#4458 I’m Not Feeling Punitive

Summary

Podcast Summary: TBTL: Too Beautiful To Live – Episode #4458 "I’m Not Feeling Punitive"

Release Date: May 2, 2025

Hosts:

• Luke Burbank
• Andrew Walsh

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1. Introduction

In episode #4458 of TBTL: Too Beautiful To Live, hosts Luke Burbank and Andrew Walsh navigate a blend of personal anecdotes, pop culture commentary, and listener interactions with their signature humor and camaraderie. Released on May 2, 2025, this episode dives into Andrew’s ongoing saga with his garbage collector, critiques a John Mulaney and Richard Kind show, discusses the evolution of work environments, and shares humorous personal stories.

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2. Andrew’s Garbage Can Saga

Timestamp: [00:01] – [02:00]

Andrew Walsh shares his amusing yet slightly troubling experience with his garbage collector. After dumping excessive dust into his garbage bin, he received a note from the collector complaining about the mess. To make amends, Andrew devised a plan to leave an apology note attached with a gift card.

Notable Quotes:

• Luke Burbank [00:01]:
  “...don't over promise this week. Sell them on the structure. You can talk about it with confidence.”

• Andrew Walsh [01:15]:
  “It's Friday. Gotta get down on Friday. Everybody's looking forward to the weekend.”

• Andrew Walsh [04:18]:
  “I am totally unfamiliar with that, so I'd be interested.”

The duo humorously discusses the effectiveness of Andrew’s plan, culminating in Andrew's anxious wait to see if the collector received his gesture.

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3. Discussion on John Mulaney and Richard Kind's Show

Timestamp: [03:46] – [14:55]

Luke and Andrew delve into a John Mulaney and Richard Kind series, analyzing its comedic elements and thematic choices. They particularly focus on recurring sketches involving telescopes and parody segments that merge popular culture with quirky humor.

Notable Quotes:

• Andrew Walsh [03:46]:
  “Different than what? I always wonder what Tom Brady is talking about there.”

• Luke Burbank [06:34]:
  “Grammar English tutor.”

• Andrew Walsh [08:25]:
  “And the tude is excel at football. That's what his tude is.”

The hosts express mixed feelings about the show, appreciating its creativity while critiquing its depth and character development.

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4. Clipboards and Fundraising Memories

Timestamp: [26:28] – [28:27]

Andrew reminisces about his days managing radio shows, emphasizing his fondness for clipboards adorned with stickers—a symbol of his organizational style. Luke shares nostalgia over their fundraising efforts and the creative memorabilia they produced over the years.

Notable Quotes:

• Luke Burbank [26:28]:
  “We need. Here's what we really need to talk about, though, Andrew. Clipboards.”

• Andrew Walsh [27:11]:
  “Hey, here's the clipboard.”

The conversation highlights the hosts' long-standing dedication to their show and the quirky tools that accompanied their journey.

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5. Listener Testimonial: Russell Swanick

Timestamp: [40:38] – [42:38]

A heartfelt message from listener Russell Swanick underscores the impact of TBTL on his life. He praises the show's ability to provide solace and alternative perspectives through its genuine and spontaneous conversations.

Notable Quotes:

• Russell Swanick [40:52]:
  “TBTL serves as a grounding anchor and provides an alternative perspective that helps me to reassess my views on our shared day to day experiences.”

• Andrew Walsh [41:09]:
  “I find this to be very touching.”

The hosts express gratitude for Russell’s support, reinforcing the community aspect of their podcast.

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6. Mariners and Sports Talk

Timestamp: [37:03] – [40:38]

Luke and Andrew discuss the surprising performance of the Mariners, reflecting on their initial skepticism and growing enjoyment as the team exceeds expectations. They humorously acknowledge their own tendency to grumble about the team while secretly rooting for their success.

Notable Quotes:

• Andrew Walsh [40:30]:
  “If I took issue with anything in here, it's describing me as a. What does he say? A normal person...”

• Luke Burbank [40:37]:
  “Only we complain because we love.”

Their lighthearted banter showcases their dynamic and shared passion for sports, particularly baseball.

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7. Anecdotes about Jersey Mike's Gift Cards

Timestamp: [54:25] – [63:05]

The hosts share humorous stories about Jersey Mike's gift cards and their adventures with sandwiches. Andrew narrates his attempt to leave an apology note with a gift card for his garbage collector, leading to unforeseen comical situations.

Notable Quotes:

• Andrew Walsh [60:11]:
  “Not like, you know, it wasn't like they ate my entire sandwich, but you could tell everyone there could have used a sandwich, damn it.”

• Luke Burbank [62:48]:
  “Why am I seeing you in a jacuzzi eating this sandwich?”

These stories highlight the hosts' ability to find humor in everyday mishaps and their knack for storytelling.

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8. Seth Rogen's Studio Series and the Kool Aid vs. Flavor Aid Debate

Timestamp: [66:16] – [73:03]

Luke and Andrew critique a new series featuring Seth Rogen, focusing on a debated moment where the show conflates "Kool-Aid" with "Flavor Aid" in referencing the Jonestown tragedy. They express frustration over the subtlety of the correction, feeling it undermines the importance of historical accuracy.

Notable Quotes:

• Luke Burbank [68:07]:
  “Greg was absolutely right and good on catching that. But, man, no joke, do they bury that?”

• Andrew Walsh [67:45]:
  “…how Seth Rogen is suddenly sort of pressed into being the head of this kind of mid sized Hollywood studio…”

The discussion underscores the hosts' commitment to thoughtful critique and their attention to detail in media representation.

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9. Technical Talk: Watches and Recording Schedules

Timestamp: [73:03] – [74:51]

In a light-hearted exchange, Luke explains why he switched from a wind-up watch to an Apple Watch between recordings, tying it humorously to maintaining continuity and avoiding confusion during their shows.

Notable Quotes:

• Luke Burbank [73:16]:
  “And Andrew, I need, need it to track that.”

• Andrew Walsh [74:06]:
  “Is he wearing a different watch. That would be about as subtle as that line about Flavor Aid, I would say.”

This segment adds a personal touch, showcasing the hosts' playful interactions and behind-the-scenes insights.

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10. Conclusion

Timestamp: [74:51]

The episode wraps up with the hosts thanking their listeners, acknowledging the technical mishaps during recording, and signing off with their usual blend of humor and warmth.

Notable Quotes:

• Luke Burbank [74:51]:
  “Thank you so much for listening. Thanks for hanging out with us this week.”

• Andrew Walsh [74:51]:
  “Power out.”

The conclusion reinforces the hosts' appreciation for their community and sets the stage for future episodes.

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Key Takeaways and Insights

• Community Impact: Listener testimonials like Russell Swanick’s highlight the podcast’s role in providing comfort and connection.

• Humor in Everyday Life: The hosts excel at turning mundane experiences, like dealing with a garbage collector or sharing sandwiches, into engaging and relatable stories.

• Critical Media Analysis: Their thoughtful critique of contemporary shows underscores a commitment to meaningful discourse beyond mere entertainment.

• Evolving Work Dynamics: Discussions about working from home versus in-person reflect broader societal shifts, with personal anecdotes adding depth to the conversation.

• Tech and Personal Touch: Even technical aspects, such as watch choices during recordings, become humorous points of connection between the hosts and their audience.

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Notable Quotes Recap:

• Luke Burbank [00:01]:
  “Don't over promise this week. Sell them on the structure.”

• Andrew Walsh [03:46]:
  “Different than what? I always wonder what Tom Brady is talking about there.”

• Andrew Walsh [40:52]:
  “TBTL serves as a grounding anchor and provides an alternative perspective…”

• Andrew Walsh [70:07]:
  “Greg was absolutely right and good on catching that.”

---

This episode of TBTL: Too Beautiful To Live exemplifies the podcast's ability to blend humor, personal storytelling, and insightful commentary, making it both entertaining and meaningful for listeners.

Transcript

[Luke Burbank]

We're gonna task off today in prep form. John, don't over promise this week. Sell them on the structure. You can talk about it with confidence. Keep it simple. Little something like this, John. Hey, let me walk you through our Donnelly nut spacing and crack system rim riding grip configuration using a field of half c sprats and brass fitted nickel slits our bracketed caps and splay flexed brace columns, vent dampers to dampening hatch depths of 1/2 meter from the damper crown to the spur of plinth. How? Well, we bolster 12 Husknuts to each girdle jerry while flex tandems press a task apparatus of 10 vertically composited patch amplers then pin flam fastened pan traps at both maiden apexes of the gym joints. Ooh, something like that. Lakeman TBTL in this brochure it says this tour is krunk. What does that mean?

[Andrew Walsh]

Guess what day it is. Guess what day it is. It's Friday. Friday. Gotta get down on Friday. Everybody's looking forward to the weekend. Do you eat chocolate?

[Luke Burbank]

Yes.

[Andrew Walsh]

Do you drink soda? Yes. Do you eat fatty foods? Yes.

[Luke Burbank]

And a lot of people ask me, are you eating cookies late at night? And I say, of course I am. Holy forking shirt balls. We're in the good place. Well, all right. Hello, good morning and welcome everyone to a Friday edition of tbtl, the show that just might be too beautiful to live. How about a Fresca? My name is Luke Burbank. I am your host.

[Andrew Walsh]

Oh, yeah.

[Luke Burbank]

Coming to you from the Madrona Hill studio perched high above the mighty Columbia. Another nice day. It's never too early to enjoy a zero sugar. A and W. Root beer. Gotta have that root beer. Which is how I'm kicking off this Friday edition of the program where we have arrived, episode 4457 in a collector series. Let the fun begin. And we've got an update on the saga of Andrew. First, pouring too much fine powdery debris into his garbage can and then getting a note from the person collecting the garbage saying this hurts our eyes. And then Andrew trying to find the perfect gift certificate to give them as an apology to Andrew taping it to the garbage can. And now we are going to find out if. In fact, can you. Can you verify. Can you give me some 411 if the plan worked out or not. I'll tell you about a plan that didn't work out. It's an attorney in East Lansing, Michigan. He was trying to really show that he's a. He's a tough attorney who fights for his clients. He thought, well, dragon, dragon. That, that sort of. That indicates that I really go to battle for my folks. Put the dragon logo on a lot of places on his court filing. Don't do it till it stops. Will you please stop? The judge told him to please stop. In fact, the judge threw the case out. So we'll talk about that, too. Oh, and we are going to talk to this feller, the longest running cobra of the show. Maybe best known for his depictions of the tall ships. You know, we all get a little. We're all a little worn out by the end of the week, but I feel like he's kind of going into the weekend sort of with a bad attitude. I hate you because you look different. He said that to me right before we started recording. He's Andrew Walsh and he's joining me right now. Good morning, my friend.

