Run Rabbit Run - Act 2

Summary

Podcast Summary: Table Read – "Run Rabbit Run - Act 2"

Podcast Information:

• Title: Table Read
• Host/Author: Manifest Media / TABLE READ
• Episode: Run Rabbit Run - Act 2
• Release Date: August 22, 2024
• Description: "Run Rabbit Run - Act 2" delivers a gripping continuation of the saga involving Roland and Monty entangled in a perilous feud between the Cherry twins over their father's ashes. This episode masterfully blends intense dialogue, suspenseful scenes, and intricate character dynamics, enhanced by a rich musical score and immersive sound effects.

---

Plot Overview

Introduction to the Conflict The episode kicks off with Roland recounting a chaotic series of events aimed at securing an urn amidst a violent rivalry. Struggling financially, Roland seizes a dubious opportunity to resolve his debts, leading him into a treacherous situation involving the Cherry twins, Killian and Jameson.

Key Quote:

"As you learned, I have what you might call cosmic luck. But behind the wheel of a car, I am cursed."
— Roland [00:49]

Flashback to Childhood A poignant flashback to Roland and Monty's childhood reveals their bond and their father's wisdom about driving and perseverance. This foundation underscores their present-day struggles and loyalties.

Interaction at the Bar Present-day scenes depict Roland and Monty in a bar, where tensions rise as Roland confronts demanding individuals about debts. Monty's bitterness and legal entanglements add layers to their camaraderie and individual motivations.

Meeting with Dorian Dorian, a complex character connected to Killian, enters the narrative, seeking reconciliation and clarity. Her interactions with Roland and the crew introduce deeper layers of betrayal and hidden agendas.

Chase and Confrontation A high-stakes chase ensues involving a crashed van, a burning vehicle, and a relentless pursuit by detectives. The discovery of a GPS bug within the urn intensifies the urgency, revealing that Roland and Monty are being tracked.

Revelations and Betrayals As the chase unfolds, critical revelations about the urn's significance and the true intentions of the Cherry twins come to light. The dynamic between Roland and Monty strains under pressure, leading to confrontations that test their loyalty and resolve.

Climactic Showdown The episode culminates in a violent showdown at Samantha's house, where alliances shift, and secrets are exposed. Roland's confrontation with Killian unveils deeper emotional undercurrents and sets the stage for future conflicts.

Finale: A New Lead The episode ends with Roland uncovering a hidden GPS bug, signaling that their adversary has been orchestrating events from the shadows. This discovery propels the narrative forward, hinting at upcoming twists and the relentless pursuit of the twins.

Key Quote:

"If you chase two rabbits, both will escape."
— Narrator [50:39]

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Character Developments

Roland Roland is portrayed as a cunning yet cursed individual whose instinctual luck is both a boon and a bane. His desperation to resolve his financial woes leads him into dangerous territories, showcasing his resourcefulness and vulnerability.

Monty Monty embodies the struggles of entanglement with law enforcement and personal demons. His bitterness contrasts with Roland's pragmatism, highlighting the strain that high-stakes endeavors impose on their friendship.

Killian Cherry Killian's traumatic past and his role in the family feud add depth to his antagonistic position. His meditative state and eventual aggression reveal a complex character driven by personal loss and revenge.

Dorian Dorian serves as a pivotal character bridging the past and present conflicts. Her relationship with Killian and her interactions with Roland introduce themes of betrayal, love, and the quest for redemption.

Senior Senior provides a historical context to Roland and Monty's relationship, imparting wisdom that influences their actions. His pragmatic approach and seasoned perspective offer a grounding influence amidst the chaos.

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Notable Quotes with Timestamps

• Roland on His Luck:

  "As far as I'm concerned, both of you are my boys. So no matter what, you can always come to know we know."
  — Senior [04:01]

• Dorian's Ultimatum:

  "Whatever deal you made, whatever pledge or contract you entered into, consider it non void."
  — Dorian [18:50]

• Monty's Resignation:

  "After this, I'm done. For good. It's gotten way too out of control."
  — Monty [46:53]

• Roland's Desperation:

  "If I give it to the wrong brother now, my ass is grass."
  — Roland [14:35]

• Narrator's Closing Line:

  "If you chase two rabbits, both will escape."
  — Narrator [50:39]

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Key Scenes and Insights

1. Bar Confrontation ([05:26] - [07:10])

   • Roland faces off with albino men demanding repayment, showcasing his ability to handle threats while revealing Monty's underlying frustrations and debts.

2. Interaction with Martha ([10:46] - [20:04])

   • The tense exchange with Martha unveils Dorian's motives and the true significance of the urn. Roland's negotiation highlights his strategic mindset under pressure.

3. Discovery of the GPS Bug ([48:40] - [49:16])

   • Monty accidentally activates a hidden GPS bug, leading to the revelation that their actions are being monitored, intensifying the chase dynamics.

4. Showdown at Samantha's House ([29:06] - [40:08])

   • A series of confrontations ensues as Roland and Monty navigate violent encounters, betrayals, and emotional revelations, culminating in Samantha's desperate actions.

5. Final Revelation and Cliffhanger ([49:26] - [50:41])

   • Roland and Monty's discovery of the GPS bug and Killian's moment of hope set the stage for the impending showdown, leaving listeners eager for the next episode.

---

Conclusion

"Run Rabbit Run - Act 2" delivers a rollercoaster of emotions and high-stakes drama, expertly weaving together past traumas, present tensions, and future uncertainties. The intricate interplay between characters, coupled with suspenseful plot developments and memorable dialogues, makes this episode a standout in the "Table Read" series. As Roland and Monty navigate the treacherous waters of familial feuds and relentless pursuits, listeners are left on the edge of their seats, anticipating the unfolding of this intricate narrative.

Don't miss the next episode to follow Roland and Monty's perilous journey as they strive to secure the elusive urn and confront the ghosts of their past.

Transcript

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[Narrator]

Two happy go lucky bandits get tangled in a dangerous feud between a pair of psychotic twin brothers fighting for possession of their father's ashes.

[Roland]

Let's see. Where to begin. How should I bring you guys up to speed on this shit show? Oh, yeah, that's right. As you know, I'm broke and running on fumes. But hey, desperate times call for desperate measures. My old pal Wyatt informed me about a golden opportunity, but spared some crucial details which would have changed the direction of my wins.

[Monty]

There's only one direction for you, Roland.

[Roland]

Nobody asked you. Besides, you were busy being interrogated. And where's the thanks for that? By the way? Who got you out of that pickle? Yours truly. I was free to go anyway, so I gave Wyatt the green light to tell the client I'm willing to be convinced.

[Monty]

Oh, listen to the big man with two pennies in his pocket.

