165 - Marvin Gaye - Let’s Get It On - Chris Redd

Summary

Podcast Summary: The 500 with Josh Adam Meyers | Episode 165 - Marvin Gaye's "Let's Get It On" with Chris Redd

Release Date: April 9, 2025

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Introduction

In Episode 165 of The 500 with Josh Adam Meyers, host Josh Adam Meyers delves into Marvin Gaye's iconic album, Let's Get It On, alongside comedian and actor Chris Redd. This episode explores the album's significance, Marvin Gaye's personal struggles, and the intersection of music, sexuality, and societal issues.

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Discussion on Marvin Gaye and "Let's Get It On"

Timestamp: 08:35 - 25:00

Josh introduces the episode by highlighting Marvin Gaye's transition from Motown's What's Going On era to the more intimate and soulful Let's Get It On. Chris Redd emphasizes the album's pervasive influence, stating, "This album is about love in the most intimate form" (09:00).

The conversation delves into Marvin Gaye's personal challenges, including his tumultuous relationship with his father and struggles with sexuality. Josh notes, “Marvin was struggling on whether to follow. Remember, he was married to Motown’s founder Barry Gordy's sister Anna, and they had a very turbulent relationship” (26:37). Chris adds, “He also had just renegotiated his Motown contract for millions of dollars, becoming the highest-paid black and soul artist at the time” (26:38).

They discuss the album's thematic depth, blending sexual expression with political and social commentary. Josh reflects on Marvin's liner notes, highlighting the singer's progressive views: “I can't see anything wrong with sex between consenting anybody's... Time and space will not permit me to expound further” (41:43). Chris appreciates the album's balance, stating, “This is a phenomenal album” (102:42).

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Personal Insights and Experiences

Timestamp: 25:00 - 65:00

Chris Redd shares his own journey with sexuality and personal growth. He recounts early experiences with relationships and the impact of societal expectations on his self-perception. At one point, he humorously admits, “I have chronic depression” and discusses his journey through therapy, emphasizing the importance of mental health (69:06).

Josh Adam Meyers opens up about his struggles with a childhood stutter, explaining how rapping helped him overcome it: “As I was like slowing down to read the words and get them right, I was stuttering less” (51:47). This personal revelation connects to the broader themes of the album, illustrating how art and self-expression can aid in personal healing.

The hosts engage in candid discussions about their sexual experiences, societal pressures, and personal boundaries. Chris shares anecdotes about navigating complex social situations, including a humorous yet revealing story about attending a sex party: “I’m getting a blow job... Just wait, this is pretty cool, dude” (84:32). These stories highlight the vulnerabilities and personal growth both hosts have experienced.

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Marvin Gaye's Musical Influence and Legacy

Timestamp: 25:00 - 116:05

The conversation shifts back to Marvin Gaye's musical legacy. Chris praises the album as a cornerstone for future soul and R&B artists: “You have to listen to this album because sex isn't a bad thing... Marvin's way of sexual healing” (110:23).

Josh adds, “I feel like you have to do this record” (110:33), reinforcing the album's enduring relevance. They discuss the production techniques, such as multi-tracking harmony vocals, and how Marvin Gaye's music has influenced modern artists like Prince and D'Angelo.

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Comedic Interlude and Personal Banter

Timestamp: 65:00 - 116:05

Throughout the episode, Josh and Chris intersperse their discussion with comedic exchanges, showcasing their chemistry and humor. They joke about various topics, including personal anecdotes and humorous takes on societal norms. For instance, Chris jokingly remarks, “If you're built like me, you ain't got time for that" (82:07), blending humor with personal insights.

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Conclusion and Final Thoughts

Timestamp: 116:05 - End

As the episode draws to a close, Josh and Chris reflect on the profound impact of Let's Get It On and Marvin Gaye's artistry. Chris summarizes the album's essence: “I think this is probably one of the most important... in the top three” (111:34). Josh agrees, emphasizing the album's authenticity and emotional depth: “These are songs that resonate with me because music's always on in my life” (101:49).

They conclude by encouraging listeners to explore Marvin Gaye's masterpiece, highlighting its seamless blend of personal and political themes. Josh's final thoughts encapsulate the album's legacy: “Marvin Gaye's amazing. He didn't get shot by his daddy. So you wouldn't listen to the album” (111:39).

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Notable Quotes

• Josh Adam Meyers: "Marvin found a new spirituality and a new love in Janice Hunter, which was helping him cope with his issues." (25:00)
• Chris Redd: "This album is about love in the most intimate form." (09:00)
• Josh Adam Meyers: “I used to have a terrible stutter... as I was like slowing down to read the words and get them right, I was stuttering less.” (51:47)
• Chris Redd: “You have to listen to this album because sex isn't a bad thing... Marvin's way of sexual healing.” (110:23)
• Josh Adam Meyers: “These are songs that resonate with me because music's always on in my life.” (101:49)

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Final Promotion

Before wrapping up, Josh and Chris promote upcoming projects and their social media handles:

• Josh Adam Meyers: Encourages listeners to follow him on social media and check out his Audible project featuring notable guests like Joey Badass.
• Chris Redd: Promotes his stand-up shows and encourages fans to see him live, mentioning his website and social media platforms.

Listeners are invited to support their work by subscribing, leaving reviews, and attending live performances.

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Key Takeaways

• Let's Get It On is celebrated as a seminal work that intertwines personal vulnerability with broader societal themes.
• Marvin Gaye's struggles with personal issues and his artistic expression serve as a powerful narrative on the role of music in healing and social commentary.
• Both Josh and Chris share personal stories that highlight the intersection of art, personal growth, and societal pressures.
• The episode underscores the lasting impact of Marvin Gaye's music on contemporary artists and its relevance in discussions about love, sexuality, and politics.

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Recommendation

For those interested in the confluence of music, personal narrative, and societal issues, this episode offers a comprehensive exploration of Marvin Gaye's Let's Get It On, enriched by the candid and humorous exchanges between Josh Adam Meyers and Chris Redd. It's a must-listen for fans of soul music, comedy, and in-depth cultural discussions.

Transcript

[Josh Adam Myers]

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[Chris Redd]

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[Josh Adam Myers]

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[Chris Redd]

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[Josh Adam Myers]

Trying baby.

[Chris Redd]

Trying to hold back this.

[Josh Adam Myers]

Feeling for so long and if you.

[Chris Redd]

Feel like I feel baby then come.

[Josh Adam Myers]

On oh come on let's get it on.

[Chris Redd]

That is the title track, let's Get it on by Marvin Gaye from the album the Same name released in 1970. Thrizzle. Why'd I say frizzle? It's also number 165 out of 500 on the 500 with Josh Adam Myers. What is up, fleece Army? I miss you guys. We are. We are really in the thick of it. I say that every week. But it's really getting good. I mean, we don't have any bad records coming up, man. Like, you look down that list and it is like ka means good. I am a comedian. I am going through Rolling Stone magazine's list of the 500 greatest albums. Started at 500, working our way down to 1 165. Wow. Man. I was gonna Quit. I was gonna quit. It was Senator Al Franken. He was the man. Thank him. To all the fleece army that comes to see me out on the road, thank Senator Al Franken. This week I am at the Kimmel Comedy Club in Las Vegas. The next week I will be at the Moon Tower comedy festival, the 17th through the 19th in Austin. Then I'll be at the Comedy Store April 27th and the 28th doing the jam and Shimmy. And then we're ending the month, well, really starting May at Rooster T Feathers in Sunnyvale. That's NorCal. And then I got more and more dates coming as we speak. So come to a show. It's getting real fun. I'm really excited. Lekka will be there. It's really cool. We got I running into Queen Bonnie in Milwaukee was everything. I love you, Bonnie. Bon bon, little bonbon. She's a little bun bun. You're a little ban ban. Do you want to do the ban ban dance? I just made that up. Are you listening to Master Fleece Theater? Because our Patreon is popping. Me. DJ Morty Coil and Wayne Fetty Watt Federman have a great show that we are doing weekly where we're talking music, we're talking entertainment, we're talking comedy. Morty tries to make jokes and some are good. I would say he's about. It's about 50, 50 on how good they are, but he keeps trying. And me and Wayne, Wayne, the, the. The solid strength of a. With an eight year old brilliant man. If you say anything sexual around him, he curls up like a potato bug. And then you got me. I'm in my 40s, Morty's in his 50s, Wayne's in his 60s. And we are doing it. So subscribe to the Patreon because it helps us. $5 gets you the podcast, it gets you the show a day early and you support the show. Emily, Peter, Adam, everybody, whoever's doing our social media, I don't know who they are, but I think they're doing a good job. And for $25 a month you get cool merch. As modeled by former guest Brendan Sagalo. Patreon.com backslash the 500 podcast Join the fleece Army. It does help. We want to finish. I think we're going to, but I'm not going to sit here and beg for money. But you know, the ad sales are the ad sales. I went from making no money to a lot of money to no money and slowly building it up. And if it wasn't for my producer JT who's the third mic. And a brilliant third mic at that. Such a good guy. Big shout out to him. I don't know if the show would still be going on. So I thank them and I thank Emily for getting guests and. And I. And I love it. When we get back in the studio, we're gonna start making a real attempt to get back in the studio. I think we've got. We got some really big ones coming up. I'm not gonna ruin anything because sometimes we get them and then they cancel and then we have to have Wayne Fetterman come on. So short story is this support the show and this one was recorded in studio. Marvin Gaye. I think it's our second Marvin Gaye record. The first was. Yes, my dear, if that's the name of the album the breakup or his, like, divorce album. This one might be the first record made for down for it. This is it. I don't even ask this question at the end. Is this, can you have sex of this record? This is. Yeah. And my guest today is somebody that I really look up to. I think he is just such a good dude. I'm so glad we got to do this one studio so we didn't have any loss of like, of like, of energy and communication. It's brilliant. Comedic, actor, comedian, comedy, comedy, comedy. The one and only Chris Redd. You know him for being on Saturday Night Live. He's on resurrected rides on Netflix. He's a host of that pop star. He was in that. He is a amazing human being, an amazing comic and he's got a great story and I'm glad we got to dip into that. So send him a message and go see him live, which I'll promote at the end as well. But, you know, let's get to it. Rate, review, and most Importantly, subscribe to the 500 listen free on all platforms. If you're listening on Apple, leave us a review and give us a five star rating. But get rid of the negative ones. Oh, dude, I'm teasing. Next week. Oh, I'll do it at the end. Okay. I'll do it at the end. Don't worry. Don't worry, dude. Leave us a review though. Follow me at Josh Adam Myers on all social media. Josh adamyers.com for tickets and the podcast is at the 500 podcast. Email the [e-mail] follow the Facebook group run by Crazy Evan. And for all things 500, go to the website the500podcast.com. All right, kiddos, not left to Say, but here we go. We're number 165 out of five, honey. Marvin Gay, let's get up.

[Josh Adam Myers]

You got a lot of going on, man. Damn.

[Chris Redd]

Life's good, dude. Life's good.

[Josh Adam Myers]

Why, yo, why, yo, why? Your pinky knuckle got a booty on it.

[Chris Redd]

Don't punish me with your brutality.

[Josh Adam Myers]

Knuckle got a booty on it.

[Chris Redd]

Don't do it. Oh, I broke my finger. I broke my finger. I broke my finger. This sucks, dude. And I'm leaving town tomorrow.

[Josh Adam Myers]

Oh, yeah, we hit it.

[Chris Redd]

I'm going to Dallas.

[Josh Adam Myers]

Dallas, good city. I'm going to Houston.

[Chris Redd]

Are you tomorrow?

[Josh Adam Myers]

Yeah.

[Chris Redd]

What's in Houston that rule? You doing family? Are you doing. You're doing your senior family?

[Josh Adam Myers]

The Riot Festival, One of the best.

[Chris Redd]

Clubs in the country, right? Have you done it before?

[Josh Adam Myers]

No, I don't think I had. I've done some clubs in Houston, but I haven't done it right.

[Chris Redd]

I don't think Riot, Riot, hands down, it's always packed because half me and then half people just going out on a Friday night. You know what I mean? Saturday night, I mean, I'm still kind of that. You got that. You got that SNL tag, dude.

[Josh Adam Myers]

Yeah, but, like, some of them whites stop coming. They stop coming when you, when you, when you stop showing up on sketches. Matter of fact, you don't.

[Chris Redd]

You're.

[Josh Adam Myers]

You're. This is how little you're on snl. Even when you're on snl, unless you're like, you know, a Bowen or Marcelo, is that people still think you're on. I haven't been on the show in three years. People be like, oh, you're so good on the show. That's how little I be on. You know what I'm saying? Like, I've known so little that they're like, oh, he's still there. He's just in the back.

[Chris Redd]

Yeah. But you. You know, one of my. I think one of the hardest I've laughed at SNL in many moons was you doing Smokey.

[Josh Adam Myers]

That. That was. That was. That was a lot of fun. I was actually really surprised they.

[Chris Redd]

You're surprised for what?

[Josh Adam Myers]

Because the Smokey Robinson moment happened in black culture. And you got to remember, like, snl, while it has integrated some different kinds of people from all different backgrounds, it's still a relatively white ass show.

[Chris Redd]

Sure.

[Josh Adam Myers]

So they pull from what's mainstream in white media. And what's happened with Smokey wasn't a mainstream thing. It was black. Now you're in. You're in music. You're in music. So music and black culture, all of that's kind of entangled. So you. You would hear something like that.

[Chris Redd]

Sure.

[Josh Adam Myers]

But. But somebody at sn, that story is not that. That's not that big. It's not that important. So it would really shock me when we would get like. Like a Soulja Boy. Soulja Boy was the same. Same way. I love doing Soulja Boy on there. We were very shocked that they even let it happen because it was like.

[Chris Redd]

It is very specific.

[Josh Adam Myers]

It's very specific to the culture and our cult. And what's popular to us is not necessarily matter to the SNL crew. So, you know, it is what it is like. But it was. I was glad to be able to do it, though, because it was. It was.

[Chris Redd]

It's so great.

[Josh Adam Myers]

Mad face.

[Chris Redd]

Punish Me. Brutality.

[Josh Adam Myers]

No one's going to know what you're referencing.

[Chris Redd]

No, but you'd be surprised. This. This is what's cool about. About our fan base is that. Is that it is. I always make the joke that it's like. It's like dudes in their 40s and 50s and 60s in their basement like. Like that love music, have all the records. I'm like. And we. We tried to do something. They were like, yo, we need to book for the female audience. And I was like, dude, we don't have a female. It's all guys. And then, dude, I was in. Where was I? Milwaukee. And I'm walking the dog pre my show around, like, the little town square, and this girl driving by is like. She's like, Josh. She pulls over. She's so excited to see me. She's like, I listen to your podcast every week, so big shout out to my. The Queen of Fleece, Bonnie. I fucking love her.

[Josh Adam Myers]

Bonnie.

[Chris Redd]

Bonnie's our 1 female listener.

[Josh Adam Myers]

That's what's up. Bonnie, you are a trailblazer. One day, you gonna get a last name.

[Chris Redd]

Don't Punish Me. Which we could do to all the. The fleece army, all the listeners out there this episode because of just my schedule and your schedule and you lost your voice. We had to schedule and reschedule.

[Josh Adam Myers]

God, dude, it was a lot.

[Chris Redd]

And if we would have done it yesterday. That was Marvin Gay's birthday.

