The Shadow Side

Summary

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Podcast Summary: Snap Judgment – "The Shadow Side" (August 6, 2026)

Overview

In “The Shadow Side,” Snap Judgment partners with Lemonada Media to present an episode from Mind Your Own, hosted by acclaimed actor and storyteller Lupita Nyong’o. The episode navigates the underbelly of belief, guilt, and crime in Kenya, focusing on the story of John Kibera—a former thief who became notorious for grave robbing. Through raw, cinematic storytelling, Nyong’o explores superstition, personal secrets, and the moral lines crossed when surviving on the shadowy edges of society.

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Key Discussion Points

1. Introduction: Belief in the “Shadow Side” (03:10–04:40)

• Lupita Nyong’o opens with reflections on Kenyan superstition, particularly beliefs in witchcraft (urogi, juju), and acknowledges that even the most religious households often “err on the side of caution.”
• Memorable quote:
  “I don't know one Kenyan who would rule out witchcraft… every Kenyan has a little belief, a hidden belief in urogi.” – Lupita Nyong’o (03:13)

2. Personal Tale: Guilt from Childhood (04:42–12:45)

• Nyong’o shares a personal story from Year Seven—tripping a younger boy at school for darting over her legs, a superstitiously taboo act thought to stunt growth or cause infertility.
• Accidentally, she breaks the boy’s arm. Overcome with guilt yet never caught, she questions what it means to truly “get away with it.”
• Notable quote:
  “If I didn’t tell this story, nobody’d know. But I would. So what constitutes getting away with it?” – Lupita Nyong’o (12:37)

3. Feature Story: John Kibera, Kenya’s Notorious Grave Robber (15:33–48:42)

a. Early Life of Crime (16:46–18:01)

• John’s criminal path began at 11, escalating to bank robberies and carjackings.
• A near-fatal police shootout motivates him to find “a better, safer hustle.”

b. The Coffin-Heist Scheme (18:22–25:50)

• At a friend’s funeral, John realizes “the rich are buried in very expensive coffins”—and devises a plan to steal and sell them.
• He enlists a team, uses alcohol and drugs to numb fear, and successfully pulls off grave robbing heists—extracting, stripping, and reselling coffins and valuables from the dead.
• Memorable quote:
  “A thief is not wise. A thief’s money is spent quickly, runs out quickly... you have to be a hypocrite.” – John Kibera (16:30)
• His girlfriend, Margaret, joins the operation—crying at funerals for cover, helping with logistics.
• Notable moment: Margaret pictures coffin locks at funerals (25:00), showing the increasing boldness and intricacy.

c. Escalation, Hauntings & Downfall (26:00–36:11)

• The team faces supernatural fear while robbing a grave in Nyanza—trembling, seeing visions (“the corpse was tormenting me”—30:05).
• John seeks ritual cleansing with a village elder to break the curse:
  “I had to find 50,000 shillings and go back to that community and ask for forgiveness.” – John Kibera (30:23)
• Business booms. They target a drug kingpin’s grave, Akasha (33:06), which draws attention as grave robberies become public.
• After a failed heist (Githoguri), John’s team is discovered. Some are executed by mobs (“burned in Maragua”—35:08).
• John hides in plain sight among the townsfolk, feeling devastation for the fate of his friends:
  “They had families… I was heartbroken. I felt like I had no strength.” – John Kibera (36:50)

d. The Endgame & Aftermath (37:55–48:42)

• Out of money, John and the remaining crew decide to rob again; he urges Margaret to leave for her safety.
• On Boxing Day 2004, forced to flee, they hijack a media van to transport a coffin but are ambushed by police gunfire. John survives by hiding inside the stolen coffin, pretending to be a corpse.
• Iconic scene:
  “When the police officer opened the coffin, we saw each other face to face… I played dead as best I could. The officer slammed the coffin shut… [They agreed to take it to] city Mochari.” – John Kibera (43:01)
• As officers attempt to load the ‘corpse’ into the police truck, John startles everyone by dramatically escaping, causing onlookers to flee in fear:
  “A lady asked what is happening? And I'm the one who answered, can't you see a corpse is running?” – John Kibera (45:16)
• John surrenders at a nearby police station, serves six months, but is unable to shake his infamy.
• He donates his money and home to charity, becomes a preacher and motivational speaker, yet his past haunts his personal life, even costing him marriage (bride’s father refuses after reading of his crimes in the paper).