[Roland]

Are you done? This is about me. Sorry about that, guys. So, as you learned, I have what you might call cosmic luck. But behind the wheel of a car, I am cursed. No other way to put it. So this meeting didn't go quite as expected. Well, little known fact, Killian Cherry watched his mother kill herself right in front of him when he was six years old. I don't care who you are, that's gonna have some effect on your personality. And whatever that thing was attached to his leash. I don't wanna be around when he gets loose. No thanks. Count me out. And apparently his twin brother Jameson showed him the coffin he carved from a tree in the effort to make peace and bur father together. But Killian cremated the body instead. That son of a bitch. So the job was to hold an urn until the heat simmered. Now I'm really going on a hunch here. But that woman who tried to kill me, she probably don't work for ups. Just by the hair of my chinny chin chin. I managed to escape with an urn and a Jack in a Box toy as a souvenir for Chloe. Oh, Chloe. We're all gonna miss her. Once again behind the wheel, the curse found me, but this time in the form of a pie. With all that being said, it was high time to locate this lame ass.

[Monty]

Kinda wish you hadn't.

[Roland]

I missed you too.

[Narrator]

Exterior PRECINCT Dusk. Flashback A cop escorts a young Roland and a young Monty, both nine years old, out of the police station. Senior, 30s, Monty's father, a man's man, race car driver, sits in the passenger seat of his car parked out front. The cop gives Senior a stern look like this is all his fault.

[Senior]

Even you were nine once.

[Narrator]

The cop walks back toward the precinct, leaving the boys behind.

[Monty]

Why are you sitting in that seat?

[Senior]

Because today that seat is yours.

[Narrator]

Monty and Roland run around the car towards the driver's seat.

[Senior]

Easy, Rabbits face is key.

[Roland]

Where are we going?

[Senior]

Nowhere just yet. One thing at a time. You know it would break my heart if anything happened to either of you. You know that, right?

[Narrator]

Roland and Monty nod. Senior looks at Roland.

[Senior]

As far as I'm concerned, both of you are my boys. So no matter what, you can always come to know we know. Then put the key in the ignition.

[Narrator]

Monty is about to turn the key when Senior reaches out and places his hand over his son's hand.

[Senior]

Listen to me, boys. Drive is what exists within your heart and mind. The space between and the gut of your instincts.

[Narrator]

The two boys listen intently.

[Senior]

No matter what's going on around you, even if everything has fallen apart, always hit the ground running and don't ever let him catch you looking back. Ever. All a man has is his talent and even God can't take that. He can take your life, but never your talent. Remember, victory has a thousand fathers, but failure is an orphan.

[Narrator]

The young boys take the lesson in. Monty turns the key. The engine roars. The boys smile in unison. Interior BAR DAY FLASHBACK A race car rally rumbles on the TV behind the bar. Sitting at the bar, Roland, 25, sips on a glass of milk. Monty, 25, is bitter drunk. A drunk man stares at Monty.

[Senior]

I know you. I know I know you. Holy fucking shit. You're Junior Monty, LeBron's son. He's telling me I'm a liar.

[Narrator]

Monty gives a cold look, then takes a swig of beer.

[Senior]

Your dad is the best there ever was. Oh, look at Him a goddamn legend.

[Narrator]

Drunk man leans in closer.

[Senior]

Rumor has it your faster. Maybe even better. Is that true?

[Roland]

He's better now than his father will ever be.

[Senior]

What are you doing here?

[Roland]

Aren't you his juju?

[Narrator]

Hamlet?

[Senior]

The key to his winning streak.

[Monty]

He doesn't need me to win and I don't need him.

[Senior]

That's a hell of a thing to say. I don't think you ever missed her race. Pound will lose now.

[Roland]

Hey, two o'clock. Two white rhinos look familiar to you?

[Narrator]

Monty glances, sees two huge albino men, then turns back to the tv. He shrugs.

[Roland]

You've been betting against your father again, haven't you?

[Narrator]

Monty doesn't answer.

[Roland]

I thought you were done with that. Monty, how deep are you this time?

[Monty]

10Ft to China.

[Narrator]

Roland gets up. Monty grabs him by the shirt. Roland shakes him off and walks to the Albino men.

[Roland]

Gentlemen, can I get you a drink?

[Narrator]

No response.

[Roland]

All right, how much does he owe?

[Narrator]

Albino number two pulls Roland by his tie, but it pops off, revealing it's a clip on.

[Roland]

Not a big fan of tightness around my neck, you know what I mean?

[Francois]

He's a few years and several commas behind. Our boss's interest rate is not in his favor.

[Narrator]

Roland looks at Monty who's still focused on the tv. He turns back.

[Roland]

Whatever it is, I'll take it on.

[Narrator]

The Albino men laugh. Roland is serious.

[Roland]

Name's Roland. Clear it with whoever you have to. If you leave, the debt is mine.

[Narrator]

Roland walks back to Monty. Albino number two grabs his phone. Monty swigs down the last sip of his beer. Car crash erupts on the television and senior number 67 gets the worst of it. Roland restrains Monty's rage, glances back and sees the Albino men are gone. Monty manages to throw a beer mug at the television, shattering the screen. Back to the crashed van after Roland kidnapped Monte. Interior exterior Crashed van, present day the shattered windshield with a hole in it. Roland wakes abruptly, realizing his dress is on fire. He puts it out in a daze. Tyler opens the back door and rushes out. Roland shakes Monty awake and shoves him out of the burning van. Francois yells in anguish, stuck upside down in the driver's seat. Roland grabs his urn and rushes to the driver's door.

[Roland]

Come on, we don't have time.

[Narrator]

Roland tries to open the door while Tyler watches for any sign of police.

[Francois]

A cat. A fucking black cat ran right in front of him. Came out of nowhere.

[Narrator]

Roland tries to pull Francois out through the window.

[Roland]

Fuck the cat, Frank. Get the fuck out of the van.

[Narrator]

Francois about to pass out. Roland slaps him in the face.

[Roland]

Frank, don't pass out on me. Look at me, Francois. The van is on fire. Fire is bad. Get the fuck out of the fucking van.

[Narrator]

Roland and Tyler help Francois out of the van and struggle to carry him down the alleyway like a wounded soldier. When they arrive to the corner, a bus pulls up. As if on cue, the doors open, revealing the bus driver, 40s man. He notices the condition of the men and sees the burning van in the background.

[Roland]

Hell no, Jack.

[Monty]

Sorry.

[Killian]

40S woman, not 40s man.

[Narrator]

Oh, it's crossed out here. Oh, so it's back to man, right? Yes. Told you.

[Roland]

Stop script people.

[Narrator]

When they arrive to the corner, a bus pulls up as if. Sorry. When they arrive to the corner, a bus pulls up as if it's I broke him. And they arrived in the corner. When they arrived at the corner, a bus pulls up. As if on cue, the doors open, revealing the bus driver, 40's man. He notices the condition of the men and sees the burning van in the background.

[Roland]

Hell no.

[Narrator]

He shuts the doors and pulls away.

[Francois]

Now what?

