Moonstone Rescue — Episode 1 (pilot)

Summary

Podcast Title: Table Read
Episode: Moonstone Rescue — Episode 1 (Pilot)
Release Date: July 29, 2025
Host/Producer: Manifest Media / TABLE READ
Executive Producers: Jack Levy, Shaan Sharma, and Mark Knell

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Introduction

"Moonstone Rescue," the debut episode of the "Table Read" podcast, masterfully blends elements of live theater, Hollywood-style storytelling, and immersive soundscapes to deliver a compelling narrative. Executive produced by Manifest Media, this pilot episode sets the stage for a series that promises high-quality entertainment, rich character development, and intriguing supernatural undertones.

Plot Overview

The episode interweaves historical flashbacks with present-day events, centering around the legacy of Henrietta, a young indigenous girl taken from her tribe in 1896 California and sent to the St. Rosalia Indian School as part of a government-led assimilation program. Centuries later, Henrietta's descendant, Nora Rhodes, grapples with her family's tumultuous past while navigating contemporary challenges.

Historical Flashbacks:

• Henrietta's Abduction and Assimilation: The story begins with Henrietta, a four-year-old indigenous girl, being forcibly removed from her tribe and placed in the St. Rosalia Indian School. The environment is harsh, aiming to erase her cultural identity. Henrietta struggles to fit in, resisting assimilation efforts with small acts of defiance, such as biting a nun's thumb ([00:54] Robert Rhodes).
• Supernatural Encounter: One night, Henrietta experiences a mysterious light and encounters an enigmatic orange cat that symbolizes guidance and ancestral wisdom. This supernatural interaction hints at Henrietta's enduring connection to her heritage and sets the foundation for future mystical elements in the narrative ([04:24] Nora Rhodes).

Present-Day Narrative:

• The Rhodes Family Dynamics: Nora Rhodes, a veterinarian, is married to Robert Rhodes, whose cold and detached demeanor contrasts sharply with Nora's compassionate nature. Their daughter, Maya Rhodes, is a spirited 12-year-old navigating middle school while uncovering her family's secrets and supernatural occurrences.
• Community Tensions: Robert's veterinary clinic faces backlash from the Oak Bluffs community, led by anxious pet owners like Mrs. Silva, whose beloved cat Gemma suffers under Robert's care ([12:29] Zara). Concurrently, Lupe McGregor, the widow of the abusive Tom McGregor, returns to the neglected family farm, sparking conflicts over land and legacy.
• Maya's Graduation and Supernatural Signs: Maya delivers a heartfelt valedictorian speech, referencing her mother's belief in communicating through birds, which hints at the family's unresolved supernatural connections. Post-graduation, Maya encounters mystical phenomena, suggesting a deeper, magical layer to the unfolding story ([35:14] Maya Rhodes).

Character Analysis

• Nora Rhodes ([00:54] Robert Rhodes): A compassionate veterinarian struggling to balance her professional responsibilities with her family's dark history. Nora is deeply connected to her heritage and seeks to preserve her cultural identity against external pressures.

• Robert Rhodes ([02:38] Nora Rhodes): Nora's husband, a veterinarian whose once warm personality has become cold and detached. His strained relationships with the community and his family hint at underlying conflicts and potential supernatural influences affecting his behavior.

• Maya Rhodes ([05:12] Robert Rhodes): The Rhodes' 12-year-old daughter, Maya is inquisitive, spirited, and sensitive to the family's supernatural legacy. Her interactions with the mysterious cat Henry and her belief in her mother's spiritual presence drive much of the episode's emotional depth.

• Jean Rhodes ([08:48] Maya Rhodes): Nora's mother and Maya's grandmother, Jean is an eccentric artist whose presence adds layers of humor and depth to the family dynamics. Her history with Robert introduces additional tension and backstory.

• Lupe McGregor ([16:12] Robert Rhodes): The strong-willed widow of Tom McGregor, Lupe returns to reclaim her family's farm, challenging Robert's authority and igniting community tensions. Her resilience and mysterious aura make her a pivotal character in the narrative.

Key Scenes and Discussions

1. Henrietta's Struggle and Supernatural Guidance ([00:54] - [04:53]):

   • Henrietta's resistance to assimilation is poignantly depicted, showcasing her inner strength and the emotional toll of her forced separation from her tribe.
   • The introduction of the orange cat as Henrietta's supernatural guide sets the tone for mystical elements that will influence present-day events.

   Notable Quote:
   Nora Rhodes ([04:24]): "Eye contact, though the cat's mouth did not move. She told Henrietta secrets. Secrets of her ancestors, of the old ways and the future too."

2. Family Dynamics and Community Conflict ([05:53] - [16:20]):

   • Robert's strained relationship with his wife and daughter is highlighted through daily interactions, illustrating his detached nature and the resulting familial tension.
   • The return of Lupe McGregor introduces external conflict, as her presence threatens Robert's standing in the community and his veterinary practice.

   Notable Quote:
   Nora Rhodes ([09:42]): "I'm not like those guys. Our parents are friends, but I'm realizing we don't have anything in common."

3. Maya's Graduation and Supernatural Hints ([34:29] - [38:17]):

   • Maya's valedictorian speech serves as a pivotal moment, emphasizing her desire to honor her mother's memory and the lingering supernatural connections.
   • Robert's disturbing dream about Nora in a hospital hints at deeper emotional and possibly supernatural undercurrents affecting him.

   Notable Quote:
   Maya Rhodes ([35:41]): "Just because you don't know your direction doesn't mean you don't have one. Thank you."

4. Supernatural Encounters and Symbolism ([33:41] - [34:08]):

   • Maya's interactions with the mysterious cat Henry and her discovery of her mother's sketchbook suggest that the family's supernatural legacy is awakening.
   • Lupe's holistic practices and her interaction with nearby wildlife introduce a magical realism element, blending traditional practices with mystical events.

   Notable Quote:
   Nora Rhodes ([34:08]): "I met your dad today."

Themes and Insights

• Cultural Assimilation and Identity: The historical flashbacks to Henrietta's experiences at the St. Rosalia Indian School highlight the destructive impact of forced assimilation on indigenous identities, a theme that resonates through Nora and Maya's struggles to connect with their heritage.