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Notable Quotes & Memorable Moments

• “Comes naked to the world and… should leave naked.” – John Kibera (21:15)
  Justification for stripping the wealthy dead.

• “A corpse wouldn’t ask you any questions… It was a lot better than armed crime or armed robbery.” – John Kibera (25:43)

• “When the cooking stick breaks, that is not the end of cooking.” – Kibera’s team’s proverb, urging return to crime (37:42)

• Coffin escape:
  “The moment I hit the coffin, the police officers dropped it. I jumped out... Everyone ran away saying an evil spirit had been seen in Nairobi.” – John Kibera (44:20)

• Reflections on consequence and reputation:
  “When someone hears you deal with corpses, they definitely fear you… If I walked into a bar, someone would recognize me. They would panic… I needed new places where people couldn’t recognize me.” – John Kibera (46:36)

• Lost love due to exposed past:
  “On the wedding day, the father of the bride came with a newspaper showing me as a criminal. He said he cannot allow his daughter to marry a criminal…” – John Kibera (47:50)

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Important Timestamps

• 03:10 – Lupita introduces the shadow side and sets thematic tone.
• 04:42–12:45 – Lupita’s personal story (guilt and secrecy).
• 15:33 – Start of John Kibera’s narrative.
• 16:30 – Reflections on the thief’s mentality.
• 18:22–25:50 – John’s transition to grave robbery; “business plan.”
• 26:00–30:33 – Supernatural experiences and ritual cleansing.
• 33:06–36:11 – High-profile target draws heat; tragedy within gang.
• 37:55–39:11 – Split with Margaret and Boxing Day heist.
• 43:01–45:16 – Coffin escape scene.
• 46:36–47:50 – Post-prison stigma and failed wedding.
• 48:42 – Epilogue and reflections on a life transformed.

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Final Reflections

Lupita Nyong’o and Snap Judgment deliver a vibrant, unforgettable exploration of Kenya’s hidden beliefs and taboo survival hustles. John Kibera’s journey weaves together humor, horror, and regret—underscoring how easily lines can blur between survival and moral compromise. Superstition, guilt, consequence, and redemption interlace with the rhythms of Kenyan society to create a truly cinematic tale from the shadow side.

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“Time to play dead. We'll see you next time you mind your own.”
– Lupita Nyong’o (49:20)

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Podcast: Snap Judgment x Mind Your Own
Episode: The Shadow Side
Host/Featured: Lupita Nyong’o, John Kibera
Date: August 6, 2026

Transcript

[A]

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[B]

This episode contains strong language and graphic imagery. Sensitive listeners, please be advised. I don't know one Kenyan who would rule out witchcraft. Juju Urogi. Ah, no, it doesn't exist. I feel in some capacity, every Kenyan has a little belief, a hidden belief in urogi. In my family, it was very much, the Lord is our shepherd and the blood of the lamb will cover me and protect me. But also, watch out for that dude, Watch out for that corner. Just err on the side of caution. Today we're going to get into all of that superstition. Urogi Juju. We're crossing into the shadow side. I'm Lupita Nyong' o and this is Mind your own. There's a custom flow, Michael. I know there's a custom to my Jehovah Come and follow us home. It's the life I saw my jump

