Episode 442- Stars of "Gentleman's Agreement"

Summary

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Stars on Suspense – Episode 442: Stars of "Gentleman's Agreement"

Date: March 6, 2026
Host: Mean Streets Podcasts

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Overview

This episode of "Stars on Suspense" pays tribute to the Academy Award-winning film Gentleman's Agreement (1947), spotlighting its stars—Gregory Peck, Dorothy McGuire, and John Garfield—in standout radio roles. With the Oscars approaching, the podcast presents a "triple feature" of episodes from Suspense radio, along with a Lux Radio Theater adaptation of Gentleman's Agreement starring Peck and Anne Baxter. The episode explores the serious themes of bigotry and conscience through compelling storytelling and character-driven drama.

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Structure and Featured Dramas

1. Introduction & Context

   • [00:00] Host William Keeley explains the theme: adaptations of Oscar-winning films with legendary Hollywood actors. This episode focuses on Gentleman's Agreement and its exploration of antisemitism.

2. Featured Suspense Radio Episodes:

   • "Death Sentence" starring John Garfield (first aired Nov 4, 1948)
   • "Murder Through the Looking Glass" starring Gregory Peck (first aired Mar 17, 1949)
   • "Last Confession" starring Dorothy McGuire (first aired Sep 15, 1949)

3. Lux Radio Theater:

   • A radio adaptation of Gentleman's Agreement starring Gregory Peck and Anne Baxter (first aired Sep 20, 1948)

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In-Depth Summaries and Key Moments

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"Death Sentence" starring John Garfield

[Begins at 07:12]

Setup and Main Story Beats

• Tommy Cochran (Garfield), Private Investigator: Tommy returns to town after turning in Maxie Dunn, a criminal with ties to mob boss Lou Cromwell.
• Conflict: Lou confronts Tommy, telling him he has just seven days to live—matching Maxie’s time left before his execution.
  • Lou's Threat:

    "That's just how long you have to live, Tommy. You can take care of the job yourself then, or we'll handle it for you when the time's up. Play it your own way." (Lou Cromwell, 11:56)

• Flight and Fate: Tommy flees, changing cities and identities, but is unable to escape Lou's reach.
• Human Connection: In Santa Barbara, Tommy meets Helen Ludlow. They quickly develop a meaningful romantic bond—though both hide parts of their troubled pasts.
  • On their instant connection:

    "We met each other entirely by accident, but suddenly we're friends. I mean, really friends. At least I feel that way." (Helen, 19:30)

• Complications: Lou turns up at the same hotel, turning the screw on Tommy’s countdown.
• Twist and Betrayal: Tommy discovers Helen is entangled with Lou, forced into his schemes to protect her own sister.
  • "I came here in the first place because of Lou. Because he forced me to." (Helen, 26:11)

Climax and Resolution

• Marriage and Tragedy: Tommy and Helen hastily wed, hoping for a chance at happiness, but soon after, Helen is found murdered—strangled in their suite.
  • "She'd been propped up in the tub behind the shower curtain, but she fell out... She was dead. Strangled." (Tommy, 27:20)
• Confrontation: Tommy confronts Lou, who reveals he was to marry Helen but she “double-crossed” him by marrying Tommy. Lou frames Tommy for Helen's murder.
• Final Lines: Tommy calls the front desk, prepared to turn himself in, having lost everything.

Notable Quotes

• Lou on the underworld stakes:

  "The house has to rake in a few chips to stay in business." (Lou Cromwell, 12:56)

• On fate and love:

  "We weren't kidding ourselves any longer. We knew this was the biggest thing that ever happened to us... and now, maybe I'd found her too late." (Tommy, 21:58)

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"Murder Through the Looking Glass" starring Gregory Peck

[Begins at 35:24]

Setup and Main Story Beats

• Jeffrey Bruno (Peck), Writer with Amnesia: Wakes up on a train, wearing another man's coat and carrying ID for "John Blake."
• Suspicions Mount: Newspaper headlines and bystanders recognize him as "Blake," now wanted for murder.
  • "'Killer Blake Escapes.' And just below it, there was a picture of me." (41:29)
• Friendship and Doubt: A friend, Rosalie, helps as Jeff struggles with blackouts—a possible case of dual personality.
  • "Do I disappear for a couple of days, go somewhere else, become somebody else?" (43:48)
• Psychiatric Help: A psychiatrist considers Jeff might be suffering from schizophrenia, but details don't quite fit.
• Investigation: Jeff visits "John Blake’s" apartment, evading police and trying to piece together what happened.
• Twist: Turns out he was manipulated—the psychiatrist who counselled him is also the murder victim’s nephew, and is revealed as the real killer.

Climax and Resolution

• Confrontation: Jeff confronts the killer, armed with evidence, and ensures justice will be done as police arrive.

Notable Quotes & Moments

• On prejudice and identity:

  "Maybe I'm John Blake, too... that’s a sickness, and people can get over being sick. Maybe you'll remember all the things John Blake did." (Rosalie, 45:17)

• On the nature of guilt:

  "I was John Blake, I did the things John Blake did, and I have to see it through to the finish." (Jeff, 57:31)

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"Last Confession" starring Dorothy McGuire

[Begins at 67:03]

Setup and Main Story Beats

• Jessie Larkin (McGuire), Overactive Conscience: Troubled by news of a murder, Jessie begins to wonder if she herself could have committed the crime during an unaccounted-for time period.
  • "Every time something like this murder comes up, I keep thinking maybe I did it. Maybe when I was asleep or something..." (Jessie, 70:18)
• Memory Gaps and Guilt: She cannot remember her whereabouts during the murder time frame and becomes convinced of her own guilt.
• Revelation: Investigation and confessions reveal she was not the killer; her missing glove and dress were due to her roommate borrowing them, and her memory blanks were due to emotional trauma.

Climax and Resolution

• Relief and Release: Jessie is cleared when evidence—and the victim's mother—prove her innocence, and her friend Edna admits her own involvement.
• Themes: The story deeply explores conscience, guilt, memory, and the weight of wrongful self-blame.
  • "Sometimes it happens that way with some of us. Your mind just blots out a thing that's too painful to remember." (Doctor, 90:00)

Notable Moments

• The haunting feeling of responsibility:

  "You wouldn't think I'd be the sort of... Well, then, nobody is ever the sort of person to be a killer until he's killed someone." (Jessie, 70:10)

• Jessie's emotional breakdown:

  "I did it. I did it. I did it. I did it." (Jessie, 77:44)

• Discovery of truth and catharsis:

  "Edna, I couldn't have done it. Mrs. Hacker said I was with her at Henry's funeral between 5 and 7 on July 12th." (Jessie, 91:56)

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Lux Radio Theater: "Gentleman's Agreement"

[Begins at 94:50]

Setup and Main Story Beats

• Philip Green (Gregory Peck), Investigative Journalist: Poses as Jewish to expose antisemitism for a prestigious magazine article.
• Personal Stakes: Green's project deeply affects his relationships, particularly with Kathy (Anne Baxter), his fiancée, who struggles with social pressures and her own passive complicity.
• Experiencing Bigotry Firsthand: Green and his son face discrimination in housing, employment, and social settings.
  • "But why don't some people like Jews? …Some people hate Catholics and some hate Jews." (Phil to his son, 100:37)
• Love and Ideals Collide: Kathy's friends ask for exceptions when it comes to parties and invitations, revealing "gentleman's agreements" that exclude Jews quietly but effectively.
  • "There's a sort of gentleman's agreement." (Kathy, 136:02)
• Stance Against Injustice: Green refuses to compromise, challenging the passive acceptance of bigotry.
  • "They're more than nasty little snobs ...they're persistent little traitors to everything this country stands for." (Phil, 130:53)

Climax and Resolution

• Personal Sacrifice: Green and Kathy's relationship founders over their individual responses to antisemitism—Phil’s commitment to action vs. Kathy's desire not to “make trouble.”
  • "If two people are right for each other, they usually discover it in time... if I had a kid I loved, I'd want him to be brought up with people who felt the way I did about the basic things." (Anne, 143:02)
• Transformation and Hope: Kathy ultimately chooses to stand up against exclusion, offering her cottage to Green's Jewish friend Dave and committing to challenge bigotry directly.
• Final Emotional Reconciliation: Phil and Kathy reunite, having both grown through the ordeal.

Notable Quotes & Moments

• On the culture of silent complicity:

  "That's the biggest discovery I've made about this whole business—the good people, the nice people... who despise and deplore it, help it along and then wonder why it grows." (Phil, 138:13)

• On personal and societal responsibility:

  "Where do you call the halt? ...Phil will fight. He'll always fight. And if I just sit by and feel sick, then I'm not a fit wife for him." (Kathy, 145:28)

• The hope of progress:

  "I want to be around to see the start, the beginning of people finding out how to live together." (Ma, 148:07)

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Timestamps Highlight

| Segment/Scene | Timestamp | |--------------------------------------|---------------| | Host Introduction & Overview | 00:00–07:12 | | "Death Sentence" (John Garfield) | 07:12–35:24 | | "Murder Through the Looking Glass" | 35:24–67:03 | | "Last Confession" (Dorothy McGuire) | 67:03–94:50 | | "Gentleman's Agreement" (Lux) | 94:50–149:53 |

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Episode Tone & Notable Themes

• Direct, Hard-Hitting Dialogue: The scripts tackle prejudice, conscience, and moral courage with unflinching seriousness.
• Personal and Social Responsibility: The episodes challenge listeners to self-examination—refusing to allow comfort, manners, or self-doubt to serve as cover for injustice.
• Empathy and Transformation: Especially in Gentleman's Agreement, the non-Jewish protagonist's eyes are opened to the realities of silent prejudice, making the point that passivity is a form of complicity.
• Memorable Reflections: The episode is packed with vintage radio’s rich period atmosphere and characterful performances that drive home the costs of both bigotry and silence.

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Standout Quotes

• "A man has to pick one side of the fence and stay there. He can't play on both sides."
  — Brad Cummings, 09:12 (Death Sentence)
• "Behind that joke is Flumin and Claremont and Tommy and the kids down the block. And if you don't stop with that joke, where do you stop?"
  — Kathy, 145:28 (Gentleman's Agreement)
• "The house takes everything... It's already stopped on double zero."
  — Tommy (John Garfield), 32:59 (Death Sentence)
• "Not enough of us realize it, Ma. The time's getting short."
  — Phil (Gregory Peck), 147:57 (Gentleman's Agreement)

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Final Thoughts

This episode uses timeless radio drama to provoke deep consideration of prejudice, moral courage, and personal responsibility. The performances of Garfield, Peck, and McGuire demonstrate why these stars—and these stories—remain powerful decades later. The Gentleman's Agreement adaptation is especially poignant, exploring not only overt bigotry but the more pervasive, polite indifference that enables it.

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Next Week: The series continues with the stars of "All About Eve," featuring Bette Davis and Anne Baxter.

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Transcript

[Narrator/Host (William Keeley)]

Would you hand me that, please? Thank you. Now, let's see. Survey. Survive. Susanna. Suspect. Ah, here we are. Suspense. Meaning held in doubt, expressing doubt. The state of being uncertain, undecided or insecure. State of anxious expectation or waiting for information such as to keep one in suspense. Therefore delay acquainting him with what he is eager to know. Suspense. Hello and welcome to Stars on Suspense with with more Hollywood legends in radio's outstanding theater of thrills. Today we kick off a new month long series. And with the Oscars right around the corner, we're spotlighting films that took home the Academy Award for best picture. Today our winner is Gentleman's Agreement, Elia Kazan's 1947 drama based on the best selling novel. It stars Gregory Peck, who was nominated as best actor as a reporter who pretends to be Jewish as he writes an expose about antisemitism. And he discovers how widespread bigotry is in all walks of life. The movie co starred Dorothy Maguire, also an Oscar nominee for her work, and John Garfield. And we'll hear all three of them today in episodes of Suspense. Plus, we'll hear Gregory Peck recreate his role in an adaptation of the film from the Lux Radio Theater. You can rent or buy Gentleman's Agreement digitally through your preferred retailer. It's also available on Blu Ray and dvd, but at the time of this recording, it doesn't appear to be streaming anywhere for free. John Garfield is up first today. We'll hear him in death sentence from November 4, 1948. Then Gregory Peck stars in a favorite of mine, Murder through the looking glass, from March 17, 1949. And Dorothy McGuire stars in Last Confession from September 15, 1949. Then we'll hear Mr. Peck with Anne Baxter in the Lux Radio Theater presentation of gentleman's agreement from September 20, 1948. But first, it's a triple feature of Suspense. And we'll kick things off with John Garfield right after these messages. Recently, in a big eastern city, a group of trained men and women called on thousands of housewives and asked this simple question. What kind of container do you prefer for the food you buy? An overwhelming majority of housewives said they prefer to buy food packed in glass. Among them were a great many mothers of small children. And by a ratio of more than eight to one, these mothers said they insisted on prepared baby foods packed in glass. They gave many reasons, as you might expect, but here are the three reasons mentioned most frequently. First, glass lets you see what you buy before you buy it. Second, you can heat, serve and store leftover portions of prepared baby food in the same glass container. And third, these young mothers agreed that sterilized glass containers are cleaner and more sanitary. You can buy an increasing number of the better brands of food packed in glass. And all of the better brands of prepared baby food come to you in Anchor glass containers sealed with Tampa proof Anchor vacuum caps, both products of Anchor Hawking. Why has Hollywood star Merle Oberon switched to new improved green shampoo? Because compared to dulling soap shampoos, this wonderful new dream reveals up to 33% more sheen. Follow Merle's secret For shining hair, it's

[Announcer/Commercial Voice]

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the very first time you use New

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Dream, get wonderful new green shampoo. This is the cold season. What do medical authorities say about the common cold? Doctors tell us there's no known drug which will cure a cold. There are effective medications for treating complications accompanying or following a cold. If you've been taking sensible precautions and still have one cold after another, it's best to see your doctor. And here's another important health tip. When you have a cold and need a laxative, that's the time to rely on gentle Ex Lax. Pleasant tasting Chocolated Xlax helps you toward your normal regularity. Gently overnight Ex Lax gets along with any cold remedies you may be taking. And Ex Lax works where nature wants in the lower tract, not the stomach. Taken at bedtime, Ex Lax won't disturb sleep. Gives you the closest thing to natural action. The next morning, you're well on your way towards your normal regularity without upset or discomfort. So when you have a cold and need a laxative, take Ex Lax, the laxative you can use with complete confidence. Ex Lax helps you towards your normal regularity. Gently overnight Ex Lax. Tomorrow, at the beginning of another weekend, two whole days to relax and have fun. You'll be planning picnics and backyard barbecues. Just be sure there's plenty of Paft Blue Ribbon cooling in your icebox. Tomorrow morning, ask your dealer for a case in cans or bottles. Pabst Blue Ribbon is the finest beer served anywhere. Your taste will tell you why. And now a tale well calculated to keep you in suspense. In just a moment, Autolight presents suspense with John Garfield.

[Announcer/Commercial Voice]

Hello, Mr. Wilcox.

[Narrator/Host (William Keeley)]

Well, hello, Mary. Where's Hap tonight? Anaheim, Azusa or Cucamonga?

[Announcer/Commercial Voice]

Oh, no, Mr. Wilcox. He's giving a speech at his club. And he was scared to death too. Didn't know what to talk about.

[Narrator/Host (William Keeley)]

Well, why doesn't he talk about those bang up Bonus built Autolyte stay full batteries. Why, by Cornelius. He could talk a whole evening about them. 4Autolite Stay Full batteries have got something that practically eliminates a major cause of battery failure. You know what it is?

[Announcer/Commercial Voice]

Why, sure they have.

[Narrator/Host (William Keeley)]

No, no, no, no. Please don't steal my thunder, Mary. Autolite stay full batteries have an extra large liquid reserve, which means in plain old Wilcox language the that auto light stay full batteries need water only three times a year in normal car use. Why, by Cornelius, everybody ought to get an auto light stay full battery. They'd be enthralled. Enthused. Enthralled.

[Announcer/Commercial Voice]

Enthralled. Oh, no, Mr. Wilcox. But.

[Narrator/Host (William Keeley)]

Shh.

[Announcer/Commercial Voice]

Here comes suspense.

[Narrator/Host (William Keeley)]

Suspense. Autolite and its 60,000 dealers and service stations bring you radio's outstanding theater of thrills. Starting tonight, Mr. John Garfield in Anton leaders production of death sentence, a tale well calculated to keep you in suspend. It's hard to tell where it first started. It was six months ago that I nabbed a killer, Maxie Dunn, and cashed in 15,000 in reward money. Sure, I knew that Maxie worked for Lew Cromwell, but the killing was a private affair, so I didn't think Lou would be upset. Right after I got the killer, I took a small job that meant going to Brazil, but the trouble started before then. By the time Maxie Dunn was arrested, the chips were down and the wheel was already spinning. Anyway, that's how Lou Cromwell would put it. Lou would know because he knows his gambling. He runs the gambling in this town. Along with a lot of other things. I hadn't been back in town 10 minutes when I ran into Brad Cummings, local columnist, in front of a region hotel. Well, well, well, you're back in town. How are you, Tommy? Hello, Brad. How's the column? Oh, great, great. Don't even have to write it anymore. I'm reusing last year's stuff. Say, Tommy, I'm just going to a cocktail party in the hotel. Come along. Whose party? Luke Cromwell's. He'll be surprised to see me. Oh, you love it, Tommy. Come on. Okay, let's go to your party.

[Announcer/Commercial Voice]

How you, Tommy?

[Narrator/Host (William Keeley)]

Hi, Tommy. What do you say, fellow? How are you? Well, it doesn't look like Lou's showing up yet. What's he celebrating? Well, he hasn't said yet. Say, why'd you come back, Tommy? Why shouldn't I? It's a nice town. Sure, except when Lew Cromwell doesn't want it to be. Meaning? Oh, nothing much. I'm only a columnist, Tommy, and like I said, I'm using Last year's news. So I'm still interested in Max C. Dunn. Oh, it's a dull story, Brad. The cops couldn't find Maxie, so the widow of the guy he killed hired me. I dug up a tip on Maxie's hideout and brought him in. There happened to be a 15 grand reward, so I had myself accustomed to. I guess I was just born lucky. Lou may think you ought to die the same way. I can take care of myself. Besides, why should Lou worry about it one way or the other? Well, you have done some work for him. Oh, sure, sure. I'm a private investigator. I work for anybody who'll pay me as long as the job's on the level. And those I did for Lou were too. You don't have to argue with me, Tommy, But I told you a year ago not to get mixed up with Lou. A man has to pick one side of the fence and stay there. He can't play on both sides. I don't know, Brad. I've done pretty well at it until now. But Maxie was Lou's right hand, so I don't think he liked it. So he didn't like it. In the meantime, I'll. Tommy. Ah, yeah. Oh, hello there, Muggsy. Tommy, Lou wants to see you. Lou? Well, how did he not. Okay, never mind. Where is he? Not here. He wants to see you across the street in his office. Oh. Well, let's go back in a few minutes, Brad. Have a drink for me. Sure, Tommy, sure. I'll drink to your health. How are you, Lou? Hello, Tommy. Nice to have you back with us. Nice to be back, Lou. Seems to me you heard pretty fast about me being in town. You know how it is, Tommy. People drop in here and gossip and I hear things. Sit down. Thanks. Cigarette? Sure. Have a nice vacation? Good enough, I guess. You're just naturally lucky, Tommy. A long vacation and 15 grand to spend. Now, me, I didn't get a vacation. I had to work pretty hard and it cost plenty trying to save Maxie Den. And now it's very inconvenient finding someone to take his place. Well, if you're offering me the job, I'm not interested. I'm glad to see you haven't changed. But seriously, Tommy, you shouldn't have turned Maxie in. Well, I'm sorry I inconvenienced you. No, it's not only that. You know how it is in this racket. Either you keep rolling sevens and stay on top or you're on the bottom. It don't look so Good for me to let one of my boys take a ramp. He had it coming. Possibly. Maxie was dumb to pull that personal job. But if I let you come in and grab off my boys, somebody will start thinking that Lou Cromwell is slipping. Never thought of that, Lou. What's the pitch? Let's see. Maxie goes to the gas chamber in seven days. That's just how long you have to live, Tommy. What? Lou, you're punchy, maybe, but you and Maxie are going out together. Now, look, you've got seven days, Tommy. No more. You can take care of the job yourself then, or we'll handle it for you when the time's up. Play it your own way. I could get the DA in my corner. I don't think so. Tommy, you and I have just had a friendly talk. Nobody's made any threats. Besides, you won't win playing that way. Maybe. And maybe there are other ways to play. Not this time. You know, I like you, Tommy. Ordinarily, I'd even like to see you win. But once in a while, the house has to rake in a few chips to stay in business. Yeah, but you better tell the house man to keep his foot off the brake. I'm playing to win, Lou. I knew you would. That makes it more interesting. I get tired of playing with plain suckers. Well, I got a party across the street. Care to come along? I've already been there. It's not much of a party. It'll get better. I'll see you around. Tommy. Don't start brooding about the seven days. Make the most of them. Oh, you need any money? No, thanks. I'll make out all right. Good. Go out and have some fun. It's a great life, Tommy, as long as it lasts. For suspense. Auto Light is bringing you Mr. John Garfield in Radio's outstanding theater of thrills. Suspense. Say, Mary, let me tell you about a most wonderful experience I had this afternoon.