[Roland]

We roll with it. Plan B.

[Francois]

Aren't we on C or D by now?

[Roland]

Zip it. I gotta think.

[Narrator]

Roland sees an old lady, 80s, frail, pushing a grocery cart in a parking lot. Roland shoves the urn in Monty's arm and hurries over towards the old lady. Tyler follows, with Francois close behind. Monty stands there holding the urn, processing everything. Exterior, old lady's car, parking lot continuous. The old lady is about to pick up a grocery bag when Roland slides his arm under hers and leads her to the curb.

[Roland]

Let us give you a hand. You shouldn't have to do this by yourself.

[Martha]

Oh, that's so very sweet of you.

[Narrator]

Tyler and Francois load the groceries carelessly like brutes.

[Martha]

Easy on those. Some of that is glass.

[Roland]

It's gonna be fine. Oh, and just one more thing.

[Narrator]

Roland gently removes the keys from her hands.

[Roland]

We have to borrow your car.

[Narrator]

Roland notices a name tag that reads Martha on the keychain as he backs away from the old lady. Meanwhile, his crew is already climbing inside the car.

[Martha]

You mean steal my car?

[Roland]

Well, if you're being technical, Martha, how about you're lending it to us?

[Martha]

I'm not lending you shit. It's my husband's car, dick wad.

[Narrator]

Roland is surprised by her language as he opens the passenger door.

[Martha]

I hope you get fucked to death in prison.

[Roland]

Hold on.

[Narrator]

Let's go. I'm so happy.

[Dorian]

That has to be done again. Oh my God.

[Martha]

I'M not lending you shit. It's my husband's car, dick wad.

[Narrator]

Roland is surprised by her language as he opens the passenger door.

[Roland]

Such harsh language. Ma'am.

[Martha]

I hope you get fucked to death in prison.

[Roland]

Jesus, lady, it's just a car.

[Narrator]

Roland is about to get in when he sees the sad look on Martha's face. He has a change of heart.

[Senior]

Fine.

[Roland]

Are you driving or staying?

[Narrator]

Roland holds up the keys. Cut to Newman and Mulray driving by, recognizing Roland in a dress, holding up the keys towards Martha. They look at each other, puzzled. Interior, old lady's car. Continuous. The old lady starts the car. She removes her glasses from her purse as Roland and his crew watch in utter disbelief.

[Martha]

I can't see anything without my glasses.

[Francois]

Is this still part of plan B?

[Narrator]

Tires screech as the old lady peels off, revealing the black cat laying casually in the cloud of smoke. Interior, old lady's car. Continuous. Squeezed between Tyler and Francois in the backseat, Monty leans forward.

[Monty]

Sure could use that explanation right about now.

[Roland]

It's a long story.

[Monty]

Let's start from the beginning.

[Roland]

I'm a dead man.

[Monty]

Well, I'm gonna be honest with you. Looks pretty bad.

[Narrator]

Francois notices the detective's car behind them with the emergency light on, in fast pursuit.

[Roland]

Uh, we are being followed. They couldn't catch a cold.

[Narrator]

Roland holds up the urn.

[Roland]

First thing we have to do is hide this.

[Monty]

There's no we, Roland.

[Roland]

As long as we have this, they can't touch us.

[Monty]

Stop saying we. Wait. Did you tell them that I'm involved in this job with you?

[Roland]

I would never. It hurts my feelings to think that you would think that I would.

[Martha]

Which way am I headed?

[Roland]

Just keep driving. You're doing great. Martha.

[Monty]

Did you give them the impression that I'm involved?

[Narrator]

Silence.

[Monty]

Oh, Roland, why would you do that?

[Narrator]

Roland loses his cool, giving us a glimpse of his fear.

[Roland]

Listen to me. Ah. I don't think you appreciate the severity of the situation.

[Narrator]

Monty looks at Tyler and Francois lobbing canned goods from the back window like grenades toward the detective's car behind.

[Monty]

I think I do.

[Roland]

They're gonna kill me, Monty. And I don't want to die. Not today. I thought it was a simple A to B, pick up and deliver. It was a little sketchy. I was warned. But the price was too good to resist. Enough to pay all your debt?

[Monty]

Why are you worried about my debt? Is that why you took this job?

[Roland]

I wish. I'd have better odds coming out with my head intact. You know what's worse than being in debt? Being broke, Monty, how much did those masks run you? Well, they weren't cheap, but money well spent. Here you are. Anyway, like I said, I was warned. Shit got a little fucked up, and now I'm stuck in the middle of.

[Monty]

Why don't you just give it back?

[Roland]

Well, that's a fucking brilliant idea, Monty. You think I haven't considered that? If I give it to the wrong brother now, my ass is grass. Whoa, whoa, whoa.

[Monty]

The Cherry Brothers.

[Narrator]

Fuck me. They were right.

[Roland]

Roland.

[Monty]

Whose ashes are those? You know what? Forget it. I don't. I don't want to know. I'm done with all this. I made that perfectly clear.

[Roland]

No, Samantha made that perfectly clear.

[Monty]

Look, for fuck's sake, you still don't get it. Like, I'm engaged.

[Roland]

So what? Where in the fine print does it say that your best friend becomes a.

[Monty]

Watch right under the heading Grow the fuck up.

[Narrator]

Boom. The detective's car smashes against the rear panel, forcing the old lady to make a hard left. Interior, Killian's car. Afternoon. Killian, Bonham and Falcon Brute are parked in silence across from Victoria's house. In the passenger seat, Killian is in a meditative state with his eyes closed and headphones on. Suddenly, the old lady's car swerves down the street with the detective's car close behind. Killian remains peacefully unaware. Dissolve two Killian's what if? Regret sequence Young Killian runs away from the bathroom down the hallway with his pocket knife in his hands. Behind him, in the distance, his mother sits up in the bathtub, uninjured. Cut back to Killian is nudged awake by Bonham. He removes his headphones and sees a car pulling up in front of Victoria's house. Killian sees a woman behind the wheel.

[Monty]

Dorian.

[Narrator]

As the woman reaches into the glove box, Killian notices the bandage on her left shoulder covered with blood, recognizing her as a UPS woman who tried to kill him in his own home. Devastated, Killian puts his sunglasses on. Interior Exterior Victoria's home. Day A doorbell rings repeatedly. Victoria rushes down the hallway.

[Martha]

Asshole. I heard.

[Narrator]

Victoria swings the door open to find Roland and his crew.

[Martha]

Roland, thank God. Why is he wearing my. Why are you wearing my dress?

[Roland]

Can we have this conversation inside, please?

[Martha]

You have a visitor.

[Narrator]

She pushes open the door to reveal the UPS woman, now known as Dorian, dressed in a nice suit, casually seated in a chair. Petrified, Roland discreetly tosses the urn into the bushes by the front door.

[Dorian]

Glad you could make it. What a day, huh?