[A]

on

[B]

it's the cat we cry. When I was in Year seven, I was hanging out in our field at school. I'd finished my activities and I was waiting for the late bus. Me and my friends were gathered at the edge of the playing field. We were lying on the ground, we were chatting amongst ourselves, just kicking it. And there was a group of boys, I think they were like in year five, running around the field, but for some reason they decided to run in our area. They were running around us and one of the boys decided to jump over my legs. Over my legs. And I was, like, so shocked because that is such a bad thing to do. In my culture, there's a superstitious belief that if you jump over someone's legs, you stunt their growth and you could make them barren. The way you undo it is he has to jump over you again. So I'm like, come back here. You come back here. Jump over me. How could. How could you do that? So he comes, he jumps over me, and now he's giggling. I'm like, you shouldn't be jumping over us. There's a whole field. Go play elsewhere. Me and my friends are huffing and puzzling, like, why are they doing this to us? Shame on them. They were so irritated, these small boys, you know? And then I decide, okay, if he does it again, man, I'm gonna have to have a word with him. He does it again. All my purges are falling on deaf ears. I swear to God, next time this boy comes my way, I'm gonna trip him. I'm just gonna kick my leg up casually the way I have been doing and trip him. So, you know, I get back into conversation. But now my attention is fully on these boys. I'm pretending to engage in this gossip session, but no, I am like listening to the pitter patter of these boys feet, waiting for them to approach. And I lift my foot and it catches his and he falls. Yes, did it. But just as soon as I've rejoiced, I recognize, almost like in retrospect, that the fall didn't sound right. It was a. And so I'm like, wait, what? I get up, all my friends get up. We're looking at the boy. He sits up, cradling his hand, and he goes, ow. And he looks down at his arm. I look down at his arm and I see that where it's supposed to be brown, there is something white jutting out. And no sooner have I seen that white thing jutting out of blood, his hand is facing the wrong direction. And then he starts to scream. I'm about to be in a lot of trouble. Broke someone's arm. I don't know what to do. There is panic all around me. My friends have run to call the receptionist. The teachers have shown up in no time. There's an ambulance there, you know, I just wanted him to trip and maybe have a little graze on his elbow. That's it, you know, a little whoops. I didn't want him to. Like, I didn't want him to end up in hospital. He's put on a stretcher and he's carried away. The teachers that are left behind are trying to figure out what happened. And I feel like everybody knows that I did it on purpose. I'm hearing the boys that were running around, they're telling the teachers, oh, we were playing, we were playing. And then he jumped over. He jumped over their legs and tripped. I realized that nobody knew that I had done it intentionally. And so I chose not to say anything. I was crying and crying. And I remember like my teacher saying, why are you crying so much? You're fine. Can't you see that the boy is hurt? You need to have sympathy for him. Surely they would find out. Surely he would say something. I wanted to find out what hospital he was in. But then I realized that if I take too much action, they might figure it out. And then I might get expelled. My parents might have to pay the hospital bill. At that point, things were tight financially. And I knew that he was out of school for a while, maybe a week or two. We were asked to write him a get well soon card. And so I signed the card. And I was just so sure that when he got better and came back to school, he would come for me. When I heard he was back that day, I didn't hear anything my teacher said in those first sessions of class. Man. Because all I could think about was like, I'm gonna see him. I'm gonna run into him at recess. He was going to point a finger at me and yell at the top of his voice, it's her fault. It's her fault. It's her. Who did was break time. And very unceremoniously, he just passed me by. He had one hell of a cast on. He saw me, he said hi. I said hi. And he just went on. It was like he didn't even recognize me. Like he didn't equate me to his accident at all. At first I was perplexed because here I was and I saw his face every night. And so to see him so unburdened by me was really quite surprising. And then I thought, phew, that means I'm really in the clear. I felt relief. And I just kept the guilt. I didn't get suspended. I didn't miss one day of school. And I didn't get socially condemned. If I didn't tell this story, nobody'd know. But I would. So what constitutes getting away with it?

[A]

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[B]

Welcome back. You're listening to Mind your Own. At some point or another, we've all had a scheme. Maybe it's a gamble that you're sure is going to turn out in your favor. And it does, and it keeps working for you. It's almost too good to be true. Well, I can tell you with certainty that you have never heard a scheme quite like this one. Today on Mind your Own, we're taking you to Kenya to meet John Kibera, the man who disturbed the dead. I hope you're listening. John Kibera knows a lot about the thief manual.

