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MultiCare Representative
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Lowes Representative
Spooksters We've got a special because every once in a while our sister show Snap Judgment comes across a story that veers into spook territory. Today is one of those stories. We think you're gonna dig it. Liz Mack spoke to Bob Snow.
Bob Snow
Let me tell you something. When I was commander of Homicide, one of my biggest advancements to all my detectives was do not get emotionally involved in your cases. If you get emotionally involved, you can't see things you need to see. But believe me, I was really emotionally involved in this case.
Interviewer
Tell me about how this all started.
Bob Snow
We're at that party. I don't remember what holiday it was. I was talking to a psychologist, Kathy Graben. I read a book about past life aggression therapy and I was talking to her about it. Past Life Aggression Therapist When a psychologist or psychiatrist hypnotizes you and supposedly takes you back to a life you lived before your present one, I basically told her I thought it was just Foolishness. I didn't realize that Kathy used past life regression. So I think I was being kind of obnoxious putting it down so bad. And she gave me the name of a friend of hers, Dr. Mary Ellen Griffith, who did past life regression and told me, try it yourself and see if you really still think this was silly. I said I'd do it. Well, actually, the next day I woke up and I was a little more clear headed and sober. I thought, this is stupid, I'm not doing this. But it seemed like from that day on, I ran to Kathy constantly. And when I'd see her, she'd always ask me, have you made deployments yet? I got tired of making excuses every time I saw Kathy. So finally I decided, well, I'll do it. But I also decided I was going to take my own tape recorder along, record the session so I could bring it back to Kathy and show her how silly it was. Being a police officer, you want evidence, you want proof before you make any claims. And so I basically made the appointment to go see Dr. Griffith to have a past life regression. Dr. Griffith's office was kind of a dark, dingy building. I sat down on the couch, which was the most uncomfortable couch I think I'd ever sat on. Dr. Griffith, very nice lady, had a kind of a funny, kind of a musical, sing, songy type voice. So let's now close your eyes again. And she told me, close your eyes. And we started talking. She said, okay, we're ready to go. She said, can you imagine a balloon? Now I was sitting here and there's a window to my right and I could see a big purple circle. Of course I knew it was just a light through the window at the right to where I see a purple balloon. She said, okay, imagine yourself getting in the balloon and taking it up and going, I'm trying to imagine this. For she said, land the balloon, tell me what you see. Well, I didn't see nothing. I'm thinking to myself, this is her daydream, not mine. And nothing happened. And she kept saying, okay, land the balloon, tell me where you're at, what you see. We went through this at least a dozen times and she finally said, there's 12 steps, we're going down to the valley. And there's 12 steps and she goes, 12, 12, 12, 11, 11. Each number is getting longer and slower and drawn out and. But when she reached one, something really bizarre happened, something really stunning. All of a sudden I was in a valley. I don't think. I mean, I just imagined. I Was in a valley or daydreamed. I was a valley. I was in a valley. It was vividly clear. I could see the leaves on the trees, I could see the veins in the leaves. And I could feel a breeze in my face. So Dr. Griffith asked me, says, look down and describe yourself to me. I looked down, I could see a pair of dirty hairy legs. And I could see I was wearing dirty matted fur. My left hand, I was carrying a piece of tree lamp. Thought, well, obviously I'm a caveman. Between each episode, there used to be a light up high above you. She said, go into the light. Look like the late 1800s. Cause there are horse drawn carriages and gas lights. And I can see it's an artist studio. And the room was just filled with dozens of paintings at that moment. I was painting a portrait. It was the portrait of a hunchback woman. The hunch on her back was very, very prominent in the painting. And I was just putting the very last touches on it. And I told Dr. Griffith that I wanted to take one last look at one of my paintings. She says, tell me what you regret about this life. Told her, I regretted it. We didn't have children because my wife couldn't have children. But then right after I said it, the tape recorder I had brought along clicked off and I opened my eyes and that was it. The obsession was over.
Interviewer
Is there anything particular that's going through your mind right then?
Bob Snow
You really have to think, what does this all mean? Because I liked my life the way it was. My life was very grounded, very solid. I didn't want this other stuff. If I proved it, then it means everything I believed my whole life, my whole belief in how the universe works is wrong. I'd have to completely stop, take back everything I ever believed in, throw it in the trash can and bring in new beliefs.
Interviewer
So, okay, what happens after this? Do you see Kathy?