[Josh Adam Myers]

What?

[Chris Redd]

Yeah.

[Josh Adam Myers]

Oh, man. Happy birthday.

[Chris Redd]

We're close. Happy birthday, Mar. Don't Punish Me with. That's. If that's the clip, we're pulling it out. Don't Punish Me does not sing. Can you. Can you do it, though? Can you say it? We. Can you say the NW and then I can do the rest. Like, yeah, don't punish me with your brutality.

[Josh Adam Myers]

He still said it. That was AI.

[Chris Redd]

No, no.

[Josh Adam Myers]

Your fan base be like, all right.

[Chris Redd]

I'm so happy that you're. That you not. I think we tried to get you on for a different record before, but I'm glad, I'm glad it's this one because I ran into you and we're gonna deep dive into that. What does he call it? The. What is the thing with all the presidents? The Mount Rushmore of booty music album. And this is not where we're gonna focus it on, but this album might be because people are always in music. But I don't know if there was ever a record that was centralized. This is what it's for. Do you know what I mean?

[Josh Adam Myers]

Yeah, I mean, this was the. This was like a pioneer of that kind, that thing, you know, Prince made very sexual music. Yeah, yeah, there's. I mean, there's also like the 90s in the early 2000s, which was like, that's later.

[Chris Redd]

This is. This is 70, not mistaken, this 73. I have a whole preamble that's going to catch us up and to get into everything, so don't even worry. I. I'm going to carry a lot of the weight on all the info.

[Josh Adam Myers]

And stuff, but what I'm doing, the work.

[Chris Redd]

This is Morty. This ain't me, dude. This is DJ Morty Coyle. Big shout out. Where's he at? Big shout out. DJ Morty. I'm just looking at him in the camera, cuz he's listening to this on his drive right now. And I'm going to call him as soon as this is done. I have a team of people that help me prepare for this because as you know, unlike any other art form, music is. You have to be very delicate. The way you talk about, like, if I Marvin Gaye this, that, let's Get it on sucks. And then somebody is gonna go, dude, that was a song that me and my wife consummated our. Our wedding to and had our child to listen to. That or that song was played at my dad's funeral. It hits differently. Yeah, movies are great, comedy's great. There's nothing.

[Josh Adam Myers]

Who's playing let's get it on at the father's funeral?

[Chris Redd]

I was just saying, like I was saying in general. Yeah, I love you, Frank, man. Ain't nobody me like you did.

[Josh Adam Myers]

I used to hear my parents in this song all my life.

[Chris Redd]

What brought you here from Marvin Gaye? Like, I just I'm not saying I wouldn't. I'm shocked. But, like, why. Why are you here for this record? Like, what's your relationship like with Marvin?

[Josh Adam Myers]

Well, as far as I came here on Marvin Gaye because you asked me to come here, and I was like, hell, yeah. But Marvin Gaye's okay. So my family's from Mississippi, so we're Southerners. So in my household, music is playing all day, regardless of who's up, if who's home. The radio's on all day long, constantly. If it wasn't. There's a problem.

[Chris Redd]

Is that all black people?

[Josh Adam Myers]

I. I'm not gonna generalize, but that's several.

[Chris Redd]

Yeah. I imagine a lot of us imagine it.

[Josh Adam Myers]

Have a very musical house.

[Chris Redd]

Yes. I don't want no mountain high Ain't no valley get your book back, honey.

[Josh Adam Myers]

Now that's. That's a thin line between having music on and a Tyler Perry film. But we ain't dancing out the door.

[Chris Redd]

You got your book back, baby. Know I love you, mama.

[Josh Adam Myers]

Oh, my God.

[Chris Redd]

Not far off.

[Josh Adam Myers]

But it's just. It's just, like, ambiance. You know what I'm saying? It's like if you go to a kitchen and hit cooking, if you like, you know, it's. It's just an ambiance thing. And. And Marvin Gay was in rotation. We also used to drive. Do a lot of driving to Mississippi from wherever we would move to. So we would go. Go to St. Louis, Chicago. We would always drive back down. So we have long road trips, about 14, 15 hours. And Marvin Gaye was always in there, and that album was always on Spin. It's like. It's just kind of, like, a part of it, which, now that I'm an adult, it's kind of gross that my parents just listen to, like, their sex music on our road trip.

[Chris Redd]

Gross.

[Josh Adam Myers]

But I didn't think about it like that.

[Chris Redd]

Never thought about that. Well, you know, just. Let's get it on with it. Whatever they're getting on, it's good.

[Josh Adam Myers]

It's good.

[Chris Redd]

It's good. It's. It's. They're getting on. They made life. Get it on with life. Now, this is. This is straight. But I also feel like a lot of. Of soul and funk and, you know, rhythm and blues in general is very sexual music. And I just think that's because also, like, black people are. Are very. They're very. I'm not saying they're very sexual, but it's just like. It's Riz. Very charismatic. It's like, you Know what I mean?

[Josh Adam Myers]

It's like we're singing about everything we care about and love is a big thing. You know what I'm saying? It's like, you know, I think it's. I think it's more about love and then love, you know, how you express that is through sex. Like, I think that was more like Marvin Gay Error. I think now it's a lot of sex just in, in drugs in general.

[Chris Redd]

Sure.

[Josh Adam Myers]

You know what I mean? But I think, yeah, Marvin was just talking to them guys and them ladies that just want to just get down.

[Chris Redd]

He was a good looking guy, dressed great, you know, I mean, he. You're talking about the, the 60s and the, in the 70s, which are, you know, the coolest era I think of, you know, 80s was great. 90s is great, and I think even now. But it's like, dude, it was like men were men back, you know. Look, I'm not saying Migos aren't men, but the pants are so goddamn tight and like they're dressing almost very effeminate. And there's nothing wrong with that because that's the style. But Marvin, it was a feminine then.

[Josh Adam Myers]

Too though, because you got, you got dudes and bail bottles, you know, saying Rick James. Yeah, you got the type. You got the tight pants and still. But like, I get what you're saying in, in a way, you know. Yeah.

[Chris Redd]

You know what I mean, I'm not, it's not a knock on dudes now, but I think there is, now there is a line of, of, you know, where it's like, it's, it's masculine and, and femininity are almost meeting in the middle with the jewelry and the, the style. Like, they're wearing Chanel and they're wearing YSL and they're wearing very stylish brands. But I mean. And can you, Natalie, can you pull up the picture of Marvin Gaye from this record? Because he just. It's one of the coolest outfits that he looks like a. He looks like a Brooklyn barista. Did I say that right? Barista. Barista. Yeah. He's got like the denim shirt on with the red. Yeah, like that red.

[Josh Adam Myers]

And this is the same time that, that James Brown exists.

[Chris Redd]

Yes. Yeah. And. But I, but like I'm saying, dude, there was a, there was a more. I don't, I don't say masculine per se, but it's just, it feels. Yes. I mean, dude, that's like, that's, that's.

[Josh Adam Myers]

That'S, that's, that's Frank Ocean aesthetic right there.

[Chris Redd]

Yes, like, sure.

[Josh Adam Myers]

I'm saying that. Yeah, that's like. Yeah. I think that Frank Ocean is perfect. Yeah, man. I think that's just like a. You know, he was just a cool, soulful guy. A lot of. A lot of Riz, as you said, you know what I mean? And. And then you had every artist trying to bring something different to the game, so. Because, I mean, James. James had his chest out every single time. He was a very different artist in my room, you know what I'm saying? Otis Redding was kind of similar. Otis and him. Otis looked like Otis, dressed like he was singing in the church a lot, you know.

[Chris Redd]

Well, it's.

[Josh Adam Myers]

It's.

[Chris Redd]

He's. Which, by the way, Otis Redding is my favorite performer in. In anything ever.

[Josh Adam Myers]

He's.

[Chris Redd]

I steal everything I do on stage. I'm stealing from Otis Redding. The energy, the like.

[Josh Adam Myers]

So you're. You're Elvising Otis.

[Chris Redd]

I. I just think he's. If we would have done this, to be honest with you, if there's people to steal from, anybody, I mean, nobody would expect that. I'm. But when you watch me on stage now, knowing that you're gonna see it, you're gonna be like. Especially the jam, you're gonna be like, oh, yeah. The energy, the power. He's the very, you know, different from Marvin, but still, I. I think they're all coming from the gospel, But. But Otis, like you said, which I.

[Josh Adam Myers]

Think, you know, Jermaine Dupree made. Made a. Made a comment about this and he was saying how, like, a lot of singers came up in the church and that's how they kind of find their identity. And then when they broke off, that's why this is so different. It's so powerful and we're kind of losing soul. Soulful, big soulful voices, because there's less people coming from the church. I don't know how to. How to fix that. Maybe talk to the church.

[Chris Redd]

Isn't that they got mad at. At Ray Charles for you remember, they were like, you're playing. You're playing church, you know, you're playing church music, but you're sexualizing it. Is that another. Am I wrong? Was that not a scene from. Yeah, yeah, yeah.

[Josh Adam Myers]

He was. Because he was taking chords. He was taking, like, beats. He was taking. He was. He was creating things from a. That had a gospel background and putting some secular stuff on it.

[Chris Redd]

Yeah.

[Josh Adam Myers]

Which was genius. So they were just stupid and wrong. Yeah, that's what that was. Yeah, it was just tight.

[Chris Redd]

Do you wanna. You want to hear the. The Preamble to catch us up on this record and dive into it.

[Josh Adam Myers]

Okay, so I love a preamble, dog.

[Chris Redd]

DJ Morty Coyle. Big shout out. All right, so we have done Marvin Gaye before. Yeah, we did his. What record did. We did? We did. Yes, my dear. Which is most gangster ever? You know that story. He made a record, he got divorced. And he had to pay this woman, his ex wife. And he said she. I think it was something like, she only got the in the deal. She got the money from his next album. And so he made a record. It's called yes, my dear. I'm pretty sure. Natalie, check that math on me what that record was called. But it's basically a you record. To his wife. Like, every song is like, you take this, stick it up your ass. I mean, it is. It's.

[Josh Adam Myers]

So that's the lyric.

[Chris Redd]

I mean, no, but he cleans it up very nicely. But I did it with Roy Wood Jr. And it was just such a fun record to like. Because you'll see what I do with this. Where I'm gonna ask you questions about your life from all this. But it's just, he's gangster. So I think this is the second one we've done so before. Let's just recap where we're at for this record. So. Marvin Gaye's popularity as a Motown artist was riding high by the end of the 60s. By the way, chime in on anything, cut me off, add stuff, whatever you want to do. He had a successful run of duets with fellow Motown female artist Diana Ross, Kim Weston, and most importantly, Tammy Tyrell. Then tragedy happened. I hope I said it's. Terrell had an aggressive cancer and died in 1970. Marvin was devastated and took some time off. He returned with the socially aware and politically charged concept record what's going on?

[Josh Adam Myers]

Hell yeah.

[Chris Redd]

Which is.

[Josh Adam Myers]

Now, remember, I wasn't there, but I.

[Chris Redd]

Was like, black people do age well if. If you were there.

[Josh Adam Myers]

I remember that I was right front and center, dude. Because I asked what's going on? And then he sung about it.

[Chris Redd]

Don't punish me with your brutality. You know, that's the new number one album on the 500 greatest album list. Because in the summer it was. It was in the top 20 for sure. But in the summer of George Floyd, they redid the greatest albums and that became number one. I'm not going to argue and sit here and say that it doesn't deserve to be in the discussion. I do think that Rolling Stone magazine tried to over correct for. For an Audience that. I'm not saying black people don't read Rolling Stone magazine, but they just. It is every. Every list that they had ever done with sergeant Pepper. Every list. Is it the greatest album? Who knows? That's very subjective. Like. Well, you might like one thing and I might the one thing. But to. For that record to suddenly go from number one to number 25. And then Marvin Gaye, what's going on? You know, it's.

[Josh Adam Myers]

Yeah. People were trying to fix a problem in the wrong ways.

[Chris Redd]

Yes.

[Josh Adam Myers]

You know, I mean, there's a problem and everybody recognizes a problem. So they're like, hey, get these black people. Stop dying by force.

[Chris Redd]

Let's put Marvin Gay mom is me with your brutality.

[Josh Adam Myers]

That's. That's a fire ass album.

[Chris Redd]

So it's a great record. I'm not taking anything away from it. All right, so. And that came out in 71. It was embraced both critically and popularity. He followed it up with the soundtrack to the black exploitation film of the same name, 1972's Trouble man, which he wrote and produced on his own, by the way. The black exploitation soundtracks were incredibly popular at the time. There were hits from super famous Isaac Hayes, Curtis Mayfield, James Brown and Barry White, to name some of the big ones. And similarly. Similarly, yeah, to those other artists. By the early 70s, there seemed to be a collective wave of records and songs that explored frank themes of sexuality, backed by soul and new sound of deep funk. This is Marvin's version. It became a pioneer in the burgeoning slow jam and quiet storm format that was to be a staple for other soul artists until this day. However, the story of Marvin's pressures and his troubled relationships with sex were the undercurrent running through the record. Motown moved from Detroit's Hitsville USA to Hitsville west in Los Angeles, and Marvin was struggling on whether to follow. Remember, he was married to Motentown Motown's founder, Barry Gordy's sister Anna. And they had a very turbulent relationship. Yeah, dude. As we talked about during. Yep. The divorce record, that's called Hear My dear. That's the album right here, My dear. That's right. In fact, shortly after moving to Los Angeles, the couple separated. He had. He had. He also had just renegotiated his Motown contract for millions of dollars, becoming the highest paid black and soul artist at the time.

[Josh Adam Myers]

Let's go.

[Chris Redd]

Yeah, dude. But he also hit a creative block during this time. Some of these songs had been started back in 1970 installed. Marvin also had a very difficult time with his sexuality. This is something that Morty had told me that I found very interesting because, you know, it's, it's G A Y. He added the E. You mean, Imagine what that's like growing up as a black man named gay.

[Josh Adam Myers]

Oh, yeah. We, I, I, I asked all these questions to my father, who could not answer it, but I was like, why is, why is his name gay? He, like, that's his name. Is he gay? I, I don't think so.

[Chris Redd]

Well, I'm not gonna sit here and say that all you find out, like, Richard Pryor and all them had, like, homosexual.

[Josh Adam Myers]

Yeah, I mean that, you know, you're talking about somebody. I, I, you know, they're doing coke. Yeah, I knew. I learned about Richard super young. I feel like I learned about that, like, right away. And it's so crazy because we, it's, this is a conversation for a whole nother day. But it's, it's so funny when we, when we decide to care about that kind of, like, as a culture, you know, we need to do a little bit catching up with the homophobia of it all.

[Chris Redd]

But, like, it is a little, it's a lot.

[Josh Adam Myers]

It's. Well, because we allow, like, Prince could walk out with his ass cheeks out and all that. We like, with a perm, we're like, hey, hey, that's Prince, though.

[Chris Redd]

You know, he's wearing high heels for.

[Josh Adam Myers]

Christ, you know what I'm saying? But, like, he was, he was taking down chicks, though, you know what I'm saying? But also, dude.

[Chris Redd]

Well, it's funny, we had. Oh, my God, what am I gonna think of his name? Who's that? He's a black comic from Houston. Sits down, sits down, sits down. He's gangster. He's got multiple specials, was in jail.

[Josh Adam Myers]

Oh, Ali Sadiq.

