StraightioLab Live: Toronto!

Summary

Podcast Summary: StraightioLab Live: Toronto!

Episode Information:

• Title: StraightioLab Live: Toronto!
• Hosts: George Severis and Sam Taggart
• Guests: Ben Sosa Wright, Sarah Haggie, Nathan Hare
• Release Date: November 26, 2024
• Description: In this live episode recorded at the Paradise Theater in Toronto, hosts George Severis and Sam Taggart, alongside guests Ben Sosa Wright, Sarah Haggie, and Nathan Hare, delve deep into the nuances of straight culture. The episode features engaging discussions, humorous anecdotes, and interactive segments that reflect on societal norms and cultural phenomena.

---

1. Introduction and Thanksgiving Reflections (02:27 – 04:38)

Sam Taggart opens the episode by wishing listeners a happy Thanksgiving and announcing the release of the live show’s audio from Toronto. He expresses gratitude towards the Paradise Theater and briefly addresses a technical mishap where the first 15 minutes of the show were lost due to an audio issue. Sam reassures listeners that the show remains enjoyable despite the missing introduction.

Notable Quotes:

• "We had such an incredible weekend in Toronto and thank you everyone for listening and have an amazing Thanksgiving." – Sam Taggart [02:27]

---

2. Canadian Culture and Local References (04:38 – 10:00)

The conversation shifts to Canadian-specific topics, with discussions about gender equality in STEM fields in Canada. Nathan Hare humorously claims that Canada naturally achieves gender parity without the need for outreach programs.

Notable Quotes:

• "In Canada, it's 50-50. Like, no one even ever had to do any sort of like, women in STEM outreach because everything is so equal that just like, by default, it's 50-50." – Nathan Hare [04:38]
• "There's a thriving Amish community consisting solely of the most gorgeous women you've ever seen." – Nathan Hare [04:54]

---

3. Anecdotes on Q&As and Straight Culture (10:00 – 35:00)

Guests share humorous and insightful stories about their experiences during Q&A sessions at events like film premieres. Nathan Hare recounts a bizarre Q&A at the "Moonlight" premiere, highlighting the superficiality and performative aspects of celebrity interactions.

Notable Quotes:

• "She said something really powerful... I am a storyteller." – Nathan Hare [10:36]
• "It's actually insane that you're talking about this." – Sam Taggart [10:06]
• "A big part of the introduction was that the show was the same night as the final night of the Toronto Eras tour shows." – Sam Taggart [02:27]

The discussion also delves into how straight culture influences behaviors in technological interactions and social settings, emphasizing the stereotypical problem-solving mentality associated with straight men.

Notable Moments:

• Sam shares his experience as a staunch atheist during a Q&A and how his approach mirrors straight cultural traits of seeking knowledge and asserting opinions.
• Guests and hosts critique the performative nature of questions asked at public events, suggesting a disconnect between genuine inquiry and showmanship.

---

4. Straight Topics: Speakers and Sound Quality (35:00 – 50:00)

Sarah Haggie introduces her "straight topic"—the obsession with speakers and sound quality in homes. She humorously critiques how often men are the ones upgrading technological gadgets, reinforcing traditional gender roles.

Notable Quotes:

• "My straight topic is caring about Speakers and sound quality... because if you go to any woman's home and she's straight and she has a speaker or a sound bar, a guy brought it." – Sarah Haggie [32:12]
• "They are everywhere... because when the leaf is a celebrity, you're like, well, I bet there's only one tree." – Sarah Haggie [75:26]

The discussion highlights how straight culture often places the responsibility of technological enhancements on men, while women engage in more aesthetic-focused tasks. This dynamic is explored through personal anecdotes and humorous exchanges.

Notable Insights:

• The hosts and guests explore the intersection of gender roles and technology, illustrating how certain behaviors are culturally coded as "straight."
• Sarah emphasizes the emotional and practical challenges of embracing these roles, leading to deeper reflections on personal growth and societal expectations.

---

5. Interactive Segments: Straight Shooters and Is She There Yet? (50:00 – 87:00)

Straight Shooters: In this rapid-fire segment, guests respond to quick questions assessing their familiarity with straight culture. The challenges include answering simultaneously and avoiding follow-up questions, leading to spontaneous and humorous interactions.

Notable Quotes:

• "Everyone let's count down to 3... like 3, 2, 1 style." – Sam Taggart [65:00]
• "Do a statement instead of a question, or remain silent and do not observe." – Sam Taggart [13:07]

Is She There Yet?: Inspired by a conversation about iconic figures, this segment debates whether certain individuals or cultural phenomena have achieved iconic status. Guests analyze and humorously critique contemporary icons, blending pop culture references with sharp social commentary.

Notable Quotes:

• "She is an icon, sadly, for better, for worse, she's an icon." – Sarah Haggie [82:32]
• "Helium earned him the trot flags..." – Sarah Haggie [various timestamps]

The segments foster a lively atmosphere, encouraging guests and hosts to engage in playful yet insightful debates about cultural icons and their impact on society.

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6. Concluding Remarks and Final Interactions (87:00 – End)

As the episode nears its end, the hosts thank the guests for their participation and reflect on the dynamic discussions. They invite listeners to subscribe to their Patreon for additional content and promote upcoming segments and episodes.

Notable Quotes:

• "This entire show is a leaf falling from the sky and me catching it." – Sam Taggart [42:36]
• "The work before the work is intellectual, and the work itself is practical." – Sarah Haggie [40:18]

The episode wraps up with a mix of humor and heartfelt appreciation, reinforcing the podcast's commitment to exploring straight culture through an intellectual and comedic lens.

---

Key Takeaways:

• Straight Culture Exploration: The episode effectively dissects various aspects of straight culture, using humor and personal anecdotes to highlight societal norms and expectations.
• Gender Roles and Technology: A significant focus is placed on how technological interests and tasks are gendered, particularly in home settings.
• Interactive and Engaging Segments: "Straight Shooters" and "Is She There Yet?" segments add an interactive dimension, keeping the audience engaged through rapid exchanges and debates.
• Humorous Banter: The natural flow of conversation among hosts and guests, filled with witty remarks and playful teasing, contributes to an entertaining and enlightening discussion.

Notable Quotes with Timestamps:

• "In Canada, it's 50-50. Like, no one even ever had to do any sort of like, women in STEM outreach because everything is so equal that just like, by default, it's 50-50." – Nathan Hare [04:38]
• "My straight topic is taking a really long time to ask a question at a Q and A." – Ben Sosa Wright [09:41]
• "My straight topic is caring about Speakers and sound quality... because if you go to any woman's home and she's straight and she has a speaker or a sound bar, a guy brought it." – Sarah Haggie [32:12]
• "This entire show is a leaf falling from the sky and me catching it." – Sam Taggart [42:36]

---

Conclusion: "StraightioLab Live: Toronto!" offers a vibrant and insightful exploration of straight culture, enriched by the hosts' intellectual approach and the guests' relatable experiences. The episode balances humor with critical discussions, making it a valuable listen for anyone interested in the complexities of societal norms and cultural dynamics.

Transcript

[George Severis]

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[Sam Taggart]

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[Sarah Haggie]

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[Sarah Haggie]

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[Sam Taggart]

See app for details. Hi everyone. We hope you're having an amazing Thanksgiving week and taking some time to practice gratitude and reflect on all of the ways everything is so perfect right now. This week we are releasing the audio for our Toronto Live show which Just happened three days ago. Featuring Ben Sosa Wright, Sarah Hagie and Nathan Hair. It was such a perfect night and we're so grateful to the Paradise Theater for having us. But sadly, there was a slight audio issue and we lost the first 15 minutes of the show, which was our introduction before we brought out our guests. And so there might just be a couple of little references and callbacks that might make no sense. A big part of the introduction was that the show was the same night as the final night of the Toronto Eras tour shows. So I had just come off of a plane that was filled to the brim with Swifties. So, you know, I had a tight 10 minutes on that right off the bat. And I'm going to try my very best to remember exactly what I said and do a dramatic reading of it when we next record. But otherwise, I think the show is incredible and it can be enjoyed for what it is without knowing what happened in the beginning. And thank you so much to all our amazing guests and thank you to everyone who came. We had such an incredible weekend in Toronto and thank you everyone for listening and have an amazing Thanksgiving. We have earned it. Is women in STEM like a thing here, or is it just natural? Oh, no, here's what I mean. No, here's what I mean. I. In my mind, naturally, In Canada, it's 50. 50. Like, no one even ever had to do any sort of like, women in STEM outreach because everything is so equal that just like, by default, it's 50. 50.

[Nathan Hare]

I will say we absolutely do not have that here. We have a thriving Amish community consisting solely of the most gorgeous women you've ever seen. No, of course there's. There are places for women to do stem.

[Sam Taggart]

No, I know here. I'm saying that right now.

[Nathan Hare]

University Avenue.

[George Severis]

Huh?

[Unknown]

Oh, damn. He knows all the local references.

[Nathan Hare]

I used up the only one. Oh, no, we only know Bloor Street.

[Unknown]

Yeah. Who here loves Bloor Street? Yeah, take that, bitch.

[Nathan Hare]

Name one more.

[Unknown]

Brunswick.

[Nathan Hare]

Oh, no, no one. No one here has had a good memory on that street. And I know that cause I live here and I was born in this.

[Sam Taggart]

Now you're making more specific. So now we're out of it again. We don't know the connotation of Brunswick.

[Unknown]

Yeah, I say Brunswick all willy nilly.

[Nathan Hare]

I would say Brunswick is like a place where, like, young men go to, like, hone their dark magic. Oh, like under the COVID of nightfall. And it's not how young are we? Talk like 18.

[Unknown]

Oh, okay, that's good. Thank God. Well, we always have to ask this, but what are the vibes like backstage?

[George Severis]

Yeah.

[Sam Taggart]

What the hell is going on?

[Nathan Hare]

Really, really toxic. But once you remove me from that equation, I can only assume they're thriving.

[Unknown]

Yeah, yeah, totally.

[Nathan Hare]

But no, great. You have to understand Sam and George. There's like. There's like, hummus back there. That.

[Unknown]

There's hummus, there's hummus, there's broccoli. Broccoli.

[Nathan Hare]

A lot of tequila.

[Sam Taggart]

Yeah. And we'll be Venmoing you.

[Nathan Hare]

We don't have that here.

[Sam Taggart]

What the hell?

[Nathan Hare]

You don't have Venmo, we don't have venue. Baby girl, you're going to want to E transfer me.

[Sam Taggart]

This is crazy.

[Unknown]

Standing ovation.

[Nathan Hare]

Rise. Rise.

[Unknown]

Damn.

[Sam Taggart]

Ok. Me sending an E transfer on Brunswick. That's my new local game.

[Unknown]

Yes, yes. The girls who eat transfer on Brunswick.

[George Severis]

No.

[Nathan Hare]

Oh, that's really good.

[Unknown]

That's so scary, you know? Okay. Can I ask a question about Canada?

[Nathan Hare]

Of course.

[Unknown]

I was at a coffee shop today, too, but the second one I went to, I said, can I have whole milk in that? And she said, baby girl, what you.

[Nathan Hare]

Meant was 2%, so that's true.

[Sam Taggart]

Sorry, there's no whole milk.

[Nathan Hare]

Well, we would be like 3.5 homo.

[Sam Taggart]

Milk, but you would never say the word whole milk.

[Unknown]

What?

[Nathan Hare]

What'd you just call me?

[Unknown]

Yeah, literally.

[Sam Taggart]

I do want to say the most Canadian thing that happened backstage is you walked in and I, within truly 30 seconds of knowing each other, you were like, sarah Pauley's daughter goes to the place I work to do a daycare workout.

[Nathan Hare]

It came up so much more organically than that. Look at the way George present. She's begging to be talked about. Sarah Pauley.

[Sam Taggart]

I don't remember how it came up, but I was like. I was like, he's gonna bring up Sarah Pauly.

[Nathan Hare]

Yes, of course. We all know Sarah Pauley here. We've all done coke with her.

