116 - The Rolling Stones - Out of Our Heads - Wayne Federman

Summary

Podcast Summary: The 500 with Josh Adam Meyers

Episode 116 – The Rolling Stones – "Out of Our Heads" with Wayne Federman

Date: March 18, 2026
Host: Josh Adam Meyers
Guest: Wayne Federman

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Episode Overview

In this lively episode of The 500, comedian and music buff Wayne Federman joins Josh Adam Meyers to break down album #116 on Rolling Stone's 500 Greatest Albums: The Rolling Stones' "Out of Our Heads." The pair reminisce about the British Invasion, the Stones vs. Beatles rivalry, and the cultural shifts of the 1960s, using humor and deep fandom to explore what made this record a pivotal point in rock history. They focus heavily on the U.S. version of the album, the importance of "Satisfaction," and the Stones’ transformation from blues enthusiasts to icons of swagger.

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Key Discussion Points & Insights

1. The Stones’ Big Break & the Importance of "Satisfaction"

• [12:06] Wayne explains that the U.S. version with "(I Can't Get No) Satisfaction" is the definitive one for American fans:
  "That's the album that was in stores when I was a kid. That's the album I saw that's got 'Satisfaction,’ which is THE song that made the band." – Wayne Federman

• [12:29] Josh reflects on how this record marks the transition from "British kids doing American blues karaoke" to a rebellious band parents warned you about.

• [39:14] Before "Satisfaction," the Stones had minor hits, but nothing like this:
  "They were a band, but then 'Satisfaction' was like rocket, rocket fuel." – Wayne Federman

• [41:49] The song’s dirty, sexual energy set the band apart from The Beatles’ clean-cut image.
  "We're not cute. We're frustrated, we're horny, we're annoyed." – Josh

2. Stones vs. Beatles: The "Good Boys" and the "Bad Boys"

• [12:47] Wayne highlights how the Stones’ manager positioned them as "bad boys" to contrast with The Beatles:
  "We don't need another Beatles. ...[The Beatles] always wore the same outfit. ...We're going to be a little edgier, more rebel." – Wayne

• [13:31] The Stones targeted male fans and encouraged rowdier shows:
  "Where the Beatles had the girls, Stones had the boys." – Wayne

• [13:56] Josh and Wayne discuss Stones’ grittier sound—raw, bluesy, with more attitude compared to the Beatles' pop harmonies.

3. The British Invasion & Cultural Context

• [26:35] Wayne details how the British Invasion wasn't just music, but movies, Broadway, and fashion:
  "There's a bigger cultural thing... British Invasion. It's the Hollies, the Kinks, the Beatles, the Stones, the Animals, Herman's Hermits..." – Wayne

• [30:18] British bands re-interpreted American blues and sent it back, taking American youth by storm.

• [42:14] The ‘Mods vs. Rockers’ split among UK bands is discussed, with The Who, Kinks, and Stones each appealing to different youth tribes.

4. The Stones’ Shift from Imitation to Innovation

• [21:41] "How did the band go from stealing Muddy Waters riffs to inventing swagger itself?" – Josh

• [21:49] Wayne credits the magic of Jagger/Richards songwriting and their ability to create guitar-based, hook-laden rock songs.
  "It's one of the great mysteries. These two guys wrote so many hooky, great, swampy, bluesy R&B ...and then 'Satisfaction,’ the first HUGE riff song." – Wayne

• [22:57] Jagger’s frontman style is likened to Tina Turner and Elvis—rare attitude superseding pure vocal quality.

5. Stones Live & Their Endurance

• [47:56] The Stones’ concerts were longer, rowdier, and more energetic than the Beatles’ short 30-minute sets: "Stone shows were like two-hour shows. This is not like the Beatles who did a half hour." – Wayne

• [53:40] Discussion about the Stones dropping "Brown Sugar" from live sets due to its controversial lyrics.

6. Songwriting, Catalog, and Standout Tracks

• [51:11] Wayne shares the Stones’ five most-performed songs according to setlist.fm:

  1. “Jumpin’ Jack Flash” (#1)
  2. “Brown Sugar” (#2)
  3. “Honky Tonk Woman”
  4. “Tumbling Dice”
  5. “Satisfaction” (#5)

• [57:11] Many songs on "Out of Our Heads" are a mix of Jagger/Richards originals and R&B covers, reflecting a band in transition.

7. The Album’s Place in Stones History

• [59:16] Josh and Wayne agree "Out of Our Heads" represents a crucial turning point—the bridge between the Stones as blues cover band and as songwriters with their own sound: "It’s their mission statement moving forward—they just needed to be badass motherfuckers." – Josh

• [59:37] Wayne prefers the band’s singles output to their albums, although he acknowledges "Exile on Main St" and "Sticky Fingers" are often considered their best LPs.

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Notable Quotes & Memorable Moments

• On Mick Jagger:
  "Mick Jagger is a perfect example of, you don't have to be a great singer to be a rock star, but you need to look great and have incredible attitude. He has it in spades." – Wayne [17:05]

• On the Stones’ attitude:
  "They were not dick riding the Beatles anymore! We're not cute. We're frustrated, we're horny, we're annoyed." – Josh [39:53]

• On American music’s influence:
  "They wanted to be Muddy Waters and Howlin' Wolf...they recorded this record in America at Chess Records, Chicago...they could lay down Satisfaction whenever inspiration hit." – Wayne [30:25–40]

• On “Satisfaction” as a breakthrough:
  "That was their rocket to the moon...their mission statement moving forward." – Wayne [50:28–50:34]

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Timestamps for Key Segments

• Studio Banter & Chemistry: [03:37–08:21]
  The hosts reminisce about past episodes, apartment nuisances, and introduce Wayne’s history with the show.
• Oscars & Film Talk: [08:46–12:00]
  Discussing the Oscars, cinephilia, fathers and sons, and favorite directors.
• Start of Rolling Stones Deep Dive: [12:06]
  Why the U.S. album version of "Out of Our Heads" matters.
• Stones vs. Beatles Rivalry: [12:43–18:18]
• The British Invasion & Cultural Landscape: [26:35–33:40]
• Stones’ Songwriting, Sound, and Live Evolution: [21:41–47:56]
• Fun with Stones Setlists: [51:11–54:21]
• Reflection on Best Stones Albums: [59:16–60:14]
• Wayne’s Book & Plugs: [60:26–61:09]

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Final Thoughts & Plugs

• Wayne teases an updated edition of his book, The History of Stand-up from Mark Twain to Dave Chappelle.
• Josh hints at more future collaborations, potential guests (Gina Gershon), and next week's episode on The Who.

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For Fans & New Listeners

This episode blends deep Stones lore with classic Josh and Wayne banter, loads of first-hand ’60s nostalgia, and plenty of music geek in-jokes. If you’re curious why "Out of Our Heads" was the launchpad for the Stones’ swagger, or want to understand the Stones-Beetles dichotomy, this is an essential listen (or read!).

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Next Episode Preview: The Who Sell Out (1967) – tune in to see if Josh liked it or hated it!

Transcript

[Josh Adam Myers]

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[JM]

The 500 the 500 JM been walking us down through that 2012 edition so it ain't nothing to you. Hundreds more to go and in need of a friend. The King of peaceful angelo Talking the 500 until the end Talking the 500 until the end with my man JL on the 500 Talking the 500 until the end.

[Josh Adam Myers]

That is Satisfaction by the Rolling Stones from the 1965 album out of Our Heads. It's also number 116 out of 500 on the 500 with me, Josh Adam Myers and I'm going to do my intro with Dark guest today, the one and only Wayus Federminus the third.

[Wayne Fetterman]

Thank you for using the Greek.

[Josh Adam Myers]

I was going to do it in Asian but actually that's not a language. Oh God. Keep that in. If you're not subscribed to the YouTube as usual, watch the show on YouTube. Go to YouTube.com the500podcast. You got many ways to watch it, but also subscribe to our Patreon to help support the show. We get to support Wayne and all of his endeavors, but most importantly you get to pay for Emily and Jeremiah and his different places that he lives. Patreon.com the 500 podcast and also I mentioned him earlier in the show. Our guest from episode 135, Melissa Offdemur. Her book Even the Good Girls will cry, a 90s rock memoir is coming out. Actually it's out now, but get a copy. It is incredible. And now today a man that's been on the show more than anybody really. The one and only Wayne Fetterman.

[Wayne Fetterman]

It's good to be here.

[Josh Adam Myers]

Always support Wayne but for the podcast rate review, subscribe to the podcast on all platforms. Follow me at Josh Adamyers. On all social media, follow the podcast at the 500 podcast. Email the [e-mail] Follow the Facebook group run by crazy Evan. And they're all things 500. Go to our website, the500podcast.com. Give it up for Chris on the ones and Tuesdays.

[Wayne Fetterman]

Thank you, Chris.

[Josh Adam Myers]

Back in the Comedy Store studio. I have extended my trip in Los Angeles and I thought, what a better album to do. What about we. We said, well, let's aim for the top. Let's get fucking Brian Jones. He's dead.

[Wayne Fetterman]

He's in this house on this album.

[Josh Adam Myers]

I know he is.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

And I said, who can we get that is available, ladies and gentlemen?

[Wayne Fetterman]

Top of the list of comics that

[Josh Adam Myers]

are available, bro, if I could. If I could put you on for every episode, I would. I'm telling you. And I'm. And to all the fleece army, I really think that when we end this list, you and I, we do like, I'll fly out and we can just stack episodes here and we do.

[Wayne Fetterman]

I like doing them. I do like this studio, especially because of Chris.

[Josh Adam Myers]

Chris has always been my favorite. Lee, you know, I like. I like fat Lee. Yeah, Skinny Lee. To go himself. He's got an ego now. He's getting all the time.

