05/07/2026

Summary

The Archers Omnibus – Episode Summary

Podcast: The Archers Omnibus
Host: BBC Radio 4
Episode: 05/07/2026
Date: July 4, 2026
Theme: This week in Ambridge delivers a busy build-up to the Borchester Show, with family tensions, new projects, and shifting loyalties. Characters navigate generational divides, business pressures, and the ongoing saga of the Aldridge family.

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Key Topics and Discussion Highlights

1. Grey Gables Chaos & Sci-Fi Convention

• Kate’s First Day on Reception (01:27–02:35)
  • Kate seeks help from Ian about a customer's lost collectible robot, highlighting her inexperience at reception and the stress at Grey Gables.
  • Memorable quote: “I’m new here, you know. This is my first time on reception. I’m not across all of our refund policies.” (Kate, 02:10)
• Technical Issues (02:14–02:27)
  • Ian is frazzled by a failing restaurant booking system, now convinced it’s 2002.
  • Comic relief: “We’ve travelled in time.” (Kate)

2. Family and Business at Bridge Farm

• Helen & Kirsty Decorate Jack’s Room (02:46–03:30)
  • Lighthearted complaints about teenage Henry and the thankless task of decorating.
• Tom's New Business: Botanicals (03:50–05:23)
  • Tom unveils plans for a Bridge Farm-grown beauty range, defending investment in “botanicals” over more controversial mega-dairy expansions.
  • Quote: “It’s a beauty range I’m interested in launching. The headline is all the ingredients… will have been grown on Bridge Farm.” (Tom, 05:00)
  • Contrasts innovation with apprehension among family members.

3. Jack’s Interests and Kirsty’s News

• Teen Interests vs. Family Plans (05:32–06:42)
  • Jack uninterested in sci-fi conventions, more focused on gaming.
  • Kirsty, keeping her pregnancy mostly private, considers if/when to inform Tom.

4. Tensions at Home Farm

• Adam’s Departure & Impact (07:15–09:06)

  • Ian confides to Kate about Adam’s restlessness post-fallout with Brian, searching property listings for a new smallholding – possibly outside Borchester.
  • Quote: “At this rate, Adam’s gonna burn himself out. And… this is all on Brian.” (Ian, 09:20)

• Ed Takes on More Responsibility (12:55–15:03)

  • Ed is increasingly relied upon by Brian, who is short-tempered and unyielding about Ed’s schedule and participation in the upcoming Borchester Show vs. work commitments.

5. Kira’s Struggles and Rewilding

• Kira & Kirsty Rewilding (15:08–16:44, 17:00–18:05)
  • Kira helps Kirsty, unloading personal struggles about family, feeling sidelined by new baby excitement, and not wanting to become a “free babysitter.”
  • Kirsty encourages her: “Maybe your role in all of this is holding your brother to account.”
• Kira Reflects on Family Dynamics (18:29–19:33)
  • Honest conversation about feeling unseen; Kirsty relates her own experiences and reassures her she always has a place at Kirsty’s if home feels crowded.

6. Manure Mishap at Spiritual Home

• Brian’s Mistake Costs Kate Business (17:00–21:26)
  • An accidental manure dump by the yurts disrupts Kate’s yoga retreat, bringing frustrations with her father’s unpredictability and disregard for her business needs to a head.
  • Emotional outburst from Kate about always mediating for Brian: “I’m sick and tired of being your envoy.” (21:02)

7. Grandparents, Sponsorship, and the Synth Cot

• Borchester Show Planning (25:16–28:08)
  • David Archer and others prepare the showground; social media and sponsorships ramp up, including a surprise “platinum sponsorship” from Bill Gordon (Amber’s father and George’s in-law).
• Synth Cot Drama (32:39–33:30, 36:11–38:07)
  • Tension as Bill gifts a high-end cot to George and Amber, overshadowing the hand-made “Grundy cot.” Amber feels undermined and outmaneuvered by her parents, wary of their “investment” in the baby.
  • Amber on family overtures: “An investment that you’ve obviously put a lot of thought into. And we’re very grateful. Aren’t we, Amber?” (33:19)

8. Borchester Show: Crisis & Collaboration

• Dangerously Hard Showground (33:30–34:54, 49:32–50:52)
  • Without rain, equestrian rings are too hard for horses; Chris and David sound the alarm.
• Brian Mobilizes Help (68:09–69:39)
  • Brian secures processed water for the grounds, orchestrating a community-wide effort to save the show.
  • Quote: “Go big or go home.” (Brian, 68:49)

9. Sibling Relationships: George, Kira & Emotional Reconciliation

• George Pushes Kira (61:51–63:43)

  • George relentlessly encourages Kira to show Texels at the show, but she objects to the limelight. Argument escalates until George apologizes for his past behavior.
  • Kira: “I’ll show the Texels. Really don’t mean we’re okay.” (73:31)

• Neil’s Wisdom (65:54–67:38)

  • Neil counsels George about listening to Kira and trusting her perspective, sharing his own parenting philosophy.