[Sam Taggart]

Is she a party girl?

[Nathan Hare]

No.

[Sam Taggart]

No. Well, this is the thing with Canadian celebrities, and specifically Toronto based ones, is somehow everyone knows them. It's like when you mention Grimes, every single person is like, oh, she was my roommate.

[Nathan Hare]

Yeah.

[Unknown]

Who the hell is Sarah Pauley?

[Sam Taggart]

Sarah Pauley is a former. First of all, you've made mistake. Sarah Paul is a former. In the beginning, she was a child actress, and then she became a very respected writer, director. She wrote that movie Women Talking. Oh.

[Unknown]

Got it away from.

[Sam Taggart]

She also stars at Adrien Brody in the movie Splice where they have an alien daughter. Do you know about this?

[Unknown]

Oh, sure.

[Sam Taggart]

Who Then sexually assaults Adrian.

[Nathan Hare]

Yes.

[Sam Taggart]

And.

[Nathan Hare]

And Sarah Pauley. And the movie ends with Sarah Pauley being pregnant with the alien baby.

[Sam Taggart]

Yeah.

[Nathan Hare]

And she's keeping it.

[Sam Taggart]

And the baby. And the baby is trans. Well, I want to apologize, by the way.

[Unknown]

I want to apologize for not knowing who Sarah Pauley was. You know, sometimes you think you can be bold in your ignorance.

[Sam Taggart]

You know, Sheila Headey.

[Unknown]

Oh, my God. You can't do this right now. You can't do this when everyone hates me already.

[Nathan Hare]

Do you. Do you know Amanda Bruegel?

[Unknown]

Oh, my God, you're making things up now.

[Nathan Hare]

Do I know?

[Sam Taggart]

Okay, wait.

[Unknown]

Sarah Salami. What the hell?

[Sam Taggart]

We love Sarah Salami. No, Sarah Salami is a terf.

[Nathan Hare]

She's a terf. She's a terf. But her EP is incredible.

[Sam Taggart]

Oh, that's true. Okay, Ben, what is your straight topic, and what is straight about it?

[Nathan Hare]

My straight topic is taking a really long time to ask a question at a Q and A.

[Sam Taggart]

Now, this is sort of classic.

[Unknown]

This is rich.

[Nathan Hare]

Or not even asking a question at all. And I realized this was straight. Cause I saw the Tiff premiere of moonlight years ago. Janelle Monae was there.

[Sam Taggart]

It's actually insane that you're talking about this.

[Unknown]

No, it is.

[Nathan Hare]

Well, you're gonna love this. She said something really powerful, which I'll never forget. Is she. Someone in the Q and A was like, oh, what's it like? Kind of being a musician and an actor? And she stopped the person, and she was like, no, no, no, baby, I'm not an actor. I'm not a singer. I am not an artist. I am a storyteller. And I think that's when I realized, like, all people in Hollywood are psychopaths.

[Sam Taggart]

Yeah.

[Nathan Hare]

Who don't mean the thing that they say. But at that Moonlight Q and A, there was the Q and A, like, started. And Barry Jenkins was, like, opening up. He's like, all right, like, yeah, but whatever. And the first. That's verbatim. What he a man. A straight man put his hand up first. And already to do that at moonlight is kind of, like, so bold. Kind of like ordering for the table vibes. You know what I mean?

[Unknown]

But in a sense, it's also kind of diva mode.

[Nathan Hare]

But he wouldn't even know that's diva mode. He'd be like, I have a question that's burning inside of me.

[Unknown]

Yeah, yeah, yeah, totally.

[Nathan Hare]

And if I don't let it go, then everyone's in danger.

[Unknown]

Yeah, yeah, yeah.

[Nathan Hare]

And his question was. It wasn't a question. It started off by saying, oh, I noticed you shot the Movie. Movie in 70 millimeter. And then Barry Jenkins stopped him and was like, oh, we didn't shoot the movie in 70 millimeter.

[Sam Taggart]

Oh, my God. That guy probably killed himself.

[Unknown]

Yeah, he did.

[Nathan Hare]

He dead? He's dead.

[Sam Taggart]

That is a joker origin story if I've ever heard one.

[Nathan Hare]

He's dead. We burnt down his house, killed the bloodline. It ended with him, but it was just so strange. And then the vibe of the Q and A felt so, like, jokey.

[Sam Taggart]

Yeah.

[Nathan Hare]

Kind of Kiki after that.

[George Severis]

Yeah.

[Unknown]

Because we were like.

[Sam Taggart]

That film is one big Kiki.

[Nathan Hare]

That film was one big Kiki. If I could summarize, moonlight, it would be that. That boy just trying to kick you. And aren't we all?

[Unknown]

Literally.

[Nathan Hare]

I hate to get passionate.

[Unknown]

Yeah.

[Sam Taggart]

Here's a question for you. Okay.

[Unknown]

You're doing it.

[Sam Taggart]

Oh, no, no.

[Nathan Hare]

Oh, can I say something?

[Sam Taggart]

My show. I'm Janelle Monae in this situation.

[Nathan Hare]

But what's. So. But what's. What always happens with the. The man at the Q and A. And I'm not saying George is doing that, but it remains to be seen. But. But the question will never just start with like. Oh, so, like, what was this like. It always starts with, like, paragraph of like. Here's why I'm asking the question in this essay. I will ask.

[Sam Taggart]

Okay, I'm gonna go. Go ahead and ring the Sarah Pauley alarm because I' Oh. So here's my question for you of the three options, which are ask a question.

[Nathan Hare]

Yeah.

[Sam Taggart]

Do a statement instead of a question, or remain silent and do not observe.

[Nathan Hare]

Observe, listen.

[Sam Taggart]

Rank them from gay to straight.

[Nathan Hare]

Oh, my God.

[Sam Taggart]

Yeah.

[Nathan Hare]

No.

[Unknown]

Imagine that's Mary Janelle Monet.

[Nathan Hare]

That's very Janelle Monae.

[Unknown]

None of the above.

[Nathan Hare]

Janelle Mon. Well, okay. I guess. Hmm. I think listening would have to be.

[Sam Taggart]

Like, is listening or is asking a question gay? Okay.

[Nathan Hare]

But here's the thing. This is when queerness. Oh. Becomes gendered. Because I'm like, a gay man would not be listening at a Q and A.

[Sam Taggart]

That's what I'm saying. No, because queer people do want to be loud and heard.

[Nathan Hare]

Yes. I think the straightest of those three will have to be just kind of stating. Stating off the top.

[Sam Taggart]

Yeah.

[Nathan Hare]

Maybe providing an anecdote and then asking a question. And then asking a question.

[Sam Taggart]

Okay.

[Nathan Hare]

I think the queerest thing to do might even be never asking a question and just being like, here's what I liked. Yeah. Or be like, I hated that part.

[Sam Taggart]

But wait, isn't that What? You. Isn't that your straight topic?

[Nathan Hare]

I didn't realize this. I was on trial. I thought this was kind of a fun show where gay men. Gay men are supposed to just be ourselves for once. I guess. I guess you caught me. You caught me. I.

[Unknown]

Up, boys. Come get him. I. I have a question for both of you. Actually.

[Nathan Hare]

I plead guilty.

[Unknown]

Have either. I want to know if either of you.

[Sam Taggart]

This is like, the question asker in Janelle Monae, just like, not being able.

[Unknown]

Have either of you ever asked a question at a Q and A?

[Sam Taggart]

No, I would say I certainly.

[Unknown]

Look who's on trial now.

[Sam Taggart]

Oh, my God.

[Nathan Hare]

Oh, my God.

[Unknown]

Boys. Don't get him.

[Sam Taggart]

I would say I was a question asker through age, like, 22. And then I stopped Double humpstead. I, like, got it. Yeah.

[Nathan Hare]

You were so you.

[Sam Taggart]

In college. I would be like, so you.

[Unknown]

Juvie. Just for you. Juvie for me?

[Sam Taggart]

Yeah. Yeah.

[Unknown]

Your brain wasn't developed yet.

[Nathan Hare]

What? Do you have any, like, memories of a question?

[Sam Taggart]

Yes.

[Unknown]

Yes.

[Sam Taggart]

Okay. So one time in college, I was going through a really staunch atheist phase.

[Nathan Hare]

We don't do that here, by the way.

[Sam Taggart]

I'm. I'm past it. Okay. I'm now really.

[Unknown]

He loves the Lord.

[Sam Taggart]

I'm now really born again Christian. No, I no longer care. And nor would I ever, like, judge anyone for any kind of religious practice.

[Nathan Hare]

Yeah.

[Sam Taggart]

But at the time, I was going through, like, a staunch atheist phase. And we had a very important person in politics speak about something completely unrelated. It was a lawyer that was up for the Supreme Court, and it was during Obama's presidency, and it was a big deal that this person was speaking. Everyone else was asking very normal questions. And I had just read an article about compulsory prayer at schools. So I raised my hand and was like, so where do you stand on the compulsory prayer at schools debate? And the person was like. Like, that's not important.

[Nathan Hare]

But that was using the power of asking a question for good.

[Sam Taggart]

Well, was it for good, though?

[Unknown]

It. Honestly, I was expecting it to be way more off base the way that you were setting it up.

[Sam Taggart]

Okay.

[Unknown]

Because I'm like, that's a normal question. Sure, whatever.

[Sam Taggart]

But it's such a. Would you guys not agree that that's a very, like, straight guy question? Like, it's like to go out there and be like.

[Nathan Hare]

Because a straight guy question will always first position, what they know so far about the thing they're asking about.

[Sam Taggart]

So that's what it is.

[Nathan Hare]

It's like, big nod from a man in the front row.

[Sam Taggart]

I'M this topic was so. Was not part of the. It's like me being like, you shot it in 70 millimeter. And she's like, well, I'm a lawyer.

[Unknown]

The way that I actually wish one time in my life I could have the bravery to ask a question in a Q and A. Yeah. But I'm always like, well, what am I gonna. Like, the movie's done. What do I need to know? Like, that's always. I'm sort of like, well, I can't change anything.

[Sam Taggart]

Yeah.

[Unknown]

Have fun.

[Nathan Hare]

So you think your questions would, like, spawn, like, things they'd want to change of the movie?

[Unknown]

Pretty much. I want to be able to be like, hey, did you mean to do that? Because I think you should change it.

[Sam Taggart]

Well, here's the thing. Okay. So I think the stereotype. So, you know, it's like a straight, like, confident, straight guy. Okay. The stereotype is like, he's going to get up and, like, take up all the space in the room. All right.

[Nathan Hare]

Yeah.

[Sam Taggart]

But here's the thing, actually. The most confident you can be is knowing you know everything and that there's no possible other information you could get from the person.

[Nathan Hare]

Yes. You're so removed from the Q and A process itself.

[Sam Taggart]

Exactly. And I.

[Nathan Hare]

There's nothing Barry Jenkins could ever teach you.

[Sam Taggart]

Exactly.

[Unknown]

Wait.

[Sam Taggart]

But wait, I feel like, what? Go ahead.

[Unknown]

Well, I'm like, that's almost. It's not that I'm like, I can't learn from him, but I am sort of like, we're on different journeys.

[Nathan Hare]

Yeah.

[Unknown]

Like, I'm like, barry's journey is not my journey.

[Sam Taggart]

It bears your. But also, you're like, well, we're peers. Like, he's doing his thing, I'm doing my thing. Of course, nothing.

[Nathan Hare]

The tables could be reversed so easily.

[Sam Taggart]

And guess what? You know who's not asking a question at the Q and A for La La Land? Barry Jenkins.

[Nathan Hare]

Barry Jenkins.

[Unknown]

Well, the issue also is, like, no one's actually asking a question to learn.

[Sam Taggart]

Yeah.

[Unknown]

They're asking a question to show that they are smart, and that's where it gets complicated.

[Nathan Hare]

Or to kind of affirm something that they've been guessing about it. Oh, I bet that scene was hard, wasn't it? And then Kelly Reichardt is like, sure, yeah.

