Podcast
STUDIO STORIES: REMINISCING ON TWIN CITIES DANCE HISTORY
Hosted by ARENA DANCES · EN
Stories are among our most potent tools. We need to unearth old stories that live in a place and begin to create new ones. We are story makers, not just storytellers. All stories are connected, new ones woven from threads of the old. (Paraphrased- Robin Wall Kimmerer) Join ARENA DANCES every Thursday at noon for Studio Stories, a podcast reminiscing on Twin Cities Dance history. Hosted by Mathew Janczewski, each week will feature a new renowned dance artist who has made an impact on the dance landscape in this big dance town. Know of someone whose connections should be shared? Let us know! Email us at arenadances@gmail.com
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Studio Stories: Reminiscing on Twin Cities Dance with Davente Gilreath - Season 22, Episode 208
Yesterday01:03:18Tap to summarizeDAVENTE GILREATH was born and raised in Minneapolis. His dance training began at Perpich Center for Arts Education where he was exposed to styles of dance including modern, ballet, jazz, african, and contact improvisation. Gilreath furthered his dance training at the University of Minnesota where he worked with professors such as Ananya Chatterjea, Erin Thompson, and Toni Pierce‐Sands. During this time he was also able to perform and create work with Minnesota‐based companies such as Threads Dance Project and Contempo Physical Dance (with Marciano Silva dos Santos). Gilreath Joined Garth Fagan Dance in 2014 and during his 8 years with the company performed numerous key works from the Fagan cannon around the country including new works choreographed by PJ Pennewell the company director. He was promoted to senior company member and appointed the Director of the Garth Fagan Dance Student Ensemble. He also taught Intermediate/Advanced Fagan Technique for the Garth Fagan Dance School and for the Garth Fagan Summer Movement Institute. Gilreath is now a dance instructor at The University of Minnesota where he teaches Contemporary, African Diasporic Movement and Jazz. In the last 4 years since returning to Minneapolis he has danced for choreographers Joe Chvala, Darrius Strong, and is in his second season with Ananya Dance Theatre. He has set choreography for senior students at TU Dance, Perpich Center for Arts Education, Saint Paul Conservatory, PiM Arts and in his own solo work “Rumination” (which premiered in Choreographers' Evening, Walker Art Center, Nov 2024). Davente Gilreath is a 2025 McKnight Dancers Fellow.
Transcribe →Studio Stories: Reminiscing on Twin Cities Dance with Roger Beck for David Voss - Season 22, Episode 207
1w ago01:44:54Tap to summarizeDavid Voss (1938–1991) was one of the foundational figures in the development of contemporary dance in Minnesota. A composer, musician, dancer, choreographer, and beloved teacher, he helped shape generations of artists through his work with the University of Minnesota Dance Program and Minnesota Dance Theatre. His influence extended far beyond choreography; he was known for his extraordinary musicality, intellectual curiosity, and deep commitment to nurturing dancers as artists.Born and raised in south Minneapolis, Voss studied music at the University of Minnesota before beginning what became a lifelong relationship with dance. While accompanying classes for Loyce Houlton, he was encouraged to study modern dance himself, eventually becoming an integral artist with Houlton's Contemporary Dance Playhouse, which evolved into Minnesota Dance Theatre. Over the following decades, he composed music, danced, choreographed, and taught, becoming one of the defining artistic voices of Minnesota's dance community. Voss joined the University of Minnesota faculty in 1972, where his teaching profoundly influenced generations of dancers. As a choreographer, he created more than sixty works and was recognized for his ability to bridge music and movement with remarkable sensitivity. He was also an internationally respected guest artist, teaching and creating work in Australia and New Zealand. David Voss died of AIDS on June 22, 1991, at the age of 53. Even after his death, his legacy endured. The New York Public Library for the Performing Arts requested his choreographic films and had planned to include him in its Oral History Project documenting dancers affected by AIDS, recognizing the significance of his contributions to American dance.
Transcribe →Studio Stories: CANDY BOX Dance Festival special with Marciano Silva dos Santos of Contempo Physical Dance- Season 21, Episode 206
Apr 3000:13:30Tap to summarizeMarciano Silva dos Santos is a Brazilian native recognized by the American Folkloric Society as a folk artist of unique and exceptional ability. He is the Founder and Artistic Director of Contempo Physical Dance, where his extensive research has culminated in a dynamic fusion of Afro-Brazilian and contemporary dance. His professional dancing and choreography have earned widespread acclaim; he was named “Best Dancer” by City Pages, hailed as “one of the most graceful movers on any Twin Cities stage” by the Star Tribune, and called “one of the hottest choreographers in town” by Minnesota Monthly Magazine. He is also 2020 McKnight Fellowship for Dancers. He has served as a panelist for the Minnesota Sage Awards for Dance, USArtists International, NEA-National Endowment for the Arts and the Minnesota State Arts Board.
