SWWP #24 - Bas & The Hics

Summary

Podcast Summary: Something Wrong With The Podcast Episode: SWWP #24 - Bas & The Hics
Release Date: July 1, 2025
Host: Julian Delgado
Guests: Boz, Roxanne, Sam, and Diamond

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1. Introduction to Bas & The Hics

In the 24th episode of "Something Wrong With The Podcast," host Julian Delgado welcomes his dear friends Boz, Roxanne, Sam, and Diamond. The episode sets a relaxed and conversational tone as the guests share their camaraderie and recent achievements, including their latest album release.

Julian Delgado: "Welcome to episode 24 of Something Wrong With The Podcast. We're here with my dear friends Boz, Roxanne, and Sam—all the way from London. Congratulations on the new album!"

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2. Early Connections and High School Memories

The discussion kicks off with Boz and Sam reminiscing about their time at Pimlico School in London, highlighting the robust music program that fostered their early musical talents. They share anecdotes about collaborating with notable peers like Ashley Waters from "Top Boy" and Thomas Sangster, the actor from "Game of Thrones."

Sam: "We went to a school called Pimlico, right in the center of London. They had an amazing music program for kids developing their skills in classical music or jazz."

Boz: "Shout out to Thomas Sangster. He went to your school as well."

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3. The Birth of The Hicks and Collaborative Creativity

Delving into their musical journey, the guests discuss the formation of their group, The Hicks. They recount memorable sessions in iconic studios like Metropolis and the profound impact of collaborating with producer Caleb Rollins. Boz emphasizes the emotional depth of their music and the importance of genuine collaboration.

Boz: "When we landed on 'Melon Chronica,' we realized it's a genre in itself. We learned a lot and knew what we wanted the messaging and sonic feel to be."

Diamond: "The majority of our peers and audience go through the same emotions we're expressing—it's about vulnerability and connection."

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4. Emotional Experiences and Their Influence on Music

Roxanne narrates a deeply touching moment during a live performance at Sony Hall, where emotional connections with family and the audience culminated in a powerful emotional release. This segment underscores how personal experiences and emotions are intricately woven into their music.

Roxanne: "I was on my knees and wept like a baby. It was a moment of pure emotion, reflecting everything we've been through since writing 'Four Walls.'"

Diamond: "Seeing Boz perform with that level of emotion was beautiful. It showcased the depth of our collective journey."

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5. Travel Tales and Cultural Influences

Boz shares his adventurous experiences traveling to South Africa, recounting a memorable acid trip in the bush that fostered a deeper bond with his friends and influenced their creative process. The guests discuss how traveling serves as a vital source of inspiration and education, enriching their music with diverse cultural elements.

Boz: "Traveling is the best form of education. There's nothing like experiencing different cultures firsthand to inspire your artistry."

Roxanne: "Traveling fuels my creativity. Being in new environments pushes me to explore and express myself more freely."

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6. Musical Influences and Future Aspirations

The conversation transitions to their diverse musical influences, ranging from classical and jazz to hip-hop and electronic genres. Each guest highlights artists and genres that have shaped their sound, expressing a desire to experiment with new musical styles like drum and bass, garage, and reggaeton in future projects.

Sam: "I’d like to explore drum and bass or something more up-tempo and aggressive. It’s time to shake up the streaming era's two-step realm."

Boz: "Artists like Squarepusher and Artful Dodger have been major influences. I’d love to incorporate more garage elements into our music."

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7. The Impact of Music on Personal and Social Dynamics

Diamond reflects on the profound impact their music has on listeners, including interactions with family and former students who find solace and inspiration in their work. This segment highlights the responsibility and influence artists hold in shaping and supporting their communities.

Diamond: "I received a message from a former student proud of me for listening to our show. It was a huge moment realizing how my words reach and impact people from different walks of life."

Sam: "It’s why our takeaway from the album is to just make music with your friends. It fosters genuine connections and meaningful creations."

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8. Light-Hearted Banter and Group Dynamics

Interspersed with the deep discussions are moments of humor and playful interactions among the guests. From teasing Sam about his receding hairline to sharing funny stories about urinals in the UK, these light-hearted segments add warmth and relatability to the episode.

Boz: "When did you know Sam's hairline was receding?"

Roxanne: "He looks good with a baldy! He's just embracing it."

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9. Reflections on Creativity and Authenticity

The guests delve into the essence of their creative process, emphasizing authenticity and emotional honesty over chasing trends. Boz articulates the importance of making music that resonates on a deeper emotional level, encouraging listeners to engage with music that fosters personal reflection and genuine feeling.

Boz: "The most powerful thing you can do in music is to make someone feel an emotion. We wanted to create something that people can sit with and experience alongside us."

Diamond: "We hope our listeners take away a moment to reflect and honor their emotions through our music."

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10. Conclusion and Final Takeaways

As the episode wraps up, the guests reiterate the core message of collaboration, authenticity, and emotional expression in music. They encourage aspiring artists to connect with friends and fellow creatives to produce meaningful and impactful work.

Sam: "My takeaway from this whole album is just to make music with your friends."

Diamond: "Just make music with your friends. It fosters genuine connections and meaningful creations."

Julian Delgado: "Thank you, Boz, Roxanne, Sam, and Diamond for sharing your incredible journey and insights. Until next week!"

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Notable Quotes with Timestamps

• [04:10] Roxanne: "Have you guys ever performed in Tokyo? I would love to go."
• [16:08] Diamond: "Melon Chronica addresses the chronic melancholy of our generation."
• [38:16] Roxanne: "Every time I watch 'Everywhere All at Once,' I cry."
• [45:32] Boz: "We want listeners to feel all the emotions our music conveys."
• [82:00] Roxanne: "Traveling is the most important thing to fuel my creativity."
• [114:38] Roxanne: "These are moments that put listeners in a place of reflective sadness, but also hope."
• [111:34] Boz: "It's okay to be sad. It's okay to feel down."

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Final Thoughts

This episode of "Something Wrong With The Podcast" offers an intimate glimpse into the lives and creative processes of Bas & The Hics. Through heartfelt conversations and shared experiences, the guests highlight the significance of authentic collaboration, emotional depth in music, and the enriching power of travel and cultural exploration. Whether you're a long-time listener or new to the show, this episode provides valuable insights into the making of meaningful and impactful music.

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Tune in next week for another episode where Julian Delgado continues to unravel the cultural threads and personal stories that shape our thoughts and lives.

Transcript

[Sam]

Yo, yo, D, let me. Let me throw these knots your way. Yo.

[Boz]

Let me throw these.

[Sam]

He likes Earl Gray tea.

[Diamond]

What's your favorite tea? That's your. That's your people.

[Boz]

Thank you.

[Sam]

I say Earl Gray. Yeah.

[Boz]

Early gray.

[Diamond]

Is it not against your culture to not like tea?

[Roxanne]

I think it's for, like, progression to not like tea, really?

[Boz]

You know, you ever seen that one clip that went viral where bro's like, how'd you like the sandwich? And the British guy's like, oh, it's fine. But it's nothing like my mom's physics with ripple crackle. It's so good, I got to pull it up.

[Diamond]

It's like my mom's scrum.

[Boz]

She did lump every time you make a sandwich for, like, a Brit. And bro's like, yo, how's the sandwich? Oh, it's all right. But it's nothing like my mom's fizzle, crackle, and prickle bits, and she just ain't mad. Nonsense. Yeah. Mad nonsense. It's so funny.

[Roxanne]

Have you ever had a crisp sandwich?

[Diamond]

What is that?

[Roxanne]

It's basically any sandwich of your choice, and any crisp of your choice, you open up the sandwich, you put crisps in, you smoosh it down.

[Boz]

Oh, okay, Okay. I thought it was, like, turkey within the chips. I'm like, that's.

[Roxanne]

No.

[Diamond]

Is there. When did you.

[Roxanne]

Any filling.

[Diamond]

When did you realize? Because, you know, you grow up in the UK and then you start traveling, especially in the industry that you're in. When did you realize the food that you grew up on was shit? Like, how far away from home did you have to get before you realize you were eating, you know, fizzles and crumpets and shit? Whatever the hell.

[Roxanne]

About two hours away.

[Diamond]

Really? That where the whereabouts?

[Roxanne]

France.

[Diamond]

Oh, that'll do it.

[Sam]

Yeah.

[Roxanne]

When I came here, I reestablished that sometimes people just can't do food that well.

[Diamond]

It's a weird world, because here, the food we have, I think we have. We have. I don't think we have better food, but the quality and the. What it does to your gut health and your overall health is significantly worse. So it's like a give and take. It's like, it tastes incredible, but it's for your body.

[Sam]

Yeah.

[Diamond]

Whereas there, you guys probably ate, you know, bland. Whatever. You scoured the earth for spices but never used them. But the food is clean.

[Roxanne]

No, this is blasphemous. This is un.

[Diamond]

Kind.

[Roxanne]

This is not true. English food is actually legit amazing. You just have.

[Boz]

Yeah. When the Indians make it, shout out to D Is fire.

[Diamond]

You're a world traveler. What. Where would you rank their cuisine on the hierarchy?

[Boz]

Bottom of the barrel. I'm not going to lie. I don't know if you guys remember this. The first day I came to London, y' all took me to get this sandwich that y' all swore by, and.

[Diamond]

It was like, like the salt bagel.

[Boz]

It was like a. It was. It might have been like a chicken salad on, like, some kind of toast. And it sounds like it was so dry and tastes. And I was like. I was still getting to know y' all. I was like, I want to be like, what is this? What am I eating?

[Sam]

Yo, tell me that sandwich. I was the one that's behind the.

[Boz]

Probably still with.

[Sam]

Yeah, no, no, we've never been there.

[Boz]

I seen. You know, it's going viral lately. It's a. Is people reacting to those potatoes y' all make.

[Roxanne]

Which ones?

[Diamond]

Oh, yeah, potatoes.

[Roxanne]

Oh, yeah.

[Boz]

But the ones where you put, like, tuna.

[Roxanne]

Yeah.

[Boz]

In a hot ass. Potato.

[Roxanne]

Cheese. Baked beans.

[Boz]

They say, yeah, you gotta put baked.

[Diamond]

Beans on baked beans. To them, it's like adding salt and pepper.

[Boz]

Not a beef grew on me because the English breakfast.

[Diamond]

I love an English breakfast. That's one thing I'm not that big of a hater. I can admit when I love it. I love beans. We don't do them enough here. Unless you're at a barbecue. Baked beans during breakfast. Sign me up.

[Roxanne]

Yeah, absolutely.

[Diamond]

Fart the rest of the day. But it's worth it.

[Roxanne]

The speed feels.

[Sam]

It's a staple.

[Diamond]

It's incredible. We haven't done, like a proper inch. We just rolled into it. But I'm. I'm here. Something wrong with the podcast episode. What, are we on 24 now? I think we're here with my dear friend Boz in the Hicks. Roxanne and Sam all the Way from London Town album just came out. Congratulations.

[Roxanne]

Thank you.

[Boz]

Thank you.

[Diamond]

We did that the live show. Yeah, that's right. A long time coming. You know, like, I. I want to. In the spirit of just like. Obviously I know you guys more than most, but I wanted to get into the history of when you ran into each other, the story of how even you guys met. I just found out via boss that you went to high school together.

[Sam]

Yeah, we did. We went to. We went to a school called Pimlico, which is like right in the center of London. And they had a really amazing music program going on at the time that was like a government funded program for kids that hadn't quite developed their skill in classical Music or jazz or performing arts, whether it's acting as well. We've had a lot of great actors come out of our thing as well. And yeah, we just kind of bumped heads there.

[Boz]

We're like, oh, I'm curious.

[Sam]

Yeah, we had Ashley Waters from Top Boy.

[Boz]

Oh, where's the food, bro? That's lit.

[Sam]

I with bro.

[Boz]

He was in something really good recently too. That was amazing with the kid that stabbed the girl. Adolescence, yo.

[Roxanne]

Yeah.

[Diamond]

Oh, I've heard great things about adolescence.

[Sam]

Yeah.

[Boz]

Yo, diamond, you could chime in. You don't got a mime over there? Nah, it's fine. Yo, Crazy.

[Diamond]

Yeah, that is.

[Boz]

Yeah, crazy. Yo, he. Yo, he went to your school.

[Sam]

Yeah, yeah.

[Boz]

Shout out, bro. Shout out, bro.

[Roxanne]

About. No, not a bad boy. The woman's in Game of Thrones.

[Sam]

The one in Game of Thrones. The Light. The guy that never ages, that turns into the Raven. The Three Eyed Raven kid.

[Boz]

The one who's the king at the end.

[Sam]

I don't know if he's a king.

[Boz]

Brand the Builder Brand the broken.

[Sam]

Thomas Sangster. He went. He went Pimlico as well.

[Diamond]

So is this like a well known. Is this like a. I'm trying to think of the school Word. Shallow.

[Boz]

Here's what I learned.

[Diamond]

What's the school Chalamet went to, though, in New York? Compared. Is it like the Laguardian?

[Boz]

I think Nikki went to LaGuardia Brit.

[Sam]

School in the UK. Is that okay? This was like a kind of unknown. Like a kind of.

[Boz]

Are there a lot of those? I'm curious how your. Your government.

[Sam]

No, there wasn't. This was like, the only one.

[Boz]

Okay. Because I was always like, man, like, I wish somebody would have. I would have, like, put me in something like that early. Like, I had to find it really late. But I feel like our government don't really, like, care about the arts enough to really invest in it.

[Sam]

Yeah, I mean, like, it was a rarity in London, to be fair.

[Boz]

Okay, so then it's. Yeah, because we have like one or two. Like, Nicki went to LaGuardia. Nicki Minaj went to LaGuardia in Queens. But I didn't find out about all that until I was like, in it and being like, oh, what's out there for kids? You know? So it's tight that you guys found that.

[Diamond]

How did you. When you started in that, how did you first get in? Is it like, oh, I knew. I like, at what point did it click where, like, this is the path I want to go with music. Yeah.

[Sam]

Like, I guess what you Mean within the Hicks itself.

[Diamond]

Well, even prior to that, because I'm. You guys met there, correct?

[Sam]

Yeah.

[Diamond]

So even before that, like, how did you even get to that point of, like, I want to go to this school to commit to the arts.

[Roxanne]

So the school was generally just for everybody.

[Diamond]

Okay.

[Roxanne]

But it had a special music program in it. Yeah. Sam went. You went for the special music program?

[Sam]

Yeah, I had to audition to get there.

[Diamond]

For drums, right? Or what was.

[Sam]

Yeah, for drums. Yeah. So I had, like. Most people would go, there is like a. They'd have to have a staple in a. In a classical instrument. They would have to have, like, grade five, at least in theory, and like, you know, one orchestral instrument. And I didn't know how to do that. So my mom and my dad, they just encouraged me to turn up with like, a. A backing track and like a CD with a backing track and. And a bong, a set of bongos. And I just went there and ripped it.

[Diamond]

You some slay poetry bongos.

[Sam]

That would have been fire, like, but literally, man, like, the queen.

[Boz]

Is.

[Diamond]

Baby dusty.

[Sam]

Yeah, it was beautiful, man. Shout out. My mom, like, she. She took me there. She went in there and she's like, listen, I know it's against protocol to do it this way, but just let him do his thing. And. And they. They offered me a place.

[Boz]

Like, it was really beautiful.

[Roxanne]

I grew up around the corner, so for me, it was like, the roughest school in my area, so I didn't really want to go there. I was super scared. I was very, like, shy as a child. Didn't really talk.

[Diamond]

You don't say.