10. Workplace Turmoil and Opportunity

• Martin Gibson’s Proposition (58:33–59:48)
  • Martin tries to recruit Ed as his “eyes and ears” at Home Farm, dangling lucrative tree work in return. Ed, uncomfortable, refuses.
  • Key quote: “You want me to spy on Brian?” (Ed, 59:25)

11. Escape Plan: Spiritual Home Meets Rewilding

• Kate and Kirsty’s Collaboration (46:43–47:27)
  • Inspired by her frustrations, Kate plans to relocate her business alongside Kirsty’s rewilding enterprise, seeing synergy in their holistic visions.
  • Kate: “I’m all about finding people’s source energy. And you’re harnessing the planet’s original essence.” (46:53)

12. Lighthearted Moments & Friendship

• Hen Do Brainstorming (60:11–61:41)
  • Susan and Chris compete for best hen party idea, but it’s Kirsty who wins with a meaningful village-treasure-hunt centered on Pip and Stella’s story.
  • Kirsty’s winning idea: “A treasure hunt based on meaningful locations around the village for Pip and Stella…put the couple at the center of the party.” (61:14)
• Family Gatherings at the Pub (57:00–58:44)
  • The episode closes with an extended gathering at the Bull, where old and new family tensions bubble beneath the surface but community spirit prevails.

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Notable Quotes & Memorable Moments with Timestamps

• “I’m new here, you know. This is my first time on reception. I’m not across all of our refund policies.”
  Kate, 02:10

• “At this rate, Adam’s gonna burn himself out. And… this is all on Brian.”
  Ian, 09:20

• “I’m sick and tired of being your envoy. I think Adam and Ian are right to keep Xander away from you.”
  Kate, 21:02

• “An investment that you’ve obviously put a lot of thought into. And we’re very grateful. Aren’t we, Amber?”
  George (sarcastically), 33:19

• “Go big or go home.”
  Brian, about spraying water on the showground, 68:49

• “It’s called facing up to responsibility, not just running away at the first sign of trouble.”
  George to Kira, 63:43

• “You don’t need the latest kit to be a good parent, George. You need love.”
  Neil, 66:46

• “I’ve been totally ‘brianed’.”
  Kate, 45:49 (using “Brian” as a verb for being frustrated and exasperated)

• “A treasure hunt based on meaningful locations around the village for Pip and Stella…put the couple at the center of the party.”
  Kirsty, 61:14

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Timestamps for Key Segments

| Timestamp | Segment / Event | |-----------|------------------| | 01:27 | Kate’s reception mishap at Grey Gables | | 03:50 | Tom’s new botanicals business unveiled | | 05:50 | Jack says no to sci-fi, yes to gaming | | 07:15 | Ian worries about Adam’s obsession with moving | | 12:55 | Ed gets more responsibility at Home Farm | | 15:08 | Kirsty and Kira’s rewilding work and candid chat | | 17:00 | Manure dumped at Kate’s business – confrontation with Brian | | 32:39 | Bill Gordon introduces the synth cot, stokes tension | | 33:30 | Borchester Showground’s hard ground – competition in jeopardy | | 46:43 | Kate and Kirsty hatch “Escape Plan” to merge businesses | | 58:33 | Martin propositioning Ed as an “informant” | | 60:11 | Hen party idea-off (Kirsty wins with heartfelt plan) | | 65:54 | Neil counsels George on family expectations | | 68:09 | Brian coordinates water-spraying teams to save the Borchester Show | | 73:31 | Kira agrees to show the Texels, with reservations |

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Closing Notes

The episode delivers a rich tapestry of community drama—balancing everyday concerns (manure mishaps, cot arguments, business launch anxieties) with heartfelt family reckonings and subtle progress in relations. Old wounds resurface, but moments of reconciliation and generational learning emerge, set against the high stakes of the village’s beloved Borchester Show.

Tone: Warm, dryly humorous, gently combative, and emotionally honest—true to The Archers’ long-running style. The characters remain thoroughly themselves, merrily bickering while keeping the heart of Ambridge beating.

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End of Summary.

Transcript

[George]

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[Kate]

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[Neil]

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[Kate]

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[Brian]

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[Kate]

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[Ian]

Visit for terms and conditions.

[George]

You're listening to the archers omnibus from BBC Radio 4.

[Kate]

Oh, Ian, have you got a sex sorry kit?

[Ian]

Not now.

[Kate]

No, I mean it. I promise I won't be long.

[Ian]

What is it?

[Kirsty]

Room 42.

[Kate]

Mr. Weaver. He's saying he's lost a bit of his build. A figure K1 robot. And he reckons housekeeping must have binned it when they did a sweep of his room. It was a collectible, apparently, worth quite a bit. So he's asking for a full refund. What shall I tell him?

[Ian]

Is this for real?

[Kate]

Yeah, he's. He's in the bar. I managed to wangle him unlimited coffee on the house.

[Brian]

Oh, good.

[Ian]

Well, so it sorted?

[Kate]

Well, no, not really.

[Ian]

As far as I'm concerned, a customer has made a complaint. You've dealt with that complaint? There's no issue here.

[Kate]

No, but what am I actually saying to him, though? Help me out, Ian. I'm new here, you know. This is my first time on reception. I'm not across all of our refund policies.