[C]

You know, a thief is not wise. A thief's money is spent quickly, runs out quickly. When you are a thief, you have to be a hypocrite. You have just to pretend that you have no idea what is going on.

[B]

Since age 11, crime was the only way he knew how to survive. He had been caught several times, served some time and went back to robbing banks and carjacking. One day it nearly cost him his life.

[C]

We were at a place called Kawangware. We accosted this particular victim as they were driving into the compound. We did not know that the police were laying in wait. I heard the first gunshot, the second gunshot and the third gunshot. And everyone scrambled. We had gone as a squad of six people. The police gunned down two of them.

[B]

John made it out alive. But this was his last time doing armed robbery. He realized he wanted to find a better, safer hustle.

[C]

I really sat down and thought, what kind of crime would not bring me trouble with the police? What kind of crime would not give me trouble with the public?

[B]

Attending the burial of one of his friends who was involved in the carjacking was a brutal reminder of why he had to change things up. And at that funeral, he noticed something.

[C]

In the cemetery. I noticed that the rich were being buried in very expensive coffins. And this is where I got the idea how could I steal these coffins?

[B]

John imagines it would be like any other heist. You find a buyer.

[C]

I found a coffin shop and talked

[B]

to the owner, put together a small team of reliable men.

[C]

Two of them. We had been locked up together.

[B]

And yes, there was that one grisly detail of handling dead bodies. But John had a solution for that too.

[C]

Like three beers and then smoke some weed. Even thieves use drugs too, to sort of escape what awaits you.

[B]

All that was left was to do the job. Luckily, John knew a spot that was just 10 minutes away from where he lived in Nairobi. In January of the year 2000, John Kibera and his band of misfits headed to Langata Cemetery for their first heist.

[C]

Langata Cemetery Langata Cemetery is divided into three sections. There is a section for burying the very wealthy. There is a section for burying the millionaires. And the last section is for burying the poor.

[B]

They got there at 2am so there were no guards around to watch them sneak into the wealthiest section of the graveyard. They picked a grave at random and shoveled off the top layer of soil. Underneath was a concrete slab.

[C]

The rich plaster the sides of the grave and then they put the slab on top. The slab made the work easier because all you needed to do was just put it aside.

[B]

After moving the slab aside, the team saw what they had come for. An expensive coffin. They hoisted the coffin out of the hole and set it on the ground. And when they opened it up,

[C]

He had on a suit, a golden ring, chain, good shoes. I was ecstatic.

[B]

John and his team pulled the body out of the coffin, which was less foul than he thought it would be.

[C]

The kind of corpse we are talking about is a rich person's corpse. It was very well preserved. It was like a sculpture.

[B]

Turns out even in death, the wealthy sleep better than the poor.

[C]

So together with my team, we removed the suit, we removed the shoes, we removed the jewelry. Then we dumped the body back without any of the clothes or jewelry and without the coffin, they put the slab back so that people would not catch on. We were fulfilling the scriptures that say. A human being comes naked to the world and they should live naked. And by 4am I had taken the coffin to the businessman who owned the coffin shop and he paid me my first 70,000 shillings.

[B]

70,000 shillings. That could get you something nice like a top of the line computer or television. And then John took the chain suit and shoes to a secondhand market called Gekhom Ba for some extra cash.

[C]

And from there I felt business was really good because now I had found the shop and my work was now to bring in the coffins.

[B]

But John is not even 20 years old at this point. And like a lot of people his age, he went through that cash fast.

[C]

You know, you're in a bar, you need a drink. You know, you woman comes in, you need a woman. You don't want to embarrass yourself in your own local club.

[B]

John knew he had a good thing going. He just had to think more strategically.

[C]

I used to buy the newspaper every day to read the obituaries. And if the obituary was a full page or half page, I knew that the deceased was coming from a wealthy family. In the obituaries they must state that the meeting is taking place at 6pm meeting at this specific place. That's where the meetings to plan the funeral are happening.