[Unknown]

It was super weird to kiss on screen.

[Sam Taggart]

I was at a Q and A for a book once, and someone asked, like, someone was fully. Like, this was just so well written. Like, how do you think I would go about being an author? And I had this moment where I was like, it was a moment of clarity where I was like. Like, that is every question. That is the subtext of every question. And no matter how, like, intelligent you think you're being, what you're asking is, how can I make Moonlight?

[Nathan Hare]

Yes.

[Unknown]

I think I want to end this segment on this. So do we have any Q and A's from the audience? Yeah, yeah, yeah. In the back, I have a Q.

[Sam Taggart]

And A about you.

[Unknown]

About what?

[Sam Taggart]

About Q and A. Oh, yeah, please. This afternoon, I was watching a French.

[Sarah Haggie]

Film festival movie with my parents, and.

[Sam Taggart]

They started a Q and A afterwards.

[Sarah Haggie]

In French, and we were too awkward.

[Sam Taggart]

To leave, so we sat there for 25 minutes listening to them speak in.

[Sarah Haggie]

French and not understanding a single word.

[Sam Taggart]

What would have been the appropriate course?

[Unknown]

Okay, that's an amazing question. Thank you for that. And thank you for watching our peace.

[Nathan Hare]

And thank you for your bravery and your honesty.

[Sam Taggart]

I would say learn French. First of all. You're in Canada.

[Unknown]

Yeah, yeah. I would say learn French.

[Sam Taggart]

I would say. I would say, let's take it from the top. Learn French. And then from now on, you won't.

[Unknown]

Be confused or stand up and say, I don't support any of this.

[Sam Taggart]

Yeah, yeah.

[Unknown]

And then you walk out. And it's good, actually. It gets them pressed, too. It's like protests spark at French Q and A.

[Sam Taggart]

Or just like, yeah, get up and be like, pooh, merde. And then just like, yes.

[Nathan Hare]

Burn the French flag.

[Sam Taggart]

Yeah, yeah, burn the French flag.

[Nathan Hare]

And then you raise a Quebecois flag because you are a separatist. And. But for real, girl, next time you find yourself in that situation, just remind yourself that everything will be okay no matter what. And you have to drink enough water.

[Unknown]

Self care is so important on a time like that.

[Nathan Hare]

And. And, hey, whoever you hurt in the past, they forgive you.

[Unknown]

And on top of that, moisturize.

[Nathan Hare]

And if you drink a lot of water, you can moisturize just a little less.

[Sam Taggart]

Wow. And finally, vive la France.

[Unknown]

Well, well, Give it up for Ben Sosa.

[Sam Taggart]

Ride, everybody. Wow.

[Ryan Seacrest]

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[Ben Sosa Wright]

If you use paper, you're a human. But if you choose paper, you're a papertarian, someone who lives a paper based lifestyle because it has a positive impact on the planet and also because it's the easiest choice you'll make all day. Seriously. It's as easy as reaching for boxed instead of bottled water. It's as easy as opting for beauty products that come in paper packaging. It's as easy as grabbing eggs in a cardboard container. And that's all in one trip to the grocery store. Which, if we're being honest, you were planning to go to anyway. But paper isn't just an easy choice. Papertarians know that. It's the smart choice too, because paper comes from trees, a renewable and sustainably managed resource. And paper products are designed to be recycled. In fact, when you choose products that come in paper based packaging, those fibers can go on to be recycled up to seven times. So why wouldn't you go papertarian?

[Unknown]

I'll wait.

[Ben Sosa Wright]

Learn more at howlifeunfolds.com Papertarian hey, it's.

[Ryan Seacrest]

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[Sam Taggart]

Dave.

[Unknown]

I know, right? I was worried we'd bring back the same team.

[Sam Taggart]

Oh no, I meant those blackout motorized shades. MVP of the room blinds.com made it.

[Ryan Seacrest]

Crazy affordable to replace our old blinds.

[Sam Taggart]

Hard to install? No.

[Ryan Seacrest]

It's easy.

[Sam Taggart]

Even you could do it.

[Ryan Seacrest]

Nice.

[Sam Taggart]

I installed these and then got some from my mom, too. You fly across the country to do the install? Nope.

[Unknown]

Blinds.com can do it all.

[Ryan Seacrest]

All she had to do was pick what she wanted.

[Unknown]

She talked to a design consultant for.

[Ryan Seacrest]

Free and scheduled a professional measure and install.

[Sam Taggart]

Look at you. Hall of fame, son. Oh. I just picked the winning team. They're the number one online retailer of.

[Ryan Seacrest]

Custom window coverings in the world.

[Sam Taggart]

Oh.

[Unknown]

Blinds.com is the goat.

[Sam Taggart]

The goat shop. Up to 45% off select styles plus a free professional measured and a 100%.

[Ben Sosa Wright]

Satisfaction guarantee during the blinds.com year end blowout.

[Sam Taggart]

Up to 45% off [e-mail]. blinds.com rules and restrictions may apply. Wow. Okay. I'm pumped up.

[Unknown]

No, I'm like, literally pumping up.

[Sam Taggart]

I'm like, I'm in the manic phase. You were this morning. I'm ready to catch a leaf.

[Unknown]

I would give anything to be manic again.

[Sam Taggart]

Would you say that when you caught the leaf, it was like, it was like, like that or it was like, like that?

[Unknown]

No, it was almost okay. It was like this. Like.

[Sam Taggart]

Wow. Okay.

[Unknown]

It was so I literally was like, should I frame this leaf?

[Sam Taggart]

Did you keep it?

[Unknown]

No. What the hell? But I really wanted to.

[Sam Taggart]

You should do the thing where you put it in a notebook.

[Unknown]

Well, I was like, customs won't let me.

[Sam Taggart]

You get arrested for bringing back a leaf. Damn. Wait. We never talked about Canadian niceness.

[Unknown]

We never talked about Canadian niceness.

[Sam Taggart]

We can. Or we can just keep the show going.

[Unknown]

I would like to talk about it a little bit.

[Sam Taggart]

Okay. Okay.

[Unknown]

Go, go. You're all very nice. And in a way that is like, I'm from the Midwest, and people will be like, you know, Midwest nice is like a phrase, but it comes with, like, daggers behind closed doors. And I'm, like, looking for the daggers here, and I'm not seeing it.

[Sam Taggart]

To look into someone's eyes and be like, oh, kindness.

[Unknown]

This has happened at three times today where I've accidentally made eye contact with someone and they say hello.

[Nathan Hare]

And that.

[Unknown]

Has freaked me out.

[Sam Taggart]

Well, in America, when someone's nice, it's because they want something out of you. And it's because they're being fake. And it's because they're under the table, like, making, like, grabbing their thigh and bleeding. Like my. I've told you. My grandmother used to do this impression of American people where she would be like, oh, hi, nice to meet you. And she would, like, do that, and me would be like, grandma's fun impression. But that's, like, so true. And I keep waiting for the Canadian version of that. Someone's being so nice to me, and I keep waiting for them to be, like, to break. And they don't. It's just earnest. It's sincere, and it's not earnest in, you know, oh, I'm such a little baby. And I don't know about the world. No, I know about the world. And I have opted to be kind.

[Unknown]

No, it's very aware. I. This is something I've coined today. Canada is. If the Midwest got woke.

[Sam Taggart]

Totally.

[Unknown]

Because I keep being like, okay, I'm sort of in the Midwest. But everyone's, like, aware, but they're not, like, bummed out about it. Yeah, it's so interesting.

[Sam Taggart]

Yeah, it's. Canada is sort of Obama era the country. But in a good way.

[Unknown]

No, like, in a way where I'm like. I almost, like, talk to him after the show. Tell me the evils, because I need to know. Yeah, don't do it now. Right now. It's all good vibes.

[Sam Taggart]

Okay, well, are we ready for our next guest? Please, please give it up for Sarah Haggie.

[Nathan Hare]

Hi.

[Sam Taggart]

Oh, wow.

[Sarah Haggie]

Hey. Oh, wait, is this on?

[Unknown]

Oh, you have to turn it on. It's. It's a trap.

[Sarah Haggie]

Hello. Oh, there we go. It's my first time.

[Sam Taggart]

I thought you. I literally thought you were saying, hello.

[Sarah Haggie]

Hello, hello, George Stand.

[Unknown]

But you did. It's actually an amazing rite of passage to say into a mic, is this thing on?

[Sarah Haggie]

Is this thing on?

[Sam Taggart]

Wow.

[Unknown]

You never get to do that.

[Sarah Haggie]

No, that's how you'll know. Gotta ask. Gotta ask.

[Unknown]

You gotta ask.

[Sam Taggart]

So what's up?

[Sarah Haggie]

Well, I heard you guys talking about everyone being nice, and I just want to say I'm not gonna be nice today.

[Sam Taggart]

Yeah, but that's like. So she says with a huge smile. Exactly like you think Sarah has, like, meanness, dysmorphia, where she thinks. You think. You think you're a huge bitch, but in fact, you're a. You're like, hi.

[Sarah Haggie]

No, I got grit. Like, there's something dark going on.

[Sam Taggart]

Totally, totally.

[Sarah Haggie]

I'm not like that.

[Unknown]

What do you think is the meanest thing you've ever done?

[Sam Taggart]

Yeah, tell us.

[Unknown]

Oh, sorry. That's the most insane question I've ever done.

[Sarah Haggie]

I honestly don't think I've ever done anything that mean. Yeah, I mean, I'd be really.

[Sam Taggart]

You've just said mean. Things.

[Sarah Haggie]

Yeah. I've said mean things and I've like, like, done mean things, but I haven't been mean.

[Sam Taggart]

Rare.

[Unknown]

Totally.

[Sarah Haggie]

Yeah. Yeah. That was like the essence of the whole interaction, you know?

[Sam Taggart]

I see, I see, I see, I see. Okay, so what was the meanest thing you've ever done?

[Unknown]

Okay.

[Sam Taggart]

Oh, I have one.

[Unknown]

But I have one immediately. One time I lied to a college improv troupe member that we were all, you guys don't understand. College improv is fucking lie.

[Ryan Seacrest]

If.

[Unknown]

And I told him we were all going to bed, but actually the cool ones were going downstairs to hang out with the coolest improv group.

[Sarah Haggie]

Did he find out?

[Unknown]

And he woke up in the middle of the night, came downstairs, saw us all, and just lost his damn mind.

[Sarah Haggie]

That's awesome.

[Unknown]

And it was like. I mean, the college improv scene was rocked in a way that I don't know if it's recovered since, but I really was like, this person is allowed to hate me, like forever.

[Sam Taggart]

It's.

[Sarah Haggie]

What was so wrong about. Oh, you don't think they're here. That's too mean. That's mean. That's mean. They're not here.

[Unknown]

Yeah, no, they're not here. No, no, they're fine. They live in la.

[Sarah Haggie]

That's good.

[Sam Taggart]

One time when I was in grade school, this girl, there was a photo taken of this girl just of her face and she like, was making sure she was like, caught off guard and was just like making a funny face. And at some point she made a comment and I thought she was like laughing at how funny the photo was. So then as a joke, I like printed it and did something with it. Like, I like thinking she would, like, find it funny because she thought the photo was funny. And then it turned out she actually, like, hated the photo and I accidentally, like, severely bullied her. So that would be my thing, you.

[Unknown]

Know, this is such an. This is such a. A room ruining segment. Yeah.

[Sarah Haggie]

I'm sorry.

[Unknown]

What's the meanest thing you've ever done? Then we just honestly say what the meanest thing we've ever done is. It's like one of the crazier things we've ever done.

[Sarah Haggie]

Yeah, that is. I'm sorry.

[Unknown]

Well, that's okay.

[Sam Taggart]

No, it is not your fault.

[Unknown]

No, we literally asked you that.

[Sarah Haggie]

That's true.

[Unknown]

And it was really smart of you to like, not really go in.

[Sam Taggart]

Totally, totally. Okay, you know what, Sarah? What is your straight topic and what do you think is straight about it?

