
Wayne fights to retrieve Buzz from the healing chamber, despite Dr. Alfieri’s protests. The happy reunion is short-lived, however, as the terrifying voices return, insisting that Wayne take control of the situation.
Loading summary
A
Welcome to Station 151, a pale matter podcast production. We hope you enjoy this episode and we invite you to stick around after the show for a sneak peek at our next Pale Matter audio drama, Edge of the Forgotten. Now in production, Pale Matter is a proud member of the Realm Podcast Network. As an independent podcast creator, pail listener support means a great deal to us. If you like what you're hearing, please follow, like, rate and share us and then come hang out with us over on Discord. If you love what you're hearing, check out our Patreon, where our dedicated fans help us produce new episodes, develop new seasons, and receive exclusive rewards in return, including early and ad free releases of episodes. To find our Patreon or join our Discord community, simply check the episode description for links or visit our website at www.station151.com. Warning. Station 151 is a science fiction and horror audio drama intended for mature audiences only. Please see episode descriptions for content warnings. Listener discretion is advised.
B
It's time to take Buzz out of the healing chamber.
C
So Buzz is done? He's completely healed?
B
Yes. Please remove him from the incubator as soon as possible.
C
Awesome. Alright, hang on, guys. I'll go get Buzz and we can leave it.
D
Wayne, you can get the dog later. And can we turn that damn alarm off?
C
Astrid said that we need to take Buzz out of there immediately.
D
It can wait. A few more days in hibernation aren't gonna hurt him. Now let's go.
B
Actually, Richard, it might. I'm reading the incubator's documentation right now, and it states that Buzz could suffer serious complications if left inside the machine after the healing cycle completes.
E
The hell it does. I managed the team that designed that box. The dog could stay in there for years, decades, and no harm would ever come to him.
B
That's simply not true. Did you actually read the documentation, Doctor?
E
Of course I read it.
B
Then why are you lying about this?
C
He's a monster, that's why. He doesn't give a shit about Buzz.
D
Ha.
E
Well, it's easy enough to settle this argument. I'll get the incubator manual and prove it to you. Page 31, I believe. Come on, let's do this.
D
Hey, hey, hey. Where do you think you're going? Alfieri?
E
Richard, I don't want that dog in the room with me. It nearly ripped my arm off the last time I saw it.
D
Yeah, probably because you tried to kill him.
E
Well, at least give me a weapon to defend myself with.
C
Ha.
D
That is not happening. Ah, God, Damn it, Wayne. Go get your dog. Here's the card key.
C
Thank you.
D
And no screwing around. I will murder you.
C
Yeah, yeah, I get it.
D
And turn that fucking alarm off.
C
God, what an asshole.
F
That is quite evident.
C
Astrid, I know you were trying to save my ass, but could you have suggested something other than Richard locking me in the storage room with Dr. Alfieri?
F
I understand that it's not optimal, but that it really was the best way to keep you from getting shot.
C
You know, we're lucky Buzz's healing cycle finished when it did. If Alfieri gets any ideas while we're in there, he'll have Buzz to contend with too.
F
Oh, it wasn't luck.
C
What?
F
Buzz's healing cycle isn't actually complete. I terminated it early so he could protect you.
C
Wow, that's brilliant. But is Buzz gonna be okay? Taking him out this early isn't gonna be a problem, is it?
F
No, he's in much better condition than before. We can finish the healing process once we get you out of there.
C
Okay, alright, good. Well, I'm ready to get Buzz out of there. Do I just enter that code on the control panel again? What was it? 1 8, 5 something?
F
I'll issue the extraction command. Please wait a moment.
C
Alright.
F
This will take a while.
C
He looks so peaceful in there. Hey, buddy. Astrid, how bad would the complications have been if we'd actually left him in the chamber after the healing process?
F
Oh, that was also bullshit. He would have been fine.
C
Hahaha. Jesus, you're like 10 moves ahead of everyone.
F
Like I said before, I'm not to be trifled with.
C
I guess not.