[Announcer/Commercial Voice]

Why, sure, Mr. Wilcox.

[Narrator/Host (William Keeley)]

Well, I drove my car into a nearby service station and the attendant new man, you see, he said, check your battery, mister. Well, by Cornelius, this is the chance I've been waiting for ever since my grandfather traded his horse for a Stanley Steamer. Young man, I says that gorgeous hunk of battery you're looking at is an Autolite. Stay full. Why, that auto light. Stay full. Battery hasn't needed a drop of water for months. And I'll bet you a $40 fedora it doesn't need water now any more than a goldfish needs a raincoat.

[Announcer/Commercial Voice]

Did he take your bet, Mr. Wilcox?

[Narrator/Host (William Keeley)]

I should say not, bub. He says to me, you can't trick me. I'm an Autolite dealer. Why, I'd rather bet a barrel of bucks on a three legged horse than bet an Autolite. Stay full battery needs water. What's more, says he, that auto light battery is built to last longer than batteries without stay full features. It's got oversized electrical capacity, plus fiberglass insulation. And it's one of over 400 automotive, aviation and marine parts made by the Autolyte people in their 26 nationwide plants. Chew on that a while, mister, he says to me. Imagine the nerve of this guy, Mary, stealing my sales talk. Me, Harlow A for Autolight Wilcox.

[Announcer/Commercial Voice]

Well, you just go feel sorry for yourself, Mr. Wilcox, while I listen to suspense.

[Narrator/Host (William Keeley)]

And now Autolight brings back to a Hollywood soundstage, Mr. John Garfield as Tommy Cochran in Death Sentence, a tale well calculated to keep you in suspend. Seven more days to live. I wouldn't admit it to Lou, maybe not even to myself, but it was almost that simple. Sure, I could go to the police, but I didn't have any proof that Lou was out to kill me. And I knew that sooner or later, no matter where I went, one of Lou's boys would catch up with me. As I rode down in the elevator, I kept remembering one of Lou's gang who turned state's evidence once and got off with three years. Ten days after the guy checked into the big house, he was knifed to death in the prison yard. And they never found out who did it. That's the way Lou operated. Patient deadly. There wasn't any point of making plans with a guy like that. I'd pretend to follow his advice about having a good time. All I could do was keep on my toes and watch for an opening. Main floor, sir. This is as far as we go. Oh, thanks. It's about as far as I go too. I didn't know just where I was going for the first stop, but sometimes it's better if you just play it off the cuff. I guess I was still thinking of the next spin of the wheel. As I walked out of the building, I didn't even notice the taxi standing at the curb or the.

[Announcer/Commercial Voice]

Hey, why don't you look where you're going?

[Narrator/Host (William Keeley)]

Oh, I'm sorry. I hope I didn't hurt your traveling case.

[Announcer/Commercial Voice]

No, but I thought you were going to stumble right off the curb.

[Narrator/Host (William Keeley)]

I guess I was thinking. Say what? You're beautiful. Well, I hope you'll live forever.

[Announcer/Commercial Voice]

Thanks. I'll try to.

[Narrator/Host (William Keeley)]

Yeah. If you find out how. Let Me know, will ya? Where you going?

[Announcer/Commercial Voice]

Huh? Well, now, really.

[Narrator/Host (William Keeley)]

No, I mean the traveling case there.

[Announcer/Commercial Voice]

Oh. To Santa Barbara.

[Narrator/Host (William Keeley)]

Santa Barbara, huh? Well, that's not a bad idea. Tell me something. If you had just one week, where would you go?

[Announcer/Commercial Voice]

Well, I do have about a week, and I'm still going to Santa Barbara.

[Narrator/Host (William Keeley)]

All right, honey. Thanks for the idea. Maybe I'll run into you again.

[Announcer/Commercial Voice]

You must.

[Narrator/Host (William Keeley)]

Hey, that guy bothering you?

[Announcer/Commercial Voice]

Oh, hello, Muggsy. Look, will you be a darling and help me bring these bags up to Lou's office?

[Narrator/Host (William Keeley)]

I threw a few things into a bag and headed for Santa Barbara. Seemed like a good place to wait for that opening. Lou would never think of me going to a pleasure resort so near. Anyway, three hours after I left Lou's office, I was on a plane bound for Frisco. That's right. San Francisco. When I got there, I rode around for an hour and a half and three. Three different taxis and caught another plane out for Salt Lake. From there, I swung back to Santa Barbara, checked in at the swank Ocean Club Hotel. I was pretty sure I'd shaken anybody who may have been watching me. I could count on maybe two days before Lou's boys caught up with me. And by that time, I might have a plan. I wandered around on the beach a while, keeping my eyes open for the other reason I had picked Santa Barbara. And then when I went inside, I saw her sitting there at the bar. It was the same girl, and she was alone.

[Announcer/Commercial Voice]

Well, I beg your pardon.

[Narrator/Host (William Keeley)]

Hello there.

[Announcer/Commercial Voice]

Oh, it's you. So you did come to Santa Barbara.

[Narrator/Host (William Keeley)]

You told me, remember?

[Announcer/Commercial Voice]

I only suggested that.

[Narrator/Host (William Keeley)]

Yeah, I know. I'm kidding. Mind if I join you?

[Announcer/Commercial Voice]

Please do.

[Narrator/Host (William Keeley)]

I'm Tommy Cochran.

[Announcer/Commercial Voice]

Tommy. Hello, Tommy. My name's Helen Ludlow.

[Narrator/Host (William Keeley)]

Helen, huh? Mary. Maybe it's silly, but I. I was feeling like a kid in the wrong schoolhouse until I saw you sitting there. I know that sounds like the usual.

[Announcer/Commercial Voice]

I know what you mean. In fact, I felt the same way.

[Narrator/Host (William Keeley)]

Good. So now we're both happy.

[Announcer/Commercial Voice]

I guess we are. Are you here on vacation?

[Narrator/Host (William Keeley)]

Not exactly. I retired yesterday. What about you?

[Announcer/Commercial Voice]

I guess I retired too, in a way.

[Narrator/Host (William Keeley)]

I've seen you somewhere, Helen, but I just can't remember.

[Announcer/Commercial Voice]

Probably in his show. I'm a dancer.

[Narrator/Host (William Keeley)]

Sure, that's it. And top of the roof. Last four. Bad.

[Announcer/Commercial Voice]

Guess. That was my kid sister. She had a second lead in it. I'm strictly chorus.

[Narrator/Host (William Keeley)]

Strictly chorus? Why? You need a new manager. How about having dinner with me tonight and we'll talk about your career.

[Announcer/Commercial Voice]

Well, I don't know if I. All right.

[Narrator/Host (William Keeley)]

Good. It's a date.

[Announcer/Commercial Voice]

Look, Tommy, we met each other entirely by accident, but suddenly we're friends. I mean, really friends. At least I feel that way.

[Narrator/Host (William Keeley)]

Yeah, I know what you mean. Go on, Helen.

[Announcer/Commercial Voice]

But we don't know anything about each other. That's the way it's got to be. I won't ask any questions, Tommy. And I can't answer any. If we keep it like that, then maybe everything will be all right.

[Narrator/Host (William Keeley)]

Okay, It's a deal.

[Announcer/Commercial Voice]

I don't even know why I feel this way.

[Narrator/Host (William Keeley)]

Tell me if you find out.

[Announcer/Commercial Voice]

After all, I'm not a kid. 16 years old. It just doesn't make sense.

[Narrator/Host (William Keeley)]

Yeah, I've known a couple of girls myself.

[Announcer/Commercial Voice]

What are you doing this afternoon, Tommy? Would you like to go horseback riding?

[Narrator/Host (William Keeley)]

Horse? Why, sure. Why not? I've never been on a horse, though. But you can always pick me up.

[Announcer/Commercial Voice]

Then it's a day.

[Narrator/Host (William Keeley)]

Sure. How would you like a drink first?

[Announcer/Commercial Voice]

That's a wonderful idea.

[Narrator/Host (William Keeley)]

A drink to the present. No past, no future. So Helen and I rode horseback in the afternoon, had dinner together and then danced until early morning. It was great, except that it's hard to be with a girl like that and not talk about the future. I wanted her in my future, only I didn't have any. Maybe she sensed it. I hadn't seen any of Lou's boys. I kept looking around, trying to spot them, thinking maybe the guy next to me might even be the one. I kept trying to forget them. And it wasn't too hard with Helen around. She was someone I'd been looking for all my life. And now. Maybe I'd found her too late. Every minute had to count and I was still waiting for an opening. I got up early the next morning. Helen and I were going riding before breakfast. And for once I wasn't thinking about Lou and his boys until I walked across of the hotel. Hello, Tommy. Huh? How are you? Well, hello, Lou. Keeping awfully late hours, Tommy, or else you're up early. Maybe a little of both. What are you doing here, Lou? Checking in. I just got off the plane. But don't let it bother you, Tommy. You still have four days left. By the way, what room are you in? 4,25. Now, that's coincidence. They gave me 427. You can knock on the wall whenever you get lonesome. I won't get that. Lonesome, Lou. Well, you never know. Anyway, let's not talk shop. Why not enjoy ourselves while we can? All right, why not? They tell me it's fatal to worry. I didn't see him again that day. Helen and I took that ride. Went swimming in the afternoon and then drove down the beach for dinner. The next day was about the same, except we ended up at the hotel for dinner. And dancing, of course. Funny, I'd never cared much about dancing before.

[Announcer/Commercial Voice]

You know, you're very good at it, Tommy.

[Narrator/Host (William Keeley)]

Even terrific dancing.

[Announcer/Commercial Voice]

Uh huh.

[Narrator/Host (William Keeley)]

Oh, I used to be a jiggler, Tommy.

[Announcer/Commercial Voice]

Did you really?

[Narrator/Host (William Keeley)]

Yeah. No, I'm kidding, Helen. I've been a lot of things, huh? Yes.

[Announcer/Commercial Voice]

So hard.

[Narrator/Host (William Keeley)]

Anything besides wonderful?

[Announcer/Commercial Voice]

Everything but that. Things have been rough Sometimes.

[Narrator/Host (William Keeley)]

It's that kind of a world that may not look it in a place like this. Soft lights and white tablecloths. Nice clean people eating nice, clean food. But down underneath, it's still rough.

[Announcer/Commercial Voice]

You can forget it, though, while the music keeps on playing.

[Narrator/Host (William Keeley)]

Yeah. How long are you planning to stay in Santa Barbara, Allen?

[Announcer/Commercial Voice]

About a week. You?

[Narrator/Host (William Keeley)]

A week? Why'd you come?

[Announcer/Commercial Voice]

I. I can't tell you. And please don't ask me any questions. Remember, let's. Let's enjoy it while we can.

[Narrator/Host (William Keeley)]

Yeah. Well, let's eat.

[Announcer/Commercial Voice]

I wish it would last forever. I mean, this week.

[Narrator/Host (William Keeley)]

Maybe this is forever, honey. Here we are.

[Announcer/Commercial Voice]

Oh, thanks, Tommy. What's this? You didn't order champagne, did you?

[Narrator/Host (William Keeley)]

No, I, I. They must have made it. Oh, I sent it over, Tommy. I thought you might like it. Nice of you, Lou. Thanks. Well, do I get to meet the lady, or are you starting to hold out on your old friends? Helen, this is Lou Cromwell. Ms. Ludlow.

[Announcer/Commercial Voice]

How do you do?

[Narrator/Host (William Keeley)]

You two make a lovely couple. You both seem to be having a lot of fun out there on the dance floor. That's right, we were. I'm glad to hear it. Have all the fun you can while you're here. Life's too short to waste any of it. Don't you think so, Tommy? Well, three more days went by. I was still on my toes, but nothing had opened. I was like a fighter whose opponent wouldn't come out of his corner. I spent every minute with Helen. We weren't kidding ourselves any longer. We knew this was the biggest thing that ever happened to us. We'd both been kicked around a lot and made mistakes and played the game on a bluff, trying to get things we thought we wanted. And now we knew we had what we wanted. Only I knew how long it would keep. And there were times when I thought Helen guessed it. Maybe it was because she didn't ask any questions, as though she already knew the answers. Finally. It was nearly noon of my sixth day. I had a date for an early lunch with Helen, so I walked down the hall to her suite. I guess I was about 10ft away when her door opened. All right, honey, and we'll leave it that way. Just see that you deliver in two days.

[Announcer/Commercial Voice]

Thanks, Lou. I'll try to.

[Narrator/Host (William Keeley)]

Tommy, you haven't changed rooms, have you, Lou?

[Announcer/Commercial Voice]

Tommy, it's all right. I knew Lou before I came here.

[Narrator/Host (William Keeley)]

That's right, Tommy. Helen and I are old friends. Huh? I thought I introduced you. That was just a little idea of mine. I've got to run along now, Helen, unless Tommy has something he'd like to talk over. No, Lou, just run along real fast. Take it easy, Tommy. It may not make you live longer, but you'll be happier. See you around.

[Announcer/Commercial Voice]

Would you like to come in, Tommy?

[Narrator/Host (William Keeley)]

Thanks. All right, let's have it. How do you happen to know Lou Cromwell?

[Announcer/Commercial Voice]

Tommy? Doesn't everybody know Lou or know of him?

[Narrator/Host (William Keeley)]

Yes, but you know him. How come?

[Announcer/Commercial Voice]

Well, I was a dancer. I met him somewhere. You know how it is.

[Narrator/Host (William Keeley)]

Yeah, I know how it is. Why didn't you tell me the other night when he sent us a wine?

[Announcer/Commercial Voice]

He obviously didn't want me to, and I don't see how it mattered.

[Narrator/Host (William Keeley)]

What did he mean before about you delivering in two days?

[Announcer/Commercial Voice]

Tommy. Tommy, I can't tell. Why don't you leave it that way? I can't answer questions. You've got to, Helen.

[Narrator/Host (William Keeley)]

You know how I feel about it, you and I. I thought you felt the same way. Oh, Tommy, it's too late now for that no question stuff. I don't have the time. You've got to answer.

[Announcer/Commercial Voice]

Please try to understand, Tommy. I came here in the first place because of Lou. Because he forced me to.

[Narrator/Host (William Keeley)]

What do you mean, he forced you?

[Announcer/Commercial Voice]

Because of my sister.

[Narrator/Host (William Keeley)]

What are you talking about?

[Announcer/Commercial Voice]

It's true, Tommy. She's just a crazy kid, and she got mixed up in something. Lou could make it tough for her if he wanted to. I mean really tough.

[Narrator/Host (William Keeley)]

Okay, so he forced you to come here. Why?

[Announcer/Commercial Voice]

To do something I didn't want to do, but that I had to.

[Narrator/Host (William Keeley)]

What?

[Announcer/Commercial Voice]

I can't tell you, Tommy. I didn't want to. Believe me. I have to, and that's all.

[Narrator/Host (William Keeley)]

All right. All right. I believe you.

[Announcer/Commercial Voice]

Oh, Tommy. I guess we're the kind of people who never win, no matter what.

[Narrator/Host (William Keeley)]

Helen, I've done some pretty foolish things, been around a lot.

[Announcer/Commercial Voice]

I know what you mean, but it's

[Narrator/Host (William Keeley)]

never been like this. I've never been in love with anybody before like this.

[Announcer/Commercial Voice]

All that goes for me, too.

[Narrator/Host (William Keeley)]

Will you do something for me? Something important.

[Announcer/Commercial Voice]

Why, darling?

[Narrator/Host (William Keeley)]

Marry me. Don't. Please, honey.

[Announcer/Commercial Voice]

I don't know.

[Narrator/Host (William Keeley)]

What do you say?

[Announcer/Commercial Voice]

I never wanted anything so much. And I ought to have just one thing I want. We both ought to. All right, Tommy. Tonight

[Narrator/Host (William Keeley)]

we were married at 8 o' clock with a hotel musician playing Old Promise me on a pint sized organ. And then Helen went to a suite to change for dinner. At least that's what she thought. But I had a different plan. I was gonna make my own opening and take her along. Oh, I ordered the dinner all right, and made a big noise about it in the dining room. And then I went straight to my room. A charter plane was already warmed up and waiting at the airfield and I had a taxi at the rear door of the hotel. This was gonna be a fast break. And I wasn't even taking any luggage. Nothing except Helen and me and a.38 automatic strapped on under my coat. It was about a half hour later when I finally went down to Helen's suite to pick her up. She didn't answer, so I tried again. The door was unlocked. Helen, it's tommy. Helen. She wasn't in the sitting room or the bedroom, so I finally opened the door to the bath. I looked around, but she wasn't in sight. Then, just as I started to leave, she fell. She'd been propped up in the tub behind the shower curtain, but she fell out, hitting with a horrible limp sound. She was dead. Strangled. I. I stepped out and pulled the bathroom door shut, using my handkerchief to wipe off the knob without even thinking. I didn't feel anything, except maybe a numbness that still hurt. Lou had seen how I felt about her. So he'd done this. Or had it done. I tried to brush the fog out of my eyes and think not about her lying in there or what might have been. No, I wasn't even thinking about my seven days. I had something else on my mind. Finally, I stepped out into the hall and started for Luke Cromwell's room. But I had only gone a few steps when I heard two guys coming and they sounded like cops. I stepped into the hall linen closet and pulled the door shut. Some guy calls up and says this dame was just been killed and we'd find a killer still there? I don't know. I got it then. Lou had not only killed Helen, he called the police and said I did. Didn't take long to reach his room. Oh, it's you, Tommy. I thought it Was one of the boys? No, no, it's Melody. I'm a little surprised at this visit, Tommy. Where's your new bride? Why'd you do it, Lou? Oh, you've already been there then? I thought you'd stick around longer after you found things. So the cops would get there. Well, something like that. Maybe you didn't have to do it that way, Lou. Not to her. Why'd you do it? You mean you don't know? You should have gone back to that party with me last week. Why? Because then you'd have found out about my surprise. Tommy, I made the announcement that I was going to marry Helen Ludlow at the end of the week. So? So that's what you were forcing her to do? Oh, let's just say that I proposed and conditions were such that she accepted. When I got here, she wanted a couple of more days and I gave it to her. But today she double crossed me and married you. Two double crosses. You can see the position that put me in, Tommy. It's bad for business. Tell me, Lou, did she know about me? You know what I mean? Yeah. Yeah, she knew. I guess she thought the two of you could break the banks. Sure, Lou, you had to do it. But you made some mistakes. You made one. What's the gun for? Oh, I just feel more comfortable holding it this way, Tommy. Don't let it bother you though. Go on. What were my mistakes? One of them was not thinking I'd come here to your room and find you alone. But the big one. The big one was when you killed Helen. You shouldn't have done that. Well now, Tommy, don't let it get you down. Maybe I can fix it. It's too late now. We've all had our last chance. The way you'd put it, the bets are all down and the wheel's starting to slow up. Well. Well, maybe you can tell me what number it's stopping on Time, Tommy. Sure, Lou. The house takes everything. What? It's already stopped on double zero. Hello, Des. Desk clerk. I'm. I'm a stranger in town. How do I find the chief of. Thank you, John Garfield for a splendid performance. Mr. Garfield will return in just a moment.