[Sarah Haggie]

Okay, my straight topic is speakers and sound quality. Like, caring about Speakers and sound quality and having them.

[Sam Taggart]

Definitely.

[Sarah Haggie]

I honestly think this is straight and also gendered. Because if you go to any woman's home and she's straight and she has a speaker or a sound bar, a guy brought it. There she is.

[Unknown]

Oh, my God.

[Sarah Haggie]

She did not do that herself. A guy did it. And I've seen this happen with my friends. That's how I know something's going on. Like, it's, like, serious. My friend has a shitty TV and she has amazing speakers. And I was like, your boyfriend did that? And she's like, yeah. You know, like, he just says, like, you can't really hear well on the TV speakers. And you're like, fuck. Like, we can't keep losing you guys.

[Sam Taggart]

This is a classic example of, like, ranking things as gay or straight. Comes all the way back around to just being, like, sexist.

[Unknown]

It's always one of the more confusing things.

[Sam Taggart]

Women don't know about technology.

[Sarah Haggie]

They don't. No, truly, they don't. We don't. We don't. That's why we have the captions on, and that's why things are so loud. And it's. That is okay. And I know this is true because I started getting so angry about my friends having boyfriends who got them sound bars that I got a sound bar. And I thought I was gonna do it on my own. It took me six to seven weeks.

[George Severis]

No.

[Sarah Haggie]

To figure this out, because I was like, okay, there's a whole world of speakers, and they cost nothing, and they cost a lot, and you don't know which one to get or will fit. I had to ask a guy. I ended up asking a guy to help me, and I did get one. And it's true. You do hear things better. And you turn the captions off when you get a sound bar, and it changes everything.

[Unknown]

I hate when guys. When straight guys are right.

[Sarah Haggie]

They are. But then it goes too far. They care. They go like, yeah. You know, if you see a movie at TIFF Cinema 1, like, the sound is actually so good. Like, that's where you should be watching that. And you're like, I know that's true. And I know that will enhance my experience. But, like, you don't have to make it like that.

[Sam Taggart]

Yeah.

[Unknown]

Well, there is, like, when is enough gonna be enough?

[George Severis]

Yes.

[Sarah Haggie]

When is it? Like, so you want to hear everything now? Like, all the time?

[Unknown]

Like, I am. Like, if you're in a movie theater, you're here hearing most of it.

[Sam Taggart]

Yes.

[Sarah Haggie]

And you know what? I went to go see Tar. I went To a shitty theater. And I had to walk out cause it sounded too scary, it was too loud. And I was like, this isn't working. I can't hear tar properly, my friend. And I walked out and then someone goes, yeah, it's Cause you know the sound in that cinema, it's well, shut up.

[Sam Taggart]

There is something about the impulse to problem solve is very straight, man. Like if I'm turning on my TV and I don't and the image is stretched out, I'm like, that's how it's meant to be.

[Unknown]

Well, there's something about like learning the technology where you're like, you're making it not magical.

[Sam Taggart]

When I also like, I know that if I, if I begin the journey of attempting to figure it out, I will enter a years long depression.

[Sarah Haggie]

That's exactly it. And also, have you ever tried playing something on a phone around a guy, straight guy? They get so mad if you play a song on your phone without a speaker. I can't listen to that. That's the sound quality shootinny. It's all the time.

[Sam Taggart]

Yeah.

[Unknown]

Huh.

[Sam Taggart]

It's interesting because it's also the things to choose to perfect. Like they want sound to be perfect, they want visuals to be perfect. But then it's like there will be like a shit stain on their bed.

[Sarah Haggie]

Yes.

[Unknown]

Well, it's like a technical thing rather than like a visual thing.

[Sam Taggart]

Yeah, yeah, yeah. It's like, okay, here's what it is. Anything that is, that can be optimized should be optimized. But anything that is more vague, they basically don't see.

[Sarah Haggie]

Yeah, yeah, yes. They want to beat it.

[Sam Taggart]

Yeah.

[Unknown]

This is where it gets into, this is where it gets gendered and like homophobic, heteronormative. Again, let's go where I'm like, okay, so it's the boy's job to put all the cords and figure out all the tech. It's the girl's job to go, why are all these cords here? Yeah, we gotta cover up these cords.

[Sam Taggart]

Yeah.

[Unknown]

And then it goes.

[Sarah Haggie]

Actually I saw like this cord managing thing on Amazon. You can get that.

[Unknown]

And you're like, okay, boys put out chords, girls put away cords.

[Sam Taggart]

But it's also against again two different types of problem solving. It's like the boy will literally make the room as ugly as possible. Cords everywhere. But then the image quality perfect, audio quality perfect. And then the girl will be like, well, I'm tripping and falling because of all these cords. What if we do something about that?

[Sarah Haggie]

Yeah, I don't know what it Is. I just. It's like exactly what you said where they don't. The problem's done. So nothing else exists.

[Sam Taggart]

Yes, exactly.

[Unknown]

George, I have a question. In your relationship, do you put out the cords or put away the cords?

[Sam Taggart]

I would say, see, this is tough. I would say, sadly, chords are not dealt with.

[Sarah Haggie]

Wow. I totally thought you were putting the cords out.

[Sam Taggart]

You think I'm the one that is perfecting the sound?

[Sarah Haggie]

I could see that.

[Unknown]

I could see that.

[Sam Taggart]

Here's what I am. Okay? So this is what I am. I notice a problem, it bugs me so much, and then I complain about it every day for a year and a half. And. And not only do I complain about it, but I complain about it as though I keep trying to fix it in my mind. I'm like, I've done everything, but I've done nothing.

[Sarah Haggie]

It's. Thinking about it is a lot of work. And then being like, I know the second I start actively caring, it will take out a lot emotionally. And there's work before the work.

[Sam Taggart]

Exactly. Well. Cause you're like, well, I've already thought about this for a year. Maybe if I ignore it, I'll sort of naturally stop thinking about it. But if I start fixing it, that's like adding at least another six months.

[Unknown]

Well, if you start fixing it, it's like, I guess I have to call out of work.

[Sam Taggart]

Yeah, exactly.

[Unknown]

That's a full time job.

[Sarah Haggie]

Yeah. And you have to, like, know what you want and feel like you should go with what you feel like. Sometimes it's like, I will learn what I love through worrying about it.

[Sam Taggart]

Yeah, yeah, yeah, yeah.

[Sarah Haggie]

And that's the work before the work.

[Sam Taggart]

Yeah, no, it's.

[Sarah Haggie]

That's my new thing.

[Unknown]

The work before the work before the work.

[Sam Taggart]

That's your book.

[George Severis]

No.

[Unknown]

That's such a beautiful title.

[Ryan Seacrest]

No, the Work before the Work.

[Sarah Haggie]

Don't steal it. Okay.

[Unknown]

If the book was literally completely empty inside, I'd still be like, I should pick this up.

[Sam Taggart]

Yeah. Because.

[Sarah Haggie]

Okay, we were talking about this. There was a book that we both were like, conceptually, we fully agreed by reading about it, but we're never gonna read it. But I'm like, I know it'll. I know what's in there. And I agree. And I'm gonna tell people about it.

[Sam Taggart]

Yes. No, this is the thing with self help and with, like, the power of habit. Like, but it's like, all you need to do is think of a phrase. The end. Like, you can. You can just like, literally all blank pages, think of a phrase, and it can, like, rewire how you think about, like, what is it, like, even just, like, don't sweat the small stuff.

[Unknown]

Yeah.

[Sam Taggart]

Genius.

[Sarah Haggie]

Yeah, I won't. Yeah. Wash your face, girl.

[Unknown]

Yeah, wash your face, girl.

[Sam Taggart]

Literally, wash your face, girl. No, but the work before the work. Would the point of your book be that a guide for minimizing the work before the work or empowering people to celebrate the work before?

[Sarah Haggie]

Thank you for asking. Because I feel like through my own experience, working before the work, I feel like what happened to me naturally was I just had to embrace the work before the work. And I think it's about embracing not doing stuff that you're supposed to be doing because you're not ready to do it yet. And you grew in that time. You were putting it off, and you're ready to do the work. And that is the work before the work.

[Sam Taggart]

Exactly.

[Unknown]

Totally.

[Sam Taggart]

100%. It's like the work before the work is intellectual, and the work itself is practical. It's like you're building something.

[Sarah Haggie]

It's thinking about the speakers, then it's putting away the chords, literally.

[Sam Taggart]

You know what the work before the work is in terms of the speakers reading film theory. Yeah.

[Sarah Haggie]

And being like, man, they did crazy sound things that they never got to do. It became illegal after that.

[Sam Taggart]

It's literally.

[Unknown]

I also have to say, the work before the work is very CEO coded. It's very like, well, I did all this, and it's like, no, you were like, somebody should do that.

[Sam Taggart]

Right?

[Sarah Haggie]

Yeah, but they wouldn't know until I was like, you have to do that.

[Unknown]

CEOs are literally like, my job is so hard. I'm always like, someone should do that.

[Sarah Haggie]

Yes.

[Unknown]

Huh.

[Sam Taggart]

Wow.

[Sarah Haggie]

Don't you feel better just letting it? Like, just feeling good about not doing it?

[Unknown]

Yeah, No, I actually would make an incredible CEO.

[Sarah Haggie]

Yeah. It's all about thinking. It's all about thinking and feeling, and then it's about doing. Yeah, but thinking and feeling is doing, right?

[Sam Taggart]

Thinking and feeling is doing. Wow.

[Unknown]

Wow.

[Sam Taggart]

Well, Sarah, any final thoughts on speakers and sound quality as straight topic?

[Sarah Haggie]

Truly, if you're a girl and you're single and you want a sound bar, just do it like every. Actually, it makes you look cooler because people go in and be like, damn, she's kind of, like, slutty or something. And it will make you seem, like, a bit more edgy and cool.

[Sam Taggart]

Entering a house.

[Unknown]

House.

[Sam Taggart]

And seeing a sound bar, being like, oh, she's that kind of girl.

[Unknown]

Honestly, I'm like, I mean, if there's surround sound, it's like, run, brother.

[Sarah Haggie]

She is run through. And I mean that in a positive.

[Sam Taggart]

That has ran through with her sound bar.

[Sarah Haggie]

Yeah.

[Unknown]

Damn. Her vinyl player is set up. Get out of there.

[Sarah Haggie]

She have captions on. Okay, baddie.

[Unknown]

Yeah. Her husband's coming home at any second. Wow.

[Nathan Hare]

Well, give it up for Sarah Haggie.

[Sam Taggart]

Wow.

[Unknown]

Oh, my God. Well, that was electric.

[Sam Taggart]

This is electric. I can't believe that at some point in the near future, the show will be over. I'm crying about it.

[Unknown]

No, it's upset. It's upsetting.

[Sam Taggart]

This entire show is a leaf falling from the sky and me catching it.

[Unknown]

Beautiful. I am so the one that puts the cords away.

[Sam Taggart]

Like, oh, okay.

[Unknown]

I'm like. You're like, what?

[Sam Taggart]

That's actually shocking to me.

[Unknown]

Is it?

[Sam Taggart]

Yes. I don't. Okay, here's what I'm trying to square this with.

[Unknown]

Okay, you're scaring me.

[Sam Taggart]

Are you the one that does the dishes?

[Unknown]

Oh, God, no.

[Sam Taggart]

So, okay, so this.

[Unknown]

Well, my hands get dry, right?

[Sam Taggart]

Cause I understand. Cause you see how those are obviously different but related. It's like, you're not. I don't think you're the tidier, Are you?

[Unknown]

But I'm the one that craves more of an aesthetic vibe.

[Sam Taggart]

Oh, I see. I see. I see.

[Unknown]

Like, so if it's like. Like, Misha's obviously much better at cleaning.

[Sam Taggart]

Yeah.

[Unknown]

But when people are coming over, I'm like, I know what to do.

[Sam Taggart]

Okay.

[Unknown]

And I, like, move everything in the right place, and I'm like, oh, oh, this candle. Ooh, ooh, over here.

