Episode 410 - Jackie Kelk

Summary

Stars on Suspense (Old Time Radio) – Episode 410: Jackie Kelk

Release Date: April 24, 2025

Introduction

In Episode 410 of "Stars on Suspense," hosted by Mean Streets Podcasts, listeners are treated to a nostalgic journey through classic radio thrillers featuring the esteemed Jackie Kelk. Renowned for his portrayal of Jimmy Olsen on radio's "The Adventures of Superman," Kelk brings his exceptional talent to two gripping suspense stories: "Shadow on the Wall" and "Sundown." The host provides an engaging overview of Kelk's illustrious career, emphasizing his pivotal role in shaping beloved radio characters and his seamless transition from child star to versatile actor.

“Playing teens was a knack for Jackie Kelk.” ([00:57])

Shadow on the Wall

"Shadow on the Wall," originally aired on CBS on September 22, 1957, stars Jackie Kelk as Henry Harper. The story delves into familial tension and revenge as Henry confronts his brother Roger, who plans to demolish their cherished childhood home. Fueled by anger and a sense of betrayal, Henry's confrontation escalates, leading to a tragic act of murder.

Key moments include Henry's emotional plea to his mother’s memory:

“This house was her life.” ([12:04])

As Henry grapples with his conscience, the narrative masterfully uses shadows as a metaphor for his growing guilt and fear of being discovered. The suspense intensifies when Henry devises a plan to fake Roger's disappearance, hoping to secure his own safety. However, unresolved emotions and haunting shadows within the house symbolize the inescapable nature of guilt.

A pivotal line that captures Henry's internal struggle occurs when he confronts the manifestation of his guilt:

“You won't destroy us. You won't put Mother's memory in storage. I'll make sure Mother isn't hidden.” ([13:27])

The climax reveals Henry's ultimate realization that his actions have irrevocably altered his life, encapsulated in his chilling declaration:

“The shadows are coming again now. There on the wall.” ([30:30])

Sundown

"Sundown," first broadcast on CBS on May 4, 1958, is a unique blend of western and suspense genres written by Joel Murcott. Jackie Kelk stars as Ben, a determined boy seeking vengeance against the outlaw Kirby Hunsicker, who previously stole his beloved horse. Set against the backdrop of a desolate desert town at sundown, the story exudes tension and foreboding.

A significant exchange highlights Ben's transformation and resolve:

“I set the price a long time ago. Your life.” ([50:58])

As Ben prepares for a showdown, his journey from innocence to vengeance is portrayed with intense emotional depth. The narrative explores themes of revenge, fate, and the loss of innocence, culminating in a dramatic confrontation that underscores the psychological toll of Ben's quest for retribution.

“It's your life. I want you to think and worry and decide while you're talking.” ([51:09])

The story concludes with Ben's realization of the endless cycle of violence and his poignant farewell to his confidant, Dan:

“Come with you? I've been holed up in one place too long anyhow.” ([54:23])

The Adventures of Superman: The Mystery of the Flying Monster

In addition to the original suspense tales, Episode 410 features an exciting episode of "The Adventures of Superman," titled "The Mystery of the Flying Monster," which originally aired on ABC on March 7, 1949. Jackie Kelk reprises his role as Jimmy Olsen, assisting Superman in thwarting a catastrophic event involving a rogue rocket ship.

A key interaction between Jimmy and Lois Lane sets the stage for the ensuing adventure:

“Ms. Lane, I'll be back in time for the deadline.” ([60:27])

As the plot unfolds, Superman faces off against the malfunctioning rocket ship, dubbed the "Flying Monster." The climax showcases Superman's heroic efforts to save Professor Fields and Jim Olsen from impending doom:

“Better not try to meet it head on this time. Not if I want to save Jim and the professor.” ([81:58])

Superman's swift intervention and strategic prowess highlight the timeless appeal of the superhero, reinforcing his role as a beacon of hope and justice.

Conclusion

Episode 410 of "Stars on Suspense" masterfully showcases Jackie Kelk's versatility and depth as a radio actor. Through "Shadow on the Wall" and "Sundown," Kelk delivers powerful performances that explore complex emotional landscapes and moral dilemmas. The inclusion of a classic "Superman" adventure adds a dynamic layer of action and heroism, appealing to a broad spectrum of listeners. Notable quotes throughout the episode not only enhance the storytelling but also provide memorable moments that resonate with the audience. This episode stands as a testament to the enduring allure of old-time radio dramas and Jackie Kelk's significant contributions to the genre.

Notable Quotes:

• Jackie Kelk as Henry Harper in "Shadow on the Wall":

  “This house was her life.” ([12:04])

• Henry Harper:

  “You won't destroy us. You won't put Mother's memory in storage. I'll make sure Mother isn't hidden.” ([13:27])

• Ben in "Sundown":

  “I set the price a long time ago. Your life.” ([50:58])

• Ben:

  “I want you to think and worry and decide while you're talking.” ([51:09])

• Jimmy Olsen in "Superman":

  “Ms. Lane, I'll be back in time for the deadline.” ([60:27])

• Superman:

  “Better not try to meet it head on this time. Not if I want to save Jim and the professor.” ([81:58])

This detailed summary captures the essence of Episode 410, providing both an overview and in-depth insights into the featured stories and performances by Jackie Kelk. Whether you're a longtime fan or new to old-time radio, this episode offers a compelling blend of suspense, drama, and heroism that is sure to captivate.

Transcript

[Narrator]

The hushed voice, the prowling step in the dead of night, the crime that is almost committed, the stir of nerves at the ticking of the clock, the rescue that might be too late, or the murderer who might get away. Mystery and intrigue and dangerous adventure. We invite you to enjoy stories that keep you in suspense.

[Henry Harper]

Foreign.

[Jackie Kelk]

Hello and welcome to Stars on Suspense with another Hollywood legend in radio's outstanding Theater of Thrills. Our leading man this week is Jackie Kelk. To old time radio fans, he's probably best known as Jimmy Olsen on radio's the Adventures of Superman. Kelk was 17 when he first played the cub reporter, and he starred as Jimmy in hundreds of radio episodes, episodes until he was in his mid-20s. Now the character of Jimmy Olsen was created for the radio show before he appeared in the comics, so Kelch's performance was critical in shaping the character and setting the tone for future portrayals in film and tv. Playing teens was a knack for Jackie Kelk. His other long running radio role was Homer Brown, the best friend of Henry Aldrich on the Aldrich Family. Kelk reprised the role on the Aldrich family TV series in the early 50s. But before he played an eternal kid on the air, Jackie Kelk broke into showbiz as a child star. By the age of 10, he'd starred in short films and had appeared on the Broadway stage. He made his first radio appearances in the early 1940s, and he continued to work on the big and small screens through the 50s. Jackie Kelk starred in a pair of suspense shows that aired in the late 50s, and today we'll hear both of those episodes, beginning with Shadow on the Wall, originally aired on CBS on September 22, 1957. When his brother announces plans to tear down their childhood home, Kelk snaps and kills his brother. A strange twist of fate gives him a perfect alibi, and it looks like he's gotten away with murder. But there's always that pesky guilty conscience to deal with. This is a great episode and Kelk is very convincing as a man consumed first by rage and then later by guilt. Then we'll saddle up for a suspense western as Jackie Kelk stars in Sundown, originally aired on CBS on May 4, 1958. The script, written by Joel Murcott, had been produced years earlier as an episode of Escape, but this marked its only presentation on suspense. Kelch plays a boy who's robbed of his horse, the thing he loves most in the world, and the horse is taken by a notorious outlaw. The determined boy acquires a gun and spends the next several years Preparing for a showdown it's always nice to hear a western on suspense. It's a genre the show didn't explore very often. And while I think the Escape production is a little bit stronger than this show, it's still a solid episode. And we'll close today with Jackie Kelk in his signature radio role of Jimmy Olsen in the Mystery of the Flying Monster, an adventure of Superman that originally aired on ABC on March 7, 1949. But before we look up in the sky, Jackie Kelk will star in a pair of suspense thrillers. We'll kick things off with Shadow on the Wall right after these messages.

[Commercial Announcer]

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[Mrs. Loomis]

It does.

[Narrator]

Good night. Switch to Auto Light.

[Commercial Announcer]

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[Narrator]

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[Commercial Announcer]

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[Narrator]

Enough to the youngsters.

[Commercial Announcer]

Well, what a wonderful surprise sugar crinkles will be to your whole family. For new sugar crinkles really are just right sweet. Remember, sugar crinkles make great snacks too. Better get several packages.

[Narrator]

For your breakfast or a snack you love. Sugar crinkles. Sugar crinkles can't be beat. Sugar ice cream is just right sweet with milk. What a breakfast joy.

[Commercial Announcer]

That's a snack from the pack.

[Narrator]

Oh, boy. Can't be beat just right sweet sugar crinkles. Good to eat.

[Commercial Announcer]

And now a tale well calculated to keep you in suspense. Suspense. And the producer of radio's outstanding theater of thrills, the master of mystery and adventure, William N. Robeson. Whether you call it by the poetic.