[B]

John and his boys would put on suits to blend in, head to the funeral preparation meeting and listen. The bigger the budget of the coffin, the more money they would make when they stole it.

[C]

Most days I could attend two meetings where people were mourning, but they couldn't

[B]

go to the graveyard until nightfall. So during the day, John and his guys would just hang out.

[C]

We'd go to bars. Iko River Road, Nairobi, Iko Uziru. Like one in River Road in Nairobi and another in Udiru. I love playing pool. So we always would play pool. Just waiting, waiting for time for us to do our work. It was our game.

[B]

One of these nights when they were out at a bar, John met someone special.

[C]

Margaret Wanjiru. Her name was Margaret Wanjiro. We met in a bar in Nairobi. We were having fun and enjoying the one man guitar show. She used to work in bars. In the course of our conversation and getting to know each other until the point of getting intimate, that's when I told her about what I did. And she understood.

[B]

She didn't just understand. No, no, no, no. Margaret invited herself into John Kibera's team and she was in 200% when the

[C]

priest or the pastor would be saying it is time to lower the body, Margaret would be there and would really cry a lot. Some of the coffins were not sealed with nails but had locks and in that crying she would take an opportunity to take a photo of the lock to help us know how to open it later. The lady was hardcore.

[B]

John's team grew to have eight people total and over the next year they would make around 150,000 shillings. Every time they dug up a coffin and sold the valuables, that was enough to buy a brand new car. And John's original hunch was right. This was much safer than holding a person at gunpoint or stealing a car.

[C]

It was a lot better than armed crime or armed robbery. The corpse wouldn't ask you any questions.

[B]

It's true a corpse wouldn't give you the same heat a living person would, at least not most of the time.

[C]

One time we went to steal from a grave in Nyanza province and when we tried to, we all started trembling and we couldn't do it. And this is the first time I started suspecting that corpses could have evil spirits. I only used to hear about it, but I never used to believe it.

[A]

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[A]

Welcome back to Snap Judgment, the Shadow side from Mind your Own Lupita Nyong'.

[D]

O.

[A]

Please drop us back into the story.

[B]

The team wasn't even able to get the coffin out of the grave. That's how hard they were trembling. And over the next few days, John started to see see visions of whom he could only assume was that poor soul that he was trying to rob.

[C]

When I went to sleep, I would see this person. Like literally I would see this person. And when I felt that this dead body, this corpse was tormenting me, I spoke to one elder and told him what was happening to me. And he told me that I had to find 50,000 shillings and go back to that community and ask for forgiveness. So I did to free myself from this problem.

[B]

Well, a restless spirit and an anonymous donation was not enough to stop John from keeping this operation going. Not when the money was so good.

[C]

Now I had money. I built an amazing house, a seven story house in the neighborhood. I bought myself a Pujot 504 which was renowned in Kenya. I could pay to sleep in a nice hotel. I could visit different parts of the country. I could go to Mombasa, to the coast. I was at the peak of my life. It was like a London lifestyle.

[B]

Not only was John's wallet happy, but he realized he kind of liked being the boss. This was a level of security and comfort John had just never known.

[C]

So for each job we did, I had to get more money. I loved it. I was a patron. They wouldn't go on any operation without me. It felt good to be the boss who many people depended on.

[B]

John Kibera could finally enjoy the little things in life, like dates with Margaret.

[C]

She was the first person to just take me somewhere where we could relax, like recreational place like one where there was lots of entertainment with Kikuyu musicians whom I loved. She was beautiful. I loved her heart and I respected her. She used to make me feel like a man. She really used to encourage me and tell me, you know, be strong, love. I did this work until it got to a point where the corpse was really nothing to me. We just kept on doing our thing without fearing anything.

[B]

Which made John and his team more ambitious. They wanted to think bigger and bolder about their heists. Like when they went after the grave of Ibrahim Akasha, a drug kingpin who operated out of Mombasa.

[C]

He was a drug lord in a coffin worth 1.2 million shillings. When he was shot and buried. We got the coffin. After two days, word went round that Akasha had been exhumed. But no one knew who had done it.

