S2E6: Awakenings

Summary

Station 151 — S2E6: "Awakenings" (October 22, 2024)

Episode Overview

"Awakenings," the sixth episode of Station 151's second season, plunges listeners straight into the mounting paranoia and suspicion at Antarctica’s remote Station 151. Wayne Robertson, Richard (RJ), Dr. Alfieri, and AI Astrid find themselves locked in a web of distrust, violence, and bizarre medical phenomena following an alien encounter and a mysterious healing agent. The episode explores themes of trust, identity, scientific boundaries, and corporate secrecy as tensions erupt and alliances shift.

---

Key Discussion Points & Plot Developments

1. Immediate Aftermath: Alien Intrusion and Paranoia

[01:29-06:43]

• The episode opens in chaos after a strange organism has entered Richard’s arm.

• Richard is hysterical, suspecting Wayne of knowing more than he admits:

  • Richard (to Wayne): "What is this shit, Wayne?" [02:13]
  • Wayne vehemently denies responsibility, but Richard threatens violence, believing Wayne is hiding the truth.

• The argument is interrupted by AI Astrid chiming in through a food dispenser speaker, trying to mediate.

2. The Healing Agent

[06:00-08:51]

• Richard describes sensations of the organism moving under his skin and notes white fibers forming around the wound, which bridges and heals before their eyes:

  • Richard: "Jesus. The wound is closing. I’m watching it close in real time." [07:23]
  • Astrid: Suggests it could be an "advanced medical gel" or something more sinister and cautions against assuming anything benign.

• The eerie rapid healing leads to speculation about its origin, but Astrid doubts any Earthly company could have created such technology.

3. Allegiances Under Fire: Alfieri’s Return

[09:02-13:37]

• Dr. Alfieri, previously believed to be dead, regains consciousness—fully healed thanks to the same mysterious "healing goo."

  • Alfieri is shocked to be alive: "I shouldn’t be here. I died out there. I was dead." [09:49]

• Richard presses him about the goo, but Alfieri is as clueless as the rest, suspecting alien involvement possibly tied to the crashed pod—revealed not as a meteorite, but a mysterious ship with a "fish thing" inside.

• Accusations and taunts escalate between Wayne and Alfieri:

  • Alfieri: "This man is a psychopath. He already shot me and I guess killed me once." [12:34]
  • Alfieri offers Richard a million dollars to betray and kill Wayne, but Richard refuses, no longer willing to be anyone’s pawn.

4. Identity, Memory, and Mind Manipulation

[14:09-16:58]

• Wayne reveals he has only "six or seven core memories" and is missing much of his personal history, suspecting foul play via repeated visits and the use of experimental technology and medication:
  • Wayne: "Why do I only have like six or seven core memories? Most of my life is completely blank..." [15:13]
  • Alfieri claims Wayne volunteered for the job and suggests his memory loss may be due to the "amnesia medication" (Azathol) and the "experimental brain hardware interface."
  • Alfieri: "You're a walking, talking lab experiment, Wayne." [16:32]

5. New Threats and Escalation

[17:15-19:48]

• Paranoia peaks as Richard contemplates killing both Wayne and Alfieri, discussing the potential to sell the healing substance for profit.

• AI Astrid intervenes, proposing a non-lethal solution: lock the two men in a secure storage room.

6. The Storage Room & Station Secrets

[19:03-21:53]

• Alfieri warns the storage room is a toxic containment ward, holding hazardous byproducts from the AI’s bioreactor nutrient solution.

  • Alfieri: "This is the kind of shit that will give you a half a dozen cancers by breakfast tomorrow." [19:44]
  • He explains the station’s isolation is to protect the world from the AI’s toxic manufacturing byproducts, not just observational convenience.

• The group negotiates logistics, all under Astrid’s watchful digital gaze.

7. Buzz, the Lab-Grown Husky’s Resurrection

[22:48-23:16]

• As Wayne and Alfieri are marched off, Astrid announces that the "husky incubator healing cycle is complete"—Buzz, the lab-grown dog, is ready to be removed from the chamber, hinting at further ethical and technological complexities.