[Narrator]

Phrase the silver cord or more prosaically just mother's apron strings smother love can louse up the life of a growing boy complicated with what child psychologists call sibling rivalry. And the boy may cease growing altogether, at least emotionally, of such elements is Greek tragedy made. And as it happens, the story you.

[Commercial Announcer]

Were about to hear.

[Narrator]

Listen, listen then as Jackie Kelk stars in Shadow on the Wall, which begins.

[Commercial Announcer]

In exactly one minute. Now, how many of you have heard a doctor lecture on the lining of the stomach and what you're doing to it? Well, you may think this line of gab is only for you. Why, son, doctors have been telling Americans this ever since we became a nation. Like a fella come up to me the other day and asked about that great American, Mike Fink. Say, is it true that Mike once.

[Narrator]

Ate a buffalo robe?

[Commercial Announcer]

Certainly, and with the hair on it. Well, why did he do that? Well, you see, Mike drank so much whiskey that he destroyed the coating of his stomach. And the doctor told him that before he could get well, he'd need a new coat for it. Mike thought that over and made up his mind that a buffalo robe with hair on it was just the thing. So he sat down and swallowed one. He could drink any amount of whiskey.

[Narrator]

After that, and that's a fact.

[Commercial Announcer]

Folklore belongs to every nation's legendary past. And I guess we Americans have our share of some tall ones. And now, Shadow on the Wall, starring Jackie Kelk. A tale well calculated to keep you in susp.

[Henry Harper]

Soon, very soon now, there'll be a shadow on the wall. Shadows, always shadows. I'll never get away from them. I've been watching them for days now. Or is it weeks? I don't know anymore. But I do know it started the last day of my brother's life. My brother. My dear, dear older brother. A thief. All my life he had stolen from me, stolen my father's respect and then my mother's love. Now he was determined to steal the last hold I had on life. The house. The house where I was born and grew up, out on Long Island. He was building a modern monstrosity on the estate a few hundred yards away. And when it was finished, the house, Mother's house, was to be wrecked. It was just too much.

[Mrs. Loomis]

Henry, will you stop whining? I have a great deal to do before I leave for the coast.

[Henry Harper]

Roger, if I have to get on my knees and beg, I will, but please don't destroy the house.

[Mrs. Loomis]

This place is worthless. Victorian houses like this cost too much to maintain.

[Henry Harper]

You can think of nothing but money. What about my feelings?

[Narrator]

Your feelings?

[Henry Harper]

Yes. And Mother's, if she was still alive.

[Mrs. Loomis]

Oh, Mother would approve. I'm sure of that.

[Henry Harper]

What do you know? This is the house Mother came to as a bride. The house where she bore and raised her two sons. This house was her life.

[Mrs. Loomis]

Oh, really, Henry.

[Narrator]

It's true.

[Henry Harper]

How can you stand by and watch the room where she used to kiss us good night? Broken to bits by wreckers.

[Narrator]

Sentimental nonsense.

[Henry Harper]

And what about all her silver and furniture? Old and beautiful. You can't put things like that in a modern house.

[Mrs. Loomis]

We'll pack them carefully and send them to storage.

[Henry Harper]

Yes, yes, you just pack Mother away and forget her. Look. Look here. Her favorite candlesticks.

[Narrator]

Don't wave that around.

[Henry Harper]

It's worth a small fortune and a wealth of love to me. Where will these go? In your fancy new house?

[Mrs. Loomis]

All right, put them under your pillow, then. Like your baby teeth. I don't care.

[Henry Harper]

No, no, you don't, do you, Roger? You don't care one little bit.

[Mrs. Loomis]

What are you talking about?

[Henry Harper]

Why should you care? You got it all. You're the executor of the estate. Yes, and you've been the executioner of my self respect.

[Narrator]

Nonsense. Now, as I said, I have a great deal to do before I leave tomorrow.

[Roger Harper]

I hate you, Roger. I hate you.

[Narrator]

What?

[Henry Harper]

I'd like to see you dead.

[Narrator]

Henry, stop being childish.

[Henry Harper]

I'd tear your heart out if you had any.

[Narrator]

Henry, put down that candlestick.

[Henry Harper]

No. They're mothers. And you want to pack Mother away.

[Narrator]

I order you to.

[Henry Harper]

But you won't destroy us. You won't put Mother's memory in storage. I'll make sure Mother isn't hidden.

[Mrs. Loomis]

You get me out.

[Henry Harper]

No.

[Roger Harper]

I hate you. I hate you. I hate you.

[Henry Harper]

I stood dazed. Roger lay on the floor, a trickle of blood oozing from his temple. I bent over him. No breath, no pulse. Roger was dead. Suddenly, I heard a car coming up the drive. Mrs. Loomis, the housekeeper, was returning from the village. I dragged Roger's body to the closet, pushed him inside and locked the door. Not a moment too soon, Mr. Henry.

[Roger Harper]

I stopped by the laundry for Mr. Roger's shirts, but they weren't ready. He'll be furious, I suppose, seeing he's flying to the coast in the morning.

[Henry Harper]

Well, it doesn't matter, Mrs. Loomis. He's already gone.

[Roger Harper]

Gone, sir?

[Henry Harper]

Yes. He decided to spend the night in New York at the club and go to the airport from there.

[Roger Harper]

Well, I never got a chance to say goodbye to him. Perhaps we could go to the airport together, you know.

[Henry Harper]

No, I'll. I'll see him off alone.

[Roger Harper]

But I always wish Mr. Roger well before one of his trips.

[Henry Harper]

I'll give him Your best wishes, Mrs. Lomas. I'd rather you stayed here in the morning.

[Roger Harper]

Very well, sir. It'll just be you for dinner, then.

[Henry Harper]

Oh, don't bother tonight, Mrs. Lomas. Why don't you take the night off for a change? Go to a movie?

[Roger Harper]

Why, I might at that, sir. If it's all right, of course. Thank you, sir. But I do wish I could have seen Mr. Roger off.

[Henry Harper]

I waited in the library until I heard Mrs. Loomis go out. I had to get rid of the body now. But where? As I gazed out across the lawn to the new house, that awful modern house, the idea came that very day. The workmen had just finished the base of the fireplace. A broad fieldstone structure about 3ft high and 8ft across. The mortar would still be wet. The stones would easily pull loose. Yes, why not? The perfect place? After all, Roger was so fond of the new house. It took longer than I thought. But when it was done. I returned to my room. I now had to explain Roger's disappearance. I sat up all night thinking, thinking. And then, as dawn crept over the lawn, I knew what I'd do.

[Roger Harper]

Announcing the arrival of TWA.

[Narrator]

Good morning, sir.

[Henry Harper]

Oh, good morning. I'm on Flight 88.

[Narrator]

Your ticket, sir?

[Henry Harper]

Yes, here.

[Narrator]

Chicago? That's right. Flight 88. Any baggage?

[Henry Harper]

No, just this briefcase.

[Narrator]

All right, Mr. Harper. Everything's in order. Gate 14.

[Henry Harper]

Thank you. I sat down and waited for the gate to open. I would board the plane, fly to Los Angeles and then come right back. The airline would support the evidence that Roger Harper was on the passenger list, and when he didn't show up in Los Angeles, I'd report him missing. As I waited, I overheard a small man arguing with the desk clerk. This was even better.

[Narrator]

Not this late, sir.

[Commercial Announcer]

I'm sorry, but I've got to catch that flight. Isn't there anything you can do?

[Narrator]

Not a thing, sir. You might try Overland Airways morning flight.

[Commercial Announcer]

Well, thank you. I'll see what I can do.

[Henry Harper]

The man turned away from the desk, and I hurried after him. I beg your pardon.

[Commercial Announcer]

Yes.

[Henry Harper]

I heard your conversation with the clerk over there. And, well, I may be able to help you.

[Sam]

Oh?

[Commercial Announcer]

How's that?

[Henry Harper]

Well, you see, my plans have suddenly changed. I'll be happy to let you have my ticket.

[Narrator]

You're kidding.

[Henry Harper]

No, no, take it. Oh, I've already checked it through. Everything's in order.

[Commercial Announcer]

Well, I don't know what to say.

[Henry Harper]

That's all right, but hurry. They're announcing the flight.

[Narrator]

Thank you.

[Commercial Announcer]

Here's the money. I had it already.

[Henry Harper]

All right, all right. You'd better hurry. Just go on the plane as Roger Hopper. He went through the gate and up onto the plane. The hostess smiled and checked a name on the clipboard. Roger was now confirmed on the passenger list, and I wouldn't have to explain my absence. I went to bed early that night, but I couldn't sleep. As I lay staring at the ceiling, the enormity of the thing I'd done overwhelmed me. At first, it was more a feeling than anything real, a fleeting feeling that another presence was beginning to form in the house. I got up and flooded my room with lights, but I couldn't push the thought from my mind. Then, just after midnight, the doorbell rang. I peered through the crack of my bedroom door as Mrs. Loomis hurried downstairs.

[Roger Harper]

Mr. Harper, a gentleman to see you.

[Henry Harper]

Who is it?