[Announcer/Commercial Voice]

Mr. Wilcox, you look all out of breath. Did suspense get you?

[Narrator/Host (William Keeley)]

Me? Out of breath? Why, I only need three breaths a year in normal Wilcox use. What? I mean Autolite stay full. Batteries need water only three times a year in normal car use my.

[Announcer/Commercial Voice]

I'm glad you got that straightened out.

[Narrator/Host (William Keeley)]

Well, friends, here's something I'm really straightened out about. If you mean to make the most of your next battery buy. If you want to practically banish one cause of battery failure, then hie yourself down to your nearest Autolite dealer bright and early tomorrow morning and get your car a brand new Autolite Stay full battery. Why, your friendly auto light dealer will be downright delighted to put a wonderful dependable Autolite Stay full battery in your car. Don't delay. Get your ding dong daisy of an Auto Light Stay full battery right away. And friends, remember, Auto Light means batteries Stay full batteries. Auto light means spark plugs ignition engineered spark plugs. Auto light means ignition systems, the lifeline of your car. And now here again is Mr. John Garfield. It's been a great pleasure to appear here tonight with this great cast of suspense actors. And I'm expecting almost as much pleasure next Thursday when radio's outstanding theater of thrills brings you Ann Blyth and Edmund o' Brien in Muddy Track, another gripping study in suspense. John Garfield will soon be seen starred in the Roberts production Force of Evil. Presented by Enterprise Studios and released through Metro Goldwyn Mayer. Tonight's suspense play was written by Lou Lusty and Les Crutchfield with music composed by Lucian Morowek and conducted by Lud Gluskin. The entire production was under the direction of Antone M. Leader. In the coming weeks, suspect suspense will present such stars as Rosalind Russell, Agnes Moorhead and Ronald Coleman. Make it a point to listen each Thursday to suspense radio's outstanding theater of thrills. And next Thursday, same time, hear Edmund o' Brien and Ann Blyth in Muddy Track.

[Announcer/Commercial Voice]

This is the Autolite Suspense Show. Drive as if your life depends on it. It does. Good night. Switch to Auto light.

[Narrator/Host (William Keeley)]

This is CBS, where 99 million people gather every week. The Columbia Broadcasting System. Now Autolite and its 60,000 dealers and service stations present suspense. Tonight, Autolite brings you Gregory Peck in Michael Vanning's Murder through the Looking Glass, a suspense play produced and directed by Anton M. Lieder. Friends, even a camel can't compete with an Autolite Stay Full battery. Because an Autolite Stay Full battery needs water only three times a year in normal car use. Yes, sir. That dandy, dynamic, dependable Auto Light Stay Full battery has extra plates to for extra power. Protected by fiberglass insulation for longer life and stronger life. Did I say longer life? Well, I meant it. An Autolite Stay Full battery has almost double the life of an ordinary battery. Why? In tests conducted according to the Society of Automotive Engineers of life Cycle standards, Autolite Stay full batteries give 70% longer average life than batteries without Stay full features. So get wise. Get Autolite. Remember, you're right. With Autolight. And now Autolite presents Gregory Peck in a tale well calculated to keep you in suspense. The sound was a dull, monotonous roar in my ears and I. I listened, wondering if it were real or part of a dream. Suddenly I. I was awake. And I knew that I was riding on a train. But where? I didn't remember getting on a train. I opened my eyes and saw that I was in the lounge car. There was only darkness through the window. A man sat across from me, reading. There was a bridge game down the aisle, a porter serving drinks. Everything nice and normal. Except that I had no idea how I got on the train or why I was there. I tried to think of a reason for being there, but I couldn't. These spells of forgetfulness had been coming on more often lately. I leaned back and closed my eyes. Listened to the rhythm of the train. A melody began to fit itself to the rhythm. I couldn't remember ever having heard such a song. But somehow I seem to know the words. Down in the valley Valley so low Late in the evening Hear that train blow Hear that train blow. I beg your pardon, sir, but your singing is disturbing the other passenger. I'm sorry. You understand, sir, it's the other passengers. I kind of liked your singing myself. Your singing didn't disturb me either, young man. In fact, it was rather a pretty melody. What was the name of it? Why, it's. I. You know, it's silly, but I. I don't know. I can't even remember the tune now. That's the way it is with songs. I've had the same thing happen to me. So what. What train is this? Why, it's the New York Express to Philadelphia. Ought to be there any minute, too. You must have been on some party if it lasted all day or What? What time is it? 7:00pm that is. Yes, sir. It must have been pretty drunk out where you were. I think he said something else after that, but I wasn't listening. Then I noticed that I was wearing a brown top coat. Wasn't mine. Maybe I'd accidentally exchange coats with someone if. If I couldn't remember it. It must have been that kind of a party. If so, I felt for my wallet. It was there. I opened it to see if I had any money left. And my eye was caught by the driver's license made out to John Blake. In another pocket of the wallet there were engraved cards reading John Blake Insurance. I wasn't John Blake. I was Jeffrey Bruno, a writer. I couldn't even drive a car. I didn't know anything about insurance. I'd never heard of a John Blake. But here was his identification in my wallet. What's the matter, young fellow? Are you ill? The man across from me said something, but I didn't hear what it was. I looked through the other pockets. There was a bank book showing that John Blake had a big bank balance of $647.55. My balance had never been higher than 15 bucks. There was a letter, a bill for shirts at the to John Blake at an address I never heard of before. There was a moment there, a few crazy seconds, when I wondered if I really was John Blake. No, I couldn't be. I knew I was Jeffrey Bruno, who lived at a two room apartment in Greenwich Village and wrote mystery stories for a living. I knew who I was. Well, here we are. Or are you going on downtown? Well, I see. I could get a train back to New York here, couldn't I? Sure. Right across from New York. Other platform. That must have been some party.

[Announcer/Commercial Voice]

All about the murder.

[Narrator/Host (William Keeley)]

I had to get back to New York and straighten out this business about John Blake's coat and identification. He, whoever he was, might even be thinking I'd stolen them. Besides, I wanted to find out where I'd been the night before and all day. And why I'd awakened on a train to Philadelphia. Then, just as I got up from the seat, I glanced out of the window. The newsboy was holding up a newspaper. Across the top was the big headline,

[Announcer/Commercial Voice]

Killer Blake Escape Blake.

[Narrator/Host (William Keeley)]

And just below it, there was a picture of me. Pulling down my hat and turning up my coat collar. I managed to get on a New York train without anyone recognizing me then. Fortunately, no one pays any attention to anyone else on New York subways. Two blocks from my apartment house, I stopped at the corner stand to buy a newspaper. Oh, There you are, Mr. Bruno.

[Announcer/Commercial Voice]

Haven't seen you around for a couple days.

[Narrator/Host (William Keeley)]

Yeah, I've been busy.

[Announcer/Commercial Voice]

Hey, you know, I saw your picture somewhere today.

[Narrator/Host (William Keeley)]

You got a story in one of the magazines maybe? No. No. Well, good. Wait a minute. I'll remember where I saw you picture.

[Announcer/Commercial Voice]

I never forget.

[Narrator/Host (William Keeley)]

I've got to go now. You can tell me about it tomorrow. I had to get away before he remembered. I looked down and saw my picture on his papers at home. There were a lot of letters in my box. Too many for just one delivery. When I got to the apartment, I looked at them. Two of the letters had been postmarked in New York three days before. It doesn't take three days for letters to be delivered locally. Where have I been for three days? Who? Who's there?

[Announcer/Commercial Voice]

Rosalie.

[Narrator/Host (William Keeley)]

Oh, Rosalie, just a minute.

[Announcer/Commercial Voice]

Hi, Jeff. I thought I heard someone in here. Well, a friend of yours stopped by, but you weren't home. He ran into me on the stairs and asked if I lived here and then wanted me to give you a message. Brunette, was his name. Bill, I think he said.

[Narrator/Host (William Keeley)]

Oh, yeah. Well, I'm glad you're here, Rosalie. Stay and talk to me. We can have some coffee or a drink. When did you say Bill was here?

[Announcer/Commercial Voice]

Yesterday morning. He said something about having had a date with you the night before, but

[Narrator/Host (William Keeley)]

you never showed up yesterday morning. Oh. Oh, yes.

[Announcer/Commercial Voice]

What's the matter, Jeff? Don't you feel well?

[Narrator/Host (William Keeley)]

Oh, sure feel fine. Rosalie, tell me, do I ever do anything out of the ordinary? I mean, do I? Well, have I ever seemed strange?

[Announcer/Commercial Voice]

You mean, are you? Well, you've always seemed very sane to me, if that's what you mean. In spite of your vanishing acts.

[Narrator/Host (William Keeley)]

My. My what?

[Announcer/Commercial Voice]

The times you disappear. You don't know. I'm sorry.

[Narrator/Host (William Keeley)]

Let me finish it for you. You mean the days when I've awakened thinking it was Tuesday only to turn out to be Thursday? You mean I'd disappear for a couple of days, go somewhere else, become somebody else?

[Announcer/Commercial Voice]

I wouldn't have said anything, Jeff.

[Narrator/Host (William Keeley)]

But then why don't I remember now? I've heard of people drawing blanks because they've had too much to drink, but now maybe it's something different.

[Announcer/Commercial Voice]

What is, Jeff?

[Narrator/Host (William Keeley)]

Well, I told her all about it. All I knew, anyway. At first she was frightened, but then I guess she felt sorry for me and she got over it. Before, Rosalie had always been just a beautiful, desirable girl. I'd had drinks with her a few times in her apartment or mine, but that was all. Oh, not that I hadn't wanted to take her out, but she was a model, and I was sure that she led a glamorous life with rich men begging to take her out. But now she didn't look as glamorous as she looked understanding. I needed that. I was beginning to believe that the explanation of John Blake wasn't as simple as I first thought.

[Announcer/Commercial Voice]

I'm glad I came in, Jeff. You need someone. And it doesn't matter whether you're John Blake or not.

[Narrator/Host (William Keeley)]

It matters to me. Look, I know I'm Jeffrey Bruno and not some guy named John Blake. I can remember my whole life living on the farm, going to school Working on a newspaper, coming to New York. I can remember every minute of it.

[Announcer/Commercial Voice]

Every minute?

[Narrator/Host (William Keeley)]

No, no, not every minute.

[Announcer/Commercial Voice]

You know, Jeff, such things can happen. White bearded old men with eyeglasses write books about such things. They've. They've got a word for it. I can't pronounce it, but it means that you can be two people at one time and not know it. So maybe.

[Narrator/Host (William Keeley)]

So maybe I'm John Blake, too. I was way ahead of you in thinking that.

[Announcer/Commercial Voice]

And if you are, that's a sickness. And people can get over being sick. Maybe you'll remember all the things John Blake did.

[Narrator/Host (William Keeley)]

I already know one thing he did. He killed someone. I don't know who or how, but. But I. John Blake murdered someone.

[Announcer/Commercial Voice]

You brought a paper home. Why not see whatever happened, Jeff? We'll find a way to work it out.

[Narrator/Host (William Keeley)]

Thanks, Rosalie. Here it is. His name was Rufus Carrington. He was an old man and wealthy. I. John Blake worked part time for his nephew, Roger Gunn. There's money missing from the firm, and it's believed Rufus Carrington may have found out about it.

[Announcer/Commercial Voice]

I see.

[Narrator/Host (William Keeley)]

Roger Gunn arrived to see his uncle this morning and was told by the butler that the old man was in the study with an unknown caller. Roger Gunn was talking to the butler when they heard the old man cry out. He ran to the study and found him dead. Oh, how awful. Your nephew saw me, the killer, escaping, and recognized him. Well, if I were John Blake, my other self didn't do things in a small way. Oh, don't you? I never wanted the things John Blake must have wanted. I never wanted riches. Never thought of going into a business like insurance. I just can't understand this thing.

[Announcer/Commercial Voice]

They'll understand, Jeff. They have people who understand things like that.

[Narrator/Host (William Keeley)]

Rosalie, whatever happens, will you promise me that if you don't like Jeffrey Bruno, you'll like John Blake? But like one of us, it doesn't matter which one it is.

[Announcer/Commercial Voice]

I like you, whichever one of them you are.

[Narrator/Host (William Keeley)]

You see, Rosalie, I'm innocent, even if John Blake isn't. I haven't murdered anyone. It was another part of me. But if I try to run away, they'll find me. They'll hurt me for what John Blake did. Where can I go? What can I do?

[Announcer/Commercial Voice]

You can go to the police and tell them the whole truth. Because, you see, they can't do anything to you. You're not responsible for what you did as John Blake.

[Narrator/Host (William Keeley)]

Yeah, maybe you're right. There's no point in running. Look, I know I have no right to Ask it. But would you go with me, Rosalie?

[Announcer/Commercial Voice]

Of course I will, Jeff.

[Narrator/Host (William Keeley)]

It's like being haunted. Knowing that somewhere inside of me there's another man. Never knowing when I'll be him. Say. Say, what if. What if I turn into John Blake before we even get to the police? For suspense, Autolight is bringing you Gregory Peck in radio's Outstanding Theater of Thrills. Suspense. Say, Hap, the sound man and I have cooked up our own suspense show. Yeah? Well, let's hear it. All right. Our hero, Jim Brown, is in a frantic rush to get to his office. He leaps into his car, tries to start it. Will it start? Won't it start? Will our hero get to his office in time to read his morning paper before his stenographer puts him to work? That's real suspense, Harlow. Ah, but I come along. I give him a hot tip on sure fire starting. Get an auto light, stay full battery. And now this happens. There. You see what I mean? That auto light stay full battery takes the suspense out of starting and puts it on cbs. Why an Autolite stay full battery needs water only three times a year in normal car. Use that liberal liquid libation practically eliminates one of the major causes of battery failure. Imagine an auto light stay full battery needs water only three times a year in normal car Use an Autolite stay full Battery has extra plates, too, for extra power. And fiberglass insulation adds months to the life of a battery. Money can't buy a better battery. So switch to auto light. And now, Autolyte brings back to our Hollywood soundstage. Gregory Peck as Jeffrey in Murder through the Looking Glass. A tale well calculated to keep you in suspend. Rosalie was right. I thought about it as we walked down the stairs. They'd know what to do with a case like mine. They know that Jeffrey Bruno wasn't responsible for what John Blake did. Of course, they'd lock me up for my own good. And. And then they'd leave me in there.

[Announcer/Commercial Voice]

What's the matter, Jeff?

[Narrator/Host (William Keeley)]

Wait. Wait, Rosalie. You're right. I mustn't run away. But first I've got to find out about the other me, About John Blake. All I know is that he murdered someone. I have to know other things about him, what he was really like.

[Announcer/Commercial Voice]

I understand, Jeff, but you mustn't do anything foolish.

[Narrator/Host (William Keeley)]

I have to know about my other life. What? What books I read, what kind of girls I liked. You can see that's important, can't you?

[Announcer/Commercial Voice]

Of course, Jeff. I just thought of something. I know a man, a psychiatrist. Maybe if I called him, you could see him tonight. He'd understand. Maybe he could tell you what to do. Will you talk to him?

[Narrator/Host (William Keeley)]

I'll do anything. It'll help me to understand what I was like when I was John Blake and why I was like that.

[Announcer/Commercial Voice]

I'll go in the drugstore here and call him. I'm sure he'll see you, and we'll do whatever he says.

[Narrator/Host (William Keeley)]

Now, Mr. Bruno, you say there have been many times when you haven't remembered what happened for days. Oh, not many. A few times. It only happened after I'd been drinking and I. I thought that's all it was until this. I see. It's a very interesting case. What is it, doctor? I've done some reading on psychiatry, and it sounds. Is it split personality, schizophrenia? Yes, Very possible. For instance, subconsciously, you might have had a desire for things which consciously, you'd convinced yourself were bad. That desire became so great that you created John Blake so you could satisfy it without compromising Jeffrey Bruno. But wouldn't I be partly aware of wanting those things? Isn't it possible that I'm not John Blake? That all of this is something else? I'll let you answer that yourself, Mr. Bruno. How can I? If I could answer it, I wouldn't be here. Mr. Bruno, do you honestly believe that there is a real person named John Blake? A person who looks exactly like you? A person whose coat and identification came accidentally into your possession? No, I guess I don't. But there must be another explanation. The alternative would be to believe that someone is framing you. Do you believe that someone drugged you several times or there'd be days you couldn't account for that Someone forged the papers of John Blake and planted them on you. Can you believe that someone planned to commit this murder months ago? Rented an apartment at the name of John Blake, filled it with clothing and your size, put your photograph in the apartment? No. But according to the newspaper story, the nephew of the murder victim was the only man to identify your picture. Therefore, he would have to have been the one to frame you. Well, this would imply that this Roger Gunn knew you and you knew him. Do you? No, I don't remember. Well, then, can you believe that he was able to drug you to know your clothes, size to get a photograph of you? I guess. Besides, if he framed you, that implies he is the murderer. But that can't be, because according to the butler, the nephew was with him at the time the murder took place. You. You see, Mr. Bruno? I see. What can I do, doctor? Well, if this were not a murder, Case the answer would be a simple one, I'd undertake to treat you. But as it is, I'm afraid I must suggest that you go to the police. I suppose you're right. I'm sorry I wasn't able to help you, young man. If you'd only come to me sooner.

[Announcer/Commercial Voice]

Jeff. Can you help him?

[Narrator/Host (William Keeley)]

Doctor, under the circumstances, it's too late for me to do anything directly. I've advised Mr. Bruno to go to the police.

[Announcer/Commercial Voice]

Come on, Jeff, I'll go with you.

[Narrator/Host (William Keeley)]

All right. Well, thank you, Doctor. Oh, not at all. Sorry I can't do more. Good night. Good night.

[Announcer/Commercial Voice]

Good night. I'm sorry, Jeff, but they'll have to believe you. They can't make you suffer for what John Blake did. And then when you're well.

[Narrator/Host (William Keeley)]

And when I'm well, what we'll see. Rosalie, there's one. One more thing I want to do before I go to the police. I want to see the apartment where I lived when I was John Blake. I still don't know what I was like when I was being here. Maybe if I can only see how I lived, it'll give me a clue.

[Announcer/Commercial Voice]

There it is, Jeff. Right across the street.

[Narrator/Host (William Keeley)]

The lobby looks empty. Now, let's see. The address on the letter is apartment 203.

[Announcer/Commercial Voice]

Wasn't there anything in the letter?

[Narrator/Host (William Keeley)]

It was a bill. It seems that I'm not only an embezzler and a murderer, but I didn't even pay John Blake's bills.

[Announcer/Commercial Voice]

Please, Jeff, don't joke about it.

[Narrator/Host (William Keeley)]

All right, Rosalie, no joking. I don't think it's very funny either. Now, if I were John Blake, I ought to have a key to my own apartment. Ah, this must be it. I don't remember ever seeing it before, but the number 203 is stamped on it.

[Announcer/Commercial Voice]

Well, Rosalie, I'll stay here and warn you if the police come. Good luck, Jeff.