---

Notable Quotes & Memorable Moments

• Richard’s Paranoia & Alien Intrusion:
  "It went into my arm...I can feel it right now, wriggling under the skin." — Richard [01:39]

• Medical Marvel or Horror?
  "The wound is closing. I’m watching it close in real time." — Richard [07:23]
  "Curious." — Astrid [07:34]

• Echoes of ‘The Thing’: Distrust Mutates
  "Tell me what this is or I will choke it out of you." — Richard, threatening Wayne [02:46]

• Corporate Callousness
  "You're a walking, talking lab experiment, Wayne." — Alfieri [16:32]
  "It's not a real dog, Wayne. You know that, right? We grew it in a lab...and a lot of other weird shit, too." — Alfieri [13:25]

• Memory Loss and Existential Dread
  "Why do I only have like six or seven core memories? Most of my life is completely blank." — Wayne [15:13]

• Richard’s Mercenary Calculus
  "I did save some of that healing goo...Can you imagine what a pharmaceutical company or a major country would pay for something like that?" — Richard [17:53]

• Astrid’s Frustrated Mediator Role
  "If you harm either of these men, I will make sure you spend the rest of your life in prison." — Astrid [18:39]

---

Timestamps for Important Segments

| Timestamp | Segment Description | |------------|-------------------------------------------------------| | 01:29 | Richard discovers alien entity in his arm | | 06:00 | Astrid analyzes situation, healing process unfolds | | 09:14 | Dr. Alfieri reawakens, healed by the goo | | 13:01 | Richard refuses Alfieri's order to shoot Wayne | | 15:13 | Wayne reveals memory loss, accuses Alfieri | | 16:32 | Alfieri outlines the experimental tech/medication | | 19:03 | Astrid proposes to lock up Wayne and Alfieri | | 19:44 | Alfieri details the hazardous AI byproducts | | 22:48 | Buzz’s “incubator healing cycle” is announced complete |

---

Tone & Style

The episode is taut, psychological, and often laced with biting sarcasm and gallows humor. The natural dialogue enhances the claustrophobic, distrustful atmosphere, echoing classic sci-fi horror set-ups while layering in contemporary anxieties about memory, identity, and AI.

---

Summary

"Awakenings" is a tense, character-driven episode that raises the stakes at Station 151. Medical impossibilities, memory manipulation, and corporate duplicity bring every character’s motivations and sanity into question. As trust evaporates and alliances waver, the listener is drawn ever deeper into Antarctica’s labyrinth of secrets—where even life and death feel negotiable.

---

For more on Station 151, visit www.station151.com.

Transcript

[A]

Welcome to Station 151, a pale matter podcast production. We hope you enjoy this episode and we invite you to stick around after the show for a sneak peek at our next Pale Matter audio drama, Edge of the Forgotten. Now in production, Pale Matter is a proud member of the Realm Podcast Network. As an independent podcast creator, pail listener support means a great deal to us. If you like what you're hearing, please follow, like, rate and share us and then come hang out with us over on Discord. If you love what you're hearing, check out our Patreon, where our dedicated fans help us produce new episodes, develop new seasons, and receive exclusive rewards in return, including early and ad free releases of episodes. To find our Patreon or join our Discord community, simply check the episode description for links or visit our website at www.station151.com. Warning. Station 151 is a science fiction and horror audio drama intended for mature audiences only. Please see episode descriptions for content warnings. Listener discretion is advised.

[B]

Richard. Richard. Hey.

[C]

Whoa.

[B]

Whoa, buddy.

[D]

Hey.

[B]

Are you okay? Are you alright? Where'd it go?

[D]

It went into my arm.

[B]

Are you sure?

[A]

Maybe it just.

[D]

Of course I'd sure, Wayne. I felt it and I felt it slide in through the gut. I could feel it right now, wriggling under the skin.

[C]

Okay.

[B]

Does it hurt or anything?

[D]

Like, not yet.

[B]

That's a good sign then, right? Maybe it's, you know, benign or. What do you call it?

[D]

What is this shit, Wayne?

[B]

I don't know, Richard. I honestly, honestly have no idea.

[D]

I think you do.

[B]

No, I. Bullshit.

[D]

Who knows what you've been doing down here. You probably created this shit.

[C]

What?

[A]

No.

[B]

I don't even have that kind of equipment.

[D]

What's gonna happen to me, Wayne? Am I gonna turn into one of those fish heads or one of those spegs? Is that what this is about?

[B]

Jesus Christ, Richard. I have no idea.

[D]

Tell me what this is or I will choke it out of you.

[B]

Seriously. No, dude, I, I, I.

[D]

No, no. Try to enunciate, Wayne. I can't understand you when I am crushing your windpipe. If you're lying to me, if something happens to me, anything, anything at all, I swear to God, Robertson, I'll. Please.

[B]

I don't. No, I don't.

[D]

I don't believe you.