[Roger Harper]

He says he's from the police.

[Henry Harper]

Police? What does he want?

[Roger Harper]

I don't know, sir. He wants to see You.

[Henry Harper]

I. I'll be right down. Yes?

[Commercial Announcer]

Mr. Henry Harper?

[Henry Harper]

That's right.

[Commercial Announcer]

Detective Sergeant Allen, sir. Sorry to disturb you at this hour, but it is important.

[Henry Harper]

It's all right.

[Commercial Announcer]

I'm here about a Roger Hopper. This address.

[Henry Harper]

Roger.

[Commercial Announcer]

He was on Flight 88 out of LaGuardia this morning, is that right?

[Henry Harper]

Yes, yes, he was.

[Commercial Announcer]

You're sure about that?

[Henry Harper]

Yes, of course. I saw him off myself.

[Commercial Announcer]

I'm sorry, Mr. Hopper. Flight 88 crashed in the Rockies late this afternoon. There were no survivors. The second act of suspense continues in one one minute. This is Johnny Baker with communism on the spot. One of the most important terms in the communist political dictionary is the socialist division of labor. It describes the communist technique for integrating members of the so called socialist camp into one economic system. In practice, communist exploitation of Soviet bloc nations doesn't differ from that of traditional colonialism. The only difference is that Soviet colonialism justifies its actions on the basis of the so called economic unity of socialist society. This means that the subject nations serve as first class sources of raw material for the Soviet empire. And now we continue with Act 2 of Shadow on the Wall, starring Jackie Kelk. A tale well calculated to keep you in suspense.

[Henry Harper]

I was safe. Safe now I walked on air the next day. The second day was peaceful bliss. Then on the third day, it began again. The feeling of another presence was coming back. I mustn't leave my room. I was always safe in my room when I was a little boy. But it was no use. That's where I saw it for the first time. It was barely visible at first, just a diminish shadow on the wall across from me. And then slowly, ever so slowly, it began to grow wider and wider, darker and darker, until it became a perfect silhouette. I was too terrified to move. My hands gripped the sides of the chair as I looked at the shadow. The shadow of a man hanging by his neck. I stared rigid at this ghastly vision. The head bowed against the chest, the hands tied behind the back, the feet together, hanging limp. It stayed there, motionless. And then, as slowly as it had come, it disappeared. The head blended into the body. The legs seemed to melt into the wall. And at last it was gone.

[Roger Harper]

Mr. Henry, sir, I have supper ready. Mr. Henry. Mr. Henry, what is it?

[Henry Harper]

Oh, Mrs. Lomas.

[Roger Harper]

You gave me a fright, sir. Staring straight ahead like that.

[Henry Harper]

What. What time is it?

[Roger Harper]

Is something wrong?

[Henry Harper]

No, nothing at all. What time is it?

[Roger Harper]

It's after 6:00, sir. I have supper ready. Please, sir. What's the trouble? Shall I call the doctor?

[Henry Harper]

No, no, I. I'm perfectly all right.

[Roger Harper]

But you don't seem to be, Sir. If only.

[Henry Harper]

Mrs. Loomis. Will you stop?

[Roger Harper]

I'm sorry.

[Henry Harper]

I can't stand you babying me all the time.

[Roger Harper]

Very well, sir.

[Henry Harper]

Then never mind dinner. I don't want it. That thing. What was it? A shadow? A vision? Something real.

[Narrator]

Ah.

[Henry Harper]

I was too jumped. I was losing confidence. But the next day, a look at the chimney on the new house, growing higher and higher over Roger's body, reassured me. Nothing out of place, Nothing suspicious. Nothing to fear. That afternoon, when I entered the library, I found Mrs. Loomis.

[Roger Harper]

Oh, Mr. Henry.

[Henry Harper]

What are you doing with those candles?

[Roger Harper]

I didn't hear you come in.

[Henry Harper]

Why are you holding those candlesticks? Why?

[Roger Harper]

I always polish them regularly. You know that, sir.

[Henry Harper]

Oh, yes, of course.

[Roger Harper]

Did you know one of these is dented?

[Henry Harper]

Dented?

[Roger Harper]

Yes, look.

[Henry Harper]

How did that happen?

[Roger Harper]

I don't know. I'm always so.

[Henry Harper]

Those were my mother's favorite pieces. What did you do to them?

[Roger Harper]

I didn't Give me those, Mr. Henry. I swear to you.

[Henry Harper]

Who else could have damaged them? Are you suggesting I might have?

[Roger Harper]

Please, sir, don't look that way.

[Henry Harper]

Please take them to my room. You won't touch them again.

[Narrator]

Ever.

[Henry Harper]

Oh, she'd been so close. Too close. But how could she suspect? After the plane crash, I took the candlesticks to my room. I'd hardly close the door behind me when gradually, very gradually, I had the feeling that something was coming into the room. I could feel it moving about. There. By the desk. No, no. It's near the bed. Oh, no, no. There, on the wall. It hung like a ghoulish vision, the head bent, the hands tied behind the back. The shadow was as clear, if not clearer, than before. Now I knew. I knew certainly that this thing on the wall, this shadow, was waiting for me.

[Commercial Announcer]

Act three of suspense follows in one minute. This is Johnny Baker with Communism on the spot. Citizens are guaranteed freedom of speech, freedom of the press, freedom of assembly and freedom of street demonstrations. Now, that sounds pretty promising, doesn't it? It might even be a quote from the United States Constitution. Not quite. These are some of the freedoms supposedly guaranteed by the Soviet Constitution. Guaranteed but never practiced. Soviet jails are filled with those who speak their minds, students who ask the wrong questions, plain citizens who air their gripes and are now paying the price. They're learning the hard way that communist constitutions are not worth the paper they're written on. And now we continue with Act 3 of Shadow on the Wall, starring Jackie Kelk. A tale well calculated to keep you in suspense.

[Henry Harper]

Same grotesque thing. The shadow had spread across the wall, the head bent against the chest, the terrifying hump of the back. What do you want? Is it me? Are you waiting for me? Or you'll never get me. Never. Because this house is coming down. You'll have to go away because I'm tearing down the house. Do you hear? You've won. You've won. It's coming down, so go away.

[Roger Harper]

Go away. Go away.

[Narrator]

Go away. Please.

[Roger Harper]

Please go. Mr. Henry. Mr. Henry, sir? Mr. Henry. You're awake at last, sir.

[Henry Harper]

Mrs. Loomis. Where am I?

[Roger Harper]

In the guest room, sir. You've been here for two days.

[Henry Harper]

Two days?

[Roger Harper]

We thought it better to move you in here after the shock, sir.

[Henry Harper]

I don't understand.

[Roger Harper]

What you don't remember, sir? You collapsed in your room. The doctor says it's emotional stress. You've been unconscious for two days.

[Henry Harper]

I don't remember.

[Roger Harper]

It's all right now, sir. In your state of mind, it's no wonder you took on so.

[Henry Harper]

What? What do you mean?

[Roger Harper]

Why, seeing that awful shadow on the wall.

[Henry Harper]

Shadow?

[Roger Harper]

It gave me a turn, sir. After we moved you in here, I was cleaning up your room next afternoon, and I saw the strangest shadow on the wall, like a man hanging. Oh, it was awful.

[Henry Harper]

You saw it, too?

[Roger Harper]

With my own eyes. But it's gone now, and we'll never see it again.

[Henry Harper]

What do you mean?

[Roger Harper]

Why, I showed it to Mr. Simpson.

[Henry Harper]

Mr. Simpson?

[Roger Harper]

You know, the contractor who's building the new house.

[Henry Harper]

Oh, yes.

[Roger Harper]

Well, he did some investigating. He said it was the oddest thing he ever did see.

[Henry Harper]

What, Mrs. Loomis?

[Roger Harper]

Well, every day when the sun gets to a certain spot behind the new house, over there, the fireplace, chimney, cast a shadow. It's fieldstone, you know. And the rough stones cast that awful shadow right into your room.

[Henry Harper]

Fireplace.

[Roger Harper]

But don't worry anymore about it, sir. Mr. Simpson's got the chimney almost torn down. Now he's going to move the fireplace to the other side of the house and not going to charge you anything extra. That's nice of him, don't you think?

[Henry Harper]

The shadows are coming again now. There on the wall. The long, thin shadows. Thin as a rail and just five inches apart. Long and thin and even. I wonder. I wonder if I'll ever find a place where there aren't any shadows on the wall.

[Commercial Announcer]

Suspense. In which Jackie Kelk starred in William N. Robeson's production of Shadow on the Wall, written by Robert Juran. Listen. Listen again next week when we return with Vanessa Brown in Vamp Till Dead, Another tale well calculated to keep you in suspense. Supporting Mr. Kelk in shadow on the Wall were Jeanette Nolan, John White, Frank McDonald and Charles Long.

[Narrator]

Suspense has been brought to you through the worldwide facilities. Of the United States Armed Forces Radio and Television Service.

[Commercial Announcer]

Suspense. And the producer of radio's outstanding theater of thrills. The master of mystery and adventure, William N. Robeson.