[Narrator/Host (William Keeley)]

The lobby was empty. I got on the self service elevator and I rode up to the second floor. It too was deserted and I walked to the door of John. Of my apartment. I hesitated, wondering if maybe there were a policeman inside. Well, I. I had to take the chance. A key worked and I stepped inside. The place seemed empty. I turned on the light. It was a small apartment, inexpensive, perfectly correct and dull. There were hunting prints on the wall. There were two suits in the wardrobe, my size all right, even though I couldn't remember buying them. There were even monogrammed handkerchiefs. It was unreal. Yet I had to believe all these things belonged to me. That there had been Times when I liked wearing them. My head was spinning by now, and I leaned up against the wall. I don't know how long I stood there, unaware of anything except the pain inside. Gradually, I. I was aware that somebody was knocking on a door. But it was several seconds before I located it. It was. It was at my door. The police. Oh, no. Rosalie said she'd warned me. It was the police. I wasn't ready to give myself up yet. I ran to the window. There was a fire escape outside. I raised the window and looked out. I couldn't see anyone. Take a chance that there wasn't a cop at the bottom of the fire escape. I climbed out and closed the window. As I started to break in, I ran down the fire escape. I jumped to the ground and looked around the corner. There was one man sitting in the police car. I turned and ran the other way. I must have run two blocks before I heard footsteps behind me. I. I turned and it. It was Rosalie. You said you'd warned me what happened.

[Announcer/Commercial Voice]

But I did, Jeff. I rang the buzzer twice while they were getting out of the car. When I saw you getting away, I thought you'd heard. You must have heard it.

[Narrator/Host (William Keeley)]

You rang twice. The bell must be out of order, just like John Blake or. I didn't hear it. I almost didn't hear them knocking. I'm sorry, Rosalie. I. I just. I don't know.

[Announcer/Commercial Voice]

It doesn't matter, Jeff. I. I was so frightened.

[Narrator/Host (William Keeley)]

Oh, you mustn't be. I. I promise I won't do anything to involve you or hurt you.

[Announcer/Commercial Voice]

I wasn't thinking of myself. You can't go on like this, Jeff. You've got to go in. Give yourself a chance to get well.

[Narrator/Host (William Keeley)]

I know. You know, upstairs there. For a minute, I. I thought of running away, of going to some little town and changing my name. But that's no good either. That wouldn't get rid of John Blake. Then I've got an idea. Just one more try. Another hour won't make any difference to the police.

[Announcer/Commercial Voice]

All right, Jeff. Where are we going?

[Narrator/Host (William Keeley)]

Not we, Rosalie. I'm not going to involve you in this anymore. I was John Blake. I did the things John Blake did, and I have to see it through to the finish.

[Announcer/Commercial Voice]

At least tell me where you're going.

[Narrator/Host (William Keeley)]

It'll be better if you don't know.

[Announcer/Commercial Voice]

Oh, please, Jeff.

[Narrator/Host (William Keeley)]

No. This is the way it has to be. Then if it turns out worse than we think, you can just remember that for a few hours you were friendly to someone who needed it. If I come through this, If I get well, then.

[Announcer/Commercial Voice]

Yes, Jeff.

[Narrator/Host (William Keeley)]

Well, as you said, Rosalie. We'll see. I put her in a cab and gave the driver the address in the village. Then I went to the place where I was afraid to go. Yet it was the one place I had to go. Yes, sir. Well, don't. Aren't you Mr. Carrington's butler? Yes, sir. Clark is the name, sir. I've been. I was in Mr. Carrington's service for 40 years. But why do you ask? Well, don't you recognize me? I. I don't believe so, sir. Of course, there were so many of you here today from the newspapers. But I was here even earlier. I. I'm John Blake. Oh, then you're the gentleman who murdered Mr. Carrington, according to the newspapers. Why do you say according to the newspapers? I don't believe you killed Mr. Carrington, sir. You. You don't? Why not? Why, he didn't even know you, sir. Well, maybe he only got acquainted with me this morning when I came to kill him. If he had made an appointment with you, sir, I would have known. But didn't you let me in to see him? Oh, no, sir. He answered the door himself when his visitor arrived. I see. Is Mr. Carrington's nephew here, Mr. Gunn? Yes, sir. But he left word not to be disturbed. He did, did he? Clark, did Mr. Carrington have a gun? Yes, sir. Would you trust me with it? If it might help catch the murderer, I guess. Guarantee it'll catch him. Won't you step in. Thank you. I was very fond of Mr. Carrington, sir. He kept the gun here in the hall near the door. Oh, here it is, sir. I'm an old man myself, and perhaps

[Announcer/Commercial Voice]

I'm foolish to even.

[Narrator/Host (William Keeley)]

Don't you worry. Just. Just take me to see Mr. Gun. Oh, but I can't do that, sir. Clark. Oh, pardon me, sir. Yes, Mr. Gunn? Who are you talking to? Clark? Is that the attorney? No, sir. It's a young. Wait a minute. I know that voice. I'm sorry, Clark. Who the devil. You. Yes, me, Mr. Gunn. Or should I say Dr. Gunn? Clark, leave the room. Yes, sir. Well, I. This is all a terrible mistake. You bet it is. And I want to hear why. The nephew of the man I'm supposed to have murdered is also the psychiatrist who convinced me I was crazy and ought to surrender to the police. Don't move. Don't point that gun at me, please. I. I'm expecting a phone call from the attorney about the will, and then I. I'm sure we can straighten this thing out. I. I'll give you money. We'll straighten it out now. Without money. You killed your uncle, didn't you? No. I was with Clark. He can tell you. Don't answer that. Clark will answer it then, on the extension. And he knows I'm here. Don't let Clark answer it. But I'm gonna get the truth out of you before you have a chance to talk to anyone. I. I meant you no harm. Not much. You just wanted me to take your seat in the electric chair. You told me the whole thing when you were posing as the psychiatrist, didn't you? You told me the truth, making me think it couldn't have been like that. The only thing you didn't tell me was about the person who killed your uncle and helped frame me. I beg your pardon, sir, but it's an urgent call. Don't move. Gun. If it's so urgent, I'll take it for you. Yes, Roger?

[Announcer/Commercial Voice]

I'm calling you from our usual place. He hasn't gone to the police yet. Roger, are you there?

[Narrator/Host (William Keeley)]

I. Yes, I. I can't talk now. The attorney's here.

[Announcer/Commercial Voice]

Wait, Roger. I think he's on his way over there. Be careful.

[Narrator/Host (William Keeley)]

All right.

[Announcer/Commercial Voice]

You don't sound right. Are you getting frightened again? After all we've done so far? You've got to keep your nerve up. I'm coming over, Roger.

[Narrator/Host (William Keeley)]

Good.

[Announcer/Commercial Voice]

I'll be there in five minutes. Stall him when he arrives. Goodbye, Roger.

[Narrator/Host (William Keeley)]

Goodbye, Rosalie. Clark. Yes, sir? You were right before. Mr. Carrington opened the door this morning for a beautiful young lady after a date had been made by Mr. Roger Gunn here. I. I told him she was blackmailing me and I. I wanted him to see her because he'd had experience handling that sort of thing. But I. I swear, Rosalie didn't tell me she was going to kill. Never mind. Clark, call the police. Tell them by the time they arrive, the murderer of Mr. Carrington will be here waiting for them. Thank you, Gregory Peck, for a great suspense show. Say, Greg, while out driving one Sunday afternoon recently, I heard you on the Family Hour of Stars. Busman's holiday. Yes. And I was thinking then how you always give a splendid performance. Just like a Stay Full battery. A battery I'm being compared to now? Well, not just a battery, Greg, but Autolite Stay Full batteries. They're as tops in their field as you are in yours. Well, then you can just call me Stay Full Peck from now on. Tell me more. Well, Greg, Stay Full batteries are made by Autolyte men who make over 400 products for cars, trucks, airplanes and boats in 28 autolite plants from coast to coast. Yes, sir. And Autolyte also makes complete electrical systems for many makes of America's finest cars. Spark plugs, generators, starting motors, coils, distributors, all ignition engineered to fit together perfectly. Work together perfectly because they're a perfect team. So, folks, don't accept electrical parts that are supposed to be just as good. Ask for and insist on Autolite original factory parts at your neighborhood service station, car dealer, garage or repair shop. Remember, you're right with Autolite. And now, here again is Mr. Gregory Peck. Well, as usual, it's been great fun to do a suspense play. It's one of the programs that every actor in Hollywood most enjoys to appear on and to listen to. For instance, I wouldn't miss next week's show when Pat o' Brien stars in a really outstanding story. Dead Earnest, another gripping study in suspense. Gregory Peck can currently be seen starring in the 20th Century Fox production Yellow Sky. Tonight's suspense story was by Michael Venning. Whose books have also been written under the more familiar name of Craig Rice. The adaptation for radio was by Ken Crossen. Music was composed by Lucian Morowek and conducted by Lud Gluskin. The entire production was under the direction of Antone M. Leiter. Next Thursday, same time, hear Pat o' Brien in Dead Earnest.

[Announcer/Commercial Voice]

You can buy Auto Light electrical parts, Autolite Resistor spark plugs. Autolite staple batteries at your neighborhood Autolite dealer. Switch to Autolite. Good night.

[Narrator/Host (William Keeley)]

We have the highest standard of living in the world. Safeguard the American way. This is cbs, the Columbia Broadcasting System. Suspense. Tonight, AutoLight and its 96,000 dealers present Ms. Dorothy McGuire in Last Confession, a suspense play produced and edited by William Speer. Friends, millions of masterful motorists have been made merry by the miraculous magic of those magnificent marvels. Wide Gap Auto Light Resistor spark plugs. They let your engine idle smoother. Perform better on leaner gas mixtures. Actually save you gas. They cut down on television interference, too, and have up to 200% longer electrode life. Backed by the research and engineering know how of Autolite. Autolite resistor spark plugs today are used as original equipment in many of America's finest cars. So, friends, don't be satisfied with spark plugs supposed to be as good. Get genuine Autolite Resistor spark plugs. Remember, you're always right with Autolite. And here's a reminder. Suspense on television may be seen in many parts of the country every Tuesday night. And now with Last Confession. And with the performance Of Dorothy Maguire. Auto Light hopes once again to keep you in suspense.

[Announcer/Commercial Voice]

Isn't that horrible, Edna? Let's see. Gee, is that the way they found him? Yeah, that's the way they found him. Was knifed all twisted up like that, lying there in the mud. Who do you suppose is guilty? They didn't even find the knife. They'll never find out who did it. Oh, sure they will. No, they won't. Oh, Jesse, put that paper down. Every time something awful happens, you have to read all about it, down to the last detail. No, I don't. Yes, you do. What can you see? So fascinating and horrible things. They make such a bad impression on you. Remember when we went to see Johnny Belinda in the movies? You could hardly talk for a week. That imagination of yours. Oh, look. It says here they found a lady's glove. Black, size five. Hey, that's my size. Well, see, it could be anybody. Size 5 is my size too. Just think how many people could have done it. Ah, they'll find out. Somebody's conscience will begin bothering them and. And then you'll see. A person that would do a thing like that wouldn't have a conscience. Besides, maybe he deserved it. How do you know? Everybody has a conscience. I'll get whoever it was. Don't you worry. I wonder who did it. I wonder who it could have been. Mmm. It's funny how murders affect me. Even reading about them, the papers or listening to the radio. When someone's killed, I always feel like I did it. Still, how can one person kill another person? How can he? Human, flesh and blood, and then not to confess it. How can he stand that guilt? Could I ever kill someone? You wouldn't think so. You wouldn't think I'd be the sort of. Well, then, nobody is ever the sort of person to be a killer until he's killed someone. I don't know. Every time something like this murder comes up, I keep thinking maybe. Maybe I did it. Maybe when I was asleep or something, I got up and. And did it. Edna. What day was he killed? What day? Yeah, what day? Tuesday, I think it was. It says here someplace. Wait a second. In the woods four miles from the city limits. No, no. Yeah. Yeah, here it is. Police believe Howard was killed sometime between 5 and 7pm on Tuesday, July 12. Tuesday, July 12. How can they estimate that closely? Oh, they can, all right. Oh, is that his picture? Yeah. Here. Here, you take it. Thomas L. Howard of Los Angeles who was found dead in Woodland Grove here last. No, tonight. Poor Tommy. Tommy? Did you know him? I Went out with him once. Hey, did. Did you turn off the heat? Huh? Did you turn off the heat, Jesse? The house seems awfully warm. Yeah. Oh, no, no, I didn't turn the heat off. It's roasting in here. Imagine turning on the heat anyway during the summer months in Los Angeles. Well, it was chilly in here this morning. Hey, Edna, I can hear you. Keep talking. Look at him. At who? At this picture of Howard, the man who was killed. What about him? Let's see. Yeah, so what? What about him? He's just like him. Who? Remember Henry Hackers? The boy I used to go with. The one on Morella Avenue? The dark haired one with the funny kind of eyes. You mean the one who. Yeah. Oh, sure. But Tommy didn't look anything like Henry. You're crazy. Look at that hairline and the cleft and the chair. Oh, for Pete's. Oh, now, don't tell me you don't see any resemblance. It's just like Henry Hackers. Well, a little, maybe, but gee whiz, Jesse, you've got the darndest imagination. Henry Hackers, he sure wasn't what you'd call good looking. Had a cute smile, though. Sort of. Funny little way he'd brush his hair out of his eyes. Then he'd walk with one shoulder just a little higher than the other. Henry Hackers, you're such a nice boy. Although I never thought he'd want to get serious. A man can make you feel so guilty if you don't love him. Just because he loves you, he thinks. Oh, and that awful thing he said the last time. When was that? When was that? But, Jesse, I. I can't help it. It's just the way I feel about you.

[Narrator/Host (William Keeley)]

But at least let me call you. You might change your mind.

[Announcer/Commercial Voice]

I won't change my mind, Henry.

[Narrator/Host (William Keeley)]

But you can't do it, Jesse. We had something, you and me. We made such a swell couple. I had wonderful plans for this.

[Announcer/Commercial Voice]

Well, Henry, I can't help it. But the way I feel is just the way I feel. It's been getting too serious lately. You know what I mean? And when a slight flirtation grows out of hand, the things can happen that'll only make people awfully unhappy when things don't work out.

[Narrator/Host (William Keeley)]

Slight flirtation. Well, I'm sorry. I'm very sorry, but I thought it was a little more than a slight flirtation. The nights I laid awake thinking about it.

[Announcer/Commercial Voice]

Oh, don't get so.

[Narrator/Host (William Keeley)]

Well, I want you to know this, Jesse. I just want you to know it and remember it. As long as you live, you've done something to me that's beyond repair. And if something should happen to me, and believe me, it very well might, I just want you to know you're responsible.

[Announcer/Commercial Voice]

Henry, what a horrible thing to say. It's like. It's like a curse.

[Narrator/Host (William Keeley)]

Now, if you want, I'll drive you home.

[Announcer/Commercial Voice]

Responsible? Telling me I'd be responsible. Ah, poor Henry. I should have talked to him again after that. He kept calling, but I felt so guilty. Wouldn't it be funny if instead of this Tommy fellow here, it was Henry that got killed between five and seven o' clock on Tuesday, July 12? Tuesday, July 12. Let's see. Tuesday, July 12, I came from work at four and I told Edna I was going out and I wouldn't be back. Now, where was I going? Gosh, my memory. Where was I going? What's the matter with me? Where was I between 5 and 7 on Tuesday, July 12th? Gosh, that wasn't so long ago I should remember that. I remember later that night. I remember at 11 I was in bed because Wednesday I had to be down to work an hour early to get out those new invoice forms. Hey, you know, if they hauled me down to the police station right now and began asking me where were you on Tuesday, July 12 between 5 and 7pm I wouldn't have a thing to say. Edna, have you read Little Abner yet? Edna, listen, put down that paper. Yeah. Look, now, now, don't laugh, will you? It was at what I'm gonna say, what I'm gonna ask you. Go ahead, I won't laugh. Do you remember where you were on Tuesday, July 12th between 5 and 7pm why? Do you remember? Well, let's see. Sure. July 12th. Sure, I went shopping over at Rawkins. And then he ate dinner and then met Carl Maffalletti and we went to a movie. Gee, that's funny. What? Well, you remember so easy. Oh, well, I know it was Tuesday because Tuesday was the day they had the sale at Rawkins. That's why I went shopping that day. I can't remember at all. What do you mean? Do you remember what I did between 5 and 7? I was gone all day. Honey, I just explained. It's funny, but I can't remember a thing during those two hours. Well. Well, I must have done something. I just didn't die between 5 and 7 on Tuesday, July 6th. I get it. Jesse. I'm going out on the fire escape and take the Sun. If the phone rings, get it, will you? Sure. I haven't talked to him for such a long time. I'm gonna call him. It's the least I can do after all the times he called me and I didn't even answer the phone. Hello? Mrs. Hackers? Yes. Who is this? This is Jesse Larkin, Mrs. Hackers.

[Narrator/Host (William Keeley)]

Yes.

[Announcer/Commercial Voice]

Is Henry there? Henry? Yes. Is he there? If this is your idea of a joke, Jesse, it's in terribly bad taste. A joke? I'm not joking. I'd like to talk to him. Oh, I know how you feel about the way I treated him, Mrs. Hackers, but really, I don't know what's the matter with you, Jesse. I don't know whether you're crazy or what. You know that Henry is dead. Dead? Henry Hacker is dead. How could I forget a thing like that? It's simple. Forgetting your coat in a restaurant or your purse in a movie. But forgetting the boy you used to date, the boy you refused to marry just a few days ago. Forgetting he's dead. It just doesn't happen. Henry did. How? I'm responsible. Just like he said. Like a curse. Just like I took a knife out of the kitchen drawer and deliberately plunged it into his heart. Yeah, but could I. Could I murmur murder? Actually, murder with a knife. Kill. A Black glove, size 5, was found at the scene of the crime. Only one. Just one black glove in the drawer. Oh, Jessie. Oh, what'd I wear on Tuesday? Oh, there'd be tears in the dress from the twigs and mud, baby, from when I dragged them.

[Narrator/Host (William Keeley)]

No.

[Announcer/Commercial Voice]

Oh, everything's all right. My blue dress. The seam on the sleeve and the hem and the mud on the skirt. I did it. There lies poor Henry Henry, face down in the mud in the woods. And I did it. I did it. I did it. I did it.

[Narrator/Host (William Keeley)]

Autolite is bringing you Ms. Dorothy McGuire in Last Confession. Tonight's production in radio's outstanding theater of thrills, suspense. Hi, Harlow. All set for fall driving? Ready, set and raring to go. Hap, put in those peppy, powerful pistol pack and wide gap Auto Light resistor spark plugs. How's that? Smooth. That's the word. Smooth. For smoother idling, your motor purrs like a cuddly kitty with Auto light Resistor spark plugs. Take it easy. That's the word. Easy. For easier. Breezier starts in cold temperatures with alrsp. Hey, you've improved. That's the word. Improved. Improved engine performance on leaner gas mixtures. You save gas with auto light resistor spark plugs. Know how. Know how. Right. Auto light engineering. Know how. And research Made the thrifty auto light resistor spark plug possible. 20 millions have been sold. How much longer can this last? 200% HAP auto light resistor spark plugs have up to 200% longer electrode life. Oh my gosh. Ohm is right. The exclusive autolite 10,000 ohm resistor engineered into every Autolite resistor spark plug makes possible easier starting in cold temperatures. Get on the ball for fall. Get auto light resistor spark plugs. Remember, you're always right with Autolite. And now Autolyte brings back to our Hollywood soundstage. Dorothy McGuire in Last Confession. A tale well calculated to to keep you in suspense,

[Announcer/Commercial Voice]

This is where the paper said I left him. I don't really remember the place. Not really. It's like being someplace you think you've been before and you're not sure. I've got to find out. I've got to know. Gosh, I wonder why I picked a place like this. All these bushes might be snakes and all sorts of dangerous things.

