#4461 I’m Walken Here

Summary

TBTL Podcast Episode #4461: “I’m Walken Here” – Detailed Summary

Release Date: May 7, 2025

In Episode #4461 titled “I’m Walken Here” of the daily podcast TBTL: Too Beautiful To Live, hosts Luke Burbank and Andrew Walsh navigate an eclectic mix of topics ranging from dietary debates to critiques of television writing, all laced with their signature humor and camaraderie. Here's a comprehensive overview of the episode’s key discussions, insights, and notable moments.

---

1. Pasta Diet Debate [00:00 - 00:45]

The episode kicks off with Luke and Andrew humorously deliberating on the perils of consuming pasta. Andrew claims that eating pasta sends a hormonal message to the body to pack on fat, leading them to decide "We are done with pasta."

Notable Quote:

• Andrew Walsh [00:17]: "We are done with spaghetti. We are done with linguine. Fettuccine doesn't count. Absolutely counts. No more pasta."

---

2. Introduction and General Chatter [00:45 - 1:21]

Following the pasta discussion, they segue into light-hearted banter about various topics, including online phenomena and observations from their surroundings in Hollywood, California.

---

3. Exploring the Radio Show 'Law Talk' [06:47 - 11:04]

A significant portion of the episode is dedicated to the hosts' exploration of a local radio show they heard called "Law Talk." Luke recounts his attempt to identify and connect with the show by contacting the station WRWH.

Notable Quotes:

• Luke Burbank [07:21]: “Hey there. I was listening to your station late on Saturday evening and I heard a radio show that had a bunch of lawyers kind of discussing legal issues.”
• Andrew Walsh [08:22]: "It feels like there's a chance maybe to save terrestrial radio now because someone's answering the phone there."

They discuss the show’s content, its host Frederick Penn, and its attempts to modernize legal talk radio despite facing challenges in connecting with listeners.

---

4. Facebook Frustrations and the 'Careless People' Scandal [15:01 - 26:09]

Andrew delves into his struggles with Facebook, detailing how his attempts to create fake accounts have been thwarted by the platform's stringent security measures. This leads into a discussion of recent revelations from Sarah Wynn Williams, a former Facebook employee, who exposed Meta's manipulative advertising practices targeting vulnerable users.

Notable Quotes:

• Andrew Walsh [21:49]: "Facebook saying, we don't want a bunch of, like, trolls creating fake accounts so that they can, like, do inappropriate things..."
• Luke Burbank [24:36]: "It's so rough. But anyway, for some reason I'm having trouble finding that specific example."

They express concerns over Meta’s attempts to suppress critiques through legal means, emphasizing the company's erosion of trust and ethical standards.

---

5. Tariff Troubles and the Defective Watch [28:09 - 36:22]

Andrew shares his ongoing issues with a faulty watch he purchased, which has a band that doesn't stay attached. He discusses the company's vague explanations citing "tariff issues" affecting their shipping logistics, leading to frustration over delayed customer service responses.

Notable Quotes:

• Andrew Walsh [28:29]: “There is a delay in sending you a return label. We are in the midst of coming up with a solution for this.”
• Luke Burbank [30:22]: "Yes. We are about to start a new era of tbtl... But as did things in. During the pandemic."

This segment highlights their skepticism towards corporate excuses and the complexities introduced by international tariffs affecting consumer experiences.

---

6. Donor Spotlight: Lorraine Goyet's Generosity [37:13 - 43:44]

The hosts extend heartfelt thanks to their listener and donor Lorraine Goyet, who supports the podcast by funding it to be 100% listener-supported, freeing them from needing to run commercials. They announce Lorraine's upcoming participation in a 5k race supporting glioblastoma research in honor of her sister.

Notable Quote:

• Andrew Walsh [37:15]: “So this is Lorraine and Lorraine's partner raising some money for Lorraine for this organization, which is related to Lorraine's sister in the diagnosis.”

They acknowledge Lorraine's contribution to the community and the podcast's ability to remain ad-free, enhancing listener experience.

---

7. TV Show 'The Studio': A Noir Episode Critique [45:05 - 60:27]

Andrew discusses the latest episode of the television show "The Studio," hosted by Seth Rogen, which explores the making of movies within a film studio setting. They critique a recent noir-inspired episode where a reel of film goes missing, criticizing the forced exposition and writing inconsistencies.

Notable Quotes:

• Andrew Walsh [58:19]: “So he's talking to this projectionist, and he's saying, I love film. It's so great. And the guy's like, I hate it.”
• Luke Burbank [59:06]: “You mean, do you dislike the entire question? Could he have just said, what is this about? Without having...”

They express disappointment over the episode’s handling of dialogue and narrative flow, questioning the plausibility of certain character interactions and plot points.

---

8. Listener Stories: Prank Phone Calls [68:01 - 70:08]

Listener Jamie from Maryland shares a humorous recount of her childhood prank calls with her cousin and how her mother retaliated by making a prank call back, leading to confusion and hilarity.

Notable Quote:

• Jamie [68:38]: “We're starving. We can't wait to eat. We can't wait to have enough bedding for all of us, because like I said, we're bringing a couple extra, but it'll be great to see you.”

Luke and Andrew commend Jamie's mother's creative prank and discuss the psychological impact of such interactions.

---

9. Closing Banter: Watch Fixes and Pop Culture References [70:09 - 77:09]

The hosts conclude the episode with light-hearted discussions about watches, including suits for men imitating Christopher Walken and references to pop culture, blending humor with their ongoing narratives. They also touch upon personal anecdotes involving family and the use of explicit language, wrapping up with plans for Andrew's upcoming travels to Chicago.

Notable Quotes:

• Luke Burbank [75:44]: “I know the story didn't happen as I recounted, but it's all part of our rolling conversation.”
• Andrew Walsh [74:08]: “That would have been a spanking offense when I was growing up.”

They emphasize the importance of listener engagement and tease upcoming episodes, maintaining a conversational and relatable tone.

---

Conclusion

Episode #4461 of TBTL: Too Beautiful To Live adeptly balances personal anecdotes, listener interactions, cultural critiques, and socio-political commentary, all delivered with Luke and Andrew's characteristic wit and relatability. From dissecting the intricacies of syndicated radio shows to navigating the frustrations of consumer electronics, and from engaging with donor stories to critiquing television dramas, the episode offers a rich tapestry of discussions that resonate with both long-time listeners and newcomers alike. The inclusion of listener stories and donor acknowledgments adds a community feel, while the hosts' candid reflections foster a sense of authenticity and connection.

Final Notable Quote:

• Andrew Walsh [76:35]: “But we're getting donations from the listeners to do whatever this is, it's like you don't need in that moment to like, we've already gone far beyond realism because we've been stealing that trope.”

Listeners leave informed, entertained, and appreciated, eagerly anticipating the next installment of this dynamic duo's daily musings.

Transcript

[Luke Burbank]

When you eat pasta, you are essentially.

[Andrew Walsh]

Sending a hormonal message to your body saying, pack on more fat. That's what's happening. So even without cakes and chocolate, pasta.

[Luke Burbank]

Itself turns into sugars in your body.

[Andrew Walsh]

That's what makes you gain all the weight.

[Luke Burbank]

Well, that's it. We're throwing our pasta out.

[Andrew Walsh]

Peter, all pastas, lasagna, all of it.

[Luke Burbank]

We're done. All this stuff.

[Andrew Walsh]

You even.

[Luke Burbank]

Oh, no.

[Andrew Walsh]

Oh, no, no, no. Just have it so we can look at it. No, we're cutting it out of our diet. We are done with pasta.

[Luke Burbank]

We are done with spaghetti.

[Andrew Walsh]

We are done with linguine.

[Luke Burbank]

Fettuccine. Fettuccine doesn't count. Absolutely counts. No more pasta. Just have a bowl of spaghetti. Come on.

[Andrew Walsh]

No. What happened to you? What happened? No more pasta for you or me.

[Luke Burbank]

Okay? It's over.

[Andrew Walsh]

Okay.

[Luke Burbank]

Tbtm.

[Andrew Walsh]

He is a fan of the outrageous.

[Luke Burbank]

He loves to surprise.

[Andrew Walsh]

He loves other things as well.

[Luke Burbank]

Oh, this is the best pizza in a cup ever. This guy's unbelievable.

[Andrew Walsh]

He ran the old cup of pizza guy out of business.

[Luke Burbank]

Game day, bucket go boom.

[Andrew Walsh]

But it's not on tv. That's just an Internet thing.

[Luke Burbank]

Okay.

[Andrew Walsh]

All right. Hello, good morning, and welcome, everyone, to a Wednesday, Wednesday edition of tbtl, the show that just might be too beautiful to live. Explaining how a show works means the show's already in trouble. My name is Luke Burbank. I am your host by Brendan, coming to you once again from Hollywood and Vine here in Los Angeles, California. I feel warm and I'm levitating, I guess. Hollywood, California. You'd think I would know. Is Hollywood one of those places? One of these cities within Los Angeles that is, in fact, its own city, Kind of like I believe Santa Monica is and West Hollywood is. Anyway, I'm here where dreams come true, staring down at the combination Disney studio store, Ghirardelli chocolate. I'm at the Disney Studio store. I'm at the Ghirardelli chocolates. I'm at the combination Disney studio store, Ghirardelli chocolates and beautiful, my friends. You know what else is beautiful? Arriving at episode 4461 in a collector series. Let the fun begin. Okay, I've been threatening for now a couple of days to talk about my feelings on the latest with the television show the studio, which. Is this a thing people care about?

[Luke Burbank]

No.

[Andrew Walsh]

Which feels apropos because I'm here. I'm actually looking out not just at the combination Disney store Ghirardelli chocolate shop, but also the. The Dolby theater Which I think is where the Oscars are made. I'm looking out at some real sort of Hollywood royalty here. And it feels apropos that I should fix the show. The studio, which is all about the making of movies and stuff here in Los Angeles. We'll try to do that. Also speaking of movies, Sinners, that film is getting all kinds of rave reviews. I hate to say it, it was kind of cool. Andrew's actually seen it. I'd like to hear from him what he thinks so I can decide if I want to use my free from staying in this hotel that I'm staying. And I just realized that one of the perks that I get. I'm reading this from this little, this little card they handed me. I believe I get a movie, one movie ticket to the TCL Chinese Theater. I think that's the same as what is commonly known as Man's Chinese Theater. So I think I have a free movie ticket. Maybe I should go see Sinners. Anyway, we'll find out when we talk to this guy. Longest running cobra of the show may be best known for two things. His depictions of the tall ships and his truly impressive facial hair.