• Supernatural Legacy: The presence of the orange cat and Maya's mystical experiences indicate a supernatural legacy that bridges past and present, suggesting that the family's history is inextricably linked to magical or spiritual forces.

• Family and Community Conflict: The tensions between the Rhodes family and the Oak Bluffs community, exacerbated by Robert's demeanor and Lupe's return, explore themes of trust, betrayal, and the impact of past actions on present relationships.

• Resilience and Defiance: Characters like Henrietta and Lupe embody resilience against oppressive forces, while Maya represents the next generation striving to understand and navigate her complex legacy.

Conclusion

The pilot episode of "Moonstone Rescue" successfully establishes a rich tapestry of characters, historical context, and supernatural intrigue. By seamlessly blending past and present narratives, the episode lays a strong foundation for exploring deep-seated familial and cultural conflicts enhanced by mystical elements. Notable quotes and well-crafted dialogues enrich the storytelling, making it accessible and engaging for both new listeners and dedicated fans of high-quality audio drama.

As the series progresses, listeners can anticipate further exploration of the Rhodes family's legacy, the true nature of Robert's transformation, and the unfolding mysteries tied to the McGregor Farm. "Moonstone Rescue" promises a captivating journey through time, magic, and the enduring strength of heritage and family bonds.

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Notable Quotes with Timestamps:

• Nora Rhodes ([04:24]): "Eye contact, though the cat's mouth did not move. She told Henrietta secrets. Secrets of her ancestors, of the old ways and the future too."

• Nora Rhodes ([09:42]): "I'm not like those guys. Our parents are friends, but I'm realizing we don't have anything in common."

• Maya Rhodes ([35:41]): "Just because you don't know your direction doesn't mean you don't have one. Thank you."

• Nora Rhodes ([34:08]): "I met your dad today."

These thoughtfully placed quotes enhance pivotal moments in the episode, providing depth and emotional resonance to the unfolding story.

Transcript

[Dominique Mouton]

TABLE read Moonstone Rescue.

[Robert Rhodes]

Moonstone Rescue Pilot Written by Dominique Mouton.

[Nora Rhodes]

Over black I'll start where we left off.

[Maya Rhodes]

No, let's go back to the beginning.

[Nora Rhodes]

The beginning? But we're so close to the end.

[Maya Rhodes]

I know. But endings make me sad.

[Robert Rhodes]

Fade in. Exterior Dirt road Day on the back of an uncovered horse drawn wagon, a dozen indigenous children sit silently broken. Super California, 1896 interior exterior uncovered wagon day moving. Henrietta, 4, stares straight ahead with dried tears on her face and two long braids down her back.

[Nora Rhodes]

Your great great grandmother was only four years old when she was taken from her tribe and given the name Henrietta. The government called it assimilation.

[Robert Rhodes]

As the wagon moves along, Henrietta notices an orange cat hiding behind some brush. And the cat notices her too. Exterior Saint Rosalia Indian School Day an imposing red brick building at the foothills of a valley surrounded by lush olive and oak trees. In front, uniformed indigenous kids march in formations, emotionless, focused, obedient. They've been assimilated. A staff of nuns and teachers stand beside a sign that proudly reads St. Rosalia Indian School. The wagon carrying the children approaches a steely faced nun, Sister Bernadette. The steps forward.

[Nora Rhodes]

Remember, be compassionate but firm. God knows they'll need both.

[Robert Rhodes]

Once the wagon comes to a stop, the nuns spring into action to promptly usher out the new arrivals. Henrietta is lifted off the wagon bed. She frowns at the fleshy adult hand that grabs and pulls her. Without warning, Henrietta sinks her tiny teeth into the stranger's thumb. The owner of the thumb cries out. Interior Classroom Day. Young girls practice their sewing in silence. The sewing teacher writes at her desk. Preteen Henrietta, now 12, fusses with sloppy needlework in the back corner. Her short cropped hair is hopelessly untamed, unladylike and unassimilated.

[Nora Rhodes]

They did everything to make her forget who she was. She learned their language, manners, customs.

[Robert Rhodes]

Henrietta fumbles with her needle, accidentally pokes herself. A tiny pool of blood forms on the pricked finger. She closes her eyes inexplicably. She smears the blood across her forehead.

[Nora Rhodes]

But she never did fit in. Not that she really tried.

[Robert Rhodes]

A little girl sitting close by stares at Henrietta, clings to her rosary. Others take notice, frightened. Exterior Saint Rosalia Indian School Moments later, the sister, Bernadette holds Henrietta by the neck over a bucket of water, vigorously scrubs her forehead with a cloth.

[Nora Rhodes]

No more witchery, understand?

[Robert Rhodes]

Interior Girls Dormitory Night in bed, silent tears roll down Henrietta's red, raw face.

[Nora Rhodes]

Henrietta cried not for the pain she suffered, but for her parents, whose faces she couldn't recall the language she'd forgotten. She didn't even remember her name. Her real name.

[Robert Rhodes]

Amid the darkness, a light appears. Henrietta sits up, startled.

[Nora Rhodes]

Hello?

[Robert Rhodes]

The light gets brighter, beckons her to follow. She gets out of bed, chases it.

[Nora Rhodes]

She didn't know what compelled her to follow that light. It seemed familiar. Like an old friend.

[Robert Rhodes]

Exterior, St. Rosalia Indian School. Night. Outside, Henrietta follows the light under a large oak tree. The light dims. For a moment, she stands in darkness. The light returns. An orange cat in its center. Henrietta and the cat make steady, unblinking.

[Nora Rhodes]

Eye contact, though the cat's mouth did not move. She told Henrietta secrets. Secrets of her ancestors, of the old ways and the future too. The cat agreed to be her guide.

[Robert Rhodes]

Always in the distance, the angry matron holds a lantern. She spots Henrietta under the oak tree.

[Nora Rhodes]

Henrietta.

[Robert Rhodes]

Henrietta whips around, eyes wide.

[Dominique Mouton]

More cat Furry tales.