[Wayne Fetterman]

Chris is good.

[Josh Adam Myers]

Chris is great. He is a holocaust denier, though.

[Wayne Fetterman]

But he is.

[Josh Adam Myers]

He makes. He makes good points.

[Wayne Fetterman]

Are you a flat earther also? Because usually those go hand in hand, right? No, no, they don't.

[Josh Adam Myers]

No, flat earth. Flat earth goes with the moon landing. Didn't happen. Holocaust denier goes with Jews control

[Wayne Fetterman]

banks. The media keep going.

[Josh Adam Myers]

NBA sports, Hollywood, war in Iran. We control. We control everything. Yah maha Mahalayam. Where you got shit and you are crying naka Liam. And then. Yeah, I. I just. It really is better to do this at the studio with you because I

[Wayne Fetterman]

like face to face so much better than. And most of them. We have done the first ones. We did face to face in your old apartment. I just want to reminisce a little bit. You remember that place?

[Josh Adam Myers]

God, dude, Doing Steve Miller band with you. My old apartment where I had enemies on all sides.

[Wayne Fetterman]

Yeah, because they got to know you.

[Josh Adam Myers]

No, I had an I with the roasting.

[Wayne Fetterman]

Roast battle is upstairs.

[Josh Adam Myers]

I think I'm doing one of the judges tonight. I. I just. Yeah, I know I'm a lot. But dude, I. Paula downstairs. Like, dude, here's the funny thing. My cousin, he had a friend that lived because I told Him I moved into 2033 North Beachwood, and this is one of his buddies goes, wait, what apartment? You. And I'm like, I'm in 20. And he goes, dude, I used to live in that apartment. I go, no, bullshit. He goes, dude, does Paula still live below you? And I go, yeah. He goes, dude, she was horrible. So when she started, I gave her my number when I first moved in, because it was like the apartment of my dreams. Like, I had gone from, like, living in, like, Little Armenia, you know, as a drug addict, cleaned up, and then I was like, all right, I am. I am in. Let's rock. I've got the greatest apartment. I gave her my number. She lives below me. I said, if there's any issues I'm ever allowed, I'm not going to be, but if there is, text me. And it started that night, and it continued and continued until the point where the management said, paul is complaining about you. But don't worry. Don't listen to her. She complained about everybody. There was a guy that died.

[Wayne Fetterman]

Paula.

[Josh Adam Myers]

Paula. A dude. Oh, I hated her. She ratted me out the night that I moved out. She told the management that I had moved out without telling him. I didn't put a notice in.

[Wayne Fetterman]

Oh, I see.

[Josh Adam Myers]

Yeah, I was.

[Wayne Fetterman]

You did something wrong?

[Josh Adam Myers]

No, he said I fled in the night, though, which I loved. The email he sent me said the smells were undescribable. Not of this earth. And I was like, the dog. It was carpeted, and the dog had pooped on it a long time ago.

[Wayne Fetterman]

You don't get your.

[Josh Adam Myers]

Oh, no. I. I was gonna fix all the problems. And I was like, well, I'm not getting my deposit back.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

Plus, why did I pay rent during COVID Right.

[Wayne Fetterman]

These are big questions.

[Josh Adam Myers]

If in California, I think they. They forgave everybody's.

[Wayne Fetterman]

They did forgive a lot of people.

[Josh Adam Myers]

Yeah. And I should have been one of them. But me, like a dummy, paid.

[Wayne Fetterman]

I was in my house.

[Josh Adam Myers]

You own a home.

[Wayne Fetterman]

Homeowner.

[Josh Adam Myers]

You better at this age. Dude, would you buy just a lot of gay sex and Bobby Blue Bland playing in the background, playing the show

[Wayne Fetterman]

tunes on the piano.

[Josh Adam Myers]

I'm going to come on my grigri.

[Wayne Fetterman]

Oh, my God.

[Josh Adam Myers]

Call back. Well, we're in it again.

[Wayne Fetterman]

Yeah, no, I. I bought right before COVID 19.

[Josh Adam Myers]

Really?

[Wayne Fetterman]

Yeah. I've rented my entire life.

[Josh Adam Myers]

I love that for you.

[Wayne Fetterman]

And then finally found something that I could move into. It took a long time. It might as in my 50s.

[Josh Adam Myers]

Really?

[Wayne Fetterman]

Yeah, I was in my. Yeah, late 50s, I think.

[Josh Adam Myers]

You're doing stand up for 50 years almost.

[Wayne Fetterman]

Well, yeah.

[Josh Adam Myers]

Did you start when you. Are you Emmanuel Lewis?

[Wayne Fetterman]

First of all, I'm older than you think I am.

[Josh Adam Myers]

No, I know you're not.

[Wayne Fetterman]

You look me up. Look me up.

[Josh Adam Myers]

Yeah, I've already got the whole page. Right.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

I don't want to.

[Wayne Fetterman]

Let's go.

[Josh Adam Myers]

Yeah, let's dive into this. But before we. We do that, it was Oscar's weekend.

[Wayne Fetterman]

Yes.

[Josh Adam Myers]

Were you. Were you happy with one battle after another?

[Wayne Fetterman]

Yeah, I think that's. Again, I. Like I said about this season, I felt like there were a lot of really, really good movies. No. Great movies. I thought there was no. That was like, oh, One Flew over the Cuckoo's Nest, Jaws. Nothing like that. But it was really good. And I'm very happy for the industry. I'm a movie buff much more than a television guy.

[Josh Adam Myers]

Yeah, me too.

[Wayne Fetterman]

You are.

[Josh Adam Myers]

Oh, I've always been a cinephile. I was. My dad was the reason I do the podcast, the reason I went to film school. Everything is me just trying to get my dad's approval.

[Wayne Fetterman]

Wow.

[Josh Adam Myers]

Yeah. So.

[Wayne Fetterman]

Because he loved films.

[Josh Adam Myers]

Loved. I mean, I saw Rebel Without a Cause at a young age. The reason the Mel Brooks thing is, dude, one of our first movies we watched was History of the World.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

And. And I mean, I didn't understand 90% of the jokes because they were so adult. Like, you know, you know, with James Verapis. What's up, motherfucker? Like, I had no idea. And then as you get older. But my dad, Woody Allen and Rebel Without a Cause and the Godfather and blah, blah, blah, he was a guy that. He had the soundtrack for Clockwork Orange and I always used to look at it and play it. And then finally when I saw it, I was like, oh, this is the greatest movie. Dude. He took me. I saw Clockwork Orange, New Year's Eve, 1995. And then the next day, my dad took me to see Pulp Fiction. That was our thing. And I was like, oh, I want to do that fiction.

[Wayne Fetterman]

So. And dude, he outdid himself. He outdid himself.

[Josh Adam Myers]

Yeah. I mean, he's. He's never going to hit that again. I think Inglorious Bastards was great, but no Pulp Fiction. Yeah, it's the same thing with. With one battle after another. I think he should have gotten it for Boogie Nights. I think Boogie Nights is his best dude. How is that to be?

[Wayne Fetterman]

First of all, why are you yelling at me? I'm right here. I'm right. Chris is right there.

[Josh Adam Myers]

I got a lot of caffeine.

[Wayne Fetterman]

Okay. Just so I agree with you. I think Boogie Nights is his best movie.

[Josh Adam Myers]

I think. I think There Will Be Blood is. It's like a better film. But Boogie Nights is more enjoyable. It's a more fun watch. It's like alien aliens.

[Wayne Fetterman]

I love Boogie Nights.

[Josh Adam Myers]

And. And it was.

[Wayne Fetterman]

I love. There's also a movie he did called Magnolia out the valley of San Fernando.

[Josh Adam Myers]

You wanna. You wanna go into the Amy man. John Bryan. I think the best scene is when they did they all sing in their car. Wait, no. With Tom. No. They're all singing in their perspective areas of their lives. And it's just. Just to be in the middle of the movie. Incredible. It was brilliant.

[Wayne Fetterman]

Ridiculous.

[Josh Adam Myers]

He should have. Dude. 14 nominations and finally winning. Do you feel like they.

[JM]

Him.

[Josh Adam Myers]

Because like Allah the Departed, sometimes you

[Wayne Fetterman]

do get a career achievement situation and that might have been part of it. But I. I thought that movie was good. One battle after another.

[Josh Adam Myers]

You hated Hamnet.

[Wayne Fetterman]

Let's not get into it.

[Josh Adam Myers]

Dude.

[Distrokid Ad Voice]

You hated that.

[Josh Adam Myers]

You said that lady is so unbelievable. That scream. When she finds out her son dies. Good God. Come on it.

[Wayne Fetterman]

Describe that movie as a grief porn. Am I wrong? Am I wrong?

[Josh Adam Myers]

I wept harder. The only movie that I cried harder at this year was F1.

[Wayne Fetterman]

I knew you were gonna do a zag.

[Josh Adam Myers]

Zagging your zag. You come around here and you're having a skag. Everybody. How many people listen to the. To the UK version of the album we're doing today?

[Wayne Fetterman]

Yeah, we're. I apologize for that. There's any listeners out there. And I understand that. But this. The only reason I feel like the USA version is superior is that's the album that was in the stores when I was a kid. That's the album I saw that's Has Satisfaction, which is the song. The song that made the band. That is the song.

[Josh Adam Myers]

Yeah. This is the.

[Wayne Fetterman]

Not time is on my side. All of those are great songs.

[Josh Adam Myers]

This is the moment.

[Wayne Fetterman]

This is the moment from all the

[Josh Adam Myers]

reasons the Stones stop being those British kids doing American blues karaoke and turned into a band that your parents warned you about. About.