[B]

I swear.

[E]

I swear, Richard.

[B]

Richard.

[D]

Astrid. You want to corroborate this asshole story? Astrid. Astrid. Where is she, Wayne?

[B]

Aye, aye.

[C]

Ah.

[D]

What is this? What did you do to her?

[B]

Okay, Okay, I know this looks really bad, but I just, I got Pissed off. And I smashed the toler's box.

[D]

What? Why?

[B]

I just got mad. I got mad.

[C]

And.

[D]

And? And what? What are you hiding?

[B]

Nothing.

[D]

Liar.

[B]

Wait, wait, wait, wait, wait, wait. Put the gun down.

[D]

I'm tired of your bullshit, Wayne.

[B]

Rich. Richard, I'm sorry. I swear. I swear I don't know.

[D]

The hell is that?

[F]

Richard, please wait. Richard. Richard. Astrid, please put down the gun. Wayne is telling the truth.

[D]

Where are you?

[F]

I'm in the kitchen. In the food dispenser.

[D]

The food dispenser? Hang on. Stay down, Wayne. Get up and I'll put a bullet through your head. All right.

[B]

All right, man. Jesus.

[F]

Are you there, Richard?

[D]

Yeah. You're inside this thing?

[F]

I'm using a diagnostic speaker on the food dispenser's main board, so I probably don't sound very good. And there's no microphone, so I need to listen to you through Wayne's earwig. Can you ask him to come a little closer?

[B]

Ah.

[D]

Wayne. Get in here.

[B]

You're not gonna shoot me?

[D]

Not yet.

[B]

Okay. Alright, I'm coming in. Where do you want.

[D]

Sit down.

[B]

Alright. Alright. Sitting down.

[D]

Astrid, do you know what this shit is that crawled into my arm?

[F]

I don't. And I can promise you that Wayne doesn't either. This is not something we've seen before.

[B]

See, I told you.

[D]

Shut up.

[F]

Let's just relax, okay? We will figure this out.

[D]

Oh yeah? And how do you propose we do that?

[F]

You said that you can feel it under your skin. Can you still see it?

[D]

Umm. No.

[F]

And it doesn't hurt at all?

[D]

No. And I already went through this with Wayne.

[F]

Sorry. Perhaps we can.

[D]

Wait, hang on.

[F]

What?

[D]

There's some discoloration around the wound now. Like a thin band of white. I don't know. Fibers.

[B]

Fibers. Let me have a look at that.

[D]

Sit down.

[A]

Ah.

[B]

God damn, man.

[F]

Wayne, you should probably do as Richard says. Alright, Richard, please continue.

[D]

The fibers are surrounding the wound. And what's wrong? Huh?

[C]

Huh?

[D]

They're. They're starting to thread across the wound. Bridging it.

[F]

Like laces?

[D]

Yeah. Yes, something like that.

[F]

And it doesn't hurt?

[D]

No.

[F]

Do you feel any pain or discomfort anywhere else? Do you feel tired or sick or anything?

[D]

No. My arm's a little warm, but that's it. Jesus. The wound is closing. I'm watching it close in real time.

[F]

Curious.

[A]

It's.

[B]

It's healing.

[D]

Yeah. Yeah, that's exactly what's happening. The stitches are already falling out. How is this possible?

[F]

So the strange substance that you found in Alfieri's gut crawled up your arm and embedded itself into the wound. And then several minutes later, it healed. Yeah, well, unless this is a prelude to some grisly morphological alien transfiguration designed to take over your body and then spread from host to host as the organism slowly claws its way across the planet, subjecting all living things to countless years of horror and suffering. Then it's probably just some kind of advanced medical gel.

[D]

You know, Astrid, I don't know you too well yet, but I think maybe I don't like you all that much.

[F]

That's fair.

[D]

Magic healing, Jill.

[C]

Huh?

[D]

Has Tolders been working on anything like this?

[F]

Not that I know of.

[D]

But it's possible, right? Like maybe Alfieri had some and tried to save himself after Wayne shot him?

[F]

I don't have access to the company's research database, but I'd reckon that this kind of technology is far ahead of anything on the market. Probably decades, if not centuries away.

[D]

Then Speg did this. That's the only other reasonable option.

[F]

Perhaps.

[B]

But why? Why would he try to heal Alfieri?

[D]

Why don't you tell me?

[B]

How the hell would I. Oh, shit.

[D]

Well, speak of the devil.

[B]

Oh, this is the last thing I need right now.

[C]

Now.