[Sam Taggart]

So you're thinking in terms of aesthetics. So here's what it is. Dishes, because they are concrete objects that you can count. That's more of a mathematical vibe. Like, that's like. That is more chords.

[Unknown]

That is chords.

[Sam Taggart]

That is. Okay, so dishes are chords. Because it's something that you need. Like, you can be like, seven. If I do seven of them, then they'll be zero. Whereas what you're doing is like. Like creating an ambiance. Yeah.

[Unknown]

It's like I'm like a maniac who sees things.

[Sam Taggart]

Yeah.

[Unknown]

Yeah.

[Sam Taggart]

Okay. All right. I'm seeing it.

[Unknown]

Damn. I'm actually surprised.

[Sam Taggart]

What?

[Unknown]

No, I'm like. It's really important to have these conversations of who is chords and not chords.

[Sam Taggart]

Wait, you thought you're surprised? I'm surprised that you're not chords.

[Unknown]

You're getting it, sweetheart.

[Sam Taggart]

Okay, let's bring out our final guest.

[Unknown]

Oh, my gosh. Well, we couldn't be more excited.

[Sam Taggart]

Please welcome Nathan Hare.

[Nathan Hare]

Wow. Hi.

[Unknown]

Hi. Hi. Hello.

[Sam Taggart]

Hello.

[Unknown]

You have to turn the mic on. I think it got turned off.

[Sam Taggart]

Hello.

[George Severis]

How's it going?

[Unknown]

Well, it's going amazing. Woo.

[Sam Taggart]

One.

[Unknown]

Woo.

[George Severis]

Okay. Some Nathan heads in the crowd.

[Unknown]

Yeah. Well, let's say one. There was one. Woo.

[Sam Taggart]

I want to address the fact that you.

[George Severis]

We'll work on that. We'll work on that.

[Sam Taggart]

You came out and asked, how's it going? Which immediately turned the tables on us.

[George Severis]

Yeah, I wanted to fuck with you guys.

[Sam Taggart]

Well, you really imagine, you know, you're okay. Canadian reference. George Strombolopoulos.

[George Severis]

Whoa. Mm.

[Sam Taggart]

Wait, is he bad now?

[Unknown]

What'd he do? And who is he?

[Sam Taggart]

He's a known gaslighter. Well, anyway, I was trying to think. He's a talk show host, so I was trying to think of a Canadian one. Okay. Who's another Canadian talk show host?

[Unknown]

Well, I had a kind of sensitive question to ask you because you came out with such energy.

[George Severis]

I took a nap backstage.

[Unknown]

I was just, well, here's my sensitive question. Do you host some sort of podcast?

[George Severis]

Oh, God. I know. I do. I do.

[Sam Taggart]

Oh. So I.

[Unknown]

That's it.

[Sam Taggart]

That's it. And you were like, I'm the host.

[Unknown]

He's like, I'm host now.

[George Severis]

I'm the host now. This is my show. He's going on my rss.

[Sam Taggart]

That is classic George Drumbalopoulos behavior.

[Unknown]

Yeah, that's why he was canceled.

[Sam Taggart]

Yeah, exactly. I did not know he was canceled.

[Unknown]

People are mixed on whether or not he's canceled.

[Sam Taggart]

People don't know. And everyone is simultaneously saying, well, it's bigger than that.

[George Severis]

Yeah. I think people don't like him.

[Unknown]

Oh, people don't like him.

[Sam Taggart]

Is he sort of like Cheugy? Okay. No. Okay.

[Unknown]

Okay. Everyone was like, how about you jump off a cliff? Wait, this is like, not the best time to ask this, but I've been so curious. I know. We do this thing when we go to cities where we, like, try to be self aware and think that that prevents us from being basic while asking the most basic question. So here's what I want to ask in that vein is like. So does everyone always ask you guys how you feel about Drake? They do.

[Sam Taggart]

Well, sweetie, he went to everyone's school.

[Nathan Hare]

Remember?

[Sam Taggart]

He was.

[Unknown]

Do people, like, like him or hate him?

[George Severis]

Now here, here, specifically, they think they dislike him.

[Sam Taggart]

I think our crowd hates him. But does the average person like him?

[George Severis]

I don't. I don't. I think he's pretty disliked now. Yeah, I think he kind of took an L with the whole.

[Unknown]

Sure. I think.

[Sam Taggart]

Sure. Sure, Sure.

[Unknown]

I was working on this theory that that's maybe niche, but he is to Toronto what Dan Savage is to Seattle. I think that does that track for people.

[George Severis]

Yeah.

[Unknown]

Because I feel like people are always like. Like, with Dan Savage, you're like.

[Sam Taggart]

Yeah.

[Unknown]

And I'm already, like, breakout discussions are starting.

[Sam Taggart]

Yeah, no, I see. I think that your relationship to Drake, like, you know what it is? It's like. It's like your relationship to nationalism. Like, you are. Of course, we all. On some level, the military is our Drake. Yeah.

[George Severis]

Yeah. I bet you that.

[Sam Taggart]

You guys, you know, you guys. You know, you guys are like, drake is lame. Drake is lame. But if someone. If we came out and very confidently were like, drake fucking sucks, you would be like, all right, let's slow down for a second.

[George Severis]

Yeah, he has a few good.

[Sam Taggart]

No.

[Sarah Haggie]

Getting trolled on an international level for him being a pedophile.

[Sam Taggart]

Okay, got it.

[George Severis]

Wow. We are getting trolled. It's not that serious. We are getting trolled. You don't understand. We're getting trolled.

[Unknown]

Folks.

[George Severis]

Folks.

[Sam Taggart]

We're getting trolled.

[George Severis]

We're getting trolled on the international level. We're getting trolled on the world stage, mama. We're getting trolled.

[Unknown]

The world is watching.

[George Severis]

I love that.

[Unknown]

I do love the importance, because I get it. I totally get it.

[Sam Taggart]

To be like, let's nip this in the bud right here. We're getting trolled on an international level.

[Unknown]

The UN will barely take us.

[Sam Taggart]

We're getting trolled.

[Unknown]

Okay, well, I'm sorry. We know what that's like.

[Sam Taggart]

Yeah, we know what that's like.

[Unknown]

We know what that's like.

[Sam Taggart]

That's sort of every. That's sort of our whole vibe. Our whole vibe. Yeah.

[Unknown]

So pretty much. What's your straight topic?

[George Severis]

Yeah.

[Unknown]

So I really threw that on you.

[George Severis]

No, it's okay. I loved the discussion and can't wait to hash it out with y'all after the show. Yeah. Love to get to idle. Yeah.

[Sam Taggart]

Your color palette is so calming. Like the brown corduroy green and then socks and. Do you see what I'm saying?

[George Severis]

It really.

[Unknown]

No, I see it.

[George Severis]

Yeah. Well, I went to Common Sword before the shows.

[Sam Taggart]

I don't know what that is.

[Unknown]

Vocal references on Brunswick.

[George Severis]

There you go. Yeah, there you go.

[Sam Taggart]

Yeah. I'll send you an E Transfer.

[George Severis]

You guys are getting it. You guys know your stuff.

[Sam Taggart]

All right, let's get serious.

[George Severis]

Seriously.

[Unknown]

We're being on a. On an international level.

[George Severis]

Yeah.

[Sam Taggart]

All right, so what is your straight topic and what makes it straight?

[George Severis]

Okay, my straight Topic is leaning really far back in your chair.

[Sam Taggart]

Genius. Yeah, Genius.

[George Severis]

Yeah. And I just think only straight people do that.

[Sam Taggart]

Yeah.

[George Severis]

And what inspired it is. I was at the Review. Sorry. Sorry. Okay, cool. Yeah, we're doing that in the paradise, so. But I was at the Review. And this. Their chairs lean so far back, and it's a venue.

[Sam Taggart]

A venue.

[George Severis]

It's. Yeah, it's just like a rap theater.

[Sam Taggart]

Okay.

[George Severis]

And.

[Sam Taggart]

Okay, what about it?

[Unknown]

The oldest cinema.

[Sam Taggart]

Oh, the oldest cinema in Canada. Oh, my God. I bet Sarah Pauley loves that place.

[George Severis]

And I was seeing a Sarah Pauley film.

[Sam Taggart]

You were seeing a Sarah Pauli.

[George Severis]

I was. I was seeing the Sweet Hereafter. Yeah.

[Sam Taggart]

Great film.

[George Severis]

Yeah. So, yeah, that's my time. Thank you so much. I. And this guy. The guy in front of me fully. He had his chair leaned so far back and there are these, like, old creaky seats. So far back. His head was on my penis. Straight. Straight up. Hey, I wasn't complaining. But wasn't. Wasn't wearing any pants.

[Unknown]

Panic's off.

[George Severis]

What the fuck? Okay, fuck it. I'll go with it.

[Unknown]

Whatever, bro.

[George Severis]

Jesus Christ, dude. But yeah, and he literally was like that. It seemed uncomfortable how far he was leaning back. And he was like that for the entire movie. The only time he went up was to whisper something in his girlfriend's ear, so.

[Unknown]

Babe, I need to pee.

[George Severis]

Yeah. I'm so fucking hungry right now.

[Unknown]

Did you bring my snacks?

[George Severis]

Yeah.

[Sam Taggart]

This chick Sarah Paulie is hot.

[Unknown]

Okay. She's my hall pass.

[Sam Taggart]

Oh, my God. That would be the most Toronto thing ever if someone's hall pass was Sarah Pauly.

[Unknown]

Okay.

[Sam Taggart]

Yes.

[Unknown]

I think leaning back in the chair, there's an. I think part of what's straight about it is that it's so adolescent. It's very high school.

[George Severis]

Yes.

[Unknown]

And. And most our paths, you know, that's where we go separate directions and, you know, we learn that we don't do that anymore. But they're like. But this is how I sit.

[Sam Taggart]

It's sort of adjacent to, like, taking a booger and putting it on the wall.

[George Severis]

Yeah.

[Sam Taggart]

That's something you do until a certain age. And then you stop.

[George Severis]

Yeah.

[Unknown]

There has been a booger on the bathroom wall at where I work for over two weeks now.

[George Severis]

What the hell?

[Unknown]

And I know there's, like 10 of us that use that bathroom. I'm gonna find out who did it.

[George Severis]

Yeah.

[Sam Taggart]

Yeah.

[Nathan Hare]

Sorry.

[George Severis]

I feel like I have memories of, like, in school.

[Sam Taggart]

Yes.

[George Severis]

Being in class and some teacher getting mad at some guy who's, like, leaning so Far back. You're gonna fall.

[Unknown]

I. I have to call you in and say something.

[George Severis]

Yes.

[Unknown]

You lean back very naturally.

[George Severis]

Okay, well, I. So it's. I'm kind of half. I can comment on it. And I also.

[Unknown]

Wow.

[George Severis]

I can be both. Yeah. I literally. I straight up forget that I'm bi sometimes. Cause I've been in. I've been in a straight relationship for like five years now. And I'll literally, I'll see a hot guy and I'll be like, fuck, I might be gay. I'm like, no, I already came out. Actually, I've already died. I came out to my parents eight years ago. Yeah, I don't know. I guess I do lean back a bit.

[Sam Taggart]

It.

[George Severis]

I'm doing it now to talk about it.

[Sam Taggart]

You're certainly embodying it. Like, it's. It's coming across very nice.

[Unknown]

Right.

[George Severis]

I got to play the part.

[Unknown]

Do you think you're embracing the straighter side to sort of differentiate yourself from us?

[George Severis]

Why was that low key? A therapy session for real? You guys are smart, so. You guys are so crazy.

[Unknown]

Damn, this is scary. You're scaring.

[Sam Taggart]

I'm being bullied.

[Unknown]

I'm literally being well. And the thing is that I, you know, in high school and middle school, I feel like generally I was, like, good enough at, you know, fitting in, but the thing I never was able to do was the really, like, confident, widespread, where I was like, okay, but what's going on here? Yeah, like. And people would be like. Like, they'd be like, oh, can you move your legs? And they'd be like, oh. And I literally was always like, maybe. Maybe I don't have something that they have.