[Robert Rhodes]

Interior, bedroom. Day, present day. Robert Rhodes, 30s, stands at the doorway with a tea tray in. He's got a snarky, irreverent smirk on his face. But his bright puppy print veterinary scrubs betray his inner dork.

[Dominique Mouton]

I said furry tails. You get it?

[Robert Rhodes]

In bed, a frail and tired Nora Rhodes, 30s. A hand knitted cap covers her head. She manages to smile at her husband through her obvious fatigue.

[Nora Rhodes]

Yeah, yeah, I got it.

[Robert Rhodes]

Nora holds a leather sketchbook filled with handwritten notes and drawings snuggled close beside her. And Rob, exuberant daughter Maya Rhodes, 12. Her wild, tightly coiled red hair flies all over the place.

[Maya Rhodes]

It's not a fairy tale, dad.

[Dominique Mouton]

Nasty nuns, psychic cats. It's basically a Cinderella ripoff.

[Robert Rhodes]

As Robert walks over with the tray, he nearly drops the culprit. Henry, the cat, black with big yellow eyes. She stares up at Robert, 8, innocent. Robert doesn't buy it.

[Dominique Mouton]

This cat is always in my way.

[Nora Rhodes]

Robert, my love, have you considered that Henry has been there for an hour and it is you who put yourself in her way?

[Jean Rhodes]

Excellent logic, Professor Rhodes.

[Robert Rhodes]

Robert sets the tray down, kisses her sweetly.

[Dominique Mouton]

How you feeling?

[Maya Rhodes]

Great.

[Dominique Mouton]

The doctor said you might be.

[Nora Rhodes]

I'm great.

[Maya Rhodes]

Sit with us. We're at the part where Grandma Hanaretta escapes.

[Dominique Mouton]

Everyone claims Pocahontas is an ancestor. Why is that?

[Maya Rhodes]

Grandma Henry is way cooler than Pocahontas.

[Dominique Mouton]

But at least there's evidence she actually existed.

[Nora Rhodes]

Shut up, grumpy. Get in here.

[Dominique Mouton]

My scrubs are dirty.

[Nora Rhodes]

Psst.

[Robert Rhodes]

Nora and Maya grab both his arms. He's no match.

[Dominique Mouton]

Fine, fine, fine.

[Robert Rhodes]

He gets into the bed. Henry, the cat jumps on his lap.

[Dominique Mouton]

I swear, I swear this cat has it in for me.

[Maya Rhodes]

Dad. She's not just a cat. She knows things. Things we can't even see.

[Dominique Mouton]

Like I said, furry tails.

[Nora Rhodes]

Dad doesn't get it, does he?

[Robert Rhodes]

Nora winks at Maya. Henry's powers are their secret.

[Dominique Mouton]

Get what?

[Robert Rhodes]

She ignores the question, turns the page of her sketchbook.

[Nora Rhodes]

The angry nun grabbed Henrietta by the shoulders and shook her.

[Robert Rhodes]

Maya's ROOM DAY Maya snoozes in bed. She's a bit older, but her room looks like it belongs to a younger kid. Stuffed animals, childish posters, old drawings. Nora's sketchbook on the nightstand. Super. Two YEARS LATER light from a nearby window wakes Maya. She stretches and rolls over. When she opens her eyes, two huge yellow eyes stare back at her.

[Dominique Mouton]

Oh my gosh.

[Robert Rhodes]

Startled, Maya falls to the floor. Henry, the cat, looks down at her from the edge of the bed.

[Maya Rhodes]

Henry, I love you, but you gotta stop doing that.

[Robert Rhodes]

Maya stands and picks up the cat, holds her close.

[Maya Rhodes]

Did you tell mom that I graduate 8th grade tomorrow?

[Robert Rhodes]

Henry blinks, her face adorable but ambiguous. INTERIOR Rhodes home STAIRCASE DAY Maya runs downstairs fully dressed and Henry at her heels. Soul music blares from the kitchen. KITCHEN Maya's quirky grandma Jean Rhodes, 60s, carves a clay figurine of a voluptuous nude woman. Jean's hips move to the music. Her long locks swing down her back. The eat in kitchen doubles as her art studio. Intricate erotic sculptures sit on every flat surface. Maya enters, opens the fridge for a snack.

[Maya Rhodes]

Morning, Granny.

[Nora Rhodes]

Hey, baby.

[Robert Rhodes]

You're up early.

[Maya Rhodes]

Gotta tell mom at the graduation.

[Robert Rhodes]

Jean smiles, represses concern. Maya heads to the door, making any stops like.

[Maya Rhodes]

Like where? I don't know.

[Nora Rhodes]

Maybe wherever it is you've been going after school.

[Maya Rhodes]

I've been helping Jackie with her back. Sorry. I'm so sorry. Valedictorian speech. Valedictorian. Okay. I've been helping Jackie with her valid.

[Dominique Mouton]

That word.

[Maya Rhodes]

It is a hard word for me. I don't know why.

[Nora Rhodes]

Okay.

[Maya Rhodes]

I've been helping Jackie with her valedictorian speech. I told you.

[Dominique Mouton]

Thought maybe you got a boo fang or something.

[Maya Rhodes]

Uh, boo thing. Ew.

[Robert Rhodes]

Maya picks up Henry, cringing and eager to leave and avoid further inquiries.

[Maya Rhodes]

Hey, can't you remind dad about tomorrow.

[Robert Rhodes]

So he doesn't forget? Why would he forget?

[Maya Rhodes]

He forgot my birthday and Henry's and yours.

[Nora Rhodes]

Oh, it's that clinic. I told him to hire help, but you know how he gets.

[Maya Rhodes]

The whole town knows how he gets.

[Robert Rhodes]

Jean stopped sculpting to look Maya in the eye.

[Nora Rhodes]

You know he loves you, right?

[Maya Rhodes]

Sure he does.

[Nora Rhodes]

Love is a language. Everyone has their own funky way of speaking it.

[Maya Rhodes]

Then dad speaks love in pig Latin.

[Robert Rhodes]

Jean can't help but to grin in agreement with Maya.

[Nora Rhodes]

That's my son. But sometimes it's like that boy he talks pure gibberish.