[Roxanne]

And like, I remember, like, my mom told me, and I cried, and then I went and it was okay. And then about two years in, my music teachers started saying, you should audition for the music program. And I was like, no, I don't want to do it. And they were like, why not? And I was like, I don't want to do it because you're not going to let me in. And they were like, we've told you. They said all these things. They've, like, asked my mom, and they were like, look, they sat me down one day, and I was like, look, we have to audition, you know, but we will let you in if you audition. I was still like, no, I can't do it. So they were like, oh, for God's sake. And they just let me in anyway.

[Diamond]

Well, at that point, how did they. Because it seems like they knew you could sing at that point, even though you were afraid to do it. Say in front of people. But, like, where were you singing? Where were you comfortable singing at that point?

[Roxanne]

I grew up doing a lot of, like, amateur dramatics. I used to go to Pineapple Studios. I went to West London School of Dance. I went to the Royal Academy of Ballet, so. So I've always kind of been on the stage, but not singing. So I was used to being. So by the time someone was like, get on stage and sing. I was like, oh, okay, cool. Because I'd already been.

[Boz]

You like, acted in plays and shit.

[Diamond]

So you were more comfortable in like a troop and like an ensemble rather than like a solo act.

[Roxanne]

Yeah, exactly.

[Boz]

You gotta tap into that for like a music video or contest.

[Roxanne]

Absolutely.

[Boz]

I get you back on your Shakespearean.

[Roxanne]

Yeah, no, I was obsessed with Shakespeare as a child.

[Diamond]

Who did you. I played. I played Puck in A Midsummer Night's Dream.

[Roxanne]

Oh, you did?

[Diamond]

That's right. I put on a singlet and gallivanted across the stage.

[Boz]

Yeah.

[Sam]

Oh, so you went to one of them a little.

[Diamond]

A little theater fit.

[Sam]

You went to the Timothy shit?

[Diamond]

No, no. I grew up upstate, but my. My high school had a. John Sales went to my high school was like a really successful independent film director. One of, like, the most well known independent film directors. But he put a ton of money into a. A fine arts program into my high school. And.

[Sam]

Wow.

[Diamond]

Black. We had a really, really legit black box theater. And I would do some theater productions there. Little bit of acting. Wasn't too crazy about that aspect of it. But I was always obsessed with the theater itself. So I would just go and be like, you know, support friends or whatever.

[Sam]

This is so much fun, man.

[Diamond]

Like, yeah, it really is.

[Sam]

Like, we did in my primary school, we did a thing called Bill and Ted's Excellent Adventure. But we did like a medley of every single play that you could think about.

[Diamond]

Oh, wow.

[Sam]

So I was Bill. My mate was Ted. But we went through, rather than going through, like, history things, we went through, like, all the plays went through Greece, fame, like. Like all of them. I can't remember the rest we did, but I thought it was such a sick way to like, give everyone a lead. Yeah, I mean, like, yeah, that was my introduction into Boz.

[Diamond]

Do you do any, like, young theater acting or anything of that degree?

[Boz]

Hell no.

[Diamond]

Just roaming the streets in different.

[Boz]

That's it, man. Queens trying to survive.

[Diamond]

You heard the theater of New York City?

[Sam]

Yeah.

[Roxanne]

It is a thing.

[Boz]

It is not. New York really is now. You're right. Honestly, I guess in a way, you know, I'm I'm like a third culture kid, you know what I mean? So I think there's a part of me that's always like growing up in retrospect, I was trying to like relate and assimilate, you know what I mean? Like being an immigrant and like just being like, all right, like, like I want to fit in with you bros, you know what I mean? I think, I think we all do some acting first.

[Diamond]

I mean. Yeah.

[Boz]

On a day to day, I see all the time in front, like I with them. So give me the Oscar.

[Diamond]

You heard that for years. What. When did you move from Paris, by the way? I don't think I ever knew the story of that.

[Boz]

I was eight. Eight years old? Yeah.

[Diamond]

Was that like, what was that curve like a similar. You said you wanted to fit in. Like, what's the like assimilation wise or what's that look like coming here?

[Boz]

I mean, I mean I was young, so it didn't really take much. And then it was like my first homies. I think it was like, you know, WWF or WWE now because they got like pandas and they took the other one, but. But I think we just bonded over wrestling. You know, that was like the first one. And then it was sports. Sports is like the great equalizer. You know, playing basketball, you know, Queens is a million parks. You just go to the park, shoot around. You'll make enough friends, you know, I mean.

[Diamond]

Yeah. So okay, back in word at the high school now in, in. In London. And when did you meet in that process?

[Roxanne]

We were on a school trip to Prague.

[Diamond]

Prague.

[Boz]

Nice.

[Roxanne]

Yeah.

[Boz]

Damn, sounds so fancy. And this was the roughest school in your neighborhood.

[Diamond]

My school trip would have been like the great Escape or something. Maybe it's like two blocks kind of bad.

[Sam]

Like just for context, only 30 pupils in every year out of 250 students got to do this music.

[Diamond]

Oh, wow. So it was very. So we were like very small.

[Sam]

Yeah, it was like a very selective few. And every year got to be a part of like the Quidditch team. Do you know what I mean? So it's like. Yeah, the rest were just kind of surviving.

[Roxanne]

Yeah, it wasn't. Yeah.

[Diamond]

So what was the trip to Prague for? What was the.

[Roxanne]

They just used to send us on like a holiday to play in churches and do little.

[Boz]

Wow's a beautiful city.

[Sam]

It was mad and it was like at the time, it was like you could buy beer as a 14 year old.

[Roxanne]

Yeah. So he was.

[Sam]

So we were like. We just took our bus passes and went into a store and we like.

[Boz]

Were y' all in Prague with me on the Milky Way tour? No, no, no. All right. That's a good time.

[Sam]

But, yeah, Prague was nuts. It's nuts.

[Roxanne]

I mean, I'm three years older than Sam, so we weren't. I never. I would not say that we were friends. If anything, he really irritated me and my friends because him and his friends were, like, young, and all of the younger girls were, like, all over them. And me and my friend Nina.

[Sam]

Everybody shout out that hairline.

[Diamond]

Yeah, right.

[Roxanne]

Rip.

[Diamond]

Shout out him. Dad. No, sorry.

[Boz]

Yeah.

[Roxanne]

I mean, I knew you because you started a. A situation with someone that was in my year, so that was.

[Diamond]

Wow. You were not only getting ass in your grade, cleaning up. Yeah. The upper classman.

[Roxanne]

Three years. Yeah.

[Diamond]

What was it? Was it the drums? Was it the swag? Like, what was. What was bringing them in?

[Sam]

I think it was these green eyes, man. That's like, you know.

[Boz]

Oh, you were drum. Not drummers. Always get some drummers.

[Diamond]

Yeah, yeah.

[Boz]

If you play an instrument, it's a cheat code.

[Roxanne]

It's true.

[Diamond]

What is the sexiest instrument?

[Sam]

I would say bass.

[Roxanne]

I would agree.

[Diamond]

Why does you have an answer to that?

[Boz]

Yo, low key. I bought a bass when I was. This is crazy. I was like. I was maybe like in high school and I used to love Jamiroquai. And I bought a base shout out to Stewart's end there because he actually. I spoke to him on. DMs. A cool dude. But I bought a bass. I didn't know you needed an amp, so I just got it. I was like, I don't hear shit. And that was the end of my bass career. No, I had no idea.

[Sam]

I thought that the most neglected, like, in terms of their recognition. No one can really hear what they do unless someone tells you that's what a bass sounds like. And that's what it does.

[Diamond]

Underrated.

[Boz]

Yeah, Just do it.

[Diamond]

An underrated instrument, for sure.

[Boz]

I got money now. I can buy an amp.

[Diamond]

How many. Okay, so the. But how many other. Do you play any other instruments or, like, drums?

[Sam]

Guys in. In. In the hicks, we're both more instrumentalists and like, we try and play around. Like, I play a bit of keys, I play a bit of bass guitar. Bit acoustic or electric guitar when I can. But if I was to. If Beyonce called me up and she was like, yo, I need you to play something in my band, I would only get employed as a drummer or percussionist. That would be my.

[Boz]

Like, you've played some sick ass baselines on a few records with Us.

[Sam]

Oh, I appreciate it. That's more just kind of like out of feeling confident.

[Boz]

Didn't you play the baseline ricochet?

[Sam]

Yeah, yeah.

[Boz]

Was that MIDI or was that.

[Sam]

That was key. That was key.

[Boz]

Cuz we were. We were in that Airbnb.

[Sam]

Yeah, but that was more like just out of feeling if I'm feeling confident.

[Diamond]

You said that. I was going to say you said that with like the. In the Beyonce example, you're like, you know, shooting for like the. The moon, like so to speak. But with. If you're comfortable and you're in like a setting that your friends or people that you're comfortable with.

[Sam]

Yeah.

[Diamond]

I'm assuming the base or whatever you can.

[Sam]

Sure, yeah, yeah, do it. I'll do it. I would like. I just think, you know, if there's someone in the room that's better, I might kind of guide them towards doing. Bringing out the idea that I have him in my brain trying to get them to execute better. Because I might take four hours. I've definitely held sessions hostage like that without clocking before.

[Diamond]

Rox, what do you. What do you play?

[Roxanne]

I play piano and guitar.

[Diamond]

Yeah, I want to see. I haven't seen. I gotta see that.

[Roxanne]

I just compose on guitar though. I played piano outside of school to like a grade seven standard. But then I smoked a lot of weed in my late teens and it all just kind of left me. So now I will only do it alone.

[Boz]

I didn't know there's grade standards for piano.

[Roxanne]

Yeah, I know.

[Boz]

It was like a seventh grade reading level, you know?

[Diamond]

Yeah.

[Boz]

Like piano.

[Diamond]

Because what is great? What. What's the grading scale like when we say grade seven? Is that like what do I think grade seven is? Or is that a different scale?

[Roxanne]

Is that different scale?

[Diamond]

Is it out of like 10 or what's the scale?

[Roxanne]

It's out of eight.

[Diamond]

Oh, yes. You're great. What do you mean I did great? She goes, I'm trash. I'm a 7.

[Boz]

7. She's like, I'm a 7.7 out of 10 is good.

[Roxanne]

Yeah. But I'm not. I'm a 2 now because of the weed, man. I was like.

[Diamond]

Dropped five points.

[Roxanne]

Yeah.

[Diamond]

Really?

[Roxanne]

Yeah. No, seriously, he can play piano better and he has grade one.

[Sam]

I did grade one with a merit.

[Roxanne]

There we go. I think that different people are just like naturally good at certain instruments. Like, you're better.

[Sam]

Shout out Mr. Ralph. Grade one, let's go.

[Roxanne]

You're better at piano. I'm.

[Sam]

No, no, no, no, no. I think it's just like, you know, they're like. They're all different languages to learn. You know, you pick them up when you're in the right context. That's it.

[Diamond]

Yeah. Got you. All right, well, let's. Let's introduce the. Like the. The intro of how YouTube. Yeah, yeah. Bring in the. Come on, Diamond.

[Boz]

Time to celebrate.

[Diamond]

Bring it in.

[Boz]

I've been over here trying to mom the diamond. We trying to figure a good time to not interrupt y' all.

[Diamond]

Oh, come on.

[Boz]

Poor healthy ones. So you.

[Diamond]

Don't you know the legend?

[Boz]

A little more, a little more. Yeah. Now pour me something I can sip on. Yeah, yeah, boy. Good looking, good looking.

[Diamond]

We're going to keep it rolling. I'm just going to ask the questions as we're. As we're pouring up. So we've done, like, the. The upbringing, so to speak. But how did. How did you all meet? Yes.

[Boz]

Oh, well, I'll tell you how I first heard the hicks. It was Grand Theft Audio. Grand Theft Audio. That's hard. Yo, why would I make that album called.

[Sam]

It was low key Grand Theft Audio.

[Boz]

But, yeah, no, it was Grand Theft Auto 5 and it was GTA radio. I heard Cold Air, which is song. It is.

[Diamond]

Wait, wait, wait a minute. You were on. That was. You were on the GTA 5 radio?

[Roxanne]

Yeah.

[Boz]

How crazy is that? That's diamond happened to shout out to Diamond. Y' all just seen him pouring shots, but he does a lot more than that. Just understand. Diamond was already hip and put me on. I was just fell in love with the one song and then I was. I believe it was the what Dreams May Come tour with Cole in Europe. And me and Ron were out there. Me and Ron Gilmore.

[Diamond]

Shout out Ron.

[Boz]

Yeah, yeah. Ron's like, you know, he's an eight on the keys. Yeah. No, no, no.

[Sam]

Yeah, seven.

[Diamond]

Certified eight.

[Boz]

He's an eight. But yeah, I think I DM'd him on Twitter. And I was just like, yo, I with y' all. Let's link up. It was interesting because by the time they came to meet us at this Airbnb in East London, me and Ron are like, like, peeking on this acid trip.

[Sam]

Like, we have no idea.

[Boz]

They had no idea.

[Diamond]

Wait, when you pulled up, when you first met him, he was in the middle of acid trip.

[Sam]

I found this out maybe like a year later.

[Boz]

Yeah, yeah.

[Diamond]

Oh, yeah. He. I've never seen somebody with a composure. He's like. He's like, I'm. I'm. I'm smack. And I'm like, you're chilling Composure.

[Sam]

You.

[Diamond]

We could hang out Anywhere right now.

[Sam]

I just thought, Ron like to take naps occasionally.

[Boz]

Yeah.

[Sam]

I didn't realize you needed.

[Boz]

And honestly, it was. I remember we were up like 52 hours and they came on like the 46 hour.

[Sam]

You disguised it well.

[Diamond]

How was that from before you continue. How was that from your perspective, pulling up and seeing.

[Sam]

I mean, I felt like they were Americans that had just arrived in London. They're probably a bit like jet lagged or whatever. Yeah, they, you know, I didn't have any like preconceptions or anything.

[Boz]

Like they were on everything I love. I was looking out at the London skyline and I saw brontosaurus. You know the brontosaurus with the long ass neck. And this is so crucial. So that's what I was going through. This was just walking through the London skyline, long ass neck and me around. And then I looked at Ron, I'm like, you see that dinosaur? He was like, yeah.

[Sam]

And then add the dried chicken sandwich and this is. Yeah.

[Diamond]

So then how. How is that buzz? How did the like.

[Boz]

Yo, that first night we did Ricochet.

[Roxanne]

Yeah.

[Diamond]

Really? Yeah, we did Ricky on the Sid.

[Boz]

So Ron. Ron played. I think Ron played a lot of the music. Right? And you played the bass. But like Ron. Ron did like he was just like laying tracks and then I swear he just like crashed. Like he just shut off.

[Sam]

He just left.

[Roxanne]

Yeah, yeah.

[Boz]

No, he went to sleep because. Yeah, up like two and a half days and he just.

[Sam]

That's why I was like, maybe he just likes to take naps.

[Diamond]

Oh, okay. It's an odd time.

[Sam]

I've never had someone mid sessions just get up.

[Boz]

Yeah.

[Sam]

Almost. So you would assume that they're going for like to the bathroom or something and just never come back.

[Boz]

He was hanging off at dear life.

[Sam]

Like, should we. Should we maybe turn it down?

[Boz]

Like, you know, here's the funny though. That lady.

[Sam]

Yeah, yeah, yeah.

[Boz]

Yo, so me and Ron get into this Airbnb. There's amazing speakers, like connected to like a home theater set up. But this is an apartment, you know what I mean? And like there's a lot of neighbors, but for these 48, 52, whatever hours straight, we were just making music in this crib. Loud as like playing bass, playing it over like 808-whatever. And we're just like, damn, the neighbors are chill, cool as out here. No one's tripping or nothing. Yo, this probably towards the end of our session, after they come, we just get a bang at the window and I open it and it's like the most disheveled Looking white lady I've ever seen, yo. I haven't fucking slept in days. Going crazy. And I was like, oh, yo. Like, you could have told me on the third hour and I would have turned this shit down. You waited two and a half days, yo. I felt so bad.