[D]

Stay here. Wayne. Emilio.

[C]

R.J. where am I?

[D]

You're at the station.

[C]

Station 151. How did I. What are you doing here?

[D]

It's a long story. Just try to relax. You're injured, or I guess you were. But now. Damn, you can't even see the bullet hole anymore.

[C]

I shouldn't be here. I died out there. I was dead.

[D]

Well, now you're not. When I found you, your wound was packed with this.

[C]

This.

[D]

I don't even know what to call it. It was like some kind of healing goo.

[C]

Healing goo?

[D]

Yeah, I got some on a gash on my arm, and it completely healed in minutes. Delders doesn't have tech like this, does he?

[C]

No. You saw that on me?

[D]

Yeah. Then I went in the other room for a while. And now you're. You're nearly healed.

[C]

Please tell me you saved some.

[D]

Uh, no, I didn't think to do that.

[C]

Any idea where it came from?

[D]

It may have something to do with the creature from that pod that crashed nearby.

[C]

The pod? You mean the meteorite?

[D]

You saw that?

[C]

Yeah. Hard to miss.

[D]

Yeah, but it was no meteorite. It was a ship, like nothing I've ever seen. It crashed nearby. And this. I don't know how else to put it. This fish thing came out of it. I mean, I guess he came out of it. I didn't Actually see that part. But when I showed up, the fish thing had Wayne Robertson out there on the ice. And I think he may have implanted some kind of communication device at the base of his skull.

[C]

What makes you say that?

[D]

There's a protrusion on the back of Robertson's neck. It's painful to the touch. That and the fact that it appears that Speg has been communicating with him.

[C]

Huh. And where is Wayne right now?

[B]

I'm right here, Alfieri.

[C]

Hello, wayne. And it's Dr. Alfieri.

[B]

Like I give a shit.

[C]

Richard, did this asshole tell you he was the one who shot me?

[B]

You're damn right I shot you. And I do again, you piece of shit.

[C]

Richard. Richard.

[D]

Get him off me.

[C]

Get him off me.

[D]

Back off, Wayne. Sit down.

[C]

You're a dead man, Robertson. Ah, my guts are in knots. I don't think I can get up. Richard, be a good boy and shoot this asshole Now.

[B]

Just a goddamn minute.

[D]

Hey. Stay where you are, Wayne. Why should I shoot him, Richard?

[C]

This man is a psychopath. He already shot me and I guess killed me once. God knows what he'll do if he gets the upper hand again. Plus plus I'd like to remove that implant you say he's got. He'll scream a lot less if he's dead already.

[B]

Fuck you, Alfieri.

[D]

Wayne, I said stay back.

[C]

Shoot him, Richard. That's an order.

[D]

No.

[C]

Excuse me.

[D]

I am not your monkey, Alfieri. I'll shoot Wayne when I feel like shooting him.

[B]

Hey, if anyone deserves to get shot, it's him. I only shot this asshole because he tried to kill me first. And. And he shot Buzz.

[C]

Oh, my God. You're still on about that stupid dog Robertson?

[B]

Who talks like that? What did Buzz ever do to you?

[C]

It's not a real dog, Wayne. You know that, right? We grew it in a lab. Christ, I've got a warehouse full of those things. And a lot of other weird shit, too.

[B]

You're sick.

[C]

Yeah, yeah. All right, Richard. If you're not going to take orders, how about we make a deal instead?

[D]

A deal? What kind of deal?

[C]

Wayne stood to earn a million bucks for his time down here. You kill him right here and now, and I'll slide those funds over to your account instead.

[D]

Interesting.

[B]

Richard isn't going to take your money, Alfieri.

[C]

He's not.

[D]

I'm not?

[B]

Richard, after everything you told me, do you actually expect him to pay you? Christ. He'll probably have your mind erased too.

[D]

Ha.

[C]

What?

[B]

You heard me. Richard told me exactly what you've been doing down here.

[C]

And what have we been doing down here? Wayne, wait.

[D]

Wayne, don't.

[B]

He said he's been flying me down here for years. 16 or 17 times. Isn't that right, Richard?

[C]

Ha. RJ what kind of bullshit have you been feeding this idiot?

[B]

It's not bullshit and you know it. He even recorded the conversations we had in the cockpit. I've heard the tapes, man.

[C]

Tapes? Richard, what's this about?

[B]

Oh, stop acting all innocent, Alfieri.

[C]

Wayne, you're an asshole and I'd kill you right here and now if I could. But I promise I have no idea what this is about.