[Robert Rhodes]

INTERIOR DELI DAY Robert stands in the line of a busy deli shop. He's in his own world, rocking out to industrial hip hop that blasts loudly from his headphones. He's less polished, less affable than we remember him. Certainly scruffier, too. Robert ignores the glaring eyes of others around him as he lip syncs the song's unintelligible lyrics. It's getting to the good part when the music stops. Pissed, he looks at his phone. Incoming call from hell. He rejects the call, restarts the music. Hell calls again. He rejects it again. The music resumes. Behind Robert, an irked customer taps his shoulder.

[Nora Rhodes]

You mind turning the music down?

[Robert Rhodes]

Robert feigns confusion.

[Dominique Mouton]

What?

[Robert Rhodes]

The customer motions to their ears. Now Robert Fain's comprehension produces a phony smile.

[Dominique Mouton]

No, but thanks for the offer.

[Robert Rhodes]

Robert turns around, where he's finally next in line. He takes off his headphones.

[Nora Rhodes]

What can I get ya?

[Dominique Mouton]

Hold on, let me look.

[Robert Rhodes]

Robert reads the menu carefully, considers his options. Annoyed customers in line roll their eyes, grumble and groan. INTERIOR ROADS VET CLINIC LOBBY DAY Clients and pets sit in the waiting area. They're growing impatient. Mrs. Silva, 70s quintessential cat lady, approaches the front desk, her crated feline Gemma in tow. At the desk sits overworked Vet Tech secretary, crisis manager Zara, 25. She smiles, anticipates Mrs. Silva's complaints.

[Nora Rhodes]

I am so sorry, Mrs. Silva. Dr. Rhodes should be here any minute. You said that 30 minutes ago. If you want, I can reschedule your appointment. Gemma can't afford to be rescheduled.

[Dominique Mouton]

Oh my God. Poor thing.

[Nora Rhodes]

I'm sure Gemma will be fine. Does this look to you?

[Robert Rhodes]

She holds up the crate. The the scrawny cat struggles to breathe. The front door opens. Robert enters, mouth full and breakfast sandwich in hand. Clients glare as he walks past them. Zara stands up, follows Robert into his office. Robert's OFFICE Robert quickly puts on a white coat over his scrubs. Zara represses frustration.

[Nora Rhodes]

I tried calling you. We had some clients leave.

[Robert Rhodes]

He hands her the remainder of his food.

[Dominique Mouton]

Can you put this in the fridge?

[Nora Rhodes]

ROBERT yeah.

[Robert Rhodes]

Zara wants to say something. She thinks better of it.

[Nora Rhodes]

Never mind.

[Robert Rhodes]

INTERIOR Rhodes VET CLINIC EXAM ROOM DAY Robert stands across from Mrs. Silva with test results.

[Dominique Mouton]

Acute kidney failure. I wish I had better news, but she's beyond help at this point.

[Nora Rhodes]

But why? How?

[Dominique Mouton]

Could be a number of things. Pesticides, meds. Certain.

[Robert Rhodes]

He shrugs, oddly cold and impenetrable. He's definitely not the same Robert who once wore puppy print scrubs.

[Nora Rhodes]

It's not possible. Check again.

[Dominique Mouton]

You're welcome to get a second opinion elsewhere.

[Nora Rhodes]

The next vet is miles away. I don't have a car.

[Robert Rhodes]

Robert nods, looks at his watch.

[Nora Rhodes]

So what's next?

[Dominique Mouton]

Gemma's 16 years old with failing organs. There is no next.

[Robert Rhodes]

Mrs. Silva's eyes go wide as she comprehends.

[Nora Rhodes]

Euthanasia.

[Dominique Mouton]

That's your choice. But if it were me, I wouldn't let her suffer like this for another minute.

[Robert Rhodes]

INTERIOR Rhodes Vet Clinic lobby day Mrs. Silva returns to the lobby empty handed and teary eyed.

[Maya Rhodes]

Daryl Ingalls Mr. Rhodes will see Misty now.

[Robert Rhodes]

Darryl Ingalls, 50, stands up, a stiff old German Shepherd, Misty at his side. Daryl approaches Mrs. Silva.

[Nora Rhodes]

Gemma, she he wasn't even nice about it.

[Robert Rhodes]

She walks out of the clinic. Robert enters the lobby.

[Dominique Mouton]

Daryl, you coming?

[Robert Rhodes]

Daryl looks down at his beloved mission Misty for a moment.

[Dominique Mouton]

Hell no. Excuse me. For the last two years we've all.

[Jean Rhodes]

Been understanding and patient with you and your antics.

[Dominique Mouton]

But this is the last straw for me. You're not touching a hair on Misty's head. I'm lost. What's the issue?

[Jean Rhodes]

Sure wish someone would come along and.

[Robert Rhodes]

Put you out of business. Daryl and Misty storm out. Robert looks at zara, puzzled. Exterior McGregor Farm D Day Dingy, poorly maintained structures scattered across several acres of land. The property is redeemed by its old growth trees and pretty landscape. Exterior McGregor Farm stable day Neglected, frustrated horses neigh in their stalls. Lupe McGregor, 30s, an Afro indigenous woman with long dark hair, struggles to remove a shoe from a sea sassy horse. She pulls and pries the shoe, clinches with rusty clinch cutters, takes a rubber mallet to hit the clinch. Bam. The cutters break.

[Nora Rhodes]

Damn it.

[Robert Rhodes]

Lupe tosses them to the side, pets the horse gently.

[Nora Rhodes]

We'll get these off of you soon.

[Robert Rhodes]

Exterior McGregor Farm Main House DAY Lupe approaches the front door of an old but charming country home. An absurdly cute fox runs up to her, excited. This is Pumpkin. She picks him up. Pumpkin whimpers.

[Nora Rhodes]

I know, I know. I'm hungry too.

[Robert Rhodes]

Interior McGregor Farm main house Day Inside, a dozen half packed boxes sit around. It's hard to tell if someone's moving in or moving out. KITCHEN Pumpkin looks up at Lupe as she opens a cabinet, takes out a can of dog food. The last one. Lupe opens the fridge. It's bare. She looks at pumpkin Distressed.