[Narrator]

For years and years and years, the Western story has been as stylized as a Punch and Judy show. There were the good guys and the bad guys. The blonde schoolmarm and the brunette dancehall girl. And there was old Texas Slim, who loved old paint more than he did either of these females. They were one dimensional characters with no more depth than the page in which they were printed. Or the film in which they were photographed. Then something happened to the Western. Something which had existed in the Old west all the time. People, real people, each with good in him and bad people with human frailty and human strength. Around such a person is our western story of suspense told. Listen. Listen. Then, as Jackie Kelch stars in Sundown, which begins in exactly one minute.

[Sam]

Memo on medals. Information about our military awards and decorations. The awarding of American medals had its beginning during the Revolutionary War. Certain military and naval commanders were presented gold medals to commemorate their victories. The first medal in our nation's history was given to General George Washington. After he had forced the British to evacuate Boston. That medal is now in the Boston Public Library. Where it was placed on exhibit in 1876, 100 years after the historic event it commemorates. Technically, early medals were not decorations in the strictest sense. They honored both a victorious event and the officer in charge. Also, they were not designed to be worn as later medals were. Therefore, they were presented in a suitable case for safekeeping. What we now know as the Purple Heart medal was originally a badge of cloth. Material specified in Washington's establishing order to be a figure of a heart in purple cloth or silk, edged with narrow lace or binding. Foreign decorations and medals are worn to the left of all American decorations. They are never worn alone, but must appear with at least one American medal. Few tributes are as meaningful and as cherished as the awards and decorations of our armed forces.

[Commercial Announcer]

And now, Sundown, starring Jackie Kelk. A tale well calculated to keep you in suspense.

[Mrs. Loomis]

It's sundown. That's why the town looks like a ghost town. There are folks around, all right Hiding behind door cracks and windows. Here's what they're hiding. There's Kirby Hunsicker coming out of the saloon at one end of town. And there's Ben Ford coming from the livery stable at t'other. Walking toward each other slow. Right hands hanging an inch from their gun holsters. In a minute one of them will be dead. Kirby Hunsicker or Ben Ford. Little Ben. Nothing but a baby when I picked him up off the desert 14 years ago.

[Narrator]

Hold up a minute, Sam. Hey, what is it? Over by that dried out water hole? Yeah, it looks like a main. It's a man. Right enough.

[Mrs. Loomis]

Come a long way for water and come to the wrong place.

[Narrator]

Give me a hand with him.

[Mrs. Loomis]

Is he.

[Narrator]

Is he alive?

[Mrs. Loomis]

Just about.

[Narrator]

Got. Got my wife, my kid.

[Mrs. Loomis]

Yeah. Yeah.

[Narrator]

Where are they? Water. He's gone.

[Mrs. Loomis]

Yeah. We'd better find his wife and kid. If there's anything left to find. There was something left. A sun baked wagon, a dead woman and a five year old boy. His face was burned and his lips cracked with fever. He didn't cry. He didn't even whimper. And he didn't talk. We gave him water and he took it. Then he sat there staring away into the desert as we buried his mother.

[Narrator]

Hey, what. What do we do about him?

[Mrs. Loomis]

I'll take him with us, I reckon.

[Narrator]

Nobody but us on the range. Nobody to take care of him.

[Mrs. Loomis]

Ain't nobody here either. We'll do what we can. He'll grow or he'll die. He grew a big raw boned kid by the time he was 12. He could handle a man's work. And I had a feeling for him. A feeling like he was my own. He did some strange things that nobody else could understand. Like riding off in the desert and coming back with his face blazing and his lips split. He couldn't have said why. But he was fighting back at the desert because it had robbed him. It was like a cactus was growing in him. I couldn't get to the root to pull it out. Until one night at supper.

[Henry Harper]

Dan.

[Mrs. Loomis]

Here, Ben.

[Henry Harper]

Do I have any money?

[Mrs. Loomis]

Well, I reckon you do, boy. You work for your keep.

[Henry Harper]

How much do I have, Dan?

[Mrs. Loomis]

Well, this is your home. Everything that's here is yours.

[Henry Harper]

I want my own horse.

[Mrs. Loomis]

I see. Fair enough.

[Narrator]

Take your pick.

[Henry Harper]

The black coat with the star in his face. I want him.

[Mrs. Loomis]

All right, boy. You've got yourself a horse. Yes, he'd got hisself a horse. But it was more than that to him. It meant he had something that was his come. Flutter.

[Sam]

Thunder.

[Mrs. Loomis]

Something in the world that belonged to him and nobody else gave him a reason for being alive. Pulled the roots out of that cactus Inside of him. And he didn't ride out into the desert anymore. Ben had had the horse for almost a year when Kirby Hunsicker came. He rode in one afternoon while Ben was in town with a buckboard picking up supplies.

[Sam]

Howdy.

[Narrator]

Howdy.

[Mrs. Loomis]

Your horse looks like he could use a rest.

[Narrator]

Stranger need shoeing, and he'll be all right. I'll trade him and cash for a fresh horse.

[Mrs. Loomis]

Well, nobody's gonna ride a horse of mine like that.

[Narrator]

I said I'd trade him. That means I'm gonna trade him. The name's Kirby Hunsiker.

[Mrs. Loomis]

Kirby Hunsaker. A name that was drifting all over the west with a trail of blood behind it. He had a face like a and eyes like a steel trap. And there was no glove in his right hand. A gunfighter.

[Narrator]

If you're thinking it over, you're wasting my time. Better do it, Dan.

[Mrs. Loomis]

All right, Hunsaker.

[Narrator]

I'll take the black with the star on his face. Put a rope on him.

[Mrs. Loomis]

Not that one. He ain't mine.

[Narrator]

I ain't asking whose he is.

[Henry Harper]

Well, any other horse.

[Mrs. Loomis]

Anyone you want. Even trade.

[Narrator]

Get that black and keep your hand away from that gun. Then do what he says. You can give young Ben the palomino.

[Mrs. Loomis]

Ben came back and I told him he hadn't cried when I found him in the desert. He didn't cry now, but there was something in his eyes. It was hate. Hate like a pure white flame.

[Henry Harper]

I don't want the palomino.

[Narrator]

He's the best horse on the place.

[Henry Harper]

Not to me, he isn't mine.

[Mrs. Loomis]

Why, you own me, Sam. I tried to save him for you, Ben.

[Henry Harper]

I know.

[Mrs. Loomis]

You can have your pick of anything in the corral.

[Henry Harper]

I don't ever want another horse.

[Mrs. Loomis]

Well, when you see something you do want, you just holler. It's yours. That's a promise.

[Henry Harper]

Anything, Dan.

[Mrs. Loomis]

Anything.

[Henry Harper]

All right, then, I'll take your gun.

[Mrs. Loomis]

My gun?

[Henry Harper]

You promise, Dan?

[Mrs. Loomis]

I promised. Here, it's yours.

[Henry Harper]

Good night, Dan.

[Mrs. Loomis]

Good night, Ben.

[Henry Harper]

Why, in all my days I never.

[Narrator]

Heard of such a lame brain thing as giving a kid.

[Mrs. Loomis]

He'd have gotten one someplace sooner or later. If I know him right, it best be sooner.

[Narrator]

Hunsicker.

[Mrs. Loomis]

Yeah, Hunsaker, ain't you?

[Narrator]

Good thing he's only 13. When he's grown, we can hope for him to get better.

[Mrs. Loomis]

Since you're wasting your hope, Sam I'm hoping that Kirby Hunsicker gets killed before Ben's groed.

[Commercial Announcer]

In a moment, we continue with the second act of suspense.

[Narrator]

Another Visit with Joe and Daphne Forsyth. Okay, Daphne, the slides are all set. Turn off the lights.

[Roger Harper]

There. Oh, Joe, isn't that pretty? Where was that?

[Narrator]

That was Vail Pass on the Grand Divide. Remember how hard the wind blew?

[Roger Harper]

I certainly do, and it was. Next time we go on a vacation, let's get an earlier start.

[Sam]

Well, we save money by waiting till fall.

[Narrator]

Remember this one?

[Roger Harper]

Oh, sure. That Zion National Park. Oh, it was lovely.

[Narrator]

We sure had a lot of fun on that trip. Was worth the money.

[Roger Harper]

It was a good investment, all right. Almost as good as savings bonds.

[Narrator]

There you go again.

[Roger Harper]

Well, I just can't get over how good a bargain they are. We women like bargains, you know.

[Narrator]

Oh, I know. I know that. And $4 back for every three invested is a pretty good bargain, right?

[Roger Harper]

Oh, was that where I fed the bear?

[Commercial Announcer]

Yeah, that's Yosemite.

[Narrator]

We were lucky the bears weren't already in hibernation.

[Roger Harper]

How do they live when they hibernate?

[Narrator]

On fat? They store up during the warm months.

[Roger Harper]

Just like savings bonds, huh? Well, you buy a saving bond a month, right? Yeah, and it's a great way to save the way those bonds rack up interest, right?

[Narrator]

Right.

