actually slipped on metal.

[Jeff]

Fully. Yeah.

[Amanda]

Okay, well.

[Jeff]

Wait, are you.

[Amanda]

Wait, Ronnie, you had a motorcycle accident, and we're bringing you back. I lassoed your spirit. How are you feeling?

[Jeff]

Made sure you didn't go to heaven.

[Shane]

Oh, you. Oh, I feel okay. I think there's a needle in my. In my chest here.

[Amanda]

We have to get the needle out.

[Shane]

I have an open incision in my stomach. Can you please at least sew me up?

[Amanda]

Yeah, I'm gonna sew you up. Okay, Let me get the stitches ready.

[Jeff]

All right.

[Amanda]

Okay, and here we go. I'm gonna stitch them up.

[Jeff]

There we go.

[Amanda]

It's really quick and easy, actually. You just click up.

[Jeff]

Yeah.

[Shane]

Thank You.

[Jeff]

We have a good zipper.

[Amanda]

Yeah, yeah, I zip it up.

[Jeff]

Thank you for coming to Costco surgery.

[Shane]

Yeah. Where's the glasses area?

[Jeff]

The glasses area is right over there. Here, let's walk. Well, let's walk over there.

[Shane]

Well, let's.

[Amanda]

Let's. Let's unstrap you first. Yeah. Unstrapping you.

[Shane]

Oh, thank you.

[Jeff]

Yeah.

[Shane]

All right.

[Jeff]

And you said the glasses area are wooden straps.

[Amanda]

Yeah, we have wooden straps.

[Shane]

And you said the glasses area was where.

[Jeff]

It's right over here. It's right over here. Let's get food court.

[Amanda]

Let's get you some water, too, okay? Yeah, yeah, yeah, yeah.

[Jeff]

You some water.

[Shane]

Let me get some water.

[Amanda]

You some water. Here we go.

[Jeff]

Oh, yeah. We have, like, a hamster thing.

[Amanda]

Very good. That was a good sip. Okay, let's bring you over to the glassware.

[Shane]

Okay. Yeah. Sounds. Sounds good to me.

[Jeff]

Okay. And here.

[Shane]

It's a little bit further away than I thought.

[Amanda]

Thank goodness you kept your heels on. We let you do that. We wanted to make sure that you felt at home.

[Shane]

Hold on. I'm getting a really. I really quickly need to just do a quick time step.

[Jeff]

Good. Oh, showing. Good. That's a good sign. He's feeling better.

[Shane]

Okay. I can still get the performance. Okay, thank you.

[Amanda]

He's feeling so much better. Oh, good. Yeah. Throw your shoes in the trash.

[Shane]

I only need to wear. I wear shoes once, and I throw them away. Call me bougie, but it's what I do.

[Jeff]

That's great.

[Shane]

I spend my money on shoes. That's why I'm at Costco.

[Jeff]

Yeah. High heels on a motorcycle.

[Amanda]

That's very dangerous.

[Jeff]

Well, we have some glasses here.

[Shane]

Those are some nice glasses.

[Amanda]

Yeah, yeah.

[Jeff]

Do you want just how you know they're good? Prescription. The sound they make.

[Shane]

That's great.

[Amanda]

Want me to get you some water?

[Shane]

So you've only given me water. You've given me water, I think, three times.

[Amanda]

Okay, let me get you a little bit of.

[Shane]

Get me some tea.

[Amanda]

Yeah, I'll get you some tea. Let me. Let me turn on the. The heater for the tea.

[Shane]

For sure.

[Amanda]

Turning it on.

[Shane]

Oh, thank you.

[Amanda]

I love how old school our kitchen stuff is. Oh, and it's done.

[Jeff]

Oh, and it's all right.

[Amanda]

Let me pour it in a cup.

[Shane]

What? It's hard to get.

[Jeff]

It's in, like, a soy sauce bottle, so you kind of have to knock it out.

[Shane]

Thank you so much.

[Amanda]

And let me just do your tea bag.

[Shane]

Yeah. Globe. Globe glope.

[Amanda]

And here you go.

[Shane]

Thank you. Oh, do you have any honey Actually, I'm. I got a sweet tooth.

[Amanda]

Yeah. Let me get you some honey.

[Shane]

Okay.

[Amanda]

Okay. It's in another.

[Shane]

Okay.

[Amanda]

Oh, yeah.

[Jeff]

Oh, I've got honey right here.

[Shane]

Oh, thank you. Oh. Straight from the bee's ass.

[Amanda]

The bee flies by the bees that were inside you. We saved one.

[Jeff]

Oh, yeah.

[Shane]

I don't know if I ever can

[Jeff]

face it, being here at Costco surgery.

[Amanda]

Here it is.

[Shane]

Thank you so much for the tea. Let me just take a little sip of it.

[Jeff]

Selena's like, end this.

[Amanda]

I could have been in that for hours.

[Jeff]

I was enjoying being at Costco.

[Amanda]

I was having a really good time. You know why? I didn't have all the pressure of the sound.

[Jeff]

I know.

[Shane]

It's. Well, that was the most fun.

[Jeff]

The sound. I don't know how to do it.

[Amanda]

Let's practice. Let's do one for you.

[Jeff]

Let's start small. We need to start with the basics for me.

[Amanda]

Okay, so try bones breaking.

[Jeff]

Bones breaking.

[Amanda]

Okay. That's you.

[Jeff]

I need, like, celery. Need something I can actually break.

[Amanda]

It's so true. We don't have the right tools. Wait, that's good.

[Jeff]

Wait, I got it. I got it. Yeah, hold on, hold on. Okay, so it's like.

[Amanda]

So it's bones breaking.

[Jeff]

Yeah. It's like.

[Amanda]

Oh, here, here.

[Shane]

Wait, wait, wait. I got you. This will also help. This will also help. Yeah.

[Jeff]

Yes. Yeah.

[Amanda]

Okay, so you just went on your skateboard, and you did a kickflip, and then you fell.

[Shane]

Okay. Okay. Hold on. I'll cue you up.

[Jeff]

Yeah, yeah, yeah. You're gonna do the other sounds, and I'll do the bones breaking.

[Shane]

Yeah, I'm gonna do the kickflip, and you be the skateboarder.

[Amanda]

Yeah.

[Jeff]

Okay.

[Shane]

Okay.

[Amanda]

Oh, this is gonna be sick. Yeah.