[Andrew Walsh]

Different than what? I always wonder what Tom Brady is talking about there.

[Luke Burbank]

I hate you because you look different.

[Andrew Walsh]

Different, Yeah.

[Luke Burbank]

I mean, because then I mean. Yeah, exactly. I guess him. Although that's got its own weirdness.

[Andrew Walsh]

There are very few people look like him, you know. Yeah, he's got a very specific look.

[Luke Burbank]

He does. Well, everyone think about this. Every person on this planet, Andrew, has a very specific look. So really, I hate you because you look different. I mean, everybody looks different from everybody else. Well, it's a very general statement.

[Andrew Walsh]

I mean, I'm not into hot talk radio and I don't want to start a fight with you just to start a fight with you. No, but Luke, you idiot. No, I. Well, I do think that as somebody who. This might not happen quite as much anymore, but as a bearded, quasi portly guy who wears a lot of button down shirts in Seattle when I was in my mid-30s, I will say that I would often get mistaken for people. Or people would say, I found your doppelganger. Or there are just a lot of guys, a lot of incredibly handsome men, I should say, who I would get confused for or with or what have you. Whereas Tom Brady kind of famously took care of his body and physique and, you know, everything in a certain way. That I would say that, like there are variances as far as who has more of a common look.

[Luke Burbank]

Yes, absolutely. There's a, there's a. It's a spectrum, Andrew. Like so many things.

[Andrew Walsh]

Exactly.

[Luke Burbank]

And there are some people that. There's a certain kind of a look that you. That you could kind of cultivate that would cause you to look similar to a lot of people.

[Andrew Walsh]

Yeah.

[Luke Burbank]

And then there's ones that would know.

[Andrew Walsh]

Have way, you know, But Tom Brady looks a little, A little.

[Luke Burbank]

Although I think if you went to like, I think if you went to South Florida, you'd bump into a lot more. If you went to Miami and you'd. You went down there to Colony Avenue, you'd bump into more Brady types than you might, you know, in Magnolia or something. That being said, the implication there is that Tom Brady is of course pretending. We hope, we're told he's pretending to be a very close minded person who. He hates people because they look different than him.

[Andrew Walsh]

He's yelling at Snoop Dogg there. I'm not sure if you remembered that part.

[Luke Burbank]

I had actually forgotten that part. Snoop Dogg is in so many things at so many times, at so many different times that I forget the things that he's doing. He. I guess what I think is they could have, they could have made it a little bit more specific or a little bit more clear if it would have been Tom Brady saying I hate you because you look different from me. But somebody thought, is that a dangling participle from me on the end of that one time?

[Andrew Walsh]

I don't think so.

[Luke Burbank]

Grammar English tutor.

[Andrew Walsh]

What was I? What was I? It was a peer writing assistant.

[Luke Burbank]

I'll be one time peer writing assistant at Kent State University.

[Andrew Walsh]

I don't think that's a dangling participle.

[Luke Burbank]

Is that dramatically incorrect for me to say I hate you because you look different than me?

[Andrew Walsh]

No, I don't think so at all.

[Luke Burbank]

Oh, okay.

[Andrew Walsh]

I think that, I think there was some vagary in that commercial that was for folks who don't know that was from a. Yeah, like one of those kind of PSA style commercials that aired during the Super Bowl. A lot of people considered it one of the cringiest spots from the super bowl because, you know, the message is basically don't hate on people, which, you know, it's hard to hate on that message. And it's. You're truly a hater. So, you know, I'm all for not hating on people, but it was just a little bit cringy having Snoop Dogg and Tom Brady. And Tom Brady is just not a very good actor. Just sor of like kind of like throwing these, like, you know, they. What they want to put in there are some really hateful things. But then you can't. Then you just have a commercial.

[Luke Burbank]

They ran into that, like that Pepsi protest commercial with one of the Jenners where it's just like the signs love or whatever it said the signs are so non specific. Because they don't want to actually offend anyone. That they are just absolutely pointless. Yeah. It's also just like, again, we don't need to. If we want to make fun of the Patriots franchise, we can play you John Mulaney's take on. On the Bill Belichick interview if we want to get into it.

[Andrew Walsh]

Yeah.

[Luke Burbank]

But I don't know that.

[Andrew Walsh]

By the way, I saw you had that floating around, but I am totally unfamiliar with that, so I'd be interested.

[Luke Burbank]

Yeah. And not. This is so, so not to diss Tom Brady because, you know, I think Tom Brady seems like he's. Generally speaking, I think he's probably, you know, kind of a pretty decent person in the world as far as I've, you know, I've been privy to and that be as much as anyone else has been privy to, AKA things I've seen on espn. But he's not. Tom Brady does not seem to me like he is somebody who contains multitudes. He contains tudes.

[Andrew Walsh]

Yeah.

[Luke Burbank]

And the tude. He contains tude. And the tude is excel at football. That's what his tude is. That's his whole reason for existing. He obviously was phenomenally successful at that and I don't want to take that away from him. But like, as far as people who are going to give me an interesting layered representation of whether it's racism or ableism or any other ism or just like ways that we are inhuman to each other, he is just a very, very. He's a very one dimensional person to be bringing me that message. And there are just other people that I think it would be much more interesting. He's also very famous, so that's why they went with him as a Snoop Dogg. Very. I mean, Snoop Dogg's got his own baggage, including his like, you know, his, his security teams beating the living tweedle out of people at various points, which also doesn't feel the most loving. So it's like for different reasons, both of these guys, I don't know. I don't know if they were the best people to be cast in, in, in that particular psa. Now I do know who I think was well cast in this little parody that I'm gonna play you. And that was of course, John Mulaney and Richard Kind from the Everybody's Live with John Mulaney. I don't want to. And I would like. Excuse me. I don't want to go into another long conversation about this week's episode of the show, but I will just simply say this. Andrew I give them huge credit. I still think that the best episode that they've done so far was the one that had Ayo Edebari and Conan O'Brien and Tina Fey on it.

[Andrew Walsh]

And that was last week. Right. We talked about it this week because you watched it on a bit of a delay. I'm just kind of like to get this straight in my mind too.

[Luke Burbank]

Every call about this week's show will be about the elderly.

[Andrew Walsh]

Right. If you're calling about schools, that was last week's show. No, your rhythm was a little bit off. So earlier this week we did talk about an excellent episode of that show, but that was one from last week and now as we speak, one just dropped like two days ago, which I totally, I know nothing about. I don't know who was on or what happened.

[Luke Burbank]

I thought it was, I thought it was pretty good. I didn't watch all of it, but I thought it was funny. What I think is, is amazing to watch and what I'm already pre morning because I still. I'm under the impression this is some kind of a limited run series.

[Andrew Walsh]

10 episodes. Right. And I feel like we've.

[Luke Burbank]

I think the finale is the 28th, apparently on, on the finale and they're presenting this like it's a very serious thing. John Mulaney is going to fight three 14 year old boys.

[Andrew Walsh]

Is that true?

[Luke Burbank]

That's what he says. There's this Internet thing going, could like 100 men beat up one silverback gorilla? This is a real.

[Andrew Walsh]

Oh yeah, I've been hearing about this.

[Luke Burbank]

This is a real question, I guess you could say. I don't know if it's a real question. It's something people are allegedly discussing on the Internet. So they said, well, based on that, we were in our writers room, we were wondering, could John Mulaney take on three 14 year old boys?

[Andrew Walsh]

Okay.

[Luke Burbank]

And so that's going to be the final. May 20th. Excuse me. Yeah, May 28th, the final episode. It's going to be John and the Boys, where he is apparently going to fight three 14 year old boys. That's neither here nor there. What happened that I found both really exciting and also kind of made me a little bit wistful was when I heard the music for the show, I just was like, oh, it's Mulaney time. It's time for this to happen now. Like they've done it enough and they've stuck with it enough. They also did the telescope bit where he's looking through the telescope and he's seeing. I don't know if you ever saw that the first time.

[Andrew Walsh]

No, they've got a bit.

[Luke Burbank]

They do. Or they've done it twice now, I guess, where he's got a telescope over by one of the windows that's in the backdrop of the stage. He goes, it's a beautiful night here in la. Let's take a look through the telescope. And I think the first time he's seeing these. Of course, this is all. You know, this is. We're not really seeing whatever it is he's seeing through the telescope, obviously, but he's looking through the telescope and then you're seeing this kind of field of vision. Yeah, I think the first time it was. He sees an apartment and there's people. There's a couple people in it. And one guy's, like, maybe like a hitman. And I think he, like, breaks a flower pot over the head of somebody in the apartment. And it's, like, very kind of shocking. And then he's like, oh, my God, I wasn't supposed to see that. And then he moves and he goes to a different apartment and a different person is getting a flower pot busted over their head. And just every apartment that he's seeing someone is eventually breaking a flower pot over someone's head.

[Andrew Walsh]

How do they power out of that?

[Luke Burbank]

I don't think they did. I mean, this was the early days of the show. So last night it was. He's looking into. He's looking. He sees an apartment. And it's pretty much exactly the setup of Seinfeld's apartment.

[Andrew Walsh]

Oh, okay.

[Luke Burbank]

But he realizes it has Trey Anastasio from Fish in it. And then who's dressed kind of like Jerry Seinfeld. And then he realizes that some of the other. One of the other guys from Fish is in there, but he looks like. He looks like George Costanza. And then eventually everyone from the band Phish is in this apartment, but one is dressed like Elaine, one's dressed like Kramer. And he goes, this is Seinfeld, but it's all the people from Fish. And then they cut to the Seinfeld logo in that font but instead it just says Fish. And then it goes like some weird bassy. Like, probably. I mean, it's not quite the Seinfeld thing, but it must be something Fish does in a song. That sounds like the Seinfeld bass slap.

[Andrew Walsh]

Yeah. Yeah.

[Luke Burbank]

It was so unhinged.

[Andrew Walsh]

I saw a screen cap of Fish dressed up like Seinfeld.

[Luke Burbank]

That would probably be from this.

[Andrew Walsh]

And I was like, what? What is going on? Why am I seeing this. And now I understand why I'm seeing this.