[Narrator/Host (William Keeley)]

Stand where you are.

[Announcer/Commercial Voice]

What?

[Narrator/Host (William Keeley)]

Okay, you don't move. Just stay right where you are. Lieutenant Fleming.

[Announcer/Commercial Voice]

Oh, hello, Lieutenant.

[Narrator/Host (William Keeley)]

What are you doing here?

[Announcer/Commercial Voice]

Oh, just, just curious, really. You know, I, I read about it in the papers.

[Narrator/Host (William Keeley)]

What's your name?

[Announcer/Commercial Voice]

I'm just curious, that's all.

[Narrator/Host (William Keeley)]

What's your name?

[Announcer/Commercial Voice]

Jesse. Jesse Larkin.

[Narrator/Host (William Keeley)]

Okay, Jesse, run along. You ought to know better than to hang around a place like this, Especially so late at night.

[Announcer/Commercial Voice]

Well, it was the glove size. The black glove. I, I, I, I know a girl that wears that size.

[Narrator/Host (William Keeley)]

Is that so?

[Announcer/Commercial Voice]

Yeah. Have you found the murder weapon yet?

[Narrator/Host (William Keeley)]

Not yet.

[Announcer/Commercial Voice]

That's pretty essential to find, isn't it? I mean, to prove somebody's guilt.

[Narrator/Host (William Keeley)]

Yeah. Sometimes they save us all the trouble, though. Come in and confess.

[Announcer/Commercial Voice]

Oh, say, it's terrible, isn't it? A nice young man like that.

[Narrator/Host (William Keeley)]

Yeah.

[Announcer/Commercial Voice]

Well, there you are. You still don't know who did it?

[Narrator/Host (William Keeley)]

We've got it pretty well narrowed down to one of his girlfriends. Oh, you run along now. I wouldn't worry too much about the Tommy Howard killing if I were you.

[Announcer/Commercial Voice]

Jesse Howard killing? Oh, no, I won't. Howard. He called him Howard. Why, why would that lieutenant call him Howard? I've got to buy a paper and found out if they know that it really was Henry hackers. But then Mrs. Hay Hackers told me and I'm so mixed up, I, I'm forgetting so many things. Henry's last name was Hackers. Henry? Ha. No, Henry Howard. Henry Howard. Yes, that was it. I remember when Edna showed me the Paper. That's what it said. Henry Howard. His girlfriend's. The officer said Henry didn't go out with very many girls. Let's see, there was Fran Gilbert. I know. He took her out a couple of times. And Barbara. Barbara. What was her name? Oh, I gotta see them. I gotta see whether they've got alibis. If none of them did it, then it must have been me. When I gotta be clever about it, not let them know what I'm after. I'll say real casual. By the way, Fran, what were you doing between 5 and 7pm on Tuesday, July 12? Well, it's been a nice chat, honey. I still don't know who you are or what you're doing here, but it's been real nice. Well, I told you. I heard you were an actress and I've always wanted to be one. Oh, come on, leave us. Own up. You hear about Henry? What's his name? Henry? Yes. Something about his estate. Well, he left me nothing but the

[Narrator/Host (William Keeley)]

memory of two miserable evenings over some warm beer.

[Announcer/Commercial Voice]

No, nothing like that. I was just sort of wondering what you were doing between 5 and 7 on Tuesday, July 12th. Between what and what? On when? 5 and 7 on Tuesday, July the 12th. Wait a minute. Are you a cop gal or something? That was the time the papers said that Howard was killed. Howard? Look, blue eyes talking in circles makes me dizzy. You're either crazy or a cop or a digger with an angle. Whichever it is, I'm surprisingly uninterested. Scoot. Well, all right, if you're sure you know what you were doing. Just to ease your mind, my lady, I was swabbing decks on the USS New Mexico with a vacuum cleaner and the Navy will back me up. Satisfied? Well, thank you. Goodbye. It was nice meeting you. Oh, no. She's got an alibi. She didn't do it. She couldn't have. She didn't even remember Henry's last name. I don't quite understand. Ms. Larkin. I'm from the Los Angeles Police Department, Ms. Keeley. What do you want? I'm a policewoman. You understand. Yes, I'm interested in a Henry Hackers. Yes, yes, you knew. He was found four miles from the city limits in the woods. Henry. Henry Hackers is dead. But you're talking about the Howard case. I don't know a thing about that. Where were you and what were you doing between the hours of 5 and 7 on Tuesday, July 12th? See here, I don't see any reason for answering any of your questions. Do you have a warrant? Well, I thought it best to make this a informal visit. I thought perhaps I wouldn't need to go into any legalities. We can make this very simple without a lot of complications. Now, what were you doing between 5 and 7 on July 12th? I think you'd better talk to my lawyer, Miss Larkin. I'm answering no questions without his permission. Good day. Very well. Goodbye. I'll be seeing you again. Goodbye. Just remember, we have your name on file. All of them have alibis. I knew they would, really. And that leaves only me. I must have done it. Henry was right. I am responsible for his death. I deserve what I'll get. I'll deserve it when they sentence me and the judge and no one to stand by me. No one in the world but Edna. Edna. I'll tell her everything. She'll understand how it is. Jesse. Say, where have you been? Where did you go? I've been so worried. All right, I'll tell you. I'll tell you everything. I've got to trust you, Edna. You're the only one in the world I can trust. Well? Well, you know the murder in the papers? Yeah, what about it? It was me.

[Narrator/Host (William Keeley)]

What?

[Announcer/Commercial Voice]

Yes, it was me. You're out of your head. No, I wish I was, Edna. Honest, I wish I was. You ought to see a doctor, kid. Honest, I mean it.

[Narrator/Host (William Keeley)]

No.

[Announcer/Commercial Voice]

We were out there together in a car. I remember it so clearly. And he started getting fresh, but I mean fresh. And I slapped him. Well, I had this knife with me. I don't remember where I got it, but I had it in my purse. And I. I stabbed him. And I stabbed him and I stabbed him. And then I. I realized what I'd done. And I was terribly sorry, Edna. Oh, I was awfully. But I had to get rid of him. So I dragged the body to the woods. Inside, away from the highway. And I left him there. And I took the knife, but I forgot one of my gloves. Jesse. Jesse. We've been roommates for three years, honey. I would have sworn you couldn't have dreamed of anything like this. Do you honestly believe I always had a violent temper? You know that, Edna. Not to kill.

[Narrator/Host (William Keeley)]

Well, I did.

[Announcer/Commercial Voice]

And now the only thing is, I can't find the knife. Where would I have put it, Edna? Jesse. Jesse, you stay here. Will you promise to stay here until I come back? I can't, Edna. I've gotta confess. I couldn't live with a thing like that on my conscience. Promise me. Please, Jesse. Promise you're not to leave the house. Well, all right, if you say so. See what kind of A place. Person I am. I couldn't even keep a simple promise to my best friend. I had to go. Maybe after I confess, this terrible headache will go away. There it is. The police station. Well, I certainly will deserve what I get. I hope they give me the maximum penalty prescribed by law.

[Narrator/Host (William Keeley)]

Yes? Oh, hello.

[Announcer/Commercial Voice]

Are you in charge here?

[Narrator/Host (William Keeley)]

Almost. What can I do for you?

[Announcer/Commercial Voice]

I'd like to confess to the Howard murder. Who do I see?

[Narrator/Host (William Keeley)]

Oh, Jesse, may I talk to you?

[Announcer/Commercial Voice]

Certainly, Lieutenant. Sit down.

[Narrator/Host (William Keeley)]

Thank you. Jesse, I.

[Announcer/Commercial Voice]

Well, your case is solved, isn't it?

[Narrator/Host (William Keeley)]

Yes.

[Announcer/Commercial Voice]

You don't seem to feel too good about it.

[Narrator/Host (William Keeley)]

I don't. I don't.

[Announcer/Commercial Voice]

Jesse, did you find the knife?

[Narrator/Host (William Keeley)]

Yes. Jesse, we have a couple of visitors for you. I think after you've seen them, you'll feel much better. That's what our doctor thinks.

[Announcer/Commercial Voice]

Visitors? Who?

[Narrator/Host (William Keeley)]

Mrs. Hackers? Will you come in, please, Mrs. Hackers?

[Announcer/Commercial Voice]

Oh, don't hate me too much, Mrs. Hackers.

[Narrator/Host (William Keeley)]

You're going to be released, Jesse. The police can take no action on your case and not at the present time. Mrs. Hackers here read about your confessions in the papers. She called us and told us you couldn't have killed Howard, Jesse.

[Announcer/Commercial Voice]

My poor child. Why did you call him Mrs. Hackers? Jesse. When you knew I deserved it? When you knew I killed him, your only son? Tell him the truth, Mrs. Hackers. You didn't kill Henry. Jesse. Between 5 and 7 on July 12th, Jesse, don't you remember where you were? I was. I was. No, I can't think. I can't remember. Now think, Jessie. Try to remember. Between 5 and 7 on July 12th. If you remember, everything will be straightened

[Narrator/Host (William Keeley)]

out in your mind. I.

[Announcer/Commercial Voice]

Turn the flowers, dear. You were crying. You cried when I put down the flowers. You cried, Jessie, don't you remember? The flowers. The funeral. Yes, Henry's funeral. Oh, I remember. I. I cried when you put the flowers down. That's right, dear.

[Narrator/Host (William Keeley)]

I.

[Announcer/Commercial Voice]

The doctor says maybe you felt guilty inside or something because he was dead. But you're going to be all right.

[Narrator/Host (William Keeley)]

Yes, Jesse. Apparently you just blotted those two hours out of your mind. Doctor. Sometimes it happens that way with some of us. Your mind just blots out a thing. It's too painful to remember.

[Announcer/Commercial Voice]

Yes, but then my dress and the gloves. Oh, no. I must have somehow. I must have.

[Narrator/Host (William Keeley)]

Just a minute, Jessie, please. Oh, all right. Come in, please.

[Announcer/Commercial Voice]

Oh, hello, Jesse. Edna, I'm so glad you. Jesse, you promised me you wouldn't leave the house. Edna, I couldn't have done it. I couldn't have. Mrs. Hacker said I was with her at Henry's funeral between 5 and 7 on July 12th. The only thing I can't figure out is my missing glove and my blue dress. Jessie, I didn't want to tell you because I was afraid to. But that day on July 12th, I borrowed your blue dress and your gloves. You borrowed them? I had a date. I knew you'd be wearing your black dress to the funeral, so I. Oh, Jessie. I kept quiet when it looked as though nobody else was going to be blamed for it. But Edna. I don't believe it. It's true, Jessie. If it hadn't been for you, I'd never have told anybody. I didn't know that. All these days you've been convincing yourself that you. Edna. Edna. When I went out, when I told you not to leave the house. I went and got the knife. I buried it in the vacant lot and I brought it to the police.

[Narrator/Host (William Keeley)]

Poor Edna.

[Announcer/Commercial Voice]

All that guilt. But I want you to know, Jesse, that Tom Howard was no good. And if anybody ever deserved. Can I please go now?

[Narrator/Host (William Keeley)]

Yes. How do you feel now, Jesse?

[Announcer/Commercial Voice]

What?

[Narrator/Host (William Keeley)]

How do you feel?

[Announcer/Commercial Voice]

Poor Edna. She was your roommate, wasn't she, Jessie? Not just her roommate, Mrs. Hackers. She was my best friend. Come on, dear. I'll take you home. Mrs. Hackers? Yes, dear? How did Henry die? Of pneumonia. He died very peacefully. Oh, I'm sorry. I'm very sorry for all the trouble I caused. I'm very sorry.

[Narrator/Host (William Keeley)]

Suspense presented by Autolight Tonight's star, Dorothy McGuire in Last Confession. Notice the day is getting shorter. Harlow, did you say shorter? Don't use that word around here. We're only interested in things that last longer. Like auto light resistor spark plugs. Those famous fast firing wide gaps spark plugs that have up to 200% longer electrode life. And Autolite resistor spark plugs let your engine run better on leaner gas mixtures. Actually save you gas. Autolite makes complete electrical systems for many makes of America's finest cars. Batteries, spark plugs, generators, starting motors, coils, distributors. All engineered to fit together perfectly. Work together perfectly because they're a perfect team. Get Autolite original factory parts at your neighborhood service station, car dealer, garage or repair shop. Remember, you're always right with Autolight. Next Thursday for suspense. John Lund will be our star. The play is called experiment 6R. And it is, as we say, a tale well calculated to keep you in suspend. Tonight's suspense play was produced and edited by William Spear and directed by Norman McDonnell. Music for suspense is composed by Lucian Morowek and conducted by Lud Gluskin. Last Confession was a radio play by David Ellis. Dorothy McGuire will soon be seen in the 20th Century Fox picture oh, Doctor. In the coming weeks you will hear such stars as Charles Lawton, June Havoc, Van Johnson and Bette Davis. Oh, and don't forget, next Thursday, same time, Autolite will present Suspense starring John Lund.

[Announcer/Commercial Voice]

You can buy Autolite Resistor spark plugs, Autolite Stay full. Batteries Autolyte electrical parts at your neighborhood Autolite dealers. Switch to Autolyte. Good night.

[Narrator/Host (William Keeley)]

Your national foundation for Infantile Paralysis has only enough money to last two more weeks. Help now send dimes and dollars to polio care of your local post office. This is cbs, the Columbia Broadcasting. Lux presents Hollywood. Lever brothers company. The makers of lux flakes bring you the lux radio theater. Starring gregory peck and anne baxter. In gentlemen's agreements. Ladies and gentlemen, your producer, Mr. William keeley. Greetings from Hollywood, ladies and gentlemen. When I saw the preview of Darrell F. Zanuck's magnificent production of Gentleman's Agreement, I marked it down as a must for the Lux Radio Theater. Based on the exciting novel by Laura Hobson, the Daryl F. Zanig film won three Academy Awards, including Hollywood's highest honor, the Academy Award for the best picture of the year. Tonight in Gentleman's Agreement, Gregory Peck repeats the finely sensitive performance he gave on the screen and co starred with him is one of our favorites. And Baxter, many of you have asked for this play in your letters and in the mail. The other morning with some of these requests was a clipping from a current magazine. It told of what one American missed most in a foreign land. His mother's apple pie, hot dogs, the Brooklyn Dodgers and the Lux Radio Theater. Well, it's flattering to be considered a symbol of the American way of life. But it's the welcome you have given Lux Flakes in your home that has made this theater possible. And these days, along with baseball in Brooklyn or apple pie for breakfast in New England, the Lux Radio Theater is a fixture in the living room. As Lux Flakes are in the kitchen. It's curtain time for Gentlemen's Agreement. And here's the first act, starring Gregory Peck as Phil and Anne Baxter as Kathy. New York City, headquarters of the celebrated magazine Smith's Weekly. In the editor's office, John Minafee has welcomed an old friend. Now, tell me, Phil, finding your way around town almost good. Mother and kid like New York, huh? Oh, they like the apartment too. Thanks. And a bit of luck. Probably the last apartment in Manhattan. How Is your mother feel and the boy? Oh, they're both fine, Mr. Minifee. And the boy, does he miss his mother? Well, Tommy's 10 now, Mr. Minifee. It's six years since Helen died. I don't think he remembers it too well. Well, now, what about tonight? You didn't give me an answer. Oh, thanks. Some other time, maybe. Nonsense. I won't ask you another time. Just a few friends coming over. I thought you brought me to New York to drink some writing. Yes, I brought you here to do some writing. Now, get good and comfortable, because I'm going to talk to you about it for about an hour, maybe two hours. Phil, I've had an idea. An idea that's likely to stand this country right on its self righteous ear. I hate introducing people. Anyway, Phil, I've saved the best for the last. Kathy, this is Mr. Green. My niece, Ms. Lacy.

[Announcer/Commercial Voice]

Hello.

[Narrator/Host (William Keeley)]

How do you do?

[Announcer/Commercial Voice]

Sit down, Mr. Green.

[Narrator/Host (William Keeley)]

Yes, sit down. I'll bring you a cocktail.

[Announcer/Commercial Voice]

Well, Mr. Green, I haven't read everything you've written, but what I have has been, well, exciting. Exciting and honest.

[Narrator/Host (William Keeley)]

Thanks.

[Announcer/Commercial Voice]

Do you mind telling people what you're writing?

[Narrator/Host (William Keeley)]

Now let me tell her. I've asked Phil to do a series on anti Semitism. Break it wide open. Been wanting to do it for some time.

[Announcer/Commercial Voice]

Oh, do I get a credit line?

[Narrator/Host (William Keeley)]

You?

[Announcer/Commercial Voice]

Oh, don't you remember? I was the one who suggested that.

[Narrator/Host (William Keeley)]

Why, sure. I knew somebody was after me, but I forgot who. Here's your drink. I'm always stealing ideas without knowing it. You know, it's funny, Ms. Lacey, you suggesting the series, Is it?

[Announcer/Commercial Voice]

Why?

[Narrator/Host (William Keeley)]

Oh, lots of reasons.

[Announcer/Commercial Voice]

You make up your mind too quickly, Mr. Green. About women. Anyway. I saw you do it as soon as you sat down.

[Narrator/Host (William Keeley)]

It's that apparent, huh?

[Announcer/Commercial Voice]

Let's see. I'm a little too well bred. Artificial, A trifle absurd. Typical New York. Well.

[Narrator/Host (William Keeley)]

Oh, I didn't have time for all that.

[Announcer/Commercial Voice]

Oh, yes, you did. I even left out a few things.

[Narrator/Host (William Keeley)]

All right, I Give up, Ms. Lacey. You win.

[Announcer/Commercial Voice]

I'm sorry. I'll tell you some more. I'm divorced. I work. I help run a nursery school.

[Narrator/Host (William Keeley)]

What else you want?

[Announcer/Commercial Voice]

Just anything.

[Narrator/Host (William Keeley)]

Just anything?

[Announcer/Commercial Voice]

Well, I'm supposed to be.

[Narrator/Host (William Keeley)]

Hey, Phil, dinner.

[Announcer/Commercial Voice]

Come along, Mr. Green. Well, Phil, have a nice time at the minute last night?

[Narrator/Host (William Keeley)]

Oh, yes, mom, very nice. Tommy, you'll be late for school.

[Announcer/Commercial Voice]

Pop, what are you going to write about this time?

[Narrator/Host (William Keeley)]

Well, Mr. Minifee wants me to do a series on anti Semitism.

[Announcer/Commercial Voice]

Oh, you don't sound very enthusiastic.

[Narrator/Host (William Keeley)]

I'm not.

[Announcer/Commercial Voice]

What's anti Semitism?

[Narrator/Host (William Keeley)]

Well, it's when some people don't like other people because they're Jews.

[Announcer/Commercial Voice]

Why? Are they bad?

[Narrator/Host (William Keeley)]

Well, some are, sure. Some aren't like everybody else.

[Announcer/Commercial Voice]

But why don't some people like Jews?

[Narrator/Host (William Keeley)]

Well, some people hate Catholics and some hate Jews.

[Announcer/Commercial Voice]

And no one hates us because we're American?

[Narrator/Host (William Keeley)]

Well, no, no, that's just. That's something else again. You see, one thing is your country like America or France or Germany or Russia. But the other thing is religion. Like the Jewish or the Catholic or the Protestant religion. See, religion hasn't anything to do with the country. You get it?

[Announcer/Commercial Voice]

Uh huh. Well, see you tonight, Pop. Bye, Grandma.

[Narrator/Host (William Keeley)]

Kid's gonna wreck me yet.

[Announcer/Commercial Voice]

Phil, about the assignment. You're disappointed.

[Narrator/Host (William Keeley)]

Yes, I am. I wanted to work on something I'd know people would read.

[Announcer/Commercial Voice]

You mean there's enough anti Semitism in real life without people reading it?

[Narrator/Host (William Keeley)]

Oh, no. But what can I say that hasn't been said before?