[Narrator]

Dorian senses Roland's reluctancy.

[Dorian]

Why so glum you look like a mourner at your own funeral.

[Roland]

It was nice knowing you guys.

[Narrator]

Roland and his crew step inside, on edge.

[Dorian]

What's that lovely aroma?

[Martha]

Oh, snickerdoodles. Made from scratch.

[Narrator]

Roland gives Victoria a cold stare.

[Martha]

What? My mother's recipe. They're good.

[Dorian]

Well, mothers do no best. Monty, would you be so kind and fetch me one with a glass of milk?

[Monty]

I don't know about your math, but in case you hadn't added it up, there's five of us and one of you.

[Narrator]

Roland shakes his head. Dorian moves past the remark.

[Dorian]

If it's possible, give me a tall glass. I hate the short, stumpy ones.

[Narrator]

Dorian winks at Monty. Not wanting to test the delicate situation any further. Monty leaves to fulfill Dorian's request.

[Dorian]

You were very lucky this morning, Roland. But that certainly is the way you go about things, isn't it? Charming style when you consider nothing lasts forever.

[Narrator]

Monty walks back in with the cookies and a glass of milk like her. Little bitch.

[Dorian]

You're too kind. Thank you.

[Narrator]

Dorian takes a bite and gives a look of approval. Roland uses the silence as an opportunity to clear the air about earlier. Dorian holds a finger up. She takes a sip of milk.

[Dorian]

I'm a big believer in new beginnings, fresh starts. We should just clean the slate right here and wash our hands together. What happened at my uncle's was an unfortunate misunderstanding.

[Narrator]

Roland nods in agreement.

[Roland]

Tragic.

[Dorian]

I know it's probably hard to imagine after what you've seen today, but there was a time when Killian and I were very close. You could even say I still love him.

[Narrator]

Underneath it all, Dorian, lost in thought, dissolve into Dorian stoically seated in a chair, getting her bloody shoulder stitched up by a nervous doctor.

[Dorian]

I mean to be put in a situation as delicate as this. I realize you all must be very confused at this moment, but understand this.

[Narrator]

Behind Dorian, Jameson destroys one of his wooden sculptures in a furious tirade.

[Dorian]

Those ashes belong to my father. Jameson Cherry, Killian's brother. Whatever deal you made, whatever pledge or contract you entered into, consider it non void.

[Narrator]

Back to Dorian in Victoria's living room, takes a sip of milk.

[Dorian]

You didn't realize what you were getting into. That's obvious.

[Narrator]

Everyone stares at Roland, hoping he comes clean.

[Roland]

It's not here.

[Narrator]

Roland feels the pressure from his peers.

[Roland]

But I can get it to you.

[Dorian]

I like you, Roland. For whatever reason. Your careless style impresses me. However, second chances are rare. Wherever the urn is at the moment, I know it's safe. But tomorrow it better be back where it belongs.

[Narrator]

Dorian stands up and heads for the door.

[Dorian]

I've always been a fan of the diplomatic approach. I don't want to see anyone else get hurt. The options that follow for those that are still alive are a drag.

[Narrator]

Dorian pauses.

[Dorian]

Almost forgot.

[Narrator]

She holds Roland's driver's license up.

[Dorian]

You left this behind in the hot tub.

[Narrator]

Everybody looks at Roland, confused.

[Dorian]

It's a little ironic, don't you think?

[Narrator]

Roland shrugs.

[Dorian]

By the way, what was it? Lemon meringue.

[Narrator]

Everyone looks at Roland, inquisitive. Roland hesitates to admit.

[Roland]

Coconut.

[Narrator]

Dorian nods, pleasantly surprised, and then leaves. Everyone exhales. Roland hurries to the window to confirm the urn is still there.

[Monty]

Who the fuck was that?

[Roland]

The mailman.

[Narrator]

Fade TO BLACK Exterior, luxurious condo building. Evening. Newman and Mulray's detective car pulls up with a fresh coat of tomato sauce spread across the hood and windshield. A bald cop, 45, arrogant, waiting by the entrance, waves them in.

[Francois]

Heard you guys almost had him this morning.

[Narrator]

The detectives get out of their car.

[Martha]

We think he might have found a new driver. What do you got for me?

[Francois]

A fucking mess.

[Martha]

Any fatalities?

[Francois]

Sure looks like it, but can't find any bodies.

[Narrator]

Mulray catches up to them. INTERIOR Killian penthouse. Entryway continuous. The condo is filled with cops swarming like hornets. Newman, Mulray and the bald cop enter the crime scene. Newman notices an officer holding a record, reading the lyrics. She approaches and slaps him across the head.

[Martha]

You mind keeping your prints off my evidence, numb nuts? What the fuck is wrong with you? Give me your gun.

[Narrator]

Confused, the young officer hands her his gun. She gives it to Mulrey.

[Martha]

Get this butter knife out of here. I don't want to see his face the rest of the year.

[Narrator]

Newman watches her steps as she moves through the condom.

[Francois]

Hey Newman, that reminds me. I got a new one for you.

[Narrator]

Every cop signals him not to tell the joke.

[Francois]

No, no, this one's good. What's the difference between a car tire and 365 used condoms?

[Martha]

I give up.

[Francois]

One's a good year, the other's a great year.

[Narrator]

Hey yo. The bald cop bursts out laughing. AL.

[Martha]

Outstanding. Your mother must rave about you.

[Narrator]

Interior, killian's kitchen continuous. Newman sees Gasser eyeing the food inside the fridge.

[Martha]

GASSER what are you doing?

[Roland]

Dustin for prints.

[Martha]

I think the handle is sufficient.

[Narrator]

Newman puts a rubber glove on to inspect a knife next to a puddle of blood.

[Martha]

I hate knives. Once you rinse it clean, there's absolutely no sign of where it's been or the damage it's done.

[Francois]

Just like my dick crash.

[Narrator]

Everyone Turns around and finds a broken jar of pickles at Gasser's feet. Neumann notices the hint of a white object peeking out from under the fridge. She crosses over to inspect it. She tilts the object onto its side, revealing a white rabbit figurine. She wipes the blood away, showing an R printed on its belly. She smiles.

[Martha]

It looks to me someone has gotten themselves wedged between two rotten apples in hopes of a profit. We'll see how long he can keep his head above water. That's the thing about luck. It's a real motherfucker. And right now it looks if someone is running a little low.

[Narrator]

Sound of a finger TAPPING Interior Exterior STATION WAGON Victoria's driveway Evening the gas indicator needle points on empty. Roland's finger taps the indicator, feeling Tyler's stare.

[Roland]

I know what you're thinking. It's not a sign. People run out of gas. It happens. Don't look into it. I figure we're over the hump now. It's all downhill from here.

[Killian]

I feel it.

[Roland]

Really. It can't get any worse. Beep beep beep.