[Roger Harper]

So we're just like the bears. We're storing up fat for our future use at interest rates that give us $4 at maturity for every three invested.

[Narrator]

A very interesting idea.

[Roger Harper]

You can learn a lot from nature.

[Narrator]

Yeah.

[Sam]

Just imagine Smokey the Bear selling savings bonds.

[Roger Harper]

Oh, Joe, show the slides.

[Commercial Announcer]

And now, starring Jackie Kelk. Act two of Sundown.

[Mrs. Loomis]

A boy and a gun. They were together night and day. He slept with it next to his cheek and you could see the red mark of the barrel on the side of his face when he'd get up in the morning and when he wasn't working, we'd often come across him in Sommeroya, in the foothills.

[Narrator]

Look, Sam, he's at it again. He ain't shooting at canes no more. What's that he's using for a target?

[Mrs. Loomis]

It's a figure of a man marked off on the rock.

[Narrator]

Looks like a piece of paper where the head ought to be.

[Mrs. Loomis]

Your eyes are going back, Sam. It's a picture. One of the express company reward posters for Kirby Hunsacker. It went on like that for six years until the bullets were hitting close and fast. Then I'd catch them in the barn practicing the draw. He started to wear his gun belt low on the hip and his right hand hung by side, sun scarred like a claw. The rest of it would change too. Warn't a boy no More he was a man. We heard more and more about Kirby Hunsicker. His name got to be one of the three mentioned. Most when they talk in the saloon. Turned to gunslingers. Jim Dunn, Boaz Watson and Kirby Hunsicker. All bound to meet someday to find out who'd be a freak faster on the draw. Ben had to be there the night a stray cowpuncher stopped to rest his horse.

[Narrator]

No coffee, stranger. Thanks. I reckon I will.

[Henry Harper]

Your horse sure needed water. You must have come a long way.

[Narrator]

Never from Goldfield. Riding lucky, though. I come through Flagstaff just in time to see the fight.

[Mrs. Loomis]

What fight?

[Narrator]

You mean you ain't heard? I must have been riding fast. Never seen a gunfight like it.

[Henry Harper]

Who was in it?

[Commercial Announcer]

What?

[Narrator]

Two of the best. Big Jim Dunn, Kirby Hunsaker.

[Henry Harper]

Who won?

[Narrator]

Well, Hunsaker. Dunn never cleared his holster. Hunsaker beat Jim Dunn? Yeah. I wish I could have stayed in Flagstaff. Boaz Watson someplace around too. Soon as he gets wind of it, he'll be on Hunsiker's trail for a showdown. If Dunn never cleared his hostie, then the man ain't born that can outdraw Hunsicker. Boaz Watson thinks he can. He's been itching for the chance.

[Henry Harper]

It's a chance he ain't gonna get.

[Narrator]

Ben. Where you going?

[Henry Harper]

Where I gotta go, Dan.

[Mrs. Loomis]

Flagstaff.

[Henry Harper]

You know it and don't try to stop me.

[Mrs. Loomis]

Trying to stop him would have been like trying to stop an avalanche. But he couldn't stop me from following. I was an hour behind him when I reached Flagstaff on the third Morning. Ben wasn't hard to find. He left a trail of questions behind him. I caught up with him in the last saloon on the street. Still asking.

[Henry Harper]

Well, bartender? Yeah.

[Narrator]

Well, reckon he comes in sometimes.

[Henry Harper]

When?

[Narrator]

Usually about an hour from now.

[Commercial Announcer]

Noon.

[Mrs. Loomis]

Good.

[Henry Harper]

I'll wait.

[Mrs. Loomis]

You going to buy me a drink, Ben?

[Henry Harper]

If that's what you came for, Dan.

[Narrator]

It's been a rough trailing.

[Henry Harper]

You, boy.

[Mrs. Loomis]

Men and horses ain't meant to be pushed that hard.

[Henry Harper]

I was in a hurry.

[Mrs. Loomis]

Well, maybe we can take it easier going back. Maybe if we left right now, we could camp out someplace tonight like we used to.

[Henry Harper]

Ask me later, Dan. This is something I gotta do first.

[Mrs. Loomis]

Sam and I saw Big Jim Dull in a gunfight once. He was like lightning, Ben, but Hunsicker killed him.

[Henry Harper]

Don't worry, Dan. I'm good with this gun.

[Mrs. Loomis]

I hope you're good enough.

[Henry Harper]

That's something we'll know soon. At least I got Here before Boaz Watson.

[Commercial Announcer]

In a moment. We continue with the third act of suspense.

[Sam]

What do you know about the Navy's specially meritorious medal? Have you seen many of them lately? Probably not, as the medal is no longer issued. Congress authorized this medal early in 1901 for officers and men of the Navy and Marine Corps who rendered specially meritorious service other than in battle during the Spanish American War of 1898. Among the 93 recipients of the medal, with a crew of the collier Merrimac for its efforts to bottle up the Spanish fleet in Santiago harbor, and men of the American flatboat crews who saved the lives of many Spanish sailors who had jumped from burning ships. Recognition of gallantry in action by a grateful nation inspires new generations of Americans to hold fast to those principles which have made our country great. For it is the extra effort and heroism which a free nation citizens exhibit that reveals their pride in our heritage and their unflinching determination to maintain our cherished way of life.

[Commercial Announcer]

And now, starring Jackie Kelk Act 3 of Sundown.

[Mrs. Loomis]

Ben wouldn't drink and he wouldn't leave. So we waited. Then I heard the door swing. We'd had a couple of times, only this time it was different. Talk around the tables cut out the bartender's hands tightened around the glass he'd been wiping. Every head in the place turned toward the door. It was Kirby Hunsacker. He and Ben had never seen each other before, but somehow they knew each other. Their eyes caught and held two long ones locked together.

[Narrator]

I hear somebody's looking for me. In case anybody don't know me, the name's Kirby Hunsicker.

[Henry Harper]

I'm looking for you.

[Narrator]

Speak your piece.

[Henry Harper]

A long time ago, when I couldn't do anything about it, you stole a horse from me.

[Narrator]

You calling me a horse thief?

[Henry Harper]

That's what I'm calling you.

[Narrator]

You got nerve, kid. Name your price. I might pay it.

[Henry Harper]

You'll pay it. I set the price a long time ago. Your life.

[Narrator]

You got a gun, dig for it.

[Henry Harper]

You move first, Hunsucker.

[Narrator]

I'm giving you an edge. Better take it, kid.

[Henry Harper]

No, no. I want to give you a little time, Hunsicker. If I draw first, then you gotta move without thinking. But I want you to think. I want you to think and worry and decide while you're talking.

[Narrator]

I might get tired of waiting.

[Henry Harper]

You won't draw fast enough, Hunsicker, so I'm gonna give you a chance. I'm going down to the livery stable to take a nap. At sundown, I'm coming back up the street, and I don't want anybody on it. You better run, Hunsicker, or shoot me in the back while I'm going out that door. Cause if you don't, I'm gonna kill.

[Mrs. Loomis]

It's sundown now, and here I am in the window of the hotel. And there he is in the street. Him and Kirby Hunsicker walking toward each other. And the town is so quiet you can hear their steps in the dirt. 100 yards. 75, 50. The fingers of their right hands clawed like hooks, almost touching their gun butts. Doesn't even seem like the sun is moving anymore. Like even the shadows are glued there to the ground, waiting for one of those hands to move. Cause when it comes, it'll come fast.

[Henry Harper]

Better dig, Hunsicker. Hunk. I'm gonna collect for that horse.

[Narrator]

You'll collect, kid. Ben. Ben.

[Mrs. Loomis]

You all right, boy?

[Henry Harper]

I'm all right. Let's walk.

[Mrs. Loomis]

Well, it's all over now, boy. We'll saddle up and go home.

[Narrator]

Hey, wait.

[Henry Harper]

Ah, it's the blacksmith. Guess our horses are ready.

[Narrator]

Press rider came in just after you left the stable. He said Boaz Watson is riding in. He ran into him on the trail. You gonna stay and meet him?

[Henry Harper]

Me? Well, I got no quarrel with Boaz Watson.

[Narrator]

Looks like you will have. He was mighty keen on meeting up with Hunsacker. Looks like you've taken over Kirby's place, Dan.

[Henry Harper]

What'll I.

[Mrs. Loomis]

That's what I was afraid of, Ben. You killed Hunsaker. Now every fool, every drunk, every gunslinger looking for a reputation will try to get it by trying to kill you.

[Henry Harper]

I can't go back with you now, can I? I can't ever go back. From now on, I've gotta fight or run.

[Mrs. Loomis]

What are you going to do, Ben?

[Henry Harper]

Head for the border, I guess. Go as far as I can till I can't go any further.

[Mrs. Loomis]

Come with you? I've been holed up in one place too long anyhow.

[Henry Harper]

No, Dan. I gotta go alone. This is where we split right now. Thanks for everything. I'll never forget you. Goodbye, Dan.

[Mrs. Loomis]

Goodbye, Ben. Goodbye, boy. Goodbye, son.