[George Severis]

Yeah, that is so true. Yeah. The really wide. This doesn't even seem comfortable.

[Unknown]

No, it gets worse.

[George Severis]

It's cause they haven't. It's cause, like, straight people haven't lived with being uncomfortable. You know what I mean? It's like they have to find the comfort and everything, I think.

[Sam Taggart]

But there's also something specifically about. Again, it's very school coded, so it's like, it's the first thing you learn that's dangerous. Don't do it.

[Unknown]

It.

[Sam Taggart]

I'm not doing it.

[Unknown]

No. But I have to say, the difference between him doing it and you doing it is wild.

[George Severis]

See me, I. I could do this all day.

[Unknown]

This is so limiting. When you did it, I was like, george, be careful. And I'm not even, like, saying that to be funny. I was scared.

[Sam Taggart]

Anyway, so it's very, like. Like to be still doing something to be still basically rebelling against the teacher as an adult is what it's giving to me. You know what I mean? It's like I'm trying to think of another example of something like that hotbox, like, hot boxing the car.

[George Severis]

Teacher's like, guys, don't do that. Don't hotbox your car.

[Unknown]

Why is teacher always telling me not.

[George Severis]

To hot box knocking on the window, guys?

[Unknown]

No, I'm trying to think of one too. I'm trying to think of one, too.

[George Severis]

That's a roller coaster ride.

[Unknown]

Hold on.

[Sam Taggart]

No, you're. You're trying.

[Unknown]

Okay, well, I get.

[George Severis]

You, but you know what? I immediately. I immediately think grandma in the rocking chair with you guys. It's so like. The way you do it is so small. The way I do it is like, man, I could just walk away.

[Sam Taggart]

Like, you know when you find, like, you think you somehow think you can, like, lie yourself through something, and then you find something that you're like, oh, this is just how it's gonna be.

[George Severis]

Yeah. Why are you going fast? Don't.

[Unknown]

Damn. I can't believe you said we were giving grandma in a rocking chair. That is so messed up.

[Sam Taggart]

That's the most homophobic thing I've ever heard.

[Unknown]

Huh. Okay, where do we go from here? So you like school?

[George Severis]

Yeah, I am in high school. Right. Fuck, yeah.

[Unknown]

Fuck.

[Sam Taggart]

How do gay guys sit? Genius.

[George Severis]

That is so smart, bringing your guy.

[Unknown]

No, that's really smart. Well, I think it's important that not all straight guys lean. I think it's, like, it's a certain type. And I think the gay bad.

[Sam Taggart]

Not all straight guys lean.

[Unknown]

So how does the bad gay guy sit?

[Sam Taggart]

Bad gay guy?

[Unknown]

Like, the same straight guy that leans.

[Sam Taggart]

Oh.

[Unknown]

Oh. His gay equivalent. Toxic gay guy. How does he sit?

[Sam Taggart]

Like someone I know.

[Unknown]

This is hard. I'm, like, stumped. I'm like, let's call it.

[Sam Taggart]

Well, you know, there's that. People say that gay guys don't know how to sit on chairs, and.

[Unknown]

Well, yeah, the trope is like, oh.

[George Severis]

Yeah, I think it's that. I think it's that.

[Sam Taggart]

Oh, that's what it is. It's what you're doing.

[George Severis]

It's literally.

[Sam Taggart]

It's this.

[George Severis]

It's this.

[Sam Taggart]

Oh, my God. I feel so much more comfortable now.

[George Severis]

Think of this.

[Unknown]

This actually is kind of awesome.

[George Severis]

This feels great. This feels amazing.

[Unknown]

Yeah, there's something about, you know, gay sitting. There's a fluidity.

[Sam Taggart]

Yeah.

[Unknown]

You know, I feel like you could put me in a cup, and I take whatever the space of the cup.

[George Severis]

Is yeah, you fill the form.

[Unknown]

Yeah, but see, this is your bi showing.

[George Severis]

Yes.

[Sam Taggart]

This I can't believe. See, you're doing.

[George Severis]

Can I do it?

[Sam Taggart]

Wow.

[Nathan Hare]

I can.

[George Severis]

Oh, know what it is? It's taking up of space.

[Sam Taggart]

The rocking chair. Yeah.

[Unknown]

Yeah.

[Sam Taggart]

Oh, this is your version of me being a grandma on a rocking chair when I try to do straight guy sitting. Yes, you're trying to do gay guy sitting, but you're then like suddenly like fishing.

[George Severis]

Yeah, Trying. I'm trying so hard. Yeah. Fuck.

[Sam Taggart]

Cool.

[Unknown]

I love when our podcast evolves into gay guy sit like this. Straight guys sit like this.

[George Severis]

Yeah.

[Unknown]

That's so classic. That's literally the dentist thing from early.

[Sam Taggart]

Totally. Okay, any final thoughts on the ways straight guys sit versus the ways gay guys sit? Or honestly, any gender or sexuality? How do you think lesbians sit? Go.

[George Severis]

Yeah, just trying to think of something that wouldn't get me in trouble.

[Sam Taggart]

No, I think it's more like.

[Unknown]

Oh, that's true.

[George Severis]

That is so true.

[Unknown]

Damn, that's good. That's really good.

[Sam Taggart]

I know the culture.

[George Severis]

Yeah, yeah.

[Unknown]

Would you say there's a definitive way bi people sit?

[Sam Taggart]

Yes.

[Unknown]

Yes.

[George Severis]

What is it?

[Nathan Hare]

Who?

[Unknown]

I. We can see every single face.

[George Severis]

They were so confident in the end.

[Unknown]

Now stop giving head back there.

[Sam Taggart]

Kind of think how to buy people.

[George Severis]

Oh, honestly, it's maybe like cross.

[Sam Taggart]

Yes. Oh, yeah, yeah. It's so that.

[George Severis]

So meek.

[Unknown]

People are liking it even though they're booing.

[George Severis]

This is what audiences always think of me.

[Sam Taggart]

No, it's like a living room where everyone is sitting on a seat and then the one by person is on the floor cross legged.

[Nathan Hare]

Yeah.

[Unknown]

And you're like, oh, we have a chair. And they're like, I'm good.

[George Severis]

Yeah, yeah. And they're like playing with something. Yeah, yeah.

[Unknown]

They're like, actually, I like the floor.

[Sam Taggart]

Yeah, they're like knitting.

[George Severis]

They're knitting.

[Sam Taggart]

Everyone's like, don't bother her. It's the whole thing. Yeah, she's PI.

[George Severis]

Yeah. Oh, my God. I didn't know.

[Sam Taggart]

Oh, God. Sorry.

[Unknown]

I'm just finding out now.

[Sam Taggart]

I'm just finding out now.

[Unknown]

And how am I supposed to react?

[Sam Taggart]

Hi, everyone. Oh, oh, she's PI.

[Unknown]

Don't mind her.

[Sam Taggart]

Don't mind her. She's PI.

[Unknown]

Okay, well, this has been a groundbreaking segment.

[Sam Taggart]

Groundbreaking segment. Give it up for Nathan Hare. And please welcome back Ben Sosa. Right. And Sarah Hatch.

[Ryan Seacrest]

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[Sam Taggart]

Wow.

[Unknown]

Wow. And you're going to have to turn those mics on.

[Nathan Hare]

Hey.

[Sam Taggart]

Wow.

[Sarah Haggie]

Is this thing on?

[Unknown]

Damn, that was awesome.

[Sam Taggart]

So I think it's time to do our first segment.

[Unknown]

Our first segment is called Straight Shooters. And in this segment we're going to ask you a series of rapid fire questions to gauge your familiarity with and complicity in straight culture. It's basically this thing or this other thing. And the only rule is you can't ask a single single follow up question or we will scream at you in a way that is so un Canadian that you'll remember where the we come from.

[Sam Taggart]

And of course because there are three of you, you actually have to answer at once together.

[Nathan Hare]

Whoa. Like, like, like improv.

[Sam Taggart]

Exactly. Okay, what I just did there is. Yes. And.

[George Severis]

Sam, that was beautiful.

[Sarah Haggie]

Let's count down to 3. When they after do. I'm getting.

[Nathan Hare]

Yeah, okay, like 3, 2, 1 style.

[Unknown]

Everyone let's count down to 3.

[Sam Taggart]

Like 3, 2, 1 style.

[Unknown]

Like 3, 2, 1 Style.

[Sarah Haggie]

Yes.

[George Severis]

And I went exactly cuz it could.

[Nathan Hare]

Be 3, 2, 1 or it could be 1, 2, 3.

[Unknown]

No, that's true. It goes both ways. It's by. Okay, okay. Malicious intent or maleficent.

[Sarah Haggie]

Three, three, two, one.

[George Severis]

Maliciously.

[Sam Taggart]

Oh, wow. Not off to a great start. No holding space or being erased.

[George Severis]

Oh. Three, two, one. Holding space.

[Sam Taggart]

Wow.

[Unknown]

Okay.

[George Severis]

Going so slow. Three, two, one. Three, two.

[Unknown]

Okay. A well oiled machine or a well soiled latrice. Latrine.

[Nathan Hare]

Walsoil latrine with a wall soy latrine.

[George Severis]

Guys, you banned me on the countdown.

[Sarah Haggie]

I'm sorry, I'm sorry. You said ruse.

[Unknown]

Yeah, I got scared.

[Nathan Hare]

That's showbiz, you idiot.

[George Severis]

I'm done with it.

[Sam Taggart]

Okay, this is a Canadian themed one that was submitted by our producer's husband, Harry.

[Nathan Hare]

Sounds fake.

[Sam Taggart]

Shout out Niagara Falls or a kick in the balls.

[George Severis]

Oh, Niagara Falls.

[Unknown]

Niagara Falls.

[Sarah Haggie]

Niagara Falls. Yeah.

[Unknown]

Oh, we are on a national level. Okay. Rah Rah Rasputin. Or I'll have what she's having.

[Nathan Hare]

I'll have what she's having.

[Sam Taggart]

Okay. A Streetcar Named Desire. Or it's a cash bar and cocktail attire.

[Nathan Hare]

Oh, it's a cash bar and cocktail attire.

[Unknown]

Of course. A long hard look in the mirror. Or a song by the one and only Shakira.

[George Severis]

You start a song by the way.

[Sam Taggart]

My kink is karma. Or that twink eats shawarma.

[Sarah Haggie]

I don't say that word. That kink is karma.

[Nathan Hare]

That kink is shawarma.

[Sam Taggart]

That kink is shawarma.

[Nathan Hare]

That kink is shawarma. Wow.

[Sam Taggart]

Okay. So, you know, obviously, we rank our guest performance on a scale of 0 to 1000 doves.

[Unknown]

Well, we've been doing it on a scale of disease or not disease.

[Sam Taggart]

Disease or not disease. That's right. I mean, is there a Canadian version? It's like 0 to 1,000 leaves falling from the sky that Sam catches. 0 to 1,000 maple doves.

[Unknown]

I'm gonna say. I'm gonna say, say. 922 doves.

[Sam Taggart]

I agree.

[Unknown]

Because you went through hardship during that. But you came together in the end.

[Sam Taggart]

And you guys, like, I can see your forming community.

[Sarah Haggie]

I. I honestly thought, like, I. I'm really sorry. I feel like I spoke too loudly.

[Nathan Hare]

Oh, my God.

[Sam Taggart]

Do not apologize.

[Unknown]

Never apologize.

[Nathan Hare]

I'm sorry.

[Sarah Haggie]

Too fast.

[Nathan Hare]

I'm sorry that you feel the need to being apologized.

[Sarah Haggie]

It's okay. We all got really close, so it's doesn't really matter.

[Sam Taggart]

Here's what I'm. For me, this is like, you guys were all put together on a reality show for creating a band. And in the beginning, you were still getting to know each other. And by the end, you were like, we're family.

[Sarah Haggie]

Okay, so which one of us would do what.