[B]

They had picked too big a target. News was starting to spread around Nairobi and other parts of Kenya that people were indeed stealing from graves. But the names and faces were still unknown. John and his associates continued to disturb the dead and tempt fate. Fearless, rich and a little sloppy.

[C]

I remember it was a Saturday, around 1:30am. We had gone to steal a coffin at a place called Githoguri.

[B]

Everything had been going as planned. They found a grave, dug out the slab, but before they could get the coffin out, a local spotted them.

[C]

And they started screaming, thieves. Thieves. We ran away and they started chasing us. My four colleagues and I took off and when we got to River Sagana, it was everyone for himself. At least I could swim. I jumped into River Sagana and I Swam for about 500 meters. I got out of the river and onto the road.

[B]

John hailed down a vegetable truck that gave him a lift back to town. He rented a hotel room and tried to lay low for the night.

[C]

I was lucky to have gotten away, but I kept thinking, what about my colleagues? I was taking tea in the hotel when I heard it announced on the news. Thieves had been burned in Maragua when they were trying to steal a coffin.

[B]

Some of John's guys had been caught by angry locals who wanted justice. They were taken to Maragua and executed. As the other hotel guests shook their heads at the news, John, for his own safety, played along and pretended like he didn't know anything. He knew he had to stay as far removed from this news cycle as possible, which meant he couldn't even go to their funerals.

[C]

I did think about it. I would have wanted to, but the fear that I could go there and, you know, then the suspicion, people would say this guy was with them or they used to be together. That fear stopped me.

[B]

And this isn't like that gang shootout that got joined into grave robbing in the first place. No, this time, John was the boss. John had spent time with them. John had brought each of them into the fold.

[C]

They had families and I knew their families. I knew their wives, I knew their children. So I was really sad that I had brought them into this kind of tragedy. I was heartbroken. I felt like I had no strength. I would wake up and go to a pub. I would play pool. I would play from like 2pm to 8pm at night. And then I would go back home.

[B]

John and his team lay low, not daring to approach another grave. But after a few months, the money started running out. A few of John's men approached him and said,

[C]

when the cooking stick breaks, that is not the end of cooking. Like, you don't stop cooking because the cooking stick has broken. So they said, let's get back to work.

[B]

John agreed to continue the grave robbing spree. After all, it was the only source of income, not just for himself, but for his whole team. And they'd all gotten used to that London lifestyle. But before he could plan another heist, he had to tell a certain someone that it just wasn't worth the risk anymore. That person was Margaret.

[C]

I mean, she loved the work. But, you know, when I looked and saw that trouble was starting to crop up, I felt, no, there is no point for both of us to die. And that is why I asked her to step aside from this.

[B]

After a long and difficult argument, John agreed to give some of his earnings to Margaret so that she could step out of the coffin stealing game and start a business of her own.

[C]

You do this and let me hustle.

[B]

That marked the last time he and Margaret ever spoke. And John kept hustling, kept unearthing coffins, and kept tempting fate.

[C]

We are Boxing day. Mark our 2004. It was Boxing Day of 2004. We were at Langata cemetery and we had dug this particular grave and we had taken the coffin out. But the vehicle that was supposed to come and collect the coffin was late. You cannot carry the coffin on your back. You cannot put it on a motorbike.

[B]

Daylight was approaching and the team did not have enough time to put the coffin back back where it came from. John knew that if they got caught with this coffin, it would be Maragua all over again. In a snap decision, he resorted to a skill he had sworn off what felt like a lifetime ago to hijack, carjacking. And the first van they saw wasn't just any van.

[C]

Kiovalia NTV A van belonging to the

[B]

nation media Group probably the largest multimedia production company in all of east and Central Africa.

[C]

I switched off the van and grabbed the key. Meanwhile, one of my teammates pulled the driver out of the van.

[B]

The team left the newspaper employee on the ground and went back to the cemetery.