[Luke Burbank]

What I will say about the show is just in doing it and being undeterred by the haters and the losers, me included, they've now made a thing. It's. Look, this is a weird comparison, but if I feel a little bit proud of TBTL over the years, it's that we just did it so many times and we've done it so many times that for the very small number of people who like this, it just. I don't know if I'm making any sense, but it's just there's something about doing something even when it's probably not great at first and maybe never gets that great, but you just keep at it. And then eventually it feels like, oh, yeah, this is. We've always had this. And there's something about that. There was something about hearing the opening theme and watching they were using that same package where they're showing people doing tai chi and the clock and Alhambra and everything. And it just felt to me like, oh, this is what we do on Wednesday nights. We watch this show. And. And like, this is a real thing. And now I kind of know what some of the beats are and I kind of have a sense of what Richard Kynes personality is going to be. And I'm, I'm, you know, it's. They're doing the telescope bit again. Like, it just, it went from being this audacious experiment to being something that's actually like, real and exists and permanent in a way, although it's ironically not. And I was both very happy about that and then very sad about it that it's not permanent.

[Andrew Walsh]

Yeah, you know, I still have that alert on my calendar every Wednesday around, like, I guess maybe an hour before the show's on. It reminds me, hey, Mulaney's coming up. And I think I did that. I think I heeded the advice of my calendar twice, maybe when I wanted to watch it live. And I really had this feeling of like, this is a finite thing. This is a weird thing. This is a thing that we're going to look back on. There are a lot of, like, weird things. Like, I'm trying to think didn't like Conan O'Brien. No, I think that was maybe a long lost pilot. But you know how there were shows. Oh, but what about like the Dana Carvey show? Right. For a small period of time, there was something called the Dana brought you.

[Luke Burbank]

By diet mug, root beer.

[Andrew Walsh]

There you go. There's something called the Dana Carvey Show. That is now looked upon. It was a very. It was short lived, right? Or short lived, as you like to say. And I didn't know anything about it at the time. And then in hindsight, documentaries are made about it and like comedians and your favorite comedian's comedian is talking about how great this show was or what have you. And it was something that was totally lost to me except for in hindsight. And I sort of feel like with this Mulaney thing, like 15 years from now, somebody might be, oh, yeah, remember when Netflix just let this guy do crazy shit for 10 episodes or maybe a little bit more with the. With the original one that aired, and I didn't want to miss out on that. But then I got to say yesterday I got a text from, I think your brother to the text chain saying, hey, anybody watching Mulaney right now? And once again, I found myself, like, I was in the middle of that TBT archiving project and I was like, I just. To pull my. It's always happening at a time where I feel like I got to pull myself away from something I'm already in the middle of and then go sit in front of the TV and I just never want to do it. And then if I miss it live, then the bloom is off the rose for me. So I'm in this position of feeling like I'm. I'm sort of missing out on a little bit of comedy history.

[Luke Burbank]

Well, I would say one thing is I was watching this on a slight delay too, because I was working on Livewire stuff, and then I got that text from David. I was like, oh, let me check back in on this. So I was on. I'm not quite. I'm not nearly as hard and fast as you are on that if you're not watching it live. Yeah, it's. It.

[Andrew Walsh]

I would say up on that.

[Luke Burbank]

It does it well. I mean, just. It might be something to think about. You mean you do whatever is. Is fun and entertaining for you. But I have found that it. It's not my experiences. It's not like significantly less fun for me to watch it if it's. If I'm watching on a half hour delay or an hour delay. But I wanted to tune in because it's so funny how I managed to, in my own mind, attach myself to major stories of the day, even though I have no attachment to them. But this Belichick thing is both just fascinating to me to see how it's continued to kind of just spread through the culture, you know, now you've got Like Belichick saying by way of the University of North Carolina that the CBS Sunday Morning interview was basically presented in bad faith, that there was supposed to be an agreement that they wouldn't talk about anything non football. CBS has said that's absolutely not the case. There were no preconditions.

[Andrew Walsh]

Did he literally have a quote in there that said, you wouldn't say that to Tom Petty, would you? Like, this has such Billy Bob.

[Luke Burbank]

You're absolutely right. Oh, my gosh. And like, so. But also, I feel connected to it because I know some of the people that made it. And there was a brief, teeny, tiny moment of time where I thought maybe I was going to be the one making it. So I can't take that out of my mind. Like, geez Louise, what if this was me this whole week that was. I mean, we would have never. We're still not hearing the end of it. We would have really never heard the end of it. But when I saw that that Mulaney show decided to take a little. A little stab at the whole situation, I thought, oh, I'll check it. I thought it was pretty funny. Let me just play say hello to.

[Andrew Walsh]

My other dear friend, Mr. Richard Kind.

[Luke Burbank]

So he is wearing a sweatshirt that looks a lot like the one Belichick was wearing. It's got a big.

[Andrew Walsh]

Kind is.

[Luke Burbank]

Yeah, kind is. It's got a big tear in it in the same place. And it took me a minute to. But, you know, whereas the one that Bill Belichick was wearing, the sweatshirt said navy. His says eljm. And I was like, what the hell is. And I was like, oh, everyone's Live with John Mulaney. He's wearing an Everyone's Live, but it's in the navy font.

[Andrew Walsh]

I'd buy that, actually.

[Luke Burbank]

Great. Call that right there. That's the must have for this spring. And he's looking very somber. Richard Kind is looking very somber. And let's just say Belichick ish. Very unusual for him. His normal look.

[Andrew Walsh]

Hey, John, how are you? You good? I'm good. I know you're gonna have a lot to say about surgery. Yeah, I got a lot to say about surgery.

[Luke Burbank]

Yeah, we're not talking about that. And then the camera pulls out, and then there is someone playing Richard Kynes girlfriend, who. It looks eerily similar to Bill Belichick's girlfriend. She is also wearing an Everyone Everyone's Live with John Mulaney sweatshirt herself. Oh, by the way, the topic of the night was major surgery. So that's why he asked Kind if He had thoughts on surgery.

[Andrew Walsh]

Oh, hello. Hello, Gersten. Gersten is Richard's girlfriend.

[Luke Burbank]

And by the way, Gersten with a G. I don't know why that cracks me up so much. I don't think that's a name that anyone's had.

[Andrew Walsh]

Kirsten is Richard's girlfriend and she's now a constant presence in our lives. I'm his idea mill and his muse. And while. And I need to see a cut of this before you use it. It's. It's a live show.

[Luke Burbank]

It's not live anymore.

[Andrew Walsh]

Sorry. The Richard portions are pre taped. We're going to need to see a cut.

[Luke Burbank]

Come on.

[Andrew Walsh]

Wouldn't you give up all your friends for this woman? I would blow up my brand and.

[Luke Burbank]

Distance myself from my fans for one.

[Andrew Walsh]

Moment in her company to watch her scroll. She's a.

[Luke Burbank]

She's scrolling dispassionately on her phone.

[Andrew Walsh]

Wake up and hear her on the phone in the bathroom. Wow, Richard, it seems like a dream. Yeah, it's a dream. Yeah.

[Luke Burbank]

We also have some cute Insta faces.

[Andrew Walsh]

Oh, that's right, you call Instagram instafaces, even though you're on social media a lot.

[Luke Burbank]

No, we're not showing those. Those are private. So it's of course their parody of the photos of the acrosage and a lot. No, we're not showing those. Those are private.

[Andrew Walsh]

They're on public Instagram.

[Luke Burbank]

You know, why can't I have it all done? A family, a brand, a business. No one deserves it more than me.

[Andrew Walsh]

That may be, but please, if you could not interrupt the show, I would really.

[Luke Burbank]

I'm going to have friends over here later.

[Andrew Walsh]

Who are those random people backstage? The guests, whatever. Come on, John. Isn't she amazing? Is she amazing? Richard's happy, Richard's happy. And we can be happy for Richard.

[Luke Burbank]

So there you go. That was there. It's a. You know, I would actually, interestingly enough, it's fairly low concept for them in that it's kind of right down the middle. It's like we're just gonna pretend that Richard now has a girlfriend who's telling him what he can say and can't say.

[Andrew Walsh]

Yeah, that didn't do a lot for me, to be honest with you. That doesn't seem to be the spirit of the show that I love so much. Not that it was, you know, terrible or. I'm not angry about. I want to make it clear I'm not angry. I'm not feeling punitive.

[Luke Burbank]

You're just disappointed.

[Andrew Walsh]

You do. Should I tell that story? Do you know, that one time when I worked. I'm sure I've said this to you before, I worked for a public radio station. Well, I'll just. I worked for New Hampshire.

[Luke Burbank]

You have said that one time.

[Andrew Walsh]

Yeah, I worked for New Hampshire Public Radio and I was a producer for talk shows. But I, I had an ever growing role on kind of during fundraising times because I love fundraising and I was a producer and so I would be in conversations and then with everybody who's sort of running the fundraisers in the station. And then we got a new GM. For my first five years there or something, we had the same GM who'd been. Had that job for like 30 years. And then we had a new, like from the big city. I believe she was from New York. A real like gangbusters GM came into our small little New Hampshire studios and definitely had some big city thoughts about the way the small town radio station handles itself. But the thing is, asking people for money in New Hampshire is very different than asking people for money at WNYC or something along those lines. I mean, just literally, George Clooneys, he could not be more different as far as just like development and that kind of stuff is concerned. And this new boss came in and basically changed a lot of the systems before the very first drive under her, you know, under her general management ship. And we were like, okay. And I wasn't on the highest levels to be like questioning her authority in that way, but I know a lot of people were like, this works for us. Are you sure you want to be like, making these huge changes? Like, wouldn't you want to sit through at least one of our fundraisers first? But she made all these big changes. And then the very first day, the drive, the first day of the drive was terrible.

[Luke Burbank]

Oh, and did not raise money.

[Andrew Walsh]

Did not raise money. And I got something at the time would have. Was very rare. In fact, maybe sui generis was. I got like an email or maybe even an early text message that said the boss wants the fundraising crew on a phone call tonight. And I was like, and again, I'm a. I'm a. There are levels between me and the general manager. I don't report to the general manager, but like, you know, I was somebody who handles. I was probably producing the morning edition shift at that point, which is like the big, you know, let's just put it this way.

[Luke Burbank]

You were still saving your resume envelopes in case you needed them. You were getting too comfy.