[Wayne Fetterman]

They were the bad boys. Yeah.

[Josh Adam Myers]

Which is why were they the bad boys?

[Wayne Fetterman]

I'll tell you.

[Josh Adam Myers]

Please.

[Wayne Fetterman]

Because the Beatles had just hit and they. Their manager was thinking like, we need. Like we don't need another Beatles. We don't need another band that. You know. The Beatles for all their live performances after Ed Sal always wore the same outfit. Always wore the same outfit. Just think about that as a band. And they were like we're not going to do that. We're going to be a little edgier. We're going to be a little more rebeller. More rebel.

[Josh Adam Myers]

Rebeller.

[Wayne Fetterman]

I don't know what. Rebel.

[Josh Adam Myers]

Black Betty. Raveler. Hey, Bob.

[Wayne Fetterman]

And. Yeah, so that's why they. So that's. That was the band. They were. They marketed. And they also had a very. Where the Beatles had the girls, Stones had the boys.

[Josh Adam Myers]

Yeah.

[Wayne Fetterman]

If you especially. I saw this documentary called 25 by 5, which was 25 years of them together by the five guys. And they really, really, like, emphasized the boy part of it. So they. They had a lot of guys, a lot of like, kind of near riots in their show, all of that. Very edgy.

[Josh Adam Myers]

So if the Beatles. So the Beatles would have been.

[Wayne Fetterman]

The Beatles had screaming. Look, the Stones have screaming girls also. Don't get me wrong, if you look at the Tammy show, which they did in 64, I mean, there's girls screaming. So it's not just. But at the beginning, they were definitely like, guys were just with a lot of tests, young men.

[Josh Adam Myers]

But also also the Stones, where the Beatles, you know, the Going to the Maharishi and doing the, you know, existential. They always had a very. Namaste thing about them and the war. You know, Paul being vegan or vegetarian. The. The Stones always had an edge to him. Always.

[Wayne Fetterman]

And to their music. And the sound of their music was very grittier. It was raw. Her then certainly she loves you or. I want to hold your hand I

[Josh Adam Myers]

can't get no satisfaction it's about to me.

[Wayne Fetterman]

What?

[Josh Adam Myers]

Let me write this.

[Wayne Fetterman]

I didn't know. I. Hold on.

[Josh Adam Myers]

Write it down.

[Wayne Fetterman]

Wait a minute.

[Josh Adam Myers]

Hold on for a second.

[Wayne Fetterman]

Wait a minute.

[Josh Adam Myers]

You're telling me Mick Jagger with the library, member one of those deep sea fish. He has deep sea fish mouth. You know those fish that, like, you see on the bottom of the deep sea that have a light on for some reason, which is so crazy. What do they got to see down there? It's like not even kelp.

[Wayne Fetterman]

I don't know. But, yeah, he was definitely. There was an old Richard Belzer routine about that. Do you know Richard Belzer?

[Josh Adam Myers]

I do. Oh, my God. From. I. I told my old managers I wanted his career. I wanted to have like a very comedic career and then end up being on like, Homicide. Life on the street.

[Wayne Fetterman]

I mean, come on. How he crushed it.

[Josh Adam Myers]

I would be a very good detective.

[Wayne Fetterman]

I just saw him in the movie Fame. I don't know if you know that

[Devil's Cut Music]

I'm gonna live forever.

[Wayne Fetterman]

Yeah. She Passed away.

[Josh Adam Myers]

Really?

[Wayne Fetterman]

I ring Cara. Yeah.

[Josh Adam Myers]

Oh, wow. I didn't know that. I thought that was the girl that keeps getting nominated for Oscars and never wins.

[Wayne Fetterman]

No, that's Diane Warren.

[JM]

Oh.

[Josh Adam Myers]

And surprisingly, I didn't know Diane Warren was white. Oh, she was a black chick.

[Wayne Fetterman]

Oh, really?

[Josh Adam Myers]

I thought Carol King was Chinese. Is that funny? If you guys send anybody that's Photoshop out there, send us some pictures of Carol King wearing a geisha.

[Wayne Fetterman]

Don't do it.

[Josh Adam Myers]

Come on. Culturally appropriate.

[Wayne Fetterman]

Do not have her eating sushi. And you're at.

[Josh Adam Myers]

Now you're giving them ideas. Wayne, I already told him that Satisfaction is about sex. That's what I think I loved about this record.

[Wayne Fetterman]

No, but yeah. Was just like, if this guy can't get Satisfaction, what chances do I have? He's a ruck, he's a rock star.

[Josh Adam Myers]

And arguably.

[Wayne Fetterman]

And he can't get Satisfaction.

[Josh Adam Myers]

And Mick. Arguably, Mick has that look, you know, and. Young man, if we could pull a picture up of young Mick. Can we pull a picture up of the band when this album came out? Because they're. Mick is like, you're. You know that guy that did Bittersweet Symphony, Richard Ashcroft, He's. You know, it's a bittersweet. Which I just saw him three times in England opening up for Oasis.

[JM]

He.

[Josh Adam Myers]

Dude, he has a face. It's just so interesting looking. Which you wouldn't be like, oh, this guy's super. He's not ugly. But Mick has that thing where it's like, he is so sexy. I mean, like, look at him.

[Wayne Fetterman]

Yeah, I mean, he was. This is. Mick Jagger is a perfect example of, you don't have to be a great singer to be a rock star, but you need to look great and have incredible attitude and he has it in spades. That's not a racial thing. That's just an expression. I know we did. I know we played blues music.

[Josh Adam Myers]

By the way, guys, Wayne Ferman likes you all derogatory slang from the 50s. He's like, listen up, Jack.

[Wayne Fetterman]

So, yeah, he was. That look. He was extremely. And there was another. You know, there's another member of this band we talked about on the last one. Who? Their piano player, Nikki Hopkins.

[Josh Adam Myers]

Who?

[Wayne Fetterman]

They were like, we can't have six people in the picture. Their manager was like, only five. So you got to get out.

[Josh Adam Myers]

Oh, off. Really?

[Wayne Fetterman]

Yeah. You can play with us on the road and you can be like a road manager, but you can't be in the band anymore.

[Josh Adam Myers]

Look at Brian Jones hair, man. That is a helmet of. I Mean, they're so fashionable.

[Wayne Fetterman]

I just. Anyway, there was a big. There was a little bit when I was a kid divide between Beetle fans and Rolling Stones.

[Josh Adam Myers]

I always. I always thought I. I knew that that was a real thing. But. But realistically, because I had a very similar thing in my high school where I had. We had Nirvana fans and then we had Pearl Jam. Yeah. I remember we. Jacob. I forget his last name. Jacob. He loved Pearl Jam, where, like, all the guys I was in a band would love Nirvana. And I was like, I'm Stone Temple Pilots. Like, all right.

[Wayne Fetterman]

Because you like.

[Josh Adam Myers]

I love heroin. Yeah. You know I love heroin. And I knew I was gonna. And I was like, I want to be like. Well, I just thought Scott Weiland had a voice that's.

[Wayne Fetterman]

He just.

[Josh Adam Myers]

He had a. He had the swagger and had a thing and that. We've talked about this on the podcast. You do not. I still get on. They're like, I don't want to listen to a podcast where the guy's best album is. Is Core by stp. It's not my best. Take a guess what it is now. Is it Lux by Rosalia? It might be. Have you heard that yet? It's one of the best records I've heard in. In the last five years, including doing this podcast. This chick is Lux. Lux by Rosalia. She sings it in 15 different languages. L, U, X, L, U. I'll send you it.

[Wayne Fetterman]

Okay.

[Distrokid Ad Voice]

It is.

[Wayne Fetterman]

I'll listen to. I like music, dude.

[Josh Adam Myers]

It's. It's.

[Wayne Fetterman]

Don't.

[Josh Adam Myers]

It's, you know, don't pull. You don't. You can pull it up if you want it. It's so good.

[Wayne Fetterman]

Okay.

[Josh Adam Myers]

I've talked about it.

[Wayne Fetterman]

This is. You like it as opposed to just declaring it.

[Josh Adam Myers]

I. I listened to it because it kept getting all the acclaim.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

And the second I put it on, I was like, oh, my God.

[Wayne Fetterman]

Like, did it win Grammy?

[Josh Adam Myers]

No, it's next year.

[Wayne Fetterman]

Oh, it's. I would be Best New Artist or.

[Josh Adam Myers]

No, I don't think Best new. I think she'll be not. I think she'll be definitely nominated for album of the year. I think Bergain or Bergon. That. There's the Rave club. She's a song about the Rave Club in Berlin with Bjork, and it's. Dude, she sings opera.

[Wayne Fetterman]

I can't wait. I can't wait.

[Josh Adam Myers]

So I'm not gonna tell you anymore.

[Wayne Fetterman]

No, I like your. For the most part. I like your taste. It's your voice. That's annoying.

[Josh Adam Myers]

But what are you Talking about Wayne. I'm your. I'm your what? Is that what they call it? That like your sleep paralysis demon? Just me being like, wait, I need you to do the podcast. You're this week. I can't. So wait, are you. So how did this. All right. Okay. No, we didn't answer that. So what when it comes to the Beatles versus the Stones, like, and the fandom, was it like you can't like both or was it.

[Wayne Fetterman]

There was a little bit of split when I was a kid and still to this day there's, you know, especially what happened in 1969. The Beatles break up in 1969 and the Stones start going on these, you know, they play Altamont and they play. Start playing these big concerts and they self declare themselves the greatest rock and roll band in the world.

[Josh Adam Myers]

Ooh.

[Wayne Fetterman]

That is their thing.

[Josh Adam Myers]

Did it help them?

