Today, I’m so happy to get the chance to talk again with Sheri Joseph. I’ve always been a fan of her work, and her latest, Angels at the Gate, is the kind of dark, academic mystery that also takes its time in digging into the realities of a certain kind of campus life. We’ll be talking about an idea she often teaches about at Georgia State University, and that is how revision is about pushing toward the center of what she calls the life-artifice spectrum.

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Sheri Joseph’s fourth book, ANGELS AT THE GATE, was published by Regal House in September. Of the book, the Atlanta Journal-Constitution wrote: “This deeply immersive coming-of-age serves up a compelling slice of dark academia that interrogates the complex ways gender roles intersect with class to impact privilege.” And Kevin Wilson called the book “mesmerizing… more than a campus novel, more than a mystery, more than a reflection on memory. It’s heartbreaking, joyful, and utterly unforgettable.” Her previous books are the novels WHERE YOU CAN FIND ME and STRAY, and a cycle of stories, BEAR ME SAFELY OVER. She has received a National Endowment for the Arts fellowship and the GrubStreet National Book Prize, as well as numerous residency fellowships including Yaddo and MacDowell. A resident of Atlanta, she teaches in the creative writing program of Georgia State University.

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Sheri Joseph: The Life-Artifice Spectrum for Revision