[Chris Redd]

Ali Sadiq came off a Prince. He's the man. He did. He did Prince's debut album, which Prince is a genius and is more. Become one of my favorite artists from this podcast and going, if you ever go to Minnesota, you gotta go to Paisley Park. You've been perfect. So, you know.

[Josh Adam Myers]

Yeah, yeah.

[Chris Redd]

So I said, I said, is, is Prince gay or is he bisexual? And he go, man, he's like, you know, I don't know about that because, because he, he took down some of the baddest.

[Josh Adam Myers]

Baddest.

[Chris Redd]

And every single one of them, after they broke up with Prince, they found Jesus. Like, all of them, they all went to be Jehovah's Witnesses or this. So that means he's given good dick. And that means, I mean, just.

[Josh Adam Myers]

And Some study material after dude being Jehovah win. That's a lot of studying.

[Chris Redd]

Is it really?

[Josh Adam Myers]

I. I assume.

[Chris Redd]

Dude. Hilarious. All right, where were we? So, blah, blah, blah, blah, blah, blah, blah, blah. Difficult about his.

[Josh Adam Myers]

Oh, he came out right.

[Chris Redd]

Yes. His father, Marvin Gay senior, was a preacher and was physically abusive, disciplining his son according to the deeply conservative and moralistic values and Morales of Christianity.

[Josh Adam Myers]

Oh, always fun. Christianity.

[Chris Redd]

I know, man.

[Josh Adam Myers]

It's such a fun thing.

[Chris Redd]

I'm a Jew and appreciate every religion, but I'm not religious. Like, I believe in. In the universe, whatever. But it's like the. And if you want to be Christian and you want to be, you know, conservative and. And just strong in your morals and your values, great. You don't have to push it on other people. That's the problem.

[Josh Adam Myers]

I. Look, I believe in God, but more spiritual probably than. Than religious. Although I do believe that there's something.

[Chris Redd]

Sure.

[Josh Adam Myers]

That we're praying to. But I think that's. I think all faith. I think faith is good because it keeps people. What is. Whatever keeps you treating people kindly, bro. And. And coming from a moral standpoint, like a more compass. That's. That's positive.

[Chris Redd]

Yeah.

[Josh Adam Myers]

You know, it keeps you on a. On the straight and narrow because there's some people. I'm like. Who didn't have God, they'd be terrors in the street. So I'm like. I don't want to talk you out of that.

[Chris Redd]

Sure. You know, I completely agree with you.

[Josh Adam Myers]

But the second you throw your. Your throwing it on other people, that's when it's a problem, which is what most of it is. Or when somebody weaponizes religion, which we.

[Chris Redd]

Love to do more than any human race. It's. More people have died in the name of God than in any other form. And it's like I'm, you know, if we're gonna have a, you know, a president or. Or, you know, a government, let's just say that that is like, you know, well, we believe in this. Cool. But if. If this person wants to be gay and wants to, you know, believe in. In. In this water bottle as being it, who gives a. Let them do that.

[Josh Adam Myers]

Yeah.

[Chris Redd]

But don't push that on us. And it's like. And it's in the idea that, you know, because it ultimately is going to be the downfall of Marvin is his father. Obviously his father's father killed him. So because of all that. And I mean, Marvin, I didn't grow up in a very religious household, but, you know, I definitely did.

[Josh Adam Myers]

Yeah.

[Chris Redd]

You did?

[Josh Adam Myers]

I did.

[Chris Redd]

Oh, really?

[Josh Adam Myers]

Oh, man. I was raised in the church before. Yeah, I mean, I learned to read with the Bible, I think.

[Chris Redd]

Really?

[Josh Adam Myers]

I mean, another. I love to read, so I'm not gonna put it all in the Bible. Bible has very big words. But we had to go there all the time. Every Sunday. We had to go there on Wednesdays. We were in like youth group. Dude, I was a. I was a sign singer, bro, which is like, you go to these old folks homes and you wear these white gloves and you just sign with. With like a. With like a soundtrack. So they play all these like religious songs and you just like, like do this. Dude, it was, well, shoot me and these white. These old people, like falling asleep and you're like, I don't think they know we're here.

[Chris Redd]

From a distance, God is watching. I did that. I did that in my. In the choir.

[Josh Adam Myers]

Really?

[Chris Redd]

Chamber singers. Yeah, we did. I think we basically. We didn't do it at like, you know, in a religious way. But that song From a Distance by Bette Midler, we did sign that as we sang it. That's why I was like, and God is watching. I just remember doing that.

[Josh Adam Myers]

Yeah, I did a lot of these.

[Chris Redd]

Nice.

[Josh Adam Myers]

You know, that's good. It was, you know, I. I had a lot of training at 8.

[Chris Redd]

I think it's the same thing as, as when. And I was. Because I was a bar mitzvah DJ and a private party dj and the. And I told the guy that ran it I wanted to be a comic. He goes, well, use this time to learn how to get comfortable, you know what I mean? And try to be funny. So I bet somehow really you don't feel like you learned anything from, you.

[Josh Adam Myers]

Know, what I got from it?

[Chris Redd]

What?

[Josh Adam Myers]

If a puts me in a goddamn old home, I'm a haunt them till they die. I learned nothing from that. Besides, to do how important it is to do something that you don't deem is important but could change somebody's day, that. That is the real, actual lesson I walked away with much later, though. I was 8, I had a Nintendo and I didn't want to be there. You know what I'm saying? I'm a child, man. I don't want to do this. I want to go play Nintendo. These people.

[Chris Redd]

You'Re like, they're going to die anyway and they're asleep.

[Josh Adam Myers]

And this lady has dementia. She won't even remember this.

[Chris Redd]

She don't even know she is. She won't even remember that she thinks I'm a Grandson. Should I just say yes.

[Josh Adam Myers]

She keep calling me Josh.

[Chris Redd]

Ah, Hello, Joshy. All right. His father was a preacher and physically abused. Disciplining. Blah, blah, blah, blah, blah. Where was I? Oh, here we go. It really did a number on Marvin being treated that way by his dad and to contribute to his sexual issues, which. Which included impotence and crippling guilt due to his sadomasochistic fantasies. So Marvin was thinking about really, this.

[Josh Adam Myers]

Is mot I ever knew. Wait a minute. So my man was like, let's get it on.

[Chris Redd]

But he couldn't get it on, according to what this. This little preamble is. Yeah. And Morty does the research, so this is probably well known.

[Josh Adam Myers]

God damn.

[Chris Redd]

I think I knew he was like a twisted character because don't forget, man, he's doing a lot of cocaine. He was also very suicidal. I think we're going to get into that. He had tried to kill himself multiple. Multiple times. Like, you know, I'm not saying that. Listen. We're not saying that he's gay.

[Josh Adam Myers]

What if let's Get it on was really a song to his own dick, bro?

[Chris Redd]

Could be. What if it's to a man?

[Josh Adam Myers]

He was trying to sing. He was trying to sing his dick up. He was just like, come on, dog, let's get it on.

[Chris Redd]

I've been really trying, baby.

[Josh Adam Myers]

Trying to hold back this. Well, he had to change some of the words.

[Chris Redd]

This is crazy. We got it all here, dude. So Marvin found a new spirituality and a new love in Janice Hunter, which was helping him cope with his issues. It was to. It was to be sexual healing, so to speak. So let's get into this record. So the album opens obviously with the title track, which is co written along with a few songs on this record with. With co producer Ed Townsend. Is this. Before I get into this little. This little thing, Is this the number one song ever written about let's Get It On? Yeah. What would be. What would be? Like, this is. If there was ever one. There's. There's no other way to interpret. This is literally let's Get It On. You can't. What are you trying to get on this is about.

[Josh Adam Myers]

I mean, we're talking about a specific generation. Are we talking about ever in life?

[Chris Redd]

What would be another song that you would think it could be in any generation? Like, what do you think written about? That's like. That's literally saying pony genuine. Let's jump on it. Let's do Pony.

[Josh Adam Myers]

My Pony. A dick in his worked. I don't know personally.

[Chris Redd]

She's a lesbian. Are you a lesbian? Not. No, I'm bi. I swing both ways. Oh, you do?

[Josh Adam Myers]

Yeah. So half of her like that joke.

[Chris Redd]

I also said Pony.

[Josh Adam Myers]

Also. I'm looking back because I need. I need audience.

[Chris Redd]

Yeah.

[Josh Adam Myers]

No, no, no, no. He over there playing Minecraft is.

[Chris Redd]

Is. Is. Is Pony. But Pony, I thought was about a dick. It's about his dick.

[Josh Adam Myers]

Right, but it's about fucking his dick.

[Chris Redd]

Okay. Yeah.

[Josh Adam Myers]

He's saying, jump on it and ride it.

[Chris Redd]

That's a great song, by the way.

[Josh Adam Myers]

It's a fantastic song.

[Chris Redd]

Yeah. Genuine. Doesn't get the love that he deserves.

[Josh Adam Myers]

Oh, he get. I think he gets the. Just. Just right.

[Chris Redd]

Those jeans. And I used to play those Pony. I. It's funny. I played in those jeans at the strip club way more than I played Pony. You would think that I played Pony more, but I didn't play the. The. You know, the ones that everybody would. I would try to go for a deeper cut. I think in those jeans is way sexy.

[Josh Adam Myers]

Excuse me. Really?

[Chris Redd]

Oh, I have a joke about.

[Josh Adam Myers]

It's a great song, though.

[Chris Redd]

In those jeans or Pony. Both of them.

[Josh Adam Myers]

If we were doing Pony. Pony's classic. Classic Come. There's a dance with it. It's everything.

[Chris Redd]

You know, there's a dance.

[Josh Adam Myers]

Oh, wait. I always, always do this. I always do this because I mix up Drew Hill's. Drew Hill's step in with. With Pony, by the way.

[Chris Redd]

Drew Hill, Cisco. They. Well, not actually all of them. They all worked at the Fudgery in Baltimore.

[Josh Adam Myers]

Fudgery in Chicago.

[Chris Redd]

Did you really?

[Josh Adam Myers]

In the suburbs.

[Chris Redd]

And so you sang and you. And you guys made the Fudge.

[Josh Adam Myers]

I wrapped. They. They. I was passing out. I was selling my mixtape at the time and with my partner Marcus. And.

[Chris Redd]

What's up, Marcus?

[Josh Adam Myers]

Yeah, my boy Marcus DeMarcos, his rap name. And he's an HR guy now, so now he's funny because he does. Hi. I won't say his last name because he does HR but he. But he's high every time, so it's hilarious. Like those. Don't smoke no weed.

[Chris Redd]

No. I gotta bring you in here. I know we gotta talk about the.

[Josh Adam Myers]

Values, but you really gotta up productivity.

[Chris Redd]

Sup? Marco.

[Josh Adam Myers]

Marco. Yeah, but we was out there rapping, man, and like, trying to sell mixtapes and like freestyling. And he would beatbox, so I would just rap. And that was kind of our street performance. And that's like before improv. It was this. And. And then. And the guy at the Fudgery saw us outside and he Was like, yo, what if y'all did that in here? And then we could sell some fudge, and y'all could just. Y'all could work. How y'all want to work. You ain't got to do nothing you don't want to do, but y'all can make some money. I'm like, yeah, for sure. It sounded way cooler than it was. We. We still had to wear the outfits, so we were just fudgery guys. I was rhyming about fudge, and he was making it.

[Chris Redd]

Do you remember a line? Do you remember?

[Josh Adam Myers]

Absolutely not, bro.

[Chris Redd]

Really?

[Josh Adam Myers]

No, I don't. It was all free. I was all off the top. I didn't go home and write fudge bars. I was. I was. I was thoroughly inspired by the room, you know, so whatever was going on. I would rap about a lady coming in with a bag. Bye. Bye. Mix that with some flavor. And then you know, just. Yeah. Also freestyle.

[Chris Redd]

Sure.

[Josh Adam Myers]

And then, like, every other. Now and then, like, we would just rap for fun. But it was definitely terrible. There was no money in it, but it. You know, it was. It was to us. Got checked. To just do that was crazy.

[Chris Redd]

They get paid and. And how old are you, by the way? Oh, 17, 18.

[Josh Adam Myers]

No, I'm like, 20.

[Chris Redd]

20.

[Josh Adam Myers]

Yeah, yeah, yeah.

[Chris Redd]

Still young. You know what I mean? You didn't know.

[Josh Adam Myers]

You're right. You're right. I was about 19.

[Chris Redd]

You want to do. You didn't know. You want to do comedy? You said improv came up later. What if. Dude, I mean, look, it's. Is it a job making fudge? Yes.

[Josh Adam Myers]

Poor cokehead. For sure. Because my man was. My manager would come out because, hurry up. One of our checks. My checks didn't come. And we fought a lot back then, so. So we came up like, yo, where our checks at? And Duke came out the back with some coke on his lip. No, no, no. The money. The money gonna be in there. In where, man? We quit that day. We roughed up the budgery a little bit.

[Chris Redd]

Yo, and I'm taking some of this peanut brittle.

[Josh Adam Myers]

You know what's. Yeah, it sucks that, you know, I don't eat fudge because I couldn't really take nothing, you know, like.

[Chris Redd]

But, like, none of this would you have. You have.

[Josh Adam Myers]

Nah, I just. I just think there's too much. This is too much.

[Chris Redd]

Too much fudge. It's too much chocolate. Yeah. So to clarify Marvin's views on his spirituality concerning sex and love, let's look at what he wrote in this album's liner notes in Quotations I can't see anything wrong with sex between consenting anybody's. I think we make far too much of it. After all, one's genitals are just one important part of the magnificent human body. I contend that sex is sex and love is love. When combined, they work well together if two people are of about the same mind. If they are about the same mind. But they are really two discrete needs and should be treated as such. Time and space will not permit me to expound further, especially in the area of the psyche. I don't believe in overly moralistic philosophies. Have your sex. It can be exciting if you're lucky. I hope the music that I present here makes you lucky. Well, what a nice little thing. Also very deep on.

[Josh Adam Myers]

Super deep.

[Chris Redd]

So I wanted to ask you if you feel comfortable talking about it.

[Josh Adam Myers]

Yeah.

[Chris Redd]

What was your first time like? Do you remember?

[Josh Adam Myers]

Yeah, yeah, yeah. Not, not, not great. So I, Yeah, I wanted it to be awesome, but it was not good. I had, I had kind of fooled around a little bit. Got close before this time?

[Chris Redd]

Sure. How old are you by the way?

[Josh Adam Myers]

Oh, I'm like 14.

[Chris Redd]

14. Really?

[Josh Adam Myers]

Yeah.

[Chris Redd]

Wow.

[Josh Adam Myers]

Black in America, baby, we start young. Yeah, my first kid is like 12 or some.

[Chris Redd]

Yeah. So I, I not to cut you off because I want to hear this, is that I first kissed with Noel Amir at camp. A lot of went down at summer camp. I was like 12, I think at 12. 13. And then I got a blow job. No. I touched titties. No. Kim LaRocca, first kiss, touch titties. Noel Lemire, that was at summer camp too. And then the next year, the girl's name was Jen. I think I fingered and got a blow job. I think I was 13. 14.

[Josh Adam Myers]

Yeah.

[Chris Redd]

So younger. But I didn't then have sex. Sex until I was 18.