[Sam]

She really gave you a chance.

[Boz]

Yeah, she was really, really did.

[Diamond]

Is that like.

[Boz]

Yeah, she was like shaking yo rage, bro. Like, hair look crazy. Like bad. Yo, I'm sorry. I'm like, you should have told me.

[Sam]

You looked at me like, yeah, yeah.

[Boz]

Like, you know, when you need that. The white bailout.

[Diamond]

Oh, you got it. Yeah, yeah.

[Sam]

Let me step. Good evening.

[Diamond]

Did anything else.

[Sam]

Did any of the records had your picadilly circus sandwich?

[Diamond]

Did any other records come out of that session? Or was that.

[Boz]

Yeah, Ricochet. Ricochet is, you know, that's for. For my, like, core fan base. That's really, you know, part of the ethos of Too High to Riot was kind of exploring that vibe. And then we did. When did we do matches?

[Sam]

That was in the. The Metropolis sessions.

[Roxanne]

Yeah, that was only a Forest Hill Drives tour.

[Sam]

Yeah, we took. We had some.

[Boz]

What a beautiful studio.

[Sam]

There's some down. Yeah. Insane. I think you had some down time. And like, the fiends were like, you know, let's find a studio to cook in. And I think they. They managed to lock in an incredible rate in the B room downstairs at Metropolis, which for context is like this. The old Hammersmith. I think it's the old Hammersmith bus station. And it was converted into a bunch of studios and a bunch of amazing records.

[Boz]

Beautiful studio.

[Sam]

Like, Michael Jackson used the. Elton John's used it.

[Boz]

Adele be over there.

[Sam]

Oh, yeah, yeah, for sure.

[Boz]

It's like one of the premiere. It's the nicest studio I think I worked in in London.

[Sam]

Yeah, I would agree. I would agree. And again, you know, we'd got one in the bag before in a kind of like a more bedroom setting. And this was a chance to hear what we could do on loudspeakers and in a professional environment. And also we had Caleb. Caleb Rollins.

[Boz]

Quick Shout out. My boy Quick.

[Roxanne]

I think like, that was there too.

[Sam]

Said was there as well. And I. I think. But the. The key thing about having Caleb there was he. He was a real professional person that knew how to make sense of a lot of bollocks. Like, do you know what I mean? Like, we could be kind of lit. Throwing ideas on the table without us.

[Diamond]

Quick's great.

[Sam]

Without us really thinking about things. He would be way. All those scribbles that You've just come up with that. This is what they look like, you know what I mean? So he was like, this one's Matches and this one's that and this one's that. And we came up with a bunch of. And. And Matt, he really put together Matches in a way that I thought was beautiful. And. And yeah, that's how we do Matches too. Yeah. Yeah, exactly. He was there. He was there as well. Yeah.

[Diamond]

Prior to. Prior to the. The recent album, what. What song that you've previously collaborated on would you say is your favorite?

[Boz]

Wow. I love those two equally for, like, different reasons, you know, And I think it kind of shows on this album. Like, we have. We have grooves where we can get in like a really deep, deep vibey zone. I think Matches had like, you know, something like a little more uplifting about Matches than Ricochet, you know, but both of them, I think, like, content wise. And there's one reason I love working with them is like, you know, there's just the. The pen is so deep and it's so poignant and everything has so much meaning and like, emotional depth, you know, which is like, there's not a lot of people I work with where I'm like, oh, shit, I got to match that.

[Diamond]

You know, I got to think.

[Boz]

Yeah, I got to think. Yeah.

[Roxanne]

I can't just think.

[Boz]

I can't just rap about holes in my jewelry. I figure this one out.

[Diamond]

But do you have. If you were to, like, you know, pick one. What. Before. Before the current album, what would be your.

[Roxanne]

For me, it would be Purge. I'm not on that. Oh, for me, it's definitely that one.

[Boz]

That was another London acid session.

[Roxanne]

It was. That's.

[Boz]

Damn. I'm starting to realize the role LSDs played in our friendship.

[Roxanne]

Yeah. And I'm the only one that hasn't been on it.

[Diamond]

Really?

[Roxanne]

Yeah.

[Sam]

Well, there was a giraffe, like, there was like a statue in the corner of the room.

[Diamond]

I thought you were saying this as if, like, he was saying. This is.

[Sam]

This was 2017, Milky Ways happened. And we're working in a studio in Bermondsey and Bars is like, yo, if you're around, we'd love to get you down. So have your ideas on this. We're like, of course. We turn up and he presents us some ideas of Milky Way. We did Purge, we did Sanufa. I think there was a few others that we worked on. And. Well, I remember this moment where we all saw this kind of wooden statue of a giraffe in the corner. And we're like, we wonder why that's there. Like three days later, fast forward a bunch of like, you know, things have been taken.

[Boz]

I'll never forget. That was another one where we're in the studio like 50 hours straight.

[Sam]

Yeah.

[Boz]

You know, and I never forget. I got a call, shout out. Tim Glover, who was a great friend of mine, but you know, at the time was my A R at Interscope. And he called me and he was like. He's like, boss. He was like, you still had the studio? I was like, yeah. He's like, you gotta let him go home, boss. He's like the assistant. Been there for three days. And I started realizing, bro never left our side.

[Roxanne]

No, he didn't.

[Sam]

I can't remember his name.

[Boz]

I feel so bad.

[Sam]

He met someone so dedicated to not up the vibe.

[Boz]

He.

[Diamond]

He understood what was happening. He wanted to procure that process.

[Sam]

And just like that album was amazing.

[Boz]

I'm starting to realize like the, the Brits are hella like polite. Cuz now I'm thinking about the lady at the lady.

[Diamond]

The Airbnb three days.

[Boz]

Like she, she withstood.

[Sam]

We're very non confrontational.

[Diamond]

They have a three day threshold by.

[Boz]

It was really passive aggressive. It was around the same time. They'll wait out your whole asset trip.

[Roxanne]

Yeah.

[Boz]

And then they'll be like, all right, bro, I gotta. I gotta get some sleep, fam.

[Sam]

Yeah, but that giraffe came alive like.

[Diamond]

You know, for everybody in the room.

[Sam]

And then when we leave. Well, I think so. They're like, you know, diamond had a whole different energy going in the other room.

[Roxanne]

Yes.

[Sam]

That's, you know, we were just in one room like playing each other like a RA post arrangement.

[Boz]

There's one beat I still be thinking.

[Sam]

About that you did it like psychedelic rock. And then you go into Diamond's room and it's just like.

[Diamond]

Really outside of the assist from Acid. What is the. Because I've been in the studio a little bit with. With Boss. But like when you guys are working together, what's the atmosphere? Like? How do you set the tone? Like what, what. What are you listening to? Is there like a movie on with no sound?

[Boz]

I mean, I think there was like. What says there might have been like six or seven hours of that session where the three of us and. And Doobie. Shout out Doobie. Day one Fiend, my creative director done a bunch of stuff with us, but we were just sitting on the floor in the vocal booth.

[Roxanne]

Yeah.

[Boz]

And playing mad like. Like what was bro's name? The Karush. Karush was like the guitar player. We were just like going through waves of music.

[Diamond]

Like, but that's not like playing before. It's like, hey, I found this. We should. It's just like, whatever.

[Boz]

It's like kids in a playground, man. Like, making music is supposed to be fun. You know what I mean? It's supposed to be fun. And then the only times it isn't is like when you're just by yourself. I realize, you know, sometimes that could be like homework could. Feel like, I gotta finish this song, I gotta finish this verse. But when you're in there and it's like a room full of people just buzzing off of creative vibes, like, you know, that's not work. It's just fun. Like, it's.

[Sam]

That's the difference with having Caleb in the room is that usually, yeah, you end up getting into a zone and doing something and then you go, shit. All right, let's try and replicate that.

[Diamond]

Yeah.

[Sam]

Caleb goes, don't worry about it. I've already done.

[Diamond]

I've already been.

[Sam]

It's already there.

[Roxanne]

Yeah.

[Diamond]

So, I mean, was there ever a switch? Because in the, in the. In the Milky Way days, like the. The before. Melancholic. Pardon me. Jesus Christ. Mellon chronica. It's a difficult word. Is. Was there because it's. I wouldn't. I don't want to say less pressure, but not pressure in the sense of you. You're locking in to make an album, right? It's like, we can come out with a single, that'd be great or like, just work on something that's awesome. There wasn't like a mental switch or a gear that you had to turn on when you committed to doing like a collaborative album together. Did it feel differently at all in that process? Creatively knowing that, okay, we're going to get. We're booking studio time at this time. We have to come out with 10 records.

[Roxanne]

No, I didn't feel like that to me at all because we did it over such a long period of time. And so much of what I've written, some of it was written in 2017, some of it was written in 2020. Like, it's. It was just very free flowing because, you know, the pandemic slowed everything down. And then everybody has their own schedules. And I think that that made it so that we could be a little bit relaxed about it. The only thing that was on our minds was like singles. But then I feel like that kind of pieced itself together. The more time we spent around Each.

[Boz]

Other creating the time was well spent. Yeah, I'll say that. It got to, like, really gestate and just be like, oh, this is what we're actually really want to do. This is what the messaging is. This is what the sonic. Like, there's. There's songs. There's plenty songs that didn't make the album.

[Diamond]

Yeah, I'd imagine. Yeah.

[Boz]

There's a reason it's. It's 10 songs, you know, is because they all were so cohesive and. And you don't always see that from the beginning or the middle. You know, it takes a little bit of time to be like, okay, this is actually the fat we need to trim. Even though we like this vibe and we like what it does, like, this is actually we need to trim this for the whole thing to make better sense to the audience.

[Diamond]

How many records were sacrificed in that regard?

[Sam]

Like, five or six. Like, I think they're there. We. We got into, like, a healthy flow of coming up with, you know, great moments of collaboration, but it was only until we got into the sequencing of the album, which is when we really realized, like, what didn't work and what stuck out like a sore thumb. And, like, we didn't overthink it. We just went, look, the cadence feels great when it's this, this, this and that. But as soon as you try and force that one into it, even though it might have been a joint that we loved, we're like, it just doesn't fit the storyline. Like, you know, I mean, yeah. And we knew that we wanted to keep it to 10. I don't know why we wanted to keep it simple specifics, but, like, I knew that it felt like a good number to.

[Diamond]

Nice round number.

[Sam]

Yeah. Like, and I think it's. It allows, like, I don't know, it gives. You need to work to some kind of target right when doing something. And I think we all agreed that, like, look, we aim for 10, and it should start here. It should kind of fill here in the middle. And then, like, we knew that we wanted, like, an ending, but we didn't know that the ending was going to be sometimes the most epic, the most nervous.

[Boz]

All time.

[Roxanne]

It wasn't until I heard sometimes that I was like, okay, now it feels like there's something that we can. We can fill in the gaps.

[Boz]

Yeah.

[Roxanne]

Fill in the other four songs. Yeah, we can pick and choose now.

[Sam]

And. And when you asked earlier, like, what's the favorite song that you worked on as a group? I would say sometimes is not absolutely.

[Boz]

Shout out to Harbor. Yes, Harbor Studio. Shout out to Zach. Yeah, you know, unfortunately that, that studio was lost in the fires, but it was the most beautiful space in Malibu. Just like overlooking the Pacific right there off pch, like up the hill. Just a great staff, great owner and Zach, again, very hospitable. And we had it, we had it for a little camp. It was myself, the Hicks diamond was out there. We had Gala Matias, that's more like the panoramic. So beautiful space. Tragic but, but you know, shout out to Zach. He's gonna come back bigger and better, so we're looking forward to that and we'll, you know, we'll all be there, support. He's hosted a lot of musicians and, and he's, you know, he's, he's big for the, for the creatives in la. So, you know, we got his back for sure and we're looking forward to the return. But you know, we even had Kelby on there, which was, you know. Yeah, it was awesome for me to see that. And Sensei, Sensei Bueno. Like, who's incredible guitar player. He's part of like the Wonderland camp, like Janelle Monae and all them. Who else was at those sessions?

[Sam]

Yeah, the Z came through a.

[Boz]

Shout out. A. Yeah, yeah, it was, it was cool for obviously for me because it was like. I think my music over the years has spanned like a lot of genres. And it was like. It was one time where I looked around the room and I was like, wow, this is like the coolest, like amalgamation of everybody I with that brings, you know, something completely unique, you know, and it's like, it's rare. Those moments are rare where you find yourself like, oh, everything clicked and everyone who needs to be here is here, you know, and like Gal Matias was on that piano playing that outro for like 45 minutes, you know, and it's like, it's like mad somber. It's hella like. I don't know how to explain, but we were all there like in like damn near in tears just watching them play it and just like, yo, I remember Sam looked at me and he was like, what's bruv going through? Because he was just playing it. Yeah, yeah, yeah, I was right there. I was definitely emotional. Just like, I just felt it. I felt everything he was playing. I was like, yo, it was beautiful.

[Roxanne]

I wasn't there for that moment, but I remember you. I was outside quite a lot because it was my mom's birthday that night. So I called her and then Sam was like, you gotta Come in. So I went in and they played me the whole song. And I'd only really been in there for when I was improvising. Me and Sam were improvising what we sing on it. I listened to the song in its entirety and there's this vocal booth in the middle and I have to get up halfway through to go behind it. And I swear to God, I got on my knees and wept like a baby. I didn't want anybody to see me doing it. And it's when the drums come in at the end, it's all building and I come back around whilst Gala Matthias's part is playing and I've composed myself and I sit down and then we start crying again. And diamond puts his hand on my shoulder and Baz looks at me, he goes, oh, I'm just that good.

[Boz]

That's amazing. This sounds like something I would say.

[Diamond]

Is that, is that like a common occurrence? Because I did notice that at the show, which was incredible. The show at Sony hall, there was a moment where, I mean, you were. I forget which track in particular, but you did this incredible run and it was clearly like they gave you that moment and you just took the front of the stage and just ran. And I mean, just for context for those that are listening, my, my, this was a big moment for me. My parents were in town. My parents have been DMing Boz forever. They. They, they FaceTime with him a couple times. They, they know and love Boss and they also, by way of Bosby, fell in love with you, both of you and your work.

[Boz]

That was my first time meeting him in person, though.

[Diamond]

And it was just like, it was a big moment for me. Like, we've been such good friends for years and Boz done like, amazing things and just welcomed me to an incredible creative family. And my parents are really thankful for that aspect of it and they're, They've, again, my relationship with. It's all that, all that ties into this moment. So I see you take that moment and you're singing and I'm with my mom and my dad's filming every second. The whole entire show is on his iPhone. And I just, I saw you got emotional and I could see it looked like you were just expressing like it was like a moment of, like, this is, this is what we've been like. You said these sessions started in 2017 and these are pre pandemic moments and things that you've spanned over the course of, you know, eight or so years. And it just, it hit you and you were, you were Crying, but still singing and carrying that moment. And I. I. I broke down. I started crying. And then my mom. My mom saw me. I was like. And then she started crying. And then we just, like, had, like, this moment. And it was just for me, like, as a friend and a fan, I was like, this is. It was beautiful. But I can't even imagine what that was. To come to New York, to have that moment, and just, like, you know, it just looked. I don't know. I can't even explain what that, you know.

[Roxanne]

Well, that really touches me.

[Diamond]

Yeah.

[Roxanne]

Moment with your mom.

[Boz]

But you.

[Diamond]

But based on what you just said in the studio, it sounds like you. The. The music in itself really hits you in, like, a spot that brings you to that emotional level.