Transcribe →Studio Stories: CANDY BOX Dance Festival special with Rachel Lieberman - Season 21, Episode 205
Apr 2300:15:02Tap to summarizeGrowing up, Rachel trained, performed, and taught primarily with Giordano Jazz Dance Chicago. She moved to the Twin Cities to attend Macalester College, graduating in 2018 with a BA in Geography, and has since performed in works by Contempo Physical, Melissa Clark, Leila Awadallah, Off-Leash Area, A Cripple’s Dance, Mathew Janczewski, Javan Mngrezzo, Annika Johansson, Analog Dance Works, Zoë Koenig, Xina, Judith H Shuǐ Xiān, and Black Label Movement.Rachel’s choreography engages themes of home/place/violence/time/throughline from queer, jewish, diasporist, and surrealist perspectives. Her work has been presented by Alternative Motion Project, Franconia Sculpture Garden, Black Label Movement, Walker Art Center, Threads Dance Project, and Red Eye Theater. Primarily a movement artist, she also enjoys playing with sound, set, and costume design, and in textile and textual arts.Off-stage, Rachel works as a Program Director at Cow Tipping Press: teaching and publishing creative writing by adults with intellectual/developmental disabilities.
Transcribe →Studio Stories: CANDY BOX Dance Festival special with Dance Rec Pick Up League - Season 21, Episode 204
Apr 1600:21:14Tap to summarizeDance Rec Pickup League is a group of friends who recreate together. Leslie O’Neill, Sarah Baumert, Erika Hansen, Gabriel Anderson, Jamie Ryan-Karels and Eva Mohn design proposals, scores, games and questions as a way to make dances.
Transcribe →Studio Stories: Reminiscing on Twin Cities Dance with Ronna Rochell - Season 21, Episode 203
Apr 900:39:17Tap to summarizeA native of the North Chicago suburbs, Ronna Rochell started dancing at age 5. At that young age, she started with creative movement classes, and by the time she was in junior high, she had evolved into a serious modern dance student. She was fortunate to have a fabulous teacher from junior high and high school who taught her the technique of Martha Graham and Alwin Nikolai. Her dance teacher’s name was Carol Walker, who later went on to serve as Dean of the Department of Dance at SUNY Purchase. At age 16, after studying dance for a summer at the American Dance Festival at Duke University, Ronna auditioned and made it into one of the premiere modern dance companies in Chicago, the Joseph Holmes Dance Theatre. She was an apprentice with the company and performed with them as well. After dancing in college at the University of Michigan, Ann Arbor, she went on to pursue her MFA in dance at the University of Illinois, Urbana-Champaign, earning her degree in 1989. Right before graduation, she auditioned and was accepted into the New Dance Ensemble apprentice program. So after graduation, in 1989, she moved to Minneapolis and apprenticed with the dance company for one year. Next, inspired by the Nancy Hauser Dance Company, she was invited to join the company in 1991. Ronna was a member of the Nancy Hauser Dance company for two years. She finished her modern dance career dancing in a Walker Art Center sponsored event in Gerry Girouard’s choreography on the beach of Cedar Lake in 1993! Since then she has gone back to her teaching roots and started her own business, BodyWisdom, teaching yoga, Pilates and fitness classes, as well as bringing chair yoga into senior living communities. More recently, she rebooted her dance career by going into musical theatre as she performed with Theatre 55 and had a fabulous time dancing in the productions of Pippin (2019) and A Chorus Line (2023). Now Ronna focuses on continuing teaching yoga and fitness classes, spending time with her three adult sons, tandem biking with her husband Steve, and enjoying cross-country skiing, even racing at the American Birkebeiner. She is proud to say that she skied the Kortelopet at this event- 29 kilometers- and she just received her 10 year plaque for the Kortelopet - quite an achievement for her!