[Andrew Walsh]

Exactly right. I did apply for like three different WBOR jobs. Like, during that time and, like, pulled out or didn't get some of them. But anyway, I just remember getting, like. This was a very weird experience because I never worked with a boss to a sort of like a hard charging boss like this. And she'd only been there for a few months, I believe. And so, like, the GM is on the line, obviously, the program director, all the people who were making decisions about fundraising, and then me, the Morning Edition producer. And I remember one of the first things that she said when she got on the line was, I want everybody to know that I'm not feeling punitive.

[Luke Burbank]

Oh.

[Andrew Walsh]

And I remember that's why if you.

[Luke Burbank]

Ever hear me say the general manager said that.

[Andrew Walsh]

Yes. And we're just kind of like. And anyway. And this wasn't like, zoom.

[Luke Burbank]

Would you.

[Andrew Walsh]

This wasn't zoom. You know, this was 2003, 4. I don't know when it was maybe 2000. Did Schubert come out? So anyway, I just told you that story because I got caught up in my own fantasy of saying I'm not angry. Agree. I'm not punitive.

[Luke Burbank]

That would, like, really stress me out. Because, I mean, punitive is basically. I'm not gonna. I want you guys to know that I'm not gonna have anybody. I'm not gonna, you know, force someone to walk through the newsroom while the person from Game of Thrones yells shame behind.

[Andrew Walsh]

Right.

[Luke Burbank]

Like, that's exactly punitive. Like, to tell people what you're not feeling and when the thing that you're saying you're not feeling is, like, how you shouldn't be feeling anyway.

[Andrew Walsh]

Yes. And also just kind of like, we were doing this for a while and making money. These were your changes.

[Luke Burbank]

Oh, she was also the one who. Oh, I got.

[Andrew Walsh]

She was the one who kind of came in and said, you know, I think I. This is my impression of the whole thing. If she were here with us now, well, first of all, I would just be hiding under the desk. No, she and I ended up having a good professional relationship, sort of. I think she liked. She knows that I'm somebody who, like, kind of cows to a certain kind of powerful personality, sort of. And so there were other things, too, where she made me nervous. That one time I accidentally, like, leaned up against her wall and she had one of those framed LPs on her wall. The frame fell down and broke. And she was not like, don't worry about it. Let me just put it that way. I end up buying her a new frame.

[Luke Burbank]

Do you remember what the LP was?

[Andrew Walsh]

I do not. It was probably something. No, no, it was probably something, like, cool. You know, it was probably something that, you know, something that CBGB's would have smiled upon. Who knows? Okay. But anyway, all of. Maybe. Anyway, maybe that's a bad example. Here's why they cool in New York, probably.

[Luke Burbank]

We need. Here's what we really need to talk about, though, Andrew. Clipboards. Because I know when you were helping run those things and just, I think generally in your life as a manager, like at radio stations with radio shows, you're a known fan of the clipboard. What I've noticed is they've taken Mulaney's clipboard away. Oh, really? Like, this clipboard erasure is, in a roundabout way, a shot at you and your management stuff.

[Andrew Walsh]

Hey, here's the clipboard. By the way, I still have the clipboard that I used to carry around when I was producing shows. So all the different stickers.

[Luke Burbank]

Lay some of those stickers on me, baby.

[Andrew Walsh]

Layers and layers of stickers. If I peeled some of these off, you'd get further back into New Hampshire territory. But now.

[Luke Burbank]

Rings on a tree.

[Andrew Walsh]

Like rings on a tree. This clipboard is mostly stickers at this point. Oh, do you see this one? The Saved by TBTL sticker? Remember, we did that one a long time. It looked like Saved by the tbtl. That was. That was our high school photos.

[Luke Burbank]

You know, we have done so many things on this show in terms of fundraising and just weird little, I don't know, attempts at things. I forget about so many of them. I saw somebody. I saw somebody recently, and they were wearing a pin, and it was from us. And I said something like, that's really cool. And they were like, oh, yeah, these were from a pledge drive, and they were those enamel pins that we did.

[Andrew Walsh]

Oh, yeah, we did that for several years. Those were really cool. Yeah.

[Luke Burbank]

But, like, I just, you know, they can't all be home runs, but, like, even that Saved by the tbt, that's kind of a funny sticker that we.

[Andrew Walsh]

Yeah, yeah. Like that little red bandwagon gave us a sticker.

[Luke Burbank]

I had 100% forgotten that that even existed. But so you're not. You don't feel personally criticized by the fact that they took Mulaney's. They've decided. The powers that be at Netflix have decided clipboards are not cool, because I think they're kind of cool.

[Andrew Walsh]

I love a clipboard. I often think, and I guess as I get older and older and the world changes around me, this is less of a possibility. But I often think, like, well, what if I, you know, these night, we're talking about, like, kind of working from home standards in 2025 and what that would be like. And so I always put myself. I'm like, well, if I had, like, a job like I used to. Let's say that I got a job tomorrow with. With kuow. Did I accidentally say KCRW a moment ago? I meant kuow, our local public radio station.

[Luke Burbank]

I think you said kuow.

[Andrew Walsh]

Yeah. If I can picture myself kind of going back to a regular, more like 9 to 5 job or whatever it would be in a public radio newsroom. I picture that and I was sort of mentioning the V's. I'm like, I don't think I would. I don't think I'd have an issue going to the office every day at this point. But also just that doesn't speak to the situation that everybody's in universally now and how norms have changed. But anyway, all of that is to say, if I picture myself going back to KOW and I'm working there in a newsroom, I don't think. I don't think I bring the clipboard with me anymore. First of all, not that one with the stickers all over it. I think it's a little bit. I think that's too trashy for that. That was a young man in his 20s, and maybe, you know, maybe early 30s. Did I have this thing at Cairo? Actually, yeah. Maybe throughout my 30s, too, I used it. But I don't think I would go in with a trashy clipboard with a bunch of stickers all over it. But I could see myself. I feel like I could see myself getting a new clipboard and putting, like, a fresh legal pad in that baby with my little flare pen, writing some notes down. I'm just. I like taking notes on paper. Yeah, I'm back on it. I could do it. I didn't know that they took away Mulaney's, and I feel bad. They took it away or he dropped it?

[Luke Burbank]

Well, the problem is he's getting a little. He's got a little Donaghy now. He doesn't quite know what to do with his hands where I thought the clipboard was. It was a nice thing to hold onto because then, you know, you just. One less hand to worry about.

[Andrew Walsh]

Yeah. Yeah. And he would kind of refer down. He would refer down to it sometimes, right?

[Luke Burbank]

Yeah, exactly. Yeah. So I don't know. I don't know what's going on with that. But, like, I also. It's funny, I think that my theory on my job life is that I'm going to somehow coast onto this coast in this weird world of doing multiple jobs but not having to physically go to any one place up until then. It's time for me to retire, whether I have any money saved or not. Like, I. I don't know if I see an in between. I don't know if I see a period where this job stuff ends, but then I still have enough in me to go get a, like a 9 to 5 job.

[Andrew Walsh]

Yeah, I think that's.

[Luke Burbank]

That window is closing kind of rapidly. I feel like five more years, like, by the time I'm 55, it's like, what am I going to start? Am I going to go work at OPB at 55, at starting out, it just seems unlikely. But none of that is an indication that I've made good decisions about my retirement. It's just. I just won't have any. I won't have any vim or vigor left. But if I'm just thinking about the question of going in and again, I know we had certain kinds of jobs that were, you know, in a building, but they weren't your typical office job. I have never, ever disliked going into one of my jobs that you had to go to. Whether, again, these were fun jobs, but whether it was kuow days when I worked at NPR in la, when I worked at NPR in New York, when I worked @ NPR in DC, when we did shows on Cairo. Now granted, that's also. You're not there for eight hours. You're usually there for four hours or whatever. Maybe some people were there for more than four hours.

[Andrew Walsh]

More than four hours.

[Luke Burbank]

But like, but you know, like, I actually really, like, I don't, I don't remember. And again, this is privilege. This speaks to how lucky I was to have the kind of jobs that, that I had and that we had. But I don't ever remember just being like, oh my God, I can't believe I have to go in again. Like, I always have had a really good feeling around going and working at a location. In fact, I kind of miss it a little bit.

[Andrew Walsh]

Yes. And again, I do think it speaks to the fact that, like, radio stations are particularly fun places to work. Not uniquely.

[Luke Burbank]

Like, the car pit was really there.

[Andrew Walsh]

Was the ball pit. That's right. Did you have that? You were the one who put the high dive in, right? Because they used to have this then.

[Luke Burbank]

Yeah, then legal had me take it out.

[Andrew Walsh]

Oh, really? I didn't know Dane had you take.

[Luke Burbank]

That out a Lot of. A lot of people were hurt pretty badly. Yes, because it didn't actually go into a swimming pool.

[Andrew Walsh]

Well, you didn't tell anybody that you removed the balls. That was kind of the big thing you put in.

[Luke Burbank]

Well, I pay. I bought the cheapest balls that they had that they could. Would sell. And I didn't realize that was going to really make it a pretty solid landing.

[Andrew Walsh]

You had to sell all the balls to buy the diving board, which is the real problem there. But, no, me too. I know that I've seen sort of discussion online about this when we talk about this stuff. And so I don't want to be talking about this from a defensive stance. I know that some people feel very strongly about this, about where they are in their careers right now. And let's face it, you can't turn back the clock. Things have changed.

[Luke Burbank]

Cher tried.

[Andrew Walsh]

That's right. She went on that aircraft carrier, she straddled those cannons, and still she couldn't turn back time.

[Luke Burbank]

And so 70% of her backup dancers would be turned away from the US military.

[Andrew Walsh]

Now 70, at a minimum, 70 would be turned away. 30 would be deported, but just on some sort of DEI charges. But anyway, I understand people who are like, it doesn't make sense for me to do this. It's a waste of my time. It's almost some people see as disrespectful because they're juggling other things, like, whether it be ch, childcare, whatever it is, and like, sort of taking away flexibility when it's not just that the pandemic sort of changed standards. That's obviously what jump started this. But people realized. It gave people the realization or the opportunity to prove that technology has gotten to a point. Like, again, these. I had a very brief conversation about this today and I said, you know, I guess if like, the norms had changed way back in 2002, I probably could have done a big chunk of my kind of talk show producing from home, I suppose. And she said, actually, I don't think so. Like, 2002, like, email wasn't brand new. But, like, I do know that when I started as a talk show producer, we still had filing cabinets filled with folders based on topics. And so if we were going to do another episode about the Claremont decision, which is about school funding in New Hampshire, we'd go to the seas and pull out two or three big fat binders full of old newspaper clippings about Claremont, because at wasn't all digitized at that point. So I do think that obviously technology has changed the game and other people have different job. You know, if you work at a movie theater, you can't work from home, that's for damn sure. You and I have been working from home or at least doing this job from home for 10 years now. Plus. So anyway, I think.