[Jeff]

Yo, you okay?

[Amanda]

Yo, bro, that looks up. I don't actually know what happened.

[Jeff]

I. I feel like I landed that.

[Amanda]

Let me get up one more time and see.

[Shane]

Oh, dude, you're squeaky. Dude, your bones are squeaked up, bro.

[Jeff]

Yeah, you're trouble hacking.

[Amanda]

Oh, dude. Dude, my right foot is totally shattered, bro.

[Shane]

You're right.

[Amanda]

Let me try my left.

[Jeff]

Oh, God.

[Amanda]

My water shoes did not save me at all.

[Jeff]

Your water shoes?

[Amanda]

Yeah. Let me try again. Hold on.

[Shane]

You got a good grip for skateboarding.

[Amanda]

Oh, bro, that was my. That was my spine compressing. Oh, bro.

[Jeff]

Oh, dude, you're done.

[Amanda]

I'm good. I'm good. I'm good.

[Jeff]

Try taking another step. Yeah.

[Shane]

Oh, bro, you're all squashed.

[Jeff]

Here. Go for a little jog.

[Amanda]

Yeah, let me jog to you guys, I think my ACL and my Achilles heels snapped.

[Jeff]

All right, hold on.

[Shane]

Wait. Come over here, bro.

[Amanda]

Yeah, let me jog.

[Shane]

Come walk over here.

[Amanda]

God, here I go. Oh, oh, oh, oh, oh, oh, oh, oh.

[Shane]

Bro, your water shoes are little wedges. They're so cute.

[Amanda]

There's so much water in my water shoes.

[Jeff]

I think all of your bones are broken.

[Amanda]

Let me pick up my skateboard real quick. Whoa. I actually feel kind of euphoric.

[Shane]

I think based on that noise, I think I would say so.

[Jeff]

All its dmt.

[Amanda]

I feel actually pretty good. Oh, my neck just needs a crack.

[Jeff]

Okay, here we go.

[Shane]

Be careful, bro. Be careful,

[Jeff]

Bro.

[Shane]

You just did a 360 with your hands.

[Amanda]

Yeah, my wetsuit also felt you had

[Jeff]

the physiology of Wile E. Coyote, bro.

[Amanda]

It's crazy. All right, well, thanks, guys. I'm gonna drive home now, okay.

[Shane]

All right, bro.

[Jeff]

See ya,

[Shane]

Bro. Stop tugging it. Get in the car. Get out of here, bro.

[Amanda]

All right. Wow. Yeah, Shane, you nailed that.

[Liberty Mutual Spokesperson]

And Doug, there's nowhere I wouldn't go to help someone customize and save on car insurance with Liberty Mutual. Even if it means sitting front row at a comedy show.

[Amanda]

Hey, everyone. Check out this guy and his bird. What is this, your first date?

[Jeff]

Oh, no.

[Liberty Mutual Spokesperson]

We help people customize and save on car insurance with Liberty Mutual together. We're married. Me to a human, him to a bird.

[Amanda]

Yeah, the bird looks out of your league.

[Liberty Mutual Spokesperson]

Anyways, only pay for what you [e-mail] Liberty.

[Jeff]

Liberty. Liberty. Liberty.

[Shane]

Hey, sweetie. Your mother showed me this Carvana thing for selling the car. I'm gonna give it a try. Wish me luck. Me again. I put in the license plate. It gave me an offer. Unbelievable. Okay, I accepted the offer. They're picking it up Tuesday from the driveway. I haven't even left my chair. It's done. The car is gone. I'm holding a check anyway. Carvana, give it a whirl. Love ya.

[Amanda]

So good you'll want to leave a voicemail about it. Sell your car today on Carvana. Pick up. Fees may apply.

[Jeff]

Thanks.

[Amanda]

This episode of Smoshmouth is sponsored by Zbiotics. It's April and I want to enjoy the festivities before going out with girlfriends and having a glass of wine or two. I started drinking Zebiotics Pre Alcohol drink so I can start the next day feeling great. I got up early and I enjoyed a beautiful spring morning.

[Jeff]

Zebiotics Pre Alcohol Probiotic drink is the world's first genetically engineered probiotic. It was invented by PhD scientists to tackle rough mornings after drinking here's how it works.

[Amanda]

When you drink, alcohol gets converted into a toxic byproduct in the gut. It's a buildup of this byproduct, not dehydration, that's to blame for rough days after drinking. Pre alcohol produces an enzyme to break this byproduct down.

[Jeff]

Just remember to make pre alcohol your first drink of the night. Drink responsibly, and you'll feel your best tomorrow.

[Amanda]

I honestly love that I was able to get up early the next morning, have breakfast, and do some laundry. I was able to enjoy my time with my friends and be productive the next day.

[Jeff]

April is a sprint of outdoor celebrations. Drink pre alcohol to stay ahead of the game and make the most of every sunny Saturday. Go to zbiotics.com smoshmouth to learn more and get 15% off your first order when you use Smoshmouth at checkout. Zebiotics is backed with 100% money back guarantee, so if you're unsatisfied for any reason, they'll refund your money, no questions asked. Remember to head to zbiotics.com smoshmouth and use the code smoshmouth at checkout for 15% off.

[Amanda]

Drink responsibly.

[Jeff]

Back to the show.

[Amanda]

Let's go. I want one.

[Shane]

Let's get you one.

[Jeff]

I want one. All right.

[Amanda]

I need some of that.

[Jeff]

Tommy and I are the burglars.

[Amanda]

Yeah, I'm worried about this.

[Shane]

Two burglars trying to rob the lou. Oh, we also got these.

[Amanda]

This is really hard. All right. Two burglars kind of rob the Louvre.

[Jeff]

Okay, we are going to. I. I was. I was sitting here going, I cannot do a French accent to save my life.

[Amanda]

Yes, you can.

[Jeff]

I'm gonna sound like every other actor.

[Amanda]

French is kind of like this.

[Shane]

We are going to deliver. We are going to get the pictures from the inside of the leaf.

[Jeff]

All right, let us do it.

[Shane]

Okay.

[Jeff]

Okay. Let us get on this ladder.

[Shane]

Let's get on the ladder and go.

[Jeff]

Window.

[Shane]

Okay, here I go.

[Jeff]

All right.

[Shane]

I'll go first.