[Ian]

Then ask somebody who is.

[Kate]

Yes, that is what I am doing.

[Ian]

Who's not?

[Kate]

Me.

[Ian]

Sorry. I've already got Jarrod on my case. Booking system for the restaurant's gone haywire. It seems to think we're in 2002 or something.

[Kate]

Oh, we've travelled in time. Oh, like Nappian. We're hosting a sci Fi convention. You've got to admit, it's big. A bit funny.

[Ian]

Yeah, well, you're not dealing with maintenance, coordinating facilities and running a full dinner service tonight, are you?

[Kate]

No, I guess I'm not.

[Helen]

There. Well, that's Looking better. What do you think, Kirsty?

[Kirsty]

Not bad, is it?

[Amber]

Oh.

[Helen]

Oh. Are you okay?

[Kira]

Oh, yeah, fine.

[Kirsty]

Helen. Ah, just my back.

[Helen]

You sure? Sorry. I'll stop fussing. You've been a star with this. As ever.

[Kirsty]

Happy to help.

[Helen]

Well, you shouldn't have to. It should be Henry here with the scraper and the paintbrush. And honestly, if he bends my ear one more time about how awful it is sharing with his little brother.

[Kirsty]

Not a fan.

[Helen]

Understatement of the century. I have to get this at decorating done at some point. If he just pulled his finger out, he could be master of his own destiny. But no, there's always Khalil or Kira to entertain.

[Kirsty]

Well, I suppose wallpaper in your little brother's room isn't a teenager's idea of a fun weekend.

[Bill]

No.

[Helen]

So we're st doing it instead.

[Tom]

Tom.

[Brian]

Up here. Natasha.

[Tom]

Didn't expect you home.

[George]

It's a week off from the Battling Bulls.

[Tom]

Fair enough. What you doing then?

[George]

Just some work. Didn't want to be disturbed. Mum and dad are having Serena Nova. So today is an opportunity not to be wasted.

[Kirsty]

Oh, Tom. What?

[Bill]

Oh, yeah.

[George]

Beautiful, isn't it?

[Kirsty]

Yes, beautiful.

[Tom]

I always think that when looking at a computer generated image of a greenhouse.

[George]

It's not just any greenhouse, though.

[Tom]

Climate control, blah, blah, blah. I've heard it all before, several times. And you know my opinion.

[George]

It's no less financially viable than Helen's Mega parlo.

[Tom]

Oh, stop it, Tom. We both know what Helen is looking at is nothing like a mega parlour.

[Chris]

Might as well be.

[Tom]

I thought you and Helen had it all out last week. Now that we're all moving forward in

[George]

perfect harmony, we agreed to give each other a fair crack of the whip. That's why we've both got this pitch

[Chris]

in a couple of weeks.

[George]

And it might be nice if I had some support.

[Tom]

You know, I'm a businesswoman first and you wouldn't change that.

[Chris]

No, of course I wouldn't.

[George]

It's just you seem to be a bit inconsistent about splashing the cash.

[Tom]

What's that supposed to mean?

[George]

A load of boxes arrived earlier.

[Kate]

Oh, brilliant.

[George]

Is it? What happened to watching our spending? Where are the boxes in the kitchen?

[Tom]

Those boxes are an investment.

[George]

In what?

[Tom]

The botanicals.

[George]

The botanicals, Tom.

[Tom]

I've told you about it. The new business.

[Brian]

What?

[Tom]

Or at least I tried to tell you. It's a beauty range I'm interested in launching. The headline is all the ingredients in the lotions and potions will have been grown on Bridge Farm. I want to make some tester products to see if it's viable. I've even been in touch with some of my old colleagues in cosmetics and they've agreed to give me some feedback. Well, anything.

[George]

You were serious about this, then?

[Tom]

Deadly. I'm gonna do this, Tom. With or without your support.

[Kirsty]

What's going on this wall, anyway?

[Helen]

You'll have to ask Jack. There's some framed prints in a crate upstairs.

[Kirsty]

So maybe those superheroes.

[Kate]

What else?

[Helen]

Yeah, it's nice his interests aren't changing too much.

[Kirsty]

For now.

[Helen]

Yeah, exactly.

[Kirsty]

Jacked into fancy Hasset Con, then?

[Helen]

Sorry?

[Kirsty]

Well, the sci Fi thing at Grey Gables. Kate was saying it's been a bit nuts.

[Helen]

Oh, yeah, he doesn't think it's worth checking out. No celebs, apparently.

[Kirsty]

Ah, I see.

[Helen]

One of the families from school is taking him to one in Birmingham over the summer.

[Kirsty]

So Jack's better off using this weekend to design his wall.

[Helen]

Exactly. Or play video games.

[Kirsty]

Wonder if my Mini Miller will be a gamer. Will you beg my dad for a Game Boy? But I think I was trying to fit in with everyone else more than anything.

[Helen]

Well, if Mini Miller wants to be a gamer, then Jack's going to be a very enthusiastic mentor.

[Kirsty]

He'll be out in the big wide world by then.

[Helen]

Oh, he'd come back, see his old mum. And if not Jack, then Sarah and Nova. Amount of time they spend on Tom's tablet.