[Luke Burbank]

Here's my sweet stache. Let's freakin party.

[Andrew Walsh]

He is Andrew Walsh and he's joining me right now. Good morning, my friend.

[Luke Burbank]

Good morning, Luke. Do you. I have an update for you, but I want to set it up first. Do you remember yesterday's show? What do you remember about yesterday's show?

[Andrew Walsh]

Well, I remember that we started playing old ads from our days when we were at American Public Media and we.

[Luke Burbank]

Did ads that was very weird.

[Andrew Walsh]

And I remember that you said a lot of stuff about a product called Honey Hole that you do not stand by.

[Luke Burbank]

Honey Pot. Was it Honey Pot, Honey Book, Honeybook, Honeybook, Honey Trap. That was all part of yesterday's show. That was a weird place I took the show.

[Andrew Walsh]

I don't know if I actually really enjoyed it. So we learned that, that I had in fact, well, kind of both of us. But I was taking the lead on promoting fanduel website which was early sports gambling but in a kind of a different weird format. And, and, and we learned that you are. Well, I would say your voice, your singing voice is an acquired taste.

[Luke Burbank]

Well, let's just say America has acquired that taste, my friend, because I get a lot of requests. But another thing we talked about on the show earlier on in the show was a radio station in rural Georgia in a place called Cleveland, Georgia, which I assume is rural based on my. Based on the Limited amount that I listen to this radio station. It seems like a very kind of small community. It's a radio station where it's talk radio and they do funeral updates throughout.

[Andrew Walsh]

The day on the Sevens on the.

[Luke Burbank]

Seven, which is very interesting. They do WAP shop radio. And I stumbled on this using some kind of random radio app on Saturday night and I was enjoying it. And I told you that I was listening to a show that I did believe was syndicated but still down homey of lawyers, kind of talking about legal issues but in a very non stuffy way, like kind of very pop culture y kind of lawsuits and that type of thing. It seemed like a good time. I enjoyed listening to it for however long I ended up listening to it. And you said, well, I think this is the show I've been telling you about called Law Talk. Now I'll be honest.

[Andrew Walsh]

Handle on the Law.

[Luke Burbank]

I'm sorry, you're right. Handle. Handle on the Law. Yes. Handle on the Law. Okay.

[Andrew Walsh]

So yes, the one that I thought maybe it was was called Handle on the Law.

[Luke Burbank]

Yes. Okay. So anyway, I was wondering if the show I was listening to was the one that you had told me about, Handle on the Law. Because when you talked about Handle on the Law, I saw it as a sort of a much more kind of a little bit stuffier than what I heard. But I could be wrong about that. I don't know if I've heard Handle on the Law or not, but what I decided to do since yesterday's show was call the radio station.

[Andrew Walsh]

You did it?

[Luke Burbank]

I called the radio station.

[Andrew Walsh]

Did someone call you sweetheart?

[Luke Burbank]

Nobody called me sweetheart. But this is what happened when I called WRWH in the middle of the day.

[Andrew Walsh]

Oh, it's production. Wrwh.

[Luke Burbank]

Hey there. I was listening to your. By the way, I want you to know that was not an edit. It rang one time and they immediately picked up. Now my levels were rough so I had to kind of fix it in post. Sorry for the.

[Andrew Walsh]

Oh no, this sounded. This is sounding great. I love that you thought to record this.

[Luke Burbank]

Yes. Okay, here we go.

[C]

Wrwh.

[Luke Burbank]

Hey there. I was listening to your station late on Saturday evening and I heard a radio show that had a bunch of lawyers kind of discussing legal issues. Do you know the name of that show? I couldn't find it on the website. Yeah, it's called Law Talk. It's called Law Talk. Yeah. All right, cool. And that's syndicated, right? Yes, perfect. Thanks so much. I appreciate it.

[C]

Of course, no problem.

[Luke Burbank]

By now, now I'll be honest with you, Luke. This is me again here talking to you live. You can tell because I called you Luke. During that call, I. When she said Law Talk, I thought, oh, that is the show that Luke was talking about. Because for some reason it just totally erased Handle on the Law. And I'm glad I followed up with that was syndicated, right? Because I only said that to make conversation because I didn't want to hang up right away and I felt I needed one follow up. I'm glad I asked. So it is syndicated, but it's not the one that you were listening to?

[Andrew Walsh]

No, it's not. But now I'm trying to get eyes on Law Talk syndicated radio.

[Luke Burbank]

Are you kind of psyched they picked up with one ring and like Johnny on the spot about that?

[Andrew Walsh]

I mean, like, yeah, that just for some reason I feel like there's a chance maybe to save terrestrial radio now because someone's answering the phone there. Like it makes the whole thing again. I assumed it was probably just like a, you know, a little building there with a big antenna coming out of the top of it. And now just a lot of automation. Like it wouldn't be the kind of thing where there would be. It would be worth it to have somebody answering the phone and working the front desk. So that's just amazing. I'm really happy to hear someone's answering the phones there. I wonder if she's ever talked to more of a Yankee than you. And I don't mean that to be critical because if she talked to me, that would also be like, I wonder how many calls a day she gets from someone with our particular kind of vocal pattern asking about Law Talk. Well, I definitely being down there in.

[Luke Burbank]

Cleveland, Georgia, you could really hear my, you know, my friendly. This is me talking to my friendly voice. But also, did she, she didn't have a Southern accent, did she? Or am I.

[C]

Wrwh?

[Luke Burbank]

It didn't sound like a Southern accent. To me.

[Andrew Walsh]

I'm just. No, it actually didn't.

[Luke Burbank]

Yeah.

[Andrew Walsh]

Is it possible that Radio Law Talk is hosted by someone named Frederick Penn?

[Luke Burbank]

So here's the thing. I am on this website too, and I think this is the show because first of all, there's a photo of a very serious looking man looking at it. He looks so serious. But then I love.

[Andrew Walsh]

He looks like he should be admonishing students in a Pink Floyd video.

[Luke Burbank]

Yes, he does. He looks. But the quote, the big poll quote that describes radio Law Talk is the most exciting, entertaining and sometimes informative show on earth.

[Andrew Walsh]

That is somebody borrowing from Bill Handel's whole vibe. Because the other thing I noticed is handle on the law. Not only does he say it's the show I tell you have no case, he says it's that their tagline is marginal legal advice.

[Luke Burbank]

Oh, interesting. So they're kind of going this is a whole genre. Yes.

[Andrew Walsh]

Of legal talk.

[Luke Burbank]

Well, I did. It says listen live. I actually listened to.

[Andrew Walsh]

I mean, I mean why not?

[Luke Burbank]

I mean it can't be actually live.

[Andrew Walsh]

It can't be worse than me reading a fanduel ad.

[Luke Burbank]

Let's see here. It doesn't seem to want me to fast forward, forward. There's no way it's live right now. So here, let's go with the April 26th. Whoa. It's a three hour show. So this really is sort of in the style of like, like I said, kind of our Cairo radio days probably packed with ads. Right. And is it truly a three hour show or is it more like 90 minutes? Hour two is in the broadcast history book.

[Andrew Walsh]

We'll be right back with more Radio Law Talk after this.

[Luke Burbank]

How did I needle drop at the end of the hour? That was as as it gets. I'll try this one and find out.

[Andrew Walsh]

If you can save money or even qualify for zero. No.

[Luke Burbank]

That you left the ads and. Well, I guess that's how you make your money.

[Andrew Walsh]

Reid case.

[Luke Burbank]

The Weinstein about a judge that is found guilty in California of something Pipeline lawsuits. Update on P. Diddy. But I want to talk to you about what we've brought up and talked about two times now behind the scenes. I'm very nervous about where they're going with this because I've talked up this show and if this is some sort of like crazy right wing nonsense, I'm.

[Andrew Walsh]

Going to be, I don't think it.

[Luke Burbank]

Is Very, very disappointed in myself when.

[Andrew Walsh]

We'Re at commercial and I'm going to.

[Luke Burbank]

Throw this out and ask this and it's kind of the latest thing that's.

[Andrew Walsh]

Going on with the NFL draft.

[Luke Burbank]

Do you think at the end of this draft that Sanders, how do you say his first name, Shoulder Shadour Sanders will bring a lawsuit against the NFL.

[Andrew Walsh]

Oh, interesting angle for collusion or something to that effect.

[Luke Burbank]

I mean, I'm not saying what, but I'm just saying is there a possibility of that happening and if so, under what what would the argument be? Well, I can tell you right now all the pundits and you have to. I keep going back to this here. I'll clean this one up because the body part used in the original saying is not this. But opinions are like armpits.

[Andrew Walsh]

Right.

[Luke Burbank]

Everyone has them and they all smell bad. You know, they all stink.

[Andrew Walsh]

And so that, that was a really good pivot.

[Luke Burbank]

Yeah, just kind of clean that up a little bit. Yeah, you get the vibe I'm going to stop it there.

[Andrew Walsh]

This is the show you were thinking.

[Luke Burbank]

This is. I believe this is the show. I know that. I mean it sounded like there were maybe four guests when I was listening. I know that there was a female voice in the mix somewhere who I was kind of surprised because she kind of popped up like well into my listening. I'm like, oh, I didn't even know you were on the line. So it was like three or four people just sort of like talking very casually like that. And like I said, it did like I was very nervous right there playing that for you. Just sort of needle dropping it. I'm like, oh God, what if these guys are like, like kind of jerks or something? But it seemed like pretty level headed but very like uber conversational. Like, you know, we got three hours to kill here. Let's just chat about law stuff.