[Nora Rhodes]

You think Postmates delivers out here? Yeah, I don't think so either.

[Robert Rhodes]

Exterior, Cemetery Day. Maya leans against a gravestone. She wears binoculars around her neck as she reads her mother's sketchbook. Henry watches squirrels nearby.

[Maya Rhodes]

As the days went by, Henrietta grew more and more lonely. Until one day the cat showed her how to escape the vile school.

[Robert Rhodes]

The cat stares up at a pretty bird in a tree. Maya scrambles to her feet, puts the binoculars to her eyes.

[Maya Rhodes]

It's a rose breasted grosbeak.

[Robert Rhodes]

Behind her, the gravestone reveals Nora Rhodes, beloved mother, wife and watcher of birds.

[Maya Rhodes]

She's listening.

[Robert Rhodes]

Leaves crunch under clumsy footsteps. The bird flies away. Maya turns to see Maverick Grayson, 14. Blonde and Large for his age. He's a gentle giant disguised as a baby frat boy.

[Maya Rhodes]

You shouldn't creep up on people like that, Maverick.

[Nora Rhodes]

What were you looking at?

[Maya Rhodes]

Just an extremely rare rose breasted girl's beak that I'll probably never see again.

[Nora Rhodes]

I don't see it.

[Robert Rhodes]

Maya can barely conceal irritation. Yeah.

[Maya Rhodes]

Cause it flew away.

[Nora Rhodes]

Oh, that is so funny. Listen, I came to apologize for the other day. It wasn't cool how Kyle and Doug locked you in the bathroom. They're insecure. Bullies.

[Maya Rhodes]

You know what they say. Birds of feather flock together.

[Robert Rhodes]

Maverick thinks about this for a moment.

[Nora Rhodes]

That'S actually really deep.

[Maya Rhodes]

Why are you apologizing for your friends anyway?

[Nora Rhodes]

Because you deserve an apology.

[Robert Rhodes]

Maverick is earnest, bashful. He clearly has a thing for Maya. Unfortunately, she knows it. It's awkward.

[Maya Rhodes]

I have to go meet my friends.

[Nora Rhodes]

Now? In town. I'm meeting my dad there. We can walk together. It's perfect.

[Maya Rhodes]

Great.

[Robert Rhodes]

Interior, Oak Bluffs. Town Center Day. Maya, Maverick and Henry arrive to a street adorned with colorful shops, old buildings. It's quaint, charming, magical, right out of a storybook. They stop in front of Foley's Ice Cream Parlor. Maya puts Henry on the ground.

[Maya Rhodes]

Don't go far. Okay.

[Robert Rhodes]

Interior, Foley's Ice Cream Parlor.

[Maya Rhodes]

Day.

[Robert Rhodes]

Maya and Maverick and enter the shop packed with rowdy summer ready kids. Jackie Andrews, 14, waves to Maya. Jackie's witty with micro braids and thick glasses. Standing on a chair across from her is the hyperactive, animated Hugo Fuentes, 14. Maya Beelines to their table. Maverick trails close behind.

[Maya Rhodes]

Your ice cream melted or it didn't go to waste.

[Dominique Mouton]

And you're hyperactive and animated. A little more. Yeah. Give me a burp. I can hear all the way from here.

[Nora Rhodes]

I don't think I can burp on. Okay.

[Maya Rhodes]

Your ice cream melted.

[Nora Rhodes]

Don't worry, it didn't go to waste.

[Robert Rhodes]

Jackie's eyes narrow at Maverick.

[Maya Rhodes]

What's he doing here? Um, this is Maverick.

[Robert Rhodes]

Maverick extends a friendly hand. Jackie and Hugo ignore it.

[Maya Rhodes]

Duh. Why is he here?

[Nora Rhodes]

You're Jackie and Hugo, right? He knows our names.

[Maya Rhodes]

I'm sure his buddies told him all about us.

[Nora Rhodes]

I'm not like those guys. Our parents are friends, but I'm realizing we don't have anything in common. And the older I get, the more I see that they aren't the kind of people I want to be around. Birds of a feather, right?

[Robert Rhodes]

He turns to wink at Maya.

[Maya Rhodes]

Can't tell if this vulnerability and self awareness is an act, but I lowkey kind of like it.

[Robert Rhodes]

Maverick takes this as permission to sit down at the table.

[Nora Rhodes]

And who's that?

[Robert Rhodes]

They all turn to look out the window. EXTERIOR STREET DAY across the street, Lupe nervously enters the butcher's shop intercut between Foley's ice Cream and across the street.

[Maya Rhodes]

You don't know about Tom McGregor's widow? I didn't even know he had a wife. Yeah, her name is Lynn Lupe and apparently she's the one who killed him.

[Nora Rhodes]

What?

[Maya Rhodes]

Not with her bare hands.

[Jean Rhodes]

Mood Promo Take I don't even know.

[Dominique Mouton]

What take this is Jack.

[Jean Rhodes]

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[Maya Rhodes]

With magic She's a witch. You're lying. My mom went to school with her. She lived on the Wampanoag reservation before transferring to Oak Bluffs High. Apparently she used to carry potions in her backpack. So what if someone got on her bad side? They'd throw up blood or something the next day. Cool.

[Robert Rhodes]

Interior McGregor home. Knight flashback Lupe and Tom McGregor argue.

[Maya Rhodes]

Right after high school, Lupe married Tom. He treated her really bad. Everyone knew it.

[Robert Rhodes]

Tom grabs Lupe's wrist hard and menacing.

[Maya Rhodes]

She used to come into town with bruises and stuff.

[Robert Rhodes]

Exterior Oak Bluffs Town center Day Flashback Lupe walks down the street. Townspeople stare at her, whispering amongst themselves.

[Maya Rhodes]

Pretty soon she stopped showing up in public at all.

[Robert Rhodes]

She pulls down her sleeve to conceal bruising on her arm. Exterior McGregor Farm Day flashback Tearful and furious, Lupe loads a pickup truck with her belongings. Tom runs out of the house, grabs her by the shoulders. She shoves him off. Tom suddenly grasps at his chest in pain, keels over.

[Nora Rhodes]

Lupus.