Bob Snow
I called Kathy on the phone and told her, I said, well, that I had seen some very interesting things. She was very gracious. I think she realized I didn't push her or anything. She just said, thank you very much. But I think she could read between the lines. I was becoming obsessed about this. And let me tell you, as a police officer, I know when people have really deep obsessions, it seldom turns out well. It was probably a month or so afterwards before I finally decided, look, Bob, you gotta do something about this. So my idea was I would go to Napa's public library. I would start thumbing through their art books. By the way, this was in 1992, when you did research, you had to go down to the library and pull books off the shelf. I figured it wouldn't take me long. Case closed. Go back to your life the way it was. Come on, how many portraits of hunchback women could there be? It took me several months to go have not only a lunch hour, but weekends.
Interviewer
And how many books did you go through?
Bob Snow
Hundreds. Hundreds. Probably, oh, four or five hundred books at least. I went through every book the public library had. I went through all the books each bookstore had. I went through probably a half dozen bookstores right in Indianapolis. I went to a number of art galleries and talked to art dealers to see if I could find the paintings. And so I wasn't ready to give up yet. So finally, as a last end resort, I finally went back to Dr. Griffith for a second session. I thought maybe if I could go back and have her access the artist's life, I could find more information. And she took me back to several past lives were very vivid, but they were all so far back in history, you know, you couldn't decide whether anything was real or not real. But interesting enough. Every time she tried to take me to the artist's life, nothing would happen. And when it was over, I asked her why and she says, you already know everything you need to know. All the evidence I had, I had followed it to its end and it hadn't led anywhere. Basically it was a cold case. So I hadn't told anyone. I thought it'll be an unsolved mystery I simply take to the grave with me.
MultiCare Representative
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Bob Snow
It was getting towards my wife and I's anniversary, so we decided to go to New Orleans. Our last day in New Orleans, I suggested we go window shopping in the French Quarter. I noticed as we're walking down Royal street, the galleries are getting smaller and the painting is much more obscure. So finally we get down to a gallery at the very end of Royal street and there's a portrait on easel in the corner and I walk by and give it a glance and then I stopped like I'd born into a glass wall. And I spun around and it was a portrait of the hunchback woman. I could still see every brushstroke and it was identical. My heart was beating. I could feel electricity running out my arms and my stomach, probably for Four or five minutes. I just stood staring at the portrait. One of the workers in the art gallery obviously saw me staring at painting and thought, hot dog. Here's a sale. So he come over to me and says, bet you're thinking. And I said, look over your fireplace, aren't you? So I asked him, I says, I don't recognize the artist. I says, who is the artist? So he said, hang on a second. So he walked over this desk and come back, and he had a little bio, probably, oh, maybe five or six sentences. And it said, J. Carroll Beckwith, born 1852, died in 1917. So I started reading the biography, and I found five different things that I had seen in the regression. So I asked the dealer, I said. I told him. I said, I've seen this painting somewhere before. I said, has it been an exhibition somewhere? He said, no. He said, this has been a private collection for years. Let me be honest with you. He said Beckwith wasn't that good or that famous. He said, Iceland let this go pretty cheap.
Interviewer
So do you. Did you buy the painting?
Bob Snow
No. No. They wanted, like, $5,000 for it. My wife would have killed me. At that moment, Melanie came downstairs and we left. But I felt good now. I had a name, date of birth, date of death. I could go back. I could reopen this. This case was no longer on the shelf. The next day, we were back in Indianapolis. So I went down to the public library and I started researching on J. Carol Beckwith. He simply was not that famous or that good. That kind of bugged me. I thought, wait a minute. How could I know these things about him if he's that, well, unknown? I happened onto a book, and at the very bottom of the page was a footnote that said, this information came from the diaries of James Carroll Beckwith that are kept on file at the National Academy of Design in New York City. Wrote a letter to him, basically asking him if they were available to look at. While I was waiting for the diary to come, I went through and listened to the tape of my regression, and I made a list of various things I had said. Dates, places, causes of death, what have you that could be proved disproved. And I found I had 28 things. Now, what I was looking for at this point wasn't more proof about Beckwith what I was looking for. I wanted to find one or two disproving things. For example, I had said we couldn't have. Church called. My wife, couldn't have children. Now, if he had kids, then this is not true. Memories. This Is not real.
Interviewer
Why is it so important that you disproved that? What happened in your aggression is real. Why don't you just want to prove it?