[Wayne Fetterman]

I think it helped them. I mean, this early 70s is like peak Stones, like you would think they would be done after Time is On My side and Paint It Black and all of these things. And then suddenly it's Brown Sugar, Jumping Jack Flash and all of these, you know, start me up. I mean, it's just. They never stop.

[Josh Adam Myers]

Angela was the one that turned me on to like, you know, Sucker Blues.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

And Exile, I think.

[Wayne Fetterman]

I think Sticky Finger.

[Josh Adam Myers]

I mean, Sweet Virginia is a song I wanted to do at the gym. I remember the first time I listened to that while I was an open micr.

[Wayne Fetterman]

Still.

[Josh Adam Myers]

I think I listened to it like a thousand times over and over.

[Wayne Fetterman]

And what's amazing about this album, this album is the transition album.

[Josh Adam Myers]

How did the band go from stealing Muddy Waters riffs to inventing swagger itself?

[Wayne Fetterman]

It's one of the great mysteries that they were that good of songwriters together. The Jagger and what's the other guy's name? Keith Richards. These two guys wrote so many hooky, great, swampy, bluesy R B, but guitar based, sort of created. Had the first like huge riff song, which is Satisfaction, which you listen to any Led Zeppelin songs. A Whole Lot of Love. They're all riff songs. There's all like a guitar riff that repeats over and over and again. Even the Beatles were inspired by that song. With their song. It's the great mystery that these two guys, middle class kids, these aren't poor kids, were this good at songwriting. That's. That's to me, the story of the Rolling Stone as. As well as, like you said, the swagger, the look, I mean, and they have one of the great frontmen who's doing in my Opinion. Sort of an impression of Tina Turner. Oh, yeah, it seemed like a Tina Turner type moves and everything.

[Josh Adam Myers]

Yeah, it's also, it's got a little, it's, it's a little Elvisy. I mean, it's. But he's, he's very like, yeah, yeah. By the way, give him the credit that he deserves. Like, yes, but, but no, Mick, I do. We just. I saw him fight. I saw them finally like two years ago. And I mean, for an 82 year old guy is putting on like, dude, my mom couldn't have done that at 40.

[Wayne Fetterman]

Oh no, no. But he runs.

[Josh Adam Myers]

Oh, but he's probably on a million peptides to kill a tortoise. But I mean he is, he is just. Dude, it was, it was incredible. I did feel that Keith there was like. When he did the beginning to start me up, I was like, it's a little sloppy. I think he's getting. His fingers are tightening up a little bit. Don't take me. You know, don't tell him I said that. But you know.

[Wayne Fetterman]

Yeah. So he couldn't get started. That's the irony.

[Josh Adam Myers]

He was up though.

[Wayne Fetterman]

He was like, please wine.

[Josh Adam Myers]

He's like, I'm up.

[Wayne Fetterman]

Look, and look. Two of the, you know, one band member dies, his replacement is long gone. I think that guy is still alive. I think Mick Taylor is still alive. And then obviously Ronnie Wood took over from McTaylor. And then Wyman is dead. Right? Charlie Watts is dead.

[Josh Adam Myers]

Yeah. I mean, God, what about Andrew Luke?

[Distrokid Ad Voice]

Old.

[Wayne Fetterman]

You're talking about their manager?

[Josh Adam Myers]

Their manager, yeah.

[Wayne Fetterman]

And producer of those early albums.

[Josh Adam Myers]

Yeah. This is Hill.

[Wayne Fetterman]

Alan Klein took over. So this is, this is, this is another reason. In my opinion, this is like a little deep dive. They lucked out in that this guy, Dick Rowe, I think is his name, he was the A and R guy at deca Records and turned down the Beatles.

[Josh Adam Myers]

Dick Rowe sounds like a, like a way to talk about sperm.

[Wayne Fetterman]

Like, oh, my dick. Yeah.

[Josh Adam Myers]

And then deca.

[Wayne Fetterman]

So this guy was humiliated. Obviously. Beatlemania hits and then he luckily not only signs through this manager. You just mentioned the Rolling Stones. But the Rolling Stones get a great deal. They get. Here's what they get. They don't have to record at deca Studios. They can record wherever they want. They can record in and in Chicago at Chess, you know, they can record in LA at rca, which is where they dissatisfaction. They can record in region studio, which was this mono studio that was like shitty. But they love the way the band sounded in that. And they weren't like The Beatles were like, we're on a three hour. We're in the corporate room. There's the guys in the white coats up in Studio 2 and Abbey Road.

[Josh Adam Myers]

Oh, I've been there.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

Pictures. I sent you stuff.

[Wayne Fetterman]

Yeah, I know.

[Josh Adam Myers]

And I went to that. I was in that room. It's. It's such a giant room.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

And it definitely feels disconnected if like George is up there and the Beatles are down there. Yeah. I mean, I know. Yeah. Not. Not Harrison, because like Harrison be down there chilling, you know.

[Wayne Fetterman]

Yeah. No, but the Rolling Stones were different. Like they were in the. In the room kind of band. Not a lot of overdubs. Not a lot of like, oh, we're doing this. Boy. We're thinking great three part harmonies or anything like that. So I feel like they were lucky in that. Mr. Rowe with egg on his face, which means he's embarrassed. That's an old timey term. Egg on your face.

[Josh Adam Myers]

Really?

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

I'll write that one down.

[Wayne Fetterman]

Write it down, write it down. Egg on your face. Luckily, signs the Rolling Stones. I mean, think about it. If he had turned them down as well. I know, I know, I know, but. And also there's a bigger cultural thing that's happening at this time, which is called the British Invasion.

[Josh Adam Myers]

Yes. Which is what? The Hollies,

[Wayne Fetterman]

the Kings, the Beatles, the

[Josh Adam Myers]

Stones, Harry and Not Harry.

[Wayne Fetterman]

The Animals. The Animals. Herman's Hermits.

[Josh Adam Myers]

That's it. I wish I got the mix up with that movie with John Lithgow. Harry and the Henderson. I'm telling you now.

[Wayne Fetterman]

Yeah. One of the few bands that sang with an English accent that, by the

[Josh Adam Myers]

way, you know, we've had Peter Asher on the podcast twice.

[Wayne Fetterman]

Twice.

[Josh Adam Myers]

Twice. He hated me the first time. And then we had him back to do Linda Ronstadt. Oh, yeah, dude. I mean, amazing career. He came to my house. Yeah. Came around.

[Wayne Fetterman]

You know his sister used to date Paul. Yeah.

[Josh Adam Myers]

Yep.

[Wayne Fetterman]

He was in the house when the. Paul was upstairs learning, oh my God,

[Josh Adam Myers]

you know, Is his cousin dated Gaddafi.

[Wayne Fetterman]

Muammar Gaddafi from Libya.

[Josh Adam Myers]

I call him Mo. You think they called him Momo? Momo. Hey, Momo.

[Wayne Fetterman]

Momo.

[Josh Adam Myers]

Momo. Gaddafi. That's a great band name, dude.

[Wayne Fetterman]

So anyway, it's more than just those bands is my point about the British Invasion. It's also. Don't forget in 1963, best picture winner. Your dad would know you're.

[Josh Adam Myers]

Don't tell me, don't tell me, don't tell me, don't tell me. I'm gonna guess. You're gonna get it 63 of the graduate. No, no. God damn it. No.

[Wayne Fetterman]

What?

[Josh Adam Myers]

Is it the one.

[Wayne Fetterman]

Is it.

[Josh Adam Myers]

Is this pretty?

[Wayne Fetterman]

While the Graduate didn't win Best Picture,

[Josh Adam Myers]

but I know it didn't. You're right. No, you're right. It's not out of Africa. That was in the 80s. It's definitely not the last emperor. That's the 80s. It's not. Is it the one that. That the guy up on the movie Quiz Show?

[Wayne Fetterman]

No, that's Marty.

[Josh Adam Myers]

That's Marty.

[Wayne Fetterman]

That's a good. That's funny that you would know that.

[Josh Adam Myers]

I think that was the best movie that year, but I don't. I understand that it was the best movie. It wasn't as culturally moving. It wasn't as culturally significant as Shawshank or Pulp Fiction or Forrest Gump. Should not have won Best Picture that year. Why?

[Wayne Fetterman]

This is a lot of Oscar talk.

[Josh Adam Myers]

I know. I'm sorry.

[Wayne Fetterman]

Oscar talk on Valentine's Day. Are we allowed to say that?

[Josh Adam Myers]

Is it Valentine's Day?

[Wayne Fetterman]

Are we allowed to say that you're wearing green? Yeah.

[Josh Adam Myers]

Loon.

[Wayne Fetterman]

That's why I'm.

[Josh Adam Myers]

That's what you wear on Valentine's Day. Come on. Come on. Question, though.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

So why. Why is the. Because you were saying. Yeah. Wait, you didn't finish your point. I'm all over the place. Finish your point about the movie that won't. In 16.

[Wayne Fetterman]

Tom Jones from a British move. Do you know that movie?

[Josh Adam Myers]

I do, yeah.

[Wayne Fetterman]

It's. It's hard to watch.

[Josh Adam Myers]

Michael Kane.

[Wayne Fetterman]

No, no, no. But it doesn't matter.

[Josh Adam Myers]

Albert Finney.

[Wayne Fetterman]

But. Yeah, yeah, but there is. But the whole point of it is that My Fair lady, which was about.

[Josh Adam Myers]

Made British culture popular and there was

[Wayne Fetterman]

a comedy element to it also.

[Josh Adam Myers]

Sure.

[Wayne Fetterman]

Do you know what I'm talking about?

[Josh Adam Myers]

Of course.

[Wayne Fetterman]

Who?