[Roxanne]

It was definitely the way the crowd responded in that moment. And I felt like it was only.

[Diamond]

Because, by the way, you know, New York crowds. New York crowds are not easy.

[Roxanne]

No, they're not.

[Diamond]

Your crowds do not want to sing. They don't want to move. They're like, all right, whatever. Next song. They were clearly, like, just enamored with.

[Boz]

I remember we stopped. I looked at the band. I was like, hold on. Yeah, let them. Let them stroke her a little longer.

[Roxanne]

Because they wanted to go to the next song. Basically, like an ovation.

[Diamond]

Yeah, it was. Yeah. In the middle of the damn show.

[Roxanne]

I think I just. What happened was, it was almost like everything that I've been through since writing the chorus to Four Walls, which was in the studio in Bermondsey when they were writing Milky Way, everything that's happened since then kind of just caught up with me. And I had this, like, montage, movie montage in my head and thought of everything that I've sacrificed and thought of all the things that I've been through. And, like, yeah. Just the times when I wanted to give up. And, like, Sam's been like, no, we have to keep going. And all of the stress and the dedication to it, the hours, the literal blood, sweat and tears. Because that's no exaggeration with this for me. And, yeah, it just was like, okay.

[Boz]

Little pulmonary.

[Diamond]

This is. Yeah, this is. It's the release.

[Roxanne]

Yeah. And it was just. It was. It was like, okay, you gotta stay in the fight. Yeah. But also, like, I. I really appreciated it because no one has to do that for anyone.

[Boz]

Yeah.

[Roxanne]

I only really feel that way about a very small amount of artists. So it's. It means so much that the people that support this album are so nice, because nobody has to be.

[Sam]

At least they really. With you Though imagine you were just doing that, and they were just like, what the.

[Diamond]

Why is she crying?

[Boz]

All right, do down bad already.

[Roxanne]

I didn't come here for this emotional.

[Diamond]

Bring that girl to do Cole's verse.

[Sam]

That was a beautiful movement.

[Diamond]

It really was beautiful, because no one.

[Roxanne]

Has to be anybody with.

[Diamond]

With the album. You mentioned Four Walls, but just opening it up to the. To the collaboration. Collaborative process of the entire album. What's the. The. The writing process, like, the production process? Like, how much are the three of you bouncing off each other?

[Boz]

I think it's different on so many different songs, you know, like. Like we said, like. Like, doing Sometimes in Malibu is, I think, how we all prefer to work. You know, anyone who really, like, loves doing this, like, you want to be in there with the dopest people, the dopest musicians, the dopest producers, the dopest songwriters, because it's those, like, happy accidents where the magic happens, you know, And.

[Diamond]

And.

[Boz]

But in the same token, there's some songs like Four Walls. I don't know if she would have wrote that in a room full of people, but when she sent that to me, I understood the emotion, you know, that she was conveying. And I was like, okay, I can match this. You know what I mean? It gave me, like, a blueprint to kind of walk through.

[Roxanne]

Can I tell you a secret? So when we did Four Walls, we were in the Bermondsey Studio Milky Way, and Baz was using Sam a lot for vocals, like, on Purge and stuff. And I found I was listening to, like, the Law of Attraction a lot. Then I found myself getting real out of alignment, and I was like, why isn't he using me? He's like, sam, can I have your computer so I can, like, perform or something? He's like, yeah, yeah, I'll give you this. He gave it to me. I went in the other room, and I was like, I'm gonna write a chorus. And it was just because of the, like, competition, actually.

[Boz]

That's amazing, I think. And that always brings out the best of people. Yeah, yeah, for sure.

[Diamond]

That's. I. I want to go back to the. The rest. But I wanted a quick detour. What is, like, your ideal writing session? Is it. Is it the competition that motivates you? Or, like, is it I need to be in a quiet room with a candle lit and by myself? Or, like, where. Where does, like, the creativity strike you to just write or, you know, just think musically?

[Roxanne]

Being alone, being in love, being sad, being romantic, just all of those things. Basically, it's rarely. That's the only time that competition has ever fueled me. So maybe I should be more competitive in general because people really like that song. So I don't know.

[Diamond]

That's a great record.

[Sam]

On what. Where do I feel most comfortable with writing? Yeah, I like nature a lot, I think. I think being by the, you know, growing up in the city like you guys, I think being in that spin, I was to take a step out and look at the ocean. Literally, the ocean was like, right there, you know, that's. And the whole experience of la, that place is just ridiculous. It's like you can. In the. In the UK, you would drive five hours to see a coastline like you can in 30 minutes in LA, you know, I mean, and I grew up like, this is the ocean was like a dream to me as a kid. Like, I'm at surfing, but I love it.

[Boz]

What do you mean? Like, you don't think Brighton is up to par?

[Roxanne]

No.

[Sam]

The southeast coast, in my opinion. I'm about, like, four more shout out.

[Boz]

To all my fans in Brighton, though.

[Sam]

Holding down. But yeah, like, I, you know, I. I really like, you know, a bit of nature, at least a little bit of nature.

[Diamond]

All I need, you know, if there was something in total, like, if you wanted people that listen to the album, what would you want or hope to be the takeaway from the entire project?

[Boz]

I mean, for me is. It's not easy for me, I guess, to like, express as much emotional depth as I did on that album. And that comes, you know, that comes with. We're working with the hicks and, you know, being inspired to kind of cohabitate this world. So I would just want them to just feel like all the emotions, man. Like, just feel that shit. Like, it's so. I feel like we're at an age where music is kind of devoid of that, in a sense, you know, it's like everything is made for like, microwave consumption and the streaming era and like, tick tock. And it's like, you know, I kind of want you to like, like, do the dishes to this, you know, clean your house on Sunday, take that, reset to this, you know, take that long drive if you're on a road trip, you know, whatever the case may be, like, do something where you could actually sit there and, like, feel it and have a moment with yourself and find the ways that. I think everything we wrote is hella relatable because they're just really vulnerable moments we've all had and that we're, you know, expressing to our audience. And I think That's. It's basically the most powerful thing you could do in music is to make someone, like, feel an emotion.

[Diamond]

So that was less of a distraction, more of like a. Take this time to reflect and.

[Boz]

Yeah, but even. Even if you're doing something, like, I just want you to, like, yeah, just feel it. Like, just feel the emotion. Like, cry to this, laugh to this. You know, like, think about yourself, think about your loved ones. Just, like, really just feel it, man. Like, because I just. I really like. Everything we put into this is so full of emotion. There's no filler. Like, there's no, like, you know, there's no party record. We weren't going for that. Like, that wasn't the point. Like, it's a real.

[Sam]

It's a real life story. Like, you know, for me, I was 23 on some songs and I'm 30 on others. Like, do you know what I mean? And, like, you don't hear that on many albums. Like, a story of, like, adolescence and, like, you know, growing up and the emotions and life experiences that you have. Like, same with you. Like, same with all of us. But I think, like, when I hear back to, like, how I sound on the first verse of Four Walls versus how I sound on Air one, it's like, it's quite jokes to.

[Boz]

Yeah, that's a fact. And that's even, like, those times where I thought of recuting like, Sand Junipero, because when did we do that?

[Sam]

Like, 20, 18, 18.

[Boz]

Yeah. And it's just like, I just. As a performer. Yeah, as a vocalist, I unders. You know, I understand things better. But I was like, it just wouldn't be true, right, to what we're doing. I was like, nah, this is supposed to be the way it's supposed to be.

[Diamond]

Boss, when do you, in particular to your music? Because people see, okay, this is, you know, the Dreamville label, like, the J. Cole moniker.

[Sam]

The.

[Diamond]

You know, we know he's. He's a rapper. We know him as a rapper. And you've seemingly, like, honestly, like most of my favorite artists to start in hip hop, they make that. They. They make a home there and they have a footing there. But then they. As they grow older and as they experience more life, they evolve into other genres and they try different things. What gave you, like, the. The confidence? Because even prior to this album, like, we only talk about real shit when we're fucked up. Similarly, is like, these aren't turn up records, aren't party records. They're more like, like you said, the reflective stuff. Things that you, like, sit and think about and, like, the more real moments as you mature as a person. Like, what gave you the confidence to really take that leap and be like, I'm not here to chase, you know, my last hit, but I really want to, like, make music that matches where I'm at in my life.

[Boz]

I think you just make what you want to hear, you know? And, like, I think about now in retrospect, bro. And I did my first mixtape in 2010. It was called Quarter Water Raise Me, Volume One. And literally the intro on it, I. I'm rapping over a Jamiroquai interlude that I ripped off YouTube. You know, it's like, it wasn't, like, planned that way, but when I look at now, like, the. The totality of it, I think what I did was. Anyone who's a fan of mine from Jump never put me in a box. Because the. I was doing, you know, the. The kind of music I was making, the people I collab with, you know, whether it's the Hicks or, you know, FKJ or Jungle or Jid and J. Cole and Gunna and whoever, you know what I mean? Like, that I've always. Not even, like, purposely, it's just what inspires me, you know, But I think I've always done it enough, and I did it early to where it was never like, what, like, why is this going left? Yeah, you know, I don't think there is a left for me at this point, I think. And that's a privilege, you know what I mean, to have an audience that'll be like, put me on to some. I get that from my fans all the time. Like, yo, I didn't even know about this art. Like, yo, FKJ is massive, you know, and there's people that tell me, like, I put them on fkj and I'm like, well, you're just not listening hard enough, you know, or whatever the case may be. But it's cool when you have an audience that just accepts that from you, you know, And I think I'm. I'm lucky that from Jump, I just did what inspired me. And I got on the soundscapes and the producers and, you know, the. The songwriters that inspired me, and they just happen to be from. From varying genres. And. And I'll probably, you know, I would have to point to. To my. My family, honestly. Like, I'm the youngest of five. All my siblings had varied, like, taste in music. And then obviously mom was like, the anchor who just has, like, the most vast knowledge of music of anyone I know. And since I was a kid, he'd be like, yo, I just bought. You know, come listen to this. I just bought this new vinyl. I just bought this new cd. Like, literally, those are, like, some of my earliest memories. Is. Is Mama coming into my room and grabbing me to come listen to some cd, some new music he got, you know what I mean? And all those years later, when you think about, like, what inspired you and how you trace back your inspirations, it's. It's those moments. It's how your. Your ear is trained. And, you know, I was just lucky enough to have, like I said, four older siblings who had varying tastes and, like, imparted all that on me in particular to Mama.

[Diamond]

I mean, so much so that you were able to stamp and create a song called Everyday People on this album.

[Boz]

Yeah, that's really full circle.

[Diamond]

One of the singles, Everyday People. Yeah. Best party ever been one of my favorite songs. Yeah. I was gonna say, if you're not familiar, I mean, you do a better job of pitching the party for those that aren't familiar with whatever.

[Boz]

Yeah. I mean, I don't even know how to pitch it. It's just a beautiful move worldwide, you know?

[Sam]

Yeah.

[Boz]

I've got the pleasure of seeing it grow from the. From the DL, from the DL right up, you know, a few blocks up here on the Lower east side to, you know, now doing just thousands and thousands of tickets in any city they show up to. From, you know, LA to New York to Chicago to Johannesburg and Lisbon and wherever the hell they end up going, you know, and it's. I think it's just, you know, I think mom was obviously a driving force, but it's also just a great space for people to come dance. It's, like, purposely not know, like, bottle service. Yeah.

[Diamond]

There's no hierarchy.

[Boz]

There's exactly. There's no, like, social hierarchy. I think that's the best way to put it. Like, everyone there kicked out.

[Diamond]

You told that Nas story. I don't know if that's something that's out there, but.

[Boz]

Which one?

[Diamond]

Moma said there was one in particular, one Everyday People that. Where Nas was in town. I forget which city was in. He wanted to go. And he goes, we're sold out. We don't have tables. We don't have anything available. He was like. He's like. He said the joke was. Which is very fun. He goes, I let Nas down. He was like, I couldn't accommodate Nas.

[Boz]

Yeah, you almost got to come. Just ready to be.

[Diamond]

Yeah.

[Boz]

And I get it.

[Diamond]

Like, he said, we can accommodate you on. In the. The gen. The gen pop. But like we can't. There's nothing. You know. So in the spirit of just like everybody's equal, you're more than welcome. But we can't, you know, it is bump anybody.

[Roxanne]

Everyday people.

[Diamond]

Yeah.

[Boz]

Let Nas down is funny.

[Diamond]

I do want to focus on. Because I was listening to it on the. On the way here on my city bike from the movie premiere that I was coming from. There was a.

[Boz]

That's why you dress like that, huh?

[Diamond]

I dress like a Colombian coke dealer.

[Boz]

Yeah.

[Diamond]

I'm lending out. Not because what movie?

[Boz]

I'm curious.

[Diamond]

It's called. Hold on, I got Pull up the. Where's the. So it's called Please don't feed the children.

[Roxanne]

Oh, okay.

[Diamond]

Which is a tubi picked it up. But it's the friend of mine. Daughter of Steven Spielberg.

[Sam]

Wow.

[Diamond]

Destri Allen Spielberg directorial debut.

[Roxanne]

Oh, congratulations.

[Diamond]

And I, I. I love. She's a. She's a good friend and I dog sit her doodle golden doodle chicken from time and time again. Who is a very cute.

[Roxanne]

That's a great name.

[Boz]

I know he was cool with Spielberg's daughter.

[Diamond]

Yeah. Yeah.

[Boz]

All right.

[Diamond]

It's New York. She's very sweet. She's very good. But I want to add the hook on everyday people is. It's like. It's just like in. In my veins at all times that.

[Sam]

I was very uncomfortable with my grandmother messaging me being like. It's so sophisticated. I love it. It's such a beautiful melody. And I was like, she did say that. That's what I'm saying.

[Boz]

Who wrote Shout out to the OG.

[Sam]

She's a devote Catholic woman. Like. And I'm like, I don't really want to them. Yeah.

[Diamond]

One more. Just one more time. Just so people that this is the hook.

[Roxanne]

Yeah. Yeah. I just want to. No more fighting. I just want to be where you're hiding. Maybe if it's just for a while, then maybe I can get in your mind. Yeah.

[Boz]

I want to read your mind. You gotta do the genius version.

[Sam]

But like deadpan. I just wanna.

[Boz]

I feel you on that grandma point though. Because my dad's favorite hat is like my album merch from we only talk about real and we're up and like I remember one day I was in the mosque with him and he had the hat on.

[Sam]

So I was like.

[Boz]

I was like, you can't wear that to the mos.

[Diamond]

Versus like when we're freaked out for that when we're fed up. What's the radio Edit of the hat. Yeah, I mean, that's like that. That. That hook in particular really stands out. I guess that's a good question. Like, what it. When it. When you had. You go to your. Your family and they. And they read in particular, I would assume rocks. You're writing a lot of the lyrics themselves. Like, is there ever. You know, like, because it's so. Music is so personable, and you're so much more comfortable expressing yourself that way than speaking to your loved ones.

[Roxanne]

Yeah.

[Diamond]

But knowing that that song will eventually go out to the masses and they'll hear it. There's like a guard there because you're in a booth. You feel protected in this space, but you do know it's gonna fall on the ears of the people that you know and love. I felt this even in podcast. I've done episodes mostly by myself. I've said some that I would probably never say to my mom and dad or my friends. And then my mom will text me like, hey, yeah, I just heard you say. I'm like, oh, I did say that.

[Sam]

Everything.

[Diamond]

They. Yeah, because they. They care and they love you. So it's like, all those things. But, like, how much is. Does that affect your creative process? Are you like, this is a part of the art. I have to let this out.

[Roxanne]

Oh, my God. I would be so much more myself if I didn't feel completely hindered by the fact that my family are alive.