Bob Snow
If I prove reincarnation is real again, you have to throw away all your thoughts about how the universe works. I'm certainly not going to do that unless I got some solid, solid Evans. So I thought, maybe I'll have my wife. I'll talk to her and see what she thinks about the whole idea. Maybe she can see something I didn't see. My wife thought I was nuts. She said, okay, hang on a second. Says, I'll tell you what, I'll look into this case. I'll find the information about Beckwith you didn't know was there. My wife was a child abuse detective and a very excellent detective at that. She started looking at the case and she started looking intently into it and she didn't find a single thing. Not a single thing. I hadn't found nothing. She told me very plainly. Look, Bob. Okay, forget about it. Don't tell nobody but me. Captains, don't go talking about this. I thought that was probably. Probably solid advice. It really was. If I was to prove this or not, this would cause all kind of turmoil in my life as a police officer. Tremendous turmoil. But I couldn't let it go. I spent a year. I read every single page of Beckwith's diary. Every single page. There were over 17,000 pages of diary. And I found out that sure enough, his wife had had a very, very serious miscarriage. And after that, she couldn't have children. He talks about his mother being in church and having a stroke caused by a blood clot and dying. That he died in 1970, that he drank wine. I. I saw myself dying in a large city. He died in New York City. Instead of finding disapproving fact, I kept finding one fact after another that agreed with what I had seen before I was done. I ended up proving all 28 facts. Every single one. Every single thing I had said during aggression was right out of Beckwith's life. There is no doubt this case is solved.
Interviewer
Do you believe in reincarnation?
Bob Snow
No. Absolutely. I mean, how else do you explain it? How would I have Carol Beckwith's memories in my mind? Police officers, you always look for the simplest explanation because 99% of the time, it's the right one. The simplest explanation is that I carry Beckwith's memories in my mind.
Interviewer
So you know how important is reputation. When you are the police commander, you're.
Bob Snow
The backbone of the police department. And so you, your reputation as a police commander is very, very important. You want to have an image in the community of strength and stability and all. It could basically injure upward mobility in the police department if you started talking about things that weren't really accepted as what a police captain should believe in. It seemed like too important a story to keep quiet. So many things happened. So much information came from so many unexpected sources. Believe me, my wife was really dead set against me doing this. She was positive it would damage my career and she was right, as it turned out.
Interviewer
What happens when you come out to the public about what happened to you?
Bob Snow
I kept various publicity about it and each time I do it, it would really upset the command staff more eventually. What happened is, even though the last year I was in homicide, we had an 83% clearance rate and our murder rate was the lowest I've been in 20 years. They moved me out there and put me on the citizen service desk where people come to get photographed or get fingerprinted. So they put me in a dead end job hoping I would retire. My career basically flatlined after that.
Interviewer
Do you wish that you had never stepped into that hypnotist's office?
Bob Snow
Yeah, I don't know. I've often thought that which way I'd been happier. But apparently that wasn't the point of my life.
Interviewer
So the case is solved, right? So what did you do to mark the occasion?
Bob Snow
Well, I was in New York. I found out that Beckwith's scrapbooks were at the New York Historical Society. And I found out he was buried in Kensico Cemetery, which is up in Valhalla, New York. And I thought how cool it'd be to visit my own grave. It was in August, but it was a very nice, pleasant day. It wasn't real hot. It's a huge, huge cemetery. And I walked all the way through it. It didn't even break out of sweat. But I didn't realize. I don't know why, but I don't think you're supposed to do this. As I got closer to the grave, my heart was just beating terribly fast. I was just running on sweat and I could feel, you know, you have electric. Christie was trembling on my arms, not my fingertips. Started having a tremendous panic attack. I found some workers who were trimmed some hedges close by. So I had them take a picture of me stand at the grave just to show everybody I wasn't scared. I was terrified. After that, I left. I can't worry about James Carroll Beckwith. You really can't live as the other people. I mean, come on. I mean, you've already done that. You have to deal with the person you are in the present. I realized I had to simply go on with my life as Bob Snow. I went, got on a train, flew back to the Inapolis, went off my life.
Lowes Representative
Big thanks to Bob Snow for sharing this story. Now check out our website snapjudgment.org for a link to Bob Snow's work. He's written about this experience and a whole bunch of true crime stuff that you do not want to miss. The original score for that story was by Renzo Gorio. It was produced by Liz Mack. Now then, how about you? Have you ever stepped from one reality into another? Have you ever gotten a heads up about what's gonna happen next? Have you ever seen someone walking around who under no circumstance was supposed to be on this side of the grave? If so, send me your story spook@snapjudgment.org and check out our sister podcast Snap Judgment for more tales about things that change everything. And wherever you go, whatever you do, always remember, never, ever turn out the lights.