[Josh Adam Myers]

John Cleese.

[Wayne Fetterman]

Now, closest guy. He was inspired by these guys. It was called beyond the Fit. The Fringe. Beyond the Fringe started the West End. It's with Peter Cook. You know him from Taz, of course. All of that. And Dudley Moore. I mean. Excuse me, Dudley Moore. Peter Cook. Dudley Moore was in that movie. So it was those guys and they had a big hit show in London, came to Broadway. It was so. There was like America was becoming. Because we were so dominant culturally throughout the world, starting post war. Because don't forget we didn't have to recover from a war.

[Josh Adam Myers]

Yeah, we did get touched. Well, Hawaii did. But.

[Wayne Fetterman]

Yeah, but I mean, the mainland did not get touched. And Britain was just.

[Josh Adam Myers]

I mean, devastated. London's gone.

[Wayne Fetterman]

Devastated. Hamburg, devastated. So they. So our Culture, sort of. That's why people are into these blues records. That's why people are in England or, you know, are into our culture, into blue jeans, into Cadillacs, into four, which is all cool.

[Josh Adam Myers]

But that's the thing.

[Wayne Fetterman]

Finally.

[Josh Adam Myers]

Yeah. Because I was about to say, it's like, why did they. Because what made them say, hey, man, let's stop entertaining America and let's be. Let's. Let's outdo America?

[Wayne Fetterman]

Well, they look. I mean, there's no better example than what we're talking about than the Rolling Stones. They wanted to be Muddy Waters and Highland Wolf.

[Josh Adam Myers]

Funny thing. They recorded this record, though, in America.

[Wayne Fetterman]

They did, yeah.

[Josh Adam Myers]

Chicago at Chess Records and in Hollywood at rca.

[Wayne Fetterman]

Yeah, this is what I'm talking about. So it'. This. This was what was genius about their deal with deca that they could do that and, like, oh, we're inspired by Want to write a stone? Let's go in studio today and lay down Satisfaction. That. By the way, that riff came to him in a dream. No, in a dream.

[Josh Adam Myers]

Do you think he. Do you think he woke up with a little bit of dick row in his pants? Call back call. That was a good joke, too. That was.

[Wayne Fetterman]

Guys, I love that you not only categorize the joke, but judge it also afterwards.

[Josh Adam Myers]

You've never done that. You never do that when you're in

[Wayne Fetterman]

a audience, when you're like.

[Josh Adam Myers]

You're boxing out Kevin Nealon and you say something funny and you're like, hey, you know, you ever get some dick row in your pants? Oh, you didn't know about the podcast?

[Wayne Fetterman]

All right, let me put it on the glass. Let me just.

[Josh Adam Myers]

Yeah, look at your.

[Wayne Fetterman]

It is dick row.

[Josh Adam Myers]

I just.

[Wayne Fetterman]

I wanted to make sure I said that. But anyway, it's St. Patrick's Day, is what I meant to say. Say, this couldn't be a better example of a band. And the Beatles. Same way. I mean, the Beatles were all listening to R B song Little Richard coming out of Megan, Georgia. All of these great American sounds that they were mesmerized by, reinterpreted it, sent it back to us, and we just went crazy. And by the way, there was a couple English artists that came over before, didn't do well at all.

[Josh Adam Myers]

Like who?

[Wayne Fetterman]

I think there was a guy named. I'm going to get his name wrong. Frank Ifeld. And there was another. And what do you call it? Came a. Cliff Richard, came over, didn't do anything. You know, in the shadows. He didn't do anything. Everyone was like, we're not interested Next thing you know, I'm not going to say they're marginal, but like, not great music, not great acts. Like Herman's Hermits suddenly went nuts. They made a movie with the Herman. Oh, Dave Clark 5, same thing.

[Josh Adam Myers]

Herman's. Herman's made a movie.

[Wayne Fetterman]

Oh, yeah.

[Josh Adam Myers]

It wasn't like any. I mean, Hard Days Night.

[Wayne Fetterman]

It was all in the wake of that. As soon as that happened, every band had like a freaking movie.

[Josh Adam Myers]

And I think that is what's cool about the Stones, is that while everybody tried to imitate the Beatles. Stones. We're doing our own thing.

[Wayne Fetterman]

We're doing our own thing.

[Josh Adam Myers]

I mean, the Kinks were kind of too. Yeah, but they, they. But they got screwed because of the. The. The. I know it. It's. They couldn't come over the. What do you have to do? Mainly push ups.

[Wayne Fetterman]

How to do push ups?

[Josh Adam Myers]

Yeah. What do you call it? You get a pass. Not pass, pull ups.

[Wayne Fetterman]

A visa.

[Josh Adam Myers]

Visa. Thank you, Chris.

[Wayne Fetterman]

Thank you, Chris. That's why we love this guy.

[Josh Adam Myers]

Chris rules, man.

[Wayne Fetterman]

They couldn't get a visa for the Kinks.

[Josh Adam Myers]

Isn't that true?

[Wayne Fetterman]

I don't know.

[Josh Adam Myers]

Yeah. Oh, we talked about this on the butt. They got in. They got in. Immigration problems. I think it was like. I think I. It was the Brothers something. Yeah, I think. I'm pretty sure. And they had to stay in England. That's why they didn't pop as big in America.

[Wayne Fetterman]

It's a good question. What. What was the, like, the break besides, you know, the Beatles, like, what really made it be like, oh, we're into English. Maybe it was just. It was time, you know, we were. We were great allies in the war and it took a while for that country to recover. They got bombed out.

[Josh Adam Myers]

They really did get up, dude. They really did, man.

[Wayne Fetterman]

Those German planes.

[Josh Adam Myers]

Yeah, man, dude, the Nazis.

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[Josh Adam Myers]

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What's these?

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I never even heard of Deezer. How many of them are there?

[Josh Adam Myers]

I know all that.

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They want to we want to get

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[Josh Adam Myers]

They really had a good thing going, you know what I mean?

[Wayne Fetterman]

Creek, I mean, dude, not bop, just plain old blitz creek.

[Josh Adam Myers]

Just, just, just bobbing all over Europe.

[Wayne Fetterman]

And also, as great as the Beatles are, I do feel like the Stones are a little more proto punk rock.

[Josh Adam Myers]

Oh, without, Without a doubt.

[Wayne Fetterman]

Okay.

[Josh Adam Myers]

I mean, even some of the songs on this record, I mean, Satisfaction, I mean, is just. Man, it is. Because it's so funny. Like if I. I actually listened to both. I did by accident.

[Wayne Fetterman]

Okay.

[Josh Adam Myers]

You know, and one of them has like totally different songs on it. I mean, it's so odd. Why did they do that? Why did they do, you know why they did the two different versions?

[Wayne Fetterman]

Yeah. Because they're trying to. They're. They want in America to be it. To be a little more pop sensibility as opposed to Blue Sensibility because they were. They're fighting against the Beatles. And I remember when Satisfaction came out in the summer of 65, like that song was on Killer on the Radio. And I know how to John. It's like. I feel like that is the most Jaggery Mick Jagger can get.

[Josh Adam Myers]

Oh, yeah.

[Wayne Fetterman]

And the vocals on that, it's so hypnotic. He's beyond great on that song.

[Josh Adam Myers]

I also love.

[Wayne Fetterman]

He's beyond great on the end. I love the drum. I like the, the when the band pulls out and the. The drummer keeps, you know, Charlie Watts keeps the beat going and it's just, it's wild.

[Josh Adam Myers]

So how many songs, how many hits did they have before Satisfaction now?

[Wayne Fetterman]

No number one hits, nothing like that. I think they had Time is on My side. And I mean, I wrote it down, but there was another one they, they had. And Can't Fade Away maybe I think Can't Fade Away charted, but they were fine. They were. Look, they were doing good. They were over here. They played Ed Sullivan show like the Beatles did. They were on the Hollywood Palace. They did the Tammy Show. I mean, they were. They were a band. But then Satisfaction was like rocket, Rocket fuel.

[Josh Adam Myers]

It's dirtier. It's, it's. It's everything the Beatles weren't, man. It's like, like, just like dirty, sexual, rebellious, you know. They're not dick riding the Beatles anymore.

[Wayne Fetterman]

They're not dick row riding.

[Josh Adam Myers]

They're not dig row. We're not cute. We're frustrated, we're horny, we're annoyed. You know what I mean?

[Wayne Fetterman]

Yeah, yeah. Rebel.

[Josh Adam Myers]

Rebel dude. Yeah. Stayed there for four weeks. Huge hit in number one in America.

[Wayne Fetterman]

And they were, There was. They were something Raw about them. They weren't.

[Josh Adam Myers]

No other band was doing that. Was that. Was that, like, in America? Was there, like. Like, who was.

[Wayne Fetterman]

Well, I mean, you know, there was that song Louie Louie, before that by that garage band, the Trogs, I believe they were called. So there was bands. Don't you. You know that song, right? Louie Louie.

[Josh Adam Myers]

Yeah. Come on, dude.

[Wayne Fetterman]

Yeah, so there was that kind of stuff, but I don't. The whole package just worked and they just. And then that album after album, especially when they hit the seven after Brian Jones, everyone thought, is this the end? They get Mick Taylor, and a lot of people think Mick Taylor. That is the peak of that band. When they're, you know, street Fighting man and all of. I mean, it's just. Wow. You know, they did try to do a hippie dippy album, that one, My Majesty.

[Josh Adam Myers]

That's like their sergeant Pepper, right? We've got some good songs on it.

[Wayne Fetterman]

It's not great.