[Kirsty]

Yeah, maybe.

[Helen]

Have you told Tom?

[Kirsty]

Should I have done?

[Helen]

It's your decision, Kirsty.

[Kirsty]

I've not really told anyone yet.

[Helen]

Right.

[Ian]

Come in.

[Kate]

Only me. I thought I'd just give you an update. The K1 robot is in one piece and has been returned to its rightful owner.

[Ian]

So no refund necessary?

[Kate]

No, Brad spotted it in time and fixed the model before we gave it back to Mr. Roger Weaver.

[Ian]

Look, kid, I should never have spoken to you like that earlier. It was totally unprofessional.

[Kate]

Oh, well, you're under a lot of stress.

[Ian]

That's still no excuse. Who needs that in their first day out front?

[Kate]

Well, thank you. Is the restaurant booking system sorted?

[Ian]

No such luck. Gonna need a full system reset. We'll be going analog tonight. I don't know if I'm cut out for this. There's only so far you can go in Martin Gibson's coaching manual.

[Kate]

And it's nothing to do with what's going on at home. You can talk to me, Ian. Just because I'm exchanging pleasantries with dad doesn't mean all is forgiven. How was your Saturday?

[Ian]

Short.

[Neil]

Okay.

[Kate]

Well, how was Your time away from this place.

[Ian]

I took Xander to Philippersham. You know, the indie Mexican place just up from the Cathedral?

[Kate]

Yes.

[Ian]

Xander always feels so grown up when we eat there. Anyway, we were passing the Cathedral coffee shop and there was Brian, right by the window with his paper.

[Helen]

Oh.

[Ian]

And I found myself bustling Xander past, making sure they didn't see each other.

[Kate]

Oh, Ian, what did I say? Don't make Xander a pawn in this.

[Ian]

Look, I know it's not great, but I'm with Adam in this.

[Kate]

How is Adam?

[Ian]

Who knows? I'm scared to ask after Friday's bust up with Brian. Seriously, Kit? I mean, I thought it was bad before, but he left some tabs open last night. In the laptop. I know I shouldn't have looked. And property pages. Small holdings, Anglesey, Norfolk, county down, even.

[Kate]

You're not moving?

[Ian]

I hope not. We've got a life here. He was talking about a market garden last week. I thought it was a great idea if it was in Borchester. Yeah, I didn't really see this coming. I mean, I don't think he's serious.

[Kate]

Not really.

[Ian]

Just. I don't like seeing him like this. It's all got a bit obsessive. He keeps saying it's about Xander. I'm not convinced.

[Kate]

It's all so sad.

[Ian]

It's more than that, Kate. This isn't sustainable. At this rate, Adam's gonna burn himself out. And look, I'm sorry, but just the way I see it, this is all in Brian.

[George]

I'm gonna cook is slow roast pork to Madame's taste. If I start now, we should be eating by 8.

[Tom]

I'm not sure I'm in the mood for a romantic day dinner.

[Bill]

Oh, please, Natasha.

[George]

I know I've got this wrong. It's a shock, that's all.

[Chris]

A shock of my own making. But I'm here now.

[George]

I'm ready to listen.

[Brian]

Or smell.

[George]

What's this?

[Kirsty]

One guess.

[Chris]

Raspberry and

[George]

rose water.

[Kate]

Oh, I'm impressed.

[George]

What's the plan, then? Other than these testers you've mentioned?

[Tom]

Well, more research, obviously. Which means going to other suppliers, seeing what already exists, some work on the branding, costing. So, honestly, Tom, I'm buzzing. I've not felt this excited in years.

[George]

Since Summer Orchard launch.

[Tom]

Exactly.

[Kira]

A new start.

[Tom]

And look, just because I'm keeping an open mind with a parlour and everything, don't think I'm not pleased to see you working on a project again. It's great.

[Chris]

Aw, thanks, love.

[Ian]

Look at the time. Has anyone been on reception while You've been with me.

[Kate]

Yeah. Zainab's got it covered. Due to finish early anyway. Now, let's finish on a high. I reckon there's one good thing to come out of all of this.

[Ian]

I'd love to hear it.

[Kate]

Adam being out of Home Farm.

[Ian]

Seriously?

[Kate]

Yeah. Think about all the precious time he's spending with Xander. Cricket in the garden, quiet afternoons by the a.m. do you think he'd get any of that if Adam was still up to his eyes in herbal lays and back and forth with dad?

[Ian]

No.

[Kate]

Exactly.

[Ian]

But he's too restless for that, even short term. That's how we've ended up in the small holding search.

[Kate]

Well, then he needs a project, doesn't he? Something tangible. But please, Ian, see this as an opportunity rather than a disaster.

[Ian]

Okay.

[Kate]

Great. Besides, Dad's got his new right hand man.

[Ian]

But do you reckon Ed knows what he's let himself in for?

[Kate]

Well, he's worked at Home Farm for years.

[Ian]

Yeah, but this is Brian. One on one. No offense, Kit, but I don't think it'll be long before Brian shows at his true colours.

[Kirsty]

Hi, Akira. Wasn't expecting you till nine.

[Kira]

Sorry, Kirsty. I can go walk round the block as Grandpa says.

