Bob blames Miles for the terrible movies being made for the streaming services, while Miles pitches a film idea where Bob gets killed by zombies and maybe sharks.

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Random show from the last 25+ years

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THE LEMENT DELUGE

A 90-Minute Action Spectacular

CHARACTERS

BOB LEMENT (50s): A former combat engineer turned survivalist.
SARAH (30s): A local hydrologist trapped at the estate.
THE HORDE: A swarm of reanimated corpses.
THE PACK: A school of 200+ aggressive bull sharks.

ACT I: THE BREACH (0:00 – 30:00)

EXT. LEMENT ESTATE – NIGHT The Lement Estate is a fortress of iron and concrete nestled against a massive, government-built flood wall. Rain lashes down.

Bob Lement patrols the perimeter. He spots the “Shamblers”—the undead—emerging from the treeline. He engages with a suppressed rifle, thinning the numbers.

INT. LEMENT ESTATE – CONTINUOUS Sarah, hiding in the basement monitoring station, screams as a tremor hits. The pressure gauges hit red.

SARAH Bob! The wall! The integrity is failing!

EXT. FLOOD WALL – MOMENTS LATER Bob races toward the wall as it buckles. The concrete shrieks. With a sound like a thunderclap, the wall shears open. A massive, high-velocity surge of river water pours through, sweeping the incoming zombies away instantly.

But as the water clears, the real terror emerges. Dark, muscular shapes launch themselves through the breach. Bulls. Dozens of them, surfing the floodwater toward the house.

ACT II: THE FEEDING FRENZY (30:00 – 75:00)

EXT. THE SUBMERGED YARD – CONTINUOUS The house is now an island in a raging, man-made river. The zombies that survived the impact are trying to wade toward the porch.

A Bull Shark breaches the surface, its massive jaws snapping a zombie in half at the waist. The water turns into a chaotic churn of grey flesh and rotting limbs.

INT. SECOND FLOOR – CONTINUOUS Bob and Sarah watch from the balcony.

BOB They’re not just eating the dead, Sarah. They’re patrolling.

SARAH They’re trapped in the estate grounds because of the sediment berms! They’re hungry and they’re confined!

ACTION SEQUENCE: Bob and Sarah must move from the house to the reinforced workshop (a detached structure) to activate the emergency pumps. To get there, they have to navigate a catwalk above the water.

Sharks jump, snapping at their boots. Zombies grab at the catwalk supports. Bob uses a high-powered spear gun—designed for shark defense—to pin sharks to the mud while Sarah uses a flare gun to ignite floating debris, creating a “fire moat” to deter the predators.

ACT III: THE FINAL FLOOD (75:00 – 90:00)

EXT. THE WORKSHOP – NIGHT They reach the workshop, soaked and exhausted. The water is rising.

BOB If I open the secondary sluice gates, we can draw the water and the predators out into the low-lying basin. But I need someone to manually crank the intake valve inside the tunnel.

SARAH That’s underwater, Bob!

BOB (A grim smile) I’m a combat engineer. I’ll make it breathe.

Bob dons a makeshift rebreather. He dives into the churning, shark-infested hell. Underwater, the scene is visceral: a strobe-light effect of lightning illuminating sharks circling, teeth flashing.

Bob reaches the valve. A massive Bull Shark, scarred and blind in one eye, charges. Bob uses his diving knife, driving it into the shark’s gill slit. He turns the valve.

THE CLIMAX The suction is immense. The water—and the sharks—are dragged violently through the drainage tunnels. The zombies are swept away in the wake.

The water recedes, leaving the estate a graveyard of shark teeth and shredded remains.

EXT. LEMENT ESTATE – DAWN Bob crawls back onto the porch. Sarah pulls him up. They look out at the landscape, now quiet.

BOB Think that’s the end of it?

SARAH (Looking at the dark water) Nature has a long memory, Bob.

FADE TO BLACK.

Bob blames Miles for the terrible movies being made for the streaming services, while Miles pitches a film idea where Bob gets killed by zombies and maybe sharks.

Bad Movies

Bad AI Transcript

Don’t what? Don’t tongue touch it. Hey everyone, this is Miles with Static Radio. I think each week you get more and more awkward. You mean in real life or on the show or? Well, yeah, all the way around. All together. Hello, everyone. This is Miles. Hi. Hi. Yes. I’m a noon teen. Yes, I’m Miles. I have candy in my pocket. Yes. Just in case anybody needs a butterscotch disc, I got you covered. Or a hat with three corners. What are you, like a reenactor or something? I’m reenacting. I like this show. You’re on one tonight. Last night, we’re off our usual schedule. Last night, Miles sends me a text early, which I don’t check my text at night. Can you show up and feel a good guy headache? Yeah, I had a headache. Oddly enough, it was only words, text, but I could hear the voice. Can you do a good headache move? Yeah.
So we’re off our schedule, but that’s fine. The response was weird, though. It was like, that’s okay, honey. We can do it later. Yeah, I kissed you on the forehead. I know. I’m like, this is getting weird. I’m like, you know what? I’m never going to text him again. This is so uncomfortably weird. I’m like, no, I don’t. I kissed you on the forehead, took your temperature. And not by mouth either. No, I just kissed you on the forehead. Yeah, okay. I’m uncomfortable. It’s okay. It’s okay. I said, Miles, it’s all right. It’s all right. You could be ill with a migraine. My doctor is Christopher Walken, I guess. That’s right. That would be awkward. I have the cure. Do you have one?
You take that watch. It’s called gold infusion. Oh. It’s like a suppository. Anyway. Yeah. I’m feeling good. I’m okay. I’ll be all right. You know, I don’t feel good. I just, I don’t know. I got really bad bong bong in my head. It goes bong bong, you know what I mean? I just didn’t have a story. I was like, fuck it. I don’...