[Andrew Walsh]

Sounds like the show is really growing. I'm at their website and they've reposted a Facebook post from a station somewhere. I don't know where it is. Ely 12:30am, which is also 98.5 FM radio. They're adding Law Talk on the weekends which is why Law Talk was promoting this. But then the other thing I thought was interesting, this is from this station, wherever it is. A couple of additions to our program schedule that might interest you. They're also adding a show, Andrew, called TV Confidential. It's a radio talk show about television. You can join them on Friday nights at 11pm It's a two hour program. This week we can hear Bert Kearns, author of Shemp A Biography of the Three Stooges. Shemp Howard, the face of comedy.

[Luke Burbank]

I'm really kind of.

[Andrew Walsh]

I love this comedy.

[Luke Burbank]

I want to reach out to them as a representative of.

[Andrew Walsh]

After these messages, I promise you that they found out about the guy who wrote a book about Shemp Howard from that mailer we used to get that R T I R E R whatever that thing was called. It was like last minute guests. Like when you're just doing a local radio show and you are desperate for keeping the needle moving and someone has written a book called Shemp. I love biography of the Three Stooges. Shemp Howard.

[Luke Burbank]

Just not all the Three Stooges. Not a, not an oral history of the, of the trio, but the Just. Just Shemp. By the way, Law Talk is on kitz. Are you familiar Silverdale, Washington.

[Andrew Walsh]

Kits.

[Luke Burbank]

Kits. Do you. Are you familiar with kits?

[Andrew Walsh]

No. No, I've never heard of it, honestly.

[Luke Burbank]

You got family there in Silverdale? I wasn't sure. If you guys all gather around the Radio, listen to 1400am No, I don't think.

[Andrew Walsh]

I don't think my parents are. I mean, they barely. In fact, my mom is largely unaware of when I'm going to be on the radio, but she will often Facebook message me and ask me what time is the show on? And I'll say, mom, I haven't been allowed on Facebook for years. Do you know that I'm legitimately banned from Facebook now?

[Luke Burbank]

What do you mean banned?

[Andrew Walsh]

I mean that I don't. Usually I'm not on Facebook much, but each year during the thon, I have a kind of a. A tradition of signing up for Facebook and jumping on the Stens page and kind of saying hi to everyone and then kind of, you know, encouraging a little eagle soaring action that week where, you know, folks can get out and maybe do whatever it is their body allows for in terms of moving around and seeing stuff, et cetera. And somehow in the process.

[Luke Burbank]

So it's about time you create a new one, right? I just want to.

[Andrew Walsh]

Well, because I don't ever know how to get into the old one. There's been something about me. So there's like 37 different versions of like Eagle Soar at TV or at Facebook or whatever. Like somehow in me, like creating multiple accounts not because of anything nefarious, but just because again, I don't know how to get into like there is a probably a Luke Burbank account that existed at some point. I don't know how to get back to that one. But it. Facebook has, you know, they're not about fact checking anymore, Andrew, but they are about absolutely just locking down my account or whatever account I was working on and, and really hardcore blocking me from seeing stuff on Facebook. And sometimes it'll be for the show, like we'll be talking about something or I'll see something and it just legitimately is a Facebook post and I'll try to go to it and, and it won't even let me see it. And then if I try to log in, like, for instance, my computer remembers, if I go to like facebook.com and I put my, my cursor in the little place where you'd put in your, like, I guess, username, it will try to auto fill it. Like it Remembers the North, remembers it, remembers whatever my last login was. And it'll remember my password, too. That's all associated with my fingerprint, you know, on my computer. And it's like the second that I try to log in, it's like there's a restraining order against me on Facebook. It's like your account is shut down and you need to appeal this to the Facebook High Council or something. And it's just so funny because I feel like there's a lot of shit that Facebook has done that's been very, very bad for our society, and it seems to be getting worse. And the idea that they would be zeroing in on my Little Eagle Soar account or whatever, this is where they draw the line, is shocking to me because I legitimately haven't even done anything to them.

[Luke Burbank]

Well, you were posting those photos of produce that looked somewhat suggestive, if you'll recall.

[Andrew Walsh]

I was just reposting Amy Sedaris content.

[Luke Burbank]

That'll get you banned. Yeah, I. When I dumped Facebook. Now, it's been a really long time, but when I first dumped Facebook, I remember having some anxiety about not being able to access content. Like, I didn't want the Facebook experience anymore. I didn't want it on my phone. I didn't want to be logged in as Andrew Walsh. I didn't want it as a connection to everybody I was using it as a connection to. I just didn't want it anymore. But there was a little part of me that was like, yeah, but I should still be able to use it for work or just something if I need to look something up. And like you mentioned, Facebook has gotten more and more strict, not just about the accounts, but also your access to Facebook information. Just like you. Sometimes I need to play a commercial off of something, and the video is only on Facebook. And depending on various settings that I guess, you know, people who are posting can set, like, I'm finding it more and more difficult to see, or I never could interact with it since I've deleted my account. But like, to see and access information on Facebook, they've made it increasingly difficult, I believe, leave because they want more and more people to sign up. They don't want tourists over there. That doesn't do them any good.

[Andrew Walsh]

They ain't given that milk away for free.

[Luke Burbank]

Right? So I'm like, okay. And so I tried to create too much wrwh. I. Not enough WRWH if you ask me. But I. So anyway, I did try to create a fake account, and I think I used the thing about creating a Facebook account is it. It always assumes that you're a human, right? You can't just like create a group or something like that until you've created a personal account. So I believe I did do something that would be against their terms of service, which was made up a fake first name and a fake last name. Sounds really, really creepy. I wouldn't have done that. I would have been like, fake account. Like, I, you know, I wasn't trying to get up to anything. But I remember then attach. I couldn't use my old email address to attach it to because it would have just been like, you already have an account with that email address.

[Andrew Walsh]

That's the problem I've been running into on the occasion sometimes. I've also tried to just like, for desperation. I'm like, well, fine, I'll take five minutes and I'll make a fake account and then I can just see this, whatever. And it has figured me out. Unless I were to like, I don't know, clear the cache on my computer or something. It's thwarting me because I have tried to set up a fake Facebook account recently and was not able to figure out how to do it.

[Luke Burbank]

Well, listen to this. This goes back a ways again. This is still like when I first dumped it. So probably hasn't been 10 years yet. Maybe seven or eight years ago. And I'm like, okay, I'll create this thing. It's like, well, you need an email address. I'm like, okay, well, you know what? And this gets a little bit elaborate. I'm like, I'll just go to. I think it was Yahoo. I'm like, I'll just create a fake Yahoo email address, you know, like under the same name, whatever. I came up with, you know, Joe Blow. And maybe I shouldn't have gone with Joe Blow, now that I think about it. But anyway, I created an email address. It was legit. It was a real address. They could confirm, you know, they could send me a confirmation email or anything. And then I'm like, okay, am I in Facebook? And they're like, nah, there's something wrong with this email address. Like, there's just. You can write to us, but something is not right here. Like, they were able to tell, I think that I was trying to sign up to Facebook with a brand new email address as well. And they were just like so good at sniffing out a fake account. And in a certain way, in a certain way, you would think that if I, if I cared about this as a platform that was looking out for its users. You could sort of see that being a good thing. Like, right. Facebook saying, we don't want a bunch of, like, trolls creating fake accounts so that they can, like, do inappropriate things or flame people. I don't. Do people. Still flame people sound like some early 2000s talk. But, you know, I mean, like, be a jerk online and not have your actual name attached to it. So in a certain way, I would appreciate that. Except it's very clear that Facebook is not really interested in doing anything that's morally right. I think that they just want to make sure that there are actually people involved so that they can sell our information. Right. And have.

[Andrew Walsh]

That's exactly right. And that's what makes me so annoyed, is it's like they are, in my opinion, a tremendously bad actor that is getting worse. And yet somehow like this, what I think is a very leaky security system they have for, you know, a bunch of things that are, in fact, pernicious somehow that the thing has ensnared me and my attempt to look at a law talk post on Facebook or something. It's like, really? This is where you actually have a pretty sophisticated security system going on.

[Luke Burbank]

Now, I want to say this with all the caveats that I started reading a story and I want to try to source this or tell people that I can't 100% verify this, but there's somebody who worked for Facebook who now has a new book. I don't know if it's a tell all. Might just be a tell. Some. Okay, I don't know if you're Googling while I'm talking about this, but I believe it's a relatively new book from a Facebook insider. And the big scandalous headline that came out yesterday, which is just so chilling, if it's true, and this person who wrote this book, claims it is true, is that Facebook was using all of its various algorithms. And, you know, it knows so much about your kind of personality, your online personality. They were doing something where they could detect when teenage girls were deleting selfies, realizing that was a moment of vulnerability and cranking up the cosmetics ads and other ads that, you know, for products they could use to improve their quote, unquote beauty. Like, how about that? And I guess there was. According to the piece I was reading, there was an internal link to it that I didn't follow. But they said that there. That Facebook, like, there have been actual documents that have been unearthed that have shown, like, even if you're not talking about, like, teenage girls here, generally speaking, They've identified moments of vulner, like however you define vulnerability, but users vulnerability.

[Andrew Walsh]

In other words, your defenses are down and you're more likely. It should be called the Burbankian State. It's the state I consistently reside in, which is why I'm so susceptible to Instagram purchases.

[Luke Burbank]

Yeah, they really need you, man. They should really stop blocking you. You're perfect for them.

[Andrew Walsh]

The person I believe that you're referring to is named Sarah Wynn Williams, a former global public policy director at Facebook who wrote a book that. Let's see, I'm just reading from. Her new book is called Careless People. And I'm reading from Michelle Goldberg's column in the New York Times. See, last week the company won an emergency. This is Meta. Meta trying to squash this book. Last week the company won an emergency ruling from an arbiter stopping Wynne Williams from promoting or distributing her new book on the grounds that it violates a non disparagement clause in the severance agreement. That's a word that's really changed in its perception now over maybe permanently. The Washington Post book critic Ron Charles wrote that he had received repeated inquiries from Meta about the paper's plans for a review. In my 27 years of reviewing and editing newspaper books, no company has ever done this with me, he wrote. So yeah, she is writing about the inner workings of Meta as she saw it. And they are trying to. I mean, I think stifling free speech is definitely a sign that you're not up to anything.

