Transcript
A (0:00)
They said, you know what?
B (0:01)
We need to have a third interview.
A (0:03)
With you because the notes from the social worker is that you seem anxious, high strung and eccentric. Yeah, that's what I do. That's the cornerstone. It's the business plan. Tbtl.
B (0:27)
That was really good pizza. Oh, this is the best pizza in a cup ever. He ran the old cup of pizza guy out of business. People come from all over to get this.
A (0:36)
Well, I just wanted to say a friendly hello in an unfriendly way.
B (0:40)
Hello. It's the story of a man with.
A (0:43)
A brothel, of a home in a pool filled with human excrement.
B (0:45)
Would you say that to Tom Petty? You wouldn't say that to Tom Petty, would you? When you get there, this is what.
A (0:51)
You will see on the screen. And there's a little arrow over there. You press it and congratulations, you're listening to a podcast.
B (1:03)
Well, all right. Hello, good morning and welcome, everyone, to a Thursday edition of tbtl, the show. It just might be too beautiful to live. My name is Luke Burbank. I am your host, coming to you once again and for the final day from Los Angeles, California, from the corner of Sunset and Wilcox in the Office Depot district, we're bringing you a Thursday edition of the program. And we've got a good one for you. Lots to catch up on, blurs, days to celebrate, and hellos to say to this young man, the longest running cobra of the show, maybe best known for his depictions of the tall ships. He is Andrew Walsh and he is joining me right now. Good morning, my friend.
A (1:44)
Good morning, Luke. This is going to be hard to explain. For the past, like, hour, I've been going over this in my head. I need to explain something to you that's going to make you groan and it's going to be too verbose because it is a little bit of dream talk. But I was shocked by a dream I had.
B (1:59)
You're so lucky I don't have my sound effects.
A (2:02)
Oh, a dreamcatcher come to life. Is that what you would want to play? Or one of those Dreamcore?
B (2:07)