[Josh Adam Myers]

Yeah, it's crazy. Oh yeah. I was earlier. So it was. Yeah, I was like 14. I had to be like 14. And this girl, this new girl came like mid, mid year and, and she was like the, the hottest one of school really for the black people. I didn't know what the white is.

[Chris Redd]

A black chick. Yeah, this is in Mississippi.

[Josh Adam Myers]

But like. No, no, no.

[Chris Redd]

That was so funny.

[Josh Adam Myers]

Chicago.

[Chris Redd]

That's what I was gonna say is I always associated you with Chicago. So when you said you were in Mississippi, I was like what?

[Josh Adam Myers]

Because, because I, my, when I, when we moved, we went to year round school. So every six weeks we would be down there for three weeks in Mississippi. So. So Mississippi was always a huge part of My life. Regardless where we moved, we just always went there. And so just. It's just like a huge part of my growing up, half my life. I know, to be there.

[Chris Redd]

Okay.

[Josh Adam Myers]

But yeah, we was in Chicago and we were in a suburb of. I think it's Naperville or Aurora. One or two. And oh yeah, the school was in. The school was in Naperville.

[Chris Redd]

Okay.

[Josh Adam Myers]

And this new girl comes in and we're flirting and all that. And this is. You know, we're young, you know what I'm saying? So like everybody's trying to get at it, I guess. Like my friend who would come to be my best friend tried to date her first, but couldn't because he couldn't leave the house. He kept getting grounded all the time and his mom would take his door off. She was like real mean back then.

[Chris Redd]

Yeah.

[Josh Adam Myers]

So I lucked out. You know, I was. I was a kid who's just always. I was always able to sneak out, be around and whatever, so. But I had social anxiety and I really didn't really know how to deal with that shit. And like. And so when it got down to doing, to do, I had built up so much. I had lied to her, said I had done this before and I was so nervous and I was so in my head that I couldn't. I couldn't even perform for real.

[Chris Redd]

Really?

[Josh Adam Myers]

Yeah, man. And I remember her being like, you gay and so toxic. Toxic, bruh. Oh, I wish I. Brittany. That was her name. I wish I. I wish I knew her last night so I could tell you say the whole thing.

[Chris Redd]

You have no D. I know.

[Josh Adam Myers]

Started with a D, though.

[Chris Redd]

Oh, Brittany. Look, dude, fleece army. You're on it. Find it. Chicago. Yeah, yeah, 19. No, it's. It was probably your. How old are you?

[Josh Adam Myers]

I am 40. I just turned 40, so.

[Chris Redd]

Yeah. So was it in the nineteens? Yeah. Right. Was it like 2000?

[Josh Adam Myers]

Early 2000.

[Chris Redd]

So early 2000s. Aurora.

[Josh Adam Myers]

Britney, bro. She was. Yeah, yeah, bro. She shame. She shame the shit out of me, bro. And I couldn't tell her. I. This was my first time and now. That's why I was nervous.

[Chris Redd]

Yeah. Obviously she was older or she was, ah.

[Josh Adam Myers]

She was about the same age.

[Chris Redd]

Which she and she had before.

[Josh Adam Myers]

Yes. No way. She was a little. She might have been a year older.

[Chris Redd]

But like she had.

[Josh Adam Myers]

She had been doing some things already for sure. Oh, hey, hey. You know someone who's very in tune with their body and loves to share it.

[Chris Redd]

Yeah. You know, that's. There's nothing wrong with. With being Being sexual or I'm not trying to slut shame anybody, but. But man, that's like. I can imagine what that probably did to you in the law. You're carrying baggage around for that.

[Josh Adam Myers]

Still, honestly, probably didn't talk about it again until therapy like, like a few months ago. I've been great in that department.

[Chris Redd]

But also good looking guy. You're charismatic.

[Josh Adam Myers]

So like, you know, I was a little toxic. And there's some toxic traits I probably picked up in defense. Not even probably just toxic tricks I picked up in defense of never letting that happen again that I didn't realize from that moment. But I remember just being so. I remember like, you know what? I ain't gonna never let no girl say that about me ever again. I didn't say, hey, why was. What's going on up here? Why did that happen? You know what I mean? Which is where I should have went first, but you know, we all live in there. Dude, I was too young to be.

[Chris Redd]

Anyway, dude, the. I wish, you know, I wish I. I remembered the name of the girl that I lost my virginity to. I don't know her name. It was in Myrtle Beach. I was 18 years old. We were all there for senior week. We started hooking up. My friends left the hotel room. I get her on the bed and this, God's honest truth, we're making out, get her naked. And I'm like, wait, wait here. And then I run to the ice box and I go get an ice cube. Because I, for some reason you watch all those like Cinemax late night. So like rub ice on her body. So I, Yeah, dude, I fudge in. I fudgeing ice cubed her pussy, like froze her down. And she's like. And then I had sex. I don't think I finished. I don't think I finished and don't know her name. No idea what happened to her. Maybe it's Jen. I think it's Jen. No idea.

[Josh Adam Myers]

There's a Nancy somewhere just fuming.

[Chris Redd]

She's like this froze my.

[Josh Adam Myers]

And they can't even remember.

[Chris Redd]

Yeah, it's terrible. I. I really wish I had opportunities. The hottest girl in my high school, Michelle Gilliam. Big shout out to her. We were still Facebook friends. We used to skip school and go back to my apartment and watch and like listen to records and. And I remember were. We were just friends. She was so hot. I thought she was out of my league. And I remember one day she goes, she goes, what would you do if. If I came on to you? If I like, you know, Tried to have sex with you. And I was like, why? And just me being the funny kid that I was, I was like, well, I would be like, michelle, you know, we're too good of friends. I don't want to ruin that. And then she goes, okay. And then walks to my bed, takes her shirt off. I mean, perfect boobs. She was the hottest. Perfect in every way. She leans into me and whispered my ear. I want to the out of you. And I'm just like. And then she's like, well, gotta go. And then she. She walked over. We never hung out again. I don't know what happened or something, but it was like we never got that opportunity again.

[Josh Adam Myers]

What?

[Chris Redd]

And that would have been like. You know how you were talking about the. Or maybe I meant I mentioned it, but you brought it. Like, you're just talking about, like, the bags that we carry around.

[Josh Adam Myers]

Yeah.

[Chris Redd]

If I would have grabbed her in that moment and just started kissing her and then made love to her, because it would have been making love. Wouldn't have been. It would have been because I loved her. She was the hottest girl I. I'd be. I'd be one of the most successful comedians in the world right now. You know what I mean? Because I owned that moment.

[Josh Adam Myers]

Right?

[Chris Redd]

I owned it. And it was like. You know what I mean? It was just like, you have that strength. That is the reason for so many moments that I doubted myself or I, you know, before the set already had said, they're going to hate me instead of being like, fudge that, dude. I tell that to people on stage. It's like when you own the moment, you know, whether it's, you know, it's, it's, it's. It's talking in public, singing, or like the girls on my couch when I was 19 and we went on a date and she's waiting for me to kiss her. She's waiting. It's 4am we're watching Holy man by Eddie Murphy, the worst movie ever. She's waiting for me to kiss her, and I pussied out and I didn't. It could have changed everything in my life.

[Josh Adam Myers]

Yeah, man. You gotta go for those moments, man.

[Chris Redd]

Go for it.

[Josh Adam Myers]

You never know when you're gonna have them again. But you also have to learn that those things through trial and error.

[Chris Redd]

Sure.

[Josh Adam Myers]

You know what I mean?

[Chris Redd]

Sure.

[Josh Adam Myers]

So.

[Chris Redd]

But you did a good thing. Listen, you've. You've. You definitely have. Have gotten hard before again, so.

[Josh Adam Myers]

I've been. I've been hard as hell ever since that day. And I've never not been hard. It's actually so uncomfortable in the gym.

[Chris Redd]

The worst. The gym is the best place. And tell me if I'm wrong. It's the best. Like I don't even mask my farts. I just rip farts at the gym. Because everybody's listening to music.

[Josh Adam Myers]

Yeah.

[Chris Redd]

Nobody knows. And I mean, I'll. All the protein and pre workout, I'll just rip farts.

[Josh Adam Myers]

Gross.

[Chris Redd]

Yeah, it is gross. I know.

[Josh Adam Myers]

But you know what? You're there for you. You're not there for nobody else. You're there. You're there for your regulatory system. So if you need to fought and flatulate.

[Chris Redd]

Is that. Is that flatul.

[Josh Adam Myers]

Flatulate. Can you say that?

[Chris Redd]

I'll accept it. All right, so that's the first song. Second song on the record is please don't stay once you go away. The title is some is a sort of peculiar. This title is sort of peculiar as it seems to be asking someone not to stay once they've left. Although he never sings that in the lyrics. Rather he's pleading with her to stay. You'll also notice the stacks of harmony vocals, which are all Marvin's. I was wondering who those were. This record famously used the technique of multi tracking, which was in common use. However, the passionate textures of so many Marvin's. Marvin's really sets a mood. And you can hear the inspiration it had on so many other great soul and R b artists like D'Angelo and Prince and Lenny Kravitz, just to name a few. I want to ask you about something pertaining to voices and going away. Is it true that you got over your childhood stutter by rapping? Yeah, tell me about that.

[Josh Adam Myers]

Yeah, so, yeah, I used to have a terrible studdus which did not help me out with ladies or public spe. And it made me even more self conscious than I already was. And so what? But I was really into rapping and writing raps and I wanted to be the best rapper ever. And I would write these raps all day, every day. I'm so sorry. I have a lot of shit happening in my body. But I. I really wanted to be a great rapper and I really wanted to battle. And I wrote raps all day. And one of my homies was like, yo, you write these raps all the time. Battle me, bro. Battle me at lunch. So we would go and we battled. I would be sitting there shivering with my little. With my little shit. And I would be stuttering through it. But like, as I was like slowing down to read the words and get them Right. I was stuttering less. And then when I would, like, actually get a line out, that was clever. People were like, oh. And so I got addicted to it immediately. Like, and so I was like, the more I just practiced doing that now, I would say, I don't know how these kids, maybe they were just laughing at us the whole time. But, like, for that first half a year, we would have these little stutter battles and. And I would stutter through these. These raps and. And. And then eventually, anytime, like, I was still stutter when I'm asking questions, studying when I was nervous. But when I would perform, I would just go to a place and I was like, oh, I think, okay, I think I'm gonna use this to, like, help me figure it out. So anytime I would start studying, I would just remind myself to slow down. Like, I did when I was rapping. I was like, just take your time with every word and blah, blah, blah.

[Chris Redd]

Wow.

[Josh Adam Myers]

And again, over time, I just. It. It's just kicked it, you know?

[Chris Redd]

Did you ever think about doing, like, a childish Gambino thing? Like, still doing the comedy and still doing acting?

[Josh Adam Myers]

But, yeah, I'm still. I'm right. I'm still making music. I got this audible project we've been working on for, like, five years because my schedule.

[Chris Redd]

I think you told me about that. We read from the seller.

[Josh Adam Myers]

Yeah. I probably told you about this, like, years ago because, like, that's how long it's been. But it's almost done now. And then after that comes out, I'll be working on a. Like, a project I've always wanted to do. So I've always been making music. I always work on music with. When I got into comedy, you know, when I started doing stand up, I was very specific about never doing music because I didn't want to, like, Because I felt like it was helping. I felt like I didn't want to be one of those comics that just raps because, like, you can do that.

[Chris Redd]

Yeah.

[Josh Adam Myers]

Because that's as I was. I'm a rapper for real. Like, I don't need to. Like, I want to get good at this without the help of this thing.

[Chris Redd]

Yeah.

[Josh Adam Myers]

And just use whatever tools carry over. But I don't want to. These are two separate, separate things. I need to practice each and, like, deliver them separately.

[Chris Redd]

Sure.

[Josh Adam Myers]

And then improv brought it all together, was like, oh, you can do funny raps. And then I. You know, I didn't even think about that. Kind of, like, when I was coming up, I didn't look at weird Al as like, a genius until I got into comedy, and I was like, oh, that nigga's. That nigga's great.

[Chris Redd]

Yeah.

[Josh Adam Myers]

You know what I'm saying? I didn't realize, though. Like, to me, it was like, that nigga's silly, you know? But I like silly rappers like Luda, you know what I'm saying? I like all those guys, but I was also in the burbs at the time, so I didn't need to be too silly, you know what I'm saying? Because they had to take me serious.

[Chris Redd]

Sure.

[Josh Adam Myers]

So I had to prove myself. On every scene I went to, I had to prove myself. So I was like, I can't be having niggas laughing and shit. That was the wrong mentality. I should have just embraced me.

[Chris Redd]

Yeah.

[Josh Adam Myers]

I didn't learn that way later. So comedy is the first place where I really embrace me, truly. And once I did, I started making shit that actually resonated with people. So then I got on snl, and we, you know, got an Emmy for writing music, and we wrote a bunch of dope hits on there that we would beg them to put out, and they just wouldn't do it.

[Chris Redd]

What was the. What was the project or sketch. Let's call it that. What was the sketch? You probably are most proud of rapping, musically, that you did on snl.

[Josh Adam Myers]

Oh, rapping. Cause you did a bunch.

[Chris Redd]

It was great.

[Josh Adam Myers]

I did a bunch, man. I was really happy to be able to do that. I have a lot that I really love. I mean, Friendos was, like, one of the best. That was, like. It was a Migos parody. That shit was so tough from top to bottom, you know, working with Donald Glover and everything. But there were some verses. Honestly, man, one of the ones I'm really proud of is NFT with Pete Davidson, because that was the hardest verse I've ever had to rap in comedy, in my comedy career. Yeah, it was. I had to rewrite. I had to. I basically took Eminem's verse and his speed, which is different. Then forget about Dre.

[Chris Redd]

Yeah.

[Josh Adam Myers]

And. And. And I had to, like. Which is, like, very, very difficult to. To also get across your jokes and, like. And, like, get the speed down and, man. Yeah, that. That. And then when I pulled it off and then we played it and people like, oh, my God.

[Chris Redd]

Yeah.

[Josh Adam Myers]

How the hell did you go that far? I'm like, yeah, that's. There.

[Chris Redd]

Okay.

[Josh Adam Myers]

I felt, like, awesome about that, but, like, awesome. Any one of them tracks, man. Outside. Outside, there's a. There's a really stupid Song that we did with a very amazing James McAvoy. Amazing actor. I love this dude. We did this, like my. My dogs. Like, it was a song that you thought was gonna be about my. But it was really about dogs. It was maybe the dumbest sketch we've ever written and shouldn't have been on.

[Chris Redd]

Do you remember? Do you know? I don't know if you remember it.

[Josh Adam Myers]

Shouldn'T have been on the show, but really glad it made it.

[Chris Redd]

Have you seen that video? It's. I don't know who this guy is. This, this black dude with. With locks or braids. He's like, it's my dog. My. My twin. And it's like the way the video shot, it's almost like one of those, like high school yearbook photos where he's like looking out that way and then it just shows like his, his dog. And it's probably like a St. Charles terrier. Yeah, it's a song about his dog.

[Josh Adam Myers]

Yeah.

[Chris Redd]

You my twin, this my dog. You don't know what I'm talking about. Damn it. It's so great.

[Josh Adam Myers]

I would say after I wrote that dog sketch, I, I think I didn't look at any more dog material.

[Chris Redd]

Oh, I make songs from my dog.

