Podcast Summary: The 500 with Josh Adam Meyers - Episode 177: Funkadelic - One Nation Under A Groove Featuring Wayne Federman
Introduction
In Episode 177 of The 500 with Josh Adam Meyers, host Josh Adam Meyers delves into Funkadelic's seminal 1978 album, One Nation Under a Groove. Joining him is the comedian and actor Wayne Federman, marking his sixteenth appearance on the podcast. This episode not only explores the musical genius of Funkadelic but also intertwines personal anecdotes and broader cultural discussions, offering listeners a comprehensive look at one of funk music's most influential albums.
Guest Introduction and Background
Wayne Federman, affectionately referred to as "the one and only Wayne Federman," brings a wealth of experience to the conversation. With a longstanding relationship with the podcast, Wayne has previously discussed artists like Curtis Mayfield, enhancing the depth of today's discussion on Funkadelic. Wayne's recurring presence underscores his passion for music and his insightful perspectives on the genre.
Curtis Mayfield and Musical Influences ([05:20] - [09:35])
The episode begins with a reflective discussion on Curtis Mayfield, highlighting his work with The Impressions and iconic soundtracks like Superfly. Wayne shares a humorous anecdote about almost covering Mayfield's "Pusher Man," contemplating the racial language in the lyrics and ultimately deciding against it:
Wayne Federman ([06:01]): "I thought you were a guitar guy. I didn't realize you were you."
This segues into a broader conversation about Mayfield's influence on Funkadelic and the evolution of funk music.
Funkadelic and George Clinton: The Musical Revolution ([09:35] - [21:33])
Josh and Wayne navigate the rich history of Funkadelic, focusing on One Nation Under a Groove as a transformative album in funk and rock fusion. They discuss George Clinton's role as the creative powerhouse behind the band, emphasizing his ability to blend genres seamlessly:
Jeremiah Watkins ([30:10]): "He is adding rock and roll. Did you talk about he. They had an epiphany when they were playing on the road..."
Wayne elaborates on Funkadelic's formation, their groundbreaking sound, and Clinton's visionary approach to music and stage performances. The conversation touches on the theatricality of their live shows, incorporating science fiction elements and elaborate costumes that set them apart from contemporaries like James Brown.
Legal Challenges and Streaming Rights ([32:19] - [39:49])
A significant portion of the discussion centers on the legal complexities surrounding Funkadelic's music, particularly One Nation Under a Groove. The album's absence from major streaming platforms like Spotify is attributed to ongoing lawsuits and contractual disputes between George Clinton and major record labels. Wayne explains the fragmentation caused by multiple band names and non-compete clauses:
Wayne Federman ([65:16]): "Difficulties arising from multiple names used by multiple groups."
This segment underscores the challenges artists face in maintaining control over their musical legacy in the digital age.
Personal Anecdotes and Side Conversations ([21:33] - [74:16])
Interwoven with the main discussion are personal stories and lighthearted banter between Josh and Wayne. Topics range from Wayne's experiences touring, his beloved pet dog Lekka, and humorous mishaps like Lekka's accidental consumption of a chocolate protein bar:
Wayne Federman ([21:02]): "But I wake up. I wake up... So when you have something like that, why do you."
Additionally, they touch on contemporary cultural events, such as Jaden Daniels' poised behavior during a high-stakes football game, reflecting on character traits that contribute to success.
Musical Analysis and Legacy ([44:44] - [64:37])
The duo delve deep into the musical intricacies of One Nation Under a Groove, analyzing its fusion of funk, rock, and psychedelic elements. They highlight standout tracks like "Flash Light" and discuss how Funkadelic's innovative sound paved the way for future genres, including hip-hop. Their analysis emphasizes George Clinton's role as a "Leonard Bernstein" of funk, orchestrating complex musical arrangements that remain influential:
Wayne Federman ([49:08]): "He can be the, you know, the. What's the Leonard Bernstein of it and conduct the thing."
Conclusion and Future Episodes
As the episode wraps up, Josh and Wayne reflect on the enduring impact of One Nation Under a Groove and its place within Rolling Stone's list of the 500 Greatest Albums of All Time. They express admiration for George Clinton's innovative spirit and anticipate future episodes, hinting at upcoming discussions on other legendary albums like Aerosmith's Rock in a Hard Place (Episode 176) and teasing potential guest appearances.
Wayne Federman ([73:07]): "What a fun record, What a fun album, What a fun group of songs. What a fun dude. And what a fun podcast."
Listeners are left with a profound appreciation for Funkadelic's contribution to music and a keen interest in exploring more albums from the iconic list.
Notable Quotes
- Wayne Federman ([05:35]): "I love him so much. Curtis Mayfield."
- Wayne Federman ([06:44]): "It's very gospel. Yeah. Oh, that's the real."
- Wayne Federman ([30:23]): "He is adding rock and roll. Did you talk about he. They had an epiphany when they were playing on the road..."
- Wayne Federman ([49:08]): "He can be the, you know, the. What's the Leonard Bernstein of it and conduct the thing."
- Jeremiah Watkins ([70:11]): "It was a mix of funk, science fiction theatricality, and a love of performing for the old school chitlin circuit."
Conclusion
Episode 177 of The 500 with Josh Adam Meyers offers an engaging and insightful exploration of Funkadelic's One Nation Under a Groove. Through rich dialogue with Wayne Federman, listeners gain a deeper understanding of the album's artistic significance, its challenges, and its lasting legacy in the world of music. This episode is a must-listen for enthusiasts seeking to appreciate the intricate tapestry of funk and its evolution over the decades.