[Sam]

Yeah. That's what I used to love about, like, the switch. The Instagram, like, post Facebook era, where you're like, finally, I'm free of. Free of the eyes of everyone, the aunties. And then suddenly, like, you start seeing family members crop up on Instagram, you're like, it's cooked.

[Boz]

I think for me, it's inverted. It's actually my younger family members.

[Diamond]

Oh, really?

[Boz]

Yeah, because they. They. They grow to, like, idolize you. You know, they brag to their friends at school, like, my cousin. There's my uncle. This, and the third. And then you're like, well, stop talking about drugs. You really started to think about it, and it's like, oh, it's fucked up, you know, but it's like.

[Diamond]

We've referenced three separate acid trips on this show, by the way.

[Boz]

Yeah, yeah, yeah, yeah, but acid's harmless.

[Diamond]

Psa. The boss's nephews out there.

[Boz]

But it definitely makes you think. And it's like, as you mature and as you. For me, at least it was like, oh, like, damn. They really, like, kind of hold on to the things I'm saying. Then it makes you think of, like, other kids that, you know, I'm only getting that perspective because, you know, I follow them on socials or, you know, I'm in contact with them, but I'm like, oh, like, you don't even think when you're doing this like, that you'll be someone that, like, someone looks up to. You know, you're just doing it to express yourself as freely as you can. And.

[Diamond]

Yeah.

[Boz]

And then you're like, wait, like, don't, like, don't listen to that. You know, hold on a second. All right, Put on the edited version. You know what I mean? But it is what it is. You kind of have to strike that balance of, you know, trying to be authentic to yourself, you know, at the square root of that is like, that's just how you're gonna be.

[Roxanne]

Yeah.

[Boz]

The truest, you know, artist you can be. But there are definitely some, some thoughts as, like, I mature and as I grow older and I start to think beyond, you know, myself.

[Roxanne]

I feel. I just want to say this, though.

[Diamond]

Yeah.

[Roxanne]

I posted, like, what I consider to be quite an inappropriate post. It wasn't that inappropriate. And I post, you know, these lyrics and stuff, and my almost 90 year old grandfather's sister, who is in her 80s, shout out, Gail Barker.

[Diamond]

Shout out, girl.

[Roxanne]

She liked it. And that's when I'm like, okay. Because it doesn't matter what age we are. If you're below 18, then maybe not. But like, if you're above, I know there's no reason for me to feel like the way that I do. Because we're all human.

[Diamond]

My moment of that was I. I used to teach. I did this program called Teach for America. It's. I taught on the south side of Chicago Middle School. Yeah, yeah, we're talking about 20, 15, 16. So I did that. Got my master's left and years fast forward, you know, six, seven years later, I'm doing the podcast, my old show that I was on, and I get a DM from one of my students from Chicago who, when I was teaching them, was 12 and now they're like 17, 18, and they go, hey, like, Mr. D, really proud of you. Been like, listening to you on the show.

[Boz]

Happy Mr. D. Yeah, well, that's what she was telling to you. Shame on you.

[Diamond]

I did. I did not. I. Well, I said, Mr. I said, Delgado is my dad. I was like, you can call me no Spacey. No, no, but I.

[Roxanne]

No Spacey.

[Boz]

Call me Mr. D. Yeah, let me get a shot, man.

[Diamond]

John o' Clock But. But in the. But that was my moment of, like, oh, what I say reaches people that many different walks of my life. And I'm not in control of who listens to what I say or what I publicly put out. I'm only in control of, you know, what I say.

[Sam]

Yeah.

[Diamond]

I think that was a big a moment for me. That was a huge.

[Sam]

This is why I'm great.

[Boz]

You gotta turn around so we can shout out diamond producer extraordinaire, Head A R on this album. This would not have made it to the finish line. You've been a conduit. Been a conduit.

[Sam]

This was.

[Boz]

Been a great host to the hicks on there on a New York run, holding us all down. Flowers.

[Sam]

I'm not a rapper, though, because, like, rappers be, like, snitching on themselves the most all the time. I mean, it's like as. As a.

[Diamond]

They're their own ring cam.

[Sam]

Yeah. It's like.

[Roxanne]

Yeah, they're brave, though. They're brave.

[Diamond]

We don't command.

[Sam]

I could just. I can just hide in some reverb and some drums and just be like.

[Roxanne]

Yeah.

[Sam]

I mean, I'm about saying anything in the.

[Diamond]

In the spirit of what we were just saying in terms of, like, us being that influence to our younger. Our younger selves or the. Or the generation below us. Who were the people when you were growing up who were, like, the artists that influenced your sound and your taste?

[Sam]

That's great.

[Diamond]

So that segue was fire, right? Flowers?

[Boz]

Pretty good.

[Sam]

Pretty good.

[Boz]

You're in producer mode. Mama mentality. Nah, I mean, for me, like, you know, just kind of echo that point. It was. It was a lot of, like, when my older siblings were playing. So, like, you know, moma had, like, everything from Prince to Stevie to, you know, Jamiroquai to Daft Punk to Digital Underground, Tupac, you know, Proof of Proof put me on to Bob Marley, you know what I mean? My sister would put me on to, like, Kaziah Jones, like, just West African instrumentalist, you know, E was like Nas fab, you know, like real. Just, like hip hop oriented, like, east coast air, you know, so it was just all of that, man. It was just a little bit of everything for me.

[Diamond]

Covered, like, the whole spectrum.

[Boz]

Yeah, yeah.

[Roxanne]

What about for me? Because I started ballet when I was 2, so I grew up listening to classical music by proxy because of that. And then I used to spend summers with my grandparents because my mom had to work because she was a single mom. And so I'd listen to, like, Frank Sinatra with my grandfather and, like, Bill Evans and loads of jazz musicians. And then at home I lived with my mum and my auntie and they listened to like a lot of Tony Braxton and just. Yeah, a lot of like 70s R&B and 90s R&B.

[Boz]

It makes sense.

[Roxanne]

Yeah. And then my auntie was only 10 years younger than me. Sorry, not younger, older than me. So she would be listening to like Biggie Smalls and like just she loved rap music a lot. So it was everything. Not in the way that you have more depth of everything.

[Boz]

Yeah. But, you know, put me on the Frank Sinatra, the New York Yankees every time we win the game.

[Diamond]

Isn't it funny?

[Boz]

Like the, Every time I want to play New York, New York, spreading the new. I'm leaving today, I want to be. Yeah, we'd win a game and they'd play that. And I like this fire. Who this?

[Diamond]

Yo, isn't it funny? Like, I, I, I wanted to ask this, this is a great, like, what if. What was like the, to discover an artist or untap a genre. Like, what was that, that barrier of entry for a, A baseball game for Frank Sinatra, for Boss. But like, was there like an artist or a genre that you were unaware of, but you have that moment of like, oh, like this stuck for me like on a commercial or I saw this at a, you know, a polo match or whatever the hell you were doing when you were younger.

[Sam]

Me personally, like, my, my dad kind of dominated the kind of musical education I had from an early stage with like, you know, he's, he's a professional drummer himself. He's, he's worked as a professional drummer his whole life and a bunch of stuff. And he put me onto like very sophisticated level stuff right from all around the world. And then my mum was like, by the way, in Safeway, which was our local supermarket at the time, they were like, they got an essential R and B summer hits, like, like compilation cd. She was like, I think you would with this. It would be like a, at the grocery store, smoking hot woman coming out of a pool, like, and she'll be like, what do you think about this? And my mom just like taught me to, she put me on to like the music that I ended up producing and like felt in my heart in a way. And what. So she's, she put me onto like early R B, like essential R and b, like from 2000s to 2005. Non intentionally, but in a way that like you can hear what she put me onto. In out of Sight, for example, like the kick drums and out of sight and like that. And like I find like probably early R B. And my brother put me onto Illmatic, like as a kid. He was just like, educate yourself.

[Boz]

You know, let's go.

[Sam]

Like.

[Diamond]

Yeah.

[Sam]

So that I would say. I'll say R B and, and, and like kind of 90s hip hop, like were the two things that, you know, my dad's. My dad's like an old cat. Like he's an old hippie. So he weren't really listening to that kind of stuff. So like, for me to have that exposure to R B and hip hop, like, was. Was like a mind blowing thing.

[Diamond]

Yeah. It's even funny. Like, even you're the introduction that you had like Basa GTA 5. Like, I remember when I was younger, my older cousin had in their finished basement, we would go up there for holidays. He had Vice City on PlayStation 2. And I remember like, you're 100. I remember taking katana and lopping off strippers heads on the boardwalk.

[Sam]

Yeah.

[Diamond]

Taking their $50.

[Sam]

That. But we all did it.

[Diamond]

But like that, that driving around to like hauling oats. Yes. Like take stealing a car and driving around Vice City. Look for that on the beach. Yeah, yeah.

[Boz]

I was definitely playing Cold Air, which is like, that song just brings me peace. But really in retrospect, I was just like mowing down pedestrians and. Yeah, yeah. Remember you used to pick up a holder and then your car would start to shake.

[Diamond]

Yeah. You could hit the joystick and get the 360.

[Boz]

Yeah, yeah.

[Roxanne]

So that's what I yo you a while. That was my motive.

[Boz]

Yeah.

[Roxanne]

I was like, it's true.

[Boz]

Was that only when I just paid.

[Diamond]

Them and let them come on.

[Sam]

You would never get the same amount.

[Diamond]

You don't.

[Sam]

You never get the same amount. I'm like, what happened to the Sam's, right?

[Boz]

You pay.

[Diamond]

You pay 500 to beat and then you kill her and you get 50.

[Boz]

Yeah.

[Diamond]

You're like, what was that about? What should disappear in her? Where was the money? Where'd the money go?

[Boz]

I was like, where is the money? Go get your nails done. Get your hair done.

[Diamond]

Where'd my dollars go?

[Sam]

You're right. I think, I think like video games also in our subconscious, like we take for granted how significant they were for the earworms that we had.

[Boz]

Absolutely.

[Diamond]

I, I played like NBA. NBA Street Religiously Volume 2. Whoever curated those soundtracks smoked. But it was the reminiscence.

[Boz]

Oh yeah, Remiss was on that.

[Diamond]

Like, that was like. That was the intro, the title record.

[Boz]

All the Japanese dudes That was on like the 16 bit systems. Yeah, bro. This is one game called Chrono Trigger. That soundtrack is all time, bro. And those dudes are just incredible composers. Like, every time I go to Japan, I get it. Like, I go to like these vinyl bars and they'll just be spinning like, just strictly like vinyl from. I actually went to a music school out there with. With Ali and we did a. We did like a. Some kind of workshop, you know, but it was like we just ended up popping into the live room and it's all these like 18 year old, like jazz savants and they were just going crazy. And I was like, yo, like the. They were doing in those video games when we were young, we didn't even realize it, but again, it's like you realize as an adult, you start to realize where your ear was trained, you know? And yeah, video games was a huge part of that.

[Diamond]

Yeah, in massive. Because it also was like a matter of like, you felt like you were discovering. I feel like for me, discovering music was such like a unique moment in my developmental stages because my parents listen to amazing music in the house. But I also wanted to be like, I wanted to share because at that time when I was growing up, like, Kanye was sampling all my. My dad's records that he. He was listening to from the 70s, like when he was, you know, outside in his prime, and my mom as well. And it's like I wanted to meet them at the table and be like, I know that Al Green sample. I know that Marvin. You know that string progression. Because. And they're like, how do you know that? And I'll play in the Kanye record. And they would hear like the. Are you gone? Or like, whatever. The sample was like, oh, shit. Like he flipped. And that was like. I was like. I felt like an adult even though I was 10 or 12 or whatever, like middle school.

[Boz]

They.

[Diamond]

I was like, they were welcoming me into a conversation that I may not have belonged in otherwise.

[Sam]

Yes, yes. Yeah, it's very true.

[Roxanne]

I had that experience whilst seeing what they called Nirvana on MTV Unplugged. Well, I didn't see them because he died, but I watched it on how. Unplugged. Sorry.

[Diamond]

Oh, how.

[Sam]

How did he die?

[Diamond]

In detail.

[Roxanne]

Feminism. I'm not gonna snitch. I don't know who did it.

[Diamond]

Deep State.

[Roxanne]

Okay. So I watched him say man who Sold the World by David Bowie on MTV Unplugged. And I was 11 and I went into the. The next room and I said, oh.

[Boz]

Don'T try to cover that. For that.

[Roxanne]

Yeah, that's why we covered it. Yeah, I chose that song. They were like, what David Bowie song do you want to perform?

[Diamond]

Wait, where was this? Where did you cover it?

[Roxanne]

We have it on and David Bowie tribute album that was released on BB Records.

[Sam]

Yeah.

[Diamond]

Oh, nice.

[Roxanne]

So I chose. Sam was like, what song do you want to do? And I was like, we have to do, man. Sell the World.

[Diamond]

And that started because you were 11?

[Sam]

No, because I chose it for that. Rocks. Chose it for.

[Roxanne]

I need to finish this.

[Sam]

Yeah, sorry. Go ahead, Go ahead.

[Roxanne]

So thank you, Feminism. So hashtag.

[Diamond]

Hashtag call this number. Isn't it like three digits now? Shout out, logic, whatever you.

[Roxanne]

I have no idea what that. I don't know. If you want to.

[Diamond]

What is it?

[Roxanne]

So I went into the next room and I was like, mom, I have to go to this band. I have to go to the next concert. You have to take me. Even though I never asked her to go to a concert before in my life. And she was like, what band is it? I said, nirvana. And she was like, I don't know how to tell you this. And she sat me down and told me that Kurt Cobain had died. And I cried and I shouted at her. And I was like, why did you never tell me about rock music? You're white, you bitch.

[Boz]

You're not supposed to know these. Stop. Why are you here?

[Roxanne]

You just gave me R and B.

[Boz]

Wait, so what. What. What year did you find out Kurt Cobain died?

[Sam]

This is about three years ago.

[Diamond]

On the way here.

[Roxanne]

Oh, 2002. No, I'm not going to say that gives away my age.

[Boz]

No, no, I'll jump side RP though. Man, what a legend.

[Sam]

I know, man.

[Boz]

What a legend.

[Roxanne]

Yeah.

[Boz]

Honestly, that's what drew me to, like, songs like Norbit San Juniper.

[Sam]

Right. That nice grungy.

[Boz]

It feels like grunge. Yeah, I like when you tap into.

[Sam]

That on the production Bueno shot Diamond.

[Boz]

Yeah.

[Sam]

For. For Norbit. Like, they brought that 90s grunge right to the forefront, you know?

[Diamond]

Yeah. Is there a genre of music that you may not have explored yet that is on your radar that you want to tap into?

[Sam]

I would say drum and bass or like something very up tempo and aggressive.

[Boz]

Like, I would like to see a little drumming. Bass drumming as mug.

[Sam]

Just like, not necessarily like drum and bass, like in like, the Australian format, which kind of gets overdone.

[Boz]

Like garage.

[Sam]

No, but you remember, like, bands like Pendulum and shit, like when we were growing up, like 2012, there was a big drum and bass, like High contrast Pendulum and like I found them quite jarring. But I also, I also envy their ability to maintain like people's focus at that tempo.

[Diamond]

Yeah.

[Sam]

And I feel like electronic music hasn't. Or commercial music hasn't gone back to that tempo. It's kind of stayed in this kind of like two step realm for about 15 years. And it's time, it's time to like shake it up a bit. Like, I mean so I would say that like something more like high tempo.

[Boz]

Would be some British. That moment put me on to once again. When I was really young was Artful Dodger, right. I had like Arthur Roger summer where I was so tapped in like what? Square pusher. Yeah, Mama put me on a square push as well. I ended up rapping over. Over Red Hot Car on like an old mixtape. Wow. Yeah, yeah, yeah. You know what would square but should be considered like John said like garage. Garage, right. Same as Artful Dodger.