[Jeff]

You go first, Pierre. Be careful, Pierre.

[Shane]

Thank you. I know it is a little stupid, but I wear my tap shoes today.

[Jeff]

Oh, yes. That is what we must do because we are French. You're. You're taking so long on that ladder.

[Shane]

It's okay. I will go up the ladder really fast.

[Jeff]

That's okay.

[Shane]

Here we go.

[Jeff]

We in France, we take things very slow.

[Shane]

Okay, here I go. Oh, my God.

[Jeff]

Oh.

[Shane]

Thank you for hiring me. I am not the most coordinated. Okay, I am up now. You to come up.

[Jeff]

All Right. I will now come up first. Let me light a cigarette. Delicious. All right, time to go up with the latter. Okay, here I go. And I'm going up the ladder. I have metal shoes on. This ladder is very metal as well. Oh, I'm dangling from the ladder.

[Shane]

I will throw a rope down. I will throw a rope throw. Oh, do you have it? Hold on. I'll try it again.

[Jeff]

And I caught it.

[Amanda]

Oh, good.

[Shane]

All right, now I'll pull you up.

[Jeff]

Pull me up. All right.

[Shane]

Okay, we are in.

[Jeff]

Now we are in. Okay, we are in front of the case. We need to cut the glass.

[Shane]

We need to cut the glass in a big circle.

[Jeff]

Big, beautiful, perfect circle. Okay, here we go.

[Shane]

Here we go.

[Jeff]

And we are cutting it with ces.

[Shane]

Don't worry. I brought the Elmer's glue to put it back afterward. Okay, we have to get inside.

[Jeff]

Turning into the Amish boy from.

[Shane]

Okay, we have got.

[Jeff]

All right, let us perfectly take this glass sphere out of the. The case. We need to remove.

[Shane]

Okay, you have it. Here we go.

[Jeff]

Okay, that was actually. That was. All right, let us. Now we are. Oh, do you hear the lasers?

[Shane]

Oh, I do. I do. The laser.

[Jeff]

Oh, I dropped my rope.

[Shane]

All right, all right, I'm going to put my hands into this big vat of jewels and take as many as I can.

[Jeff]

Beautiful gloved hands into their.

[Shane]

Hold on, hold on, hold on. Oh.

[Jeff]

Oh, yeah. I think you need to moisturize your hands.

[Shane]

I sleep with the window open and my hand outside the window.

[Jeff]

Your hands sound like silverware.

[Shane]

Okay, let me try again. Once again, let me say that I am grabbing jewels out of a case. Small jewels.

[Jeff]

You're grabbing. Velvety crowned with your.

[Shane]

You know, like, imagine a pile of gems. And I am pulling a. You know, and I am pulling.

[Jeff]

The acoustics in this museum are so crazy.

[Shane]

I am pulling.

[Jeff]

Okay, I think.

[Shane]

Are you looking for that?

[Amanda]

No.

[Shane]

Okay, you know what?

[Jeff]

All right.

[Shane]

I don't think I can get a good grip on there.

[Jeff]

All right, let me try. Let me try to reach in with my big metal utensil that I can reach in.

[Shane]

You know what? I think that will work.

[Jeff]

And I can.

[Shane]

I think that will work.

[Jeff]

The crown. Okay, here we go.

[Shane]

Here we go.

[Jeff]

Oh, you've got it. And I will.

[Shane]

Oh, oh, don't throw.

[Jeff]

I broke the crown jewels.

[Shane]

We did it.

[Jeff]

Just pick it up and run.

[Shane]

We need to go.

[Jeff]

Let it run. And let's leave out the window.

[Shane]

Let's leave out the window. The ladder,

[Jeff]

They flying away.

[Shane]

Oh, my rope. It came. It followed me. My Rope. I love you.

[Jeff]

Oh, and there's the helicopter that is going to take us away.

[Shane]

Oh, it sounds like the helicopter is relieved over and over again. Okay, great. Okay, a long. A long wait. A long rope has fallen from the helicopter. Oh, it's a. It's a metal rod.

[Jeff]

Oh, this is going to suck.

[Shane]

Okay, harness your inner stripper and go up, people.

[Jeff]

All right.

[Shane]

I think that's what that was. Okay, the helicopters ready to go.

[Jeff]

Not so easy. Easy demanda. Oh, and you were talking so much earlier.

[Shane]

Oh, okay.

[Jeff]

Okay.

[Shane]

I am very relieved to be in the helicopter.

[Jeff]

We are in.

[Shane]

I would like. So is the helicopter. And I would like to eat my sandwich of celebration. What do you think?

[Jeff]

Oh, yes, I would love that, Pierre.

[Shane]

A sandwich of celebration. Okay, let me. Let me unwrap it first. Okay, let me unwrap it first. Oh, yeah, there we go.

[Jeff]

I say foot long, fresh sourdough.

[Shane]

Okay, time to eat.

[Jeff]

Oh, you dropped your balls.

[Amanda]

I know. I will get to the bottles back

[Jeff]

when I can get, baby. Ah, there you are in the air like you always do.

[Shane]

Thank you so much. I'm gonna go pick up my balls now. Oh, I make papa right back in the magnetic balls. Testicles.

[Jeff]

Yes. We are made out of metal. That is what nobody knows.

[Shane]

How is that? How is that?

[Amanda]

That was awful. That was so hard. My brain cannot think about what makes sounds.

[Jeff]

And you know what, Amanda? We were watching you struggle, and we said, we're gonna let her. We're gonna let that happen.

[Amanda]

We're gonna let her have her own journey.

[Jeff]

Even though we set this. Guys, I am so curious what this journey was like for audio listeners.

[Shane]

I'm sure it was fun.

[Jeff]

What's the fun?

[Amanda]

I'm not sure. Yeah, it was really hard to, like, come up with us eating a sandwich.

[Shane]

Well, you did it at the end, which was.

[Jeff]

Yeah, but you look over, there's a sandwich right next to you that you could.

[Shane]

I think that was my favorite moment, was you squeezing the ball. That makes no noise.

[Jeff]

It makes no noise, literally.

[Amanda]

I put them together. I went.

[Shane]

Well, when you slammed them together, they made like a. What happened to my throat? When you slammed them together. Now when you have them with two balls and you slammed them together, it made good noise.

[Amanda]

No, nothing, guys. It's nothing.

[Jeff]

Pass it.