[Nathan Hare]

Yeah. And don't say triangle.

[Sam Taggart]

Well, okay.

[Unknown]

Singer, singer. Singer. It's Sanity Kane.

[Sam Taggart]

Well, I think it's time to do.

[Unknown]

Our final segment and please introduce it.

[Sam Taggart]

And our final segment is of course, called Is she There Yet? I mean, I can't believe I didn't make this connection until now. It is especially relevant to this town.

[Unknown]

It's never been more relevant.

[Sam Taggart]

It's never been more relevant. So this is a segment that was introduced to. Well, the concept of. It was introduced to us by our dear friend Celeste, Toronto resident. Former Toronto resident. And they once went to the Toronto International Film Festival, Tiff, as you guys might know it. And they went to the premiere of the Grace Jones documentary. And afterwards, there was a talk back with the director. And the director said something along the lines of, you know, we don't have icons anymore. No one's an icon anymore like Grace Jones. And someone in the audience said, what about Janelle Monae? And the director said, she's not there yet. And so from that story, this segment was born. And basically, we're gonna show you a series of people, places, things. Many of them are Canada slash Toronto themed. And we are all gonna debate. Is she there yet? Oh, do you copy?

[Nathan Hare]

Why did everyone look at me?

[George Severis]

I don't know, Ben.

[Sarah Haggie]

I didn't make eye contact. I felt like I was looking that way. Everyone made eye contact.

[Nathan Hare]

That was from my pov. That was the most shocking thing I've ever seen. You know, idea what that looked like.

[George Severis]

You know, you don't understand.

[Unknown]

And you know what?

[Nathan Hare]

I don't understand.

[Unknown]

I'm just going to get honest.

[Sam Taggart]

I'll fuck this up.

[Nathan Hare]

I got to.

[Sam Taggart]

All right, big thumbs up from you.

[Unknown]

Next slide, please. Grimes.

[Sam Taggart]

So, and I just want to say, it's specifically Grimes as a student at McGill.

[Nathan Hare]

Yeah. Neuroscience major.

[Sam Taggart]

Is she there yet?

[Nathan Hare]

I feel like any prospect of her arriving just doesn't exist anymore. You know what I mean? Because of Elon Musk.

[Sam Taggart]

Yeah.

[Nathan Hare]

So I'd say no.

[Unknown]

To me. There's something about her with Elon Musk, though, where it's like, but she's gonna be around forever. Like, just not as a musician.

[Sarah Haggie]

I think she's there.

[Unknown]

I think she's there.

[Nathan Hare]

Really.

[Sam Taggart]

I sort of think she arrived and then everyone was really excited that she arrived, and then she was like, by the way, I'm putting this really ugly lamp here, too.

[George Severis]

Yeah.

[Unknown]

I do want to. I do want to say you can be there bad. You can be there bad.

[George Severis]

Yeah, she's there bad.

[Sam Taggart]

Yeah, she's there bad.

[Unknown]

Yeah.

[Sam Taggart]

Okay, next slide.

[Nathan Hare]

So did I, like, did I lose that round?

[Sam Taggart]

No, no, no, no.

[Unknown]

Winning, losing. Tate McCrae. Is she there yet?

[Sam Taggart]

She's Canadian. Weirdly, she.

[Sarah Haggie]

Weirdly.

[Unknown]

Do you guys know her?

[Sam Taggart]

Do you guys know her?

[Sarah Haggie]

That's the most Canadian looking girl you've ever.

[Sam Taggart]

Wait, why do you think she's. Yeah, because it's sort of like. That's not quite it.

[Unknown]

Well, I also. Yeah, I love that her thing is, like, hockey.

[Sam Taggart]

Oh, yeah. Her thing is hockey. Her thing is hockey. Okay.

[Sarah Haggie]

I have a weird soft spot for her. I don't know what it is. I just. I don't. Like, she reminds me of someone like. Like that I would talk to in class, but, like, not outside of class, you know?

[Nathan Hare]

Yeah.

[George Severis]

Wow, that's really good. That's really good.

[Sam Taggart]

She's the girl in high school that, like, went through a difficult period, but then came out of it, and now she's like.

[Sarah Haggie]

But she wasn't, like, mean to anyone.

[Sam Taggart]

No.

[Unknown]

Like, her.

[Nathan Hare]

Her boyfriend in high school got, like, really hurt.

[Sam Taggart]

Yes.

[Unknown]

Well, in one of.

[Sam Taggart]

And then after she stuck with him through the hospital stay and his arm got better, he broke up.

[Nathan Hare]

Oh, she's the martyr of the town.

[Sarah Haggie]

But because she, like, is. You know, looks like that everyone thinks poorly of her.

[Sam Taggart]

Yeah.

[Sarah Haggie]

You know what? She's almost. I think she will get there. I believe in her. I don't know why.

[Sam Taggart]

She's like.

[Nathan Hare]

She's like, actually, I'm really good at math.

[George Severis]

She would, like, ask, like, are you going to Samantha's party? Even though, like, she knows that you're. She would assume that you might be invited. You know what I mean? Even though you're not.

[Sam Taggart]

Also, everyone. She's, like, late for school, and everyone's like, God, she's a mess. And then she's like, you know, I was late because my mom wasn't home.

[Nathan Hare]

Well, oh, my.

[Sarah Haggie]

I hope.

[Nathan Hare]

Where was her mom? Working the corner.

[Sam Taggart]

Okay, next slide.

[Unknown]

Next slide.

[Sam Taggart]

Shawn Mendez. Is she. There you go.

[Nathan Hare]

Honey.

[Sam Taggart]

So now I want to know from the.

[Unknown]

Yeah, tell us. We're trying to learn your culture.

[Nathan Hare]

Tell you, like, if we like him.

[Sam Taggart]

Is he this? Is she there yet?

[Unknown]

Is she there?

[Nathan Hare]

Is she there yet?

[George Severis]

All I know about him is my sister. I was talking to my sister on the phone. She was like, yeah, I went and saw Shawn Mendes. He was amazing.

[Sam Taggart]

Yeah, I had no idea.

[George Severis]

That was my only experience with Shawn Mendes. Couldn't tell you a single one of his songs or anything.

[Sarah Haggie]

I've seen him live.

[George Severis]

Was he good?

[Unknown]

Was he amazing?

[Sarah Haggie]

Listen, I was. Okay, this is gonna sound. Make it sound worse, but someone I knew worked at Universal or whatever, and she's like, you wanna come to this secret Shawn Mendes show? I was like, yeah, okay. Why not? This is 2018. And he was so cute. And I really was kind of screaming by the end of it, but I do think he just doesn't. I don't think he has the mental capacity to go there.

[Sam Taggart]

Yeah.

[Unknown]

Oh, that's tough.

[Sarah Haggie]

He's not, like, on enough, like, mentally on enough. So I think he's not.

[Nathan Hare]

I think he is there only because for years, the idea of, like, being in the closet was eradicated from the zeitgeist. But now with him, we're, like, actually, like, young men can still be in the closet.

[Unknown]

That's so beautiful. I've never thought of it like that.

[Nathan Hare]

I'd like to think we're all really cool about it.

[Unknown]

That's true.

[Nathan Hare]

Like, we're all kind of like, whenever you want.

[Sarah Haggie]

He'll come out when he wants to. Okay.

[Nathan Hare]

Yeah.

[Sam Taggart]

I think those two can coexist. He, like, brought back the closet, but he's also like, what? What? It's the closet.

[Nathan Hare]

Yes. Yeah.

[Sam Taggart]

Yeah.

[Unknown]

Okay, I'm going.

[Sam Taggart]

Yes.

[Unknown]

Okay.

[Nathan Hare]

I think.

[Sam Taggart]

Yes.

[Unknown]

Okay. Next slide.

[Nathan Hare]

The tribunal votes. Yes.

[Unknown]

Maple leaves. Is she there yet?

[George Severis]

I. I think.

[Nathan Hare]

Yeah.

[George Severis]

They're.

[Sam Taggart]

They're beautiful.

[Sarah Haggie]

She's classic for a reason.

[Sam Taggart]

Classic for a reason.

[Unknown]

Classic for a reason.

[Sam Taggart]

A little black dress of leaves.

[Nathan Hare]

Yeah, I love that.

[Unknown]

Like, it's so populous. Like, they are everywhere.

[Sam Taggart]

Yeah, they're everywhere.

[Unknown]

Because when the leaf is a celebrity, you're like, well, I bet there's only one tree.

[Sam Taggart]

Well, it's also so amazing for your flag. Like, usually a symbol on a flag is like a symbol of violence, but it's like, it's a leaf.

[Unknown]

Yeah. Even, like, America being obsessed with the bald eagle. It's like, I've maybe seen one in my whole life.

[Sam Taggart]

Yeah. And it probably, like, tried to kill you.

[Unknown]

Yeah. Whereas maple leaves. I literally caught one today.

[Sam Taggart]

Exactly. Yeah. Okay.

[Unknown]

100%. Next slide. Workers in queer media.

[Nathan Hare]

Yes.

[Sarah Haggie]

We witnessed someone being there, but we all saw it all together. Her become who she is right now.

[Sam Taggart]

Which isn't there for anyone listening, because this is going to be recorded. This is the woman asking, asking Ariana Grande and Cynthia Erivo if they have seen that there are people holding your.

[Unknown]

Face for the lyrics of Defying Gravity.

[Nathan Hare]

The most crucial detail to that is she's like, this past week.

[Sam Taggart]

Yeah.

[Nathan Hare]

Because that song has existed for 20 years. But, like, this past week was really something.

[Sam Taggart]

So apparently the missing link is that this was recorded right after the election, which makes it even funnier because Cynthia Erivo is moved to tears by the fact that people are holding space for the lyrics of Defying Gravity to grapple with Trump's reelection.

[Sarah Haggie]

I didn't know that. I didn't know that.

[Unknown]

Yeah. The way that she's also like. Well, I don't know how widespread it is, but I've seen a few posts.

[Nathan Hare]

She does backpedal. She's like. Because I think she's how excited she is, and she Sees the emotional impact and she's like, oh, baby girl. I was actually bullshitting a little bit. Like, some people. I. I said that. I said that.

[Unknown]

She's like, well, I work in queer media and you know how they are. Yeah.

[Sarah Haggie]

But I. I could see a couple of people holding space for, you know, the lyrics of. The lyrics of holding, defying gravity.

[Ryan Seacrest]

Yeah.

[Unknown]

I think it was like. This was like what it feels like to watch problematic reference Michael Jackson moonwalk for the first time. Like, I was like, oh, my God, nothing's ever going to be the same.

[Sam Taggart]

Yeah, she reclaimed it yet. I need.

[Unknown]

I mean, it's going to be.

[Sam Taggart]

I need someone to come out and do like a joke where it's like a meme where she's holding space.

[Unknown]

You best start believing in the meme where she reclaims it. You're about to see it.

[Sam Taggart]

All right, so. Yes.

[Unknown]

Yes, 100%. Okay, next slide. Glickid.

[Sam Taggart]

So this is. They're trying to make wicked and Gladiator 2 become Barbenheimer.

[Nathan Hare]

And it's called Glicket.

[Unknown]

And it's called Glickid, folks.

[Sam Taggart]

They're calling it Glick.

[Unknown]

They're calling it Glick.

[Sam Taggart]

It can be in your community.

[Nathan Hare]

That sounds like a euphemism for like pre. Com. Like a British turn of phrase for stopping being sopping wet with pre cum. Click it in it. Click it in me trousers, love.

[Sam Taggart]

I do think lick it as a term for precom is there yet.

[Unknown]

Yeah. I'm like, stop it. You're making. Making me like it.

[Sarah Haggie]

I don't think. I don't think conceptually that's.

[Sam Taggart]

I don't think.

[Sarah Haggie]

No, no, it's people trying way too hard.

[Unknown]

It's actually kind of sad. It's like they're just like. Well, they're both gendered. It's like, that's not what it was.