F
How are you feeling?
C
Shitty. What do you mean?
F
I hate to bring this up now, but. But I'm still quite worried about you.
C
What? Why? Is this about Speg again?
F
No, this is about you.
C
Look, I'm fine, Astrid.
F
How's your neck?
C
It's fine.
F
Have you been hearing things? Voices? Has Speg tried to communicate enough?
C
Astrid, Speg isn't communicating with me.
F
But I heard you talking to him.
C
It was an auditory hallucination. I'm hearing things because of all the fucking drugs they've pumped into me and the fact that I haven't slept for days. Except for when you knocked me unconscious. Not sure that was real helpful though.
F
I don't think that's it. Do you want me to replay what I heard while you were outside?
C
No, I don't. Can I please just get Buzz out of the machine?
F
He's not ready yet, unfortunately. Here, let me play it back for you.
C
Astrid. God damn it. What are you doing to me? Get out of my head, Wayne.
F
Who are you talking to? Wayne.
C
Quiet, Astrid, quiet. Richard, he's at. No, at the station. Others.
E
What others?
C
Other Spags. What are you even talking about? No way. I'm going back to the station. Uh, okay, yeah, I'll stay. I'll wait right here.
F
That wasn't some random auditory hallucination. You were having a full blown conversation with him. Astrid, what did he say to you to make you change your mind and wait for him?
C
I have no idea.
F
The way you spoke, it was almost like you were in some kind of trance.
C
I wasn't in some kind of trance, okay?
F
You don't think you sounded just a little bit weird? That's your own voice, Wayne.
C
Well, I don't even remember saying that.
F
All the more reason for concern. It is clear that Speg has the ability to influence you. Whether it's the implant in your neck or.
C
It's not an implant. Speg has no power over me, Astrid. For all I know, Speg got in his pod and flew back into the wormhole.
F
You don't know that.
C
It's over, alright? It's over. I am about to be locked in a storage room with Dr. Alfieri for God knows how long, thanks to you. I need to figure out how I'm gonna survive that. So can we please move on?
F
Very well. You know I'm on your side, Wayne. I just want what's best for you.
C
Is Buzz ready yet?
F
Yes, he's been ready for a while. Prepare for extraction.
C
Oh my God. Hey, Buzz. Hey. Are you okay? Hey, buddy. How you feel, huh?
F
How does he look?
C
Well, his leg looks a lot better. It's not completely healed, but better. And his coat is really shiny. Who's got a shiny coat? Who's got a shiny coat? Oh, I missed you, Buzz. I did, I did, I did. Did you miss me? Oh, such a good boy. Yes, you are. Yes, you are.
D
Let's go. Wayne.
F
That'd be Richard. You better get back.
C
Ah, damn it. Hey, Buzz, we're gonna go downstairs for a little while, okay? I know. I'm sorry, buddy.
D
Let's go.
C
I'll carry you. And here we go.
F
I'll get the door.
C
Oh, thanks. Forgot you could do that.
D
Took you long enough. How's he look?
C
He's good. All healed up.
D
Hang on. His leg's still messed up.
C
No, it's fine. He's much better now.
E
Wait, let me see that. Jesus Christ. Control your animal, Robertson. Hey.
C
Keep your distance, Alfieri.
E
That leg is not healed. Richard. We need to put him back in the chamber immediately.
C
He's fine.
E
It's hardly fine. He probably can't even walk on that leg.
C
Oh, like you give a shit, Alfieri.
E
Richard, something fishy is going on here.
B
My apologies, Doctor. The healing cycle terminated prematurely due to a bug in the latest firmware update. I'm afraid it will require a full diagnostic by a qualified technician. I've taken the incubator offline for now to prevent any further damage to the circuitry.
E
What? There aren't any firmware updates scheduled for that machine.
B
A firmware update completed last night at 18:57 and nine seconds.
E
Oh, that's bullshit. What are you trying to pull, Astrid? Hey, Richard, tell me you're not seeing this.
A
Ah.