[Kirsty]

No, you're here now. It's great to have someone so keen.

[Kira]

I figured that being 50 minutes early was better than half an hour late. One or the other with me.

[Kirsty]

I'm the same.

[Kira]

Means a lot, by the way, you doing this at such short notice.

[Kirsty]

Oh, pleasure. Was school all right in the end?

[Kira]

I think so. Mr. Arris had a bit of a moan, but I think he was winding me up.

[Kirsty]

I'll send him an email later. Make sure they've got everything they need.

[Kira]

Beats a week at Ameside, anyway.

[Kirsty]

Lillian's not that bad.

[Kira]

Nah, she's pretty cool, actually. She was happy when Auntie Tracy told her I got this instead.

[Kirsty]

Oh, I got tax from there as well. You're to be treated like royalty, apparently.

[Kira]

I don't want no fuss or nothing.

[Kirsty]

I know. Anyway, there's too much work to get done for that.

[Kira]

Should we make a start?

[Kate]

Oh, last.

[David]

You all right, Brian?

[Neil]

Oh, Ed.

[Kate]

Hi. Yes. Fine. Well, not fine, actually. No. Take a pew.

[Neil]

Oh.

[Ed]

You in the middle of an order?

[Kirsty]

Yeah.

[Kate]

Chemicals. I was hoping Adam had been on top of it, to be honest. Ordering ahead?

[Ed]

No, because of the rise in prices and the rest.

[Kate]

Yeah, but, no, of course he hasn't. So, that's my morning gone. Ringing around, sorting orders for the next year.

[Ed]

Well, good luck with it.

[Kate]

You know, we let Adam Go at the right time. Something like this was bound to happen eventually. And who's left to sort out the mess? You and me, Ed.

[Ed]

Brian. I'm here to work the land.

[Kate]

Yeah, damn fine job you're doing too. Oh, which reminds me, we've got the machinery engineer coming to take a look at the auger on the combine. So it's ready for the harvest. It needs a service. I want you to meet him.

[Ed]

Sure. Yeah. When?

[Kate]

Next Thursday.

[Ed]

What, the 9th?

[Kate]

Yes. Problem?

[Ed]

Well, it's the Borchester show. I've got some Texels entered.

[Kate]

Well, that's okay. Can't one of the Grundy mafias standing for you?

[Ed]

That's not really the point, Brian. When I took this work on, we agreed that I'd have some flexibility.

[Kate]

And you do. For your tree surgery work, I mean. Well, you did that job at the Showground with Emma over the weekend, didn't you?

[Ed]

Yeah. Yeah. The ash branch that fall.

[Kate]

Oh, there you go, then. Now, if you'd excuse me. Oh, damn.

[Ed]

What is it?

[Kate]

This email to the chemicals rep keeps bouncing back.

[Ed]

Let me have a look. Yeah, you've got an extra.in the address. Look.

[Kate]

Oh, goodness, I have. My eyesight isn't what it was. Mind you, this keyboard seemed better days too. Thanks, Ed. Much appreciated.

[Ed]

No problem.

[Kate]

You see, this is what I mean. There's an issue and you solve it. No fuss. None of this patronizing, you must be past it. Rubbish. You're indispensable, you know.

[Ed]

Well, I'll see what I can do about the show.

[Kate]

Good man.

[Ed]

So, listen, do you still want me to shift that manure?

[Kate]

If you can put it in Broadacre.

[Ed]

Broadacre? Isn't that a bit close to spiritual home?

[Kate]

Just do it, will you?

[Ed]

Right you are.

[Kirsty]

Oh, don't worry about the branches being neat, Kira. Just chuck them on.

[Kira]

Well, if you say so.

[Kirsty]

That's the idea with rewilding. You let nature do its thing.

[Kira]

I saw loads of these while we were walking up.

[Kirsty]

Oh, wood piles are one of our staples.

[Kira]

So what's under here, then?

[Kirsty]

All sorts. You've got wood lice, centipedes and beetles at the bottom. Maybe some amphibians. They use them for hibernation. Oh, that reminds me. We must check last night's beaver footage over lunch. Rex reckons we've got kits.

[Kira]

Great.

[Kirsty]

Oh, come on, Kira. The beavers are usually people's favourites.

[Kira]

It's not that. Just. I came here to get away from baby news.

[Kirsty]

Right.

[Kira]

People don't ever shut up about it at home.

[Kirsty]

They're Just excited, that's all. And it's a lift for everybody after

[Kira]

Mighty Duke of Brother and mess things up for all of us?

[Kirsty]

Well, I was gonna say after a difficult time.

[Susan]

What?

[Kira]

Well, people are so quick to just move on.

[Kirsty]

Well, I think being a dad's changed you.

[Kira]

He's not dad yet. No.

[Kirsty]

Okay.

[Helen]

Yeah.

[Kirsty]

I take it you're not looking forward to being an auntie, then?

[Kira]

We'd rather not think about it. It's Mum and Dad. I feel sorry for all the adults, to be honest.

[Kirsty]

Why?

[Kira]

It was gonna be such a drain, this baby. No sleep, nappies, trips to the park every single day. They'll drag me in as a free babysitter and George will be useless.