[Shane]

That was a nice light.

[Amanda]

Really good catch. I thought that this could sound like a helicopter. No, it can't. It actually all. That's the thing with Foley artists is, like, you think something's going to work, and then you go, that's not right. At all.

[Shane]

That's why it's a craft. You have to, like, learn what makes what noise?

[Jeff]

Wildlife. Because they just must be out and just catch a noise back.

[Shane]

Whoa. What was 100%.

[Amanda]

This one was sick. That's probably the only good thing that was.

[Jeff]

You nailed that.

[Shane]

That was perfect.

[Jeff]

That. That was awesome.

[Shane]

That sounded incredible when you did that.

[Jeff]

Loved that shit.

[Amanda]

Thanks, guys.

[Shane]

Is this. Is this something of porcelain nature?

[Amanda]

Oh, I didn't even touch that.

[Shane]

I.

[Amanda]

Being a Foley artist is hard.

[Jeff]

What. What's. What's that?

[Shane]

One of my favorite. What happened to my throat? One of my favorite noises.

[Amanda]

There's nothing like swimming without a life raft than doing Foley. I'm sorry. On the spot.

[Shane]

So Foley artists actually have the time to choose what they want.

[Jeff]

They have, like, they have a warehouse.

[Amanda]

No, we're making this hard. I don't think any Foley artist just sits there with a bunch of toys

[Shane]

and figures out what to do at the moment. This is live, so I have a. A ceramic thing here. And this is. Has nothing to do with Foley. This is just a sounds idea.

[Amanda]

Oh, yeah. Do a sounds idea.

[Shane]

I. There was a little judgment in that.

[Amanda]

Oh, no, not at all. No. Genuinely.

[Shane]

Okay. Remember what we learned. We let them.

[Amanda]

What's unfortunate is that was me genuinely excited. So now I don't know the difference.

[Jeff]

No. And then you fucked up forever.

[Amanda]

I'm lost in the abyss. Okay, we're done. Go, please.

[Shane]

Okay. I just love the sound of a ceramic lid leaving a ceramic thing.

[Jeff]

Oh.

[Shane]

I might not be able to get it the first time, but I'll go that when I get it right.

[Jeff]

Okay, that's good.

[Shane]

That, like. Ooh. Okay, I gotta stop. I'm gonna come.

[Amanda]

That's okay. Now we're doing asmr. I will say I did watch ASMR videos.

[Shane]

Yeah.

[Amanda]

And my favorite was like. What was like the crunchy soaps.

[Shane]

Yes.

[Amanda]

Oh, my God. Soaps.

[Shane]

There's one soap that gets me. And it's when they go. They like pop it, crunch it, and

[Amanda]

they have sparkles in. In the middle. I've seen that. Or they cut the soap.

[Shane]

Yeah. And they're pre sliced.

[Jeff]

See, that stuff doesn't get me as much.

[Shane]

You get asmr from what I've mentioned

[Jeff]

that I don't know if I think I sometimes get the, like. Because it's like the. It's the response.

[Shane]

Right. And it's not an audio thing.

[Jeff]

It's just have to be an audio response or audio thing specifically. But I get it from the. From the doctor stuff.

[Amanda]

Doctor Stuff.

[Jeff]

Doctor stuff, which I guess are based in real, like, things where it's like, they'll do the. They'll do that. Okay. We have a. It'll be a person with their eyes closed and be like, okay, we have a. Like, a sharp, like, roller thing. And then like a feather. It's like, tell us if it's sharp or dull, and they'll. They'll roll like the sharp is happening.

[Shane]

Or you're watching a video.

[Amanda]

Why don't I know what this is?

[Shane]

I've never heard of this.

[Jeff]

I don't like the ones where they're, like. At the camera, they're like, okay, so

[Amanda]

we're gonna do this. I'm like, I kind of like it,

[Jeff]

but I like what I'm watching, like, a doctor exam happening where they're like, okay, we're gonna test out some things here. And for some reason, that captivates me.

[Amanda]

Whoa.

[Jeff]

And when I. I looked back, and I was like, oh. And I would go to the doctor. If I go to the doctor and they. They check your breathing, where they put

[Shane]

the cold circle on your back. Yeah.

[Jeff]

That I get, like, kind of ASMR response because I'm just like, okay. Like, this is. I don't know what it is. I cannot explain it. But sounds and stuff don't necessarily do it.

[Amanda]

You, like, touch, like, sensory stuff, but it's like.

[Jeff]

But I'm not. I don't have to. Like, if I'm watching it happen, it almost is fine. I think it's more the procedure of, like. Okay. It's a thing where you have no choice but to kind of, like, sit there and.

[Amanda]

Do you want to get surgery?

[Jeff]

No, that sounds awful. And most doctor things are awful, but.

[Shane]

Right.

[Jeff]

But it's like, the specific ones that aren't painful, where it's just kind of like, okay, we're just testing a thing.

[Shane]

Yeah.

[Jeff]

And, like, I'd say. I don't think this gave me a response, but when I went and got my eyes tested, and they're just kind of like, okay, now tell us what you're seeing here. Okay, now just tell us what you're seeing here. Like that. It's kind of a relaxing zone.

[Shane]

It is meditative because it's kind of.

[Jeff]

I think it's meditative for me. I don't know if it's.

[Amanda]

That an R. I don't know if I like it. I.

[Shane]

What gives you meditation in that way? What's. What's your physical ASMR experience?

[Amanda]

Honestly, seeing. Seeing things get organized and cleaned.

[Jeff]

That's A.

[Amanda]

And then also, Yeah, I love things getting like, hey, see this dirty thing? I'm gonna clean it.

[Jeff]

I'm like, oh, it's a different response when they, like, shave off a horse's hoof.

[Amanda]

Okay.

[Jeff]

Really, Shane, I can't.

[Shane]

No.

[Amanda]

All I'm thinking about is this horse and why do they. And I feel bad and is he gonna get kicked?

[Shane]

And I keep going. So that's like a big fingernail, so don't be grossed out.

[Jeff]

But then.

[Shane]

But then it's not a fingernail at some point, just like your fingernail. So where does it stop? And then there's like, goopy.

[Jeff]

I don't want the horse's relief. I'm like, oh, thank God.

[Amanda]

I don't want to see someone clean out their ears. No, thank you.

[Jeff]

I don't like that.