[Luke Burbank]

No, I mean, it usually means that all's good here. Like, why are, why are journalists wasting their time with this stuff, Luke?

[Andrew Walsh]

Like, yeah, exactly. We have nothing to hide as long as you cease and desist saying the thing that you actually saw with your own eyes.

[Luke Burbank]

It's so rough. But anyway, for some reason I'm having trouble finding that specific example. I think whatever publication I was reading was especially interested in that specific thing about like taking these moments. Somebody deletes a selfie, they're probably feeling insecure. Let's feed them some ads that can help them improve their looks. Like that's, I mean, that is just.

[Andrew Walsh]

Look, I, I. What? I'm not the person to weigh in on this, but I do think that, but I think it's pretty difficult to argue against the data that indicates that phones are like obsessive phone use, which we all suffer from, is especially bad for young people and can be absolutely horrific for the self esteem of young people, particularly young women. I don't think that there's A lot of disagreement around that. I can't find anyone who's saying this is good for you. This is good for young people to have these platforms again, particularly young women where there's so much pressure on how they look and there's so much sort of. So many ways in which they can feel poorly about themselves. I just can't see it as a good thing. And the fact that they would monetize a moment of. I'm just going to call it sadness for someone or a moment of vulnerability to sell them more of something else. I mean, it's just so. It's so a deeply devious.

[Luke Burbank]

Yeah. And I don't want to be like. I don't want to just sound like an old Fuddy duddy or a Luddite or whatever. Like, social media is a huge part of life these days, as a huge part of growing up these days. And I think there's a lot of good things, you know, I think that you can look at some of the stuff that goes on at Tick Tock and it was empowering people to like, you know, do their dances and what. Like, I think there's. There's a lot of empowering stuff as well. Like, generally speaking, it's. This isn't like two old men who are, you know, not part of a generation that this is affecting saying, listen.

[Andrew Walsh]

Man, I Tick Tock with the best of them.

[Luke Burbank]

You know, I know, I've seen your ticks, I've seen your talks.

[Andrew Walsh]

But some swings and misses.

[Luke Burbank]

We're talking about the. We're talking about the response. Yeah. Nice double. Yes. A couple of days ago.

[Andrew Walsh]

That was amazing. That's like a. I use this advisedly. That's like a fat boy touchdown. That's like what you see, like a defensive lineman picks the ball and it just rumbles and you love.

[Luke Burbank]

I was going to say the announcers are not using the term rumbles into seconds because, I mean, you've said.

[Andrew Walsh]

I think that was a. I mean, rowdy. To less legging out a double is just a beautiful thing. Yeah.

[Luke Burbank]

I do love it anyway. But we're talking about the irresponsibility and greed of these companies that have like no limitations, like no moral compass and no, you know, even. I mean, the same thing with tv. And then, you know, when it was new in the 1940s and 50s and there was like rock and roll and like whatever, there were people who were freaking out about some of the wrong things because they were just societal change. But there were things like standards to make sure that we Weren't exposing people to dange stuff, you know, like, even whatever. I'm getting in, I'm getting out over my skis on some of this stuff. But like, generally speaking, like, you can have social media and all the good things, but a little bit, some. Some regulation and some guardrails are not the worst thing. Morals would help as well.

[Andrew Walsh]

Speaking of Internet interactions, Andrew, that have been damaging to my life, I have now received a response email from the watch people. You know that watch that I bought?

[Luke Burbank]

Oh, yeah.

[Andrew Walsh]

That. I thought it wasn't keeping time and it was because I did not realize it was wind up. So we fixed that problem. I figured out how to wind it with an assist from my girlfriend who used to work at the watch counter at a Nordstrom.

[Luke Burbank]

Nice.

[Andrew Walsh]

And it's keeping great time. Now the problem is. And I sent you a photo of this. The band won't stay on.

[Luke Burbank]

Oh, yeah.

[Andrew Walsh]

No matter what I do, no matter how much I tighten it up with my special screwdriver set, I bought it just after a few days, it just wears its way off. And the problem is this watch, because it's metal, every time I go through TSA security, which currently is about once a day, I have to take it off. So the problem is it does not respond particularly well, by the way.

[Luke Burbank]

Have you tested that, by the way? Because I have metal watches. You know, leather. It's a leather band. Right. Like, I never.

[Andrew Walsh]

Yeah, I have tested it. You know me, like, believe me, my default setting was don't take this thing off.

[Luke Burbank]

Yeah. Of course.

[Andrew Walsh]

Until it kept. It kept unfortunately beeping and so. So that's another problem. I don't like wearing a watch where I'm like, I can only take this on and off so many times per week before it comes apart.

[Luke Burbank]

Yeah.

[Andrew Walsh]

So the issue now is not really the initial issue that I thought it was, which is it doesn't keep time. The issue is different. The band doesn't stay on. But I'm still just waiting to hear from these people. They said they were gonna. I complained to them about the watch not working. They were gonna send me some paperwork. Now here's the email I got this morning at 12:24am I was not awake to receive this message from the watch people. Hi. Sorry for the delay on the return slip. They were going to send me over some kind of paperwork to exchange this watch. Just wanted to give you an update on the situation. This is where, Andrew, I'm starting to feel like I am not going to get any kind of actual relief on this Due to recent tariff issues in usa, our couriers are handling certain logistics which are causing delays in the shipping, including their return parcels. As such, there is a delay in sending you a return label. We are in the midst of coming up with a solution for this. Would appreciate your patience on this. And we apologize. I will mention apologize is not spelled correctly. Whatever. Probably a language difference for the inconvenience caused. Thank you. What I don't understand is how the tariff situation would stop them from sending me a piece of paper that I'm supposed to fill out.

[Luke Burbank]

Yeah, this was.

[Andrew Walsh]

That sounds like some kind of sort of a questionable causal situation.

[Luke Burbank]

This. We're. We're about to start a new era of tbtl. I realize because I during the pandemic.

[Andrew Walsh]

Where I'm mad about people using tariffs as an excuse.

[Luke Burbank]

Yes. Because there is. Things are starting to hit and I believe there are going to be more and more impacts. You know, if everything you read is to be believed, which I do. Everything I read, I believe is what I think I just said there. No, but I do believe that the impact of tariffs are going to start hitting people in personal and professional ways very directly very soon. But as did things in. During the pandemic. But then certain people started and certain businesses started, especially in, in your eyes, taking advantage of the situation to blame everything on the pandemic. I'm sorry I called you a bleep and bleep hole. Yes, it's the pandemic and tariffs and it's what caused me to say I.

[Andrew Walsh]

Think tariffs might be the new, the new easy out for anything. That's, you know, because again, and this just seems like a kind of a sort of a word salad due to recent tariff issues in usa, our couriers are handling certain logistics which are causing delays in the shipping like for a label, including the return parcels. Is there a tariff on a return parcel?

[Luke Burbank]

I mean a return label is emailed to you usually. Right. They weren't going to mail you a piece of paper that had a return label.

[Andrew Walsh]

I think maybe they were going to supposedly mail me something. Here's. This is their previous. As per we have mentioned, we will process and send you a return slip to send back the watch and we'll send you a replacement. So now the thing is, I don't know if this thing gets to me which by the way, why is it subject to any sort of tariffing if it gets to me, the return parcel, do I put this watch, do I send this watch back to. Because what they're not going to do Is send me another watch and trust me to return the original. This is going to be a thing where I'm sans watch. And you know what, by the way, I was getting into it, once I figured out it needed to be wound, once I was getting compliments from you, even Becca, I was like kind of getting into this wearing of this regular watch that I needed to wind up. And again, it was just the strap breaking. So I don't really know how to solve this problem, but I am feeling like the solution is not going to come from this overseas company that is mysteriously blaming the terrorists for the issue.

[Luke Burbank]

I'm having trouble, and I don't even think this is the right question on the podcast, but I'm having trouble picturing what you mean when you say you have the screwdriver and you keep tightening it. What you showed me on this watch was that the. The. The loops of the band, there's kind of like two little pins that go into the loops of the band sort of right on each side of it. What are you tightening?

[Andrew Walsh]

Well, where those go into the watch, there is. They. They sit down in a slot, and the way they stay in there is that there is a screw on top of each one. And when you screw it down, you basically. So you solidify, if you will. You lock in the base of those little metal arms, and if you were to loosen the screw, those things would just kind of like. Just imagine someone walking around with those two bent pieces of metal trying to do like a divining rod, trying to find water.

[Luke Burbank]

Yeah.

[Andrew Walsh]

You know those weirdos.

[Luke Burbank]

No. Well, I'm one of them, so be careful.

[Andrew Walsh]

Okay, so imagine that. That's what happens. And the idea is that if you loosen these, you can then switch out different watch bands because they sell different colors and stuff. The problem is, it would appear that in the even loosening them one time, which I did to get the watch band on, they are now, they work their way loose so they don't stay locked in in the position they should be in for this thing to just function. And because they got cute with it, because it's not a solid piece of metal, it should just be like. Basically it should look like, you know, the upright for a goal post in a football game, it should be that, but upside down so that the long kind of, you know, horizontal base is what sits in the watch band. And the rest of it just connects into the watch because they got too clever. And it's not a solid thing. It's two little. Two little metal guys when they come Loose. They. Then there's. There's no structural integrity. They just go. They just go all willy nilly.

[Luke Burbank]

I see. I thought it was more of an issue with the band now. You know this. We should just move on. Because you told me that you had to kind of remove some pins that came with the band. And I was always like, oh, that's one of those things where. You know how sometimes your first instinct is like, this is wrong. Let me take this apart. And you realize you needed it. I feel like you gave an example with maybe building furniture or something like that, like, in the past year or so, and you're like, oh, I'm glad I didn't do that.

[Andrew Walsh]

There was, you know, like, if you have rotting shrimp in your garbage, never going to let you forget that.

[Luke Burbank]

No, no, I don't mean that as a. I don't know.

[Andrew Walsh]

I know what you mean. But, like, first thought is first thought.

[Luke Burbank]

Like, oh, they did something wrong. I need to buy force. Like, pull something out of this. I'm always like, okay, I just want to make sure that you did that. That was the right move there. But that's not. Here's the reason that I know that's not what the issue. Yeah. The reason.