[Josh Adam Myers]

But no, that, that idea sounded even better than ours. So, you know, so there's, you know, but I, I think because of the difficulty of, of. Of what it takes to get on there. Yeah, I'm pretty proud of them.

[Chris Redd]

Yeah, dude, it's awesome. Hey, everybody. So you guys have probably heard me talk about how I've been in bands my whole life. I love writing songs and performing in front of crowds. Just like with comedy. As a musician, it can be kind of hard to cut through the noise and really stand out as an artist. I feel like half the music projects I've been in have ended just because we couldn't figure out the answer to that eternal question of. Of how do we get people to hear us? But then again, that was before there was Distrokid. Distrokid is a digital music distribution service that brings your sound to the masses. It's a one stop shop for getting your songs on itunes, Spotify, Apple Music, YouTube Music, Amazon, Deezer, Tidal, and many more. What's these? I never even heard of Deezer. How many of them are there? I know all that. That's like the holy grail of streaming services. The. And getting paid. We want to get you paid for your music. That's huge because a lot of bands go broke before they get big. But Distrokid collects earnings and payments and sends 100% of these earnings to artists minus banking fees and applicable taxes. And that's just one of the tons of benefits of using Distrokid. You can send big files to anyone with their Instant Share feature. You can use the Hyper Follow feature to promote your release and get pre saves on your song. You can even create personal landing pages for yourself, your band, your brand and whatever you like. It has a free Spotify Canvas generator too to generate your own Spotify Canvas for your songs. And the Mixia feature instantly masters your tracks for higher quality audio. So if you're ready to bring your band to the next level, it's time to check out Distrokid. The Distrokid app is now available on iOS and Android. Go to the app or Play Store to download it. Listeners of this show can get 30% off their first year by going to distrokid.com VIP the 500 that's distrokid.com VIP the500 for 30% off your first year. Dig it. Hey there travelers. Kaley Cuoco here. Sorry to interrupt your music great artist BT Dubs, but wouldn't you rather be there to hear it live? With Priceline you can get out of your dreams and into your dream concert. They've got millions of travel deals to get you to that festival, gig, rave, sound, bath or sonic experience you've been dreaming of. Download the Priceline app today and you can save up to 60% off hotels and up to 50% off flights. So don't just dream about that trip. Book it with Priceline. Happy Price Priceline all right if I Should Die Tonight this is another song that was co written with producer Ed Townsen. Accordingly, according to Townsend, he wrote this after an encounter with a woman he admired from afar. The woman convinced Townsend that he they could not build happiness on the misery of others as they both were in relationships with other people. He told her she was right and he was prepared to walk away from her. The last time she asked, is that all you have to say? To which he responded, no. If I should die tonight Lord, before my time I won't die blue Because I've known you. It's pretty gangster. He ran home to write it and then brought it to Marvin. But as Marvin felt he could not sing a song that he didn't directly pertain to his personal experience, he initially turned it down. Then he found himself in Los Angeles working on this record and went on a date with his future second wife, Janice Hunter. And he understood the inspiration and ran back to the studio to say, ed, get that song out. I can sing that. Son of a. Now that's pretty gangster.

[Josh Adam Myers]

That's crazy.

[Chris Redd]

And I love that. I love that he was like. Marvin had to feel and had to connect with him, man.

[Josh Adam Myers]

Imagine if artists still felt that way. There'd be way less music, I think.

[Chris Redd]

Give me a hit. That's all they want.

[Josh Adam Myers]

Now, all the Futures catalog would be. Would be a rap because. Not just a rap, but.

[Chris Redd]

Yeah, yeah.

[Josh Adam Myers]

Because, like, he raps about a bunch of stuff he don't particularly do.

[Chris Redd]

Sure.

[Josh Adam Myers]

Unless he's not the only one. He's just the one I thought of.

[Chris Redd]

But, like, so many artists are not writing their own stuff.

[Josh Adam Myers]

I think that's a little bit of getting in your own way a little bit. But also I respect the out of it.

[Chris Redd]

Well, it's like, would you write if somebody, has somebody ever given you a joke that you, that you're like, oh, yeah, exactly. It's like, I have people that tag.

[Josh Adam Myers]

Yeah, they'll tag some and they'll. We'll talk it. We'll talk some. We'll talk like a. Out a thing. Like. But like. Yeah, no, no, not, no, not.

[Chris Redd]

Yeah.

[Josh Adam Myers]

So I guess it's like that. I guess so.

[Chris Redd]

Speaking of, of, of, you know, pertaining to, you know, inhabiting a different character, like, Marvin didn't want to do, but then eventually did, you know, since you were on snl, what are the favorite characters that you were able to play while you were on that show? Like, like real or created man.

[Josh Adam Myers]

Eric Adams. Pre Nazi Kanye.

[Chris Redd]

Because you can't ask your question. And I know this is. And because I have all three Air Yeezys and I just bought the foam runners every.

[Josh Adam Myers]

All three. So many.

[Chris Redd]

The Red October. I have the Red Octobers, right. I have the, the black ones with the green. Those are three of my, My favorite sneakers.

[Josh Adam Myers]

Yeah.

[Chris Redd]

What does the culture feel about what Kanye's done now? I, I, I ask a lot of black people this because I'm very curious, like, with all the. That he's doing and go back to that question after that. Yeah, but I'm serious.

[Josh Adam Myers]

Like, I mean, listen, it's just like, it's just like, we just know what's up with him, and it's just. No really saving them. So it's just kind of like, bro, we just not giving him much attention at right now. So, I mean, I think there's always gonna be people who, who are going to feed into that, but I think a lot of people was Common sense is just like, bro, he's just wilding. And this is really. I just don't. I just can't take him serious. Bro.

[Chris Redd]

Yeah.

[Josh Adam Myers]

And I just think he's. You know, it's troubled being more hurtful.

[Chris Redd]

Yeah.

[Josh Adam Myers]

Than. Than not. And. But I will say that I'm not. Not throwing away one pair of them shoes.

[Chris Redd]

I know.

[Josh Adam Myers]

I bought them shoes.

[Chris Redd]

I just bought foam runners to walk.

[Josh Adam Myers]

Bought them shoes to walk my dog.

[Chris Redd]

I just bought the red foam runners. And they're so comfortable.

[Josh Adam Myers]

Very comfortable shoes. I spent a lot of money on them shoes. I saw people burning them. I saw people cutting them up. You idiots.

[Chris Redd]

Yeah. I wouldn't do.

[Josh Adam Myers]

Sell them if you don't want them anymore. Sell them.

[Chris Redd]

Yeah. There's somebody who wear them. But it's a. But it's. Is it. Can he. Is there. Coming back for Kanye would.

[Josh Adam Myers]

I don't even know what that looks like.

[Chris Redd]

Yeah. Neither do I.

[Josh Adam Myers]

This would. It would be Some we see happen and be like, damn. I never thought that would. I don't. You know, I don't. I don't. I don't know where he's coming back from. I don't know where he's at now. You know, I can't.

[Chris Redd]

Wearing a clan outfit. Yeah, man.

[Josh Adam Myers]

And this is. And this is how crazy it is. It's because, like, people on the comments, like, I can't believe he said about his kids. No one mentioned the fact he's dressed like a black Klansman. Like, not one comment. They're all talking about what he's talking about. Like, how do you even listen to what he's talking about? Who gives a what he's talking about?

[Chris Redd]

I know. Look at.

[Josh Adam Myers]

Look at that. Look at his dress.

[Chris Redd]

I know. It's sad. It's really sad because. Because it's. You're. He's ruining the catalog of music and what. He's done so much good for the entertainment industry and for. For black people.

[Josh Adam Myers]

It's gonna be a tough take. But can't nobody ruin what I felt when I first heard Kanye. Can't nobody ruin those albums I love.

[Chris Redd]

I got it.

[Josh Adam Myers]

Like, I can bump those records still. I can. I can bump those. He wasn't who he was. And even if he was, he hit it well.

[Chris Redd]

Yeah. These.

[Josh Adam Myers]

These are. These. I like. I like them songs. I bumped them songs. Now. Kelly R. Kelly was a different thing because he's. He tied in the songs. He was writing about the chicks he had trapped. And that's weird. That's a harder thing to work Around. You know what I mean? But Kanye wasn't trapping little girls with buckets and making graduation, you know what I'm saying? Because if he was, that's a different thing.

[Chris Redd]

Sure.

[Josh Adam Myers]

But, like, you know, he went off on the Nazi train or whatever the. Whatever the he's doing right now.

[Chris Redd]

Come on, ride the train. The Nazis. Come on, ride the train. It's a Nazi train. Sick. Hell.

[Josh Adam Myers]

Oh, God, no. They're gonna take that and use that.

[Chris Redd]

That's our clip, by the way. Oh, no.

[Josh Adam Myers]

Just. No contest.

[Chris Redd]

Hilarious. Yeah, there's. It's. It's very unfortunate. All right, back to the good stuff. So what. What's the characters? Eric Adams, pre racist Kanye.

[Josh Adam Myers]

Yeah, yeah, yeah, yeah, yeah. Eric. Eric Adams, pre Nazi. Easy. So crazy to say that.

[Chris Redd]

Say that.

[Josh Adam Myers]

Oh, I mean, there's probably. Dude, I haven't thought about SNL in quite a while, purposely so I. I can't think of nothing off the top, but I love. Look, man, Soulja Boy, that shoot was super fun.

[Chris Redd]

It's great.

[Josh Adam Myers]

Doing Smokey was fun. Every. A lot of every. Every music video that we did, I was playing a little character on the couch. Was really. Was really good, too. Shout out to Dan Butler. He's a beast writer. Yeah, he writes for Adam Sandler, too. Or not writes with.

[Chris Redd]

With.

[Josh Adam Myers]

With. I don't know their. I don't know their creative structure, but they tore together and they do stuff. Music stuff, not sexual stuff.

[Chris Redd]

You heard it here first, people. Oh, no.

[Josh Adam Myers]

Adam.

[Chris Redd]

Adam Sandler. Take it in the butt.

[Josh Adam Myers]

Oh, no.

[Chris Redd]

To this album is what they do.

[Josh Adam Myers]

Oh, no. None of that's confirmed. No, I don't know any of that.

[Chris Redd]

Don't clip that. That.

[Josh Adam Myers]

Don't clip that. Don't clip that.

[Chris Redd]

N. Don't clip that. Mark. Mark it down. We might cut that, but.

[Josh Adam Myers]

Yeah, man. I mean. Yeah, I mean, those are some of the. Some of my favorites. Oh, Stephen A. Smith, definitely.

[Chris Redd]

Yes. Great at Stephen A. Dude.

[Josh Adam Myers]

I love doing Stephen A. Smith. That was really fun.

[Chris Redd]

I love it. All right. Keep getting it on. He just keeps going. This is essentially a reprise. Reprise. God damn it. I don't know how to talk of the title track, but expands on the theme of sexual connection by adding political and pacifist concepts.

[Josh Adam Myers]

That's what I love about sex is the political discourse.

[Chris Redd]

How do you. How do you. How do you avoid turmoil? How do you keep your inner peace? What do you do? You said you went to therapy. Do you. Is that like. Is that new? Or is it like, I've been.

[Josh Adam Myers]

I've been in Therapy for some years now, but. But now I'm with a therapist that's getting to the gritty. The nitty gritty is.

[Chris Redd]

Yeah, yeah, yeah.

[Josh Adam Myers]

And that's been about a year, about a year in the making. And I got a psychiatrist now to kind of figure out what kind of depression I had because I have chronic depression. But we have to do some like blood work and stuff and like figure out what's else because I have adhd. But I think that it's really my anxiety and my depression that's like giving me those ADHD symptoms. Sorry, I'm really peeling back the veil.

[Chris Redd]

On what's going on here, dude.

[Josh Adam Myers]

But so, yeah, all that started happening when I got this new therapist and I. So I've been doing some of the work, but I feel like I've been circling around it and now I'm finally landing in it. Turmoil, as far as turmoil is concerned, I feel like, yeah, I pushed through. I used to compartmentalize. I used to just hustle and like. And like, if I had an issue, just like hustle your way through it. I still kind of do that. But, you know, I try to just really check out and check into my life and check out of what stresses me. I try to do that as much as I can. Try to keep. To take care of me. I work out a bunch. You know what I mean? Just try to stay consistent with that, with that kind of thing.

[Chris Redd]

Routine.

[Josh Adam Myers]

Yeah. But also I'm an Aries. I'm fiery. I like to fight, I like to debate, I like to argue. So sometimes I just run head on, you know what I'm saying?

[Chris Redd]

Sure.

[Josh Adam Myers]

So it's kind of what I'm feeling, but I never try to. I never want to crash out, you know, so there's that.

[Chris Redd]

Good for you, dude. Hey, it's so funny. Like you, you. Since I've known you, I was like, oh. Like you're, you're, you're confident, charismatic. Watching you on stage, you own it. And it's. I love, I love when I, you know, talk to somebody that you always on the outside seems like it's like this, but it's like, dude, we're all dealing with. Yeah. Even the. We just read about Marvin.

[Josh Adam Myers]

It's crazy.

[Chris Redd]

You never would have thought that.

[Josh Adam Myers]

And my life was so much harder before this. Like, you know, I had 50 jobs, I didn't make it in rap. So my first dream literally died in front of me in my arms. You know what I'm saying? And so. And I spent like, I spent up until 22, chasing that dream. And I started at 12, 13, writing raps. Like, that was all I wanted to do. I had already had a dream die. I had already. I already tried to. You know, I already ran the streets, tried to prove myself, did all these little things. And, like, got into fight after fight after fight after fighting. But to get over to this world of it where I'm just dealing with, like, comedians and, like, you know, it just. It just felt like a second chance of trying to get something right for myself. And every problem that people had, like, not getting picked for things and shit was. Wasn't in relation. Just wasn't like, this is not gonna break me, bro. If that other can't break me, this can't break me.

[Chris Redd]

Sure.

[Josh Adam Myers]

I just gotta keep going. As long as I keep going, stay consistent. You know what I'm saying? Blessings and will come.

[Chris Redd]

So though I want to. I love that. I love that. And hold that thought, because it's going to go into the next question, too. So the next song is. Come get to this. This second single sounds the most like the Motown Marvin gay of the 60s with its swinging shuffle and doo wop vocals. That makes sense because this was written and recorded as a demo during the entire what's Going on Sessions in 1970. But it also makes sense that Motown heard this and wanted it to be a single. Probably so they could try to recapture Marvin's previous audience who might be nostalgic for his old sound. What's some of the best and worst career advice you've ever gotten? And did you take either?

[Josh Adam Myers]

One of the worst career advice that I've ever gotten was from a comic. I had just started doing stand up and we kicked it. It was in the city of Chicago. Was like, after this. After this show. And I did terribly.

[Chris Redd]

Yeah. Bad set.

[Josh Adam Myers]

Yeah, it was like. It was like. It was like. It's like a couple sets after the first time. You get a rhythm on stage and you just think, like, now I had a rapper ego, so. So I was like, oh, I got it. I figured it out. And then I didn't realize stand up is like, oh, every single time's different until you really know what the fuck you're doing. And take forever.

[Chris Redd]

Yeah.

[Josh Adam Myers]

So I go in there and I bomb. I bomb hard.

[Chris Redd]

Black room or white room? Regular room.