[Amanda]

But I like. I love soap being cut. I love watching people go, I tried this new thing in my shower and watching them, like, do this whole new shower cleaning situation.

[Shane]

Oh, you. As you watch cleaning videos too.

[Amanda]

I love cleaning videos. And I love literally when people have, like, gorgeous long ass nails that are, like, incredible and they make, like, a bunch of sparkly things and then they squeeze the sparkly things with their nails. Like slime.

[Jeff]

Yeah, the slime stuff. I'm not into the slime stuff.

[Amanda]

Obsessed.

[Shane]

But that's more of like a visual. Is that an audio or a visual?

[Amanda]

That's a visual thing. Audio. Weirdly. There was this one girl who did asmr and she always had incredible makeup on, and she did, like, her lip gloss. And I was like, I'm so into that. It was like. And then she'd be like. And she goes. And also watching people do their makeup, like, really well. I'm so into it.

[Jeff]

That's.

[Shane]

I used to be huge into that. Yeah.

[Jeff]

Yeah. It's a huge community. I love around a long time, and it just. It stays as big. There's a guy. Let me grab some. Some things there. There is a guy. There's a weird type of ASMR that I think is a sound thing, but there's also, like. I think the. The correlation for me is that there's kind of a purpose to it. Like, there has to be something kind of happening that. And there's a guy who goes around and he checks. He inspects home for damaged wood. So he has, like, he has this, like, metal, like, kind of like a big nail thing. And he goes around houses and he taps on wood and he finds, like, where there's damaged wood so it'll poke A hole in it. So he'll be going around a house and he'll just be like. He'll be like. And he'll just be like tapping around window sills, tapping around the home. And then occasionally it'll like crunch in.

[Amanda]

Oh.

[Jeff]

And he'll put a little flag in there of like. Okay, like this.

[Shane]

What Damage it.

[Amanda]

Oh, so you like, like purpose filled sound.

[Jeff]

There's kind of like a purpose. Like, that's stuff I'm like, oh, they're. They're testing.

[Amanda]

You're like a mission.

[Jeff]

Yeah. I'm like, there's so do you with your cleaning.

[Shane]

But the soap is a waste. But that's.

[Amanda]

The soap is a waste. But I do like when people have, like gorgeous nails and they do like. I love watching people do intense makeup also.

[Shane]

Oh.

[Amanda]

Because it's like. And they use all their colors and they're like this color. And you're just like, oh, yeah, yeah.

[Shane]

And both of you know what wood soup is, right?

[Amanda]

Yeah, I love wood soup.

[Jeff]

Wood soup.

[Amanda]

You've never had wood soup.

[Shane]

I'm not going to be able to replicate it exactly because there needs to be water, but.

[Jeff]

Oh, I have.

[Amanda]

I never thought to take the balls out of the bag.

[Shane]

The world is yours, Amanda. Yeah, I don't think the world is yours.

[Jeff]

Take your balls out of the bag.

[Amanda]

Take your balls out of the bag.

[Shane]

So I'm a big fan of big balls.

[Jeff]

Good.

[Shane]

And wood soup.

[Amanda]

Good.

[Shane]

Big. I just love hearing big.

[Jeff]

Really small.

[Shane]

Really short. Big fan of big. Big balls.

[Amanda]

Good.

[Shane]

In my woods.

[Amanda]

I hope so.

[Shane]

And so this is little balls. Because the big balls go the kind. Well, maybe I can probably do it like, they're really like, almost like when

[Amanda]

you play pool, when those balls.

[Shane]

This is too light.

[Amanda]

When those balls hit.

[Jeff]

I know what you're talking about. Big wooden balls.

[Shane]

Okay. I think I might be able to replicate. I'll pick that up. No, not quite.

[Jeff]

But anyway, wood sounds I like a lot.

[Shane]

I'm gonna try. I'm gonna try and do a.

[Amanda]

It's almost. They almost feel like kind of soft.

[Shane]

Hi, and welcome to Tommy's Woods. Okay, I can't get the microphone right. Welcome to Tommy's Wood Soup adventure. I'm Tommy, and today we'll. The first five ideas I had were crazy things to say. So I'm just going to do the wood soup.

[Amanda]

Oh, good.

[Jeff]

Would it be better if it was in a wooden bowl?

[Shane]

It would be better if it's. If it was in a wooden bowl. And it would be better if there was water in it.

[Amanda]

Do you know what this is reminding me of? The Korean spa when you go in the clay room.

[Jeff]

Yeah, I love the clay.

[Amanda]

Oh, my God, the sound. And that room is my favorite room because you just go in and you're like, I'm on a bunch of little balls.

[Shane]

Yeah, I'm on a bunch of little balls for you.

[Jeff]

No, I think wood sounds are. Are probably my favorite sounds. Like, just any form of, like.

[Shane]

That's nice.

[Amanda]

Oh, that's nice.

[Shane]

A little chalkboard moment.

[Amanda]

You're, like, writing in the olden times.

[Jeff]

That could. That could also give me asmr Maybe. As if it's just like. It's like. All right. And tell us what you're feeling. Okay, so.

[Shane]

Okay.

[Jeff]

And we're gonna measure your forehead here and. Okay. Got that measurement.

[Amanda]

He likes missions.

[Shane]

Big forehead.

[Amanda]

He likes missions.

[Jeff]

We're still measuring your forehead.

[Amanda]

He likes missions.

[Jeff]

Miles wide. And we're writing that down,

[Shane]

unfortunately.

[Amanda]

That actually sounds really good.

[Jeff]

Yeah.

[Shane]

My brain is not big, but my forehead is wide.

[Jeff]

My forehead is wide.

[Amanda]

You guys have really good French accents, first of all.

[Shane]

Really?

[Amanda]

I actually think we, like, push.

[Shane]

I got a little too crazy in it.

[Jeff]

I would like for a few French fans to. To, like, say, I. I know that the mine wasn't good, but can they say if it got better throughout the scene?

[Amanda]

I wasn't paying attention because I was having, like, a small mental breakdown over here. But everything was. Sounded good on my.

[Shane]

Sounded good.

[Amanda]

It sounded good.

[Jeff]

I. You know, I think forever ago, I said, like, I don't think we have any French fans. And we had some comments of, like, oh, I'm French. And I. But I'm saying, like, I'm French, and I don't, like, live people who live.

[Shane]

Yeah, we actually have French haters.