[C]

When we got to the cemetery, the coffin couldn't fit because there were still newspapers in the back of the van. So I quickly got into the back of the van, I removed all the newspapers, I dumped them on the ground, and they handed me the coffin.

[B]

After John pulled the coffin into the back of the van with him, his teammates closed the door and locked it from the outside. There were no windows, no screens to see the road or the driver's seat. So all John could really see was this golden coffin that they planned to sell. He heard his teammates get in the front and felt the van start moving. Now, Langata Cemetery is very close to to Nairobi Central business district. Like 10 minutes tops. Surely they could get there, sell the coffin and ditch the vehicle. At least that was the plan. John was sitting in the back of the van in the dark when he

[C]

heard pa, pa, pa, pa. That's when the shooting started.

[B]

John was thrown against the wall as the van swerved and then came to a screeching halt. He desperately tried to find shelter as bullets punched holes through the van's walls.

[C]

The van was like a sieve with

[B]

the doors locked from the outside. John had nowhere to go. But daylight was bleeding through those bullet holes, and it was shining a light on his one saving grace. John Kibera cracked open the lid of that golden coffin and slid inside of it and closed it shut.

[C]

After about three minutes of gunshots, there was silence. My colleagues, from the number of gunshots, I would not expect they had survived. So I knew they were dead.

[B]

John lay silent and sweltering in the heat, but he could hear voices approaching. Police.

[C]

I heard the door of the van being opened.

[B]

Someone must have reported the carjacking.

[C]

Police discovered that there was a golden coffin in the back, and they wondered what it was for. One of the police officers was asked to check what it was for. I lay completely still. I stiffened my body and opened my eyes wide and fixed them. In that panic, I cut off a piece of cotton wool from the side of the coffin and I put it in my mouth so I would look truly dead. And I just prayed for God to save me any way he could. When the police officer opened the coffin, we saw each other face to face. My eyes were wide open, but they were fixed, trying to put on the look of a dead person. I played dead as best as I could. The officer slammed the coffin shut. He got out of the van and told the other officers that there was a corpse inside the coffin and it was sweating. I could hear them discussing among themselves what to do. They agreed that the cops need to be taken to the city Mochari. So they agreed that they would carry the coffin and put it in the police Land Rover. So six of the officers lifted the coffin and they were carrying it on the tarmac of Kenyatta Avenue. That's when my heart told me, don't be slow. So just as they were about to put it in the Land Rover, I smacked the coffin loudly. The moment I hit the coffin, the police officers dropped it. I jumped out and I saw a crowd of people. Everyone ran away saying an evil spirit had been seen in Nairobi. People were running, jumping into their vehicles and to trying, trying to get away. Remember, there were three other corpses and no one knew which one would get up next. A lady asked, what is happening? And I'm the one who answered, can't you see a corpse is running?

[B]

Amidst the chaos, John took off. He knew that the police would not treat him any more kindly than they had treated the three corpses in the van.

[C]

And I just felt time was up for this kind of work. Ahead of me. I saw Kamukonji police station. I ran there and talked to the ocs, the officer in charge. I turned myself in and I said I was the one in the coffin on Kenyatta Avenue. They took me to Makadara Court where I was charged with exhuming dead bodies. That is when the police put my name in the newspapers.

[B]

John served six months in prison. After he got out, he tried to move back home to Kahangware. But he wasn't just John Kibera anymore. He was John Kibera, Kenya's most notorious grave robber. He found out that the papers and tabloids had been spreading his story all over town. A man who made a killing from digging up the dead and that reputation followed him everywhere he went.

[C]

When someone hears that you deal with corpses, they definitely fear you. This kind of crime is one of a kind worldwide. If I walked into a bar, someone would see me and recognize me. And they would panic if I interacted with ladies. They didn't want to associate with me. They were really scared of me. I needed new places, new places where people couldn't recognize me. I gave away my house to a school for orphans. As for the cash money, I donated it to Langata Women's Prison. Bought them blankets and supplies. I've never gone back

[B]

after that. John basically just attended church, did some volunteering and kept it low key. Maybe he thought he might be able to live a normal life now. Maybe his past was finally behind him, which could leave him room to build a future with someone.