[Narrator]

Roland looks in the rearview mirror. He sees Chloe's crashed Camaro being pulled into Victoria's driveway by a tow truck. Stunned, he whips around, hoping his eyes are playing tricks on him.

[Roland]

Wait for my cue.

[Narrator]

The loud beeping continues as the tow truck backs up, Roland approaches Floyd. The tow truck driver, 21, Dorky, doesn't belong in greasy overalls.

[Roland]

Hey, Can I help you?

[Narrator]

Floyd climbs out of the tow truck with paperwork.

[Wyatt]

Yeah, we got a call to return this heap to the registered address.

[Narrator]

Roland slowly peeks to find a tarp draped across the back seat. Reluctant, Roland lifts the corner of the tarp, exposing the dead bodies of Chloe and the unknown man on the floor. Floorboard of the car entwined in such a way they actually resembled dolls.

[Wyatt]

I'm gonna need a couple signatures.

[Narrator]

And Floyd notices the two lifeless bodies in the car.

[Francois]

Oh my.

[Wyatt]

Is that what I think it is?

[Narrator]

Uh oh. Roland clenches his fist.

[Wyatt]

I cannot believe it. I. I just read an article in Popular Mechanics the other day. The newest version comes out and has some kind of AI technology that makes them more real. Like you won't even be able to tell. I'm talking settings to even create the voice you want. It'll be as good as the real thing.

[Narrator]

Floyd reaches down and gently touches Chloe's hair.

[Wyatt]

Even the hair will feel real. None of this fake stuff they've used on some of the older version. I mean real quality, not this brittle witch broom chicanery.

[Narrator]

Roland is speechless as Floyd fills out the paperwork.

[Wyatt]

Hey hey hey hey hey hey. Don't be embarrassed. We're human. There's no shame in it. Sometimes the real thing is hard to acquire. I'll be honest. I'll be honest, my guy. It's a weird place to keep them. I'd advise maybe keeping the top up. You definitely want to keep them away from the sun.

[Roland]

But to each his own. It's cool.

[Wyatt]

No judgments here. God forbid my stepdad finds mine again. I already had to replace the lips twice.

[Narrator]

Floyd gives him the paperwork to sign. Roland nods, relieved while Floyd lowers the car.

[Wyatt]

This one's on me, my guy. I'm gonna waive the fee.

[Narrator]

Floyd hands Roland his business card before climbing back in his truck with his signed paperwork.

[Wyatt]

You and I are the same.

[Narrator]

Roland smiles to please Floyd so he'll leave.

[Roland]

Pretty close.

[Wyatt]

No, no no no no no no. We're the same. Per you got to say with me man, we're the same. You get me.

[Roland]

You get me.

[Narrator]

Roland cringes but plays along.

[Wyatt]

A we've come a long way since Blow Up Dolls.

[Roland]

Thank God.

[Narrator]

The tow truck drives away.

[Wyatt]

I'll be thinking of you next month.

[Roland]

Please don't.

[Narrator]

Roland waves as he pulls the top back on the Camaro. Roland sees Chloe's purse with the Jack in the Box toy peeking out. He slides the purse over his shoulder. Sentimental. A ringtone that sounds like a dying battery goes off somewhere in the backseat. Roland pauses, confused. Is Chloe a robot? He snaps out of it, searching for the ringing device and discovers a cell phone in a puddle of blood. He answers it.

[Roland]

How about we prevent future Chloe's from suffering a similar fate? Or we just consider everyone you know a Chloe and proceed from there. Sooner or later it's going to be someone you love and something tells me you're going to feel little different. Or you fix this and avoid collecting any more toe tags in the process.

[Narrator]

It's your choice.

[Roland]

Look in the glove box.

[Narrator]

Click. Roland tosses the phone, eyeing the glove box, fully aware anything could be in there. Pumping himself up, he starts rubbing his hands together.

[Senior]

Do it.

[Narrator]

Do it. He swiftly opens the glove box, anticipating the worst. Inside lies a toe tag with his name on it. Roland turns it over to find an address. Monty exits Victoria's house, walking away from the mess.

[Roland]

This is where you come in.

[Narrator]

Roland tosses the car keys to Monte, who catches them. The familiarity of car keys in his hands feels nostalgic. Monty hesitates, then tosses the keys back to Roland.

[Monty]

Good luck.

[Francois]

I'm going Home. I'll drive. Where are we going?

[Narrator]

A cab pulls up next to Monty. Monty glances back at Roland. This is goodbye. Monty opens the back door. Roland walks around to the passenger.

[Roland]

North Shore Drive. It's not far.

[Narrator]

Tyler clumsily slides over to the driver's side.

[Francois]

Don't worry. We got this.

[Narrator]

A hand stops Tyler from starting the car.

[Monty]

Get in the back. I'm driving.

[Narrator]

Tyler obeys as Monty quickly climbs in the driver's seat.

[Senior]

Change of heart.

[Narrator]

Monty gives Roland a death stare.

[Monty]

That's Samantha's address.

[Narrator]

The station wagon abruptly pulls back from the driveway.

[Monty]

She's pregnant.

[Narrator]

Francois scurries out of the house and barely gets in the backseat as they screech away. Exterior Samantha's house Later, a peaceful suburban neighborhood. Sound of tires screeching. The station wagon comes to a violent stop in front of a home with a for Sale sign. Monty jumps out of the car and hurries for the door. Roland jumps out, following after him.

[Roland]

Monty, wait.

[Narrator]

Monty kicks the front door open. Interior, Samantha's house continuous. The house is a mess.

[Roland]

Sam.

[Narrator]

Sam. Roland runs inside, tripping over furniture, trying to catch up Monty. Monty grabs a baseball bat from a closet and hurries for the bedroom. Light shines through the crack of the door. He rams through the door and sees Killian lying on the bed, watching a home video of Monte and Samantha. As Monty lifts the bat to swing, Bonham tackles Monty into the bathroom, slamming the bathroom door shut behind him. Interior, Samantha's bathroom Continuous. Bonham shoves Monte hard. Bonham locks the bathroom door and stands firmly in front of it. Monty picks up the bat and charges Bonham.

[Roland]

Swing.

[Narrator]

Bonham catches the bat with one hand.

[Roland]

Where is she?

[Narrator]

Bonham snatches the bat away from Monty and pushes him to the ground. Bonham looks like he'll swing at Monty, but shatters the bat on the bathroom counter. David versus Goliath. Interior, Samantha's bedroom continuous. Roland enters and sees Killian lying on the bed. Roland hurries to the bathroom door.

[Killian]

Monty Love to see that fire.

[Roland]

What did you do with her?

[Killian]

Slow down. Take a seat.

[Roland]

I just want us to have a.

[Killian]

Few moments alone so we can discuss the present situation we're now in. Ooh, this is my favorite part.

[Narrator]

Killian turns up the volume. Roland sees the footage of Monty proposing to Samantha.