[Jeff]

We only have French haters.

[Amanda]

This is not good.

[Jeff]

I watch. I do not.

[Amanda]

Like, I don't know what you guys talk about, but it's nothing. Why?

[Shane]

It's funny.

[Jeff]

Sometimes I think I have a hard time imagining someone living in France and finding anything we do amusing, and I don't know why that is.

[Amanda]

I do kind of agree with you because they seem like. Yeah.

[Liberty Mutual Spokesperson]

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[Amanda]

Hey, everyone. Check out this guy and his bird. What is this, your first date?

[Jeff]

Oh, no.

[Liberty Mutual Spokesperson]

We help people customize and save on car insurance with Liberty Mutual together. We're married. Me to a human, him to a bird.

[Amanda]

Yeah, the bird Looks out of your league anyways.

[Liberty Mutual Spokesperson]

Only pay for what you [e-mail] Liberty.

[Jeff]

Liberty. Liberty. Liberty.

[Amanda]

When you manage procurement for multiple facilities, every order matters. But when it's for a hospital system, they matter even more. Grainger gets it and knows there's no time for managing multiple suppliers and no room for shipping delays. That's why Grainger offers millions of products in fast, dependable delivery, so you can keep your facility stocked, safe, and running smoothly. Call 1-800-granger. Click granger.com or just stop by Granger for the ones who get it done. I'll keep this with me. Is a car coming in? I love F1. I watch all the F1.

[Jeff]

Okay. Do you want.

[Amanda]

Why am I crazy?

[Shane]

You're gonna do the car.

[Amanda]

Okay.

[Shane]

We could all do all sounds. I think we should all share sounds. We'll share the responsibility.

[Amanda]

Yeah.

[Shane]

Okay. Okay. Okay.

[Amanda]

Which team?

[Jeff]

Red Bull.

[Amanda]

Red Bull. I don't want to spoil anything, but something bad happened with Red Bull, so.

[Jeff]

You're not spoiling anything if it's happening in real life.

[Amanda]

Okay. You guys are breaking up.

[Jeff]

Maybe it's. We just were. The French.

[Amanda]

Oh.

[Shane]

You two break up, I'll break up with Shane.

[Jeff]

Oh, okay.

[Amanda]

Oh, sorry.

[Jeff]

Oh, wait.

[Amanda]

No. If you want to break up with. No, I'm not taking control. If you want to break up with me, you can.

[Jeff]

Something more is happening than the scene right now.

[Amanda]

I'm gonna.

[Jeff]

All right.

[Amanda]

Zip my lip. Okay. I'm so lame.

[Jeff]

Okay, they're coming around the corner. Oh, they're moving so fast.

[Shane]

Get ready.

[Jeff]

Okay.

[Shane]

All right.

[Jeff]

All right.

[Amanda]

Let's.

[Jeff]

Let's get this. Let's get this all figured out.

[Shane]

All right, boys, My engine's giving me some. And my tires feeling real flat, like my ass. Cause I. Sit down.

[Jeff]

All right. Okay.

[Shane]

Oh, good. Looks like you got the engine up. Good.

[Jeff]

All right. Actually, this typically happens within two seconds, so.

[Shane]

All right, I'll be on my way.

[Jeff]

Oh, hey, Jeff.

[Amanda]

That was really. That was really stressful.

[Jeff]

That was really stressful, Jeff. I. I gotta unplug my shirt. Whoa. Okay, here, hold on. I just need to stretch my leg really quick.

[Amanda]

Ah.

[Jeff]

Okay, Mike, you gotta get that. Look, I know my ACL. ACL is just up. They're going out there.

[Amanda]

McLaren is really shooting past everybody.

[Jeff]

Listen. Wonder if. Yeah, just, you know. Oh, wow.

[Amanda]

God. Toto's gonna be freaking psyched because, yeah, cars are way up ahead. He's not McLaren, though.

[Jeff]

Yeah, okay.

[Amanda]

Mercedes.

[Jeff]

I get it. You know so much about.

[Amanda]

I know so much about F1 and that's my plan.

[Jeff]

Work's been really crazy, and I think I need to focus on it a little bit right now.

[Amanda]

Oh, God, my pants are actually so tight.

[Jeff]

Okay, great. Here, I'm just gonna grab.

[Amanda]

These cars are flying.

[Jeff]

I'm gonna grab some soup really quick.

[Amanda]

You know what, Mike? I told you not to eat soup.

[Jeff]

I'm allowed to eat soup on the job.

[Amanda]

God, you're.

[Jeff]

Hey, you know what?

[Shane]

You want soup? Oh, you here for soup?

[Jeff]

Yeah, we have the soup line right here by the pit stop.

[Amanda]

Soup line.

[Shane]

You want the soup? This is.

[Amanda]

This is Mary soup or go. She's been working for soup.

[Shane]

Don't sit super in line. Soup. No, you get soup and you go. Don't sit in line.

[Jeff]

I have my job, Mary. I. I. Mary.

[Amanda]

Okay, you're a nice woman. And I'll take tomato basil.

[Shane]

Tomato basil coming up. Bread or not bread?

[Jeff]

Of course.

[Amanda]

You know, hold on, let me get my pants back on.

[Jeff]

Whoa. Yeah.

[Amanda]

Tight.

[Jeff]

It isn't have. It is much soup. It's crazy because it's a one.

[Amanda]

One stop shop.

[Shane]

One stop shop.

[Amanda]

Oh, God, another car is coming in.

[Jeff]

Oh, God.

[Amanda]

Red Bull.

[Jeff]

Hold on, hold on. We gotta fix it.

[Amanda]

Yeah, we gotta fix it

[Jeff]

again.

[Shane]

All right, actually, I need you to take the back door off at the. I need some wind in my.

[Jeff]

All right, I'm gonna take the back door.

[Amanda]

We added some wooden doors.

[Jeff]

Yeah, we added doors on this. It makes it lighter.

[Amanda]

Okay, Let me. Let me. Let me. Let me tighten the wheels.

[Shane]

Those are the tightest wheels I ever heard.

[Jeff]

Yeah, those wheels are tight.

[Amanda]

Those are tight.

[Shane]

All right, boys, I'm gonna be off one more time. Something going on between you two, I feel like there's maybe a breakout going on.

[Jeff]

Look, Jeff, Jeff, I. I gotta be honest here.