[Commercial Announcer]

Suspense, in which Mr. Jackie Kelk starred in William N. Robeson's production of Sundown by Joel Murcott. Supporting Mr. Kelk in Sundown were Louis Van Ruten, Charles Seal, Vic Perrin, William Quinn and Jack Crucian. Listen. Listen again next week when we return with another tale well calculated to keep you in suspense. This is the United States Armed Forces Radio and Television Service.

[Narrator]

Faster than a speeding bullet, more powerful.

[Clark Kent]

Than A locomotive able to leap tall buildings at a single bound.

[Narrator]

Look. Up in the sky. It's a bird. It's a plane. It's Superman. Yes, it's Superman. Strange visitor from the planet Krypton who came to earth with amazing physical powers far beyond those of mortal men. And who, disguised as Clark Kent, mild mannered reporter for a great metropolitan newspaper, wages a never ending battle for truth and justice. Today transcribed Superman finds himself matched against a monstrous adversary of steel and fire. While the life of a friend hangs in the balance. Hello? Hello, Is this the Daily Planet advertising department? Please. I want to place an advertisement in the personals column. Wanted a young man to assist in a scientific experiment. Must be intelligent, trustworthy and absolutely fearless. The pay is small, but the opportunity for adventure is unlimited. Apply to Professor Joshua Fields, Highland Road. Yes. Yes, that's right. Absolutely fearless. The mystery of the flying monster. A thrilling Superman adventure story complete in one episode. Will continue in just a moment.

[Clark Kent]

It's new, it's different. It's what you've been waiting for. It's the all new Make a card kit. The set that contains enough material for you to manufacture and create your own greeting cards. Six beautifully designed cards that you'll be proud to send to a friend or relative. Six beautiful cards that are personalized and that enable you to actually make money. Well, this sounds too good to be true, doesn't it, fellas and girls? Just think of the fun you will have with your own greeting card company. The Make a Card kit only costs you $0.25. Only $0.25. Complete and delivered to your door. There are no postal or handling charges to pay. And if you sell these cards after you complete them, you can make 90 cents. Each card can sell for at least 15 cents. The set contains six cards. Two for birthday, two for Easter, and a mother's and Father's day card. You also get a box of crayons and a sheet of gold metallic paper. And a sheet of silver metallic paper. That's not all, fellas and girls. The set also contains six make your own envelopes. You mail the cards you have manufactured in your own envelopes. Think of it. The set only costs you 25 cents. And the materials it contains will last you a long time. After you've completed the cards. Yes, sir, you'll want to get in on this fun and profit idea. I'll be back in a few minute moments to tell you how you can get this Make a Card kit. So be sure and keep listening.

[Narrator]

And now back to the Adventures of Superman and the mystery of the flying monster. Someone once said, history is just a batch of old newspapers. Here in the building where the Metropolis Daily Planet, one of the country's leading newspapers, is published, history is being recorded as it happens. The clatter of the teletype seldom pauses. The phones never stop ringing. The presses roll night and day as our story begins. The noon edition of the Daily Planet is still fresh with ink. But seated at the desk in her office ace newspaper woman Lois Lane is already at work on another story.

[Lois Lane]

An announcement from the district attorney that the crime rate.

[Henry Harper]

Ms. Lane, I'll be back in time for the.

[Narrator]

What's that, Jim?

[Lois Lane]

What'd you say?

[Henry Harper]

If the chief wants me, you have.

[Lois Lane]

To close the door. Jim, I can't hear you. I'm sorry, Jim. Now, what were you saying?

[Henry Harper]

If Mr. White wants me, will you please tell him I'll be back in time for the deadline?

[Lois Lane]

Why isn't the chief in his office, Jim?

[Henry Harper]

Well, yeah, but I'm just going out on a story.

[Narrator]

Well, if you are.

[Lois Lane]

Doesn't Chief know it, frankly.

[Henry Harper]

Frankly, he doesn't. You see, it's not. Well, it's not exactly an assignment.

[Lois Lane]

Mm, I see. What is it, then?

[Henry Harper]

It's a story. At least, I think there's a story in it. I thought it up for myself.

[Lois Lane]

Is it a good one, sir?

[Henry Harper]

Might even be a peach.

[Lois Lane]

Then why don't you tell Mr. White about it and get him to assign it to you?

[Narrator]

Why?

[Lois Lane]

All a mystery?

[Henry Harper]

Well, in the first place, he may not agree with me.

[Lois Lane]

And in the second place.

[Henry Harper]

In the second place, if he does, which I don't think he will he'll probably give it to Mr. Kent for you.

[Lois Lane]

And you want it for yourself, huh, Jim? Well, wouldn't care to tell me about it, would you?

[Henry Harper]

Okay. Looks like I got to. It's something I saw in the noon edition. It says. Wait, I'll read it to you. You got a copy?

[Narrator]

Yeah, right here.

[Henry Harper]

Thanks. It's here in the personals. A very interesting ad. Now, let's see. Here it is. Wanted A young man to assist in a scientific experiment Must be intelligent, trustworthy and absolutely fearless. The pay is small, but the opportunity for adventure is unlimited. Apply to Professor Joshua Fields, Highland Road. That's it. What do you think?

[Lois Lane]

Well, I think it's either silly or dangerous or both.

[Henry Harper]

Well, I think it's got the earmarks of a good story. And I'm going now. Will you tell the chief I'll be back in time for deadline? Will you please, Ms. Lane?

[Lois Lane]

He won't like it, Jim.

[Henry Harper]

Oh, I'm sure of that. So long.

[Lois Lane]

Oh, well, now, where work?

[Narrator]

I.

[Lois Lane]

Let me see.

[Narrator]

Yes.

[Lois Lane]

Announcement from the district changed at the crime rate of somewhat under last year's. But that further M through.

[Narrator]

Jim Olsen.

[Lois Lane]

Yes, Chief, I have.

[Narrator]

Did you say. Yes, Lois? Yes, I did.

[Lois Lane]

He was in here just a minute ago.

[Narrator]

No, he was, was he? Well, where'd he go?

[Lois Lane]

He asked me to tell you that he'd be back before deadline.

[Narrator]

What?

[Lois Lane]

He'll be back at the office before deadline.

[Narrator]

He told you to tell me that?

[Lois Lane]

Well, yes, Chief.

[Narrator]

Who does that young scamp think he is? Oh, did he say where he was going? Where'd he go? Lord. So, do you know?

[Lois Lane]

Well, you see.

[Narrator]

Speak up, Lo. Speak up. Do you or don't you know?

[Lois Lane]

As a matter of fact, I do, Chief. He's got himself a story. He thought it up all by himself.

[Narrator]

Good Caesar. Who's running this paper?

[Lois Lane]

I'm only telling you what he told me to tell you. Here in the last edition, the page is still turned to it. It's in the personals column. It's an ad about a fearless young man. Have you got it? It's something about a scientific adventure or something. Have you got it? With a professor? I told him I thought it was foolish.

[Narrator]

There must be a story in it at that.

[Lois Lane]

You really think so, Jim?

[Narrator]

If there is, he has no right going off on his own. This is the last straw. He. He. He's fired. Meanwhile, Jim Olson, pursuing his story, draws close to the suburban address of Highland Road, given in the advertisement. A hill stretches before him. At its top, far from any neighbor, stands a massive, lonely house with ancient trees that hold its walls in shadow. Tall hedges surround it from the iron gate that bars unwelcome entrance to a huge stone tower at the rear. Inside that tower is an enormous circular chamber whose barren walls arch high overhead to form a dome like the inside of half a sphere. In the center of its stone floor, shrouded with canvas, is a mighty machine, the creation of Professor Joshua Fields. Its form is hidden, though it reaches almost to the vaulted ceiling. And at floor level, a canvas flap turned aside reveals an open black metal door into the machine itself. There are lights inside, and a man. A tall, thin man with iron gray hair and eyes sunken in a bony face, dark eyes that dance as his slender fingers play with a panel of switches and levers. Suddenly, a heavy door opens into the domed chamber, and a second man, small and very slight, walks quickly over to the machine. His little wizen face seems drawn with anger as he calls hey, Professor. Professor Fields? Yes, who is it? It's me, Maxie. Shut this crazy thing off, will you? Oh, so you've come back, Maxie. Yeah, and I'll give you one guess why. Come on out. Yes, well, make it fast, Maxie. I've got to finish checking everything. I don't care what you do after I get out of here. But first I want what's going coming to me. Maxie, I've tried to explain.

[Clark Kent]

I haven't the money.