[Announcer/Commercial Voice]

Maybe it hasn't been said well enough. If it had, you wouldn't have had to try to explain it to Tommy just now. To be nice sometimes, not to have to explain it to kids. Kids are so decent to start with.

[Narrator/Host (William Keeley)]

Yeah. Yeah, it would be nice. I'm surprised, Phil. Happily surprised. I thought you were going to refuse the assignment. What changed your mind? Oh, a couple of things, Mr. Minifee. I may put my niece under contract. Inspiration department. No, it wasn't Kathy. It was my kid. I tried to explain it to him this morning. It was kind of tough. Anyway, I want to do the series very much. I'll need your research department. Facts and figures. Now, wait a minute. I don't want facts and figures. I don't need you for that, Phil. Use your head. I want an angle, some dramatic device to humanize it, to get it read. You don't want much. You just want the moon. There's more to this than just the crackpot angle. Forget the extremists. It's the wider angle I want to get at. Go to the source. Yeah, Knock it around before you go. You don't happen to want Kathy's phone number? Regent 70493. We're having dinner. I always like to go right to the source.

[Announcer/Commercial Voice]

Will you, Phil, telephone.

[Narrator/Host (William Keeley)]

Okay.

[Announcer/Commercial Voice]

You'll be right here. Kathy, I wish you could get him to take you out to dinner again. He's not fit to live with still no angle for his series. Well, he keeps working, but here he comes.

[Narrator/Host (William Keeley)]

You stop conspiring. Hi. Hi.

[Announcer/Commercial Voice]

You sound like an unhappy writer.

[Narrator/Host (William Keeley)]

Oh, I'm fine. Just wish I were dead, that's all.

[Announcer/Commercial Voice]

Nothing on paper?

[Narrator/Host (William Keeley)]

Not a syllable. I'm in my stubborn streak. If it won't budge, I won't.

[Announcer/Commercial Voice]

Oh, I shouldn't have interrupted you.

[Narrator/Host (William Keeley)]

I've told you, if you don't call, I just keep wondering why. So it works out as an interruption either way.

[Announcer/Commercial Voice]

How many interruptions a day do you want?

[Narrator/Host (William Keeley)]

I'll thank you to call me five or six times. It's your fault I'm in this jam.

[Announcer/Commercial Voice]

I'll remember that. Goodbye, Phil.

[Narrator/Host (William Keeley)]

Goodbye, Kathy.

[Announcer/Commercial Voice]

Phil, isn't it always tough at the start?

[Narrator/Host (William Keeley)]

Oh, sure, it's always tough, but never like this. I've tried everything, Ma. Antisemitism in business, labor profession. Same old drool. Statistics, protests. It's like beating your head against a con. Ma, what's the matter?

[Announcer/Commercial Voice]

I don't know. I feel so bad, I. Phil. Phil.

[Narrator/Host (William Keeley)]

You sure it's not serious, Doctor? There's nothing at all to worry about, Mr. Green. People with hearts outlive everyone else if they. Take care. Just keep your mother in bed for a few days. Go on in. I know the way out. I'll stop by tomorrow. Thank you. Everything okay, Ma?

[Announcer/Commercial Voice]

Stop looking like Hamlet. I feel wonderful. Where's Tommy?

[Narrator/Host (William Keeley)]

I sent him down to the drugstore.

[Announcer/Commercial Voice]

Poor little kid. I must have scared him to death.

[Narrator/Host (William Keeley)]

What do you think you did to me, Phil?

[Announcer/Commercial Voice]

Haven't you had enough for one day? Please don't try to work anymore.

[Narrator/Host (William Keeley)]

I'm through trying. Matter of fact, I've decided to phone Minifee. There's a certain virtue in knowing when you're licked.

[Announcer/Commercial Voice]

Ma, why are you licked?

[Narrator/Host (William Keeley)]

Just can't find the angle. I just can't write that.

[Announcer/Commercial Voice]

You got the angle before every article you ever wrote. The right angles got in somehow.

[Narrator/Host (William Keeley)]

I didn't beat my brains out looking for them. Well, I wanted to find out about a scared guy in a jalopy. I bought some old clothes and a broken down car and took Route 66 myself. I lived with the Okies, ate what they ate. I found the answers in my own guts, not somebody else's.

[Announcer/Commercial Voice]

Yes, Phil, that's right.

[Narrator/Host (William Keeley)]

I was an Okie. See, that's the difference, Ma and the coal mines. I worked in a mine, slept in a shack. I didn't try to dig into a coal miner's heart. I was a miner. And that's why I. Maybe. Hey, maybe I got it. The angle, Ma. Why, it's the only way.

[Announcer/Commercial Voice]

What's the only way?

[Narrator/Host (William Keeley)]

I'll be Jewish. All I gotta do is say it. Nobody knows me around here. I can. I can just say it. I can live it myself for six weeks. Weeks? Six months. However long it takes, Ma, it's right this time. It's a cinch.

[Announcer/Commercial Voice]

It's the best medicine I could have.

[Narrator/Host (William Keeley)]

Look. Look, will you keep my secret? If you meet anybody, it has to be without exception if it's going to work at all.

[Announcer/Commercial Voice]

Well, if you're Jewish. I'm Jewish, too, I guess. Why, I'll even.

[Narrator/Host (William Keeley)]

I got a phone right away.

[Announcer/Commercial Voice]

Well, why don't you ask Kathy to come over here?

[Narrator/Host (William Keeley)]

How'd you know I wasn't going to phone Minifee? Dope.

[Announcer/Commercial Voice]

Nobody phones an editor with that look on his. Your apartment's beautiful, Phil. Now, tell me about your mother.

[Narrator/Host (William Keeley)]

She's much better. She's sleeping. Let's have a drink.

[Announcer/Commercial Voice]

No, thanks.

[Narrator/Host (William Keeley)]

Just some sherry.

[Announcer/Commercial Voice]

You're still not telling the angle. You sounded so excited on the phone.

[Narrator/Host (William Keeley)]

It's funny. I thought I'd spill it the minute you got inside the door.

[Announcer/Commercial Voice]

Oh, it must be really something to get you like this.

[Narrator/Host (William Keeley)]

Oh, there'll be stumbling blocks, but I don't care. I'll lick them. I'll lick them when I get to them. I. You. You really don't want any sherry, do you?

[Announcer/Commercial Voice]

No.

[Narrator/Host (William Keeley)]

Neither do I. Kathy. Oh, Kathy.

[Announcer/Commercial Voice]

Phil, I.

[Narrator/Host (William Keeley)]

Don't. Don't say anything. Just let me kiss you.

[Announcer/Commercial Voice]

Phil, please.

[Narrator/Host (William Keeley)]

Kathy, I'm.

[Announcer/Commercial Voice]

I'm just trying to think.

[Narrator/Host (William Keeley)]

Marriage can be such a good way to live, Kathy. All these years, I've been hoping.

[Announcer/Commercial Voice]

I've kept hoping to. But when you've made a mistake once

[Narrator/Host (William Keeley)]

like I have, you're not afraid. You're not sorry. About Tommy, I mean.

[Announcer/Commercial Voice]

Oh, Phil, I'm glad. It's almost as if my marriage hadn't been wasted. As if I'd had a son growing up for me. No, darling, I'm not afraid.

[Narrator/Host (William Keeley)]

I knew you'd find an angle, Phil. Well, when do you start? Well, what's wrong with right now? I'll get you an office on the secretary. Oh, about the secretary. She'd have to know, wouldn't she? Well, why would she have to know? As far as she's concerned, I'm Jewish. Of course. Now, what about lunch? Chance to meet some of the staff. And Irving Weissman is lunching with us. Might be good for you to know him. Who's the big industrialist, isn't he? Yes. Come on. You'll like him a lot. Sorry we're late, boys. Sorry. Irving, this is Phil green. Irving Weissman, Mr. Weissman, Mr. Green. Lou Jordan, our personnel manager. Joe Tingler, our photographer. Bert McEnoy, layout. And last, as a kind of dessert. Phil, this is Ann Detrie, our fashion editor. She eats men alive.

[Announcer/Commercial Voice]

Oh, thank you.

[Narrator/Host (William Keeley)]

You can sit next to her.

[Announcer/Commercial Voice]

Thank you again.

[Narrator/Host (William Keeley)]

Well, boys, Mr. Green is going to do a series for us on anti Semitism. Oh, really, John. Another one? No, Irving, not just another one. We're going to split it wide open. As an old friend, I think it's a very bad idea. Why? Because it'll only stir it up more. I'd say let us handle the problem our own way. The hush, hush way. Just let it alone. We know from bitter experience the less talk there is about it, the better. Sure. Pretend it doesn't exist, keep silent and let the rabble rousers do all the talking. No, sir. We're going to call a spade a spade. And I think it's high time and a fine idea. And so do I.

[Announcer/Commercial Voice]

You sound pretty hot about it, Mr. Green.

[Narrator/Host (William Keeley)]

Well, I feel pretty hot about it, huh? And I don't think it has anything to do with the fact that I'm Jewish myself. Hey, waiter, waiter, how about some service here? Nice going, Phil.

[Announcer/Commercial Voice]

I'm your secretary, Mr. Green. Elaine Wales. May I come in?

[Narrator/Host (William Keeley)]

Oh, how do you do? Well, first thing I want to do is write a lot of letters. They'll go to clubs, resorts, interviews for jobs, apartments, police, applications to medical schools. Got a whole list here somewhere.

[Announcer/Commercial Voice]

Yes, sir.

[Narrator/Host (William Keeley)]

Write each letter on blank stationary and send two to each address.

[Announcer/Commercial Voice]

Two?

[Narrator/Host (William Keeley)]

Yes. One of them I'll sign Skyler Green, and the other Philip Greenberg. See what I mean?

[Announcer/Commercial Voice]

Greenberg.

[Narrator/Host (William Keeley)]

Just so there'll be no doubt about

[Announcer/Commercial Voice]

it, I changed my name, Mr. Green. Did you?

[Narrator/Host (William Keeley)]

No, Green's always been my name. What was yours?

[Announcer/Commercial Voice]

Wolofsky. Estelle Wolofsky. And I just couldn't take it. So I did exactly what you're doing. I wrote the same firm two letters. I sent the Elaine Wales one after they said there were no openings to Estelle Wolofsky. I got the job all right. You know what firm that was? This firm? Smith's Weekly? No, the great liberal magazine that fights injustice. Oh, it slays me.

[Narrator/Host (William Keeley)]

Mr. Minifee know about this?

[Announcer/Commercial Voice]

Oh, no. That's Mr. Jordan's department personnel. Oh. Is this the list I'm to write to?

[Narrator/Host (William Keeley)]

Oh, yes, yes. Now, if you'll get your book, I'll start dictating those letters. Well, Doctor, how's my mother? Your mother can be up and about tomorrow. Mr. Green. Oh, that's fine, fine. Oh, would you mind if I had her see a good internist doctor, just to be on the safe side? No, not at all. I suggest you take her to Mason Van Wyk. Well, one of my friends recommended a Dr. Abrams. Abrams? Yes, Jacob Abrams. Mount Sinai Hospital. Isn't he any good? Yes, yes, of course. Completely reliable. Not given to overcharging the way some do. You mean the way some doctors do, or the way some Jewish doctors do? I suppose some of us do it, too, not just the chosen people. Well, if Abrams doesn't impress me, I'll try. Dr. Van Wyck. I've no special loyalty to Jewish doctors simply because I'm Jewish myself. No, no, of course not. Well, good evening, Mr. Green.

[Announcer/Commercial Voice]

Instead of having dinner in some restaurants, you'll just have to resign yourself to my cooking.

[Narrator/Host (William Keeley)]

Kathy, I'm delighted.

[Announcer/Commercial Voice]

So sit down. It's all just a trap. I want you to talk.

[Narrator/Host (William Keeley)]

No talk, huh?

[Announcer/Commercial Voice]

But not a bite to eat until you tell me your angle. Darling, do you realize I still don't know? Phil, tell me.

[Narrator/Host (William Keeley)]

Well, it's. It's really very simple. I'm just going to let everybody know that I'm Jewish. That's all.

[Announcer/Commercial Voice]

Jewish? But you're not, Phil, are you? Not that it would make any difference to me. But you said. I'm going to let everybody know. As if you hadn't before and would now. So I just wondered. Oh, Phil, you're annoyed with me.

[Narrator/Host (William Keeley)]

No, I. I was just thinking.

[Announcer/Commercial Voice]

Just that you caught me off guard.

[Narrator/Host (William Keeley)]

You don't think too much of the angle, do you?

[Announcer/Commercial Voice]

Oh, I do, darling. It's. Well, it's just that. Well, I think it'll mix everybody up. People won't know what you are. Of course, after the series, they'll know. But even so, it'll. It'll keep cropping up, won't it?

[Narrator/Host (William Keeley)]

All right, let it crop up.

[Announcer/Commercial Voice]

Oh, I must be out of my head. Let it is right. Who cares? Now, tell me some more.

[Narrator/Host (William Keeley)]

Well, to begin with, you have to promise not to give me away. But really, no exceptions. Okay?

[Announcer/Commercial Voice]

Okay. What about the people at the magazine? Won't they talk?

[Narrator/Host (William Keeley)]

They're not in on it. Only Mr. Minifee.

[Announcer/Commercial Voice]

The rest all think you're Jewish.

[Narrator/Host (William Keeley)]

Look, Kathy, if this thing is going to work, the only chance is to go whole hog at it.

[Announcer/Commercial Voice]

Of course, I hadn't really seen it before.

[Narrator/Host (William Keeley)]

I. I didn't mean to be so sharp just now. I'm sorry.

[Announcer/Commercial Voice]

Dinner?

[Narrator/Host (William Keeley)]

Fine.

[Announcer/Commercial Voice]

Brandy, Phil? I can eat. Some more coffee?

[Narrator/Host (William Keeley)]

Oh, thanks. I. Well, I really think I better be getting along.

[Announcer/Commercial Voice]

So soon?

[Narrator/Host (William Keeley)]

I want to look in on Ma before she gets to sleep.

[Announcer/Commercial Voice]

Oh, of course.

[Narrator/Host (William Keeley)]

Was a mighty fine dinner, Kathy. I'll call you tomorrow sometime.

[Announcer/Commercial Voice]

All right.

[Narrator/Host (William Keeley)]

Good night, Kathy.

[Announcer/Commercial Voice]

Oh, just buzz for the elevator. Good night, Phil.

[Narrator/Host (William Keeley)]

Going down? What? Oh. Oh, no. No, thanks. Didn't you ring? Yes, but I forgot. Kathy.

[Announcer/Commercial Voice]

Oh, darling. Darling, what are we doing? What are we doing to each other?

[Narrator/Host (William Keeley)]

I. I couldn't go away. Not like that. It's. It's my fault, Kathy. I'm always weighing and judging. I'm such a solemn fool.

[Announcer/Commercial Voice]

I should have said your idea was fine right away. It is, darling. It's wonderful.

[Narrator/Host (William Keeley)]

I don't know what happened. I. I felt insulted and I. I couldn't let you off. I couldn't make it any easier for you.

[Announcer/Commercial Voice]

All through dinner, I couldn't. Kept trying to reach you to tell you I was sorry. And I couldn't. I wanted you so to come back.

[Narrator/Host (William Keeley)]

I did come back, darling. Please. Please let me come back. Our stars will return with Act 2 of Gentlemen's Agreement in a moment. Say, Libby, have you turned political reporter? What's all this talk about Washington, D.C.

[Announcer/Commercial Voice]

oh, the lighter side of the Washington scene. Universal International has released a very timely and amusing story about a switchboard operator in the White House.

[Narrator/Host (William Keeley)]

What? No. Intrigue?

[Announcer/Commercial Voice]

Yes, but on the romantic side. In the picture called for the Love of Mary.

[Narrator/Host (William Keeley)]

Who plays Mary?

[Announcer/Commercial Voice]

Deanna Durbin. Oh, and she fairly sparkles in the role. Her singing voice is lovelier than ever.

[Narrator/Host (William Keeley)]

Who is the lucky man?

[Announcer/Commercial Voice]

Well, I won't tell you that. But Edmund o', Brien, Don Taylor and Jeffrey Lynn all vie with each other.

[Narrator/Host (William Keeley)]

I'd make a date with a telephone voice like Deanna's anytime.

[Announcer/Commercial Voice]

Well, she looks just as lovely as she sounds. And yet her costumes in for the Love of Mary are typical of what the average girl can afford. Perfect grooming and fresh accessories turn the trick. But that was no trick at all for the studio. They let luxe flakes take care of everything washable.

[Narrator/Host (William Keeley)]

Isn't that what most smart girls do, too?

[Announcer/Commercial Voice]

Of course. And the new tiny diamonds of lux make it easier than ever. They're so fast, they suds up in a jiffy. And so rich they last and last. What they do for nice things is really something. Why, even sheer nylons last twice as long.

[Narrator/Host (William Keeley)]

A smart economy. Washing stockings with a strong soap or rubbing with cake soap can easily wreck a budget. That kind of treatment makes stockings run much more quickly. And then stocking bills run way out of bounds.

[Announcer/Commercial Voice]

Those new tiny diamonds of lux actually cut down stocking bills. Tests prove they make stockings last twice as long. And that's just like getting an extra pair every time you buy a pair.

[Narrator/Host (William Keeley)]

Back now to our producer, Mr. Keeley. Here's the second act of Gentleman's Agreement, starring Gregory Peek as Phil and Anne Baxter as Kathy. A few days have gone by, and Philip Green, posing as a Jew, is finding it a simple matter to get the evidence he's looking for. Talk about those notes tomorrow, Miss Wales. It's pretty late.

[Announcer/Commercial Voice]

Mr. Green, is it true about Mr. Minifee? I mean, about that ad he's running in the newspapers. Help Wanted secretaries.

[Narrator/Host (William Keeley)]

That's true. All right. You.

[Announcer/Commercial Voice]

You told him about me?

[Narrator/Host (William Keeley)]

Yes, I did. From now on, every Help Wanted ad will contain one sentence in big type. Religion is a matter of indifference to this office. He was rather an angry man, miss Wales.

[Announcer/Commercial Voice]

But, Mr. Green, I. Well, you don't want things changed around here, do you? I mean. Well, just let them get one wrong one in here. And it's no fun being the fall guy for the kiky ones.

[Narrator/Host (William Keeley)]

Now, look, Miss Wales, words like yid and kike and nigger and coon make me kind of sick no matter who says them.

[Announcer/Commercial Voice]

Well, I only said it for a type.

[Narrator/Host (William Keeley)]

What do you mean by type?

[Announcer/Commercial Voice]

Well, loud, too much rouge. I think you're sort of heckling me, Mr. Green. You know as well as I do the sort that starts trouble and the sort that doesn't. Like you and me.

[Narrator/Host (William Keeley)]

You mean because we don't look especially Jewish? Because we're okay Jews? Because with us, it can be nice and comfortable and quiet?

[Announcer/Commercial Voice]

I didn't say that.

[Narrator/Host (William Keeley)]

I hate anti Semitism, Ms. Wales. And I hate it when it comes from you just as much as I hate it from a gentile.

[Announcer/Commercial Voice]

Me? Why, Mr. Green.

[Narrator/Host (William Keeley)]

I'll see you tomorrow, Miss Wales. I'm going home.

[Announcer/Commercial Voice]

Hi there.

[Narrator/Host (William Keeley)]

Oh, hello, Miss Detrie.

[Announcer/Commercial Voice]

How can you stride down the hall with such energy at the end of the day? I'm bushed. By the way, assuming I'm my vital young self again by tomorrow night, I'm giving a party. Will you come?

[Narrator/Host (William Keeley)]

Oh, thanks. I'd like to. Can I bring my girl?

[Announcer/Commercial Voice]

Sure, you can bring your girl. How's the series coming?

[Narrator/Host (William Keeley)]

It's coming.