[Amanda]

Yeah.

[Jeff]

I'm gonna dribble this basketball while I'm talking to you.

[Amanda]

Let me take my pants off again.

[Jeff]

Look.

[Amanda]

Oh, God, they're stuck on.

[Jeff]

Keeping your pants on, Jeff.

[Amanda]

Stuck on my penis, John.

[Jeff]

I can't do this anymore, Jeff.

[Amanda]

Are you serious?

[Jeff]

I. I just feel like you don't let me breathe.

[Amanda]

Why?

[Jeff]

I feel like you don't let me go on my own path sometimes.

[Amanda]

Oh, is this because I moved in and I told you to change up your bedroom because it was ugly?

[Jeff]

No, it was. And it was. I liked my bedroom, okay?

[Amanda]

You had movie posters everywhere.

[Jeff]

There Will Be Blood is a good movie. It's my favorite movie.

[Amanda]

Only Toxic Men say that.

[Jeff]

That's. It's a great movie, Mike.

[Amanda]

Daniel Day Lewis is crazy in that movie.

[Jeff]

Yeah, exactly.

[Amanda]

And that's your favorite?

[Jeff]

Yeah.

[Amanda]

Oh.

[Jeff]

Would it be better if it was Boogie Nights?

[Amanda]

Boogie Nights is awesome.

[Jeff]

The master or. Or whatever.

[Amanda]

This is all you do. All you do is compare what I like compared to.

[Shane]

All right, Everything's falling apart. I need the most. I've got the I ever had on this car. Quick. I'm losing the race, boys. They're zipping past.

[Amanda]

Let me open the trunk real quick.

[Shane]

Oh, good. Your mind. Oh, everything looking good in the trunk?

[Amanda]

Everything looks good.

[Shane]

All right, body's still there. All right, great.

[Amanda]

Body still there.

[Shane]

All right.

[Jeff]

All right, listen, I motorboated the tires.

[Amanda]

Let me just get the rims back on.

[Jeff]

Yeah, get those rims back on.

[Shane]

Clank them on. Clank them on. All right, I'm off. And whatever you've got going on, you better wrap that up quick.

[Jeff]

We're wrapping it up.

[Shane]

You better wrap that up quick, because I cannot.

[Jeff]

Do not crash out there.

[Shane]

All right, I'm going. I'll see you all later, boys.

[Amanda]

All right.

[Jeff]

Jeff, I can't do this.

[Amanda]

Are you breaking up with me?

[Jeff]

I'm breaking up with you.

[Amanda]

Fine. I'm breaking up with you, too.

[Jeff]

You can't do that. I've already broken up.

[Amanda]

We're done. And I'm gonna move out my stuff tonight because you know what?

[Jeff]

I already moved your shit out. Street.

[Amanda]

Are you serious? You're clapping? Really?

[Jeff]

I'm dribbling a basketball, but yeah, no.

[Amanda]

Looks to me like you're clapping. Let me get my jacket on. And you know what? You can handle the car by yourself.

[Jeff]

Fine.

[Amanda]

Jackets on, shirts buttoned.

[Jeff]

Good.

[Amanda]

You know what? I'm fucking out of here.

[Jeff]

Good. Why don't you. Why don't you clonk away?

[Amanda]

I will. My tin shoes. My tin shoes that I got on Instagram.

[Jeff]

Yeah.

[Amanda]

Were the wrong choice.

[Jeff]

Embarrassing. You're. You're embarrassing. Yeah, walk. You. Yeah, walk away.

[Amanda]

You.

[Jeff]

Yeah, walk away. I don't want to talk to you anymore.

[Shane]

And that was a smosh moment. Thank you for listening to our really cool scenes.

[Jeff]

Well, I think this episode has.

[Amanda]

I think this episode has been killing.

[Jeff]

It's been exactly what we thought it

[Shane]

would be when we threw this out a month ago. It's been so fun. I think we need to make this a weekly other thing.

[Jeff]

I think this should be the only thing we do every episode.

[Amanda]

We should start with Foley.

[Jeff]

I don't think fans want to know anything more about us. I don't think they want to hear us talk.

[Shane]

I think they just. We just want some sounds. Yeah, we just want Some sounds.

[Amanda]

This was really helpful because it really is a zipper.

[Jeff]

I had known. Yeah. You were the sound. That.

[Amanda]

That really was really confident. And I. I did that bit a

[Jeff]

lot to know, like, what the sound is gonna be.

[Shane]

Yeah.

[Amanda]

Yeah.

[Jeff]

I wish I'd had that when I did the robot who was using the urinal earlier. Oh, yeah. I could have had a zipper. That was fun, but I had to make it up on my own.

[Shane]

Yeah.

[Amanda]

Yeah.

[Jeff]

I really think those did sound like F1 cars flying around.

[Shane]

They really did. It was really cool.

[Amanda]

That was really cool.

[Shane]

It was really great.

[Jeff]

Oh. So what's going on?

[Amanda]

I already told you guys, my deep.

[Jeff]

You really did go in.

[Amanda]

I went in. You know why? Because life's too effing short.

[Shane]

Yeah, it is too short. It is.

[Jeff]

Wait, we mentioned this. With a little bit of time we have left. We mentioned this, and I don't think we've talked about it on the podcast.

[Amanda]

I think we've only been going for 15 minutes.

[Shane]

It hasn't been four hours.

[Jeff]

Selena flashed up the sign. It's like 10 minutes.

[Shane]

Yeah.

[Amanda]

What were you gonna say?

[Jeff]

We did a clowning workshop.

[Shane]

Yes. We did a clown workshop.

[Jeff]

And we've not talked about it, but

[Shane]

it was the best thing.

[Amanda]

We have not talked about it. And my plan is to do it again.

[Shane]

Good.

[Jeff]

Fantastic.

[Amanda]

Because I. It was so amazing to not use words to just be completely in our bodies. And also, the thing with clowning is the audience is everything.

[Shane]

Yes.

[Amanda]

The audience makes you. Helps you decide or doesn't help you decide. It forces you to decide what to do next.

[Jeff]

Yeah.

[Shane]

100.

[Amanda]

And what I love so much is, like, being like, do we like this? No.

[Jeff]

So when you love.

[Amanda]

When you find something that you like.

[Shane]

Yes.

[Amanda]

And then you try to, like, oh, I'm getting confident. I like this. And then you expand on it, and then it's like, well, we didn't like that.