[Josh Adam Myers]

No, it's not great, but it's not terrible. You know what I mean? There's. She got Color Everywhere. The sun, Pubes are in my hair, it's Cheeseball McGee. But it's still good. I mean, everybody's got to have a psychedelic record. I mean. No, they don't do the who did. I just did the who sell out, which is coming out next week, and really, I. No. Was it. Yeah. Oh, I just. That. But that's the funny thing is, like. Because I was like, what were. If the. If the Stones were the. So if the Beatles are the good guys, but also, like, in. You know, the world loves it. She loves you. Yeah, yeah, yeah.

[Wayne Fetterman]

I want to hold your hand I

[Josh Adam Myers]

want to hold your hand. Yeah, but by 65, the Beatles. What are the Beatles doing at 65? What else?

[Wayne Fetterman]

Well, they. That's Help. That's the movie Help. So it's a little more introspective yesterday.

[Josh Adam Myers]

Yeah, yeah, yeah.

[Wayne Fetterman]

They're like, you know.

[Josh Adam Myers]

And the King. Scott, you really got me. Right. That's already come out at this point, very aggressive. But the who, though. Why aren't the who. I mean, shouldn't. The who. Because there's. Their shows are crazy, right? And, like, aren't people like. They're the bad boys. Was there like a. Was there like a.

[Wayne Fetterman]

Well, yeah, there was a big. Like. Again, I don't know if you know the Whose mythology, but there was a. There was a divide in England between what they got the mods and the rockers.

[Josh Adam Myers]

Yeah, I do know that.

[Wayne Fetterman]

Yeah. So.

[Josh Adam Myers]

And why was there. Why was there a Divide, though I knew of it. But why was there just kids?

[Wayne Fetterman]

Just. It's like you in high school with Pearl Jam and all of that and.

[Josh Adam Myers]

But it's like the same music and just a style of clothes. Mod is more like.

[Wayne Fetterman]

Oh, no, Mod would. Yeah, Mod was much more. Yeah. Rockers were more the Rolling Stones, I would say. And Mod was much more the who.

[Josh Adam Myers]

Interesting. Okay.

[Wayne Fetterman]

And then do you remember Ringo's famous line from Hard Day's Night?

[Josh Adam Myers]

It's been so long.

[Wayne Fetterman]

They said, are you a mod or a rocker? Goes, I'm a mocker. Perfect.

[Josh Adam Myers]

He wrote that, too. I bet the guy kills it. Yeah, dude, he's. He didn't write Octopus's Garden. Come on, dude.

[JM]

He did.

[Wayne Fetterman]

Yes.

[Josh Adam Myers]

That does sound like a Ringo song.

[Wayne Fetterman]

Ridiculous.

[Josh Adam Myers]

I'd like to be so. So America. What's so. Besides the British Invasion?

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

So the.

[Wayne Fetterman]

So it's music, but it's culture. It's movies, it's Broadway. It's more than just the Beatles. It's like. It's a whole wave that's. That's happened. And then in fashion in the mid-60s. You're into fashion, right?

[Josh Adam Myers]

Love it.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

Can't you tell?

[Wayne Fetterman]

Yeah, of course. But I know you spent.

[Josh Adam Myers]

I was there when you bought those shoes.

[Wayne Fetterman]

600 on a T shirt. Hey, is that right?

[Josh Adam Myers]

I have. It's worth 800 now. Of course, to some people. To other people, it's a jizz rag.

[Wayne Fetterman]

Guess what? It just has to be for two people want that T shirt. Yep. That's all. That's what it's worth.

[Josh Adam Myers]

Isn't that crazy? When you're. What? You're the other guy. I want that guy's thing.

[Wayne Fetterman]

Suddenly I'm pushing up the price.

[Josh Adam Myers]

You know what I mean? Like, why is this guy. I'm the other guy.

[Wayne Fetterman]

That's all it takes. Two people have won it.

[Josh Adam Myers]

That's true. That's so sad, man. It's just. You only. Can you really buckle.

[Wayne Fetterman]

I know, I know.

[Josh Adam Myers]

I remember I bought a Milli Vanilli T shirt for like 60 bucks at this vintage store. And the woman was like. I was like, I can't believe you're selling this for 60 bucks. She goes, why? I go, because it's worth 300. And she goes. Makes you think that it's like. Because that's what I would have paid for it.

[Wayne Fetterman]

Right.

[Josh Adam Myers]

You dummy. My credit card got declined. No, I'm kidding. Yeah, I got it. Thank God. Love that shirt. So in America.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

James Brown, right? Oh, my God, he's coming out. Aretha Franklin, Marvin Gaye, Supremes.

[Wayne Fetterman]

Yeah. I mean don't forget Motown also was very big at this time. So there's. Look, this is an explosion of music that literally is leaving my guys, which, you know, I love the crooners, I love Sinatra, Dean Martin, all of those. Leaving these guys in the wake. Like youth culture is just swamping. What would the big band era or what's left of the big band singers or any of those guys just swamping them with these great voices and these. I'm sure people would looking at Mick Jagger and like you gotta be sing. He can't really sing. Yeah, it's like, no, he can't sing in your style. Although you know they do do a great cover earlier of Route 66, which is a 40s song. 40s, like kind of swingy song that Nat can go got famous to and that got famous famously recorded it. So I don't know, it was just a. Why like youth. It was. This is the baby boomers friggin taking over from the greatest generation. Just snatching it. Everything. Tv, movies. What did you say earlier? That. That movie Marty. No, not Marty. The Graduates.

[Josh Adam Myers]

Yeah.

[Wayne Fetterman]

Bonnie and Clyde.

[Josh Adam Myers]

You know, so much cool happening in. In culture at this time. I mean this is like. Dude. I mean this is such a. The. This is before the Vietnam War.

[Wayne Fetterman]

You know, it's during. Is it.

[Josh Adam Myers]

Is it other than the other. More is the 70s?

[Wayne Fetterman]

No, no, it starts in early 60s and then really starts to peak.

[Josh Adam Myers]

Okay.

[Wayne Fetterman]

Under LYNDON JOHNSON Around 66, 67. He escalated.

[Josh Adam Myers]

How long did it go on for?

[Wayne Fetterman]

Was it like until 74?

[Josh Adam Myers]

Oh wow. Yeah.

[Distrokid Ad Voice]

Oh wow.

[Josh Adam Myers]

Yeah.

[Wayne Fetterman]

It was really bad.

[Josh Adam Myers]

I didn't. That's terrible, man.

[Wayne Fetterman]

It was really bad. So there's that. There was.

[Josh Adam Myers]

Fingers crossed. Iran. Fingers crossed. We can beat it. We can beat it. I got. I got 400 on Kalshi that it beats via not more. That's a good laugh. That's. That's why we love Chris. Dude.

[Wayne Fetterman]

Chris.

[Josh Adam Myers]

Dude. Chris is making me feel like it's Seinfeld right now. Yeah.

[Wayne Fetterman]

So it was a real. This is a real. Besides the British invasion, there's also funk music and.

[Josh Adam Myers]

Yeah.

[Wayne Fetterman]

And the birth of like really big folk. The folk scene obviously.

[Josh Adam Myers]

Dylan's gone electric in 65 too.

[Wayne Fetterman]

Yeah. All of this. And then this is right before the psychedelic era, which we've talked about ad nauseam. Right. Too much. Too much.

[Josh Adam Myers]

Quicksilver messenger service, dude.

[Wayne Fetterman]

Why are they.

[Josh Adam Myers]

I mean, who knows? Mod movie. What was the one we just did the other one, The Moby Moby.

[Wayne Fetterman]

Grape.

[Josh Adam Myers]

I love Moby Grave. Chase you around with a goddamn hacksaw. Dude, we've done some together, dude.

[Wayne Fetterman]

It's fun.

[Josh Adam Myers]

Like, not just like. You can say, man, we've done some together. We've done some real literal of album. That's why it's so cool to bless you with a Rolling Stone.

[Wayne Fetterman]

My second Stones album. I just. But I really, I. Again, as someone who. I was just a kid when this was happening, but who lived through it, I just shocked how good the Stones got in the late 60s and early 70s with Mick Taylor and all of that. I just. It was so. And those concerts and then they just became the biggest. They were like the biggest touring band.

[Josh Adam Myers]

So. So my question is. Well, I guess it's not question.

[Wayne Fetterman]

The Beatles never toured.

[Josh Adam Myers]

I know that. No, it was crazy though. Were the Stone shows that crazy? I mean, they must have been.

[Wayne Fetterman]

Yeah, they were like two hour shows. This is not like the Beatles who did a half hour.

[Josh Adam Myers]

Did they really?

[Wayne Fetterman]

One half hour off?

[Josh Adam Myers]

Oh, man. Like two nickels for that concert at Shea Stadium. Yeah, no, somebody complained about that. I made five seconds.

[Wayne Fetterman]

And they were always part of her of a review.

[Josh Adam Myers]

It was like 2 cents for a goddamn beer.

[Wayne Fetterman]

Yeah, and he had to tip the guy. Another time.

[Josh Adam Myers]

Tip the guy. Have a cent.

[Wayne Fetterman]

Can you top this off?

[Josh Adam Myers]

This is two cents.

[Distrokid Ad Voice]

Come on.

[Josh Adam Myers]

This is two cents. It's like two days work. What are you doing now?

[Wayne Fetterman]

The Beatles, they all. Even that Chase Stadium footage, what they've restored on the Beatles, that looks, I mean, just incredible. Yeah, even that concert was. There was like five other bands that performed on them. Like old rock and roll reviews, like 50s style crazy. It wasn't really until Paul McCartney and wings that any of them did those long shows.

[Josh Adam Myers]

Paul's. I. Dude, I just. I've seen him live.

[Wayne Fetterman]

He's playing the Henry Vonda Theater. Did you see that?