[Killian]

Look at his eyes. He loves her a great deal. I mean, I had an idea that true love existed, but I never actually found such an obvious account. It's beautiful. No, but I'm confused.

[Roland]

Yeah.

[Killian]

I can't find you anywhere in any of these Videos.

[Narrator]

Ashamed, Roland notices a small knife stuck upright in the dresser.

[Roland]

Where is she?

[Killian]

Safer than the Queen.

[Narrator]

Relax. Roland quickly snatches the knife and grabs Killian, pressing the blade against his throat.

[Roland]

Well, the Queen is fucking dead. So if you don't tell me where the fuck Samantha is, I swear to God I'm gonna bury this in your throat.

[Narrator]

When does the baby do?

[Killian]

By the looks of her, any day now. I'm guessing it's a boy. They tend to lay low in the pocket.

[Roland]

I'm not with you.

[Narrator]

Killian leads forward towards the blade and a thin stream of blood flows down his neck.

[Killian]

Then do it. What makes you so special, Roland? You're a cartoon character running on fumes.

[Roland]

You don't know a thing about me, you sick fuck.

[Killian]

I know plenty. When I was bleeding all over my new kitchen, I thought, oh, he'll never make it out of here. Surely it's hopeless. Yet here you are. And in perfect condition. Not a fucking scratch. Making me wonder if you've aligned with someone else. And on top of it, you lied to me.

[Roland]

I'm a lot of things, but I ain't no liar.

[Killian]

Monty wasn't waiting in the car.

[Roland]

Mm.

[Narrator]

Mm.

[Killian]

If you ordered a peanut butter and jelly sandwich, would you accept it? Without the jelly?

[Monty]

Of course not.

[Killian]

You'd fire the chef and burn down the restaurant. How are my odds looking now?

[Roland]

About as good as mine.

[Killian]

Finally, we're on the same page. I hope you still have it.

[Roland]

Of course I do. But that, urn is the least of your worries. Why did that lunatic try to kill me? Who?

[Killian]

Dorian. Open your eyes, Roland. She's coming for me.

[Narrator]

Interior, Tyler's car. Continuous. Francois and Tyler wait in the station wagon, on the lookout. This is so stupid.

[Francois]

Waiting inside this car while mom goes in for some groceries. We're just sitting ducks out here.

[Narrator]

Tyler reaches forward to press the cigarette lighter.

[Francois]

Yeah, I don't think we have enough feathers left to qualify as ducks.

[Narrator]

Francois notices a burn scar on Tyler's neck, just below his shirt line.

[Francois]

I bet that little number makes for a good story.

[Narrator]

Around the campfire, Francois points to the scar.

[Francois]

Yeah, the last job we did, nothing went as planned. A shit show from the start. Fuck. Now that I think about it, it reminds me a lot of this job. Monty was already long gone. Roland tried to pull him back in. He was good at that. When they ran things anyway. Ran what? Shit. If the price was right, pretty much anything under the sun. Diamonds, antiques, planes, trains. If it could be moved, they were moving it. These guys were wild. Didn't Give a fuck. All caution to the wind. The lucky ones. Is it true Roland can't drive? Oh, he can drive just fine. He just shouldn't ever. Oh, he could drive, just.

[Roland]

Oh, he.

[Martha]

Sorry.

[Senior]

Smoke the time with the filters gentle around your throat.

[Francois]

Oh, he can drive just fine. He just shouldn't ever. Why not? Terrible things, man. How do you think I got this? Souvenir. But have I learned anything? No. If I had any sense left, I'd walk home right now. But I can't leave them hanging. Not like this. It's gotten too personal. Sometimes there comes a point you're so deep in this shit, you just have to keep moving forward. No going back. I know what you mean.

[Narrator]

Gillian's car pulls up in Samantha's driveway. Tyler and Francois drop out of view. Two gunmen in suits get out of the car and walk toward Samantha's house. Tyler peeks up and notices the guns.

[Francois]

They have guns. They're going inside. Do something. We can just sit here.

[Narrator]

Tyler thinks fast, turns on the headlights and honks the horn. The two gunmen turn around, pointing their guns. Tyler kisses his gold amulet, starts the car and hits the gas as the two gunmen fire bullets into the windshield. Ducked down, Tyler speeds up towards them. One of the gunmen hits the windshield and goes flying in the air. The other man stays on the hood. Interior, Samantha's bedroom. Continuous honking continues outside. Roland still with a blade to Killian's throat.

[Roland]

How deep am I?

[Killian]

The room is filling as we speak. But focus on the silver lining. You still have luck on your side.

[Narrator]

Concerned, Roland releases Killian and steps away.

[Monty]

What's the plan, Roland?

[Killian]

Do you even have a plan? Or are you just buying time until.

[Narrator]

Another light bulb explodes Instantly, Tyler's station wagon with the gunmen on the hood crashes into the bedroom, violently pinning Killian between the bed and the wall, missing Roland by hair. Roland sees Tyler struggling to their feet on the front lawn, unconscious. Francois lays flat on the grass.

[Roland]

We're gonna need a new car.

[Narrator]

Tyler hurries to remove the keys from the dead gunman. Interior, Samantha's bedroom. Continuous. Having heard the loud commotion, Bonham leans against the door and pulls out his gun. Monty grabs the large piece of the broken bat and stabs Bonham in the thigh, causing Bonham to drop his weapon. He picks up Monty, choking him in the air. On the verge of passing out, Monty kicks hard downward, breaking off the splintered bat in Bonham's leg. Bonham screams in pain, shoving Monty to the ground. Bonham struggles as he recovers his gun, prepares to shoot. Roland manages to bust through the door and jumps on Bonham's back, attempting a choke hold.

[Senior]

Bang.

[Narrator]

A wild shot missing Monty by inches. Roland secures the chokehold as Bonham misses another gunshot. Fading, Bonham drops to his knees. Monty takes control of the gun and presses it against his head.

[Roland]

Where is she?

[Narrator]

No response. Enraged, Monty fires a round next to Bonham's ear. Bonham passes out. Roland pulls Monty away.

[Roland]

Let's go, Monty.

[Francois]

No, we can't leave.

[Roland]

Where's Sam? Come on. Hey, we'll find her. But we won't be able to do Jack from a jail cell.

[Narrator]

Roland grabs Chloe's purse with a Jack in the Box toy from the front seat as he and Monty scramble out of the house through the hole where the car crashed. Exterior, Interior, Samantha's driveway, Killian's car. Continuous. Tyler drags Francois by the hands and shoves him into the backseat of Killian's car. He hurries around the other side and jumps into the backseat, stunned to find Falcon Brute sitting in silence between them. With Francois passed out on his shoulder. Tyler removes his sunglasses to have a better look. He notices the large brass knuckles. Roland and Monty jump in the front seats.

[Francois]

What the fuck is this?

[Narrator]

Monty starts the car as Roland turns around.