[Robert Rhodes]

Faye stares at him coldly and gets in the vehicle, drives off.

[Maya Rhodes]

She finally left him for good and went back to the reservation.

[Robert Rhodes]

Interior Foley's Ice cream parlor DAY Back to present the kids hang on.

[Maya Rhodes]

Jackie's words for years no one heard anything about Lupe McGregor. Tom was never the same and now that he's dead, she's back to take over the farm. He left her everything.

[Nora Rhodes]

But why?

[Maya Rhodes]

Maybe he felt guilty. Sometimes people change after losing someone. Yeah, what could happen to your dad.

[Nora Rhodes]

After your mom Oops.

[Robert Rhodes]

He stops, realizes he stepped into taboo territory.

[Nora Rhodes]

Your cat obviously likes her.

[Robert Rhodes]

They look out the window again to see Lupe petting Henry. Axel Grayson, late 30s, a bulky ex UFC fighter stuffed into an expensive suit, approaches Lupe in a familiar way.

[Maya Rhodes]

MAVERICK how does your dad know LUPE.

[Nora Rhodes]

Dad's been trying to buy the McGregor farm since forever.

[Maya Rhodes]

Why he already owns half the town.

[Robert Rhodes]

Lupe and Axel's conversation heats up. It's an argument. He gestures wildly, she gestures back before storming off.

[Maya Rhodes]

Must be roid rage.

[Nora Rhodes]

I should go. See you guys at graduation. Okay.

[Robert Rhodes]

Maverick stands up and scurries out the shop.

[Nora Rhodes]

I like him.

[Maya Rhodes]

It's his dad I'm worried about.

[Robert Rhodes]

Maya stares out the window, concern on her face. Interior, sports bar. Day. Robert chugs a beer at a mostly empty bar. Next to him is Josh Rollins, 30s, Professor Mensch, Robert's only friend.

[Jean Rhodes]

Her name's Debbie.

[Dominique Mouton]

Do you hate her?

[Jean Rhodes]

She's in the math department, but no. I think she's quite nice.

[Dominique Mouton]

You must hate her. You're trying to set her up with me. You were quite the catch once.

[Jean Rhodes]

Just channel that guy.

[Dominique Mouton]

I'm undateable, Josh. By design.

[Jean Rhodes]

I guess making old ladies cry is taking up all your time. Yes, I heard about Mrs. Silva's cat.

[Dominique Mouton]

What about Mrs. Silva's cat?

[Jean Rhodes]

Everyone's talking about it on the My neighbor, apparently.

[Robert Rhodes]

Josh hands Robert his phone. He scrolls the message board.

[Dominique Mouton]

Rhodes Clinic used to be amazing. Now it seems Dr. Rhodes gets off on killing pets. Oak Bluff citizens must boycott. It's a small town, Rob.

[Jean Rhodes]

Something like this could end your business.

[Dominique Mouton]

Dude, sometimes animals have to be put down. Sorry. It happens every day.

[Jean Rhodes]

Maybe you could be nice about it.

[Dominique Mouton]

I'm efficient and I'm honest. I think that's pretty nice.

[Robert Rhodes]

Robert takes a deep swig of his beer as Josh face palms.

[Jean Rhodes]

What happened to that grief support group you joined?

[Dominique Mouton]

Sad sacks with sob stories.

[Jean Rhodes]

Thought that was the point.

[Dominique Mouton]

Look, I got problems, but these people had like, problems. That's depressing. Do you want me to.

[Robert Rhodes]

He puts fingers to his head like a gun, pulls the trigger.

[Nora Rhodes]

Dude, that's so wrong.

[Dominique Mouton]

Another beer. I gotta go.

[Jean Rhodes]

It's finals week.

[Dominique Mouton]

Ah, you're tenured now. Listen up.

[Robert Rhodes]

Josh puts a bill down on the bar counter, picks up his bag.

[Jean Rhodes]

It's 2pm and I'm an adult. Nora wouldn't like this guy you're pretending to be.

[Dominique Mouton]

Yeah, well, she's dead. So.

[Robert Rhodes]

As Josh leaves, Lupe enters. She's flustered from her encounter with Axel. She sits at the far end of the bar. Robert watches her, intrigued. The bartender walks over to take Lupe's order.

[Nora Rhodes]

Just water, please.

[Dominique Mouton]

Water at a bar?

[Nora Rhodes]

Why not?

[Dominique Mouton]

It's a bar.

[Nora Rhodes]

Water is the fountain of life.

[Dominique Mouton]

Foundation water.

[Maya Rhodes]

Hey.

[Nora Rhodes]

Water is the foundation of life.

[Dominique Mouton]

But a stiff drink makes life tolerable.

[Nora Rhodes]

Because it dulls the senses, kills brain cells, numbs pain.

[Dominique Mouton]

All of the above.

[Robert Rhodes]

Lupe looks into his eyes, reading him.

[Nora Rhodes]

You remind me of someone.

[Dominique Mouton]

Funny, I was thinking the same thing about you.

[Nora Rhodes]

Who do I remind you of?

[Dominique Mouton]

I can't put my finger on it.

[Robert Rhodes]

Too bad.

[Nora Rhodes]

Must be the alcohol.

[Dominique Mouton]

Must be. So who am I?

[Nora Rhodes]

Pagliacci.

[Dominique Mouton]

Pagliacci. The sad clown.

[Nora Rhodes]

A smile that hides a broken heart.

[Robert Rhodes]

Robert is taken aback by Lupe's casual intensity.

[Dominique Mouton]

Well, it took a depressing yet oddly accurate turn. I'm Robert, by the way.

[Nora Rhodes]

I know.

[Robert Rhodes]

Lupe finishes her water and stands to go.

[Dominique Mouton]

What's your name?

[Robert Rhodes]

But Lupe is already out the door.

[Dominique Mouton]

People say I'm rude.

[Robert Rhodes]

EXTERIOR country road Day the sun is just beginning to set. Maya walks along a tree shrouded road, carries a bag of groceries. Henry, the cat, follows along. They arrive at a shabby, splintered driveway gate. A lopsided sign reads MCGREGOR Farm. Maya pushes the gate open, enters. Exterior McGregor Farm Enclosures Day Lupe feeds various small animals as she holds a phone between her ear and shoulder.