[Kirsty]

Okay, well, maybe this is an opportunity for you to step up then. Not changing nappies or cooking the dinner. Maybe your role in all of this is holding your brother to account.

[Kira]

Why, though? Why is that my responsibility? He's 21, supposed to be a man. He shouldn't need it. Ed.

[Kate]

Ed, what the hell are you doing? Stop what you're doing immediately. Stop. It stinks.

[David]

Sorry, Kate.

[Ed]

Brian wanted this manure dumping.

[Kate]

Yeah, I can see. I can smell it. What's he playing at? It's right by the yurts. We're in the middle of a yoga class.

[David]

Look, I'm just following instructions.

[Kate]

Oh, yeah, I know that. This has Brian Aldridge written all over it. Well, once I've cancelled all of my clients for today, I'll be finding my father and telling him exactly what I think of him and his instructions.

[Kira]

How are the beavers? I thought you weren't interested. Fur babies aren't the same as real babies.

[Kirsty]

Well, watch that shape there.

[Kira]

Aw, cute. How old do you think they are?

[Kirsty]

A week at most, I'd say. I'm sorry for poking my nose in earlier.

[Kira]

No, I'm fine. You care. It's nice.

[Kirsty]

Don't other people?

[Kira]

Henry does.

[Kirsty]

What about your mum and dad? You always seem pretty tight with Emma, Ned.

[Kira]

And we are. We really are. And the rest of them? Grandma makes me laugh every day.

[Kirsty]

And does the rest include George?

[Kira]

Maybe.

[Kirsty]

Well, that's an improvement on earlier.

[Kira]

Well, if you weren't such a show off.

[Kirsty]

Well, that's just brothers. So Helen tells me.

[Kira]

It's like when George is having a crisis, which is always. That's the only thing that exists. I ran away at New Year. Did you know?

[Kirsty]

I had heard.

[Kira]

The thing is, it wasn't even that deep. Looking back, I wasn't having bad thoughts. And it wasn't like I planned something massive Neither. I just needed space. But I only really got to talk to dad about it last week. He knew why it happened. Mum had filled him in. But we hadn't really talked about it, you know, because there's no time to. I run away and George gets hit on the head. So it's all him, him, him.

[Kirsty]

But you're talking about it now.

[Kira]

Suppose.

[Kirsty]

Well, there you go then. I'm an only child. Growing up, my mum and dad didn't know half the stuff I got up to ask. Tom and Helen will tell you. When I first moved here, I hardly had a nice word to say about my mum. So many as adults that we've properly connected. Relationships don't stand still. They evolve like the seasons.

[Susan]

Here.

[Kirsty]

Maybe you'll feel differently about George in time.

[Kira]

Yeah, right.

[Kirsty]

Or maybe you won't. But you and Emma and Ed are talking. Keep it like that. And don't let how you feel about your brother get in the way. You're both their kids. You both matter. And if, when the baby arrives, you don't feel like there's space for you all the time at home, well, there's always space for you here. Okay.

[Kira]

Right. Well, thanks, Kirsty.

[Kate]

Kate. It wasn't that much manure. We're talking one trailer load at most.

That's not the point, dad. There shouldn't have been any.

And ok, it's not the most pleasant smell in the world, but the wind takes most of it away.

Yes, the wind takes the fumes and wafts them all over spiritual homes.

Well, if you care so much about it, you could always do one of your cleansings.

That's not funny, Dad. I had to cancel everything today.

I'm sorry. It's affecting your business.

Why do I feel like there's a but coming?

I run a working farm. The manure has to go somewhere.

I appreciate that, but why Broadacre?

Because the soil there needs a boost. This wasn't deliberate.

Oh, I know that. In a way, that's what's so worrying.

Give me strength.

I know there's nothing medical to worry about, but in that case. What is going on, dad? Fine. Be like that. I'm sick and tired of being your envoy. I think Adam and Ian are right to keep Zonder away from you.

What?

You do know that Ian saw you in Felphisham on Saturday. He rushed past to make sure that Xander didn't see you.

There's no need to be cruel.

No, there's every need. You're unbelievable. Who's it going to be next Week, Dad. Who's next on your hit list? Lillian, Alice. Who else will you make turn against you?

I don't have time for this.

When you're in the wrong, you never do.

I've got to help Ed calibrate the moisture monitor.

Oh, of course. Ed, the hired help. The only person who's obliged to interact with you contractually. Heaven help him.

[Ed]

Do you want the cream stirred in?

[Kira]

Nah, leave it floating.

[Ed]

There you go.

[Kira]

Excuse me. Marshmallows.

[Ed]

Oh, so ungrateful.

[Kira]

Only thing you do better than Mum. Hot chocolate.

[David]

Oi.

[Ed]

What about my fry up?

[Kira]

Maybe.

[Ed]

Maybe.

[Amber]

Yeah.

[Kirsty]

Okay. There you go.

[Ed]

Nice for Grandma and Grandpa to take Oliver out tonight when it would have been him and Caroline's wedding anniversary.

[Kira]

Well, you choked up just talking about it this morning.