[Sam]

Yeah, yeah.

[Boz]

Are those, are they still active?

[Sam]

Burial is like kind of like. No, I'll say. Barry was just like, you know, like kind of minimal garage. Like kind of.

[Roxanne]

It's funny you say that because I wanted this one track that bonded me and Sam was bi Burial. Do you remember there was like holding you.

[Sam]

Yeah, you know that one?

[Boz]

You know what's the one Drake sampled? That was kind of like a garage record.

[Sam]

Kyla, do you mind?

[Roxanne]

Do you mind?

[Boz]

On which. Which is that One dance.

[Diamond]

Which record?

[Sam]

Yeah, one dance. And the original is way better than what he did to it.

[Roxanne]

Okay.

[Boz]

What? One Dance. A classic.

[Sam]

Oh, that. Kyla. Kyla, do you mind? Shout out Kyla, do you mind? That's like a national.

[Diamond]

But I feel like that's. I. If that's your country, man.

[Roxanne]

Most of people lost their virginity.

[Sam]

Like I, I would take, I would take, I would take.

[Boz]

Whoever lost their virginity to one dance. Tell you that much.

[Sam]

I'll tell you the L's in our food.

[Boz]

Who was the one dance and who was to this song?

[Diamond]

Comment below. Comment below.

[Boz]

I bet you I'm winning. I still the one dance.

[Roxanne]

Yeah, but we're English.

[Boz]

Every summons every summer. I feel like one dance as a.

[Diamond]

World, as a world. We've locked in the summer of 2016 as like the holy grail of music.

[Roxanne]

It wasn't summer of 2016.

[Diamond]

It was magical. But it's like we hold on to that like it's the golden child.

[Roxanne]

Why do we all think it was the best?

[Sam]

That's right.

[Diamond]

It's a beautiful year for me.

[Roxanne]

Accepted. It's the great year Though we all agree.

[Boz]

What was it about? It feels like the world ended in 2016. We just been in like a black mirror episode since.

[Roxanne]

It has been crazy.

[Boz]

Take us back, man.

[Diamond]

I don't. I don't want to cause a division here, but I do want to ask because Boz is a huge. I'll say in your language. A football. A fan of football. Yeah, I know. He's a PSG guy.

[Boz]

Sore topic. We did his boys a little dirty.

[Diamond]

We've been on this Kumbaya piece.

[Boz]

Wave. Can I say Arsenal gave us our biggest cop.

[Sam]

Thank you.

[Boz]

Of the Champions League. My scariest games.

[Sam]

I'll take it.

[Diamond]

So Arsenal, is that your club?

[Sam]

Yes. Yes. Saw team.

[Diamond]

Are you. You're both Arsenal fans?

[Roxanne]

Yeah, I'm by proxy. That doesn't count. Not because of him, because of a friend.

[Boz]

But it's like, you know, it's different. We don't even have a real rivalry. It's just this year we met at it. We met at a head in it.

[Sam]

We met a real good head, you know? Yeah.

[Boz]

But like, actually I. With Arsenal, because I feel like. I mean, it might not apply to you necessarily, but I feel like like the black club of London all the out. We were the first.

[Sam]

We were the first team to filled an all black 11.

[Boz]

Like, so y' all were like. Y' all broke the.

[Diamond]

All 11. Like the starting stuff.

[Boz]

Yeah, yeah, yeah. The color barrier. Like Jackie Robinson.

[Diamond]

Wow.

[Sam]

We. We. Yeah.

[Boz]

My family in Oxford, all my cousins in Oxford.

[Sam]

I'm pretty sure we're talking venga.

[Boz]

The Gooners must have been like all the goners.

[Sam]

90S, late 90s.

[Boz]

All right, no more shots for me specific year. All the Gooners shout out to the mandam. They tapped in.

[Sam]

It's true, man. Like for context. Yeah. I remember 1, 1, 1 title breaking season for the Premier League about a year or two ago. Like, all like Bars's cousins in. In. In London and Oxford, like, shout them all out. Love them. They're divided between Man United mostly and Arsenal.

[Boz]

It's really Arsenal. And then there's like two that'll die on the hill for Manu, which I really respect.

[Sam]

Yeah.

[Boz]

You know what I mean? Because they'll like. If I pulled up my family chat right now, you wouldn't even think these was related. These. God. At each other's. At each other's next.

[Sam]

It's crazy, but like, you have like. So that we had like a title deciding game against Man City and I was watching it with Bars in. In LA and. And the family in Oxford watching It in Oxford in their time. You had. And he was like, look at this on FaceTime. Right? You had the Man United fans upstairs.

[Diamond]

Yeah.

[Sam]

Like a whole different section of the house. And you had the Arsenal fans downstairs and like the difference in real temperament. Like just tone like upstairs or like celebrating like Arsenal. Like, you know, we hate each other. Right. And then the Arsenal fans. I said, it's just dead quiet, like dead silence. So, I mean, so it's a real. It's a real. It's a real pain. Like that's, you know, I'm not sure. I'm assuming you're a Knicks fan coming from New York.

[Diamond]

That's the. It's the only team I care about.

[Sam]

So, like, I would say that the. From my experience of kind of being like a. Like by proxy, like a knicks fan since 2016.

[Boz]

Jets too. We made him a Jets fan.

[Sam]

Yeah, jets fan as well.

[Diamond]

Jumped on the Jets.

[Sam]

Cuz everyone. Everyone in.

[Boz]

Sorry.

[Diamond]

That's a plane that keeps crashing. But you can. Like, it's like our current faa, like, if any.

[Sam]

That's what it's like to be an Arsenal fan. Like, you know, you, You. You can't. And same with the Knicks. With the. With this champion.

[Diamond]

Oh, no, no, we're not going to go that far. Don't do that. See, now you're Invincibles.

[Boz]

Yeah, it's true. We don't have the Invincibles. Maybe you don't know in our lifetime, bro, the jets haven't won since what, 68, 67.

[Sam]

See, I don't. I don't know. I don't know that. That lineage, but I do know generation.

[Diamond]

The Civil rights movement. Yeah.

[Sam]

The level of like, pain. They're kind of like you were the. The things and flows, ebbs and flows. Like peaks and troughs. Like that.

[Boz]

Troughs. Is that like a valley?

[Diamond]

Troughs, troughs, troughs.

[Sam]

Tr.

[Roxanne]

Trough.

[Diamond]

Trough. Like where you pee in a communal trough.

[Sam]

Yeah, that's very medieval. Hold on.

[Boz]

Off topic, off topic. What's up with y' all medieval ass urinals in the uk?

[Diamond]

What?

[Sam]

Is that what you like, bro, with the big metal ones?

[Boz]

It's not. It's not like. It's just like a huge sink.

[Sam]

It goes like, how many. How many of us can fit there? How come?

[Boz]

No dividers, no nothing?

[Diamond]

Who says AO first? He's diamond off. Off. Mike said you have to check out what everybody's working with.

[Boz]

That's crazy.

[Diamond]

They call that the UK heat. Check.

[Boz]

I love the uk. Like my second home. But like better urinals, right? It's better get your urinals right. It's not sanitary. It's other piss ricocheting off the metal.

[Diamond]

He's right.

[Boz]

Like, you can't wear shorts, right?

[Diamond]

It's like a buck shotgun. You hit. You. You. If you. If you have a healthy stream and you hit the wall, it's gonna bounce back and hit you. In casualties.

[Roxanne]

Toilet train properly, that wouldn't be an issue.

[Sam]

Yeah, but it's better than France.

[Roxanne]

Yeah, it is. In France.

[Sam]

France, you want to take a. And there's a hole in the floor and you go, oh my.

[Diamond]

Where is that happening?

[Roxanne]

Service stations. Service stations.

[Boz]

Really?

[Sam]

You've not experienced that?

[Boz]

Oh, you mean like the little. Yeah.

[Sam]

Like you squat towards the ground and you go for it. And I'm like, what the is this?

[Boz]

You go for it? I'm like.

[Sam]

I'm like, no.

[Boz]

Oh, man.

[Diamond]

Is that like growing up like so, so growing up here, like in New York is like, we like, you know, Philly, like New Jersey, Boston, whatever. Like, yeah, like those are like our. Oh, yeah, France. The France is your.

[Sam]

I love France, but the French just off rip, Like, I mean, it's different.

[Boz]

They didn't. Y' all have some. Literally, we were at war for 100 years. 100 year wars.

[Sam]

Like, I love the French way more.

[Diamond]

Just we love.

[Sam]

But like the French and English, like, we love just kind of like slapping each other in the face for the fun of it at this point.

[Diamond]

Yeah, I mean, like, we ain't never.

[Boz]

Been to war with Boston. Like, it's a different deal. It's just sports.

[Diamond]

It's purely these met in the field.

[Boz]

With big ass swords. So it's like, I can see how it's hard to get over that.

[Roxanne]

Hard to get over.

[Sam]

Like, it's such a great. It's such a great piece of history, you know, like we. And the funniest thing that I learned recently was about the cockney language. Language, right. So linguistically, like, you know, we have a lot of national pride within the Cockneys. They think that they are the English of the English. But the only reason that they drop the H on like, you're, you're. You're having a laugh, right? They'll be like, you're having a laugh. The only reason that they drop the H is because of the Huguenots that settled in East London. So if you listen to a Frenchman speak English, they'll be like, you are having a laugh. It becomes you're having a laugh, right? Or you're having a laugh stuff. So. So technically the Cockneys are French.

[Diamond]

So you even on them.

[Boz]

Yeah, yeah.

[Diamond]

So it's like, like.

[Sam]

So it's just the full circle of, like, you know, what is national, what is nationalism?

[Roxanne]

Doesn't mean anything.

[Sam]

Doesn't mean anything.

[Diamond]

It does.

[Sam]

Not everyone. Everyone's French, especially in Europe.

[Roxanne]

Doesn't mean.

[Boz]

I mean, here too. It probably even more so.

[Roxanne]

That's here. Yeah.

[Boz]

I mean, country's 200 years old. Try to convince you. You gotta.

[Roxanne]

Yeah.

[Boz]

You know, make America slavery again.

[Sam]

Yeah.

[Diamond]

This country is.

[Boz]

We got more Lego over there.

[Diamond]

Is there? If you were to compare. I know London's home. But, like, comparatively, if you were to have a preference, is it New York or London or what do you prefer over between the two.

[Roxanne]

New York or London?

[Diamond]

Yeah. Well, in culturally and also, like, we can get down to, like, clothing and food, which you've kind of already addressed other things. Yeah.

[Boz]

Healthy one.

[Roxanne]

I mean, fashion 100. New York.

[Diamond]

Yeah.

[Roxanne]

New York, hands down. Yes. New York is like the closest thing you can get to, like, I don't know, Paris.

[Boz]

Nah, man. Tokyo's flying.

[Roxanne]

Oh, sorry. Tokyo. Yeah.

[Sam]

I'm sorry. Not all of us have been to Tokyo's.

[Diamond]

Damn near lives in Tokyo at this point.

[Roxanne]

That's why he looks so good. He's so well put together.

[Sam]

Thank you.

[Diamond]

Have you. Have either of you done Tokyo yet?

[Roxanne]

No, never.

[Diamond]

I've been dying to go to.

[Sam]

Yeah, but let's go.

[Roxanne]

You already have been.

[Diamond]

I would. I would love to go.

[Boz]

I took Julian to South Africa.

[Sam]

Wow.

[Diamond]

Yeah, it's a fun time. You mentioned acid earlier. The only time I've ever taken acid was in South Africa in a bush.

[Boz]

Oh, you did that?

[Diamond]

I did it because in my mind.

[Sam]

I did a caller went out into the house.

[Diamond]

Oh, yeah. So when we. So this is my journey was like, I arrived in. In Johannesburg, and I didn't know many of the guys, like, I had met, you know, like, so many of the. The fiend.

[Boz]

Wait, backstory. I had just signed my pub deal.

[Diamond]

Yeah.

[Boz]

Got a crazy bag.

[Diamond]

Yeah.

[Boz]

And I was like, it. I'm gonna take a gang of the to Sa to celebrate.

[Diamond]

He calls me. I'm at Atlantic Records. I'm working like, we're in office three days a week. He calls me on, like, a Thursday. He goes, what are you doing next week? Or like, in two weeks or whatever.

[Roxanne]

And I was like, what are you doing tomorrow?

[Diamond]

I'm here. I'm working. What do you mean? He was like, do you want to go to South Africa? And at that time, I was already, like, committing to Transitioning from leaving Atlantic. So then that just became, like, my impetus for, like, all right, I'll put in my two weeks, like, go and, like, get my, you know, passport rushed. Shout out, rich. Who did that? Rich got the plug. And next thing you know, next week, I'm in Johannesburg and I'm meeting all these guys. I just landed. No time to, like, shout out Vaughn.

[Boz]

In the Stay Low family, first and foremost, shout out, yes.

[Diamond]

And I. I. I land. I drop my bags up in the. In the. At the telly. And they're like, all right, we're getting in the car and going three hours north to the Shambhala. And I was like, I'm sorry, where? And they're like, shambhala. And they were like. I was like, my bad. I don't know.

[Sam]

Shamble.

[Boz]

Let me tell you about Shambhala, because one of my favorite.

[Diamond]

All right, you've never been. We're not doing.

[Boz]

Is basically, you know, you know, stay loaded. Part of staying entertainment. It's a big, big, like, South African family, and they own, like, a 35, 000 acre, like, it's one of the.

[Diamond]

Largest private bush in South Africa of the bush.

[Boz]

And, like, and their big homie was like, Mandela's guy, and he built. He built Mandela a house in the bush for him to, like, vacation, which is the house they gave us to stay in.

[Roxanne]

Amazing.

[Diamond]

And a lot of presidents.

[Boz]

It was mornings where I'm sitting there taking a, like, Mandela ass was on this toilet. Yeah, I'm sleeping in. Mandela's like, King Ross. We was in the office. Was in the office. And, and. And. And then some of the security dudes and then some of, like, the managers shout out, dale. Dale came in, and he was like, dale? Yeah, Dale. Dale's a guy, man. Big, big homie. And he was just telling us about, like, you know, the history of the whole place. And it's like, bro, it's the most peaceful, beautiful, serene, like, experience you can have. Like, especially when you're tripping acid.

[Diamond]

Yes.

[Boz]

Because you. Yo. I mean, the brontosaurus was fake, but the rhinos were real. And I remember we came where you see where this camera is right here is right off screen, like, right here. I'm telling you, the rhino was right here. And I swear to you, I was the first time the rhino got that close. I was shook, and he was just grazing. And then he looked at me and, like, telekinetically, he was just like, my. Used to be down here with us. Like, you change. I ain't change. And I Was like, damn. In that moment, I was like, you. Right? Like, I'm not scared.

[Sam]

You became like Jeff Goldblue.

[Boz]

And I mean, luckily, like, I wasn't high enough to, like, go all the way and jump off and be. And, you know, my brother. Because then I might have got my, you know, let me hug you right on my shirt. I got my rock for sure. And. Because they probably wasn't thinking that and.

[Diamond]

Wasn'T saying that they were not on the same page.

[Boz]

Yeah, they probably wasn't. But in my heart, all the animals were talking to me. You know what I mean? Straight up. But then we. Remember the hyenas.

[Diamond]

Yeah.

[Boz]

So.

[Diamond]

So this is where my. My story. Like, we. We took. We. We did a ride when we got in to. To. On the morning ride. Morning? No, like, afternoon. And then we did a sunset cruise. Beautiful. Private dinner. Private chef. Beautiful. We had a kuru. It's like their antelope deer situation.