[Nora Rhodes]

Mom, please stop worrying about me.

[Robert Rhodes]

EXTERIOR Aquina Wampanoag Powwow grounds Day Deborah Winslow, 60s, warm, humble, holds a phone to her ear as she oversees volunteers fumbling with picnic tables.

[Nora Rhodes]

Hey, most tables belong on the other side.

[Maya Rhodes]

Side.

[Nora Rhodes]

The other side.

[Robert Rhodes]

They shrug. Confused, Deborah returns to the call.

[Nora Rhodes]

You sound stressed. How am I supposed to not worry?

[Robert Rhodes]

Intercut Lupe Deborah. Lupe opens the crate door of an opossum family. The mama possum has a bandage on her back leg. Hisses at Lupe.

[Nora Rhodes]

No, you're stressed and that's stressing me out. Of course I'm stressed. This year's been a pain. I could use your help now that.

[Robert Rhodes]

I'm on the council.

[Nora Rhodes]

I think you can handle it.

[Robert Rhodes]

Lupe's eyes widen at the sight of a lethargic baby possum.

[Nora Rhodes]

And I'm worried about you in that house. All those memories. Sorry, I have to go.

[Robert Rhodes]

Interior Lupe's EXAM room Day Lupe brings the possum into a makeshift exam room, places it on the bed. It's a humble space compared to Robert's sterile clinic, but she has everything she needs here. She examines the animal's eyes, mouth. It doesn't look good. Exterior McGregor Farm Main House Day Maya knocks on the front door. No answer. She knocks again, harder. The half closed door creaks open. Henry runs in.

[Maya Rhodes]

Henry, get back here.

[Robert Rhodes]

Interior McGregor Farm Main House Continuous Maya walks into the house. Henry is nowhere to be found.

[Maya Rhodes]

Hello?

[Robert Rhodes]

She takes a step inside. INTERIOR lupe's EXAM ROOM Day Lupe searches through her cabinets, looks through various jars and canisters and herbal remedies. The baby possum's breathing grows shallow. INTERIOR Lupe's house Living room. Same. Maya is fascinated by Lupe's house. Looks closely at the various Wampanoag tribal artifacts, ceremonial objects, garb books, photographs. She picks up a brochure for the Grief Relief support group.

[Nora Rhodes]

What are you doing here?

[Robert Rhodes]

Maya whips around. Lupe stands behind her with the baby possum.

[Maya Rhodes]

Door was open. I got carrots and apples for the horses.

[Robert Rhodes]

Interior lupe's kitchen. Day. Lupe uses a mortar and pestle to grind herbs to a powder. The baby possum lies on the counter. Maya watches close by.

[Nora Rhodes]

Hold him.

[Robert Rhodes]

Maya hesitates, but Lupe smiles, reassuring. Maya picks up the possum with care.

[Maya Rhodes]

What's wrong with it?

[Nora Rhodes]

I don't know yet. Could be a flu. Or he might be playing possum.

[Maya Rhodes]

That's a real thing.

[Nora Rhodes]

Sometimes possums get so afraid and overwhelmed, they just freeze.

[Maya Rhodes]

A trauma response.

[Nora Rhodes]

Exactly.

[Robert Rhodes]

Lupe looks at Maya, admires her knowledge.

[Maya Rhodes]

Everyone's saying you're a witch.

[Nora Rhodes]

Typical. Predictable.

[Maya Rhodes]

They called Grandma Henrietta a witch too.

[Nora Rhodes]

They tend to do that. It's easier to use scary labels than to try and understand things you don't understand. I met your dad today.

[Robert Rhodes]

Suddenly nervous, Maya sets the possum down on a towel.

[Nora Rhodes]

You haven't told him, have you?

[Maya Rhodes]

He's never around for me to tell.

[Nora Rhodes]

I've loved having your help around the farm these last few weeks, but it's important that he knows that you come here, huh? That was part of our deal.

[Maya Rhodes]

This place is so magical. I don't want to ruin it. Dad. Dad hates magic. Always has.

[Robert Rhodes]

Lupe mixes the herbs with water, stirring gently.

[Nora Rhodes]

Tell him or I'll have to.

[Robert Rhodes]

Maya nods but seems doubtful of her own resolve. Interior Middle SCHOOL Auditorium. Night. Families pack the seats as the eighth grade sits on stage. Jackie stands at the podium halfway through her speech.

[Maya Rhodes]

As we turn the page on this next chapter, I'm reminded of what Slick told Lieutenant Starbuck in season four of Battlestar Galactica.

[Robert Rhodes]

Maya and Hugo sit together in their graduation gowns. They beam with pride at Jackie. Behind them, stifled guffaws from boneheaded classmates Doug and Kyle, 14.

[Nora Rhodes]

Why is she talking about Starbucks?

[Robert Rhodes]

Maya turns around, glares.

[Maya Rhodes]

You may feel like hell, but sometimes lost is where you need to be. Just because you don't know your direction doesn't mean you don't have one. Thank you.

[Robert Rhodes]

Cheers from the crowd of parents as she returns to her seat. The School principal steps up to the podium.

[Dominique Mouton]

Please. Let's give it up for our class valedictorian, Jackie Andrewson.

[Robert Rhodes]

Maya and Hugo enthusiastically clap. Doug leans over to Hugo. How is your friend, valedictorian by your own special ed. Maya elbows Doug in the chin, causing his teeth to chatter.

[Nora Rhodes]

Ugh.

[Maya Rhodes]

No.

[Nora Rhodes]

Oh, dude, she got you good.

[Robert Rhodes]

Your ass is grass, weirdo. In the audience seats, Robert sits next to Gene. He's dozed off. His face twitches, his breath irregular. Interior, hospital room. Day dream. Nora is in bed, thin and sickly, tubes going out of her nose and mouth. The heart monitor beeps unusually loud. Robert approaches Nora, slow. He touches her hand.

[Nora Rhodes]

Please. It hurts. Make it stop.

[Robert Rhodes]

Frightened, Robert pulls back, turns away and runs. Interior, middle school auditorium. Day. Back to reality. Gene shakes Robert's arm until he opens his eyes. Wake up.