[Luke Burbank]

Right.

[Andrew Walsh]

Yeah, Well, I guess I count. I start counting in 2015, maybe when I. When I quit. Casey.

[Luke Burbank]

Yeah.

[Andrew Walsh]

Started doing this show kind of full time. I mean, it's been a decade, so I, you know, I don't know. I always worry about sounding a little bit galling given the flexibility of my schedule and the fact that I've been doing this for even longer than most people who started doing it during the pandemic. Working from home. But. So I don't want to kind of sound like kind of out of touch, and I understand people have concerns, but generally speaking, like just me speaking personally, if I were producing a show at kow, I'd want to be there kind of, I feel like, as much as possible, because I'd want to. So I'd want to be able to lean over somebody's cubicle and just be like, hey, Luke's really on a tear today, isn't he? Or something like that. There's these casual conversations that you have that you don't want to set up a special zoom about Luke being an a hole because that. That kind of.

[Luke Burbank]

No, there's also paper trail.

[Andrew Walsh]

There's a paper trail. And, like, we don't trust you not to go into our system to see if you're spying on. It's all.

[Luke Burbank]

And, you know, I'd know how to get into the system, too. Famous system understander. Luke has locked on. You know, honestly, if you want to talk me, hide it in plain sight, email it to me. Lukebtl.net I may never, ever see a really good point. We was hoping for some razzle dazzle. Razzle dazzle. That's right, man. Razzle dazzle. On your mark. On your mark. Get set, get set now. Ready?

[Andrew Walsh]

Ready?

[Luke Burbank]

Go, everybody. Razzle dazzle. All right, let's thank some dazzling donors. We have been able to double FH for all these years because of the support of the people who like this show.

[Andrew Walsh]

Absolutely.

[Luke Burbank]

And they include, oh, look at longtime, longtime friend of the program, Zach Jost.

[Andrew Walsh]

Yay, Zach.

[Luke Burbank]

These days in Portland, Oregon, for many years in New York City. I ran into Zach and the fam at a Portland Pickles game last year. That reminds me. Well, first I got to get out to a junior sluggers game. And then right after that, I got to get out to a Portland Pickles game because that nothing says summer like the Portland Pickles.

[Andrew Walsh]

Don't you have a special. You drink out of a pickle bat or something?

[Luke Burbank]

There's they. You can get a. Yeah, I don't know if they'll. If I'm. I don't know if you can bring it back year to year, but they have a baseball bat that you can buy that you can drink beer out of. And it's like, it's not free refill. It's pretty cheap refills, though. That's pretty great. Yeah. Well, I was once. I once took a picture of me in that bat, but I was waiting to get picked up by Becca. But I was sitting on the curb.

[Andrew Walsh]

I saw that.

[Luke Burbank]

I think I wrote something like powerful child of divorce, like waiting on the curb with my mitt, waiting for my dad to come get me. Zach says I remain grateful to have your steady presence through what was a colossally difficult 2024 for me and my family. Zach, I'm sorry to hear that. And now through what is looking like a colossally difficult 2025 and beyond for our country. It's truly so helpful to have this community to revel in while so much else is falling apart. I'd love to take this opportunity to recommend to all of the tens to seek out and find ways to support local communities. In particular, I'd love to advocate for supporting local nonprofit arts organizations. So much of their funding is tied to federal budgets and that's being severely threatened this year. Anything that you can do to support small organizations like Arts for Learning Northwest, which is@conveniently arts4learningnw.org which is the arts organization that my wife Lauren runs.

[Andrew Walsh]

Oh, wow, look at that.

[Luke Burbank]

Let me click on this. Let me get eyes on this.

[Andrew Walsh]

I'm over here now.

[Luke Burbank]

We love this. They're doing. Let's see, they're doing an event Thursday, May 15th. Well, that's counter programming to Livewire. So I would say get at Arts for Learning when they stop trying to steal steal focus away from the Livewire radio show.

[Andrew Walsh]

I'm emailing [e-mail] right now, reminding you. Yes, exactly.

[Luke Burbank]

Arts4learningnw.org you can go ahead and check that out. To support individual artists, it's critical in times like these. Boy, are you ever right, Zach. Also, anything you can do to make the Mariners a playoff team, that'd be cool. Power out, Zach. Well, Zach, I can't take any credit for it. As, as, as, as of press time, Mariners are Kind of sort of exceeding expectations. I don't expect it to last, but I'm going to enjoy it. I'm gonna enjoy it while it's happening.

[Andrew Walsh]

It's been very, very fun to see the Mariners really do well recently. I got a very earnest email from a listener recently who said, listen, I'm not, like, sharpshooting here. I really just don't follow this stuff that closely. And it seems like every time I listen to you and Luke talking about the Mariners, you're basically. They didn't put it this way, but wailing and gnashing your teeth and. But I just looked at the Mariners, and this was like a week ago or something, and this person said, you know, it looks like they're in, like, third place out of fifth, and they're like, basically at.500, and all the other teams are basically around 500. Like, what's wrong with that? Essentially? And said, again, like, again, I'm not questioning you. I'm just, like, literally curious, like, what's wrong with this? And I was like, yeah, I don't know. They started off really, really bad, and then they got pretty good. And let's just hope that they continue to be good. I mean, it is a very, very long season, and the Mariners have just absolutely crushed us in the past. Just last season gave up an incredibly huge lead in the division. But it has been fun. So for all of those who always hear us complaining about the Mariners and then suddenly we're quiet on the topic when they're doing well, don't let me be that guy. It has been.

[Luke Burbank]

We only complain because we love. Just like you are.

[Andrew Walsh]

Exactly, exactly.

[Luke Burbank]

Only through our phones about the baseball teams that we love.

[Andrew Walsh]

So thank you, Zach.

[Luke Burbank]

Thank you.

[Andrew Walsh]

Yeah.

[Luke Burbank]

Thanks, Jost family, we appreciate you. Maestro, on your mark. On your mark. Get set, get set now. Ready, ready. Go. Everybody, look who it is. It's Russell Swanick in Kennewick, Washington.

[Andrew Walsh]

Hey, Russell.

[Luke Burbank]

Kennewick. That's one of the Tri Cities, right?

[Andrew Walsh]

That's what I think.

[Luke Burbank]

Richland, Hanford, Kenowit.

[Andrew Walsh]

There you go. There you go. Yep.

[Luke Burbank]

The Atchison, Topeka, and the Santa Fe. Russell says, I've been a listener for almost 15 years, and recently I've been reflecting on the various changes in the personal and professional lives of the TBTL crew, the listeners, and myself, as we all experience the lows and highs of life. There's comfort in the TBTL community and the continuity and consistency of the ongoing host discussions, whether they are pointed, random, or otherwise, whether it is an obscure piece of Factual minutia or a significant cultural event. It all brings me solace. Hearing the reality based, spontaneous conversations of two regular people helps me navigate my challenges, dark times and joyful experiences. TBTL serves as a grounding anchor and provides an alternative perspective that helps me to reassess my views on our shared day to day experiences. What you do is very important. Solving world loneliness, one ten at a time. Thank you very much and God bless tbtl. Power out from Russell. Well, Russell, thank you so much for supporting the show. And I also find that really, I find it very inspiring too that Russell. It sounds like Russell does not wake up every morning agreeing with us on 100% of topics, but is open to listening to our perspective on that. And that's a really good way to be in the world in a way that I am challenged to be sometimes. So a good thing to think about.

[Andrew Walsh]

I find this to be very touching. I mean, I guess. And I don't have to take issue with everything. If I took issue with anything in here, it's describing me as a. What does he say? A normal person, I think. I don't know. I feel like I'm kind of a. Am I relatable? I mean, I sort of feel like I kind of live.

[Luke Burbank]

You do an amazing job of selling it.

[Andrew Walsh]

Okay, thank you. I appreciate it.

[Luke Burbank]

You're not, I mean, you're not like, obviously it's like you have. You come from a clipboard fortune and.

[Andrew Walsh]

Right, exactly.

[Luke Burbank]

You know, and it's. There's a lot of no direct eye contact things in your rider when we do TBT live stuff.

[Andrew Walsh]

Yeah. You know, that's why I had to do the whole like quote unquote Covid.

[Luke Burbank]

Yeah. John Scarf's still never been in the same room as you.

[Andrew Walsh]

No.

[Luke Burbank]

He's one of our colleagues and the third founder of this whole thing. There's a lot of people don't know about you, but you managed to. You managed to keep that pretty quiet. And I think they're buying it. That's a relatable, normal guy who, like.

[Andrew Walsh]

That's good.

[Luke Burbank]

Spends most of his waking hours worrying about if his garbage man got the card that he left him. Speaking of which, by the way, Russell, thank you so much, man. We really appreciate you and thank you also Jost family.

[Andrew Walsh]

Yes.

[Luke Burbank]

We could not do this without you. Hello and welcome to Top Story. All right, let's get into it. On yesterday's show, we left things with you had taped. By the way, I saw the photograph from the show sheet. Yeah, I thought you did a Good job with that.

[Andrew Walsh]

Oh, you did? I thought you'd have some choice notes.

[Luke Burbank]

No, no, no. I don't have any choice words.

[Andrew Walsh]

It. It.

[Luke Burbank]

It's actually, I think it. I think it looked much more like. So you had taped this envelope to your garbage can, which was meant for the person picking up the garbage as an apology for throwing too much dust in the garbage can last week. And when I saw the photo, I was like, oh, yeah, that's very clearly marked. I think if I were the person going to pick up the can, I would see that I would know what the intention was.

[Andrew Walsh]

Yeah. I thought I wrote for the Collector. And then there was room underneath on this very nice envelope that I use. It's such a beautiful envelope.

[Luke Burbank]

Down to five of them.

[Andrew Walsh]

It's like an eggshell. And then I wrote, thanks. Thanks. And again, the Collector, really? It sounds like the Collector is the title of, like, a 90s action movie about a garbage collector by day, but like an assassin by night. And he calls himself the Collector. Bone sensor. Yeah, the Bone Collector. Well, that's sort of my name, so I wasn't exactly sure how to address this person, but I wrote for the Collector. Thanks. I thought you were gonna maybe think that that was a little bit awkward. I could have written the Garbage Collector or the Truck driver.