[Josh Adam Myers]

When?

[Wayne Fetterman]

Two weeks.

[Josh Adam Myers]

I. I mean, dude, nothing's gonna top that Bowery show.

[Wayne Fetterman]

Yeah, it's like the Bowery.

[Josh Adam Myers]

No, no, dude, 300 people. Yeah, 300 people in a 600 seater room with. If I told you. I mean, there'll be a lot of celebrities there because it's LA, but dude, to look up, see Barack Obama, John McCain dancing together. Oh, once again, Saddam Hussein was there. Oh, not even real people.

[Wayne Fetterman]

The K, the character for the movie

[Josh Adam Myers]

Schneider from One Day at a Time. He was there.

[Wayne Fetterman]

Okay, all right. Let me look at my nose.

[Josh Adam Myers]

He almost died like River Phoenix. Don't you? Sometimes you go, damn, I wish it was Schneider and not River Phoenix. Is that weird people? Probably.

[Wayne Fetterman]

I think we've said enough.

[Josh Adam Myers]

I mean, I really have to talk

[Wayne Fetterman]

about Alexis Korver and all.

[Josh Adam Myers]

Let me look. Let me see.

[Wayne Fetterman]

Corner. Alexis Corner in the blues situation where they start. I don't think so. We don't need to do. We don't have to go to the origins of the band.

[Josh Adam Myers]

Well, no, because I. We don't know. We. We've done that at this point. Morty. Morty had schooled me enough, and we had talked about the Stones.

[Wayne Fetterman]

Okay.

[Josh Adam Myers]

So if you really want.

[Wayne Fetterman]

No, no, no. I think the main. The main reason I was very excited when you said this album was because if. I hate to say it, because of Satisfaction. Like, they threw that record. It was a hit.

[Josh Adam Myers]

Oh. And it's like summer 65.

[Wayne Fetterman]

And it's the. As I said, it's their rocket to the moon.

[Josh Adam Myers]

It's their mission statement moving forward. They said, oh, just. We just need to be fucking badass motherfuckers.

[Wayne Fetterman]

Yes.

[Josh Adam Myers]

And we will get everything we need. And.

[Wayne Fetterman]

Dude. And then once in a while, we throw in an Angie. Once in a while.

[Josh Adam Myers]

Dude, Angie's great.

[Wayne Fetterman]

I love that.

[Josh Adam Myers]

Dude. I love that video. If you guys haven't seen it, it's. It is a video of them hearing the first mix of it, and they're. Have you not seen it here?

[Wayne Fetterman]

I don't think. Well, all right, I'll watch it.

[Josh Adam Myers]

I'm sorry. You have to go home to write a. No, I don't work on a documentary for Estelle. Getting.

[Wayne Fetterman]

By the way, can I give you the top five songs they played in concert over their career, please. You ready?

[Josh Adam Myers]

Wait, are you going to. Is this, like, just your personal opinion?

[Wayne Fetterman]

No, this is the facts off a set list. Dot fm, whatever that.

[Josh Adam Myers]

Oh, right on.

[Wayne Fetterman]

You ready?

[Josh Adam Myers]

I'll tell you. I think I can, I guess.

[Wayne Fetterman]

Yes. This is my favorite thing to do.

[Josh Adam Myers]

Okay, not. I know you love games.

[Wayne Fetterman]

You want it in.

[Josh Adam Myers]

And I just got to name them. Not in order. Yes, I'm Name five or so start me up.

[Wayne Fetterman]

No, really.

[Josh Adam Myers]

All right.

[Wayne Fetterman]

It came too late in there.

[Josh Adam Myers]

Okay. Okay. So Satisfaction. For sure. Jumper Jack Flash.

[Wayne Fetterman]

Satisfaction is number five.

[Josh Adam Myers]

Jumper Jack Flash, number one.

[Wayne Fetterman]

Of course, you've already bookended it. You've already booked.

[Josh Adam Myers]

And by the way, if nobody's seen the Whoopi Goldberg movie, Jumping Jack Flash, go see that. I'm go rent it or stream it. Rent. What am I talking about? Stream is probably on YouTube.

[Wayne Fetterman]

Make sure you rewind.

[Josh Adam Myers]

You know, puts on tubi. You just might have to. Somebody once said A joke. He was like, I watched the movie Congo the way you're supposed to see it, which is on YouTube in 10, 10 minute increments.

[Wayne Fetterman]

That's funny. That's funny.

[Josh Adam Myers]

God. Okay.

[Wayne Fetterman]

One of them is hard.

[Josh Adam Myers]

I mean, I'm assuming they played it at the show that I went to.

[Wayne Fetterman]

It's not Red Rooster.

[Josh Adam Myers]

Can I pull. Can I. Oh, yeah, dude. Not little Red Rooster. I don't want to pull up setlist.com. can I pull up a set list from my show?

[Wayne Fetterman]

No.

[Josh Adam Myers]

Or don't. That's cheating.

[Wayne Fetterman]

I mean, you can if you want. I don't.

[Josh Adam Myers]

Let me just. Let me see what it says. Rolling Stone.

[Wayne Fetterman]

Let me give you a hint on one of the songs.

[Josh Adam Myers]

Okay.

[Wayne Fetterman]

They don't sing it anymore in concert because it's politically incorrect.

[Josh Adam Myers]

Oh, Brown Sugar.

[Wayne Fetterman]

Yes. Yes. Number two.

[Josh Adam Myers]

That's number two.

[Wayne Fetterman]

That's soon going to be overcome by number three.

[Josh Adam Myers]

Yeah.

[Wayne Fetterman]

Is.

[Josh Adam Myers]

Okay, here we go. Here we go, Here we go. She's my little rock and roll tits and ass. I know that's not it, but good God. Angela loved that song. Paint it Black.

[Wayne Fetterman]

No, no, it's none of the 60s stuff.

[Josh Adam Myers]

So give me Shelter.

[Wayne Fetterman]

No, that's a great guess, though. That's a great guess.

[Josh Adam Myers]

Did we already make the joke that I was like that that's the song that Scorsese's put in every movie, like, even in, like, Kundun. It was like, wow, children. He's like, blessing somebody. It does the shadow way. All right, so now, so it's not the 60s. Get off of my cloud now.

[Wayne Fetterman]

It's none of the 60s ones.

[Josh Adam Myers]

Oh, okay.

[Distrokid Ad Voice]

Okay, I'm done.

[Wayne Fetterman]

I mean, yes, it did come out in the 60s, but I, I. When I think of the six, I think in the mid-60s. Get off of my cloud, Mother's little helper.

[Josh Adam Myers]

That's crazy. They don't play Brown Sugar anymore. That's nuts. I could have sworn they played that.

[Wayne Fetterman]

No, it's a. That's about slavery, apparently.

[Josh Adam Myers]

That's such a good song. Sympathy for the Devil.

[Wayne Fetterman]

Well, according to this, it's. I'm just gonna do it.

[Josh Adam Myers]

No. All right, let me just get one more.

[Wayne Fetterman]

Okay.

[Josh Adam Myers]

I'm gonna say you can't always get what you want.

[Wayne Fetterman]

Yeah. These are all. This is what I'm saying. Their catalog is phenomenal. It really is phenomenal. And according to this.

[Josh Adam Myers]

And it will go from 5 down 5.

[Wayne Fetterman]

Satisfaction. Actually, the song is called Satisfaction in Parentheses. I can't get Now.

[Josh Adam Myers]

Yeah.

[Wayne Fetterman]

Which is double negative. It should be I Can't get Any tumbling dice.

[Josh Adam Myers]

All. Yeah, I. Wow, that's crazy. I would have. Yeah, it is.

[Wayne Fetterman]

That's the surprising one. And then number three, Wild Horses, Honky Tonk Woman.

[Josh Adam Myers]

Fuck, I should have done. I knew that.

[Wayne Fetterman]

Come on. That song is incredible.

[Josh Adam Myers]

What a great song.

[Wayne Fetterman]

But I'm just saying, out of these two dudes, one of them who has traces of blood in his heroin stream, Keith Richards, that they could come up with this many great hooky songs, guitar driven song that are phenomenal in concert. They're just. It's too much. It's almost too much.

[Josh Adam Myers]

Yeah, it really is.

[Wayne Fetterman]

So they were no longer a blue. They're no longer a blues cover band doing Red Rooster. And you know, what was the. What was the song that Etta James did that they did on their first album? It's. Oh, my God, I just want to make love to you.

[Josh Adam Myers]

Oh, yeah, yeah.

[Wayne Fetterman]

I don't. Yeah, dude.

[Josh Adam Myers]

You know, I'm not gonna lie, man. I love some of the Beatles, older blues rip offs and it's like, I don't want you. But I. I love that stuff, man. You know,

[Wayne Fetterman]

Monkey Robinson,

[Josh Adam Myers]

I love that. You know, that's what's so great about the Stone song is that man, he does nothing. He can do whatever he wants because he's singing the same rain. It's not like Axl Rose who can't sing Paradise City anymore because his voice changed because he didn't think he'd have to sing these songs in his 70s. Like, Mick knew, dude, what is that? I was just watching Almost Famous and when the new manager, Jimmy Fallon shows up, he goes, you think he's like, I'm gonna take you to the next level. You think the Stones want to be playing when they're 70 in Haiti? And it's like, like he makes that journal, like, yeah, I guess you're right. And it's like, ah, just what a. What a great writer Cameron was for that. It's such a really interesting life. But that's another podcast and we'll talk about that when we do a Zeppelin record with maybe you if someone drops out. All right, but only if five or six people. I'm going for everybody. You're doing a Zeppelin record. We are. We have. We are. So what would you say then?