Transcribe →Studio Stories: Reminiscing Twin Cities Dance History with Kaitlyn Gilliland- Season 21, Episode 202
Apr 200:51:15Tap to summarizeKaitlyn trained with Loyce and Lise Houlton at Minnesota Dance Theatre and at the School of American Ballet (SAB) in New York City, where she earned the Mae L. Wien Award for Outstanding Promise in 2004. She danced with the New York City Ballet (NYCB) from 2006 to 2011 and was named the company’s 2010 Janice Levin Dancer. After leaving NYCB, Kaitlyn became a sought-after freelance artist and began working with Twyla Tharp in 2014. She has since created and performed leading roles in numerous Tharp works, appearing most recently in the 2022 Bessie Award-winning revival of In The Upper Room at New York City Center. After returning to Minneapolis, Kaitlyn founded A Dancer’s Place Productions in 2024 to create meaningful performing opportunities for local dancers. She also continues to stage Tharp repertory around the world and leads the ballet programming at Summit Dance Shoppe in Plymouth, MN. Kaitlyn has previously served on the faculty of the School of American Ballet and as New York City Ballet’s Assistant Children’s Rehearsal Director. She holds a BA from Columbia University and an MBA from the Yale School of Management.
Transcribe →Studio Stories: Reminiscing on Twin Cities Dance with Joey Weaver, aka Joe Tennis - Season 21, Episode 201
Mar 2600:59:25Tap to summarizeA multifaceted dance artist and a practitioner of experiential mechanics, Joe Tennis is an improviser and moment maker based in New York City. Engined by discovery and play, he is viscerally drawn to movement through experiencing it. He is in perpetual research of improvisation in service to attunement, the mechanics of intuition through floorwork and the prolonged effects of subtle integration. Tennis dances to find, and to show.
Transcribe →Studio Stories: Reminiscing on Twin Cities Dance with Betsy Schaefer Roob - Season 21, Episode 200
Mar 1900:43:28Tap to summarizeBetsy Schaefer Roob was born and raised in Elm Grove, WI. Now based in Minneapolis for over fifteen years, she has worked with Rhythmically Speaking, ARENA DANCES, Threads Dance Project, 43X94 Movement Research, Dance & Other Behaviors, faux pas, as well as nationally and internationally based choreographers Sasha Kleinplatz, Salia Sanou, and Pat Taylor among others. Her own choreography for Rhythmically Speaking premiered at the Ordway Concert Hall in February 2026. Prior to landing in Minnesota, Betsy lived and studied in Michigan, Oregon, and El Salvador. She graduated from the University of Minnesota with a self-designed Bachelor of Individualized Studies in English, Dance, and Sustainability Studies. Her career path has encompassed the arts, education, and healthcare, and she is mama to one.
Transcribe →Studio Stories: Reminiscing on Twin Cities Dance with Susan Chilcote-Wade - Season 20, Episode 199
Jan 100:53:20Tap to summarizeSusan Chilcote-Wade Originally from Michigan, I received a BFA in Dance Performance from the University of Michigan, School of Music, Theater and Dance. In 1982 fresh from college, I was one of 7 original members of the New Dance Ensemble, a post-modern repertory dance company in Minneapolis, and in ’89 joined the Margaret Jenkins Dance Company in San Francisco. Those were amazing formative years and deep in my matrix.Dovetailing dancing was my bodywork practice including Therapeutic and Deep Tissue Massage, Trager, Feldenkrais and Pilates. I loved these beautiful careers and feel they inform me to this day. Family life, with its magical worlds and learning adventures was packing creative energy for all of us. Over the course of our kids lives, I volunteered in the schools, doing arts and crafts and running events with other dedicated parents.During that time I joined the team of amazing artisans at the Renaissance Institute, which runs the booth called Past Times Garden within the Northern California Renaissance Faire. It was there I created the Venetian Mask Painting Workshop, which became a popular activity during faire. I have always been interested in paper Mache, creating objects and creatures, so working faire was a perfect blend of teaching and creating.A decade ago, through local workshops and online learning, I discovered a fresh love for painting with Beeswax! That was a life changer! Seeking a way to blend my new found visual art with my movement and bodywork background, meant a steep learning curve into visual art. While the language of art and performing arts is similar, they are very different and skills don’t exactly translate, so I steep myself in continual learning everyday.I love working with Encaustic wax, the aroma alone is amazing. Using heat guns, irons and torches to move and fuse the layers, is part of the fun and interesting challenges that working with molten wax offers. It can take many different forms, layers, textures and luminocity. I’m able to integrate the life drawing I love, collage, photography, and the world of botanical arts of cyanotype and eco printing. It all works together so well and keeps me pushing forward.Thank you for your interest, I’m so happy to share my artwork with you. I’m on Instagram: @susanchilcotwade. Feel free to contact me here for purchases, questions, and comments. susan@susanchilcote-wade.com; and you’ve found me on the web at www.susanchilcote-wade.com
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