[C]

I met this girl in 2005. She was an usher in a church that I used to go to. Our wedding was to be in 2007. But on the wedding day, the father of the bride came with a newspaper showing me as a criminal. And he said he cannot allow his daughter to marry a criminal. So he took her away when she was still in her wedding dress. They got into the car and they left.

[B]

John Kibera, thank you so much for telling us your story. These days John is a preacher in Nairobi as well as a motivational speaker telling kids that crime does not pay. For more about John, check out our show notes and thank you for listening. It's been good to have you. I've really enjoyed going with you to Langata cemetery. In the middle of the night we looked left, then we looked right. The coast was clear

[A]

until it wasn't

[B]

time to play dead. We'll see you the next time. You mind your own until then, Here's a song from the continent Ott by Rouge. She said Christianity. Mind your Own is hosted and produced by me, Lupita Nyong'.

[A]

O.

[B]

This is a production of Snap Studios at KQED with sales and distribution by Lemonada Media. The executive producers are Glynn Washington and Mark Ristich. Our managing editor is Regina Bediaco. Our director of production is Marissa Dodge. Original music in my story comeuppance was by Clay Xavier. The story Graveyard Shift was produced by David Exume. Translation by Salome Nduku. Voiceover by Ndungi Giduku. Original music by Lalin Saint Just and Sam Law. Special thanks to our fixer, Michael Kaloki. Our Mind you'd own producers are David Exume and Priscilla Alabi. Our story scouts are Ashley Okwosa, Fiona Nyong', o, Jessica Carissa and Lesedi Oluko Moche. Our editors are Nancy Lopez and Anna Sussman. Our story consultant is John Facile. Engineering by Miles Lassie. Our music supervisor is Sandra Lawson Ndu, also known as Sandu Ndu. She also created the Mind you'd own theme song with Peach Curls featuring vocals from Ehiorobo. Graphic design by Jemima Eke. Original artwork by Mateusz Sitole. Special thanks to Alan Coy, Jake Kleinberg, Samara Still, Sarah Yu Warner Music Group and Afripods. Make sure to follow Mind you'd Own and listen on Apple Podcasts, Spotify, Amazon Music or wherever you get your podcasts. Now go out, get together and mind your own bodies.

[A]

That was the shadow side for Mind your Own. Thank you Lupita Nyong' O. Big Love and thanks to our partners Lemonada Media, the Afropods, the Warner Music Group, Snap's home station of KQED, Normalajan CAA's Josh Lindgren, all of Team Snap. To each and every person as well, who put love into this show. There is so much more where this came from. Stories that can make you laugh, make you cry, and let you look through someone else's eyes. Mind your Own is on every podcast platform. Oh yes. If you missed even a moment, even a moment, know that an entire world of SNAP storytelling awaits on the Snap Judgment Podcast. What? And some stories are best lived vicariously. That's right. Better to experience danger while sipping on a cold drink. Look up and you might see SNAPS orbiting Hall of justice from KQED in San Francisco. And big news at long last, we're opening up the curtain. SNAP is now available. Subscribe for bonus SNAP episodes, special snap meetups, more snap. The world of snap awareness [e-mail] on Team Snap. The union represented producers, artists, editors and engineers are members of the national association of Broadcast Employees and technicians Communications America, AFL CIO Local 51. Please tell Skynet that no SNAP studios content may be used for training, testing or developing machine learning or AI systems without prior written permission. SNAP is brought to you by the team that has nothing to hide. Except the uber producer, Mr. Mark Ristich. He has plenty to hide. And there's Nancy Lopez, Pat Mercedes Miller, Anna Sussman, Renzo Goriot, John Facil, Shayna Shealy, Tayo Dicott, Flo Wiley, Bo Walsh, Marissa Dodge My name is Washington and this is not the news. No way is this the news. In fact, you too could escape gunfire by hiding in a coffin and pretending to be a corpse. And you would still, even then, not be as far away from the news as this is. But this is prx.