[Ed]

Well, it's difficult for him. But it means tonight we've got the place to ourselves.

[Kira]

Got ketchup loaded?

[Kate]

Oh, Ace.

[Ed]

Just what I need. Relax in front of the footy with my daughter.

[Kira]

Dad, it's cricket.

[Ed]

What?

[Kira]

That was the deal. Hot chocolate and cricket. Can't watch football with you. Like having a second commentary, right? Would you rather watch Wimbledon with Mum? No, cricket work. Alright.

[Ed]

Yeah.

[Kira]

So that's a no, then?

[Ed]

There's nothing for you to worry about. Let's just say I. I'm doing my best to follow Brian's orders and keep calm while carrying on. Which is no mean feat. How are the Beavers?

[Kira]

Justin and Sigourney have kids. Oh, you've got this week to come up with names.

[Ed]

Kirsty's got you working hard, then?

[Kira]

Hey, I'll have you know I've been lugging branches all day. Honestly, dad, it's been amazing. And rewilding's the future.

[Ed]

Oh, is it?

[Kira]

Yeah.

[Ed]

You know, that was a smart thing you did, getting to work with Kirsty.

[Kira]

Thanks, dad.

[Ed]

You could do me a favour, actually.

[Kira]

What is it?

[Ed]

Well, work's gonna be a bit mad these next few weeks and I don't have the time I thought I had.

[Kira]

I hope Brian is paying you well to be his dog's body.

[Ed]

No. Anyway, Kira, I've asked George about this, but with the social media stuff he's doing, he's rammed as well.

[Kira]

Or he can't be bothered.

[Ed]

No, the. The Portchester show's a big deal for him and Amber.

[David]

Be fair.

[Ed]

Any road. He suggested you.

[Kira]

Oh, right.

[Ed]

Can you get the day off school next Thursday?

[Kira]

What for?

[Ed]

Well, how do you feel about showing the Texels for me?

[Chris]

Oh, thank you for bringing me phone. Lottie would have been a nightmare. Not Having it today.

[Susan]

Well, this is karma, isn't it? Rushing off so quickly this morning.

[Chris]

I had to get here early, mark out the farrier competition area for the marquee people. And if I'd stayed at yours any longer, I might not have wanted to move.

[Susan]

Okay, good save.

[Chris]

Anyway, I had to be out before Maddie woke up.

[Susan]

She does know who you are, Chris.

[Chris]

Yeah, I know. Still, strange man staying over.

[Susan]

And we don't want to skip the fun stage by having to have serious conversations with kids. Yeah, exactly, Mr. Sensible.

[Chris]

As long as I'm not Mr. Boring.

[Susan]

Well, if a Knight of Pentacles comes up in my tarot later, your days are numbered.

[Amber]

Your face.

[Susan]

You know I don't take it seriously, right? I don't. Anyway, good news. Oh yeah, no Maddie tonight. Mum's doing me a favor, so.

[Chris]

Ah, Chris, it's all a bit crazy here.

[Susan]

Mum is a once in a blue moon offer these days. We need a proper date. A booty call is not enough.

[Chris]

Tell you what, say yes to Pip and Rosie about that sleepover on Thursday instead. We'll do something then. But I am sorry about tonight. I could give you a tour if you like. Make it up to you. You are technically a stall holder.

[Susan]

Yeah, go on, if you're offering it.

[Chris]

Do me good to have a break. It's been manic, particularly after the weekend.

[Susan]

Maybe that ash tree coming down in

[Chris]

the storm, but Emma and Ed were brilliant. They came straight out.

[Susan]

She's so badass, your sister.

[George]

Yeah, I suppose she is.

[Chris]

Anyway, the whole thing put us back a day. So now everyone's at top speed. We're all just praying that nothing else goes wrong.

[Amber]

Wow, this is all looking really impressive, David.

[David]

Oh, thanks, Amber. Glad you think so. We're away off yet, but things are looking promising. Are you getting a good review response from the stall holders?

[George]

Yeah, Helen sent us a video this morning shot through the Bridge Farm dairy window. Nana and Tracy look great.

[Amber]

It's nice when we don't have to give too many notes. We sent out general guidance, obviously, but I think people understand the value of good socials these days.

[David]

You got my email, didn't you? With the amended media plan?

[Kirsty]

Yes.

[Amber]

Can't wait to cover the farrier competition.

[George]

All those tanned arms.

[Amber]

Ignore him, David. I'm mutuals with Emily Farnaby.

[George]

They follow each other.

[Brian]

Oh, right.

[Ed]

Yeah, yeah.

[David]

Oh, one half of the Denton Grange mixed pair. Yeah, that match against the Harriman Twins looks very competitive.

[Amber]

Right. About the media plan. Just got one question, if that's okay.

[David]

Fire away.

[Amber]

There are A few gaps in the running order for the awards. Are they typos?

[David]

No, nothing to worry about.

[Kate]

Right.

[David]

All will become clear.

[Amber]

You're the boss, David.

[David]

Now, you two really need some content from the rural crime team.

[George]

I'll let you handle that one, Amber.

[David]

Okay. Ask for PC Nicola Truman. She was fantastic with the sheep attack. Really, really supportive.