[Andrew Walsh]

Yeah. The reason that I know it was. I didn't make the wrong call is because. And again, I mean, this is me.

[Luke Burbank]

I.

[Andrew Walsh]

We are so deep in this. Sorry, listeners. What is a person who's a watch. Is it a chronographer? What's like a watch expert? I wonder.

[Luke Burbank]

Oh, I don't know.

[Andrew Walsh]

Unless you're a. Unless you're a watch expert. This couldn't be more boring for you. But the reason I knew that I wasn't doing it wrong, Andrew, was because this watch showed up with a band on it.

[Luke Burbank]

Yeah.

[Andrew Walsh]

And that band did not have this weird part that was in the. So I was putting a non. Like, the band was different than the one it came with. I thought it was more attractive. But I could compare the two of them. The one it was using and then the one that I had. And there was this weird piece of metal. Was not in the first one. The one that was on there.

[Luke Burbank]

And not only that, but that's clearly not the issue you're having. It's not too loose in the caboose there. It's something.

[Andrew Walsh]

I mean, it could be a little bit of that. But anyway, all that is to say tariffs strike again.

[Luke Burbank]

Yes.

[Andrew Walsh]

And I did have listener Keith reach out to me, and this may be the solution. In fact, everybody wins. Keith, of course, runs Stonecraft leather and has all kinds of amazing products. I highly recommend that website. And he said, I make bands for things, so maybe I can like hire Keith to make me a replacement. Something that. Again, the issue seems to be that these little. These little metal pieces do not stay where they're supposed to stay. I think tine is a very good way to describe them. The problem seems to be that. But I don't know, maybe Keith and I can put our heads together and figure out a solution where I get a cool bespoke watch band and. And, and Keith, you know, makes a little money on his business, which then I assume he'll just redirect to tbtl. Anyway. Oh, speaking of which, we was hoping for some razzle dazzle. Razzle dazzle. That's right, man. Razzle dazzle. On your mark. On your mark.

[C]

Get set, get set now.

[Andrew Walsh]

Ready, ready, go. Everybody. Razzle dazzle. Let's go ahead and thank some dazzling donors. These folks are donating a dazzling amount of dough. How this thing can happen five days a week. We played you the ads yesterday. We don't have to do it again. We don't have to belabor it. Yeah, we used to get paid by our bosses, well by way of donations, but then also have these little ads. This is 100% listener supported now. This is all happening because of folks like Lorraine Goyet, who's out there in South Dennis, Massachusetts.

[Luke Burbank]

You know what Lorraine means to this show? Lorraine means we don't have to do ads for Zoosk.

[Andrew Walsh]

Yes.

[Luke Burbank]

I don't know what a Zeus is.

[Andrew Walsh]

I think zeusk is like a kind of an athleisure brand.

[Luke Burbank]

Okay. I used to.

[Andrew Walsh]

I'll be vague, but I used to know somebody who was. Well, when this person, when he would get into things, he would really get into things. This is not someone who's been talked about on the show extensively. So I'm not being coded here about Steve Nelson or the Mummy or something, but like he was just a real. He would just. He would really go ham on stuff. And at some point he got really into this brand called Zoosk, which was again, I could be misremembering the name, but I think it's like sort of running shoes and hats and. But it's all kind of. It's all sort of athletic y. Like you could wear it for comfort, but then you could also go on a jog or something. And what he would do though, and this is different from me, as we've established with my monochromatic wardrobe, is when he Got into something. I just remember I worked on TV commercials with this guy and I remember him just showing up for some kind of a shoot with like a Zoosk visor, a Zeus zip up, you know, sweatshirt, whatever. Zoosk running pants and Zeus shoes. If I'm remembering the name, I think.

[Luke Burbank]

You'Re talking about Zoot. And I think Zoosk is an online dating site and Zook is a leading triathlon sports brand.

[Andrew Walsh]

How do you spell that one? The triathlon sports brand.

[Luke Burbank]

I want to get C O O T because if I type in Zoosk, I'm not getting anything but the.

[Andrew Walsh]

Yeah, I think maybe. Let me. I'm trying to look at this stuff. No, it wasn't this. I. I just have the name wrong. It might have been. It might have been Susk. Who knows? My point is, we are so thankful to Lorraine so we don't have to do commercials for products that may or may not still exist because of this generosity. Here's what Lorraine would like to let us know. Next Saturday, May 10th. Okay, so this is coming up this Saturday. My spouse and I will be doing a 5k in support of the glioblastoma research organization where Team Tiny Thunder. In support of my sister who was diagnosed last summer. Wow, Lorraine, I am really, really sorry. That can be a very, very tough diagnosis. If anyone would like to support us, they can email [e-mail] so it's LM and then Goyette is spelled G O Y E T T e l m goyetmail.com and I'll send a link to my page. So this is Lorraine and Lorraine's partner raising some money for Lorraine for this organization, which is related to Lorraine's sister in the diagnosis. Yeah, Again, I've known people with that diagnosis and it is a very, very, very challenging road. So we're thinking of you, Lorraine, and your sister and your family and hope things are going in a good direction. Now back to tbtl. Lorraine says thanks again for the three of you for being consistently available imaginary friendos. You've gotten a lot of us through a lot of jams. But since I'm a 1 sticker 10, I'll confess to replacing our TBTL bumper sticker with 1 if by land, 2 if by D.C. okay, let me unpack this a little bit. So it sounds like Lorraine is a person who only wants to have one bumper sticker on their vehicle. Is that what you take from that? A one sticker tank?

[Luke Burbank]

Exactly. Yes.

[Andrew Walsh]

Okay. And had a TBTL bumper sticker. But now it's been replaced by one if by land, two if by dc. Check out the Silence Do. Good site for some history soaked attitude about current events. Like, quote, you can't bring hell to Boston. It's been here waiting for you since 1770. Power out. So I still don't actually know what the 1 if by land, 2 if by DC but is that like maybe revolutionary? Sort of. Is that maybe based in a time? My guess is Lorraine. If Lorraine's donating to the show is probably in agreement with us on politics. Ann sounds like a proud Massachutan. What do you call a person from Massachusetts?

[Luke Burbank]

Yeah. New Englander.

[Andrew Walsh]

New Englander.

[Luke Burbank]

There you go. I like it. Yeah. I am.

[Andrew Walsh]

I'm guessing that this way of talking about. About. About resistance.

[Luke Burbank]

Yeah, because I'm confused too, because here's what. Here's my thought process on this where I'm gonna get a lot of things wrong. The original. The. I think. Right. The original line by Paul Revere is one if by land, two if by sea. Right. Or that referred to Paul Revere's ride. And like if.

[Andrew Walsh]

Oh, really? I seriously didn't know that. I'm not trying to be.

[Luke Burbank]

Can you Google while I talk here? Because I think it had something to do with, you know, like him warning of the incoming forces. And so there was some signal and it would be 1 if they're coming by land, 2 if by sea. So I was wondering if the 1 if by land, 2 if by DC was this is probably totally wrong. I want to make that very clear. I thought that maybe had something to do with like D.C. rights. You know, how people in D.C. aren't fully. Aren't represented.

[Andrew Walsh]

Oh, okay.

[Luke Burbank]

So statehood for D.C. but I feel like I'm wrong about this now because as I'm trying to Google and talk at the same time is I can confirm.

[Andrew Walsh]

Yeah, you're right about the. From Wadsworth Henry Wadsworth Longfellow's poem Paul Revere's Ride. A one if by land, two if by sea.

[Luke Burbank]

Okay.

[Andrew Walsh]

At least that indicated how British troops would approach Boston. Yeah. So that's good. I don't have my belt with me.

[Luke Burbank]

But I would give you a harder.

[Andrew Walsh]

Ding if I could.

[Luke Burbank]

That is very nice. That's. So I get lost after that. But after I said that, I was very nervous. That was it DC this whole time. So the two of by DC Definitely is Paul's Boutique.

[Andrew Walsh]

It was actually the Beastie Boys.

[Luke Burbank]

Ah, yes. Oh, that's right. Paul.

[Andrew Walsh]

Actually, they do have a Paul. They have the.

[Luke Burbank]

Wait. Yeah. Wait a second. Paul's Boutique has.

[Andrew Walsh]

Yeah. A song called like Paul Revere's Paul Revere.

[Luke Burbank]

Just Paul Revere. I think I forgot that. That. But that's a coincidence. Anyway, I'm done for the showing up.

[Andrew Walsh]

For the 1 if I land 2.

[Luke Burbank]

If by DC I'm going to look that up too. And I'm not getting like kind of very clear talking while I'm podcasting answers to this.

[Andrew Walsh]

I'm just wondering if that's okay. Let's see a one if by Andrew. Wait for it. It's on Facebook and I can't get to it.

[Luke Burbank]

I was really hoping you're gonna say I nailed it about state.

[Andrew Walsh]

So this is.

[Luke Burbank]

No, I don't think it's about statehood.

[Andrew Walsh]

No, no, it. Well, it is. It is and it isn't. It's about resistance. This is from a Facebook post. The headline, liz Cheney slash Adam KINZINGER Against Trump. 1 if by land, 2 if by DC Today also, we remember that this is the 19th of the month and the anniversary of the beginning of the Warsaw Ghetto rebellion. Okay. Okay. What I'm getting from all of this is that basically this is something that folks who want to resist the current administration are rallying around as an idea and as a way of talking about, as a way of updating Paul Revere's sort of statement, if you will, to be a rallying cry to push back against the administration. That's what I'm going to.

[Luke Burbank]

Or does it mean because by D.C. they're kind of playing on the words there because now the call is coming from inside the White House.

[Andrew Walsh]

That's what I take it to.

[Luke Burbank]

That makes more sense.

[Andrew Walsh]

Could be a full throated defense of the January 6th protest. I don't.

[Luke Burbank]

Sure.

[Andrew Walsh]

Yeah, it's one or the other.

[Luke Burbank]

Yeah.