[Narrator]

Oh, no? Listen, Professor, I seen your ad, today's paper. You got money to hire somebody new. How come you can't pay me now? Maxie, when you volunteered to be my assistant, I thought it was a real job. And after what happened yesterday, purely an accident. And what happened three days ago, you almost blew up the joint. Flames shooting out all over like a finest. I thought I'd never come out alive. But you did, you see? Yeah, and I mean to stay like that. The next guy in this job can look out for himself. I'm getting out for good, but not without my money. Maxie, I've told you this before. I had only a certain sum put aside for this invention. Part of it was to pay for an assistant. In other words, for your services. But now that you've decided not to go through with it. I've been hanging around here for two weeks. Don't that add up to nothing? The job was for an assistant during an actual experiment. I admit the machine has suffered some damage during my tests, but now that it's ready, you'll quit. I wish I could pay you for your time, but frankly, if I do, I can't hire anyone in your place. Here, let me show you this. It's part of my control panel. As you see, it's small enough to hold in the palm of my hand. I call it a gravity activator. I don't suppose that means much to you. Not that in this bug house means anything to me. Just the same, this little object made up of countless tiny jewels and almost a pound of rare metal. Maxie, this costs a fortune. And if you had one ounce of scientific science. Oh, give me that. Excuse me, Maxie. That's the house phone, you know. Yes, thank you, Mrs. Foley. Please send him up, sir. You got another sucker already, huh? Some fool. You think you'll get inside that machine? I'm going to, am I not? If you want to get killed, that's your business. But you got no right to kill anyone else. Now, Max, you're all excited. You compose yourself while I See this young man. Then we'll talk the whole matter out. Talk? I'm sick of talking. Well, waiting here already. That was fast, young man.

[Henry Harper]

Yes, sir. Are you Professor Field, sir?

[Narrator]

I am indeed. And your name, may I ask?

[Henry Harper]

Jim Olson, sir. I came about your ad in the plan.

[Narrator]

Yes, what did you think, Olive?

[Henry Harper]

Oh, I liked it very much, sir.

[Narrator]

Good, good. Now, Jimmy, this gentleman coming towards us is Mr. Max. No part of introducing me, Professor. I told you I wasn't hanging around. You mustn't mind him, young man. Max. He's very high strung. Much too nervous for scientific work. Well, come in, come in. Let's have a little chat, shall we? I see that my machine interests you, Jim.

[Henry Harper]

Yeah, if I had to tell what it is under the canvas. Could be a canon or a telescope.

[Narrator]

Well, it's neither. But strangely enough, there is something of both in it. Here, let's come around to this side. I've got it open, you see. Take a look in. How does that control panel strike you? Impressive, isn't it?

[Henry Harper]

I'll say. All those lights and dials and switches and things. But what's it all about? Your ad said something about adventure.

[Narrator]

Are you eager for adventure and being absolutely fearless. Are you absolutely fearless?

[Henry Harper]

Well, I suppose.

[Narrator]

Because if you want, there's really no point in further discussion.

[Henry Harper]

Oh, no, no. I'm fearless. Perhaps, Professor. Absolutely fearless and very eager for adventure.

[Narrator]

Good, good. It's a simple job, really. You see, I need someone to handle a few switches. I'll show you. Just step inside. I'll follow you. See those switches up there at the top of this narrow ladder? You suppose you could climb up?

[Henry Harper]

Oh, sure, why not?

[Narrator]

Good. You go up and I'll tell you what to do. Okay.

[Henry Harper]

Here goes.

[Narrator]

Now I'll shut this outside door. The metal door to the machine clangs shut on Jim Olsen and Professor Fields. A hum begins to fill the chamber. It grows louder and louder until the machine, shuddering with power, shakes the stone tower to its foundation. Suddenly, fire. Fire and smoke fill the domed chamber. The canvas shroud falls away from the machine and a flaming, raging inferno blots out everything it was on the Teletype. Soon after. Attention. Special announcement. Enormous explosion rocked the suburban Highland Road section as Professor Joshua Field's home blew up.

[Clark Kent]

Are you going to be one of the first in your neighborhood to send for the all new Make A Card kit? The set that enables you to make your own greeting cards? You'll be smart if you get in on this amazing offer right away. We have only a limited supply of these Kits, and we don't want to disappoint any of you. All you have to do to get your six different type greeting cards with the box of crayons, the metallic paper and the six make your own envelopes is to send 25 cents to make a card. Box 1319, N.Y. 17, N.Y. that's 25 cents to make a card. Box 1319, N.Y. seventeen, N.Y. we'll rush your kit right out to you. We pay postage. You'll have to hurry, though. We only have a limited supply of these amazing kits and we don't want to disappoint any of you. So send in for your set today. I'll repeat that address for you. Send 25 cents to make a card. Box 1319 New York. 17, New York. Don't delay. Send for your kit. Today.

[Narrator]

The news of the terrible explosion at Professor Field's laboratory went out over the Daily Planet's teletypes and left a wake of sickening horror and grief for all who knew Jim. And for Lois Lane and editor Perry White, it was worst of all. Now, in the chief's office, they sit staring into space.

[Lois Lane]

He found his Jim had been delayed. If he hadn't gotten there before it happened.

[Narrator]

Yes, Lois, but he did get there. Now we know that he's found several people who either gave him directions or saw him on the way up the hill to the laboratory. Now remember, Lois, he was a good newspaper man. He was out getting a story. Yes, Mr. White?

[Lois Lane]

There's a man here.

[Narrator]

Didn't I tell you not to disturb me, Miss Bike Rack?

[Lois Lane]

Yes, Mr. White.

[Narrator]

That's enough. Have you located Clark Kent yet?

[Lois Lane]

No, Mr. White. He hasn't come. Oh, just a minute, I think. Yeah, here he comes now.

[Narrator]

I'll send him right in.

[Lois Lane]

Okay, but about that man waiting.

[Narrator]

Oh, hello, Ken.

[Lois Lane]

Poor Jimmy.

[Narrator]

I just heard about it downstairs. I knew about the explosion, but I never dreamed Jim was anywhere near it. How come he was there? You'd better lie down and rest. Now, you come with me, Ken. I'll be back in a minute.

[Clark Kent]

All right, Chief.

[Narrator]

Mr. White's office.

[Lois Lane]

Is that you, Mr. Cat?

[Clark Kent]

Yes. Chief's out for a moment. Any message?

[Lois Lane]

There's a man here waiting an hour to see Mr. White. He says if nobody's interested in the inside story of the big explosion, he'll go to somebody.

[Narrator]

The inside story on the explosion?

[Lois Lane]

That's what he says, Mr. Ken, but he's leaving.

[Narrator]

No, no, tell him not to. Send him in, Miss Back Rack. Send him in. A few moments later, a Small, slight man steps into Perry White's office looking about him with the suspicious darting eyes of a sparrow. Clark Kent searches the little man's sallow mask of a face. Then suddenly, the gift of x ray vision that is his as Superman makes out a strange object in the little man's coat pocket that instantly alerts his attention. Come in and sit down, won't you? Beauty Editor? No, but he'll be right back. Perhaps I can be of the same. Not if you ain't, editor. Oh, wait. Today, Little Maxi talks only to the man in charge. This is a big day for Little Maxi. Well, if you've got a story, I get it. Now, who's this guy? Is he the editor? Yes, Chief, this is. Yes, I know, cat, I know. Ms. B told me. You have the story on the explosion, is that right? Right. Okay, let's have it. How much? Well, that will have to wait until I'll talk. Why? It's only numbers. How much? 500 if we use it. A grand. You'll use it all right, it's a deal. Now talk. Sure. I was waking for Professor Fields for two weeks until yesterday. Yesterday I quit. But I come back to see the professor on a personal matter. Today I seen a new assistant he got in my place. A young fellow named Jim Olson. Yeah, the kid that got blown up with the professor. I tried to warn him, but he wouldn't listen to me. Warn him about what? Did you know there was going to be an explosion? What do you think I quit for? There was other explosions yesterday, three days ago, but nothing like the big whammo today. I told him he'd kill himself if he kept on with that crazy machine of his. What machine? The one he's working on. That's what blew up. What sort of a machine? What does it look like? He had it all covered up with canvas. For all I know, it could have been a smokestack under there. That's what it looked like. A smokestack about 40 foot high. Only the inside was full of wheels and gadgets and all junk like that there. What was it meant to do? Who knows? Oh, anyways, after I left this, I'm on my way down the hill. I hear this humming coming out of the tower. All of a sudden, Baroom like thunder. The next thing, smoke's pouring out of the joint. Flames, Baroom. Knock me off my feet. Did anything fall in the vicinity? Perhaps you picked up a chunk of metal or something like that? No. All we want to do is photograph it. Photograph what? I told you, we'll pay you an extra 500 for a picture.

[Sam]

No.

[Narrator]

Just a minute, captain. What do you say, Maxie?

[Clark Kent]

Is it a deal?

[Narrator]

What does he say?

[Clark Kent]

Back me up, chief.

[Narrator]

Take my word for it. All right. Well, now, come to think of it, I did pick up something. Fell in a row, just like you said. I got it right here in my pocket. I figure I'd keep it for souvenir. Let's see it, Maxie. Okay, here it is. From his coat pocket, Maxi brings out a gleaming, glittering object and hands it to Kent. An object made up of countless tiny jewels and rare metal. The object that Kent had seen with his X ray vision when the little man first entered Mr. White's office. Where did you get it, Maxi? I thought you dropped out of the sky.

[Clark Kent]

You're lying, Maxie.