[Roland]

I've been wondering that myself.

[Narrator]

Monty peels away as Bonham limps out of the house, firing shots at them. Monty pops the trunk to block the bullets as they speed down the street. Inside the trunk, Samantha, 30, pregnant girl next door, terrified, stays low, trying to avoid the bullets. Interior, Exterior Killian's car. Continuous. Monty swerves around a few corners. He pulls over next to a wooded area, white knuckling the steering wheel. Silence. Everyone but Francois in a state of shock. Tyler smacks Francois awake.

[Francois]

Close the trunk.

[Narrator]

Francois bolts out of the car. Francois approaches the trunk and sees Samantha escaping into the misty dark woods. He staggers to grab his ankle gun.

[Roland]

Hey.

[Narrator]

Stop. He falls back as he aims in her direction. Samantha continues running away. Roland gets out of the car and sees Francois in his ass. Roland notices a figure running through the fog in the dark woods.

[Roland]

Who the fuck was that?

[Narrator]

Francois shrugs.

[Roland]

Well, don't just sit there and watch. Go get him.

[Narrator]

Francois scrambles up and takes off after Samantha. Monty gets out of the car.

[Monty]

What's taking so fucking long? My fiance is still missing.

[Roland]

What a fucking snail. I'm on it.

[Narrator]

Roland runs off. Monty goes to close the trunk. He recognizes Samantha's scarf inside. Stunned, he picks it up and smells it. He turns to Roland, running into the dark woods.

[Monty]

Samantha.

[Narrator]

Monty takes off Running after them.

[Roland]

Samantha.

[Narrator]

Now Tyler gets out of the car, joint in mouth, oblivious of the situation. He watches his partners running away.

[Francois]

Hey, if you gotta go, you gotta go.

[Narrator]

He taps his pockets for a lighter.

[Francois]

You don't happen to have a light on you, do you?

[Narrator]

Exterior, Forest. Continuous. Out of breath, Francois catches up to Samantha with a gun still in his hand.

[Francois]

Stop, damn it. Stop running, will you?

[Narrator]

Terrified, Samantha runs for her life. Francois grabs her by the shoulder. She whips around, kicks him in the crotch and follows him with a hard punch to the nose. Francois goes down in agony, accidentally firing off a shot. Monty hears the gunshot as he's running.

[Francois]

Samantha.

[Narrator]

Roland hears Monty and realizes who they're running after.

[Roland]

Frank. Frank, don't shoot.

[Narrator]

Francois cowers in a fetal position. Samantha picks up the gun and points it at Francois. Roland comes running.

[Roland]

Don't do it, Samantha.

[Narrator]

Startled, Samantha looks up and fires two shots at Roland as he dives between the tree.

[Roland]

Don't shoot, Samantha. It's Roland.

[Narrator]

Roland. Monty comes running up as she fires another shot, nearly hitting him. Monty drops to the ground.

[Monty]

Whoa, baby, it's me.

[Roland]

Monty.

[Narrator]

Overwhelmed, she passes out and falls on Francois with her head, landing on his hands, covering his nose. Interior, Exterior. Killian's car. Later. Reclined in the front seat, Tyler smokes his joint in deep thought.

[Francois]

All I know for sure, life is precious. You ever think about the word Thursday? Like, what does that mean? You know, why did they decide to call it that? Or Wednesday, for that matter? Somehow Sunday makes sense. You know, the sun is out shining the day of rest. But you know.

[Narrator]

Tyler stops himself and sits up and turns to Falcon Brute, who hasn't moved an inch.

[Francois]

You know what I like about you? You're a good listener. No one listens anymore. They don't take the time. You don't feel the need to fill the air with pointless nonsense. And I really appreciate it.

[Narrator]

Sounds of leaves and twigs cracking in the forest. Tyler gets out of the car and sees Monty appearing out of the fog with Samantha in his arms.

[Francois]

You found a girl in the woods?

[Narrator]

Monty walks past him, silent. More leaves and twigs cracking call for Tyler's attention. Roland emerges from the fog carrying Francois unconscious in his arms. Roland walks to Tyler and forces Francois into his arms as Tyler slides Francois on one side in the backseat.

[Francois]

Really no comment? Nothing on this.

[Narrator]

Roland reaches inside and uses the leash to lead Falcon Brute out of the car. He gingerly places the leash over the Brute's shoulder.

[Francois]

Wait. I'm not going anywhere until someone tells me what the fuck is going on.

[Narrator]

The car Drives off, leaving Tyler and Falcon Brute standing next to each other on the side of the road. The car stops and backs up. The trunk pops open.

[Francois]

Choose your battles wisely, my friend.

[Narrator]

Tyler sheepishly climbs into it. The car speeds off, leaving the Falcon Brute standing alone on the side of the road. Interior Yacht night. Roland, Tyler and Francois looked down at something, intrigued.

[Francois]

Is he dead?

[Roland]

He's not dead. He's sleeping.

[Francois]

Who sleeps like that? Dead people sleep like that.

[Roland]

Dead people don't sleep. Wyatt, wake up.

[Narrator]

All three men stare, mystified. Wyatt, 50, former pro surfer, passed out. Roland opens Wyatt's eyelid. He slaps Wyatt hard. Tyler flinches at the thought of the pain.

[Francois]

Check his pulse.

[Narrator]

Tyler reaches over.

[Francois]

I'm not feeling anything.

[Roland]

That's his earlobe. Einstein.

[Francois]

What the fuck do you want from me? I'm not a doctor.

[Roland]

If I told you to take his temperature, would you stick your toe up his ass?

[Narrator]

A parrot lands on the window ledge wearing a severed face finger as a pendant around his neck. They all take notice. Fuck you.

[Wyatt]

I'm Batman.

[Narrator]

Wyatt wakes up seeing three men towering over him. He freaks out and responds by pulling out a small harpoon gun. The three men duck, taking cover. Wyatt falls back, firing off the harpoon. Monty walks in as the harpoon hits the wall inches from his head. Monty stares at it in the final wobble, rolling.

[Senior]

Christ, man, why do you just knock?

[Roland]

I did knock, Wyatt. And he didn't have a finger around his neck last time I was here. It's unsettling.

[Wyatt]

I earned it.

[Narrator]

Wyatt points with his fingernub.

[Senior]

Yeah, you did square. Oh, where's my manners? I'm Wyatt.

[Narrator]

Wyatt extends his hand.

[Senior]

You guys hungry?

[Roland]

Francois.

[Senior]

Well, you can check the fridge, but I doubt it.

[Roland]

Foie gras.

[Senior]

That's a fancy friend you got there.

[Narrator]

Wyatt smiles and gives Roland a big hug and kisses him on the forehead.

[Senior]

God damn it, I thought you were dead.

[Narrator]

Wyatt sticks his fingernub into the bullet hole in Roland's shirt. He notices a scratch. Wyatt pours whiskey on it as Roland tries not to flinch.