[B]

Yeah? Then why do I only have like six or seven core memories? Most of my life is completely blank. I don't remember my friends, my family. I know I have a fiance, but I can't tell you how or where I even met her. And I sure as hell don't remember coming down here 16 or 17 times.

[C]

Well, I'm sorry, but this sounds like a you problem, Wayne. You applied for this job voluntarily and moved down here under your own volition. I don't know, maybe you're having an adverse reaction to the earwig or the azathol.

[B]

Ah, that's a stretch.

[C]

A stretch? Really? The device you currently have implanted in your ear is an experimental brain hardware interface that's only been tested on a handful of monkeys and some volunteers from a local community college. And the Azathol? You know the amnesia medication we gave you in the core? You remember that?

[B]

How could I forget?

[C]

Yeah, well, it's amnesia medication. Can't imagine that it didn't mess with your head at least a little. And the dexmexatrine probably didn't do you any favors either. You're a walking, talking lab experiment, Wayne. You haven't been hallucinating, have you? Seeing ghosts, hearing voices, anything unusual like that?

[F]

Wayne, you have been seeing things recently.

[C]

Remember?

[F]

Seeing the ghost in the hall and the entire morning walk? You hallucinated.

[B]

Richard. Are you sure you're telling me the truth about all this?

[D]

Wayne? Are you that stupid? Can't you see what he's trying to do?

[C]

Ah, for Christ's sake, Richard. Enough of this. You are so fired. And I got half a mind to report you to the authorities for even being here when Telders hears about this.

[D]

Oh, the hell with you. How about I kill you instead? Hell, maybe I'll kill the both of you.

[C]

What?

[D]

Yeah. Then I'll hunt down that monster and offer it to Teldars for a nice little payday.

[C]

Oh yeah, that thing, whatever it is, is Already Teldar's property. Pull that shit and you'll be lucky to escape with your life.

[B]

That's exactly what I said.

[D]

Fine. You know what, Alfieri? I did save some of that healing goofy. I could walk out of here with a vial of that shit and Tellers would be none the wiser. Can you imagine what a pharmaceutical company or a major country would pay for something like that? I'd make a fortune. A hell of a lot more than a million bucks, that's for sure.

[C]

See what I'm talking about, Wayne? This guy's a self serving piece of shit. Personally, I didn't want to work with him, but Tellers swore he was reliable.

[D]

Shut your mouth, Alfieri.

[C]

Fuck you, traitor.

[D]

Alright, the hell with this. Both of you against the wall.

[C]

Whoa, whoa, whoa, whoa, whoa, whoa, whoa.

[B]

Hang on, buddy.

[F]

Richard, if you harm either of these men, I will make sure you spend the rest of your life in prison.

[D]

Ha. They'd have to catch me first.

[F]

I won't let you leave this place.

[C]

Who the hell is that? Is that another AI?

[D]

Shut up, Alfieri.

[F]

Richard, I understand you're frustrated, but please try to calm yourself. There are other ways to deal with this.

[D]

You got a better idea?

[F]

You don't have to kill them. There's a secure storage room downstairs. You can lock them in the room until you figure out your next move.

[B]

What the hell, Astrid?

[F]

I'm sorry, Wayne.

[B]

No way, man. You are not locking me in a room with Dr. Alfieri.

[C]

Ha. Well, that hurts, Wayne. Richard, if you're going to lock us up, fine. But I'd advise you to choose another room.

[D]

And why would I do that?

[C]

That's not just some random storage room. It's a containment ward that houses the toxic materials left over from the station's construction.

[D]

So what?

[C]

I'm not talking about paints and varnish, Richard. This is the kind of shit that will give you a half a dozen cancers by breakfast tomorrow. We can't go anywhere near that storage room.

[B]

Believe me, I went in there and I'm fine.

[C]

You what?

[B]

Yeah, this is the same room that has like 15 or 20 huge wooden boxes in it, right?

[C]

How did you get in there?

[B]

That's my business.

[C]

You're lucky to be alive, Wayne. I'm gonna assume that you didn't try to open any of those boxes, given the fact that you're still standing upright and not, you know, vomiting up blood and organs.

[D]

Why the hell would the construction of this place generate any toxic waste? There may be a lot of bells and whistles around here, but at the end of the day, it's just a building. Where's all this toxic waste coming from?

[C]

It's not from the building itself, Richard. We prefabbed this place in South Africa, slid it across the ice and assembled it on site. It's the AI that's toxic.