[Sam]

Yeah. Yeah.

[Diamond]

And I remember I asked the chef. I was like, is this, like, an indigenous animal? Like, I don't want to eat something that's like. And they're like, no, they run rampant. Like, yeah.

[Boz]

They gotta call them. They. You know.

[Diamond]

Yeah.

[Boz]

Do something with them.

[Diamond]

Beautiful. They got it. So there was. So then we take the. The night ride, and we take acid for the night ride. And during the night ride, we're. We're on.

[Boz]

We took acid on a boat for the sunset cruise.

[Diamond]

That's right. Because I was smashing you this.

[Boz]

Could not catch a fish. But he's so com. I didn't. That's when I seen how competitive, bro. He would not stop fishing. Everyone else was just catching fish left or right. This thing was like.

[Diamond]

They were all socializing, hanging on the boat. I was like. I was like, yo. Approaching my acid trip.

[Boz]

It's the most beautiful. There's hippos. And.

[Diamond]

And he's like, I didn't want to talk to anybody. I said, I'm all you. I'm getting to finish.

[Boz]

Locked in.

[Diamond]

Locked in for an hour and a half. However long we were on the water, I respect it. I didn't want to talk to anybody.

[Sam]

I couldn't leave that, bro.

[Boz]

We docked, and this was still fishing.

[Diamond]

There's video footage of this, too, by the way.

[Boz]

So.

[Diamond]

So we get back on the. On the ride, and we're going in the night now. The sun's down, and it's our only light source is the. The headlights on the. The Land Cruisers like, you've never seen the stars. And the. The. The lantern that Dale, who Is driving. Is holding in, like, pointing in the. In the direction of the road itself to also to spot animals. That was more of like a. Hey, here's a. You know, whatever.

[Boz]

Mind you. He's sitting on a.

[Sam]

On the thing on the front.

[Boz]

The thing on the front.

[Diamond]

He's. It's a jump seat. It's a jump.

[Boz]

V is driving.

[Diamond]

V is driving also off the.

[Boz]

I'm saying the driver. I'm saying passenger. And we're looking at each other and I'm like. I'm like, bro, I know you did the same tab as I did. So, like, I'm like, you good? He's like, hell, let's go.

[Diamond]

He's off. This is like, oh, hearing the.

[Boz]

Out of this thing.

[Sam]

Like an old land driver or something.

[Boz]

He's like, like, yeah. You know them big ass. Yeah.

[Sam]

Like 12 gigs.

[Boz]

Yeah. Because it's really like roads.

[Diamond]

Yeah.

[Boz]

It's like a few paths, but then like, yes. If. If they see it off the side, they going off the road.

[Diamond]

We go into the bush.

[Roxanne]

Was this when Caleb was there as well and diamond and Clay?

[Boz]

Oh, no.

[Diamond]

It's a different trip.

[Boz]

That's different. That's a different trip. So Tori was on this trip, right?

[Diamond]

Yeah, Tori.

[Boz]

Guy furious was on this trip.

[Diamond]

Yep. Guy. The gully gully.

[Sam]

The gully gully.

[Boz]

Yeah.

[Diamond]

Yeah, yeah.

[Boz]

Guy fear is on this trip.

[Diamond]

Falcons.

[Boz]

Falcons was on that trip.

[Roxanne]

Wow.

[Diamond]

Momo. Momo. Reg proof Reg.

[Boz]

Maddie.

[Diamond]

Maddie, you just need to get a.

[Sam]

Reg POV in general.

[Diamond]

Like, just put a GoPro on red.

[Boz]

We're not gonna talk about that.

[Diamond]

So. So. So we're.

[Boz]

The realest one.

[Diamond]

We're riding it. We're riding in the pitch black in the dark, and we. We see a hyena scurry up the the road and. And we. Dale goes. Vaughn follow. And we turn it off the path. We get off the path, and we're no longer on a road. We're in the. In the bush proper. We see a bunch of trees, a bunch of like. It's just wilder. And then Dale goes. Cut the lights.

[Boz]

No, no. Remember why he said that? He's. We got into. I know.

[Sam]

Den.

[Boz]

He's like, then. And so you look around and that shit is like. It's like Lion King. I get it. It was bones.

[Diamond]

We see. It's just. It's just. It's ripped carcass, ribs, carcasses, heads. And it smells. It just reeks of meat. Just meat. And just like. And it's. It's the African heat, and it just smells like rotting flesh. And then we see all this. We establish where we're at. Like, cut the lights.

[Boz]

Cut the lights in the engine. Let's see if they come back.

[Diamond]

And then it goes. And all you hear is.

[Boz]

No.

[Diamond]

And then we black, pitch black. And I.

[Boz]

Can I tell you, I've never been more at peace in my.

[Diamond]

I'm peeking off the acid. Dying, laughing. I could not stop laughing. I was uncontrollably laughing, laughing at this. We were. I've never been more at risk in my life. We look up, I see shooting stars. Just the galaxies and things. Just like seeing an inverted version of the earth that I ever experienced before. And we're all crying, laughing is smelling, rotting. Except Falx was himself foul. On the opposite.

[Boz]

Get your head back in because I got my head out this stupid. These felines got night vision. Like they can just swipe my ass out. That bitch.

[Diamond]

We were both all. We were all like, oh, look at the stars. Dumb as yo.

[Sam]

Really could have gone.

[Boz]

But it could have been.

[Diamond]

It was. It was. We would hear like just like. Like foot, feet, pitter patter.

[Boz]

And the real is the big cats when they. When they like, like purr. Like the lions that like. Because it's hills, it like reverberates through. Yeah, it's crazy. It's a crazy low end, like rumble. And then like the guys will be like, they're in that direction and they just pull the. And like speed off over there, find some lines.

[Diamond]

The greatest thing they said that. That was a hell of expert. One of the craziest things. Like, what about like people that, you know, come to the. To the grounds and try to poach them, the elephants in particular for their. For their tusks and trying to get the ivory or like chopping off the noses of the rhinos. And so when we catch those guys, you know, we'll shoot them, we'll kill them. Which is 100 justified. They're allowed to do that. And then we'll just leave them to. To bleed out. And we'll let the animals. We'll let nature take its course. Well, let the lions and whoever just have it their carcass.

[Boz]

Yeah. Shout out Rylan. I think that was a Ryland story.

[Diamond]

If you're on these grounds and you're. And you're one of those people, nature will do its part and just eat them.

[Boz]

Yeah.

[Diamond]

And take care of it.

[Boz]

One of my security guys out there, Rhonda was like anti poaching. So he would tell us, yeah, we would just stay in a bush and, like, wait to, like, ambush the poachers. And then he was like, we leaving for the animals by see. All right, let's get it.

[Diamond]

Yo. Such a good impression.

[Boz]

Shout out, Rylan, man, what a. This is a great dude. Dude. Great guy.

[Diamond]

Such a good dude.

[Boz]

Shout out, dog. Shout out everyone that takes care of us when we in sa. Shout out the whole of sa, man.

[Diamond]

They know they got my heart is there as well. Since we're on the topic of traveling, is there a. A country that you. You have performing or haven't performed in that you really want to do a show in? Or, like, what's your favorite stop on tour? Where do you really want to go next? Rocks?

[Roxanne]

Oh, I really like Amsterdam.

[Boz]

We did Amsterdam a few times.

[Sam]

I wanna. I wanna see.

[Boz]

Oh, not something new.

[Sam]

I wanna.

[Boz]

You're gonna lose your minds when you go to South Africa. Because when I go to South Africa, they ask for y' all all the time.

[Roxanne]

I know they are.

[Boz]

They have the most unique and varied, like, love for music I've come across. You know, some people think it's just, like, dance music. And you hear a Mapiano and like, Afro Tech and all the. That's going on. That's obviously that they're exporting to the world. But there's like, such a deep love of, like, hip hop, R B, jazz.

[Sam]

Yeah.

[Boz]

So, like, they. Those are the most active people on social. Asking me to bring out somewhere.

[Roxanne]

Yeah, they're always asking, I think outside.

[Sam]

Of Scandinavia, like, the. The melanchronic kind of like the. Sorry, the melancholy. Yeah, melancholic melancholy. Like energy exists within a Mapiano. Like, it really does. Like, I've had that experience for, like, since we did the joint with Sims With Gratitude had a really big connection with South African audiences. And I think, you know, we've had, like, a. We've been blessed to have support from South Africa. I think it'd be good.

[Roxanne]

Yeah, we have.

[Boz]

No, it's a great. It was a great. It's a great, like, country to get loving Shane Eagle as well. Shout out Shane.

[Sam]

Yep.

[Boz]

Shane Eagle was on the middle. And y' all did the joints on his album as well.

[Sam]

Exactly. I think, like, yeah, South Africa would be a great one. Like Johannesburg, Cape Town, Durban, anywhere, probably. Like, I've never been to Asia, like, ever. I think something. Anything in Asia would be incredible. You know, whether it be going to, like, Tokyo, whether it be going to, like, Silhouette, Silat. Sorry. In Bangladesh or something. Sell it. It's not seller. Or going to, like, Malaysia or going to Seoul.

[Roxanne]

I want to go to Tibet.

[Sam]

Yeah, I know. We just worked with an amazing artist called Sagun. He's from Nepal. Like, and he was telling me about, like, the kind of landscape that he grew up in. Yeah, the sounds incredible.

[Boz]

Like, yeah, that's where Mount Everest is at, right?

[Sam]

Yeah, it's like. And that's just.

[Boz]

That's just.

[Sam]

That's just nine to five.

[Diamond]

Yeah.

[Roxanne]

We were up in the, like, where were we? Strawberry Peak.

[Sam]

Yeah.

[Roxanne]

In Los Angeles in, like, April, shooting some content with him. It was 6am we were like, look at how amazing this is. And he was like.

[Sam]

This is great.

[Diamond]

It's weird how, like, we just kind of get, you know, that wears on you after a while. You just, you know, it just becomes. Becomes the. The normal.

[Roxanne]

Yeah, whatever. You grew up with this wherever you.

[Diamond]

Grew up, which I think, like, inspires especially, like, I know in particular, like, as the friend of Boss, like, his sound like he travels so damn much. And I think you can hear that reflected in so many records and so many versions of his music. But, you know, like, with you guys as well, like, is that what. What's like, the. I find, like, when the artist, the more they advance in their career, you can go down, like, one of you can go down many paths, but certainly one of two ways where I see is like, you can. Can get comfortable and as. As success grows, the comfortability grows and the lack of creativity can grow as well. Or you can, you know, that success can manifest and grow, but at the same time, you keep pushing yourself to try different, you know, cultures, go to different countries, try different food, and just like, inspire yourself in different ways. Like, what do you hope is there, like, a driving force that's been the same thing since you were like 11 or when you guys were in high school creating music, or like, what is, like, the continuing force that makes you just want to constantly create?

[Roxanne]

When I was younger, I don't think I ever really realized how much travel plays a part in being an artist.

[Diamond]

Yeah.

[Roxanne]

Whether it's writing or acting or whatever. Like, I. I'm very used to being in solitude, but it wasn't until I pushed myself and had real life experiences that I had no control over.

[Boz]

It's the best form of education.

[Roxanne]

Exactly.

[Boz]

Irrelevant of what you're doing. There's. There's nothing that'll educate you like traveling, because everywhere else, you're just getting indoctrinated by the state.

[Sam]

Yeah.

[Boz]

You know, at the end of the day, no matter where you live, it's just the state.

[Roxanne]

Indoctrinating you and the same people saying the same things.

[Sam]

Yeah.

[Boz]

It's like, don't with them. Don't with them. Don't with them. No. It's like, all right, brother, I get it. But let me go see what's up.

[Roxanne]

It's in the moments where, like in Raleigh, for instance, I started the song on our ep. Harmon, I started the song on you. And then we're at the shelter and it was just like the. The expansive trees, just the height of trees.

[Sam]

And they were all big trees.

[Roxanne]

They're very tall trees.

[Boz]

Shout out to the shelter.

[Roxanne]

I was looking out the window and I just felt this, like, overwhelming feeling of creativity.

[Diamond]

Yeah.

[Roxanne]

So I think traveling is the most important thing in order to fuel that for me. 100 and I used to hate planes and now I don't, so.

[Boz]

Yeah, that's true. That was like an early.

[Diamond]

Really?

[Boz]

It was like an early hindrance. Hindrance. That's a good word. Yeah.

[Roxanne]

Yeah. So, yeah. Shout out to you.

[Boz]

Completely conquered that. Proud of you.

[Roxanne]

Thank you.

[Boz]

We wouldn't be here today. She'd be skyping in.

[Roxanne]

No, I literally would.

[Diamond]

Really? That bad? Really?

[Roxanne]

Shout out homeopathy and shout out turbly. Love you terribly. You should create an app because you're the best.

[Boz]

What's that?

[Roxanne]

It's a. It's a website where you can put in your flight number and it tells you from previous. What they called the people.

[Diamond]

That gives you, like, some context of the pilot.

[Boz]

Oh, terrible.

[Sam]

It's like, it tells. It tells you how much you're gonna.

[Roxanne]

Like, might die by the hour. By the hour. It tells you and it's accurate. We're like in the second hour, if.

[Boz]

I want to know.

[Sam]

Creative rock. Sounds like I actually knew this was going to happen.

[Roxanne]

I'm like, like, oh.

[Diamond]

In terms of like, holding on to the seat.

[Roxanne]

Traffic control tells them what's happened in the previous, like, three flights. So then I told the girl across from him about terribly and when we were experiencing really bad turbulence, she lent over and I was just like. She was like, was this, like, supposed to happen? I was like, yeah, for the next 20 minutes.

[Diamond]

Okay, cool.

[Sam]

She was crazy.

[Boz]

That's impressive. I'll be sleeping through all of that.

[Roxanne]

Oh, you're so same. I've never slept in a flight in my life.

[Diamond]

Really?

[Roxanne]

Even 12 hours, I'm awake. I'm almost also staring out the window when the woman comes along or the man and tells me, put the window down.

[Boz]

Like, you ever seen that classic episode of Twilight Zone?

[Diamond]

That is my favorite episode of Twilight.

[Roxanne]

So I don't think you should tell me if it's scary.

[Diamond]

It is scary.

[Boz]

Next time we hang out, I'm just gonna play it for you. Next time, wearing my crown, I'm just.

[Sam]

Gonna play for you as a true Englishman. I'm gonna go for a quick slash.

[Boz]

I'll be right back.

[Diamond]

It.

[Roxanne]

Oh, wow.

[Boz]

I think we only have, like, a.

[Roxanne]

Few minutes left for, like, 25 minutes.

[Boz]

Are we slashing?

[Diamond]

I'm going to pee myself.

[Roxanne]

Oh, okay.

[Boz]

All right. Yo, slash. Tom. As a. As a.

[Roxanne]

So maybe we could ask each other questions.

[Diamond]

Yeah.

[Boz]

Let's go, rocks. So, hey, when did you know that Sam's hairline was receding?

[Roxanne]

Okay, so actually, this is really interesting. He kept telling me, my hairline is gonna recede. My hairline is gonna recede. I didn't even.

[Boz]

Oh, no. He spoke it into existence.

[Roxanne]

No, because he knew, because his dad's had. And his brothers as well. But I didn't even know what that meant because all of the men in my family are full heads of hair, like, even the ones in their 90s. So I was like, it's okay.

[Boz]

But he looks good with a baldy.

[Roxanne]

Yeah, I do. Like a. I do. Like an egg.

[Boz]

Yeah. I think he should have just always been bald. Just stay bald.

[Roxanne]

I've always really fancied Mark Strong, you know, Mark Strong, of course. So.