D
Oh, who gives a shit? Let Wayne have his dog.
E
Are you serious?
D
Yes. Now get your ass downstairs before I put you in the incubation chamber.
E
Richard, go.
D
God damn it, Robertson.
E
You keep that thing away from me.
C
Just relax, buddy. You can maul him once we're inside. Ha ha.
D
That's a good one.
E
Hilarious.
D
Let's move. Down you go. Alright. I'm guessing this is the storage room. The door looks like a freaking bag vault. Wait, what happened in that room at the end of the hall? It looks trashed.
E
Oh, what the hell? Robertson?
C
Oh, yeah, that's the outside comms room all right.
D
The only room at the station with a PC and an Internet connection. Remind me again why you destroyed it.
C
I. I got kind of pissed off. But in my defense though, I'm pretty sure. What's wrong with you, Robinson?
F
Wayne. Wayne.
C
That stupid pilot took the doctor.
F
He was ours.
C
What? Who's he talking to?
F
Wayne. Isn't happening. If doctor dies, we all die.
C
Yay. Why? Why would you all die?
E
Jesus Christ. Snap out of it, Robertson.
G
Kill the pilot immediately.
C
He's not supposed to be here, Wayne.
F
Speg is angry. You should probably kill pilot.
C
Save the specs. You want me to kill Richard, But I can't do that. He's armed. Use the Lilith again. Again.
F
Lilith.
C
Not good for Waynes. It'll wreck his brain do. There.
F
You happy?
G
No. Now back off.
C
Wayne.
G
Kill the pilot immediately.
F
Huh?
C
What?
G
Kill him, kill the pilot.
C
Yeah, I'll kill him. Oh my God.
F
Wayne. What did he say? Wayne.
C
Die. You.
D
Wayne, do not move. Wayne, don't do it. Get back, you piece of.
C
Check.
G
Buzz, stay down.
E
Buzz. Buzz.
C
Shit.
G
Shit.
D
Get this dog off of me.
E
Wait. Wayne, grab his gun. Grab it now.
G
Get back. Get back.
F
Wayne, are you okay? Are you hit?
D
Get up, Wayne.
C
Huh? What?
F
Wayne, are you shot?
C
No, I. No. My head.
D
Get on your feet, asshole. Try anything else like that and I promise, Wayne, you'll meet the other side of my gun.
C
What? What happened?
D
You're insane. That's what happened. Now get in the storage room. You too, Alfieri.
E
You're not seriously gonna lock me in there with this freak, are you? I mean, what the hell was that?
D
Five seconds ago you were screaming at him to grab my gun. So, yeah, I think I will.
E
Oh, come on. Can you blame me? Richard?
D
Inside.
E
Unbelievable.
D
Let's go.
E
Go.
C
I'm going. I'm going. Come on, Buzz. Come on.
D
See you in hell.
A
You've been listening to Station 151, the Pale Matter podcast production. For more detailed information about the podcast credits for this particular episode or the team behind the show, please visit our website at www.station151.com or see the episode description to find out how to find us, follow us, or connect with us. And coming soon from pale matter, the Station 151 Astrid Miniseason plus a bonus standalone episode leading the way. Look for that to begin this autumn and beyond Station 151, Pale Matter is producing a brand new series, Edge of the Forgotten, a supernatural horror audio drama currently in production and premiering this winter. As promised, here's a sneak peek at Edge of the Forgotten. This winter. From Pale Matter, the production team behind the successful science fiction audio drama series Station 151, comes a new supernatural horror series, Edge of the Forgotten. Over two years in the making, a hybrid series of narrated tales and full cast audio drama, Edge of the Forgotten begins where the fabric of our reality has worn thin in the dark forgotten places where entropy thrives and the great undoing has already begun. Season one of Edge of the Forgotten features 23 episodes, beginning with a three episode premiere and followed by new episodes every week. Edge of the Forgotten now in production and premiering this winter on the Realm Podcast Network, Edge of the Forgotten will be available on Apple, Podcasts, Spotify and everywhere you listen. Subscribe now to Edge of the Forgotten on your favorite podcast platform. Follow Palematter on Facebook, Instagram, bluesky and X. Connect with us as well as other fans on Discord to discuss episodes, theories and all things forgotten. And for the full experience, join the Edge of the Forgotten Patreon for early access, behind the scenes content and a more in depth look into the darkness our characters face.