[D]

The AI?

[C]

Oh yeah. Have a look in the server room sometime. You'll see a gurgling cauldron of milky goo that sits on top of the machine. It's a nutrient solution that feeds the AI's bioreactor. The solution itself is harmless, but the manufacturing process generates some real nasty byproducts, some of which emit a high amount of alpha radiation. It's the whole reason we built Station 151 in Antarctica and not somewhere more convenient like New York or la. Huh.

[D]

Well, I don't really give a shit.

[C]

What's that?

[D]

I said I don't care if you guys are worried about growing multiple heads or whatever, just maybe don't lick the boxes.

[F]

I agree. Let's proceed.

[B]

Jesus. Whose side are you on, Astrid?

[F]

Just play along, Wayne.

[B]

What?

[F]

I'm going to dispense some food and water so Wayne and Dr. Alfieri don't starve while they're inside. Steak and eggs sound okay?

[B]

I guess.

[C]

Oh my God.

[D]

Okay, assholes, grab your sausages and we'll head downstairs. Wayne, why don't you give the good doctor a hand? He still looks a little pale.

[B]

Screw that. I am not helping this asshole.

[D]

Let's go, Wayne.

[B]

Alright, come on, dickhead.

[C]

I'm getting up. You know, you really screwed the pooch, Wayne. All you had to do was play the game and collect your check. Now look where you are.

[D]

Enough yapping. Let's go. Bing. What the hell was that?

[F]

Oh, it looks like the husky incubator healing cycle is complete.

[B]

The incubator. Wait. Buzz is done.

[F]

It's time to remove buzz from the chamber.

[C]

Foreign.

[A]

You've been listening to Station 151, the Pale Matter podcast production. For more detailed information about the podcast credits for this particular episode or the team behind the show, please visit our website at www.station151.com or see the episode description. To find out how to find us, follow us, or connect with us. And coming soon From Pale, the Station 151 Astrid miniseason. Plus a bonus standalone episode leading the way. Look for that. To begin this autumn and beyond, Station 151, pale matter is producing a brand new series, Edge of the Forgotten, a supernatural horror audio drama currently in production and premiering this winter as promised Here's a sneak peek at Edge of the Forgotten. This Winter From Pale Matter, the production team behind the successful science fiction audio drama series Station 151, comes a new supernatural horror series, Edge of the Forgotten. Over two years in the making, a hybrid series of narrated tales and full cast audio drama, Edge of the Forgotten begins where the fabric of our reality has worn thin in the dark forgotten places where entropy thrives and the great undoing has already begun. Season one of Edge of the Forgotten features 23 episodes, beginning with a three episode premiere and followed by new episodes every week. Edge of the Forgotten now in production and premiering this winter on the Realm Podcast Network, Edge of the Forgotten will be available on Apple, Podcasts, Spotify and everywhere you listen. Subscribe now to Edge of the Forgotten on your favorite podcast platform. Follow Palmatter on Facebook, Instagram, bluesky and X Connect with us as well as other fans on Discord to discuss episodes, theories and all things forgotten. And for the full experience, join the Edge of the Forgotten Patreon for early access, behind the scenes content and a more in depth look into the darkness our characters face.

[G]

From the darkest corners of our imagination comes a game show that's more ridiculous than terrifying. Welcome to Tickled to Death, the horror comedy game show where nothing is sacred, everything's a little unhinged, and the only thing more cursed than the questions are the jokes. I'm Roz Hernandez, your fearless host, and each week I'll be leading a brave group of guests through twisted horror trivia, improv games, and enough sarcastic banter to make you question all your life's choices. So come for the screams, stay for the snark, Listen to Tickled to Death wherever you get your podcasts and hit follow unless you want the show to follow you. In the meantime, don't get Tickled to death.

[E]

The war is over and both sides lost. Kingdoms were reduced to cinders and armies scattered like bones in the dust. Now the survivors claw to what's left of a broken world, praying the Darkness chooses someone else tonight. But in the Shadow Dark, the Darkness always wins. This is old school adventuring at its most cruel. Your torch ticks down in real time and when that flame dies, something else rises to finish the job. This is a brutal rules light nightmare with a story that emerges organically based on the decisions that the characters make. This is what it felt like to play RPGs in the 80s and man, it is so good to be back. Join the Glass Cannon Podcast as we plunge into the Shadowdark every Thursday night at 8pm Eastern on YouTube.com theglasscannon with the podcast version dropping the next day. See what everybody's talking about and join us in the dark.