[Andrew Walsh]

Lorraine. All right, Lorraine. Hey, thank you so much for supporting us and really good luck on the 5k out there. Make sure you hydrate. Okay? Saturday, May 10th, Lorraine and Lorraine's partner running this 5k out there hit lmgoyetmail.com to help support them. Maestro, on your mark. On your mark. Get set, get set now. Ready, ready, go. Everybody rattle. Settle. Well, if it isn't our old pal Jen Joyce. As in Jen Uber Jen, as in when did we have Jen? Did we. We did a thing about kind of like a crafting show and tell at some point right during the dawn and Jen jumped on with us.

[Luke Burbank]

Absolutely. Co hosted with us the. Yeah, we had a little crafting night where everybody was showing off their crafts. That was a lot of Fun.

[Andrew Walsh]

Yes. Hey, friendos. And hi to Luke and Andrew. I just want to take a moment to thank you both for being a constant in my ear holes for the last 12 months plus years. Yes, that math is correct. And yes, it makes me feel a little bit old. Ha ha. TBT on the tens community are truly the best. A special shout out to Kelly, who I lift weights with every Monday. We are very cool and very strong. I believe that while I'm intentionally looking for my next marketing leadership role, I've been keeping busy with a video podcast called Making Conversation. I see clips of this, by the way, pops up because I follow Jen on TikTok. Jen, if you have a follower who has a picture of Kirk Cousins doing biofeedback on his brain, that's me.

[Luke Burbank]

It's not Kirk Cousins.

[Andrew Walsh]

It's not Kirk Cousins.

[Luke Burbank]

How do you know that? He also doesn't use that as a profile.

[Andrew Walsh]

You know what? We can't rule that out. You're absolutely right. It's all man. I am just. I've just. What was the last I've. You know, I was talking to you about the. About my regrettable Instagram comment that I now refuse to take down because I feel that I need to make an example of myself to myself.

[Luke Burbank]

Oh, that's right. You misunderstood. Somebody's.

[Andrew Walsh]

I misunderstood what something called puberty was saying on Instagram about Steven Spielberg graduating from college. I thought they were trying to say that as a, you know, college senior, he had already written Jurassic park and like, Jaws or something or whatever it was. And, and. And that was the point. I mean, it's crazy how quickly my brain can formulate totally wrong theory. And my thought was, the point was, like, you can show greatness at an early age. And that was absolutely not the point. The point was that he eventually went and got his college diploma and that it was kind of funny that as he was getting his, like, film school degree, he had already made all these movies and then he submitted them basically as his, like, you know, graduation project.

[Luke Burbank]

It'd be funny if he failed.

[Andrew Walsh]

Like, a little on the nose with the flower coming back to life. When ET Comes back to life.

[Luke Burbank]

What if he submitted, like, Hook instead of, like, ET Interest? I'm trying to think what is his most, like, sort of under. Loved.

[Andrew Walsh]

Yeah. Oh, my God, that's so funny. Anyway, I. I decided to Google when the book Jurassic park was written by Michael Crichton and then went on to basically just absolutely savage this website by pointing out when. When Jurassic park was written and then said Scott Hoy voice, please stop this or something. It was. And then I think I had a typo in it and I didn't because I don't know how to change comments. I then just had to add it was like one comment and then another comment clarifying my typo. Andrew oh, I don't know if you told us. It's incredible. It's just incredible. But since I did that, hundreds of people, including our own John Skloroff, who was on a walk with his dog, like voice memo'd me was like, here's how you do it. I refuse to do it because I need to be punished. But anyway, all that is to say I've also taken that on TikTok where it's just like I'll just see something annoying and I'll just say like I forget some of the. I'm not trying to become a, like a first, I'm not trying to become a reply guy. I'm not trying to do stuff that's overly gendered around like people posting who maybe happen to be women or whatever. You know, like, I'm not trying to go like, well, actually anyone. I'm just trying to find things that are annoying and then I'm just trying to inject into the discourse that it's annoying. But it's all coming from a guy who has no followers and his name is like Free Giator and he's a picture of Kirk Cousins doing biofeedback. It's the trolliest looking troll thing you've ever seen. Okay, back to Jen's message. Jen, who's paying for this time right now and supporting this show? I've got a video podcast called Making Conversation. It's all about the makers, fiber artists and creative small business owners who bring beauty and craftsmanship into the world. We talk about their work, their stories, and the community that keeps us all connected. It's the perfect thing to have on while you work on your own projects. If that sounds like your vibe, come on and hang out with me on YouTube. So here's what it is. It's YouTube.com and then it's slash at making. You know the word M A k I n GCO YouTube.com makingco that's where you can find the Making Conversation video podcast starring our dear friend and the long, long time supporter of the show, Jen Joyce.

[Luke Burbank]

Nice.

[Andrew Walsh]

Jen says thanks for everything. TBTL forever Jen. Well, we can only do this because of folks like you, so thank you.

[Luke Burbank]

Very, very much and great name on the podcast, by the way. I play on words Making a conversation.

[Andrew Walsh]

Absolutely.

[Luke Burbank]

Hello, and welcome to Top Story.

[Andrew Walsh]

All right, this is. Doesn't need to be an extremely long conversation, Andrew, but, you know, I've been talking about that show, the Studio, with Seth Rogan and Ike Barinholtz and Katherine Hahn, and, you know, it's the. I sort of. I really run hot and cold with it. There are certain episodes that I'm thinking, oh, this is great. This is. I really like this show. And then they'll just do little things, mostly with just like, actually the writing and the exposition, which makes me nuts, because it's a whole show about how when you run a film studio and you have aspirations to do artsy stuff, you often get a lot of feedback from the bosses. That makes the artsy stuff kind of less artsy or in, you know, in sort of forces, in chunks of dialogue you don't want to have. And yet it seems to happen on this show kind of regularly. This is the latest one. They decided to do a noir episode. So the basic plot is there. There's a director who's making a film for them, and it's being shot on film, and then an entire reel of film goes missing. And this is a very important day of shooting, and they're trying to figure out who stole the reel of film. And so, you know, you've got Seth Rogen in, like, a trench coat with a fedora, and they just do a lot of kind of stylized things where it's, you know, it's real Sam Spade or whatever. You know, it's. It's real Mickey Spillane, I guess, or whatever. Whatever your go to kind of noir thing is. Now, the problem for me is that they have to in the opening scene. And by the way, if I was a better podcaster and friend, I would have actually grabbed this audio, but it didn't occur to me. It's Seth Rogen, and he's in, like, a projection room, right? And he's in a projection room with this older gentleman. And I guess what they're trying to do in this opening scene is basically explain two things, explain that nobody shoots on film anymore, because that is true. It's pretty rare, I think, to shoot on film because it's just more expensive and time consuming. And there's a lot of filters now and things you can do to digital stuff that makes it pretty indistinguishable. So they want to establish that Seth Rogen's character, as the head of this studio, is such an auteur or such a fan of auteurs that he's allowing his filmmakers to shoot on film because if a film, because like a something digital going missing, a hard drive going distant missing, wouldn't have the same kind of, I guess what, you know, like sort of plot effect or something. So they, they have him in this projection room that I think is. So you know what, obviously you know what a daily is. This is like in the olden days when you would make a film, you'd shoot a lot of stuff on film. It actually takes a while to develop all that film and color correct it and stuff. But what they could do on a rush job is they could turn around some of that film by like the next day sufficiently that you could watch the performances. Because since this was film, you couldn't just rewind it and see if the actors were nailing the dialogue and looking the way you want them to look. So you get together after shooting and you watch all the stuff you had shot the previous day. It was called dailies. It was a big part of the filmmaking and probably television process too. That's also not a thing that happens because you can just rewatch the scene in the moment because it's digital. So they want to have Seth Rogen, he just does this very ham fisted, forced in description of how he lets his people shoot on film, which nobody does. And then the projectionist, who is again an older guy who is clearly like the kind of guy who would probably geek out on film. Like, first of all, I don't think you need a projectionist if it's digital. But this is the line I'm paraphrasing that they write for the projectionist. So Seth Rogen is like, like, I love film. Don't you just love the. It wasn't my worst Rogan. Wish I could get the laugh down. He's like, I love watching things on film and it just has a look to it and, and he's talking to this guy and the guy goes, I hate it. Digital's easier. All I have to do is push a button. And I was like, there's no way that this 70 year old guy who's probably in a union and made his whole career on playing film reels for people in one way or another, loves digital. Like, there's no way that character is like what I. The reason I got into this business was just to push a button. Like, it's. If there's anything when you talk to somebody who's been dealing with a certain technology for a long time and it's their craft and they appreciate it it's almost zero percent of the time. Are they like. You know what? I really like the automated version of this that takes all joy out of it for me.

[Luke Burbank]

Now I'm thinking of. There's a. I don't know why I keep on ending up on the same episodes of Columbo, but have you seen the Columb? I guess you don't watch as much Columbo as I do, but there's one. Well, no, I think a lot of people do like Columbo, but I actually am a pretty bad Columbo watcher because I don't really care about the mysteries. I just watch it for the vibe, and then I'll just. My mind and sometimes my feet will just wander away from the TV show. And Genevieve's like, don't you care what happens? I'm like, no. I'm not really paying attention to the plot. I just kind of like the scenes. But there's one that has something. A bunch of. It takes place in a projector room. What's the proper term for that?

[Andrew Walsh]

Well, I think projection room. Projection.

[Luke Burbank]

Projection room in a movie theater. And it has something to do with the timing of the reels. Like somebody who has to switch the reels. You know how there's that cigarette burn up in the top right hand corner? In fact, I was watching a movie on YouTube with Genevieve yesterday that I'm obsessed with. I got obsessed with this weird old movie that nobody likes a couple of days ago. I've watched it twice now in two days. It's called the Terminal Man. I'll tell you about it later. It's terminally long. It's not even that long. It feels long. It's a very, very slow movie that sort of reminds me of Severance in the way when it's very slow and deliberate and very focused on shots. It's also another Michael Crichton adaptation. By the way, terrible reviews. Has George Seagal in it. George? Yeah, I think George Seagal.

[Andrew Walsh]

And what was the sitcom that he was the star.

[Luke Burbank]

Just shoot me.

[Andrew Walsh]

Just shoot me.