[Senior]

Kind of close, aren't we? What's with the posse? You guys selling cookies or something?

[Francois]

More like ourselves.

[Senior]

Well, any friend of Roland is a friend of mine, man. I extend a certain allowance for newcomers for the first hour or so. Then if I don't like you, well, you know.

[Narrator]

Wyatt is silent for a moment, then laughs out loud.

[Senior]

I'm just fucking with you, man. Hey, sorry about that itchy finger. No harm, no foul, right? You can't expect a cat not to.

[Narrator]

Scratch when startled, Wyatt walks over to Monty.

[Senior]

But seriously, I tie a cinder block around your ankles and they won't find you for months, maybe years. Have you ever seen Goonies?

[Narrator]

Scary.

[Senior]

Yeah, it's science.

[Narrator]

Wyatt yanks the harpoon out and places it in Monty's hand. He walks over to the sink and scrubs his armpits with a soap bar.

[Senior]

So what sort of shit has hit the fan to be graced with your presence, boys?

[Roland]

The kind that stinks. We're just gonna lay low and collect ourselves. No trouble.

[Senior]

No trouble trying to fall the wall over these eyes. You sly devil. If you're here, I know you brought at least a little with you. Or it's coming. It's probably nipping at your heels right this second.

[Narrator]

Wyatt walks over to Roland and squeezes his cheeks.

[Senior]

But it's all good, brother. Trouble's exactly what I'm looking for. I'm bored out of my fucking mind. What good's a boat with no waves?

[Narrator]

Roland pulls Wiley by the arm into the next room.

[Senior]

You're kind of pinching me.

[Narrator]

Interior. Yacht. Bedroom. Continuous. Roland leads Wyatt inside and closes the door as Wyatt plops down in a hammock.

[Roland]

What the fuck, Wyatt? You sold me off to a fucking maniac.

[Narrator]

Relax.

[Senior]

It can't be that bad.

[Roland]

Fuck you. It is that bad.

[Senior]

How bad?

[Roland]

Bad. Bad, brother.

[Senior]

Bad.

[Narrator]

Roland stares silently.

[Roland]

Oh, that is bad.

[Narrator]

Roland paces.

[Senior]

Did you run?

[Narrator]

Roland resists the urge to choke Wyatt and leaves, slamming the door behind him. Exterior Victoria's neighborhood. Later, night. Roland and Monty pull up in Killian's car in front of a house. They sneak up quietly towards Victoria's house through the neighbor's backyards.

[Monty]

How do you know it's still here?

[Roland]

I told Victoria to put it in the safe and she was a man of her word.

[Monty]

After this, I'm done. For good.

[Roland]

Uh huh.

[Monty]

I'm serious. It's gotten way too out of control.

[Narrator]

Before Roland can answer, I got a.

[Monty]

Dead psycho squished between my mattress. Samantha is probably gonna leave me when she realizes the shit sandwich she's been rolled into. I am fucking done. Tonight we finish this.

[Roland]

Yeah, yeah, I got it.

[Narrator]

Do you? Do you?

[Monty]

Because it seems to be a recurring theme with you that I have to repeat myself a lot.

[Roland]

But this is a partnership.

[Monty]

Was.

[Roland]

Hey, we had something good going.

[Monty]

Yeah, I know we did. But all things change, Roland. All chapters lead to new ones. This is a new one for me. I'm gonna have a child. It can no longer be about me. Or even you.

[Narrator]

Roland scuffs and what Kind of timeframe.

[Roland]

Are we looking at here?

[Monty]

18 years at least.

[Roland]

18 years. What am I supposed to do for 18 years? You're the only family I got. Without you, what do I have? All the luck in the world and no one to share it with.

[Narrator]

God.

[Monty]

You need a girlfriend.

[Roland]

No, I need a friend.

[Monty]

I'm not your friend, Roland. I'll never be your friend.

[Roland]

That's right. Because we're brothers through. Through thick and thin. Yeah.

[Narrator]

Roland offers out his hand, unable to resist. Monty smiles and grips his hand tight.

[Monty]

Through thick and thin. We'll figure it all out. I promise.

[Narrator]

Roland and Monty approach Victoria's patio door. Roland pulls out a fancy lock picking kit.

[Roland]

Uncle Roland that has a nice ring to it.

[Monty]

Can we just live through this first, please?

[Roland]

Deal.

[Monty]

Hold on. They could be in there waiting for us.

[Roland]

It's possible.

[Narrator]

Interior, Victoria's house. Continuous flashlight in hand, Roland creeps down the hallway. He glances back and sees a figure passing by.

[Roland]

Monty.

[Narrator]

Roland continues on into the bedroom. Interior, Victoria's bedroom. Continuous Roland opens the safe in the closet, removes the urn and exits the room. Interior, Victoria's kitchen. Continuous Monty is on the lookout, peeking through the blinds. Roland walks in, studying the urn.

[Roland]

I'm surprised the nut bag didn't just keep it stuffed up his ass like some bug.

[Narrator]

Monty turns to him.

[Monty]

What did you just say?

[Roland]

Difficult to fit, I guess.

[Monty]

Let me see that thing.

[Narrator]

Monty grabs the urn.

[Roland]

Oh, you want to try?

[Narrator]

Monty is unamused. He slides his hand around the edges. He flips it over.

[Roland]

It's an urn. It don't need instructions.

[Monty]

Everything has fine print if you look close enough.

[Narrator]

Monty slides a small lever by accident, revealing a hidden compartment concealing a GPS bug with a red blinking light.

[Monty]

And the fine print is everything.

[Narrator]

They both stare as the red light flashes on their face.

[Monty]

He's had the jump on us all this time. What kind of sick game was he playing?

[Roland]

A dangerous one. You gotta remember, the cat doesn't kill the mouse right away. He wounds him, lets him bleed for a while and just keeps him around for amusement.

[Narrator]

Roland and Monty look at each other, registering the fear. Roland snatches the bug and crushes it under his shoe.

[Roland]

Let's get the fuck out of here.

[Narrator]

They exit. The breeze from the door reveals a wounded Killian hidden beneath the curtain, struggling to release the falcon brute's wrath. But the leash is tangled in the curtain. Defeated, Killian gives up and lets go of the leash. He notices the red light of the crushed bug fading on the floor. Killian sinks his head in his hands. Mom, you gotta give me a sign. After a moment, he hits the wall in anger. A single picture frame falls from the wall. While the numerous others remain in place. The breaking of the frame draws Killian's attention. He reaches down and pulls the photo from the broken glass, revealing Roland on the yacht named. It's a sign. A profound sense of renewed hope fills Killian. Fade to white. Super. If you chase two rabbits, both will escape. End of second episode Lunch is outside. Let's get back at about 135. That's right.

[Francois]

Lunch isn't back where you came in.

[Narrator]

Please refresh yourselves. Thank you so much.