[Wayne Fetterman]

So it'll be bad news for the podcast.

[Josh Adam Myers]

Oh, God. Emily left. We are. We got nobody. You know what I mean? You know, Emily's given up on booking a guest when she goes, I guess it's Wayne time. And I'm like, or Emily. Oh, she's doing great. Do we got Gina? Oh, am I gonna say it? Oh, I'll say. We got Gina Gershon coming up in person. Yeah. I just read her book, Alpha. I'm excited. Also, Melissa Off Demar, her new book is out. Go get it. It's amazing. I'll promote it again at the beginning, in the end.

[Wayne Fetterman]

Do we have to go through the tracks on this?

[Josh Adam Myers]

No, I don't think so. Because it's. I think the We. The main song on this. I mean, we'll just say that. What is. What do you think?

[Wayne Fetterman]

I mean, it's not even a. It's not even a guess. It's not even a thing. Yeah.

[Josh Adam Myers]

And what's so funny is. What is. What is the other song?

[Wayne Fetterman]

Well, no, Number one.

[Josh Adam Myers]

Play With Fire. We'll play with Fire.

[Wayne Fetterman]

Yes. Yeah. Again, six of these songs are Richards and. And Keith Richards and Mick Jagger, and six of them are Blue Rhythm and Blues covers.

[Josh Adam Myers]

Yeah.

[Wayne Fetterman]

So it's.

[Devil's Cut Music]

It's.

[Wayne Fetterman]

It's just a fun album to listen to them, but they're just.

[Josh Adam Myers]

By the way, Fire's not on this one. This is like. It's so funny. I pulled up the wrong thing, but it's like I've listened to both of them.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

And I gotta say, the UK version. Good.

[Wayne Fetterman]

Okay. Uk.

[Josh Adam Myers]

Oak. Oak. Ok. Spider in the Fly. Is that on this one? No.

[Wayne Fetterman]

Yeah.

[Josh Adam Myers]

Who gives a. Dude? So, yeah, it is right there.

[Wayne Fetterman]

But I have to say. But their very next album, which I can't remember the name of, All Stone

[Josh Adam Myers]

Songs, All Stones and what's the next record? Hold on. I'll tell you right now. In America, it is December's Children and everybody's.

[Wayne Fetterman]

Now that's.

[Josh Adam Myers]

The UK is Aftermath.

[Wayne Fetterman]

Yeah, it's. It's Aftermath.

[Josh Adam Myers]

Okay, well, then, yeah, America, we don't need it. No, no.

[Wayne Fetterman]

That was like a greatest hit. Like, they kept repackaging what's on that record.

[Josh Adam Myers]

Let me just take a look. Was there any singles? Yeah, it's. Oh, yeah. Painted Black.

[Wayne Fetterman]

Painted. I mean, come the Bolero. I mean, it's.

[Josh Adam Myers]

So what would you say.

[Wayne Fetterman]

What would you say when I said. Again, I want to just clarify. I know I said, look, obviously, Brown Sugar. I mean, Jumping Jack flash is a 60s song, but I'm saying when I think it's 60. I mean, they're early 60s kind of radio hits. Mother's a little helper Playing it black.

[Josh Adam Myers]

What is your drag?

[Wayne Fetterman]

It is getting old. That song blew me away as a kid. I was like, what? Mothers take drugs, I can deal with their Kid.

[Josh Adam Myers]

Like mothers take drugs with your kids. It's a John Mayer song.

[Wayne Fetterman]

It was such a mind blowing moment for me.

[Josh Adam Myers]

So what would you say is the. Is the Stone's best record? If you had to pick one? Where do you think they re. Is this the one?

[Wayne Fetterman]

Well, I mean, obviously I'm gonna say Hot Rocks, which is a Greatest hits.

[Josh Adam Myers]

No, but it can't be that. That.

[Wayne Fetterman]

It can't be that.

[Josh Adam Myers]

No. People say, oh, it's got to be Exile and me. Exile. Exile is universally critically acclaimed and also the history being in Paris. They're all on drugs.

[Wayne Fetterman]

Yeah. Yeah. I mean, yeah.

[Josh Adam Myers]

It shouldn't have even happened. They should have died while they were making it.

[Wayne Fetterman]

Yeah, it's so. I mean, it's so great. There's actually my favorite. This is going to be just horrible. Is a bootleg of a concert with Mick Taylor that I bought. That's. That's my favorite Stones. I mean, there's just too many. There's too many. But I'm more of a singles guy when it comes to Stones than their albums. Just so you know, I don't think. Yeah, I don't think they're like, that's me. I think. And I know. I know Stones fans are throwing rocks at their computers right now and very upset with me, but I'm much more about their singles than their albums.

[Josh Adam Myers]

Yeah, I think a lot of people are maybe. I don't know. What's going on with you? Anything going on?

[Wayne Fetterman]

Yes. Yes. Besides the Mel Brooks still tomatoing at 100.

[Josh Adam Myers]

It'd be crazy if anybody.

[Wayne Fetterman]

All of a sudden I was like,

[Josh Adam Myers]

no, this is fucking shitty.

[Wayne Fetterman]

Is my book. The history of Stand up from Mark Twain to Dave Chappelle. I have an updated chapter. It's going to be out. It was supposed to be out on the ides of March, which is March 15th. Did I make that deadline? No, I did not.

[Josh Adam Myers]

Can I get an autographed copy of this?

[Wayne Fetterman]

Yeah, when the new one. When the new one comes out. It's so and so. I've been working so hard on it. I'm such a slow writer. And so that'll probably hopefully be out.

[Josh Adam Myers]

There's a slow rider.

[Wayne Fetterman]

Hopefully you'll be out next week.

[Josh Adam Myers]

Can't finish on time. He is a slow rider, by the way. What a great way to end. Oh, man, I'm so happy for you, Wayne. I'm so happy you're here. I love having you here and I need you, brother. Next podcast. Next. When we start, we finish this one, you and I. Let's get attached by the hip. This be the biggest podcast in the world. For real.

[Wayne Fetterman]

All right.

[Josh Adam Myers]

Me, you. A little help from Tennis Ball. A little help from Elon Musk from Grok. I'm a Grok guy, so I'm a. I'm a Claude guy. Oh, no way. Oh, that's. What are you, a Crockhead? Oh, that's why all yours are a little far right. You deny vaccine usage. That is the podcast. Everybody follow Wayne on Instagram at instafetterman and go to WayneFetterman.com for all his shows. Watch the the Mel Brooks documentary. Check out the Maria Bamford documentary. When does that come? Is that out now?

[Wayne Fetterman]

No, it was just at south by Southwest.

[Josh Adam Myers]

For everything, wayne, go to WayneFetterman.

[Wayne Fetterman]

Yeah, there's a lot of. There's a whole archive, photos, stories, trivia, Wayne Fetterman trivia.

[Devil's Cut Music]

Oh, wow.

[Josh Adam Myers]

Our new music pick by our proud sponsors, Distrokid is Drink with the Devil by Devil's Cut. And you can find links to their music on our website, the500podcast.com and if you were in a band and were directly influenced by one of these albums or artists and you want your music Featured on the 500, send us your song to 500-500podcastmail.com Give us the album, the artist that influenced you in the subject line. Next week we talk about it. The who sells out from 67. Did I like it? Did I not like it? Who knows? Thank you, Chris, for being here, buddy. We really love having you.

[Distrokid Ad Voice]

Thank you to the Comedy Store for

[Josh Adam Myers]

supporting me, supporting Wayne when we do these. This is our home in la. I feel like we're going to do it for the next one. I love it. And for everybody else, do your homework and we will see you next week. Thank you, guys.

[Devil's Cut Music]

Take the Bay county jail all weekend long Swear it ain't my fault I'm a hot head Scoring corn fed with

[Josh Adam Myers]

Jean Son of a.

[Devil's Cut Music]

Bad as country as it gets Hungry down a dirt road Selling bone and bread Reload with my eyes closed Go Shot for shot and mixing with metal Head down to Georgia Drink with the devil country as it get burning in a bible Mama tried her best Write that on my tombstone Without Kentucky Been working for trouble Head down to Georgia yeah and drink with the devil. Drink with the devil. We don't miss in the sticks that's where I come from Tires in the mud Sipping shine Good fine whiskey Ain't enough about if we like it right Bad as country as it gets 100 down a dirt road Southern bone and bread reload when my eyes closed Go Shots are shot and mix it with metal Head down the toes A drink with the devil country as it gets Burping in a bible Mama tried her best Write that on my tombstone Way down the Kentucky been looking for trouble Head down to Georgia, yeah and drink with the devil. Go go. Oh hell yeah. About as country as it gets Hundred down a dirt road Southern bone and bread reload with my eyes closed Go Drop your shot God and mix it with metal Head down the toes A drink with the devil country as it gets Burping in a bible Mama tried her best Write that on my tombstones. Head down to Georgia, yeah and drink with the devil. Drink with the devil.

[JM]

The 500 keeping it flee for the fleece nation on the 500 the 500.

[Pepsi Ad Voice]

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[Alex Canceroitz]

Hi, this is Alex Canceroitz. I'm the host of Big Technology Podcast, a longtime reporter and an on air contributor to cnbc. And if you're like me, you're trying to figure out how artificial intelligence is changing the business world and our lives. So each week on Big Technology, I bring on key actors from companies building AI tech and outsiders trying to influence it, asking where this is all going. They come from places like Nvidia, Microsoft, Amazon, and plenty more. So if you want to be smart with your wallet, your career choices, in meetings with your colleagues and at dinner parties, listen to Big Technology Podcast wherever you get your podcasts.

[Josh Adam Myers]

Next Chapter Podcasts.