[Luke Burbank]

Well, you didn't want. Let's be honest, you didn't want to say garbage man.

[Andrew Walsh]

Well, and also just garbage. Garbage collector.

[Luke Burbank]

Yeah, you're right. Garbage.

[Andrew Walsh]

Garbage Collector, though, right? Yeah, it is garbage. There's nothing wrong with that, but I just wasn't sure. But anyway. Yeah, I actually have.

[Luke Burbank]

I thought it looked good. I thought it looks good in the photo.

[Andrew Walsh]

I'm actually glad to hear that because that was the part that I was most insecure about. I mentioned on yesterday's show, that is a brief note inside, just handwritten. Just said, hey, sorry about that dust last week. I feel bad about that going in your face. And then I put a little P.S. like, I put a gift card in there for Jersey Mike's. Didn't say how much it was worth, but I wrote at the bottom, like, something like, I like this particular sandwich to give them indication that modeling about. Yeah, like, it's about a sandwich worth is what's in here? Well, yesterday, after we got done with the show, like, I'm sitting. I want to kind of. I've explained this before. I'm in a basement studio. I do have a couple of windows in here, but they're those basement windows, so they, like, the windows are narrow. Ish and they do slide open if I want some fresh air, but they're kind of at the top of my ceiling, right. And so if I'm standing, maybe they. My shoulders and head can be kind of seen through this window, and I can look out this window, and I can sort of crane my neck and I can sort of see when the truck. If I'm waiting for it, I can see the truck pull up usually, but I don't have an angle on the bins themselves or whatever. What do they call it in theater when it's kind of like busy work? When you're, like, kind of doing something with your hands or you have a.

[Luke Burbank]

I don't know what the truck is.

[Andrew Walsh]

For that I can't see any of that action going on. But sometimes, especially in the summer, when my windows open, I'll hear the truck pull up. I can, like, kind of crane my neck over. I see. Oh, yeah, the truck is stopped there. Now, I don't know what they're doing, but when the truck pulls away, I'll.

[Luke Burbank]

Go out and hear some air brakes.

[Andrew Walsh]

Yeah, exactly. You hear it pull up, like, pretty. Pretty loudly. Now, that happens on Thursdays quite a bit. There's a lot of trucks that kind of come and go, and there's a lot, you know, because I kind of live in a dense area, so you never know exactly which one is yours until you put eyes on it. But my point is, I don't have, like, a clear view of it, but I can kind of see our driveway and I can see when a truck is there. So I was really hoping to kind of put eyes on it. Yesterday. I didn't want to be weird and stocky, but I was sort of interested. How will this all go down? When the driver pulls up, sees this, I think they'll be pretty clear that this is a note for them and. And will they grab it or whatever. And so I kind of stuck my neck around the hedges a couple of times to make sure the bin was not. Had not been emptied yet and that the envelope was still on there, which it was throughout the morning. And then I'm in here working, and a couple of times I heard some false alarms of trucks pulling up. It wasn't my truck. And then I heard my truck pull up, right? And it's pretty loud. And I'm like, oh. And so I'm like, I don't think he can see me through this window. I did kill a light. I was like, just in case, I'll turn a light off in my office because I want to sort of see, like, can I see any busy work happening out there? Is he taking longer than usual? Like, is he getting this envelope?

[Luke Burbank]

I guess you can't see his face though, right?

[Andrew Walsh]

No, I can't see his face. I just kind of see the back wheels of the truck. That's kind of my angle on things. And so I see the truck pull up, or I hear it pull up. I look out my window, I kind of kill a light just in case they can see me. I get real stocky. I kill a light in my studio, and then I'm kind of watching a ski mask. I put on a ski mask, and in this, for some reason, rubber boots and one of those fake arrows through my head. It was a real scene.

[Luke Burbank]

Yeah, that's not lower key.

[Andrew Walsh]

Higher key it is. I'm not good at this. This is my first time doing this. Anyway, I do realize that the truck is out there. I see some motion going on, and I look like maybe I saw some motion, like maybe he got the letter, read it, and then went back to his truck before emptying the bin. And then I sort of hear the bin being emptied. And by the way, I have a little bit more clarity. I think about how they empty my bins. Now. The truck pulls up. It's one of those things where the truck has, like a whole dumpster in front of it on two arms. Can you picture that? Like, usually these things go around and maybe those arms will grab a dumpster and then lift it over the truck and dump it in the back. This is one where I think they go around with this dumpster on the front of the truck, emptying bins into that front dumpster. And then when that dumpster gets heavy, they pull a lever, probably, or push a button, and it lifts up over the truck and then dumps it into the back. So they're emptying these by hand. And I sort of caught a little bit of that. I couldn't see him actually emptying it. But here's where I kind of freaked out for a second. I see him. I don't see him actually get the letter. I just see him. Like, I see some movement. And then I just kept. For the first time ever, I get a flash of my actual garbage man. And I can verify now that it's a guy. He's wearing, like, an orange sweatshirt or something. And the only thing I see is the very briefest moment as he walks into my vision is he waves at me. Big wave over his head, waves at me. And I'm like, oh, no. He caught me peeping. He caught me peeping. I'm like, how in the world could he see through this window? You know, from all the way down my driveway? Like, this side window? I'm like, did he see me or creeping window? I was like, this is my creeping window. And I was like, wait a second. Maybe he just kind of knows if you're leaving a note like that. Maybe somebody's looking out the window. Maybe there are cameras around that somebody might look at later. Did he get it? What's that?

[Luke Burbank]

Is Veev's home?

[Andrew Walsh]

She's home, but she doesn't have. She's kind of.

[Luke Burbank]

She's not standing in the, like, living area, like, the main dining room?

[Andrew Walsh]

No, no. Like, if I was upstairs, I'd have very clear eyes on all of this. But we both work in the basement. So I have this moment, Luke, of absolute panic. I don't know why it was a friendly wave, but I was like, oh, God. Like, he just saw me. Could he see me, like, standing here watching him, trying to watch him do this? And so I actually. My heart is kind of beating. I feel really embarrassed. And then I wait for the truck to go away, and of course, the note is gone. He clearly grabbed it. He clearly gave the house a wave to say thank you. And then it was as I was getting the bin. I looked back. I'm like, I'm pretend now. I'm pretending I'm a garbage collector. So as I'm getting my own bin, I turn back around, and I look to see. Would I be able to see if somebody was watching me from my basement window? And the answer is, absolutely not. There's no way he saw me. He was just giving a wave. Maybe we have a doorbell cam or, you know, maybe he assumed that if you're leaving a gift, maybe you're looking out the window. So my point is, saw it, acknowledged it, gave a friendly wave. I think we're on. We're on good ground here again.

[Luke Burbank]

Yes.

[Andrew Walsh]

The last question. And I don't have to talk about this part on the show when I get an answer to it, if this is just way too much of this conversation for everybody, is my last question, is the free back rub offer? Is he going, well, as I change it to free hot, I said, free long hugs. No, Last week, when he left me the note saying, please don't do that. You know, he left it on this kind of official ticket thing that. That the utility workers can put on your can, and he had checked off the box that said, you Know. No, you know, make sure you bag up any debris. I'm wondering if last week he already put the extra charge on my bill because I think by violating that rule, the city can charge me that extra 13 or 14 bucks or whatever it is. And last week he didn't know that we were best friends and that we were going to be Jersey Mike's together. Jersey Mike Boys together. So I am Jersey Boys Jersey. Well, there it is. It was right there.

[Luke Burbank]

Somebody should write a musical.

[Andrew Walsh]

Do you know me and some friends went to the ball game on Saturday? There are three of us. And we named ourselves the Baseball Boys.

[Luke Burbank]

No, because you went to the baseball game.

[Andrew Walsh]

Because we went to the baseball game. We spent a lot of time talking about baseball and everything. So we called ourselves the Baseball Boys.

[Luke Burbank]

Nice.

[Andrew Walsh]

I actually came up with a better idea. And it wouldn't be for us because we're three kind of low key fellas. But as I was thinking about it, I don't know why this popped in my head, but I could see a group of guys like in their 20s or whatever and they go out. I don't know. Do people go clubbing anymore? They go clubbing or they're going out on the town or whatever. You know, maybe kind of like swingers. Style, energy. And they're. They're a group of three or four friends who are going out and they all dress. Maybe they all have their own kind of style, but they keep their outfits to all black and white. Right. Like maybe one guy's a little bit more of a Dapper Dan and he's got like maybe a fedora and maybe a jacket, but it's all like black and white. Maybe another guy's just wearing a black and white hoodie because he kind of kicks it that way. They call themselves Luke the Z Bros.

[Luke Burbank]

Oh, that's really good. The Dama Bros. Wait, that doesn't.

[Andrew Walsh]

The Dama Bros.

[Luke Burbank]

I thought you were with dominoes because.

[Andrew Walsh]

Of black and white and white. No, I was just thinking how is nobody like kind of capitalized on the idea of the Z Bros going out on the night on the town, but that's not so much.

[Luke Burbank]

Well, the good news is it sounds like it's still available for you. For you and Camaro Kevin I. To embrace next time we're out somewhere clubbing.

[Andrew Walsh]

Yeah, you guys actually used to club. I mean, let's not you guys.

[Luke Burbank]

I mean, not. We didn't ever go clubbing per se. We went to places where live music was being played. So therefore dancing was allowed. So therefore we might have the moment to dance near some gal our age and try to talk to her. That was the whole thing. It wasn't like we were never anywhere with like bottle service or, you know, velvet ropes or anything. It was like it was much more like we were out in Pioneer. I mean, I guess technically they were clubs, but. But whatever we were doing there, a, it wasn't working and B, it was not cool.

[Andrew Walsh]

Yeah, let's circle.

[Luke Burbank]

Well, we did have. We. Our buddy Kelly did work. He worked at this place, the Backdoor Ultra Lounge. And so that was probably the clubbiest place. And we would go there and he would sometimes sneak us free drinks and things because we were broke. So that was probably a little clubbish. But most of the time we were just at some kind of beer soaked pioneer square joint just desperately trying to get someone to talk to us. We just end up at the Jack in the box at about 12:30 just ordering massive amounts of food.

[Andrew Walsh]

Listen, let me say, Brett, this is.

[Luke Burbank]

Listening to some George. Brett. Here's the thing, Andrew. This is a very good outcome, I think, because it means that we have the answer to the question, did it get to the person in question? And like, so we know it wasn't stolen or taken by someone else. We know that they didn't just accidentally throw it in with everything else. I mean, it would have probably stayed attached. But you get the idea, like that was the. That kind of wave of, hey, I got this. Thank you. That's amazing. That's like beef squashed.