[Luke Burbank]

Fame and who's Afraid of Virginia Woolf? Divorce him. If he existed, I think that's him. But anyway, it's a movie that I got kind of terrible reviews. Some of the acting is pretty rough. There's very little character development. But, like, from a stylistic standpoint, I'm in love with this movie. I watch it after the 11 innings of baseball yesterday or a couple of days ago with Genevieve, and then we were done with it, like 11 at 1:30 at night, and she's like, yeah, that was terrible. I'm going to bed now. I'm like, well, thanks for watching it with me. Anyway. All of that is to say I. Whatever I was watching, I was watching it on YouTube, this movie, the Terminal man, and it had those cigarette burns because whoever had digitized it was clearly digitizing it from the original movie print. You know what I mean? Like, that would have shown up on a VHS copy. I don't think so. All of that is to say there's a Columbo where they. They are showing him how to operate it and, like, when to change the reels. And you have to, like, hit this button, pull this lever down, move this over here, slam the reel back on, and it's all about the timing of it and somehow plays into the mystery of how somebody couldn't have been where they were supposed to be when somebody was murdered or something. So that's my entry into this. I don't. I. I mean, I can't form a strong opinion about what you saw as far as this seeming not like the. In tune with the character.

[Andrew Walsh]

Here's what they did. This was the clunkiest exposition part, though. So he's talking to this projectionist, and he's saying, I love film. It's so great. And the guy's like, I hate it. I just. I like digital. I just push a button. And then the projectionist, in the least convincing thing ever, goes, so what is this movie about? I only get the visuals, not the audio. Which then is the reason that Seth Rogen is able to expositionally explain to us, the audience, what the plot of the movie that's being filmed is like. He does a bunch of heavy lifting on the story of this movie, but they had to, like, nobody, like, you did not need to make the projectionist go, I only get the video. I only get the images, not the audio. What is this about?

[Luke Burbank]

You mean, do you dislike the entire question? Could he have just said, what is this about? Without having. That's all he has to say.

[Andrew Walsh]

All he has to say is, so what's this movie about anyway? Like, that's all you have to say? And then you're like, the fact that they needed to get into the weeds. I know that's rich coming from us, but let me just explain more about my watch fans. The tines, dad, they're dirty. Like, I understand that, okay? But this is. We're not getting paid millions of dollars by Apple TV to make a compelling television show. So we're getting donations from the listeners to do whatever this is, it's like you don't need in that moment to like, we've already, listen, we've already gone far beyond realism because I think when we had the guy dislike the fact that they don't use film anymore, I think we, for my money, left the bounds of how people realistically respond to situations. You did not need to then have him go, so what's the. So, so what's the story anyway? I don't. I only get the pictures, not the audio. Like, we don't need a description of how with film you record the audio separately from the. Have the guy go, so what is this about anyway? Yeah, I don't know why. I think it's just because it's on the heels of some other stuff where they, they just made something. I don't know. It's. Again, it's. For me it's that it's a show that it's about making of films and of arguments that happen over scripts and small moments in these creative endeavors. And then they have fallen victim to, I think, some bad small moment moments in their creative endeavors.

[Luke Burbank]

Now this gets me closer to my connection with this show, which is I, again, I am apologizing a lot for our content the past couple of days, but I have a couple of things that have been dogging me about this conversation regarding this show which I have not seen yet. Right. And one of the things that's dogging me is before you started watching it and telling me about it, I told you this already, that I had a conversation with somebody. I believe it was at the Eagles, which would also maybe explain why I can't remember the details of it. But somebody somewhere, not from the show, somebody somewhere, but somebody in my life somewhere told me that there was something special about this show that I would be very into. Then they made a pitch that it wasn't like other shows for a reason. And you had said maybe they were talking about the film style where they really lean into kind of long shots and the kind of unbroken shots as much as possible. And I saw a listener, I think, right. Or post somewhere like Andrew was right. Like that's what makes the show special. It like about this type of filmmaking. And I'll be honest with you, I appreciate that listener having my back, but that is not what the person recommending the show told me. I know it was something more along the lines of this show being an homage to a certain kind of film or filmmaking. And I thought in the back of my head I was like, I swear this person told Me, it was like an homage to old school sort of mystery, Some sort of mystery. And now that you're telling me they dedicated one episode to a noir style, I'm wondering if. If that's what this person was telling me about. Has this.

[Andrew Walsh]

It is Columb sort of Columbo. Ish, but. But a little bit. I mean, maybe that's what they were thinking is it's more like Columbo.

[Luke Burbank]

I don't know. Like, they kind of made it sound like it was almost like an old. That it followed some, like, old classic movie mystery style. That's what I remember them telling me. And I'm wondering is, was this noir episode just like a bottle episode, where they were just, like, playing around with that format and do they play around with other genres as well? Is that maybe what this.

[Andrew Walsh]

It's the first one that has seemed, like, very different stylistically than the other episodes. So I don't know if they're gonna start doing this more, but it's definitely. The whole show is not a noir show generally. This was a real tonal shift, this episode.

[Luke Burbank]

Now, how did you feel about that tonal shift?

[Andrew Walsh]

I didn't really buy it, honestly, which is sad, because generally speaking, I would like for creators and filmmakers to do more. I mean, we talk obsessively. Talk about Mulaney. Boy, the listeners are sure lucky I'm not going to be in Los Angeles tonight. As we're recording this, I'll be flying out to Chicago because do you realize I would have been in Los Angeles when Everybody's Live with John Mulaney is filming it's maybe penultimate show.

[Luke Burbank]

Would you have tried to get in?

[Andrew Walsh]

Probably not, but I would have felt spiritually very connected to it.

[Luke Burbank]

Sure. Okay.

[Andrew Walsh]

Yeah, I would have been here Wang Chunging out. That isn't as bad as it sounds. There's something. I'm staring out at the. They actually gave me a room with a very cool view. I'm looking out across, like, just a huge expanse of Los Angeles. And if it was 7pm on a Wednesday and I was hearing the opening tones of To Live and Die in la, I'd be feeling a certain kind of way. But all that is to say we've talked about Mulaney so much, because I think we both really like stuff that's weird. Or at least we like it when people try stuff. There's enough, you know, very predictable content that gets created all the time. I like it when people get creative. This show is, in its own way, maybe it doesn't sound this way anymore. But the origins of this show were on trying to be creative in a weird way that would cause a lot of people to not be interested. So I don't want to be stifling creativity by saying, get back to the normal show. What's his name? Rogan. Rogan. Who knew we'd have two people in the culture with the last name Rogan, which would be so divergently different except for their love of weed would bring them back together.

[Luke Burbank]

Oh, is Joe Rogan.

[Andrew Walsh]

Oh, big weed guy, I believe.

[Luke Burbank]

Yeah, that makes sense.

[Andrew Walsh]

But anyway, I. So in other words, it did for me. It didn't quite work, but I guess I'm glad that they're trying creative stuff.

[Luke Burbank]

Yeah, that's how I feel. I mean, I'm sorry to keep going back to this, but that's kind of what the watch. Well, the watch. Sorry, that was my Christopher Walken. That's a Levitard thing. Whenever anybody says the word watch, somebody does an imitation of.

[Andrew Walsh]

Oh, the gold. The gold watch from Pulp Fiction.

[Luke Burbank]

And I can't do the imitation. But like in my head it's like a. It's like shocky cheese, like you guys used to say.

[Andrew Walsh]

So the problem is the watch is a. Is. I don't think that the watch is a word that leads naturally to a walkin.

[Luke Burbank]

Walkin. I can't even say walkin that. Have you seen the. You must have if you've been watching Mariners games.

[Andrew Walsh]

Oh, yeah, I like those actually.

[Luke Burbank]

The Christopher Walkin Miller Light ads. Yeah, I love his voice and it's a pretty good commercial. I mean, the imagery is just fantastic and using like Rebel.

[Andrew Walsh]

Rebel, Right, the David.

[Luke Burbank]

Yeah, I think it is. Yeah. And it's like the, the. The. And it's really leaning into like whatever it is 40 years now of Miller Light or 50, I think, 40 year anniversary. So I kind of like everything they're doing there except Christopher Walken. And. Yeah, I'm gonna do it. I'm gonna do my best to do the imitation at the end. He says if this beer could talk, it have. Okay, I'm not gonna do the imitation. I'm backing away from that.

[Andrew Walsh]

But he says, well, let me just say, can I do it?

[Luke Burbank]

Yeah, yeah, yeah.

[Andrew Walsh]

He says, like, okay, well, wait. And this means I have to do a Christopher Walk. And I don't know if this beer could talk.

[Luke Burbank]

Oh, wow.

[Andrew Walsh]

It'd have a lot of stories. And if you had it, you've got some stories too or something.

[Luke Burbank]

Yeah, that.

[Andrew Walsh]

First of all, John Travolta.

[Luke Burbank]

No, that is so much better than mine. God damn. I don't even know what I was slipping into. That makes me never want to even go near that. I'm really impressed with that. And yes, that is basically the line. I think the line is actually. And if you've had one, you probably have stories we're sharing, too. Oh, yeah. Always hear that. And, like, it's one of those things where we're just like Pavlovian. We're always like, yeah, remember that time I had a Miller Light? God, boy, if anybody's ever had a Miller Light, they probably have a story to tell. Like that time you drank a Miller Light? Like, that's just not that great of a story.

[Andrew Walsh]

No, you're absolutely. I had never put that together, but you're so right. I was sort of, you know, I was taken with the fact that it's all black and white footage. And of course, it's very artfully done. So it's people in what seem to be sort of candid moments, just out there having living a good life of fun and friends and Miller Life photos.

[Luke Burbank]

Too, I should say, too. Right. So it gives it sort of this, like, kind of authentic, kind of nostalgic vibe. Yeah.

[Andrew Walsh]

And again. And then it's got this. It's got some cool music, and it's like, you know, it's. I found the commercial to be generally watchable, but you're absolutely right. Like, very few truly spectacular stories started with having a Miller Light.

[Luke Burbank]

Right.

[Andrew Walsh]

Or even, I'm gonna say it, two Miller Light.