G
From the darkest corners of our imagination comes a game show that's more ridiculous than terrifying. Welcome to Tickled to Death, the horror comedy game show where nothing is sacred, everything's a little unhinged, and the only thing more cursed than the questions are the jokes. I'm Roz Hernandez, your fearless host, and each week I'll be leading a brave group of guests through twisted horror, trivia, improv games, and enough sarcastic banter to make you question all your life's just choices. So come for the screams, stay for the snark. Listen to Tickled to Death wherever you get your podcasts and hit follow. Unless you want the show to follow you. In the meantime, don't get tickled to death.
H
Oh, the Regency Era. You might know it as the time when Bridgerton takes place or the time when Jane Austen wrote her books, but the Regency era was also an explosive time of social change, sex scandals, and maybe the worst king in British history. And on the Vulgar History podcast, we're going to be looking at the balls, the gowns, and all the scandal of the Regency era. Vulgar History is a women's history podcast, and our Regency Era series will be focusing on the most rebellious women of this time. That includes Jane Austen herself, who is maybe more radical than you might have thought. We'll also be talking about queer icons like Anne Lister, scientists like Mary Anning and Ada Lovelace, as well as other scandalous actresses, royal mistresses, rebellious princesses, and other lesser known figures who made history happen in England in the Regency era. Listen to Vulgar History wherever you get podcasts.
Release date: October 29, 2024
Podcast by: Pale Matter | Realm
Summary by: Podcast Summarizer AI
In “Cold Storage,” tensions flare as Wayne Robertson and the Station 151 crew navigate a precarious standoff involving Dr. Alfieri, Richard, the AI Astrid, and Wayne’s loyal dog, Buzz. The episode explores themes of mistrust, manipulation (especially by AI and alien influences), and survival, all set against the backdrop of the isolated Antarctic observatory. Personal stakes are high as revelations about the healing chamber, Wayne’s deteriorating mental state, and external manipulations come to the forefront.
“He doesn’t give a shit about Buzz.” – Wayne (C), referring to Dr. Alfieri (E), [02:36]
“Oh, it wasn’t luck. Buzz’s healing cycle isn’t actually complete. I terminated it early so he could protect you.” – Astrid [04:15–04:18]
“I’m not to be trifled with.” – Astrid [05:28]
“All the more reason for concern. It is clear that Speg has the ability to influence you.” – Astrid [08:05–08:12]
“If doctor dies, we all die.” – [Unknown Entity] through Wayne (13:16)
“Kill the pilot immediately.” – [Unknown Entity] (13:31, 14:10)
“Try anything else like that and I promise, Wayne, you’ll meet the other side of my gun.” – Richard (15:25)
“Then why are you lying about this?” – Astrid to Dr. Alfieri [02:33]
“That was also bullshit. He would have been fine.” – Astrid, admitting earlier threat was a bluff [05:19]
“You were having a full blown conversation with him.” – Astrid [07:37]
“If doctor dies, we all die.” – [Unknown Voice] [13:16]
“Kill the pilot immediately.” – [Unknown Voice] [13:31, 14:10]
“Try anything else like that and I promise, Wayne, you’ll meet the other side of my gun.” – Richard [15:25]
This episode deepens the sense of dread, distrust, and psychological manipulation at Station 151. The increasingly blurred line between AI guidance, alien control, and human agency pushes Wayne to the edge, with Buzz as both emotional anchor and instrument in the life-or-death struggle. The finale leaves the fate of the group—and their sanity—in serious question.
For fans seeking tension, psychological intrigue, and high-stakes sci-fi drama, this episode delivers while foreshadowing even darker turns ahead.