[Andrew Walsh]

I think so. I mean, the only thing is, like you said, could it be a different driver today than I had last week? They told me that they're on regular route, so it should be the same person. But you know how it is. People fill in. I'm assuming that if somebody saw this note, they understand that there is some specific context to it. Wasn't just a, whoever's picking up my garbage today gets a free sandwich. So I would assume that it ends up in the right place if, like, on the off chance that that wasn't the same guy. But I'm also just kind of assuming it is.

[Luke Burbank]

Well, next week you got to put another envelope out. Yes, exactly. It's inside. It's a note. When I said to the collector last week, I meant the collector who had dinged me for putting too much dust in the can. If you were that collector, Via con Dios. If you were not, I need that back. And if you bought a sandwich with it but you haven't eaten the whole Sandwich. I'll need back whatever you haven't eaten.

[Andrew Walsh]

That's right.

[Luke Burbank]

Now wait, did they actually. Have you been charged extra for this as well? Did I miss that plot point?

[Andrew Walsh]

No. The bill doesn't come for a while. I think the bill only comes once a month on these things.

[Luke Burbank]

But do you even know. Is there a charge for such things?

[Andrew Walsh]

Yeah, I mean, I. I think that. So in the past, when I was finding erroneous charges on my bill and I would call to contest them, one time I was talking to this guy, he's like, well, it could be anything. It could be that like maybe somebody like put some garbage next to your can when you weren't looking and the garbage collector charging for that. I'm like, I don't think that happened. And they're like, well, you know, maybe if you put. I think they even brought up the sawdust thing or something like that. So I just get the impression that.

[Luke Burbank]

That those are all fineable offense.

[Andrew Walsh]

I think so. And I wouldn't even again, in this particular case, I wouldn't really question that too much. Like if there specific rules about bagging up things in a certain way to make the job doable for people, I'm on board with that. So I'm just. I won't be mad if they. Because that. That turns that $20 gift card into a $33.

[Luke Burbank]

Well, that's what I was gonna say. Like it'd be nice if they don't do that. I am betting. I don't know. Now this is the new thing. And by. By the way betting, I mean I've got. I've got odds on this on DraftKings trash kicks show title. Although I think we already have trash in the show title one day this week. I mean I. This is the new. The new big question is will they ding you for that?

[Andrew Walsh]

Fine.

[Luke Burbank]

And I am guessing they won't because the only people that would be involved in that would be either the person. I know. I know what you're saying. It's possible that he. It's possible that this person started that ball rolling down that hill last week when they were filling out the paper before they. Before they knew that they were in line for some sweet Jersey mics. You know, Jersey mics was when I learned or Jersey mics was. Was. Was critical to me learning, Andrew, that me and my girlfriend and my girlfriend's family, we consume food very differently. Food is a very different priority in our life. So we were staying in Bend, we went down there. It was Becca and I and her brother Scott and his wife Tiff and the dogs. And we went down there to Bend for a weekend just to hang out and go snowshoeing and do fun stuff. Now I could have thought of this, but I didn't, I didn't think to like bring a cooler full of food. And what I realized was I've been getting away with that because my sisters are very, very like, they're amazing cooks and they grow food and it's just like they think about that. I've been very privileged in my life that there's a Burbank family get together. Many other people in the family have already made something and bought something and prepared. There's always a lot of food around. So I take it for granted. I show up. There's no food in the Airbnb. None of us have purchased food. There is zero food. And like we did go out to dinner. This is also during the pandemic. So it was very weird. Like what was open and not open and it was like outdoor seating, but it was like 4 degrees because it's bend, Oregon in the winter. So we come back from snowshoeing and we, we, we were dropping the snowshoes off and I'm now we've like, we've snowshoed like half of the day. No one's eaten anything that I can tell. And I am famished. And there's a Jersey Mike and I'm like, I'm gonna can. I need to get a sandwich in this Jersey. Mike's like, 4pm I goes, anybody want anything? Everyone's like, no. So I go in and I get a sandwich. I'm eating it at the Airbnb.

[Andrew Walsh]

Do you get the extra big kind? They sell three different sizes. Like the mini, the regular, and then the full.

[Luke Burbank]

I didn't get the. I didn't get the Marshawn lynch.

[Andrew Walsh]

Okay. Yeah, that one. Yeah, that one's like almost like two meals. Yeah.

[Luke Burbank]

I didn't get the big and I think I probably got the. Not the smallest. I might have gotten the smallest. I don't know. Maybe I was trying to show off for these bird like eaters. Whichever one I got, it wasn't the gigantic one. But what I realized was over time, every other person that would be to say the other three of them, I was like, hey, have some of this sandwich if you want. Everyone came over and had some sandwich and they're like, this is really good. I didn't know that. I didn't know that Jersey Mike's was so good. And I was like, yeah, like, this is what happens when none of us are eating all day.

[Andrew Walsh]

So everybody, everybody's like kind of getting in a line and taking bites out of your sandwich.

[Luke Burbank]

Not like, you know, it wasn't like they ate my entire sandwich, but you could tell everyone there could have used a sandwich, damn it. And we. So now I know. What I've learned now with get togethers and things is I have to prioritize eating because if I don't, it just won't happen. It'll be 11 o'clock at night and they'll be looking around like, has anyone eaten? I had a rice. I had a rice cake at 2 in the afternoon. It's like, no, that doesn't count. So that's just my Jersey. That's probably the only time I've ever been to Jersey Mike's is the point of that story.

[Andrew Walsh]

I like Jersey Mike's. My dad kind of gets me a gift card for. Or at least I have one right here. Speaking of gift cards, now wait a second.

[Luke Burbank]

I find this very interesting. How much is the. How much is the one you received from Bob?

[Andrew Walsh]

He gave me a hundred dollar gift card for Jersey Mike's for my birthday last year.

[Luke Burbank]

Well, that's why you're not going to give that to the person over there.

[Andrew Walsh]

And I already used it once, so it's down. It looks like I have a handwritten note here, Luke. I'm down to 84ish according.

[Luke Burbank]

That's still a healthy amount. I thought that for some reason I thought you had a gift card for 25 and then you bought a different one, one for 25. And I was like, you could have just given that one. But no, no, no.

[Andrew Walsh]

It's 106ish.

[Luke Burbank]

Serious sandwich money.

[Andrew Walsh]

But anyway, please, I worry that this is going to make you uncomfortable because there's a chance that Becca could be listening. But I won't put this in the show description.

[Luke Burbank]

No chance. We've been dating for years.

[Andrew Walsh]

She's done now.

[Luke Burbank]

Okay, there's a. Someone has done a graph somewhere of time with me. One line is time spent dating Luke Burbank or being with Luke Burbank. And the other is time. How much time do you want to spend listening to tbt?

[Andrew Walsh]

Yeah, I don't.

[Luke Burbank]

I'm not good with, with math, but let's just say it drops off pretty quickly, right?

[Andrew Walsh]

Yeah. At first people are like, well, I might be mentioned. And then after a while people are like, I might be mentioned.

[Luke Burbank]

Yeah, it's like, oh, I'm in This one. And then it's like, I. I don't care how many times you mentioned me, this is still not.

[Andrew Walsh]

Listen, like, like talking about your dreams, like you can get away with it if somebody is in the dream. But anyway, I was just gonna say. And again, this is, this is totally judgment free. I'm just sort of like when, when I get a Jersey Mike sandwich and you and I eat very differently these days. I'm getting meat on mine or whatever. But they, I also get it what they call Mike's Way. Right? Which means there's oil on there and whatever. I think Mike's way is like oregano and oil. And do they. Would that be oil and vinegar or just oil? I. I don't know, but you know what I mean? It's sort of a. It's a bit of a sloppy steak situation. And I can't imagine, I mean, maybe with my lover. That's the only person I can imagine, whoever that might be at the moment.

[Luke Burbank]

Why. Why am I seeing you in a jacuzzi eating this sandwich?

[Andrew Walsh]

Now I'm shirtless in a jacuzzi eating this sandwich like the neighbor on Aqua Teen Hunger Force. Anyway, I just can't imagine sharing with people that I have a more casual relationship with. Bites of a Jersey Mike sandwich. I feel like that's a very. That feels very intimate to me.

[Luke Burbank]

I think what it was was maybe half of it. Like it was cut in half. And maybe I said if anybody wants some of this half, maybe I, maybe I made a cut in it. I, maybe you know what I mean? I love these people. I know these people. I don't think I would be that grossed out by that. I can't tell you. I can't tell you officially that that's what happened. That's. That's what we were doing. We were all gnawing off of the same sandwich. Nubbin. But I, I guess what I would say is it that would not have grossed me out. That would not have overly grossed me out in the moment.

[Andrew Walsh]

I.

[Luke Burbank]

My memory is that that wasn't exactly how it went down. So it might have been that I was eating half of it and I gave Tiff because I think Tiff. See, listen, here's the thing. Tiff is also married into this situation. So we, the non. We who are non blood related to this whole thing, we who have opted in, we still retain some of our humanity called we're friggin starving here.

[Andrew Walsh]

Yeah.

[Luke Burbank]

By the way, I want to be clear. Nobody. It's not that it's not that Becca's family. It's not that people aren't eating because they're denying themselves or because they're trying to prove a point. It's just not their wiring.

[Andrew Walsh]

Yeah, it's not priority.

[Luke Burbank]

It's not, it's not. It's just not. I'm thinking about it from like when I get up, hey, what am I going to eat today? Like, it's a big part of my thought process. That's just not how they're wired. And so anyway, I think probably I said, hey, Tiff. Tiff probably said, I'm actually kind of hungry. I was like, yeah, we'll have some of this sandwich. And then she probably had some. And then it got passed around Pat's. The duchy pun, the left side.

[Andrew Walsh]

And then you started doing. Did you do Jersey Mike's body shots?

[Luke Burbank]

That was later at the club. Finally got club. See, a lot of people would have moved that tape from Megalopolis off of their front sheet of their audio drops club. I knew Adam Driver talking to somebody in that movie.

[Andrew Walsh]

I was here. Do you know, I was hearing that as call it Friendo.