[Josh Adam Myers]

Like, it was. I mean, mostly black, but it was some white people in there, too.

[Chris Redd]

It was black host.

[Josh Adam Myers]

Yes, black.

[Chris Redd]

You apart?

[Josh Adam Myers]

Yeah, Yeah. I mean, see, in Chicago, there's like. There's definitely black rooms, definitely white rooms. But then there's like this little mix of, like, you know, depending on where you are in the city, it should be like either or. And so it was a definitely, like a strong black room, but, like, had some white folks in it. I bomb hard as fuck. And then I went out and I was like, man, I was venting to this dude because he's like, he's been. He'd been in comedy 10 years. He kept telling me, I've been in this game 10 years. All right? And I was like, well, I'm just trying to. I just really want to tell this. Tell this, tell these stories with heavy jokes in it. You know what I mean? And just tell the story about how I was like, I'm in the city and I'm in the burbs and how these lives have clashed and, like. And like, me trying to find my foot and do characters and. And he's like, well, good luck with that, because that ain't never gonna work. And. And I was like, oh, so my life is not gonna work? Yeah. He's just like, nah, man, you gotta pick some. Yo, you. You said a whole lot of. You gotta be funny, man. I'm like, okay. That was literally the first adverse I got. First. First advice I got in comedy. Did not listen to that. Not one.

[Chris Redd]

Yeah.

[Josh Adam Myers]

I was like, this is. That sounds stupid.

[Chris Redd]

Is he doing it? Is he still.

[Josh Adam Myers]

He's right where I met him. Yeah, he's right where I met, obviously. Yeah, yeah, yeah, yeah. And he hits me up all the time asking me like, what classes I took, because I was telling I was doing improv and stand up, and you understand Chicago doing improv and stand up at the same time. These are two different. Two different people, bro. Like, two different communities.

[Chris Redd]

Sure.

[Josh Adam Myers]

Improv, they're all like, yay. But stand up's like, ew.

[Chris Redd]

Yeah, yeah.

[Josh Adam Myers]

What is all this? Yay.

[Chris Redd]

Yeah.

[Josh Adam Myers]

You know what I'm saying? Because they're meaner. Like, you know, stand ups are just meaner in general. Like, just, you know, this even how we communicate love is just. It's just more aggressive than improvises. You know, improvises are very much like everybody, and then when they get to the bar, they should talk who they want.

[Chris Redd]

Sure, sure. But, but. But it's. You can't improv by. You can improv by yourself, but if.

[Josh Adam Myers]

You need other people, you definitely need other. You know what I'm saying?

[Chris Redd]

It's funny that the guy that was just on before this episode comes out was released today is Greg Proops. You Know Greg. Anyway, yeah, you're talking, you're talking the, he's, he. I mean, as an improver, he reached the highest of highs that you could get to. With whose line?

[Josh Adam Myers]

I mean, without. With the. Now that they got dropped tv, there's a lot of dope outlets for improvisers to make real, real money and do it on an elite level, which is super dope. Holl at me anytime. But Whose Line is the old school version of that? Like, it's still going. I don't want to call it. Like, I'm not knocking it. Yeah. We just had Wayne Brady do some for us on this audible project. It was really cool. But yeah, man, like, he's like, that was like, that's a short form game. So all short form improv. But like now we get to see long form improv and all that. So I mean, I always salute those guys On Whose Line because they, they broke the barrier. They were the first guys that get rich off this.

[Chris Redd]

It was, it was my. They installed cable in my parents home when I was 10 or 11. The first thing I did was put on Comedy Central. And it just. That was him. It was the tall white. I don't remember everybody's name.

[Josh Adam Myers]

Oh, the tall dude.

[Chris Redd]

Yeah, it was great. And he kind of looked like a.

[Josh Adam Myers]

Bird a little bit.

[Chris Redd]

100.

[Josh Adam Myers]

That is hilarious.

[Chris Redd]

But Greg, you know, we did a, we did a. His was a two part episode because he talks so much. Because we try to get through every track, like we're almost done and, and usually go about an hour. Hour 15. We did two hours and then he came back two days later. So we, because I didn't even get to ask him questions about whose line.

[Josh Adam Myers]

Right, right, right.

[Chris Redd]

And, and I was like, dude, it was like, everything was great, but I was like, we need. If I'm gonna have you on, like, obviously it's like, like we want to ask you about some of the, the most important things that you've done. So it's like I gotta mention snl. I've got to mention the movies. I gotta mention all that. But it's like with him, it's like I gotta mention whose line. And we didn't even talk about. We, we met. We, we like grazed it. So he's, he's, he's, he's very good at speaking. Let's just say that.

[Josh Adam Myers]

That's amazing.

[Chris Redd]

Yeah.

[Josh Adam Myers]

So I guess most improvisers are amazing conversationalists.

[Chris Redd]

Well, you have to be. It's all about listening and all about.

[Josh Adam Myers]

Listening, all about response. And then it's about pulling memories, references, all of that. So, like, yeah, improvises are some of the best people to sit down and, like, just shoot the with. You know what I'm saying? If you're good at comedy, stand ups are great.

[Chris Redd]

Sure.

[Josh Adam Myers]

If you're trash at comedy, you're having a different hang than everyone else. You're having a very different experience.

[Chris Redd]

Totally.

[Josh Adam Myers]

Yeah.

[Chris Redd]

All right, where were we? Do you already. So you gave the best. Did you give the. That was the worst advice. What was the best advice?

[Josh Adam Myers]

Best advice I got was not even. It was from a random. Like, a random kid. I was. I was in between jobs. I think it was my 28th job I had. And I was trying to figure out my direction in life. And I was going up to get. I was going up to get a swisher at. At one of these gas stations in Aurora, and this kid pulls up about the same age as me. Fire, ass car, bro. Fire. And I was like, what the fuck do you. I couldn't help but just ask this nigga what he does. Like, what do you do, bro? What do you do? Cause I'm walking. I got a wife beater on. I don't even have a wife.

[Chris Redd]

Yeah, what do you do?

[Josh Adam Myers]

And he was. And he was just like, honestly, man, I just. I buckled down, man. Like, for three years straight, I didn't go out. I didn't. I didn't do. I didn't do. I didn't. I didn't do anything that wasn't adding to the purpose, added to my hustle. And I focused completely and I worked. I busted my ass. He's like, you're gonna miss out on a lot of things, but then when that thing starts hitting, that's when you can really live life. And this thing, this shit stuck with me. I created every. I created every. When I. When I came to do comedy, I did that. I did three years. I gave it three years. I didn't know anything about comedy. Comedy then. So I was like, three years. If I don't make it, I move on.

[Chris Redd]

I remember that. An article or something about you when you popped, and it was about. I think it was when you got the movie.

[Josh Adam Myers]

Yeah, yeah.

[Chris Redd]

They said you. You'd set this timeline.

[Josh Adam Myers]

So I said this time. So anytime I'm in a new chapter in my life, like, I'm a new chapter right now. You know what I'm saying? And I'm like, I'm. I'm like, three years. I got three years to figure out some. Now it's different now. You know what I mean? But similar in. In the fact that like 90 of what I do now is still work work to. To build towards the next thing. Then you get to have a little fun, you know, I'm saying after you've had established.

[Chris Redd]

Sure.

[Josh Adam Myers]

But, like, it really. It really honed in the work ethic that I kind of already had from. From just, like, seeing my folks and. And just. I've always been a worker, but. But it was something about that. Because skipping out on fun was not something I was naturally good at doing. I had to, like, make strong stuff.

[Chris Redd]

Dude, it's tough to give up. I was a. I was. I was a DJ and I worked private parties for seven years in my 20s, while every one of my friends would just. We're going to this thing Friday night. Can you come? And I'm like, I gotta work.

[Josh Adam Myers]

Yeah.

[Chris Redd]

And I mean, ultimately it worked out, but, you know, it's. It sucks when you're. You miss that when you're in your 20s now, the older you get, you're like, man, I don't give a. But. But like, I don't regret it because it all added to this. But, you know, it's. It's. Those are. Those are years you can't.

[Josh Adam Myers]

You can't regret it. Cause it's like. Yeah, of course there's, like, things that I wish I had. I wish I'd have done, maybe if I think about it randomly one day. But, like, a lot of the shit I skipped out on, I would have fucking hated with no money. Like, I sure. Like, I could not afford to do the things that I wanted to go out and do anyway. So it would be me using the last of my last to go to some club.

[Chris Redd]

Sure.

[Josh Adam Myers]

To. To then learn about the club, you know what I mean? And learn that you can't afford there. So now you just spend all your money getting up in here, got a couple girls, drinks, and you out.

[Chris Redd]

Yeah.

[Josh Adam Myers]

Doubt. Now you try to get out, now you're trying to get home. I ain't got enough gas. What the. I think I am going outside trying to get a girl, and I can't even fill my tank up, bruh. It's stupid as, you know, get your life together.

[Chris Redd]

Totally.

[Josh Adam Myers]

You know, and so, like, that. That's what the ultimate lesson was. It's like, figure yourself out before you put yourself on other.

[Chris Redd]

I love it. No, that's true. That's true. All right. Distant lover. This slow jam simmers and boils over and becomes a female fan favorite, causing A sexual frenzy. Sexual frenzy in concert. It's, it's, it's, it's. We're starting. It's in the thick of it. Anything you want to add on that, or.

[Josh Adam Myers]

I just, I just, I've just never been in a sexual frenzy before.

[Chris Redd]

Really?

[Josh Adam Myers]

It's like, what is a sexual frenzy?

[Chris Redd]

Assuming that's what. That's what the Diddy's.

[Josh Adam Myers]

Diddy's freak offs might have been. A frenzy. That's a, that's a sexual friend.

[Chris Redd]

Would you. Have you ever been to a sex party? Have you ever been to. I got invited A girl that's. That I'm friends with. I'm not gonna name who she is, but. You might not know her. You might. But she was like, what are you doing Friday night? She's like, I'm going to this. A sex party. Do you want to come? And I was like. Because at first I was like, oh, that's cool. And then then, like, dot, dot, dot. She's like, do you want to come? And I was like, yeah, why not? I've never been. I have an early show. And then.

[Josh Adam Myers]

Yeah.

[Chris Redd]

She's like, all right. Wear something nice. And she picks me up. She looks great. She's like this, this, this tall model, like, you know, perfect body. Yeah. We go, and it's in Soho in this loft. I mean, that's probably a three or four million dollars, you know, value.

[Josh Adam Myers]

This man starts describing my home.

[Chris Redd]

It was your place.

[Josh Adam Myers]

He's like, dude, oh, wait. It's pictures of you all over the world.

[Chris Redd]

I mean, is that.

[Josh Adam Myers]

I'm sorry.

[Chris Redd]

It is. I, I, I. We hooked up, but it was just, it was crazy just to see everybody was good looking.

[Josh Adam Myers]

Yeah.

[Chris Redd]

You know, I. A little over 100.

[Josh Adam Myers]

And this is like a hot. This is like a high society.

[Chris Redd]

Dude. Dude. Just not to not take too much time on it. But it was. You walk in and there's like, coats and chairs. Then there's a bar and a dance floor. And then you go behind this next curtain, there's four beds. Four beds. And then a center bed. And then you go back to a back room, and there was a bed. And then, like, a place you could almost, like, tie somebody up and, like, beat them with, like, whips and chains. Yeah. And people are just mingling. And then there's some people over there. And then they. The guy comes up and he explains, all right, everybody, we. We raised all this money for cancer research and. Yeah, yeah, yeah, dude, it was it. So there's like, there's, there's these are good, you know, wholesome freaks. And then he goes, all right, everybody. So that's it. And just enjoy yourselves. And then people. Some people drank, some people dance, some people. And they're all in underwear. And then people went. And they started. And then me and her went to the back. The back. Back room where that thing to tie people up is. And there's people talking over there. And she lays me down the bed, and she pulls my dick out, and she starts sucking my dick. And then. And I'm, you know, hard because I took a Viagra ahead of time because I'm like, there's no way. I don't want to be the guy that's out. Just give me a second.

[Josh Adam Myers]

You can't go play with my body. Not ready. Yeah. I can't be like, let's get in.

[Chris Redd]

I know. No, I. Dude, I did not want to be. And I knew that there might be that possibility because it's all. Because sex is all about mental. It's about being present.

[Josh Adam Myers]

Yeah.

[Chris Redd]

And. And I'm getting a blowjob. I might have told this on here, but I'm getting a blow job. And then one of the dudes that was in the conference, because you could, like, hear people talking. They're like, you know, I've just heard bitcoin. Went up to 75. I was like. And you hear all that.

[Josh Adam Myers]

So weird.

[Chris Redd]

And I'm laying there and I'm trying to enjoy it, and then I. I open my eyes, and this, like, tall Scandinavian dude. Dude in, like, later hosen made out of latex is just looking at me, and he's holding his drink. And then he's like, looks like you are having a good time. And I'm just like, yeah, this is. It's pretty cool, dude. And he's like, you know, enjoy the blow job. And then he just walks away. And then he goes the. And then we went into the other room a few minutes later, and then we're making out, and there's people there. And then it just kind of like this group of people. This group of people, and then me and. And the girl. It just kind of folds into each other, and it's just. You're like. And then she. After a few minutes, pulls me, takes me out. She goes, yeah, that was about to turn into just, like, a gang bang. I don't know if you were ready for that. And I was like, no, I wasn't. Really. I'm not saying I wouldn't have. I can't. I once ruined a threesome. It would have been a. Would have been a force of me and Nev Campbell's brother and then these two girls from Big Wangs in Hollywood. I know he looked just like Nev Campbell. And we were. They were. We were all on. We were all on Molly, and we were at Random person, and he looked just like Neve Campbell. So imagine Neve Campbell with a dick. And he's gonna want to. Exactly.

[Josh Adam Myers]

Just for me. Just how I live.

[Chris Redd]

You should. I'm sorry I brought that into your head.

[Josh Adam Myers]

I'm just.

[Chris Redd]

But just know that I like my.

[Josh Adam Myers]

Nev Campbell the way it is, and.

[Chris Redd]

That'S a good Nev Campbell Soupy, but, you know, not with a dick. And. And so they're hooking up, and then they were trying to kind of make it, like a foursome, and I, I. It was just because the guy was there. It just. I don't. You know what I mean? Me and two girls. Great. Me and. And a girl, and then a guy and a girl. And even if he's over there and I'm here, that just feels. That just feels obtuse.

[Josh Adam Myers]

A lot going on, man.

[Chris Redd]

Yeah, it's a lot going on.

[Josh Adam Myers]

Yeah, yeah, yeah, man. You know, no judgments, you know, whatsoever.

[Chris Redd]

If you want to do that. And like, we. Like he says at the beginning in the preamble, if you're a consenting adult, whatever you're into is get after it. Get into it. I'm. No judgment. I just don't know if I'm willing to cross over into that territory. And the idea of what Diddy did, you know, I don't know. Even if I. It's just not my thing to just be Just group. Yeah, right.

[Josh Adam Myers]

Nah, I'm not really with it, bruh. You know, I mean, like, it's, you know. Nah. I can't even imagine having small talk out while I'm getting my dick sucked, bruh. Like, with a man drinking wine and a latex suit. Latex.

[Chris Redd]

Natalie. You know who the girl. The girl's been on. She was on Himbos. Is it who I think it is? The tall Blanche? Yeah, yeah, yeah. She's. She's. Yeah, she's the. That makes sense. She's very. She's very dude. Because she's, like an elder. Like, when we showed up, people like.