[Announcer/Commercial Voice]

Good. Just don't let it interfere with tomorrow night.

[Narrator/Host (William Keeley)]

Well, darling, did you like it? Ann's party? Mm.

[Announcer/Commercial Voice]

Well, I like this best of all. I got you alone now. You don't have to rush home, do you, Phil?

[Narrator/Host (William Keeley)]

Uh, what about Ann? Do you like Ann?

[Announcer/Commercial Voice]

I hate her. She's much too fond of you.

[Narrator/Host (William Keeley)]

Jealous? Wonderful.

[Announcer/Commercial Voice]

Oh, darling, I've got some good news for you. We're going to another party. I telephoned my sister from Anne. Oh, Phil, Jane's aching to meet you, and they're giving this big party for us on Saturday.

[Narrator/Host (William Keeley)]

Fine.

[Announcer/Commercial Voice]

Phil, won't we have to let Jane and Harry in on it? I mean about you.

[Narrator/Host (William Keeley)]

But, Kathy, if I'm going to keep it a secret.

[Announcer/Commercial Voice]

Don't be that inflexible. Darling, don't be angry, but I did tell Jane.

[Narrator/Host (William Keeley)]

Oh? Well, what'd she say?

[Announcer/Commercial Voice]

Well, she thought it was the cleverest way in the world to do research. Oh, you'll love her. And Harry, too.

[Narrator/Host (William Keeley)]

You made them promise not to say anything.

[Announcer/Commercial Voice]

I wouldn't tell them till they had. All Jane asked was that you skip the whole thing for the party. And I said.

[Narrator/Host (William Keeley)]

You said no. You said, he won't skip the whole thing for the party.

[Announcer/Commercial Voice]

No, no, I didn't. I said I'd ask you.

[Narrator/Host (William Keeley)]

You mean you think I should?

[Announcer/Commercial Voice]

Oh, darling, why do you always lose your sense of proportion whenever the subject comes up? You know those suburban groups, Connecticut and Claremont. Well, it would just start a whole mess for Jane and Harry and for nothing.

[Narrator/Host (William Keeley)]

And if it were a mess for something.

[Announcer/Commercial Voice]

But, Phil, you're not Jewish. It'd just ruin the party for Jane. Why can't I make you see that? I know, I promise. No exceptions. But it just seems so silly to start a thing for her up there when it's not true.

[Narrator/Host (William Keeley)]

Why not tell Jane just to call the party off?

[Announcer/Commercial Voice]

Phil know. Besides, if he were to use my house up there next summer.

[Narrator/Host (William Keeley)]

Your house?

[Announcer/Commercial Voice]

Yes. It's not far from Jane's, dear. It'll be our house. And, well, it would just make a.

[Narrator/Host (William Keeley)]

A thing. A mess, an inconvenience. Well, it would for Jane and her husband. Or for you, too.

[Announcer/Commercial Voice]

I'd be so tensed up, I wouldn't have any fun either. Oh, Phil, if everything's going to be so edgy and solemn, I. I think

[Narrator/Host (William Keeley)]

I better go now. Good night, Kathy.

[Announcer/Commercial Voice]

Phil, telephone. Phil.

[Narrator/Host (William Keeley)]

Oh, if it's Kathy. Ma.

[Announcer/Commercial Voice]

Phil, it's Dave. Dave Goldman.

[Narrator/Host (William Keeley)]

Dave? I thought he was in Europe. Where is he, Ma? Give me that phone. Hello? Hey, don't you ever get up in the morning, Dave? Oh, this is wonderful. Where are the airport. I just got. Got in. I haven't had breakfast. Well, grab a cab and get right over here. Same addresses in my letter, okay? Oh, you bet it's okay. I'll be Right there. Wonderful.

[Announcer/Commercial Voice]

Phil, for heaven's sake, let the poor fellow eat his breakfast.

[Narrator/Host (William Keeley)]

He's had breakfast every day. But I haven't seen him for four years.

[Announcer/Commercial Voice]

Oh, it's wonderful, Dave. I mean, what you said about bringing Carol and the kids to New York.

[Narrator/Host (William Keeley)]

What'll you do, Dave? I mean, when you get out of the army. You got a job lined up. A big job. Eastern representative of the firm. It's the best break I ever had. It all depends, of course, if I can find a place to live. I'm gonna spend my whole terminal leave just concentrating on getting a place big enough for us. Now, we'll find something if we have to. Dynamite.

[Announcer/Commercial Voice]

Meanwhile, you'll stay here.

[Narrator/Host (William Keeley)]

Oh, now, wait a minute. And no arguments. You're talking to a civilian.

[Announcer/Commercial Voice]

Well, boys, don't settle all the problems today. Save a couple for tomorrow.

[Narrator/Host (William Keeley)]

Oh, boy, am I glad to see you. Phil and the old lady. What a gal. Come on now, give. Give this. What's it all about? Oh, we'll get around to it later. What's eating you, Phil? You're expecting a call? You keep looking at the phone. Is that obvious, huh? No, I had a scrap with my girl. I guess I want her to be the one to phone. As far as the series goes. Well, I'm doing some work on anti Semitism with a special angle that's interesting. Oh, fine, it's interesting, Phil. It's just that, well, I'm on the sidelines in antisemitism. It's your fight, brother. Okay, I get it. Listen, I don't care about the Jews as Jews. Sure, they're my people, but I don't care. It's the whole thing. Not just the poor, poor Jews. Well, what's this special angle you've got? Well, I'm saying that I'm Jewish and it works. Are you fool? It's working too well. Having my nose rubbed in it. Yeah, I can guess. You're not insulated. You mean you can get indifferent to it? No. You're telescoping a lifetime problem into what, a few weeks? Just concentrates. It makes it hurt more. What about your girl? Oh, just one of those things. I guess I'm probably wiser staying on my own. After six years you lose the instinct for marriage. Oh, baloney. Go on and call her, you big dope. Sir, you're right and she's wrong. So what? Okay, maybe I will. And wish me luck. I'm off to start house. Honey, look, call me at the office at 5:30. I'll phone Kathy and I'll get a hold of Ann Detrit. She's a girl who works in the office. We'll have a big celebration dinner. Okay. Say, can you imagine what it's going to be like being married again? And you and Carol here, all of us together again. How about that, huh? Well, first I got to get a roof over Carol's head. I'll call you, Phil. 5:30.

[Announcer/Commercial Voice]

Shame about Kathy, Phil. What happened?

[Narrator/Host (William Keeley)]

I don't know. I couldn't reach her. But I left word for her to call me here if she gets back. Having fun?

[Announcer/Commercial Voice]

More fun than you can shake a stick at.

[Narrator/Host (William Keeley)]

Well, send the waiter out for a stick. Just for a test.

[Announcer/Commercial Voice]

No, thanks, Dave. None of those things ever worked for me. Once I tried lending a smile being my umbrella. I got awful wet. Another time I kept a stiff upper

[Narrator/Host (William Keeley)]

lip for about a week and people

[Announcer/Commercial Voice]

just thought I was having my face lifted. Tell me something, gentlemen. Tell me why it is that every man who seems attractive these days is either married or barred on a technicality.

[Narrator/Host (William Keeley)]

Well, your timing's Robbie, but your instincts are just great.

[Announcer/Commercial Voice]

Oh, well, here's to my instincts. Oh, pardon me.

[Narrator/Host (William Keeley)]

Oh, pardon me. Can you get through?

[Announcer/Commercial Voice]

I think so.

[Narrator/Host (William Keeley)]

Suppose I can. Can get through, too. They sure crowd in these tables, don't they? Yeah. Oh, an officer, huh? A captain. You know I don't like officers. Or neither do I. I don't blame you. What's your name, bud? Dave. Dave Goldman. What's yours?

[Announcer/Commercial Voice]

Frank. Come on.

[Narrator/Host (William Keeley)]

Goldman, huh? I especially don't like officers if they hit Frank. What the devil's the matter with you? I'm sorry, Captain. He's terrible when he gets tanked up. Come on, let's take a walk. All right. Sit down, Phil. Take it easy. Terribly sorry, Captain. I hope you won't hold it against our restaurant, sir. Forget it. Thank you, sir. Mr. Green? Yes? Telephone call, sir. A lady. Oh, thanks. Excuse me. Well. Well, Anne. Don't just look at me. Let's eat. But where are you, Kathy?

[Announcer/Commercial Voice]

I'm up at my sister's field at Jane's. I came up to have it off with her. I couldn't call you till I fixed everything up. And, darling, I was wonderful. I said all the things you would have wanted me to say. Oh, Phil, why can't I make myself clear to Jane and Harry when it's you I want to be clear with?

[Narrator/Host (William Keeley)]

Because I'm so hard to get along with, baby, like I told you, I can be such a solemn fool.

[Announcer/Commercial Voice]

Well, the party's tomorrow. Take the three o'. Clock. Train. I'll meet you at the station. Oh, darling, I can breathe again. I wish it were tomorrow.

[Narrator/Host (William Keeley)]

So do I. I love you, Kathy.

[Announcer/Commercial Voice]

I love you, Phil, more than ever. Kathy. Oh, there you are, Darling. About Phil, he's simply wonderful. Oh, I knew you'd like him, Jane, but where is he? He's in the house surrounded. Hey, can he charm them? Well, do you like the party? It's just like I'd hoped it would be. Incidentally, aren't the Baskins coming? Oh, didn't I tell you, dear? Joe called. He's got that awful arthritis again. What about the Howards and the Burlichs? Oh, they make me so mad. At the very last minute, they decided to go to hot Springs. I. I thought I'd mentioned it. Jane, look, I'm in this thing just as deeply as. Well, darling, what do you mean? You know what I mean. The guests, our friends. You made sure, didn't you, that just a safe one to be here. Kathy, you're mad. Well, maybe I am. I'm going in and get Phil. Kathy. Don't be alarmed, darling. I just want to take him over to see the cottage. I want him to see it before it gets dark.

[Narrator/Host (William Keeley)]

They are wonderful people, Kathy. See, I feel pretty much of a fool. I mean, over the. I kicked up beforehand.

[Announcer/Commercial Voice]

You're sure they aren't just trying to be nice, sir?

[Narrator/Host (William Keeley)]

Of course I'm sure. They all asked me about the series, thought it was fine. Not one lifted eyebrow in the bunch.

[Announcer/Commercial Voice]

Well, darling, here it is. The house.

[Narrator/Host (William Keeley)]

It's lovely, Kathy. Hey, aren't you supposed to carry me across the threshold or something?

[Announcer/Commercial Voice]

That's only if you refuse to marry me, in which case I just throw you in.

[Narrator/Host (William Keeley)]

Well, you did all this by yourself?

[Announcer/Commercial Voice]

Every bit of it. Phil, about Tommy. Will he like it here?

[Narrator/Host (William Keeley)]

Tom, he'll be crazy about it. Did you live here long, Kathy?

[Announcer/Commercial Voice]

I never lived here.

[Narrator/Host (William Keeley)]

Why not?

[Announcer/Commercial Voice]

Well, it's hard to explain. I love this house deeply, Phil. I started to build it when things first began to go wrong between Bill and me. I poured all my hopes into this place. And what was the finished? I. I knew I couldn't live here with someone I didn't really love.

[Narrator/Host (William Keeley)]

But after the divorce.

[Announcer/Commercial Voice]

No. No, I just stay at Jane's and come here just to poke at the curtains instead of while. But now. Oh, Phil, you and I are going to be so happy here. This house and I. We were waiting for you. I was always waiting for you, I think.

[Narrator/Host (William Keeley)]

Kathy. Kathy, you're sure? You're really sure? Oh, Darling, then why can't we get married now?

[Announcer/Commercial Voice]

Oh, I want to, Phil, but could we make it just a little longer? I have a job, you know. I should give them some notice. Two weeks, dear. Is that too long?

[Narrator/Host (William Keeley)]

That's much too long. Can you imagine it? Aunt Kathy giving up this apartment just because she's marrying the guy.

[Announcer/Commercial Voice]

Well, you're still looking for an apartment, Dave. Why don't you take it over? Well, that's what I said. Only he needs three bedrooms.

[Narrator/Host (William Keeley)]

Well, if we're going to the theater. Loads of time. Look at him, Aunt. Like an old married couple. And two days before the wedding.

[Announcer/Commercial Voice]

Incidentally, where's the honeymoon taking place? Or is it a secret? Oh, a big secret. We're going to the White Mountains. Flume in. Do you know it? Flume in? You're kidding.

[Narrator/Host (William Keeley)]

What's the matter with the flume in?

[Announcer/Commercial Voice]

Well, it's restricted, that's all.

[Narrator/Host (William Keeley)]

Restricted? No Jews, huh?

[Announcer/Commercial Voice]

Oh, darling, I'm sorry. I didn't realize when I sent the wire.

[Narrator/Host (William Keeley)]

All right, baby. It's not your fault.

[Announcer/Commercial Voice]

Anne, are you sure? Of course I'm sure.

[Narrator/Host (William Keeley)]

But they confirmed the reservations. I'm not going to let them off the hook.

[Announcer/Commercial Voice]

Darling, we can go to the cottage. We won't even tell Jane we're there.

[Narrator/Host (William Keeley)]

Sure, sure. We can always go somewhere. But I. I'll get it.

[Announcer/Commercial Voice]

Those nasty little snobs aren't worth spreading over.

[Narrator/Host (William Keeley)]

There must be something to do besides accepting this.

[Announcer/Commercial Voice]

Hello?

[Narrator/Host (William Keeley)]

You can't pin him down, Phil. They never say it straight out or put it in writing. They just worm out of it one way or another.

[Announcer/Commercial Voice]

Phil. Phil, it's Tom. He sounds frightened.

[Narrator/Host (William Keeley)]

Tom. Hello, Tom. What's up? Tom, listen, her medicine's in the cabinet. I'll be there in five minutes.

[Announcer/Commercial Voice]

What happened?

[Narrator/Host (William Keeley)]

I don't know. It's Ma. Another attack, I guess. I'll get a cab.

[Announcer/Commercial Voice]

Phil, wait. I'm going with you. Darling, cheer up. Your mother's much better this morning. And postponing a wedding isn't the worst thing in the world.

[Narrator/Host (William Keeley)]

No, I suppose it isn't.

[Announcer/Commercial Voice]

Just a week, two at the most, Abrams said.

[Narrator/Host (William Keeley)]

Well, I might as well break the news. I won't be here for the wedding.

[Announcer/Commercial Voice]

Dang.

[Narrator/Host (William Keeley)]

What are you talking about? I can't abandon my family forever. And I can't find a place to live. So I'm late. Yeah, but that means your job, your whole future. I'll live. I did, though. I phoned Carol, told her I'd give it one day more, but I know there isn't. It Phil, what's the matter with you? I'm going up to Flumen.

[Announcer/Commercial Voice]

Phil. Phil, what for?

[Narrator/Host (William Keeley)]

You're wasting your time. Must be time once when you fight back. I want to make them look me in the eye and then do it. I want the satisfaction. I can't explain it, but I want to do it for myself.

[Announcer/Commercial Voice]

But, Phil, people like that who restrict a place, they're nothing more.

[Narrator/Host (William Keeley)]

Let him do it, Kathy. You have to face them once. I did it once at Monterey. They're more than nasty little snobs, Kathy. You can call them that and dismiss them. It's too easy. They're persistent little traitors to everything this country stands for. And you have to fight them. Not just for the poor, poor Jews, as Dave says, but for. Well, anyway, I'm going.

[Announcer/Commercial Voice]

Phil. Please.

[Narrator/Host (William Keeley)]

I'll be back late this afternoon. We pause now for station identification. This is cbs, the Columbia Broadcasting System. We will present Act 3 of Gentleman's Agreement in a moment. Our guest tonight, Colleen Townsend, is a native Californian. But Colleen's photographs have succined from coast to coast in magazines. What have you been doing at 20th Century Fox lately, Colleen?

[Announcer/Commercial Voice]

Well, practically reliving my college career, Mr. Keeley. You know the campus scenes for Jeanne Crane's new picture Apartment for Peggy, they're so realistic.

[Narrator/Host (William Keeley)]

Well, I hope you didn't have all the trouble Gene did.

[Announcer/Commercial Voice]

No, but I'm sure thousands of young married couples will sympathize with Bill Holden. You know, he's a veteran returning to college.

[Narrator/Host (William Keeley)]

The scenes with Jean in the hospital are particularly touching.

[Announcer/Commercial Voice]

Oh, yes, and didn't she look sweet when Edmund, Gwen and Bill came to visit her? You know, she had taken her own bed jacket with her, so it should look especially pretty for all the visitors.

[Narrator/Host (William Keeley)]

Some fans will call that pretty soft, lying in bed all day.

[Announcer/Commercial Voice]

It does sound easy, doesn't it? But I know that those scenes for Apartment for Peggy were shot over and over and every morning. Jeannie's bed jackets and nighties were just as fresh and lovely as ever. But that's no surprise to John Kennedy.

[Narrator/Host (William Keeley)]

What does surprise people, Colleen, is that Lux Flakes could be improved. And yet the new tiny diamonds of Lux are more wonderful than ever. They're so sheer, they burst into suds at the touch of water. And they're richer, the suds last and last.

[Announcer/Commercial Voice]

I'm crazy about those new luxe diamonds. They certainly leave colors lovely.

[Narrator/Host (William Keeley)]

That's why it's foolish to risk wrong washing methods. They soon fade colors. But luxe care keeps colors lovely three times as Long. And that's just like getting three pretty slips for the price of one. Thank you for coming tonight. Colleen Townsend. Here's our producer, William Keeley. The curtain rises on the third act of Gentleman's Agreement, starring Gregory Peck. And as Phil and Ann Baxter as Kathy. A few hours later, at the exclusive Flume Inn, Phil Green presents himself at the registration desk. I have reservations for a double room and bath today through Thursday. What name, please? Green. Philip green.

[Announcer/Commercial Voice]

Oh, yes, Mr. Green.

[Narrator/Host (William Keeley)]

Boy. Mr. Green's luggage. Just one thing. Yes, sir? Is this hotel restricted? Well, I'd hardly say it was restricted. Oh, then it's not restricted.

[Announcer/Commercial Voice]

Well, as a matter of fact, Mr.

[Narrator/Host (William Keeley)]

Adams, perhaps I can help. Mr. Green. I'm the manager, Mr. Green. Oh, good. In answer to your question, may I inquire, are you. That is, do you follow the Hebrew religion yourself or you just want to make sure? Oh, I asked a simple question. I'd like to have a simple answer. You see, we have a very high class clientele and, well, natural. Then you do restrict your guests to Gentiles? Well, I wouldn't say that, Mr. Green. But in any event, there seems to be some mistake because we don't have an available room in the entire hotel. I could fix you up at the Brewster Hotel. I'm not staying at the Brewster. Look, I'm Jewish and you don't take Jews. That's it, isn't it? I never. If you don't accept Jew, say so. Don't you raise your voice to me, Mr. Green. You speak a little more quietly. Well, do you or don't you? Yes, Mr. McElroy. Please remove that luggage at once. Good day, Mr. Green.

[Announcer/Commercial Voice]

Phil. Oh, I'm so glad you're back, darling. I thought maybe you'd phoned.

[Narrator/Host (William Keeley)]

I guess I should have. How's more? Kathy?

[Announcer/Commercial Voice]

Fine. She's sleeping. Tommy's out playing. It was bad, wasn't it? I can tell by your face Dave was right.

[Narrator/Host (William Keeley)]

It was a waste of time. Where is Dave?

[Announcer/Commercial Voice]

With Anne. He wanted one last night on the town.

[Narrator/Host (William Keeley)]

I've just been thinking about Dave and

[Announcer/Commercial Voice]

About the cottage, Phil. That Dave and his family could live there. Yes, I thought of it too. You must know that. But it wouldn't work.

[Narrator/Host (William Keeley)]

Why not?