[Boz]

Yeah, I can see it. I can see it. All right. All right. Shoot one off for me.

[Roxanne]

When did you know. How does it start that you were gonna be a rapper? There we go.

[Diamond]

Wow.

[Boz]

When I know I was gonna be a rapper.

[Roxanne]

Yeah.

[Boz]

I think I'm finding out every day.

[Roxanne]

There we go.

[Boz]

Every time I put something out, I'm like, am I still a rapper? Do they still with me or like.

[Roxanne]

But that's true. Because it's so hard.

[Boz]

J Boma. That's my backup plan. I'm just gonna just. Just open up all of MoMA's gigs, which is how I got it. I started music that way, you know, I was running around the streets in New York. I got into a bunch of trouble. Mama. Like, a great big bro was like, yo, man. He's like, like, I told you, used to always play me music. And we always kind of had that bond. So he was like, yo. He gave me his laptop and was like, just start opening up my gigs for me. This was, like, 09, you know, and that's. That's the first laptop that, like, I ever did a freestyle on. It was me and the Fiends. We used to have this crib. In the West Village. We called it the Carter. We're huge Lil Wayne fans and, you know, New Jack City. There were some similarities. Yeah, yeah. And, yeah, I used to DJ all their parties or a bunch of, you know, a bunch of homies. I went to nyu and. And I had dropped out of school. Hampton, Virginia. Shout Out Hampton. And then. And, you know, I think. I think my. Oh, I was DJ Bastradamus. That was my DJ name. That was my DJ name. I was DJ Master Thomas Bastardamas. But I think DJ Boma is better.

[Roxanne]

I like Boma.

[Boz]

Boma's way better. Yo, Mo, come on. I cut you a little royalty. Let me just run with it. I kind of. I ain't gonna lie. I kind of want a DJ again.

[Roxanne]

You should do it.

[Boz]

I want to start DJing again. Just to hang out with everyone. I like to hang out with and drink and play. We want to hear. Yeah, yeah, yeah, let's do it. I'm gonna come right back, DJ Boma. Yo, let me run with that, Mo. Let me run with that one time, my boy. Come on. I'm your brother. I'm your brother. Your. I'm your flesh and blood, Bulma. If anyone could be DJ Bulma is me. I'm your little bro, man. Let me run with it. Y' all good. You guys, so good.

[Diamond]

I'm so glad.

[Roxanne]

Yeah, I've been holding it for about.

[Boz]

It's cool. I was. I was moderating in your absence. I was in producer mode.

[Diamond]

You were holding it in producer mode?

[Sam]

I held it down still.

[Roxanne]

Wait, Balls of Steel is an English TV show.

[Boz]

Yeah, but no, it's also a saying.

[Sam]

Here in the fact.

[Boz]

Yeah. Like, you're. Like. You're courageous.

[Sam]

We needed to pee mid, you know, conversation.

[Diamond]

Oh, wait. I just. No segue. Just a genuine question I'm curious about. But we talk film a lot and, like, watch movie. We're into that. Like, what. What movies are like. What's your, you know, art fix? Outside of music?

[Roxanne]

I love film.

[Sam]

Yeah, film is.

[Boz]

We just went to the movies the other day, you know, three of us.

[Diamond]

What'd you think? 28 years later.

[Roxanne]

Yeah.

[Boz]

Yeah.

[Diamond]

Decent. Mid.

[Boz]

I'm still perplexed. Mixed feelings. I don't like to on anyone's art publicly, so I'm just gonna, you know.

[Diamond]

Noted.

[Boz]

But I really like the original trilogy. Just. They threw me for a loop. And I don't want to spoil.

[Sam]

We have a habit of watching.

[Boz]

I enjoy. It was like. It was a fun watch, but, like, I don't know, maybe I Had hyped it up in my head. Maybe I was expecting something.

[Sam]

I was expecting more than that.

[Boz]

Same.

[Sam]

Yeah. What's the one? The Vivich. That's our.

[Boz]

It's a period piece. Robert Eggers. You know Robert Eggers?

[Diamond]

Robert Eggers, Yeah.

[Boz]

And you don't know the Vivich?

[Diamond]

No, it's really the witch.

[Boz]

But the way they stylize, it's two beats. You've seen the witch?

[Diamond]

Yeah.

[Boz]

Have you seen the witch? I'm gonna say. Because if we say the Vivich and you're acting like. Yeah, you know, don't be like, oh, I saw the witch. I didn't know what you meant by for vids. Yeah. Right now you bullshitting a lot of the people. All right. Nah, that's. Honestly, that's probably my favorite one.

[Roxanne]

I still want to know why you lot didn't invite me to that. I was confused. We were out in LA at a sushi restaurant. It was bars, Sam and bars's creative directed do.

[Diamond]

Talking about sushi in New York?

[Roxanne]

No, in la. And we're having sushi and then radioactive kind. Yeah, yeah, yeah. The. The mercury. The three eyed fish from the Simpsons.

[Sam]

Yeah.

[Roxanne]

They're like, we're going to see the witch. And they just threw me in an Uber.

[Boz]

Oh, did we do that?

[Roxanne]

Yeah.

[Boz]

Really?

[Diamond]

Bye.

[Boz]

Damn.

[Roxanne]

And then I went back to the Hollywood house by myself because.

[Boz]

Really?

[Sam]

Yeah, because we knew she was.

[Boz]

Sometimes it's really for the bros.

[Roxanne]

I stood outside of that house for an hour on the phone.

[Boz]

Sometimes it's too much.

[Diamond]

Too much. One woman.

[Roxanne]

I had way too much that day. Evidently. Just kicking five.

[Boz]

It wasn't five.

[Sam]

D won't go.

[Diamond]

This is too much of the ratio.

[Roxanne]

Sometimes guys just need to be a little bit, you know, close to one another.

[Boz]

Yeah, I mean, these guys just went to the bathroom together. So we held hands.

[Sam]

Great.

[Boz]

We were like one.

[Sam]

Great.

[Roxanne]

Was it a long trail?

[Boz]

Sam was like, what's up with all this privacy with your urinals? I'm used to 15 dudes wings out. I'm used to like shoulder everywhere busted out of bed. Why is no one piss ricocheting on me? You know, Summer Miss, you know the urinals.

[Sam]

The Uranos he's talking about, right?

[Boz]

Uranus, we call them Uranos. Is crazy. What you call them urinals sound like.

[Diamond]

A Middle Eastern conflict. Where's the.

[Boz]

Hey, Ur.

[Sam]

Yeah, we call him.

[Boz]

That's your anal at that point.

[Diamond]

Israel about to bomb that place.

[Boz]

What the. Is that the Uranos.

[Diamond]

Uranos fc.

[Sam]

So what we used to do. Yeah. Like, at school, if someone was, like, pissing on one of them, you just fly kick him in the back so the whole would get pressed.

[Diamond]

That is so up.

[Sam]

It's crazy. You know what I'm saying? Like, that would be like, up to.

[Boz]

Like, the n. I feel you. I went to school. A lot like it. Oh.

[Diamond]

Where it's just like.

[Sam]

Yeah, the piss wool. Yeah.

[Boz]

White boy humor is the same worldwide. Like, you just violate, like, privates. Like, intimate, like, private moments. Yeah. Like, if it's a dick out, it's a white boy making a joke.

[Roxanne]

The Olympics.

[Sam]

Yeah. Cooler G. You know? You already know.

[Boz]

What is that.

[Diamond]

Why is that, like, teabagging and, like. You know what?

[Sam]

I don't know.

[Diamond]

Pants and people panting people was a big thing.

[Roxanne]

I think it stands back to the Roman and Greek empire. Not to be a neek, but, like, I think it does. They all used to love getting naked with each other and doing everything naked.

[Boz]

That's how you feel, Sam.

[Diamond]

So homoerotic.

[Sam]

Yeah. Yeah, sometimes.

[Boz]

And that's how we came up with the title sometime based on. Oh, man. Sam in the bathroom with a lot of men.

[Diamond]

Most times.

[Boz]

You got to make it pretty.

[Roxanne]

Okay.

[Sam]

Yeah.

[Diamond]

Is there. This is whale. You mentioned the songs that didn't make the album. Is there ever a chance that those come out? Or over the course of, like, an EP or a random drop.

[Sam]

All right. To say that.

[Boz]

Yeah. I mean, I think when we landed on Melon Chronicle, we realized, like, it's kind of a genre in itself and a very unique sound. And I would love to, you know, revisit that world and expand on it and grow, you know, as a unit. We learned a lot in this go around, so there's like a learning curve we don't have to go through. You know, I think it would be more efficient. Hopefully we'll take another decade. You know, I think we can put it together rather. Rather quickly, you know, But I'd love to keep exploring it, more so than sharing the old ones that didn't make it. I'd be more vested in new ones. New ones. Yeah. I think. I think we'd all agree on that.

[Diamond]

Melon. I didn't feel like I haven't asked, like, the easy question. Melancholic. Melanchronic, huh? Jesus.

[Boz]

No more shots for Julian.

[Diamond]

But.

[Boz]

What'S the.

[Sam]

Melanchol.

[Diamond]

What does that mean? Like, who came up with that? What's the. Explain that.

[Sam]

I mean, I was looking for a substitute to Maloka Vel, which was the original Title. Yeah.

[Boz]

Which is the original, because again, when. When we started this, like she said, four walls, which. Which is like the genesis of everything. We were working on Milky Way and the milk motif was so heavy. And then. I honestly still love the title because it's. It's. It's amazing. But it, It's. It's from Clockwork Orange.

[Diamond]

Yeah.

[Boz]

Which is the. The Drug with Milk. The Milk with Drugs, which is a very Fiend Boss Hicks friendly title, you know. But I think as, again, that was the beauty of having all this time is like, when you progress and you realize what you want something to mean. And it grew out of being something tied to that moment, to something timeless. And it. Again, I still feel the same way about four walls today as I did in 2017, which is like, you know, that's what. That's what made us want to get to this point. It's like, yo, this is. This is timeless. You know, this doesn't belong to any certain time, moment, genre, trend, anything. And so, you know, when. When Sam came up with Melon Chronica, it just seemed perfect. It is. It does speak to this chronic melancholy, you know, that. That a lot of the messaging and the, you know, the songs about longing and. And we joke about, even visually, the three Lonely Uppies, as we call them, you know, which is like these characters that we embody. And it's like just this. This modern human condition of being overworked and over stimulated, but, like, just lacking and longing for connection and, you know, things unsaid that we wish we set the people, you know, emotions that we feel that we don't express. And, you know, we. We believe that vast majority of our peers and our listeners, our audience goes through these same things. You know, we're all of a generation that's had to kind of navigate all this. Like, you know, when I was growing up, there was no dating apps. You know what I mean? Now there's this concept where it's like, okay, what you doing? You know, it's like. It's kind of weird, like, all of it in totality. And we could like, you know, wax deeper about that. But I think it just came to speak to, like, this. This feeling that we all have and this. It's almost Black Mirror. Ish. I use Black Mirror as a. A reference a lot because I love that show. You know, I think it's. It so accurately speaks to, again, the modern human condition and how, you know, how we. How we're taught to socialize, how we. How we taught to love and fall in love and the places we meet people and all that's changed drastically, like for tens of thousands of years. It was one way, you know, and then it's just. And. And even for the beginning of our.

[Diamond]

Lives and through, I mean from our parents to where we are, it's just.

[Boz]

I mean even where we were when we were in high school to where we are now is. Is a completely different thing, you know, and it's just like. I think to me it encapsulates all of that.

[Diamond]

Well, in the spirit of the. The melancholy and. And the dark and like the minutiae of things is what that can put listeners in a place of like a reflective depressive state, including myself. I heard the album, I was like, I even.

[Boz]

Good, that's good.

[Diamond]

Which is good. And I think you should sit in that. I think you should honor those emotions. But is there in the spirit of like following the script of most films or this arc of a story, what is the silver lining? Or what should people take away that listen to the album be like, okay, although this put me in this. In this. I want to say funk, but I'm in this mood.

[Boz]

Feel it.

[Diamond]

Take this.

[Boz]

Okay to feel down. It's okay to be sad. It's okay.

[Diamond]

I'm asking, does there. Is there a. Is there a.

[Boz]

It doesn't. I don't think there needs to be a silver lining.

[Diamond]

Yeah.

[Roxanne]

Yeah.

[Boz]

You know, I don't think a lot of times you go through in life and there's absolutely no silver lining. You get your heart broken and you're like, what? Damn, I just. Whatever. I got dumped. You know what I mean? You lose a loved one, you know what I mean? Someone passes away, you. You long for talking to them, for seeing them, for hugging them. There's no silver line.

[Diamond]

Like the end of past lives.

[Roxanne]

1. Oh my God, the end of past lives. I literally was in the cinema crying. My friend had to hold me.

[Diamond]

Yeah.

[Roxanne]

Cuz I was just shaking and everything.

[Diamond]

Everywhere, all at once. I cry every time I watch that.

[Boz]

I haven't watched past lives. You had to put me on Jesus.

[Diamond]

That is.

[Sam]

I watch Dragon Heart though. That.

[Diamond]

But that, but the point is like.

[Roxanne]

These are one thing I will say.

[Boz]

That scene in Braveheart when they all start swinging their dicks on the hardware. I remember being a kid, like, you think this is wild.

[Roxanne]

Again, an English tradition.

[Diamond]

So that's how they pee.

[Boz]

That's where it starts. That comes back to the. That that's why they're like urinals, come on.

[Sam]

My urinals.

[Diamond]

Urinal Urinal for what?

[Boz]

Just keep swinging, fam.

[Roxanne]

So one thing I will say about the album and the emotion, if you listen to the end of sometimes during Gala, Matthias's on piano. Not that it sounds like that. There is this moment where the. The back of the piano kind of surges a bit and it sounds like, you know, when you're watching a film and they show light breaking through a window and it kind of makes that, like that high pitched noise. It kind of does that. And during those notes, I feel like in the real sadness and emotion of that song, it's that bit where it breaks. I'm like, there is hope in everything. And it's the end of that chord sequence that I'm like, yeah, I might have been through all of this, but there is always hope. And maybe there's always a break of night.

[Boz]

The next Melon Chronicle, we should pick up from where that note left off.

[Roxanne]

That's okay.

[Sam]

Yeah.

[Boz]

Let's bring some hope to the world.

[Roxanne]

Yeah.

[Boz]

And it'll challenge us. It's easy. Like, now we know this is, you know, this is easy for us. This is what we do. Miss.

[Roxanne]

Just, you know, or do reggae chronica. Yeah, reggaeton.

[Boz]

Maybe we'll do Drill Chronicle.

[Roxanne]

Oh, God. Well, we'll just do a post.

[Diamond]

All right, well, great. We'll bring some light into the world. Melon Chronica available everywhere now. I nailed it, you guys.

[Sam]

I know. I'll just say finally.

[Boz]

After a two hour pot, he's finally pronouncing it correct. Ladies and gentlemen, make some noise for Julian.

[Sam]

I'll just say my takeaway from the whole album is just. Just make music with your friends.

[Diamond]

Say it one more time. Just. Just my peanut.

[Sam]

Shut the up, guys. I'm trying to say something. I'm saying my. My takeaway from this whole album is just make music with your friends.

[Roxanne]

Yeah.

[Diamond]

I love you.

[Boz]

You can never fail with that family.

[Diamond]

My. My name. You're here on my YouTube page, obviously.

[Sam]

Color.

[Diamond]

This is episode 24. Something wrong with the podcast. I love you all. Thank you.

[Boz]

Sam Rock.

[Diamond]

Thank you, man. Boz, this has been a pleasure. I love you guys. Thank you so much. I'll see you next week.

[Sam]

Shout out. O great.

[Diamond]

That one's fucking awesome.