[Sam Taggart]

I also don't. This is the wrong inst. Like, I think Barbenheimer was a beautiful moment. Fine, we're past it. You can't then every year have one boy movie and one girl movie. Like, that is. That is taking. We are not going back.

[Nathan Hare]

That's like they're doing that with like, baby Ratu.

[Sarah Haggie]

What?

[Unknown]

Oh, yeah, baby girl.

[Nathan Hare]

And no, I'm not crazy.

[Unknown]

He's right.

[Sam Taggart]

I'm not yelling at him.

[Nathan Hare]

Stop it.

[Unknown]

He's valid.

[Sam Taggart]

We need non binary Barbenheimer where both movies are sort of like genderqueer. Like, that's what. And that's so baby Ratu is perfect.

[Sarah Haggie]

Little baby Ratu.

[Nathan Hare]

Non binary Barbenheimer. That's such an interesting puzzle.

[Sarah Haggie]

I feel like it's like. I don't know. I feel like that doesn't exist. I'm sorry, honey.

[Nathan Hare]

That's just playing Ghost World twice.

[Sarah Haggie]

Honestly, I do think for movies, it's boy movie, girl movie.

[Nathan Hare]

Yeah.

[Sam Taggart]

Oh, you think all movies are boy or girl?

[Nathan Hare]

Yes.

[Ryan Seacrest]

Yeah.

[Sam Taggart]

Wow. I accept everyone but movies are boy or girl. Okay, next.

[Unknown]

Did it. Okay, next slide.

[Sam Taggart]

Liberalism.

[Unknown]

Liberalism. Is she there yet?

[Nathan Hare]

Yeah.

[George Severis]

Yeah.

[Unknown]

See, this is Obama's Canada.

[Sam Taggart]

Everyone's like, why? Did you hear something?

[Sarah Haggie]

I think it is.

[Sam Taggart]

You think so?

[George Severis]

Yeah.

[Unknown]

A resounding yes.

[George Severis]

It's done.

[Nathan Hare]

Yeah.

[Sarah Haggie]

I think as people are going back to wanting to be inspired. You know what I mean? Like, I could see Pink coming out with a song that unites us all, you know?

[Unknown]

Oh, so you're saying because it's like in the depths, it's like, yes, we.

[Sarah Haggie]

Need to be uplifted.

[Unknown]

It's coming back.

[Sarah Haggie]

There's going to be another Hamilton. And you guys won't know that yet.

[George Severis]

There definitely will be.

[Unknown]

That's so true.

[Sam Taggart]

You're saying Pazi is back upworthy. People are gonna start sharing upworthy links.

[Unknown]

The dodo is coming back.

[Sam Taggart]

Dodo is coming back.

[Sarah Haggie]

We're not gonna think too hard about it this time.

[Sam Taggart]

That's true, actually. People are exhausted about thinking about Hamilton. When it comes out a second time, people are going to be like, yeah, this slaps. Okay.

[George Severis]

Okay.

[Unknown]

I guess really deliberate. I did not expect that. But Next slide.

[Sam Taggart]

Wow. A standing ovation for Quebecois French.

[Sarah Haggie]

I'm scared to say no now.

[Sam Taggart]

Yeah.

[Sarah Haggie]

She'S there.

[Sam Taggart]

She's there.

[Sarah Haggie]

Oh, my God.

[Sam Taggart]

I would say Quebecois French is the Tate McCrae of languages, because you're sort of like, well, she's weird, but she has her own personality.

[Unknown]

No, I love it. It's so like, if, you know, you know.

[Sam Taggart]

Yeah.

[Unknown]

Like, people here love to be like, you know.

[George Severis]

Yeah.

[Sam Taggart]

Okay.

[Nathan Hare]

Yeah.

[Unknown]

Anyone care to dissent and get yelled at by everyone?

[Sarah Haggie]

No. She's there and I love her and I respect her culture.

[Nathan Hare]

Yes. Where are my Concordia alum? Where are my stingers? Where are my stingers? Our mascot was a wasp.

[Sam Taggart]

A wasp?

[Nathan Hare]

A wasp.

[Sam Taggart]

A French wasp.

[Nathan Hare]

No, Anglo wasp, for sure. Concordia was an English university. Sorry.

[Unknown]

Okay, next. No, it's not. Next slide. Margaret Atwood.

[Sam Taggart]

Is she there yet?

[Unknown]

I don't.

[Nathan Hare]

No. Loves everyone so much. Everyone clapping. Refresh. Refresh your abs.

[Sarah Haggie]

Okay, listen, I'm going to break it down real easily, please. Okay? She is an icon, sadly, for better, for worse, she's an icon. Yeah, we have a lot to thank her for. And she's done some books. She's written some very good books.

[Unknown]

Poems.

[Sarah Haggie]

Poems, essays, books. She brought us the Handmaid's Turn. No, but she is. You know, she's.

[Nathan Hare]

We hate her because she's old.

[Unknown]

I think people should be shot at 65.

[Sam Taggart]

There's something she had. There's something.

[Unknown]

So George was like, can I. Yeah, George was like. Like, oh, let's put Margaret Atwood on. That's funny. And I was like, is she, like, a turf or something?

[Sarah Haggie]

She's like. She's like. Like, I. She's like, I'm just asking questions. Like, I don't believe in anything. Like, I see an article, I'm going to tweet it.

[Nathan Hare]

Yeah. You know, she was like, not, like.

[Sarah Haggie]

Standing by, but she, like. I don't know. She's being an old lady. Like, what do you. Like, she's an old rich lady. Like, she.

[Nathan Hare]

She's not. She would, like, definitely, like, invite a turf out to coffee to, like, pick their brain.

[Sam Taggart]

Totally.

[Unknown]

So, actually, she also seems a little.

[Sam Taggart]

Too excited that the Hand Maid's Tale is real. Like, she. Every month it's another interview where she's like, well, I predicted that, and I hate that I did it, but I did.

[Unknown]

Yeah, she's bragging. I'm. Also. This conversation is actually. Drake is not the. Dan Savage. Margaret Atwood.

[Sam Taggart]

Margaret Atwood. Dan Savage. No. Everyone is really breaking into discussion groups.

[Unknown]

Yeah, this. This is gonna be amazing for the community.

[Nathan Hare]

Okay.

[Unknown]

Some asterisks.

[Sarah Haggie]

Listen, I. Stating a fact doesn't mean I'm endorsing it.

[Sam Taggart]

No, she's there. I think know not everyone who's there is. Is good.

[Sarah Haggie]

Right? Yes. Not everyone.

[Unknown]

You can be there bad.

[Sam Taggart]

She's there. Bad. But also maybe they're good.

[Unknown]

We'll see how time plays out. Next slide, sides.

[Sam Taggart]

So Sarah sides are singling her out.

[Unknown]

Well, maybe Nathan doesn't know.

[Sam Taggart]

Nathan, do you know what sides are? No.

[George Severis]

What is it, Nathan?

[Sam Taggart]

Sam, do you want to explain?

[Unknown]

So sides are men who have sex with men that don't like anal sex.

[Sam Taggart]

So it's just bottom and then there's sides.

[Unknown]

So it's like jerking and sucking.

[Sam Taggart]

Thank you for that.

[Unknown]

Very cool. Or frauding.

[Sam Taggart]

The point is, they're the third option.

[Sarah Haggie]

Let's find that.

[Unknown]

So this graphic.

[Nathan Hare]

Yeah.

[Sam Taggart]

Oh, that's an amazing.

[Sarah Haggie]

Did you draw that for this, George?

[George Severis]

Why?

[Unknown]

Why?

[George Severis]

Why is there a drill?

[Unknown]

So that's a metaphor for. For anal sex. The drills being our metaphor for anal sex.

[Nathan Hare]

Also, why is the keyhole so high.

[Sarah Haggie]

Where are they?

[Nathan Hare]

Beside the mirror.

[Sam Taggart]

So the cactus shaped like a penis.

[Unknown]

Do you see that? So I have to tell you guys where I found this beautiful graphic grinder.

[Sam Taggart]

Wait, someone posted that as.

[Unknown]

No, it's like. It was like, Grindr put out an article that's, like, what size?

[Nathan Hare]

I'm so sorry.

[Sarah Haggie]

Someone made that article.

[Unknown]

Someone. Someone got paid $300 to make this art. They had to invoice four times and be like, following up. I drew this.

[Sam Taggart]

I think they did a really amazing job.

[Unknown]

No, I think it tells a story.

[Nathan Hare]

I hate. I hate to be detective. I hate to be detective.

[Unknown]

Please solve that.

[Nathan Hare]

But to me, this image isn't. The story isn't being told of, like, oh, he's a side. He's waving away sex. He's saying, baby, we have nails. Benadryl everywhere. We clearly just moved into this loft.

[Sam Taggart]

Soft.

[Nathan Hare]

We can't fuck tonight. Okay, I. I don't think it's side related. I just think his partner's like, I'm.

[Unknown]

Tired, but you go. You go.

[George Severis]

Well, I was gonna. Something about the way this is laid out. It makes. It feels like it's gonna be a spot. The difference, you know, like, the way that there's objects and there's things. Like, I feel like this could be.

[Nathan Hare]

Another slide in the next image. His armpit hair is way different.

[George Severis]

Yeah.

[Unknown]

Yeah.

[George Severis]

And we have to go back.

[Nathan Hare]

You're so right.

[Unknown]

It's sort of an ice. I think. I think the person who illustrated this said, I am not an illustrator. I am not a director. I am not a singer. I am a storyteller, period.

[Sarah Haggie]

Wow.

[Nathan Hare]

We did a herald. That was a herald.

[Unknown]

We did a herald. And next slide.

[Sam Taggart]

Wait, so have we not decided if there are sides there or not?

[Unknown]

Oh, right.

[Nathan Hare]

I think they're there. Being a side is like the Cynthia Erivo and Ariana Grande press tour of sexual positions.

[Sam Taggart]

Okay, great.

[Nathan Hare]

I think, because everyone's talking. We're all talking about it.

[Sam Taggart]

Yeah.

[Nathan Hare]

Hey, we're talking about it tonight.

[Unknown]

So you're saying, love it or hate it, it's still an obsession.

[Nathan Hare]

I'm saying what?

[Unknown]

Love it or hate it, it's still an obsession.

[Nathan Hare]

Yeah.

[Sarah Haggie]

Love it or hate it. That is a question.

[Sam Taggart]

And with that, that's our show.

[Unknown]

Next slide.

[Sam Taggart]

Give it up for Ben. So. So.

[Nathan Hare]

Right.

[Sam Taggart]

Sarah Haggie. Nathan O'Hare. Give it up for Sam Taggart.

[Unknown]

Give it up for George Sveris.

[Sam Taggart]

Thank you guys so much.

[Unknown]

Thank you so much for coming. This was so fun. Podcast ends now.

[Sam Taggart]

Want more? Subscribe to our Patreon for two extra episodes a month. Discord Access and more by heading to patreon.com Stradiolab and for all our visual learners.

[Unknown]

Free full length video episodes are available on our YouTube.

[Sam Taggart]

Now get back to work.

[Unknown]

Stradia Lab is a Production by Will Ferrell's Big Money Players Network and iHeart.

[Sam Taggart]

Podcasts, created and hosted by George Severis and Sam Taggart, executive produced by Will.

[Unknown]

Ferrell Hansani and Olivia Aguilar, co produced by Bay Wang Edited and engineered by.

[Sam Taggart]

Adam Avalos artwork by Michael Fails and.

[Unknown]

Matt Grubb Theme music by Be.

[George Severis]

You Wake up. Put on your Ray Ban Meta glasses. You're living all in. You realize you need coffee so you.

[Sarah Haggie]

Say hey Meta, how do I make.

[Sam Taggart]

A latte Brew two shots of espresso?

[George Severis]

After Meta AI gets you caffeinated, you're ready for some beats.

[Sam Taggart]

Hey Meta play hip hop music.

[George Severis]

You head to meet some friends but can't remember the place.

[Sam Taggart]

Hey Meta, call Eva Ray Ban Meta.

[George Severis]

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[Ryan Seacrest]

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