[Josh Adam Myers]

Oh, my God, that's blah, blah, blah.

[Chris Redd]

Because she does, like, comedy. Not comedy, like sexual podcasting. Gosh, she works. She knows a lot of porn stars. She does, like, interview shows. I'm not kind of calling her out because we've talked about it on another podcast.

[Josh Adam Myers]

But, like, no, that story is awesome. And I think it's. I think it's dope. I. I just haven't done it.

[Chris Redd]

That's not.

[Josh Adam Myers]

Yeah, that's just. I don't. You know, I don't have sex and party for him.

[Chris Redd]

It's. It's odd. It's. It's odd if you're not. Some people are. That's their thing.

[Josh Adam Myers]

Yeah.

[Chris Redd]

So that's how they get off.

[Josh Adam Myers]

Yeah.

[Chris Redd]

That's not mine.

[Josh Adam Myers]

I think when I was single and I was like, like, really out here for. At one point, I thought I might be, like, into, like, a polyamorous situation. You know what I'm saying? Because I was. Because I had. I was dating a couple folks, and they knew about each other, and so I thought that's what I wanted. You know what I mean? That's as far as I've gotten. As far as, like. Yeah. As far as group. I'm just. I just think about too much and probably a little toxic, but it's like, I don't want to follow after.

[Chris Redd]

I know all these.

[Josh Adam Myers]

Who. These people.

[Chris Redd]

I know.

[Josh Adam Myers]

I don't want to follow. I don't want to be last. I'm not first.

[Chris Redd]

I have a threesome.

[Josh Adam Myers]

I don't want to be last.

[Chris Redd]

I have a threesome being set up in LA between this chick that I hook up with and her friend. And, like, that. I'm. That I'm cool with that. I'm like, all right, me and two go. Me and my girlfriend once had a threesome, but it's just, I. If they're like, oh, well, we're going to bring a guy into it, and he. They're gonna be.

[Josh Adam Myers]

Now you're changing something. You're like, are we. Are we closing our house? What are we doing?

[Chris Redd]

It's not even a gay thing. It's not a gay thing.

[Josh Adam Myers]

It's like, I. Yo, it's not at all. But you just changing the dynamic. When you got a sack of balls that ain't mine in the room, that changes the dynamic completely, bro.

[Chris Redd]

Sack of balls.

[Josh Adam Myers]

You know what I'm saying? You got a sack of balls outside. That changes the dynamic of bro, all right? You know what I'm saying?

[Chris Redd]

Speaking of dynamic, the next song. You sure love the ball.

[Josh Adam Myers]

Oh, yo, yo. Transition game is crazy.

[Chris Redd]

I'm trying, dude. We got this one and one more, and then I want. Get your Mount Rushmore music and we'll get you out of here. We sure love to. You sure love to ball. Well, if we've tried to settle around the subject of sex so far. It's sort of hard to win. This third and final single has the sound of. There's literally a sound of a couple in the record. If you didn't know that. Have you ever been. Been overpowered by a partner or mates libido or sexuality? You ever been somebody more? Because I've dated. I date my. My last real girlfriend, Tessa, who is incredible and I love her to death. She just. She was younger. She was in her 20s, and it was like. Like I was. I was late 30s and it was like, God damn. Like, I can only. I only have so much I can do. I get one nut a day now. I got one if I'm lucky. But it's like. Have you ever been with somebody that just is. Is. Is more than you?

[Josh Adam Myers]

Yeah, man. One of my ex. One of my early exes, and I was younger, so I probably. I don't know if, you know, if I should counter as ex at this point, but she's on my record. I was like 16, 17. I think it was 17. It was 17, 18. And. And we had. At this point, I had dated. I had. I knew every girl at my school. So. So now I'm meeting girls at football games and then, you know, then we hitting them up on AOL chat. Just getting in, no check. So, yeah, I think I met her once at like one of the football games because she was like. Like she was from a couple cities over. And then we started talking online. Then I came to her crib and, you know, we started this relationship. I thought I was like, damn, she's freaky. This is crazy. She was way freakier than I could ever keep up with. I go home. This is something. Shit I learned a little bit later. I go home and there's another guy waiting to come right in there. She ended up sleeping with a bunch of dudes I knew.

[Chris Redd]

Oh, wow.

[Josh Adam Myers]

I found out. Wait, I found out later. We didn't last that long. But I found out later, though. She became a stripper in the middle of our relationship. Good for her, you know?

[Chris Redd]

Get that bread.

[Josh Adam Myers]

Get that bread, though. You know, I remember one day she just came home, like, what if.

[Chris Redd]

You think.

[Josh Adam Myers]

What if I just became a stripper? Would you still love me? I'm like, I don't.

[Chris Redd]

What could you date? Do you date a girl that if she did, like, only fans, like. And could you date a porn star? Not, not because we all. We know we could. A porn star, but could you?

[Josh Adam Myers]

No, I'm not built like that I'm not. I'm not built, like, now I've had friends who. Who are. Who are into porn. You know what I'm saying? And I get that lifestyle and, you know, I don't judge them at all by any means. No judgment, you know, but if you actively. I could never see myself being with someone who's actively working. Like, nah. And then even after that, I don't know. But like, Like. But I can say with certainty, like, I'm just not built. There's a certain kind of. You have to be built a certain way for that kind of thing. And I'm not built like that.

[Chris Redd]

It's tough. It's. There was a. There was a porn star that really liked me. She was so sweet. And. And I. But I was just like, yeah, I don't know if I want to be with a girl that's been bukkaked once, let alone 50 times, and that's a low number.

[Josh Adam Myers]

But she's been paid, though.

[Chris Redd]

She made a lot of money, but I got money.

[Josh Adam Myers]

I don't even. Yeah.

[Chris Redd]

You know what I mean? Yeah, dude, Porn, dude. It's like. Because I thought about that. I was like, man, we could get rid. We could just move into a house together. We could be doing this.

[Josh Adam Myers]

You considered the life.

[Chris Redd]

I thought about it. I thought about it for a moment because Millionaire, like, Millionaire. And she's very sweet, but I. And Tessa. Tessa did Playboy, but she never did porn. And she even. Even when she did Only Fans, we weren't together at that point. She never. She would show like. Like, she would do like softcore. Like, she would show like. You'd see her vagina, but you wouldn't see, like the. You know what I mean? You'd see like. I was like. It was like, you know, in like the movies in the 70s, they show Bush, but they. And you'd see maybe the line, but.

[Josh Adam Myers]

Yeah, that's like a sexy. That's like a sex model, right? Yeah, but that's different. But like a porn star porn.

[Chris Redd]

Like, dude, there's still. There's girls on. Only fans that I like, talk to or stuff that do, like, straight up porn. And I'm like, Like, I'm like, yeah, like, we. We can hang out, but I just don't know if I have the capability to. And it's not them. I don't know. It's just. It's not. No judgment. I don't. Dude, get that money.

[Josh Adam Myers]

I will be annoying to you, whoever this is, if you do porn. I'll be annoying I get insecure as hell. Yeah, I'm gonna be thinking about that all the time.

[Chris Redd]

Yeah.

[Josh Adam Myers]

I'm gonna try to get you to stop. I'll be that dude in the strip club. Like, you don't need to be doing this.

[Chris Redd]

I've seen them in the relationship. I've seen those guys.

[Josh Adam Myers]

I don't want to be that person to nobody. I don't want that person. Because you could date somebody who's easily with this. You know what I'm saying? I'm just not gonna be with it, you know? And I don't think any porn stars missing me, but, you know, it's just like, not a thing I could do. Yeah. And this ex, she ended up, like, working at my Sam's club. She the manager.

[Chris Redd]

She at your Costco at your bulk?

[Josh Adam Myers]

Yeah, she was in bulk.

[Chris Redd]

In bulk.

[Josh Adam Myers]

She was in bulk. God, dog. The manager. I ain't never. I didn't even know the manager. Like, I think he got no. He looked celibate.

[Chris Redd]

But isn't that the worst when you hook up with a girl or you're dating or a girl and you're like, yeah, and then she a dude that you look on as a lower stat. You know what I mean? You're like, you that dude. What? You that guy.

[Josh Adam Myers]

Well, it was like. It was. I tried because I'm not perfect. So I. I tried not. I truly be working on this a lot. Like, I try not to judge people based on who they've been with. But in this particular situation, when I saw her this. The Sam's club manager, assistant manager, when I saw her this, and I saw how he be wearing his khakis, I was like, you know what? This ain't got shit to do with me.

[Chris Redd]

Yeah.

[Josh Adam Myers]

This is a her thing.

[Chris Redd]

Yeah.

[Josh Adam Myers]

Like, she. She has officially something else going on. Nothing I was ever gonna do that. It released me when I saw her. Yeah, fuck that guy. I was like, oh, my God.

[Chris Redd]

Easy way to make a clean break then.

[Josh Adam Myers]

Well, it was. We were done. But I was reeling on for finding out this. All this information.

[Chris Redd]

Yeah.

[Josh Adam Myers]

But I was reeling.

[Chris Redd]

Yeah.

[Josh Adam Myers]

And then. Then I saw that and I was like. And everything just.

[Chris Redd]

Yeah. Oh, it's. It's almost like, thank you for doing that. Because now I am released, I can.

[Josh Adam Myers]

Fully close that chapter.

[Chris Redd]

So. Last song is just to keep you satisfied. It's a great way to end the record. Because of time. I wanna. I wanna get to the. The question I asked. I. I said to you, what would be. I think we were at the Cellar and I Was like, when you get ready to do this, I was like, if you had to put on your Mount Rushmore of music, you to what is on your Mount Rushmore? Do you. The music?

[Josh Adam Myers]

Yeah, but at this point, I don't give a what's on lately.

[Chris Redd]

Really?

[Josh Adam Myers]

Crime documentaries?

[Chris Redd]

Come on, dude, we're horny, bro.

[Josh Adam Myers]

When we want to go, we go.

[Chris Redd]

I get that. But you.

[Josh Adam Myers]

There could be any thing on Josh. I'm not stopping the movement to be.

[Chris Redd]

Like, dude, wait, hold on. No, I. Big J with that blonde chick. Because I do a lot of material about the music and I talk about it. He asked her. She goes. He goes. Does he really? Oh, yeah. And then. But he'll be in the middle of hooking up and he'll just go, alexa, play Porter's head with my pirate voice. So, yeah. Oh, I. Dude, I'm. I am one. I'm actually going tonight to see one of probably the best rock bands to. To. I'm going to see Deftones, which. Do you know Deftones?

[Josh Adam Myers]

I don't.

[Chris Redd]

I watched you change like you never. No, nothing you to that. Oh, yeah, that's awesome. I do. I would say my Mount Rushmore, and I would love you to put together your Mount Rushmore. I. I would say. I would say mine is. Is Massive Attack Portishead, which I just went to go see Portishead. Well, I saw Beth from Portishead two nights ago at the Beacon. Was incredible. I'd say Massive Attack. Port his head. I would say Deftones. I would say the Cure. Disintegration. Only Disintegration by the Cure. And then I would say, man, Interpol something. It's got to be. It's got to be slow and dark for a moment. I was to Ronnie size, which is like drum and bass.

[Josh Adam Myers]

Okay, okay.

[Chris Redd]

Only it's. He's an album called New Forms, which actually won the Mercury Music Prize. So it is a respectable record in the drum and bass and the musical world. But I would to that for a while. But I am. I'm so dialed in to Massive Attack and Portishead, which is like British trip hop. Do you know that?

[Josh Adam Myers]

No. Not every word you said does not resonate with my life.

[Chris Redd]

I'm gonna.

[Josh Adam Myers]

But I'm. But this is super dope and I'm gonna look up.

[Chris Redd]

Can you. That's so funny. That porn star just texted me. Hold on, hold on. So funny. Dude, that's crazy. She hasn't texted me in weeks. Can you put on. Can you nat. Can you put on the song? Can you put on the song let's do Glory Box by Portishead. Can you put that on for us? And on our headphones? Yeah, those are. Those are my. What do you have? What do you have on your Mount Rushmore music? If you.

[Josh Adam Myers]

Okay.

[Chris Redd]

What do you got?

[Josh Adam Myers]

Let me see. All right. Now, this would change if I could have even more time to think about this.

[Chris Redd]

Sure.

[Josh Adam Myers]

It's been a while since I've, like, we still on music, but it's like there's a lot of. There's a lot of great sex music. But the things that. I'm just going to give you the ones that came to mind.

[Chris Redd]

Okay.

[Josh Adam Myers]

Hit me, Usher. Nice and slow.

[Chris Redd]

It's great.

[Josh Adam Myers]

One of them is going to be Pony Feening by Jodeci.

[Chris Redd]

Which one's that? Good falsetto.

[Josh Adam Myers]

Thank you. Oh, how many? How many we get?

[Chris Redd]

Yeah, that's like three.

[Josh Adam Myers]

That's three.

[Chris Redd]

Yeah. What do you got?

[Josh Adam Myers]

I gotta be Jagged Edge.

[Chris Redd]

Okay. I see where you're at.

[Josh Adam Myers]

Yeah, yeah, yeah. This is. This is when. This is when I was really doing that.

[Chris Redd]

Sure.

[Josh Adam Myers]

How many do I get?

[Chris Redd]

You got one more.

[Josh Adam Myers]

One more. All right. And this one is not about. But I may have the longest to this song. California Dreaming by Jose Felicino Feliciano. Feliciano. Thank you.

[Chris Redd]

California Dreaming. Yes. California. California.

[Josh Adam Myers]

But that. But that's not the vibe of his.

[Chris Redd]

That's so funny that you say.

[Josh Adam Myers]

I'll play it. Hold on, I'm gonna play right now. This is. This is the vibe. And we were in la and it.

[Chris Redd]

And.

[Josh Adam Myers]

And it. And the sex was so good that we could not stop. It was on repeat. And so it played California Dreamer for, I gotta say, hours.

[Chris Redd]

Ooh.

[Josh Adam Myers]

And. And we just did not change it. Yeah. Imagine a sunset. You're on a deck. Come on now. Come on now. This ain't about California. It's about in California, you know?

[Chris Redd]

Yeah.

[Josh Adam Myers]

You know what I'm saying?

[Chris Redd]

Yes. It's great.

[Josh Adam Myers]

Dog. What? Candles. What?

[Chris Redd]

Yeah.

[Josh Adam Myers]

What?

[Chris Redd]

This is like. You gotta like. This is somebody. You're you. You're that. You love.

[Josh Adam Myers]

I love. Oh, this is a love. This was a love Without a doubt in my mind. It. That's what was funny about when you asked me what's the Mount Rushmore? That. Because I'm like. There are songs that you like. I want to Someone to this. And then there are songs that you, too, that become your songs because of the way you had made love to that. And I'm like that because music's always on in my. Like, in my life.

[Chris Redd]

Sure. Me too.

[Josh Adam Myers]

Always I have speaker.

[Chris Redd]

I have $6,000 worth of Sonos speakers in my apartment. I am.

[Josh Adam Myers]

We go someone else before anything else else. You know what I'm saying? It's just like, it got. There got to be a vibe and. But that was one of them joints that was like. That I didn't see come. I would have never told you that, like, some years ago, you know what I'm saying? But, like, when that happened, I was like, oh, I think that's my favorite sex. And it's so random.