[Announcer/Commercial Voice]

Well, it would be just too uncomfortable for Dave in one of those neighborhoods.

[Narrator/Host (William Keeley)]

One of those neighborhoods.

[Announcer/Commercial Voice]

It's detestable, but that's the way it is. It's even worse in New Jordan. There, nobody can sell or rent to a Jew. And even in Claremont, where Jane's house is and my house Is there's a sort of gentleman's agreement.

[Narrator/Host (William Keeley)]

That gentleman's. Kathy, you can't. Oh, I see. Just give in, play along, let their idiotic rules stand.

[Announcer/Commercial Voice]

But what can one person do?

[Narrator/Host (William Keeley)]

You can tell them to go jump in the lake. What can they do?

[Announcer/Commercial Voice]

Plenty. They can ostracize Dave. Some of the markets not deliver food, not even wait on him.

[Narrator/Host (William Keeley)]

Do you expect us to live in that cottage now that I know this.

[Announcer/Commercial Voice]

Face facts, Phil. You know I'm on Dave's side.

[Narrator/Host (William Keeley)]

Well, I'm not on Dave's side or on any side except against their side. Kathy, do you or don't you believe in this? Because if you.

[Announcer/Commercial Voice]

Hi, Pop.

[Narrator/Host (William Keeley)]

Tom, do you mind? Kathy and I are talking.

[Announcer/Commercial Voice]

But, Pop, I. Tom.

[Narrator/Host (William Keeley)]

Tom, what's the matter?

[Announcer/Commercial Voice]

They called me a dirty Jew and a dirty kike and they all ran up. Darling, it's not true. It's not true. You're no more Jewish than I am. It's just a horrible mistake.

[Narrator/Host (William Keeley)]

Kathy. Tom, you come with me. We'll talk about it in here. Take it easy, son. Take it easy. Glass of water.

[Announcer/Commercial Voice]

Thanks, Pop.

[Narrator/Host (William Keeley)]

How did happen?

[Announcer/Commercial Voice]

I don't know. They said no dirty little Jew could play with them. Then they ran away. Why, Pop?

[Narrator/Host (William Keeley)]

Why, Tom? Did you want to tell them that you really weren't Jewish? That's good. You see, there's a lot of kids just like you who are Jewish. And if you said it, it would be sort of admitting that there was something bad in being Jewish and something swell in not.

[Announcer/Commercial Voice]

They wouldn't even fight. They just ran away.

[Narrator/Host (William Keeley)]

Yeah, I know. There's a lot of grown ups just like that, too. Feel better?

[Announcer/Commercial Voice]

I'm okay, Pop.

[Narrator/Host (William Keeley)]

Attaboy. Look, you go read or something while I talk to Kathy, okay? And. But let's keep this to ourselves till Grandma's well, huh?

[Announcer/Commercial Voice]

Okay. Hi, Kathy. Hello, Tommy. Phil. Well, I have something to tell you. I'm pretty tired of feeling wrong. Everything I do or say is wrong about anything Jewish. All I did just now was to face facts about Dave and for you to tell Tom what you just told me.

[Narrator/Host (William Keeley)]

And what did you tell him? That he's the most wonderful of all creatures. A white, non, Jewish American. You instantly gave him that lovely taste of superiority. The poison that millions of parents drop into the minds of millions of children.

[Announcer/Commercial Voice]

You really think I'm an Eddie Semi?

[Narrator/Host (William Keeley)]

No, Kathy, I don't.

[Announcer/Commercial Voice]

You do. You've thought it for a long time.

[Narrator/Host (William Keeley)]

No, it's just that I've come to see that lots of nice people who aren't people who despise and deplore it help it along and then wonder why it grows. That's the biggest discovery I've made about this whole business. The good people, the nice people, people.

[Announcer/Commercial Voice]

Oh, I hate it. I hate everything about this horrible thing. They always make trouble for everybody, even their friends. They force people to take sides against.

[Narrator/Host (William Keeley)]

Stop it, Kathy. They didn't suggest this series. They didn't give me the angle. They haven't a single thing to do with what's happened between you and me.

[Announcer/Commercial Voice]

Don't shout at me and don't treat me to any more lessons. Intolerance. I'm sick of it. I'm not going to marry into hothead shoutings and nerves, and you might as well know it. Now.

[Narrator/Host (William Keeley)]

Please. I'm sorry I shouted. I hate it when I do.

[Announcer/Commercial Voice]

It's not just the shouting, Phil. Now I know why I drew back when you first mentioned the angle. But you are what you are for the one life you have. You can't help it if you were born gentile instead of Jew. It doesn't mean you're glad about it. But I'm glad. It'd be terrible. I'm glad I'm not, but I could never make you understand that. But it's a fact. Like being glad you're good looking instead of ugly, rich instead of poor, well instead of sick. I hate you for doing this, Phil. We could have been so happy. We had so much to enjoy, so much to share. I hate you for taking it away from both of us.

[Narrator/Host (William Keeley)]

You can start typing, Miss Wales. Here. First three installments. Send every 10 pages downstairs to Mr. Minifee. Now, what's the matter?

[Announcer/Commercial Voice]

The title of the series. I. I was Jewish for six weeks. Mr. Green, you're a gentile. But I never.

[Narrator/Host (William Keeley)]

What's so upsetting about that? You mean there's some difference between Jews and Gentiles? Mr. Green, look at me. Same man I was yesterday. That's true, isn't it? You just can't believe that anybody would give up the glory of being non Jewish for even six weeks, can you? And if I tell you that that's anti Semitism, the feeling that being gentile is better than being Jewish. You're gonna tell me that I'm heckling you or twisting your words around, or that it's just facing facts as someone else said to me. Look at me, Miss West. Same face, same eyes, same nose, same everything. Here, take my hand. Feel it. Same flesh as yours, isn't it?

[Announcer/Commercial Voice]

Mr. Green, please.

[Narrator/Host (William Keeley)]

No different today than yesterday. Miss Wales. The only thing that's different is the word gentile. Mr. MinaFish would want me. I'll be at home. Hello, Phil.

[Announcer/Commercial Voice]

Anne. Do you know what you've done to the office? Everybody's going crazy. A fine thing.

[Narrator/Host (William Keeley)]

What about?

[Announcer/Commercial Voice]

Why, your articles, of course. Phil, they're tremendous. Minifee's proudest punch. Incidentally, I am too.

[Narrator/Host (William Keeley)]

Oh, thanks.

[Announcer/Commercial Voice]

But shame on you. All the same for fooling me. About not being Jewish, I mean. Phil, do you feel like talking?

[Narrator/Host (William Keeley)]

Oh, not much. Annoying.

[Announcer/Commercial Voice]

Well, just one thing. You and Kathy. It's over, isn't it?

[Narrator/Host (William Keeley)]

I guess it is.

[Announcer/Commercial Voice]

Look, if you're free tonight, come over to my place, will you?

[Narrator/Host (William Keeley)]

Okay.

[Announcer/Commercial Voice]

Thanks for dinner, Phil. Just you and I.

[Narrator/Host (William Keeley)]

You know, you're quite a girl, Anne. I don't think I ever told you that before. Me? Sure.

[Announcer/Commercial Voice]

Everybody loves Anne.

[Narrator/Host (William Keeley)]

Only there's something on your mind that you're afraid to talk about. Come on, Anne.

[Announcer/Commercial Voice]

All right, let's clear the air. Do you mind if I say something about you and Kathy? Let's don't be a little gentleman, then. Only, this sort of nobility makes me sick. It's just that I think you're pretty straight and she.

[Narrator/Host (William Keeley)]

Drop it, Ann.

[Announcer/Commercial Voice]

Okay, I'm a cat and this is dirty poo. But I'm intolerant of hypocrites. Kathy would rather let Dave lose that job than risk a fuss up there in Claremont. That's it, isn't it? She's afraid. The Kathies everywhere are afraid of getting the gate from their little groups of nice people. But they want you and Uncle John to stand up and yell and take sides and fight. But do they fight? Oh, no. They scold the rabble rousers twice a year and think they fought the good fight for democracy. But they haven't got the guts to take the step from talking to action. One little action on one little front. Phil, they hate me for saying this.

[Narrator/Host (William Keeley)]

No, I don't hate anybody.

[Announcer/Commercial Voice]

Well, I'd like to say one more thing. If two people are right for each other, they usually discover it in time. And if I had a kid I loved, I'd want him to be brought up with people who felt the way I did about the basic things.

[Narrator/Host (William Keeley)]

You proposing, Ann?

[Announcer/Commercial Voice]

Maybe. Maybe I am.

[Narrator/Host (William Keeley)]

Hello, Kathy. I'm sorry I'm late.

[Announcer/Commercial Voice]

Oh, Dave, thanks for coming.

[Narrator/Host (William Keeley)]

Had a little trouble finding this restaurant, but I'm here.

[Announcer/Commercial Voice]

I know, I know. You got a train to catch. I won't keep you long. You know about Phil and me?

[Narrator/Host (William Keeley)]

Yeah.

[Announcer/Commercial Voice]

Dave, I want an honest answer. Do you think I'm anti Semitic?

[Narrator/Host (William Keeley)]

No, Kathy, I don't.

[Announcer/Commercial Voice]

Phil does.

[Narrator/Host (William Keeley)]

Does he?

[Announcer/Commercial Voice]

You know I'm not anti Semitic. You're a Jew and you know it. Why can't I make it clear to everyone but Phil? Why?

[Narrator/Host (William Keeley)]

I wish I knew.

[Announcer/Commercial Voice]

I hate this thing just as much as he does. Why can't he see it? Last night at dinner, a man told a vicious little story. I was. I was ill. I was sick with rage and shame.

[Narrator/Host (William Keeley)]

What kind of a story, Kathy?

[Announcer/Commercial Voice]

Oh, it was just a story. He tried to get laughs with words like kike and coon. I despised him and everybody else at the table.

[Narrator/Host (William Keeley)]

What did you do, Kathy?

[Announcer/Commercial Voice]

What do you mean?

[Narrator/Host (William Keeley)]

What did you say when he finished?

[Announcer/Commercial Voice]

I wanted to yell at him, at everyone. Why do we sit here and take it when he's attacking everything we believe in? Why don't we call him on it?

[Narrator/Host (William Keeley)]

And what did you do?

[Announcer/Commercial Voice]

I felt ashamed. Ashamed and sick. I still do.

[Narrator/Host (William Keeley)]

I wonder if you'd feel sick if you'd nailed him, Kathy. You know, there's a funny kind of elation about socking back. I learned that a long time ago.

[Announcer/Commercial Voice]

Phil's learned it, too, and I haven't.

[Narrator/Host (William Keeley)]

Lots of things are pretty rough, Kathy. This is just a different kind of war.

[Announcer/Commercial Voice]

And anybody who crawls away is just as much a quitter.

[Narrator/Host (William Keeley)]

Somebody told a story man at a dinner table. The nice people didn't laugh. They even despised him for it. But they let it pass. Behind that joke is Flumin and Claremont and Tommy and the kids down the block.

[Announcer/Commercial Voice]

And if you don't stop with that joke, where do you stop? Is that what you mean?

[Narrator/Host (William Keeley)]

Yes, that's what I mean.

[Announcer/Commercial Voice]

Where do you call the halt? I've been getting mad at Phil because he expected me to fight this instead of getting mad at the people who help it alone. But Phil will fight. He'll always fight. And if I just sit by and feel sick, then I'm not a fit wife. For it was always on those deeper issues that we had our quarrels. Always. And I never knew it till now.

[Narrator/Host (William Keeley)]

Man wants his wife to be more than a companion, Kathy. He wants a sidekick to go through the rough spots with him. And, well, she has to feel that the same things are the rough spots. They're always out of line with each other. Well, you're not cast in bronze, sweetie. You're nice and soft and pliable. You can do anything you want to do with yourself.

[Announcer/Commercial Voice]

Can I, Dave? Are you sure? Tell me you're sure. Phil.

[Narrator/Host (William Keeley)]

Oh, Ma, you're home early.

[Announcer/Commercial Voice]

How's Anne?

[Narrator/Host (William Keeley)]

Anne's fine. Hey, what's the big idea? You're supposed to be in bed.

[Announcer/Commercial Voice]

Don't scold, Phil. I couldn't sleep, so I sneaked into your room and stole the first installments. Phil.

[Narrator/Host (William Keeley)]

Phil, I want to kiss you. Thanks, Ma. I think I'd rather have that than almost anything.

[Announcer/Commercial Voice]

I wish your father could have read this, Phil. He'd have liked it. He'd have liked this. And as I drove away from that inn, I knew all about every man or woman who'd been told that the job was filled when it wasn't. Every youngster who'd ever been turned down by a college or a summer camp. And I knew that they had somehow known it, too. Those patient, stubborn men who argued and fought and came up with a constitution and a Bill of Rights. They knew that the tree is known by its fruit, and that injustice corrupts a tree, that its fruit shrivels and falls on that dark ground of history where other great hopes have rotted and died, where equality and freedom still remain the only choice for wholeness and soundness in a man or in a nation. Your father would have liked to have you say that, Phil.

[Narrator/Host (William Keeley)]

Not enough of us realize it, Ma. The time's getting short.

[Announcer/Commercial Voice]

You mean Kathy?

[Narrator/Host (William Keeley)]

No, not just Kathy. Lots of people.

[Announcer/Commercial Voice]

You know something, Phil? I suddenly want to live to be very old. I want to be around to see what happens five years, ten years from now. Even if it's only to see the start, the beginning of people finding out how to live together. Yes, I may stick around for quite a while yet.

[Narrator/Host (William Keeley)]

Dave. Hello? Oh, excuse me. I gotta make a phone call. How do you feel?

[Announcer/Commercial Voice]

Ma, I've just decided I'm not going to die.

[Narrator/Host (William Keeley)]

I just decided something, too. Well, hello, Mr. Case? This is Dave Goldman. I'm sorry to call you at this late hour, but I can take that job. That's right. I've got a house. Thanks.

[Announcer/Commercial Voice]

So am I. Dave, that's wonderful.

[Narrator/Host (William Keeley)]

Oh, it's Kathy's house, Ma. Up there in Claremont. She's going to live all summer at her sister's. And if anybody dishes out anything, she'll be right there to dish it back. At least we. Hey, Phil. Phil, where are you going?

[Announcer/Commercial Voice]

Yes, sir. I think I'll stick around for a long time. Thanks, Dave. Thanks.

[Narrator/Host (William Keeley)]

Kathy. Kathy, could we. Is there a chance.

[Announcer/Commercial Voice]

Don't talk, darling. Just hold me, Phil. Just hold me.

[Narrator/Host (William Keeley)]

Before our stars return for their curtain calls, Libby Collins has a shopping tip for homemakers.

[Announcer/Commercial Voice]

Have you ever had company to dinner and suddenly Discovered you'd run short of teaspoons. Well, now you have a chance to buy extra teaspoons you'll be proud to use for any occasion and at a tremendous saving. Their original Roger silver plate made by the world's largest silversmith. And you get three for only 50 cents with the opening tab from a box of Lux.

[Narrator/Host (William Keeley)]

That's a wonderful value. These are the same original Rogers silver plate teaspoons Lux, offered before the war. They're the allure pattern that goes so well with other silver. With your spoons, you'll get an order blank so that you can order extra spoons and matching pieces.

[Announcer/Commercial Voice]

You'll love these spoons.

[Narrator/Host (William Keeley)]

To get your spoons, mail the opening tab from a box of luxury together with 50 cents in coin and your name and address to Lux, Wallingford, Connecticut. This offer is good only in the continental United States, including Alaska and Hawaii, and is subject to all state and local regulations.

[Announcer/Commercial Voice]

You can order as many spoons as you like. Just send 50 cents and the opening tab from a box of Lux for each set of three. Mail to Luxury, Wallingford, Connecticut.

[Narrator/Host (William Keeley)]

We return you now to William Keeley. Our thanks to the stars who gave such distinguished performances here tonight. Here they are at the footlights, Gregory Peck and Anne Baxter. Greg, I hear you've been working the other side of the street this summer as a producer at the La Jolla Playhouse. Yes, I have, Bill, but I work for myself as an actor in one play, too. That's a good, safe time to talk

[Announcer/Commercial Voice]

back to the boss with no danger of an argument.

[Narrator/Host (William Keeley)]

The theater at La Jolla is a cooperative venture, isn't it, Greg? Oh, yes. We open in the summer like the Straw Hat Theaters in the East. It gives a group of us a chance to take a postman's holiday. And what kind of a vacation did you have, Anne?

[Announcer/Commercial Voice]

Well, I spent most of it on horseback.

[Narrator/Host (William Keeley)]

Ditto. Well, the. That sounds like a western picture.

[Announcer/Commercial Voice]

No, not a picture. John and I were visiting at the famous King Ranch in Texas.

[Narrator/Host (William Keeley)]

Oh, then Mr. And Mrs. Hodiak saw the largest ranch in the world. I understand it's somewhat larger than the state of Rhode Island.

[Announcer/Commercial Voice]

Well, Bill, it's so big that they have stations where guests can stay all night when they're traveling across the ranch. We rode for a week and saw only a part of it.

[Narrator/Host (William Keeley)]

That's a nice little farm they have there. Have you picked a play for next week, Bill? Yes. Yes, Greg. It's the Universal international hit Taproots, and we'll have the same stars who are in the picture Van Heflin and Susan Hayward. Taproot is a love story set in the sweeping drama of the war between the States, a human story that's part of a superhuman conflict. It's a current picture and the kind our friends enjoy on the air. And you have two of my favorites in your kitchen. Good night.

[Announcer/Commercial Voice]

Good night.

[Narrator/Host (William Keeley)]

Good night. We hope to see both of you soon again. Lelever Brothers Company, the makers of Lux Lakes, join me in inviting you to be with us again next Monday evening when the Lux Radio Theater presents Van Heflin and Susan Hayward in Taproots. This is William Keeley saying good night to you from Hollywood. Gregory Peck has just finished the 20th Century Fox picture Yellow Sky. Anne Baxter is currently seen in the 20th Century Fox picture the Luck of the Irish, co starring with Tyrone Power. Heard in our cast tonight were Janet Scott as Mrs. Green, Jeff Chandler as Dave, and Francis Robinson as Anne. Our music was directed by Louis Sow. And this is your announcer, John Milton Kennedy, reminding you to join us again next Monday night to hear Van Heflin and Susan Hayward in Taproots. Rely on spry S, P R Y for lighter, finer, richer tasting cakes. Spry tops any other type shortening. Spry's amazing cake improver takes care of guesswork and hard work out of cake making. Try Spry's one bowl method for glorious cakes for all you bake and fry. Rely on spry. Be sure to listen next Monday night to the Lux Radio Theater presentation of Tap Roots starring Van Heflin and Susan Hayward. Stay tuned for my friend Irma, which follows over these same stations. Vance is cbs, the Columbia Broadcasting System. We just heard John Garfield, Gregory pack and Dorothy McGuire, the stars of Gentlemen's Agreement. Agreement that will do it for this week's show. Thanks so much for joining me. I hope he'll be back next week as we continue our month of best picture winners. Next week's movie is All About Eve with its stars Bette Davis and Anne Baxter. In the meantime, you can check out down these Mean Streets, my old time Radio detective podcast. New episodes of that show are out on Sunday. If you like what you're hearing, don't be a stranger. You can rate and review the show in Apple podcasts or wherever you listen. And if you'd like to lend support to the show, you can visit buymeacoffee.com meansts otr. Now, good night until next week when I'll be back with the stars of All About Eve, each of them appearing in a tale well calculated to keep you in suspense. Ladies and gentlemen, the chief hope of our enemies is to divide the United States along racial and religious lines and thereby conquer us. Let's not spread prejudice. A divided America is a weak America. Through our behavior, we encourage the respect of our children and make them better neighbors to all races and religions. Remind them that being good neighbors has helped make our country great and kept her free. Thank you.