About This Episode:

Tim Carroll has been the artistic director of the Shaw Festival for a decade, and in that time he's reshaped the festival's mandate, expanded its reach into the community, and built a company culture grounded in playfulness, humility, and genuine artistic ambition.

This episode explores:

How Tim balances directing two major productions, Heartbreak House and Amadeus, in a single season, and why Tom Rooney is at the centre of both
The economics of theatre: why even one of Canada's largest festivals relies on donations for half its income, and how a small-audience show can be as valuable as a sellout musical
Why Tim abolished the Shaw Festival's mandate and replaced it with a mission; and what that difference actually means in practice
How working at Shakespeare's Globe with Mark Rylance shaped every aspect of Tim's directing philosophy, from shared light to trusting the unexpected
And much more!

Guest: 🎭 Tim Carroll

im Carroll currently serves as Artistic Director of The Shaw Festival at Niagara-on-the-Lake, a position he's held since 2017. Carroll may be best known for his years as Associate Director at London’s Globe Theatre, in particular for his productions of Richard III and Twelfth Night, starring Mark Rylance, for whose Broadway run in the 2013-14 season he was Tony-nominated and Mark Rylance won the Tony Award for Best Featured Actor.

Carroll worked with the English Shakespeare Company before serving as the artistic director of the Northcott Theatre in Exeter. Carroll also served as the artistic director for the Kent Opera, and he is a founding member of the experimental theatre group the Factory in London. Carroll’s directing work has spanned not only the Globe but the globe, from theatres in Hungary, Norway, Portugal, Romania, and Canada!

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