[Chris Redd]

It's such a good song, though. Put on. Do you have Glory Box? Put on Glory Box and kind of like.

[Josh Adam Myers]

Oh, yes, this is mine, too. I love this one.

[Chris Redd]

I just want to be.

[Josh Adam Myers]

Oh, this song is so.

[Chris Redd]

This is so.

[Josh Adam Myers]

I just wanted to go put this on our playlist.

[Chris Redd]

I just wanted to go see Beth. This was actually. We did this record on the 500 Greatest Albums. This is Dummy by Portishead. It is a phenomenal album.

[Josh Adam Myers]

And Lupe Fiasco used this, too.

[Chris Redd]

Really well. This was also. Do me a favor. Put on angel by Massive Attack. This is. This is when you're. This is like, you know, you wearing, like, a shroud, and you, like. You, like, pull it off and the thing just, like, falls off. I just went to go see Beth, who's the lead singer. That's the girl of Portishead.

[Josh Adam Myers]

Yeah, yeah.

[Chris Redd]

And it was cool. This was so great, man. I love my life. And I was.

[Josh Adam Myers]

Is she, like, redhead?

[Chris Redd]

No, she's blonde. She's older. Older British woman.

[Josh Adam Myers]

I'm thinking of another group. Group. Sorry, Beth.

[Chris Redd]

But she. I see them at Beacon. The show's incredible. And then last night, I went to go see Bill at his theater. He's doing Glengarry Glam Ross.

[Josh Adam Myers]

Right, right, right. Yeah.

[Chris Redd]

And we're backstage. Me, Richie from the Comedy Store, and a couple other people. And Bob Odenkirk comes out. We're talking. He goes, hey, this is. These guys. They're from Portishead. And the band members of the. Of Beth's group were there at the show. And then. And there's like, you know, Michael McKean Burr, who's a homie. And then Bob Odenkirk, which I should be like, oh, my God. And I'm just like, yoink. All I wanted to do was talk to. Oh, dude, they're so great. I just want this to kick in. So let this play while we do our final question. This was great, by the way. Dude, I'm so happy you came on for this.

[Josh Adam Myers]

I was. I Was not gonna miss this. I'm so glad that you were able to.

[Chris Redd]

Thought this one was cursed for a second because.

[Josh Adam Myers]

Because the man crazy. I know. And I'm like, bro, I'm. I'm almost, like, seconds from calling you. Like, I promise you, I want to do this.

[Chris Redd]

Please.

[Josh Adam Myers]

I'm so sorry.

[Chris Redd]

Hold on, wait. This is. This is. Now it's starting to kick in. Hold on. Now imagine.

[Josh Adam Myers]

Like, I see it. I see it.

[Chris Redd]

A.

[Josh Adam Myers]

So you like. So you like to. To those action. You like to. To those action soundtracks from the 90s, because that's what this sounds like. It sounds like. Like a. It sounds like John Wick walking into a spa right before he kills. And there's, like, a bunch of beautiful women everywhere.

[Chris Redd]

Sure.

[Josh Adam Myers]

Right. Does that.

[Chris Redd]

Yes. Hold on.

[Josh Adam Myers]

100% this.

[Chris Redd]

Hold on, wait. Wait for this to kick in. Hold on. Turn this up for a second. Oh, get ready. You're just like, now. You're. You're about to go in. You're about to go in. I'm putting it in right now. Hold up.

[Josh Adam Myers]

Oh, you be slapping. Nibble like that.

[Chris Redd]

I love. Dude, you turn this off. Trip hop is.

[Josh Adam Myers]

That's great.

[Chris Redd]

Trip hop is.

[Josh Adam Myers]

That's a cool little bit. I wouldn't. It doesn't scream sex to me, really. Not to me personally, but I can see now how you get down. You know what I'm saying? Like, I can see how you. I see what. You vibe out too, and it fits your. Your aesthetic.

[Chris Redd]

Put on. I want you to hear Deftones, because we're about to see them tonight. I'm trying to think of what would be a good. I'm so you. Deftones having a real moment right now. They're actually one of the more popular bands with Gen Z because they had a great show at. They had a great show at. At Coachella, and it just blew all the young kids away. What's sex tape no do? Yeah. Put on change in the House of Flies. I think that would. That might work because there's so many good ones. You. This is the one that you probably know the most. Do you know this one?

[Josh Adam Myers]

You gotta start because I don't. I don't know.

[Chris Redd]

But the drums kick in. It's very sexy.

[Josh Adam Myers]

Familiar. This is nice, too.

[Chris Redd]

Yeah.

[Josh Adam Myers]

Y'all be making white love, boy.

[Chris Redd]

All right. We don't bring grace. I don't see color, dude. A black chick would me. I. A black chick to this.

[Josh Adam Myers]

I. You did.

[Chris Redd]

Dude, I've got a lot of sisters, dude.

[Josh Adam Myers]

I. I know that.

[Chris Redd]

I gotta. I got a Chick. I may do. But see, I, I mean with more.

[Josh Adam Myers]

But they're coming in. When they walk in your house, they hear this. Yeah. See. Cause you're giving that. You give him that rock star and that. And I with that, I with that. It's a difference. It's different than my swagger. But I, I, it's. It's easily respectable.

[Chris Redd]

It's just I easily respect. So I ask everybody these questions. What's your favorite song on this record?

[Josh Adam Myers]

My favorite song on, on the, on the Marvin Gaye record.

[Chris Redd]

Yeah, on Deftones that you know so well.

[Josh Adam Myers]

The last one. I mean, let's Get it on man. That's. That's just.

[Chris Redd]

It really is. It's.

[Josh Adam Myers]

There's no way to beat that song. And actually it was crazy that he led with that. Like that's where we were in music where, where he just put the. The song everyone knew the most at the top of that.

[Chris Redd]

A lot of them did that. If you. I noticed this from doing the podcast. A lot of people sometimes start off with the hit and then they go down or you know, it's an interesting.

[Josh Adam Myers]

Way to build, build the record as, as a flowing piece of art. You know What I mean was just like, oh, you started here. You know what I'm saying?

[Chris Redd]

But this whole record, it's. This is. I want to call it a concept record, but it definitely. Every track leads to the next. Yeah, I think it's a great album. Is there anything on this you skip over like. And that doesn't mean you dislike it because it's funny. I actually listen to this record. Yeah, I skipped over let's Get it on because I've heard it so much.

[Josh Adam Myers]

Yeah, you're trying to like I wanted.

[Chris Redd]

To listen to the record of it. Is there anything that you've skipped over or.

[Josh Adam Myers]

I'm be honest. I. I've skipped over. What was the reprieve joint.

[Chris Redd]

Keep getting it on.

[Josh Adam Myers]

Yeah, cuz I'm like why sure. Cuz I, you know. And I didn't say that when I first heard the album but like now if I'm being honest, like I don't keep getting it on. No, I already nut bro. I might keep getting it on.

[Chris Redd]

I mean that's. That's a four or five minute song and then you get into Please Don't Stay. I mean this is the time it gets to keep getting it on. I mean if you're still. See that depends if I, if I take. If I take Viagra, which I do a lot now. And it's not A matter of me not being, wanting to be involved in it. It's just like once you lose your erection, you're going to lose it again. It's a mental thing. It's. Sex is about being present. So if I take Viagra, there is a good chance I need. I could go for an hour at least before I nut. It's crazy, dude. Which some girls are into that first time you a girl like when you're like interact, they're into it. But there's other sex where it's like, dude, we just had dinner, you know, we. She just wants to go, we want to go to bed. So Card.

[Josh Adam Myers]

Yeah, I had to get my time down, you know, cuz. Yeah. I had to learn, I had to learn how to fight, how to, how to shorter. You know what I'm saying? Cuz I'm like, oh, I thought every, every woman wanted this.

[Chris Redd]

No, no, they don't.

[Josh Adam Myers]

They got to do.

[Chris Redd]

Yeah.

[Josh Adam Myers]

She.

[Chris Redd]

I remember they get tired, it gets inflamed.

[Josh Adam Myers]

Like you like you don't got a job, you like you ain't got nowhere to be.

[Chris Redd]

I'm a cop. Stomach. I don't.

[Josh Adam Myers]

I kind of don't. Lady, I'm sleeping on the couch.

[Chris Redd]

But yeah, hilarious. The next question I would ask, I ask everybody is can you to this record? But obviously the answer is yes, Absolutely. All right. What would be your elevator pitch to get someone to listen to this album? Like how do you, how do you sum this album up?

[Josh Adam Myers]

This album is about love in the most intimate form. And, and you're already gonna get there. You're already gonna go. You already wanna, you already have somebody that you want to get into. Why not put on something that's gonna create that sexy ambiance written by someone who understands love and wouldn't sing about that unless he felt it.

[Chris Redd]

Yeah.

[Josh Adam Myers]

In his soul. And maybe his dick too. I don't know. I don't know his dick like that. Marvin Gaye's amazing. He didn't get shot by his daddy. So you wouldn't listen to the album.

[Chris Redd]

I feel like you have to to this record.

[Josh Adam Myers]

I feel like you have gotta to the record man.

[Chris Redd]

And, and I think go off of what. What Chris is saying. Fleece army is. You're. You're listening to a master of his craft and a man that you know that I think probably good looking guy knows love, knows sex. And I think he. You have the quintessential record for, you know, not only of all time, but I, I think when you're talking about the act of what we do and music at this, at this, at this meeting point, I think you have this record of this song and then you see it even grow because sex isn't a bad thing. You know, Sexual healing, man, he. This is his way of sexual healing.

[Josh Adam Myers]

Yeah.

[Chris Redd]

And. And I think you. You have the beginning of that for this. I think this is probably one of his best records and one of. I want to say it's one of the most important. But when it comes to the act of sex and music together, I think this is. This is definitely in the top, top three.

[Josh Adam Myers]

And honestly, this is the best record that's ever been written by a man whose dick don't work.

[Chris Redd]

God, so sad. So sad to hear that about. About Marvin Gay.

[Josh Adam Myers]

Yeah. But I'm like easily impressed. I'm like, what? You wrote all that.

[Chris Redd]

I know.

[Josh Adam Myers]

And that thing was even involved.

[Chris Redd]

I know.

[Josh Adam Myers]

That's crazy.

[Chris Redd]

Promote away. Anything you want to promote, bud. We'll do it at the beginning too. I get your spiel from your PR people, but anything from the PR people, we'll get it. We'll get everything.

[Josh Adam Myers]

I got an audible project coming out featuring Joey Badass and a bunch of other dope people. Roy Wood Juniors. There's a bunch of people.

[Chris Redd]

Funniest man alive, dude.

[Josh Adam Myers]

It's super great. Check it out. It'll be. I think it'll be. I don't know if I can say when it's gonna be. It's gonna be out this year. I'm gonna raise in Canaan. So if, you know, if you like gangster drama, then, you know I'll be on that. And I'm. And just keep looking out for me. I'm on the road. Get tickets, man. I'll be. Well, I don't know when this is coming out, but I'm out on Wednesday. Wednesday. So I'll be back from Houston. But I mean, check. Check my Instagram. Chris Red is. I am Chris Red. Dot com where I'mma be at. Pull up on me. I got a new hour, some I'm talking about and it's pretty funny.

[Chris Redd]

Go see Chris, everybody. He's hilarious. Support. This was so much. I'm so glad this worked out.

[Josh Adam Myers]

Hell yeah, boy. This is a fun show. I'm going to do this again.

[Chris Redd]

You. Oh, you will? Hell yeah, you will. Thank you guys.

[Josh Adam Myers]

O.

[Chris Redd]

What did I tell you? What did I tell you? The one and only Chris Red. Follow him on Instagram at Chrisred is on Twitter, or X however you call it. Red said it on Tik Tok official Chris Red. And his website is I am Chris red. That's with two Ds by the way, Resurrected rides. Go see him live. He's amazing. Now we just listened to Marvin Gay. Let's get it on. For new music this week brought to you apart by Distro kids Kid is you and I by Avant featuring Kiki Wyatt. And you can find links to the music on our website, the500podcast.com and if you were in a band and were directly influenced by one of these albums or artists and you want your music featured on the 500, send your song to 500podcast gmail.com. put the album and artists that influenced you in the subject line. Next week it's Linda Ronstadt week with the very best of. It's a compilation, not just the best. This is the cream of the crop of the best. And we get a redemption episode. If you've been listening to this podcast, I don't even know if you're still listening at this point, but there's a redemption for little old Joshie Myers. Do your homework. Stay Felicia.

[Josh Adam Myers]

Innocent and sweet, my love you are but one thing I know girl. Loving, loving, loving, loving you is easy for me to do, baby and I will feel this way till the end of time Even though you heard this a thousand times it's gone true.

[Chris Redd]

Oh.

[Josh Adam Myers]

Baby you and I together for always, baby I breathe every single prayer for.

[Chris Redd]

You baby oh boy you and I one hell of a chemistry baby I I'm living up this life for you.

[Josh Adam Myers]

Oh darling I know the things in life are not perfect but when it comes to you, you're all that that more baby Ooh, heaven's my destiny when.

[Chris Redd]

I'm with you the only place to be just you and me W My life, my life, my life, my life is so, so incomplete without you.

[Josh Adam Myers]

I.

[Chris Redd]

Will feel this way till the end of time.

[Josh Adam Myers]

Even though you heard this a thousand times it's the truth W baby you and I together for always baby I bring every single prayer for you baby.

[Chris Redd]

O boy, you and I One hell of a chemistry baby I I'm living.

[Josh Adam Myers]

Out this life for you. Well baby, I love you have you holy of you you want everything.

[Chris Redd]

The 500. Keeping it fleecy for the fleece nation.

[Josh Adam Myers]

On the 500.

[Chris Redd]

The 500.

[Josh Adam Myers]

Hey, everyone, this is Tuck from Fit for a King in off road minivan. Every week I bring you fun interviews alongside your favorite metalcore entertainers with my new podcast, Get Tucked.

[Chris Redd]

Join me every Monday with bands like Counterparts, Crystal Lake, Like Moths to Flames and many more.

[Josh Adam Myers]

We play unsigned and undiscovered bands, deep dive into each artist's history and of.

[Chris Redd]

Course, provide the greatest breakdowns in current metalcore.

[Josh Adam Myers]

Tune in to Get Tucked every Monday.

[Chris Redd]

Out now through Saturday. Hi, I'm Hal Schwartz.

[Josh Adam Myers]

And I'm Flynn McLean. We want to tell you about our podcast none but the Brave, which is dedicated to taking a deep dive into the work of Bruce Springsteen. We're currently in our fifth season.

[Chris Redd]

Our latest episodes focus heavily on Bruce's 2024 tour and have featured such guests.

[Josh Adam Myers]

As Anthony Castrovins from MLB network and Barstool's Kirk Minahan. We're also covering the 40th anniversary of Bruce's biggest record, Born in the USA. And as part of that coming up this week, Uprox cultural critic Stephen Hyden returned to the show for a fascinating hour long conversation about his new book, There was nothing you could do Bruce Springsteen's Born in the USA and the End of the Heartland. To listen you can go to our.

[Chris Redd]

Website mbtvpodcast.com or subscribe on your preferred podcasting platform. We hope to see you further on up the road. Thank you so much. We'll be you.

[Josh Adam Myers]

Next chapter Podcast.