[Shane]

Right. Oh, we don't like it anymore.

[Amanda]

What were you guys really. What were you guys laughing at the most? I. I like as an audience member the most.

[Jeff]

The more, like, raw and, like.

[Shane]

Yeah, it was the raw stuff.

[Jeff]

The less it was, like, a person was genuine about it.

[Shane]

The genuineness.

[Amanda]

It was the people getting surprised by themselves.

[Shane]

For me. 100.

[Jeff]

Yeah. And I will say, like, I think everybody. It's like, you have to move past, like, the cringe because it's about failure. And I think everybody in that workshop, I saw, like. Like the cringiest moments, but also some of the funniest moments from everyone that I ever seen.

[Amanda]

Yes.

[Shane]

Yeah.

[Jeff]

And it was amazing to watch, because

[Amanda]

stripping down those cringy moments, you get to, like, gold and it. And then you go, God, this is this person's essence.

[Shane]

Yes.

[Amanda]

Yeah, completely.

[Jeff]

It was amazing.

[Shane]

It was just really nice to connect with, like, the foundation of funny, you know, because, like, you can get really heady with, like, writing and words and stuff, but to just really be like, right timing.

[Jeff]

Yeah.

[Shane]

Goofy. Go.

[Amanda]

What do you. What are you.

[Jeff]

Laughing.

[Amanda]

Foundation.

[Shane]

Yes.

[Amanda]

I mean, the Three Stooges, that show way back in the day.

[Shane]

Oh, yeah.

[Amanda]

They weren't saying anything. Yeah. And I think some people went in thinking, like, oh, clowning. Is clowning performative?

[Jeff]

Yeah.

[Amanda]

But I loved about the classes. It was like, no.

[Jeff]

There was no props, no nothing.

[Amanda]

It's actually not really performative. It's you. It's you living in the moment and reacting to the audience, either laughing.

[Shane]

Yeah.

[Amanda]

Or having, like, a response.

[Shane]

Yeah. We did this really cool exercise. I feel like when I was telling people about this, they really liked hearing this. We did this exercise where there was, like, three of us at a time, and we would go on stage and it would be like, okay, do something to try and make us laugh. And then we would just try to do something. No words. Make a choice. Go crazy. And then we would try and find. So we'd get a little laugh. We get a laugh or two. And then our coach would be like, okay, so how do you feel about it? And you go, I don't know. And she goes, okay, try something else. And we keep trying. So until we find a bit, and then we swap out with other people. They do the same thing. And then you gotta come back and you're like, okay, well, I'm gonna do the bit again, because that's what worked. But then it only works once. Yeah. And then you gotta go, how am I gonna evolve this bit? Or do I just change the bit entirely? And you're just truly drowning out there.

[Amanda]

Drowning.

[Shane]

And you're just forced to try. And I loved the, like, okay, so we don't like it.

[Amanda]

We're not liking it.

[Shane]

We don't like it. And you go.

[Jeff]

Is kind of therapeutic.

[Shane]

It is.

[Jeff]

Because by the end of class, we didn't care to if we heard that or not.

[Amanda]

Well, I'm like, good. I know now. I know.

[Shane]

Like it. Yeah.

[Jeff]

Yeah.

[Amanda]

Because you can feel it.

[Shane]

100.

[Amanda]

And that's why when you have, like, a performed written performance and you're like, oh, they're not liking it.

[Shane]

Well, I'm locked in.

[Amanda]

I'm locked in. But when you do an improv scene. I think we ignore that.

[Shane]

Yeah.

[Amanda]

We like, well, well, well. Them, the audience. And it's like, why would you.

[Shane]

Right.

[Jeff]

Yeah.

[Shane]

100.

[Amanda]

I loved that because then it made me dig really deep into, like, you use all your reserves to make people laugh, and then you go, oh, wait, I have nothing. Oh, what can I get out of nothing?

[Shane]

But then you find something, and then

[Amanda]

you watch, like, your fellow smosh. People search for that, too. And then you watch them. It's honestly, it's really cool human experience to watch them go, I have nothing.

[Shane]

Yeah.

[Amanda]

And you're like, you always have something.

[Shane]

Everyone's a baby again.

[Amanda]

Everyone's a baby.

[Shane]

It was really nice.

[Amanda]

It was so fun.

[Jeff]

So fun. And this was fun.

[Amanda]

Honestly, I had the best time. This also gave me a similar experience.

[Jeff]

Yes.

[Shane]

This was great. I felt very locked in today.

[Amanda]

Foley is very hard.

[Jeff]

Yes.

[Shane]

And if there are any foley artists out there that want me to be their protege or whatever, they're like, person, I will disappear off the planet.

[Amanda]

I actually think you'd be so.

[Shane]

So it is. It is a dream of. It was like there was, like, you know, actor, comedian, and then Foley artist. Like, that was. I mean, not really, but, like, that's what. It's so cool to me.

[Jeff]

It's one of those jobs that you see it and you're like, oh, right. There are so many types of jobs that we don't think about.

[Shane]

Yes.

[Amanda]

Yep.

[Jeff]

Like, you're a guy who makes sounds.

[Amanda]

Yep.

[Shane]

And all.

[Amanda]

You'd be so good at it.

[Jeff]

When it. When it's them with, like, a box of, like, dirt and them doing the step, they have to do that all day.

[Shane]

You got to get the steps right.

[Jeff]

Yeah.

[Shane]

It's got to be, you know, heavy enough.

[Jeff]

Get up to the movie.

[Shane]

Yeah.

[Amanda]

And those heels are forever yours. I think they said you could take them.

[Jeff]

They look like they would fit.

[Amanda]

No.

[Jeff]

Anyways, thank you both. Thank you, Tommy.

[Shane]

You're welcome.

[Amanda]

Thank you, Tommy.

[Shane]

Mighty. Mind if I get out of here?

[Jeff]

No. Okay. I think you should.

[Shane]

All right.

[Amanda]

All right. Bye, Tommy.

[Shane]

Bye. It's a long way. Hold on. Got hollow floors here.

[Jeff]

I know. We're on the fifth floor.

[Amanda]

There are things buried underneath it.

[Shane]

Guys, why'd you put a hopscotch at the exit 10?

[Jeff]

Bye.

[Shane]

Bye.

[Jeff]

Bye.