[Narrator]

This delicate little thing would shatter to bits if it so much as fell from my hand to the floor. You must have gotten this from the laboratory before the explosion. It was part of the machine itself, wasn't it, Maxie? So what? You stole it, didn't you? Not a professor give it a million. It's worth thousands, Maxie. You think a jury will believe that? What do you want? What are you after? You know what this was used for? What did the professor call it? Think, Maxie. Think hard. What did he call it? Something. Something about gravity. Gravity. Got a gravity activator. Was that it? Yeah.

[Henry Harper]

Yeah.

[Narrator]

Ken, what are you so excited about? This tells us what kind of a machine the professor was experimenting with. A rocket ship. What? Only a rocket ship needs a gravity activator. What is it? It's an artificial force to take the place of natural gravity. Once the ship is far enough out in space to be free of the Earth's influence, then the professor and Jim. Yes, chief. They can still be alive. That was no ordinary explosion in the tower. It was a rocket ship taking off. And right at this very moment, the professor and Jim Olsen are in that ship somewhere in space being tossed about like dice in a cup. All because little Maxie stole an instrument as precious as life. No. No, no. No, Maxie. That's murder. Kent. Kent, he's getting away. After him. I'll get him. Kent. Kent, look out.

[Clark Kent]

The door.

[Narrator]

Kent. Kent, are you all right? Yeah. My head. Here, let me help you. Oh, no, no. Never mind, chief. Go after Maxie. Catch him. Yes, yes. You wait here for me. I never thought I'd have to resort to pulling a phony collision with a door. But I had to get rid of the chief somehow. I hope I gave Maxie A good enough start. This is a job for Superman. And out of these clothes. There we are. Now to open the window and get out to the laboratory. Up, up and away. Leading across Metropolis. It takes Superman but a moment to soar unseen past the police lines through the professor's laboratory tower. It stands intact except for the missing roof. And as he drops to the tower, a quick glance confirms his theory. Just as I thought. It's the sort of roof they have on astronomical observatories. Divides in the middle and slides out of the way. Now, to judge the angle of elevation the rocket ship took.

[Mrs. Loomis]

Careful.

[Narrator]

Slightest mistake may throw me off course for thousands of miles. I need every reserve of strength I have at this. See? 110 degrees. Make it 110.2. Okay, now to find them. Up, up and away. With a mighty surge, Superman hurls himself into the sky. Up, up. The city of Metropolis recedes with incredible swiftness until it is a vanishing pinpoint. Far below, the sun grows brighter, but the Earth's blanket of atmosphere has thinned and the cold of outer space tears at Superman's sinews. Higher. Higher. Where are they now? The Earth has shrunk into a dark, misty green ball visible only occasionally through layers of clouds. Spinning on through space, distant and removed and unaware of the mighty drama taking place in the frozen regions of the void. I must have misjudged. I've lost them. Then suddenly, a speck far off. Wait a minute. That's it. Yes, yes, yes. But it's heading toward me. It's off course, out of control. Uh oh. Now it's turning off after it.

[Henry Harper]

Now.

[Narrator]

Closer. No, it's turning again. Going away. Faster. Faster. Oh, what's this? It's coming back. Got to grab it somehow someplace. Here it comes. No. The rocket ship strikes the man of Steel a glancing blow. But its terrific force sends him hurtling through space while the ship itself, twisting and darting, carries the professor and Jimmy on a flight that can only end in destruction. We'll be back in a moment for the conclusion to the mystery of the flying monster. So keep listening.

[Clark Kent]

In the opening of today's program, fellas and girls, I told you about the new Make A Card kit which contains enough materials to create and manufacture six of your own greeting cards. Now, I'd like to tell you a little more about this all new Make A Card set. The set includes six beautifully designed cards which you actually make yourself. Two Easter cards, two birthday cards, and a Mother's and Father's Day card. That's not all, fellas. And, girls, you get six. Make your own envelopes so that when you've completed the cards, you have enough of the right sized envelopes to mail them in. The kit also has a box of the finest crayons, every color you can think of. You also receive a sheet of gold metallic paper and a sheet of silver metallic paper. If you can't think of a rhyme, well, let us say it for you. We have included many different greetings in the kit. Well, that's it, fellas. And girls. Your very own greeting card company wrapped up and delivered to your door for only 25 cents. All you have to do is send in your quarter. 25 cents to make a card. Box 1319, New York. 17, New York. That's 25 cents to make a card. Box 131 9, New York. 17, NY. There's no postage to pay. We pay that. You'll have to hurry because we have only a limited supply and we don't want to disappoint any of you. You'll want to start manufacturing your own cards right away. So send your quarter to make a card. Box 1319, N.Y. 17, N.Y.

[Narrator]

And now back to the thrilling climax of the mystery of the flying monster. Far above the earth, in the frozen reaches of outer space, Superman finds himself locked in Mortal Kombat with an experimental rocket ship that has gone out of control as it rages insanely through the sky. Turning and dodging erratically, it steers a course directly at Superman. Then, at the last instant, it veers, striking him with crushing impact and flashing past the man of Steel to continue its mad gyrations. Which, recovering from the blow, Superman hovers for a few moments, watching the ship, planning his next move. Then, as it spins wildly toward him again, he moves to meet the flaming monster. Better not try to meet it head on this time. Not if I want to save Jim and the professor. If they're still alive. Here it comes again. Cut to stay level with it. Like this. Faster.

[Henry Harper]

Now.

[Narrator]

Both of them moving at blinding speed. Superman matches every twist and turn of the rocket ship, drawing closer, closer, until he makes contact with the sleek metal hull. Then lets himself slide to the tail fins. He straddles two of the fins with his outspread legs as he lies against the hull, riding the rocket ship like a swimmer on a surfboard. Then, once Superman's great strength is released from the task of keeping up with the ship, he is able to control it. Oh, Betsy. Easy now. That's right. Down we go. Down the Metropolis.

[Henry Harper]

Gee, that was some ride.

[Narrator]

Friends. I want to thank you for your faith in me. You all saw how easily my ship settled back into its place in the tower. Of course, it was a rough ride at times, even though we were strapped in. But it never would have been if one of my instruments hadn't been stolen. By the way, you'll all be glad to know the gravity activator has been recovered. And the way my rocket ship went back home, like a homing pigeon. It only goes to prove that it was built right. If you'll excuse me now. Oh, what's the matter, Clark?

[Lois Lane]

Don't you feel well?

[Narrator]

Listen to him, Lois, will you? Like a homing pigeon.

[Lois Lane]

Oh, now, go on. You're just jealous of Jim's wonderful story.

[Narrator]

Me, jealous? Why should I be jealous of wonderful story?

[Commercial Announcer]

Sure, it would be.

[Narrator]

Mighty proud of that young man. Oh, you are?

[Lois Lane]

Chief. I thought you fired Jim.

[Narrator]

Me fired Jim? What are you talking about? All right, all right, forget it.

[Clark Kent]

Kent, how are you feeling, huh?

[Narrator]

Oh, Lois, you should have seen the crack on the head he got. Oh, I'm fine now, thanks. When I came back with Maxie, I couldn't find you. Where'd you go, Kent? Oh, when I came to, I wandered out of the office. I guess I wasn't myself.

[Lois Lane]

Oh, I think you were, Mr. Kent.

[Clark Kent]

What do you mean by that, Ms. Lane?

[Lois Lane]

Listen, Mr. Kent, on @ least one occasion I've had a suspicion that you might be Superman. And now I have a few words to add to that.

[Narrator]

Yes? What?

[Lois Lane]

My sincerest apologies to Superman.

[Narrator]

And so ends the mystery of the flying monster, another transcribed Superman adventure story in the new half hour series. Superman is a copyrighted feature appearing in Superman DC comic magazines and brings you radio's most exciting stories of action, adventure and mystery. Each story complete, so be sure to listen when you hear the familiar cry. Faster than a speeding bullet.

[Clark Kent]

More powerful than a locomotive.

[Narrator]

Able to leap tall buildings at a single bound. Look up in the sky. It's a bird. It's a plane. It's Superman. The Adventures of Superman comes to you at this same same time, same station every Monday, Wednesday and Friday. Remember, three different stories every week, each one complete. Be sure to listen again Friday, same time for another great story on the adventures of Superman.

[Jackie Kelk]

We just heard Jackie Kel in Shadow on the Wall, Sundown and the Adventures of Superman. That will do it for this week's show. Thanks so much for joining me. I hope you'll be back next week for more old time radio thrillers. In the meantime, you can check out down these Mean Streets, My old Time Radio Detective Podcast. New episode episodes of that show are out every Sunday. If you like what you're hearing, don't be a stranger. You can rate and review the show on Apple Podcasts or wherever you listen. And if you'd like to lend support to the show, you can visit buymeacoffee.com meansts otr. Now, good night until next week when I'll be back with another Hollywood legend starring in More Tales well calculated to keep you you in suspense.

[Narrator]

Ladies and gentlemen, the chief hope of our enemies is to divide the United States along racial and religious lines and thereby conquer us. Let's not spread prejudice. A divided America is a weak America. Through our behavior, we encourage the respect of our children and make them better neighbors to all races and religions. Remind them that being good neighbors has helped make our country great and kept her free. Thank you.