[Luke Burbank]

It sounds very similar. Yeah, very similar. I feel like. I don't know. I'll tell you this. Francis Ford Coppola really seems to have rolled with the absolute drubbing that Megalopoulos took. I saw some interview with him recently, by the way, not particularly young dude, and he said, oh yeah, that was all the money I had in the world went into Megalopolis. So I mean, he's trying to make a new movie. I forget what it was, but he was talking about it and he was, he was saying that. He was like, yeah, well I'm gonna have to make this for cheap because I don't have any money left. I lost it all on Megalopolis. But he also just seemed totally unfazed, which I thought was kind of cool.

[Andrew Walsh]

Yeah, I like. And he's the one also who's on the studio. Right?

[Luke Burbank]

You said, no, that's Scorsese.

[Andrew Walsh]

I get those guys confused. Right, right, right.

[Luke Burbank]

I don't know how you could get two 80 year old Italian American directors mixed up.

[Andrew Walsh]

Known for making mobster films. Yeah, right.

[Luke Burbank]

Yeah, I'm known for making epic mo. Speaking of, can I activate a sound effect here, my friend?

[Andrew Walsh]

Here I go once again with the email. Every week I hope that it's from a female.

[Luke Burbank]

Oh man, it's not from a female. You mentioned before the show that we had actually gotten an update on something which I am really, really excited to hear. About because I'm curious of these things. This is related to Kool Aid, right?

[Andrew Walsh]

Yeah, well, it's related to Kool Aid in the movie or, I'm sorry, in the series, the studio, which you're watching and I haven't watched yet. This is the Seth Rogen vehicle. And you had mentioned, and I actually toss it to you here to kind of set up again the role that Kool Aid plays in this show.

[Luke Burbank]

So the show is Seth Rogen is suddenly sort of pressed into being the head of this kind of mid sized Hollywood studio, and he really wants to make art films with like, Martin Scorsese. But instead, the first thing that he learns from his boss, who's I guess, guess the owner of the studio or something, played by Bryan Cranston, is that Bryan Cranston doesn't want any arty movies. He just wants movies that make money. And he has secured the life rights or whatever you want to call it, to Kool Aid. Oh, yeah. And now Seth Rogen has to try to figure out how to make this Kool Aid movie and make a bunch of money, but also not completely sort of sell his soul, if you will. Now, the side to that, side to that is he's also taking a meeting with Martin Scorsese. And Martin Scorsese is pitching him on a Jonestown movie. And so of course they talk about the fact that, you know, the people in Jonestown who lost their lives, they drank the Kool Aid, as it said. Although of course it wasn't Kool Aid, it was Flavor Aid, was that. And so you end up at this point where it's like the big dilemma on the show, the studio, is, can this movie studio, which is making the Kool Aid pick kind of imagine the Barbie movie, but starring the Kool Aid man? Yeah.

[Andrew Walsh]

Yeah.

[Luke Burbank]

Can they also be making a movie about Jonestown where everyone died from drinking Kool Aid?

[Andrew Walsh]

Yeah.

[Luke Burbank]

And that's the tension. And what I was kind of bummed by was that nobody's bringing up the fact that in fact was not Kool Aid. Now, I did say that might be revealed, that might be the out later on in the series, but as far as the first three episodes go, no one had brought that up. And I was kind of surprised because it's been discussed a lot.

[Andrew Walsh]

And didn't you also say that it could have even just been addressed quickly as an aside and you would have accepted that, like somebody just say, wasn't it actually Flavor Aid and then just like, be done with it?

[Luke Burbank]

Yeah. And then somebody goes, yeah, but everybody says Kool Aid, so whatever. That's all that matters.

[Andrew Walsh]

Yeah, yeah. I got a note here from listener Greg who says, hey, fellas, just listen to your discussion of The Kool Aid versus Flavor Aid mix up on the studio. Episode 1. At about the 27:40 mark, there's a quick shot where the main cast is walking between meetings, and one of them mentions that it was actually Flavor Aid and not Kool Aid, and Seth Rogen very quickly admonishes him, and it's never brought up again in the episode. I'm not saying that to sharpshoot you, Luke. I just think that, like, it's funny that literally the thing that you suggested they actually did, you just happened to miss it.

[Luke Burbank]

Well, they did it too quickly. That's what I would say. If it didn't work for me, if I didn't pick it up. They did it too quickly. They should have. They should have made that. Instead of 1.5 seconds, should have been 3.5 seconds, but. Okay, all right, all right, well, you know, I'll stand down. I wonder what exactly? Why would he admonish them? Like, what? I want to know. I should just go back and watch it. I want to know the nature of the admonishment. Was it like. Was it like Seth Rogen saying the thing we've been saying, which is, like, well, nobody knows the difference or, you know, it doesn't matter? Like, you know what I mean? Like, I wonder what the admonishment was.

[Andrew Walsh]

I. Is this on? Is this an Apple tv?

[Luke Burbank]

I believe it's an Apple project.

[Andrew Walsh]

Okay. It looks like it's on Amazon, so I was gonna say I could. If I can play this, I still. Our prime membership hasn't fully run out yet. I think it runs out, like, next month or, like, sometime later in May, I think. Think. But here I am, episode one, around the time stamp that Greg mentions Daisy's version of Kool Aid. End of story. Griffin Mills, ready for you all. Oh, my God.

[Luke Burbank]

It says here it was actually Flavor.

[Andrew Walsh]

A that they drink at Jones T. There it was. Did you hear how quiet that was?

[Luke Burbank]

So subtle.

[Andrew Walsh]

That is really subtle. Let me try that again.

[Luke Burbank]

Too subtle.

[Andrew Walsh]

It's easy to. It's easy to miss things. I'm going to. I'm rewinding it. Oh, there's a Cinerama poster in the background, by the way. That's pretty cool. Here we go. Oh, my God.

[Luke Burbank]

It says here it was actually Flavor A that they drink at Jones T.

[Andrew Walsh]

Yeah, that is really.

[Luke Burbank]

I mean, you can turn down. Can you turn down the red badge of Courage, Civil war drumming over that character, saying that line. I mean, that's so buried.

[Andrew Walsh]

I will say, when you first dismissed this, I was like, I don't know, like you. We've been talking about TV lately. It's easy to miss things in television, but, like, have. I'm really glad we found that tape because that actually bolsters your argument. That is, I mean, good on Greg. I mean, Greg was absolutely right and good on catching that. But, man, no joke, do they bury that?

[Luke Burbank]

And again, I wonder why. Like, I wonder what the point of doing that is when you doing it so subtly, like, either address. I mean, again, it sounds like I'm just digging in my heels, but, like, if you're trying to solve for the issue of the Flavor Aid versus Kool Aid thing, wouldn't you make it a little bit more obvious? Like, I wonder why even do that. But then low key, it's so hard.

[Andrew Walsh]

I also wonder if you know a lot of people. In fact, this is a topic that was going to. Maybe we'll talk about it next week. I don't know. I haven't read the story, but I know you have a story about Netflix sort of changing its subtitle options. A lot of people in my life, I don't know if this is just being part of middle age or if this is just what the technology allows. And everybody does this now. But more and more people just watch watch TV with the subtitles on now so they can catch everything. And I wonder if folks who are watching it with the subtitles can catch that a lot faster. I don't watch TV with the subtitles unless I absolutely need to.

[Luke Burbank]

I now do it when Walt is here and we're watching these British shows because sometimes the accenting is actually like.

[Andrew Walsh]

Yeah.

[Luke Burbank]

Makes it hard for me to follow.

[Andrew Walsh]

Yeah.

[Luke Burbank]

But other than that, I don't do that with, you know, I have. I wasn't doing that with the studio. But again, it's like, it's like, what are you doing with that being that low key? Like, if either you're either you want to explain to the pedants like myself that you get know that it wasn't actually Kool Aid. Just make it a five second scene. Just have that staffer say, hey, I just found out it actually wasn't Kool Aid. It was power. It was whatever, Flavor Aid. And then Seth Rogen's character goes, well, it doesn't matter because everyone's still calling it Kool Aid and just move on. Yeah, Just make it a scene.

[Andrew Walsh]

If nothing else, just leave it in the clear. Like it's buried in, in like cross talk chatter and you know, behind like kind of drum tap a taps.

[Luke Burbank]

Yeah, yeah. Anyway, well, I. Greg, congrats. I mean, I mean that in all seriousness. Congrats on catching that. You were right. They did address it, but not to my liking. So I remain angry. Oh, and that's how. Yeah, that's how. I think that's a perfect place to wrap the week up. Me being angry at the Apple TV plus show. The studio, Luke.

[Andrew Walsh]

It's the very, very, very, very end of the show. And so I am going to do this knowing that you may be angry at me for doing this here.

[Luke Burbank]

I have a little red button here that I can just hang up the call.

[Andrew Walsh]

You can hang up the call if need be. But I'm gonna reveal. I'm gonna reveal. We recorded things a little bit on a different schedule today.

[Luke Burbank]

Hovering.

[Andrew Walsh]

Today's show was recorded a little bit earlier than usual. Yes, it's the same day that we recorded yesterday's show. Let me just put it that way. Yet I've noticed and I've been wanting to talk about this all show but I had to maintain the kayfabe until the music was playing. You changed watches in between recordings and I'm really obsessed with your watch game these days. Why in the hour and a half in between our two recordings today, did you go from your wind up watch into your Apple watch? I got it all.

[Luke Burbank]

Andrew. I am going to go for a run.

[Andrew Walsh]

Ah yes.

[Luke Burbank]

And I need, need it to track that. And I was worried I'm gonna go down to town and take a quick run and I was worried that if I didn't put it on when I was thinking about it, I was gonna arrive in town with the other watch on and then that would be a problem. So I, I switched it when I had the thought so that I would remember and that is why, that's why I've got old, old Apple Ski on here now.

[Andrew Walsh]

You know what I was hoping the answer was going to be? Just in case anybody clips these videos, it'll be clear that we recorded them on different days. Even though we're, we're both.

[Luke Burbank]

I didn't change my shirt. I've changed nothing else.

[Andrew Walsh]

Oh, it must have been different days because he's wearing a different watch. That is. That would be about as subtle as that line about Flavor Aid, I would say.

[Luke Burbank]

So There you go. Mystery solved. All right, everybody. Hey, thank you so much for listening. Thanks for hanging out with us this week. We are going to be back here on Monday with more imaginary radio for you. Who knows what watch I'll be wearing? We'll all find out. Together. Together. In the meantime, have a great weekend. Take care of yourselves. Be safe. And please remember, no mountain too tall.

[Andrew Walsh]

And good luck to all. Power out.