"...photography is made essentially of time. I often think that what we show is a point in time, more than a window onto space."
-- Frank Horvat

"The camera can’t see space. It sees surfaces. People see space, which is much more interesting."
-- David Hockney

In this episode, Antonio and Ward begin with a tactile return to photography’s older rhythms as Antonio talks about rediscovering and shooting with a pair of film cameras, including an Olympus Stylus and a Nikon 28Ti. What starts as a story about loading film and checking batteries turns into a broader reflection on the pleasures of using older gear, the quirks of expired Ektachrome, and the appeal of getting back to black-and-white processing by hand. There is also some thoughtful camera talk along the way, not for its own sake, but as part of a larger conversation about the physical experience of making photographs and why that still matters.

From there, the conversation opens out into the latest Artemis moon mission photographs, which become the real heart of the episode. Rather than treating them as mere space documentation, Antonio and Ward look at them as photographs and ask why some hit harder than others. They talk about the emotional pull of images that include the astronauts, the wonder carried in views of crescents, eclipses, and Earth seen from deep space, and how these pictures connect to memories of growing up during the moon missions. The discussion also touches on how differently such images reach us now, arriving instantly in a time when photographs are everywhere and trust in them is no longer automatic. It is a thoughtful episode about wonder, memory, and the human side of seeing.

NASA Images can be found here.

Photo of Neil Armstrong

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Show Links:

Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page

Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.

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