[Nora Rhodes]

No.

[Robert Rhodes]

Maya's walking on stage. The principal hands Maya her diploma. Dazed and still shaken from his dream, Robert joins in the applause. Interior, reception room. Night. Parents and students mingle, pose for pictures, share laughs. Jean tries to take a photo of Maya and Robert. Smile.

[Nora Rhodes]

Robert. Robert, please.

[Robert Rhodes]

Robert's miserable expression morphs until he manages to pull his lips from his teeth, producing a grotesque, painful fake smile.

[Nora Rhodes]

Forget it. I'm so proud of you.

[Dominique Mouton]

Me too.

[Maya Rhodes]

So is Mom.

[Dominique Mouton]

What?

[Maya Rhodes]

Henry told her all about it. And guess what? We saw a rosebud at her grave.

[Dominique Mouton]

So what?

[Maya Rhodes]

It's a sign. She's listening.

[Dominique Mouton]

Maya, your mom's dead.

[Maya Rhodes]

Yes, but not really.

[Dominique Mouton]

Honey, she's dead.

[Maya Rhodes]

But, dad. Mom always said that she would talk to us through the birds.

[Dominique Mouton]

No. Maya.

[Robert Rhodes]

Grow up, Robert. A few bystanders turn to look.

[Dominique Mouton]

I'm going to the bathroom.

[Robert Rhodes]

He walks away, embarrassed and hurt. Maya represses the tears that fill her eyes. Jean embraces her. Interior, school bathroom. Night. Robert splashes his face under a running faucet. Washes away the shame. Axel exits one of the stalls, joins him at the row of sinks.

[Dominique Mouton]

Don't you just hate this? These things? It's for the kids, I guess. Yeah. I keep meaning to bring my son's parrot to the clinic. Oh, yeah? Yeah. It pulls out its own feathers and squawks all day. Can't stand it. Sure, bring him by. I like the way you do business. Straightforward, no nonsense. Not everyone's cup of tea. She happens to be mine, though.

[Robert Rhodes]

Robert puts his hand under the dryer as hot air blows out. Axel doesn't wash his hands, stands close to Robert.

[Dominique Mouton]

Gonna be tough with that new competition, though. What do you mean by Tom McGregor's widow's opening a new clinic. All natural, holistic, yada yada. Hippie crap.

[Robert Rhodes]

The dryer finally stops.

[Dominique Mouton]

You know, before he died, Tom was gonna sell that farm to me. Yeah, I heard about that. Also heard you were trying to rip him off. Rip him off? He'd have been lucky to get five figures for that dump. Yeah. Can't beat the location though, right? Isn't that why you want it?

[Robert Rhodes]

Axel smirks. Ambiguous. Robert opens the door to leave.

[Dominique Mouton]

For the sake of your family, you might want to consider how deeply unpopular you are in this town.

[Robert Rhodes]

Axel pats Robert on the shoulder.

[Dominique Mouton]

Our interests might align more than you think. I'll see you next week. About that bird.

[Robert Rhodes]

He walks out of the bathroom ahead of Robert. INTERIOR RECEPTION ROOM Night Robert looks around for Maya and Jean. They're nowhere to be found. He stands in the middle of the room of people, alone. Interior McGregor Farm main house NIGHT Lupe drinks tea on the sofa. Pumpkin is curled up in his bed close by. The baby possum sleeps next to her. The possum's muscles twitch. Lupe holds her breath. It twitches again. Its feet move furiously until finally it sits up, happy and alert.

[Nora Rhodes]

You're alive, baby. Oh, you're alive.

[Robert Rhodes]

Relieved, she pets the possum's little head. Interior McGregor Farm Enclosures Night. Lupe gently places the baby possum in the crate with its mother and siblings, looks on as they're happily reunited. Exterior McGregor Farm the gates of the farm squeak as they're pushed open and closed by the wind. Lupe approaches the gate with a bright lantern in one hand and a can of red paint in the other. Smiling, Lupe dips an old paintbrush into the paint, draws a thick line across the letters of the McGregor Farm sign below it. She begins to paint. New letters. Moonstone Rescue. Across THE street Axel sits in his black BMW, stares longingly at the farm, glares with disgust at Lupe, who doesn't notice him. He takes a moment but seems to make up his mind about something, an expression of determination crossing his face before he drives off into the night. INTERIOR Maya's ROOM NIGHT Maya sits, sits up in bed, flips through the pages of Nora's sketchbook, but she's too distracted to pay attention. Footsteps in the hallway, followed by a knock at her door.

[Dominique Mouton]

Maya.

[Robert Rhodes]

Maya almost responds, but instead she reaches over to her lamp and turns off the light. INTERIOR robert's OFFICE Moments later Exactly. Exhausted, Robert collapses onto a futon with dingy yellowed sheets and a thin blanket. His eyes are only closed for a moment before he hears soft, brokenhearted sobs from the next room. Maya. Robert sits up as if prepared to go to her, but he reaches for his headphones and puts them over his ears. Loud music drown out the sounds of his daughters crying. INTERIOR maya's ROOM Same the moonlight illuminates the tears that streak down Maya's face as she lies in bed. A bright light fills the room. Maya stops crying and sits up. We can't see what, but whatever it is, its brightness causes her to squint and put a hand up to her eyes. She continues to squint into the light until her eyes widen in amazement. MA EXTERIOR STREET NIGHT Henry the cat prowls the moonlit streets, her movements quick and alert. The soft sound of echoes in the quiet night. Mrs. Silva appears in her doorway, a silver dish in hand, beckoning. Henry meows softly and approaches her curiosity piqued. Mrs. Silva places the dish on the ground. Henry eagerly laps up the cream inside.

[Nora Rhodes]

Good kitty. Good, Jenna.

[Robert Rhodes]

She scoops Henry into her arms.

[Nora Rhodes]

Come on, Gemma. Let's get you warm inside.

[Robert Rhodes]

With a final glance around the silent street, Mrs. Silva retreats indoors, closing the door behind her. END OF PILOT Excellent people.

[Dominique Mouton]

I have three things I want to pick up.