MultiCare Representative
Our state has changed a lot in the last 140 years. We know because Multicare has been here guided by a single making our communities healthier. That comes from making courageous decisions, partnering with local communities to grow programs and services, and expanding healthcare access to those who need it most. Together, we're building a healthier future. Learn more at multicare. Org.
Podcast Summary: "Past Life Detective"
Episode Details
In this captivating episode of Spooked, Bob Snow shares his extraordinary journey from skepticism to conviction as he investigates memories from a possible past life. Hosted by Glynn Washington, the story delves deep into themes of reincarnation, obsession, and the thin line between belief and evidence.
Bob Snow, a former commander of Homicide, introduces his initial stance on past life regression therapy. Highly disciplined and driven by logic, Snow recounts his interaction with psychologist Kathy Graben, which set the stage for his unexpected exploration.
Bob Snow [02:57]: "I read a book about past life aggression therapy and I was talking to her about it. I didn't realize that Kathy used past life regression. So I think I was being kind of obnoxious putting it down so bad."
His dismissive attitude towards past life regression was soon challenged when Kathy referred him to Dr. Mary Ellen Griffith, prompting Snow to reluctantly attend a session.
Snow details his first hypnosis session, which he initially approached with skepticism. Determined to debunk the process, he brought a tape recorder to capture evidence.
Bob Snow [02:57]: “I decided I would take my own tape recorder along, record the session so I could bring it back to Kathy and show her how silly it was.”
Despite his intent to remain detached, Snow experienced vivid memories during the session, portraying himself as a caveman and an artist from the late 1800s. These detailed recollections conflicted with his rational beliefs, leading to an obsession with uncovering the truth behind these memories.
Bob Snow [02:54]: “...when she reached one, something really bizarre happened, something really stunning. All of a sudden I was in a valley... It was vividly clear.”
Driven by the undeniable details from his regression, Snow embarked on an exhaustive search for evidence. He immersed himself in hundreds of art books, visited numerous bookstores, and consulted art galleries, striving to find the portrait he remembered.
Bob Snow [09:06]: “I went through every book the public library had. I went through all the books each bookstore had...”
His relentless pursuit led him to a gallery in New Orleans where he encountered a portrait eerily identical to his regression memory. The identification of the artist, J. Carroll Beckwith, further complicated his beliefs.
Bob Snow [12:39]: “It seemed like too important a story to keep quiet. So many things happened. So much information came from so many unexpected sources.”
Snow’s research appeared promising until he sought validation from his wife, Melanie, a skilled detective herself. Her impartial investigation revealed no contradictions to his past life memories, reinforcing his belief.
Bob Snow [14:16]: “If I prove reincarnation is real again, you have to throw away all your thoughts about how the universe works.”
Despite his wife’s skepticism and concerns about the impact on his career, Snow continued to delve deeper, meticulously cross-referencing every detail from Beckwith's extensive diaries.
Bob Snow [16:11]: “There is no doubt this case is solved.”
Snow’s public revelation of his experiences led to significant professional setbacks. Despite maintaining a high clearance rate in his department, his fixation on the supernatural resulted in his reassignment to less prominent roles.
Bob Snow [17:52]: “My career basically flatlined after that.”
Undeterred, Snow visited Beckwith’s grave to solidify his connection, only to experience a profound panic attack, highlighting the personal toll of his revelations.
Bob Snow [18:05]: “I was terrified. After that, I left. I can't worry about James Carroll Beckwith.”
Ultimately, Snow resolved to integrate his past life experiences with his present identity, choosing to continue his life as Bob Snow while grappling with the implications of his discoveries.
Bob Snow concludes his narrative with a reflection on the balance between logic and belief. Despite the profound evidence supporting his past life memories, he remains cautious about the broader implications of such experiences on one's worldview.
Bob Snow [16:13]: “No. Absolutely. I mean, how else do you explain it? How would I have Carol Beckwith's memories in my mind?”
His story serves as a compelling exploration of the human psyche, the quest for truth, and the challenges of accepting phenomena beyond conventional understanding.
"Past Life Detective" is a thought-provoking episode that challenges listeners to consider the intersections of memory, belief, and identity. Bob Snow's meticulous journey from skepticism to conviction provides a nuanced perspective on the enigmatic concept of reincarnation, leaving audiences both intrigued and contemplative.
Connect with Spooked: Have a supernatural story to share? Send your experiences to spook@snapjudgment.org and visit snapjudgment.org for more intriguing tales.