[Luke Burbank]

Or just think about all the people, myself included. Although, okay, I have a podcast where I tell a lot of boring stories. But, like, just the idea that anybody who's had a Miller Light probably has it. I mean, listen, you could just go stud circle on it and just say, yeah, everybody's got an interesting story. Sure. You're a human being. You've. You've. You've existed in this world. You have some story to tell. Like, I'm actually open to that idea, but I like this idea that, like, well. Well, if you're a Coors drinker, you're probably living a pretty boring life. But, man, if you've had a Miller Light, I just, again, I just sort of think that it's like, yeah, hey, Genevieve, remember that time I drank a Miller Light? Oh, God. Tell it again.

[Andrew Walsh]

Good story, good story.

[Luke Burbank]

Here I go once again with the email. Every week, I hope that it's from a female. Oh, man, it's not from a female.

[Andrew Walsh]

I'll write emails of emails.

[Luke Burbank]

Yeah. I'll be honest with you, Luke. I don't know anything about Jamie's drinking habits. Listener Jamie here. Maybe she drinks Miller Light. Maybe she does, but she does have a story to tell. Has nothing to do with Miller Light. It has to do with prank phone calls because. Oh, this is the second time Shador Sanders accidentally comes up in today's show. But we're talking last week about how somebody had prank phone called him during the NFL draft and told him that he was going to be a. What? A New Orleans Saints player. And it was just a whole big prank. Listener Jamie sent in this reminiscence about making prank phone calls.

[C]

Hey, friendos. This is Jamie from Maryland, and I was. I was listening to your show. I'm a couple days behind, I admit, but I was listening to you talk about the Shador Sanders prank call, and I wanted to tell you my story about a prank call. So when I was about 11, my cousin and I were making prank phone calls in my living room, and we didn't have any good ideas. You know, we were. We were 11. What can you possibly know at that age? So we were just calling the people in my very small, rural Missouri town and asking if they had any hay for sale. Well, it wasn't very funny because half of them said yes, but didn't matter. We were having the time of our lives until my mom walked in and she looked at us and she said, girls, are you making prank phone calls? And I was like. And I just said, yeah. And she goes, those were terrible. Those were not funny at all. Give me the phone. So we hand her the phone and she picks it up and dials random number. And as soon as the person answers, she just goes, hey, it's me. We're on our way. We'll be there in about an hour. We've got all the kids and a couple of their friends. We're starving. We can't wait to eat. I hope you have enough bedding for all of us, because like I said, we're bringing a couple extra, but it'll be great to see you. Can't wait.

[Andrew Walsh]

See you in an hour.

[C]

Okay, bye. Bye. And the whole time my mom is talking, this woman is going, what? Hey, wait, who is this?

[Luke Burbank]

Why are you coming here?

[C]

Who are you? My mom just hung up on him. And then she hands us the phone back and goes, that's how you make a prank phone call.

[Andrew Walsh]

Wow.

[Luke Burbank]

I swear to God.

[C]

Power out.

[Luke Burbank]

That's a pretty good prank call.

[Andrew Walsh]

That's psychological warfare.

[Luke Burbank]

It really is.

[Andrew Walsh]

That's you know, forget Prince Albert in a can. That's like, you've. Now, first of all, I love that Jamie's mom was so game.

[Luke Burbank]

Yeah.

[Andrew Walsh]

But, man, you have really changed the arc of that woman's afternoon.

[Luke Burbank]

A lot of questions. I mean, at first, panic, right? Like, who's coming over here? And then eventually you're going to realize, wait, that was either a wrong number or a prank. But it's still. It's just like, one of those things. If that happened to either one of us, we'd be talking about it for weeks on the show. Luke, you wouldn't believe this phone call I got.

[Andrew Walsh]

Like, it would completely displace Watch talk. So it might be a good thing.

[Luke Burbank]

Not let it happen, because I have.

[Andrew Walsh]

So if somebody wants to prank call us, you might want to do it soon just to keep us off of that topic. That's. I love those moments, and they're, you know, they're infrequent in life. But when your parent, like, when you're a kid and your parent kind of shows you a side of them that you didn't expect, that's a little bit more just kind of like, hey, I used to be a kid, too. Or just like, you know, like, getting. This is sort of slightly to the side of it, but, like, we had this thing in our family that was called. This is maybe. Sounds weird now with the name, but there were so many kids that. That my mom set up this thing, which I think was actually pretty cool, where she would, like, take basically one kid at a time out for, like, a frozen yogurt or something. It was called Special Time, and everybody got one special time during the week, and it was always just, like, fun to get to be. And I know this isn't exactly to Jamie's point, but it was just really fun to get to not be one of seven children vying for the attention of our parents. Or, like, with me and my dad. Dad, I've told this story so many times, and I was relaying it to my dad, and he goes. I was like, we used to go on my birthday. We'd go to the Mariners games with grandma's free tickets from the ymca, and we'd go to her fees. And he was like, I think we did that once, dude. Yeah, it's like, oh, it's turned into a lifelong for me. But, like, just getting to kind of like, you know, and it. I know you've had some experience like that with your dad, too. Maybe when you guys were living together or whatever, it's just Kind of fun when you get to see your parents, I don't know, surprise you a little bit as a kid.

[Luke Burbank]

Yeah. Yeah. I remember the first time my dad used the F word in front of me. I couldn't believe it. I was like, I guess I'm a man now.

[Andrew Walsh]

What was the context?

[Luke Burbank]

You said, I don't like your effing face. No. I'm just trying to think of the most cruel thing, you know, I think it was. It does get a little personal. Yeah. Yeah. I think he was pretty mad about someone. Yeah. And he wasn't saying it. I didn't hear him. He didn't say it to that person. I heard him sort of, like, say it in conversation to me, I think. You know what? The reason I'm hesitating here is because I said. Because I'm caught in a lie here. Let me just stop for a second. Let me just stop and tell you that I think I'm caught in a lie here because I said, I remember the first time my dad used the F word in front of me. And there was a time that I did remember that. But that's a lie. Right now I'm thinking, no, it wasn't an anger thing. It was a casual thing. And I feel like we were. But I no longer remember.

[Andrew Walsh]

I just remember the energy around.

[Luke Burbank]

I do. Yes. And I used to remember it, and then I said I remembered it, and now that's just not true anymore. I need to. Well, scratch that story off of your scintillating. Your scintillating.

[Andrew Walsh]

Wait a minute. Stay with us. Stay with us, Columbo. You know, my dad. I think I mentioned this on the show. Well, not just Chinese bullshit, but, like, my dad. Now, my dad uses the F word around me much more than I use it around him. And that's not to say a lot, but I just, you know, I. First of all, I don't. I mean, I used the F word on yesterday's show for some reason. I don't. I don't throw it around a ton in passing, but like. But like my dad, often when the subject of Donald Trump comes up and he gets just. He's mad about. He has righteous indignation, which I'm very appreciative of. My dad will now deploy the effort, and I have to be honest with you, it scandalizes me every time.

[Luke Burbank]

Yeah, yeah. You don't want to. Let's see.

[Andrew Walsh]

That would have been a spankable offense when I was growing up. That would have been, you're grounded. Like, that would have Been. There's something about. I kind of want to be like, Dad, I know we're all adults. I appreciate that you're having your feelings, but this is. We don't use the F word in this house. I feel like telling my dad we don't talk that way around here.

[Luke Burbank]

Dad, do you know what that word means? Here, dad, sit down with me for a second. Okay? We're going to talk about it and where you can use that word. Like, it's okay to use it in the home, but you know, if you go to school, don't use it there. For sure.

[Andrew Walsh]

Yep, precisely. Well, okay.

[Luke Burbank]

Sorry.

[Andrew Walsh]

Jamie, thank you for the call. You didn't lie. I know exactly. I. I know exactly that feeling of like what you're remembering is that it wasn't an overly negative thing the first time you heard it. What, you can't remember the specifics, right?

[Luke Burbank]

Well, sort of. I know. The thing is, I don't remember anymore because I think when I started you said, I said I remembered and you said, oh, what was it? And then I started saying, I think he was angry. I do remember at some point him using that word in anger later. And again, not to me or anybody in an abusive way, but like sort of overhearing it. But the thing is, the first time he used it, no, it was like it was in a casual way in a conversation with me while we were out doing something. And it wasn't a negative connotation. It was kind of like, oh, that, that was. I was kind of shocked to hear it, but also kind of like, I guess, you know, I'm, you know, I was probably a teenager or whatever. And it was sort of a sense of us being able to talk that way around each other occasionally. My dad is not a foul mouth man. But I'm really mad that I started saying. Making up the story about him being. Saying it out of anger because it doesn't portray him in a very good way. I don't think that's true. And I was lying and I don't feel good.

[Andrew Walsh]

Well, here. You weren't lying. You were. Were trying to do this weird thing which is us having a rolling conversation for over one hour, five days a week. I just would say the obvious next step is to go to the make a men. You've got to reach out to Bob. No, just ask Bob. When was the first time you used the F word around.

[Luke Burbank]

Yes, exactly. Let's get his memory of that question for the show.

[Andrew Walsh]

Yeah, put it on the poll. Oh, man. If that show goes away, yeah. Does that mean we get. Does that mean we have full rights to use Put it on the pole? Whereas right now, we've just been. We've been stealing that trope.

[Luke Burbank]

They start selling off. They start selling off pieces. Yeah, exactly.

[Andrew Walsh]

I love that. Like, we're going at, like, an auction. Leard auction.

[Luke Burbank]

I want the. I want to put it on the pole. And I want. I want Dangerous Game Dano, too.

[Andrew Walsh]

Yeah, we've been using both of those as an homage.

[Luke Burbank]

Yeah.

[Andrew Walsh]

But then eventually we can just be using both of them as actual.

[Luke Burbank]

Yeah.

[Andrew Walsh]

Stuff on the show, so. All right, thank you so much for listening, everybody. We're going to be back here tomorrow with more imaginary radio. I will be in Chicago, so I'm sure I'll have lots to update you on. Oh, I'm flying, not my normal airline, Andrew to Chicago. So there's going to be a lot to discuss. There will be many indignities that I've had to suffer as a. As a regular citizen in the airline experience. So anyway, we'll get into that tomorrow. In the meantime, have a great Wednesday. Take care of yourselves, and please remember, no mountain too tall.

[Luke Burbank]

And good luck to all. Power out.