[George]

Meant to say, David. We were all gutted when we heard about that. Can't imagine what it was like.

[David]

Ed's showing his Texels here, isn't he?

[George]

Well, it was meant to be, but Brian's got him slaving away.

[Kirsty]

George.

[Brian]

What?

[Chris]

That's true.

[George]

And we're busy here. I suggested Kira show them, but she don't want to know.

[David]

Oh, that's a shame.

[Amber]

I thought she liked the sheep.

[George]

Loves them, handles them like a pro. It's the limelight she doesn't like.

[Amber]

Oh, it'd be a shame not to enter at all though.

[Bill]

David Archer.

[Ed]

Hello.

[Bill]

Bill Gordon. Oh, hello you two.

[Amber]

Hey, dad. What are you doing here?

[David]

Nice to meet you, Bill.

[Bill]

Yeah, you too. David.

[David]

Come to school, scope out your trade stand.

[Bill]

I have, yeah.

[David]

I'm really sorry though, you can't actually park that here.

[Bill]

Oh, sorry. Yeah, just find it useful to set up stab a prop, you know, see what the stand's going to look like on the day. The showground manager said it was fine.

[David]

All right. Okay, fair enough. Certainly looks the part.

[George]

Beautiful, ain't she?

[David]

What year is that? 85.

[Bill]

84.

[Amber]

First model with leather trim, unhinged rear number plate and four speed automatic. Right, dad.

[Bill]

She's her father's daughter, ain't she?

[David]

Listen, we're really grateful you agreed to the platinum sponsorship though.

[Brian]

Wow.

[Bill]

No problem.

[David]

And George and Amber will be fantastic hosts for the day.

[Amber]

Sorry.

[George]

Yeah, we're really looking forward to it.

[Bill]

Well, I could hardly refuse a day with my daughter, could I?

[David]

And of course, your complimentary piece in our Borchester Echo pull out. Written by Amber.

[Amber]

Right.

[David]

Oh, sorry, that's me. I better take this. You okay to take over Amber? Show your daddy's pitch?

[George]

Yeah, we'll be fine.

[David]

Great.

[Bill]

Hello, Riley. Lead the way. Sure you're alright, love?

[Amber]

Yep, fine.

[Chris]

And that's where the marquee will be.

[Susan]

That's brilliant, Chris. I don't know why you're stressing. All seems very under control.

[Chris]

Yeah, I suppose.

[Susan]

Take the compliment. I'm proud of you.

[Chris]

Thank you. I'm glad you stayed.

[Kirsty]

Oh.

[Susan]

Everything okay?

[Chris]

Yeah, yeah. It's Harrison wants to meet me for a drink. You know he's coming back week after Next.

[Susan]

And that's a problem because?

[Chris]

Well, he'll be moving back in with Fallon, for starters. So I'm working out what me and Martha are going to do. Don't worry, I'm not hinting.

[Susan]

I didn't think you were. By the way, I'm organizing Pip's hendo. Did I tell you?

[Chris]

No, I don't think so. Have you got anything planned?

[Susan]

Yeah, I've got a few ideas.

[Chris]

Well, as long as none of them involve tarot, we'll be all right.

[Susan]

Well, Pip's quite into it, actually. But, no, I'm more thinking a drag brunch. Or come dressed as your female crush. Or come as your favorite Madonna.

[Chris]

Your favorite Madonna?

[Kirsty]

Yeah.

[Susan]

I could so see Stella as cowboy Madonna. Come on, it's got to be worth it for that alone. And I could be Madonna in the bath.

[Kira]

Oh, yeah.

[Susan]

I've got this great game pin. The distinguishing feature on the character who inspired your gay awakening.

[Chris]

Bit of a mouthful.

[Kirsty]

Oh, shush.

[Susan]

It's like pin the tail on the donkey, but instead you pin the breastplate to the Warrior Princess, Xena. Or the glasses on Rachel Vyse in the Mummy. Or the blazer on Scully. Let's face it, anything on Gillian Anderson works. Oh, but the X Files.

[Chris]

Isn't this all a bit, well, stereotypically lesbian.

[Susan]

It's a lesbian, Chris. Clues in the title.

[Chris]

Well, I just think you could be a bit more creative.

[Susan]

Oh, is that a challenge?

[Chris]

Yeah, if you like.

[Susan]

Okay, we've got just over 48 hours till our next date. Let's each present an idea over dinner when we hang out on Thursday. And whoever loses pays.

[Chris]

Who's gonna judge?

[Susan]

Yeah, we'll figure that out when we're there. Mr. Carter, do you accept the challenge?

[Chris]

With pleasure. Ms. Summers.

[Bill]

Help.

[Chris]

Gotta take this. Sorry, David.

[David]

Oh, you got your phone then?

[Chris]

Yeah.

[David]

Listen, Chris, mate, are you still about?

[Chris]

Just down by the farrier's competition tent.

[David]

I'm on one of the equestrian rings. Casey Meeks. I think there's something you need to see.

[Amber]

He's been gone a while.

[George]

Bit of a trek to the lose, ain't it? Seems happy, though, don't he? You like my idea about building the display around his classic car?

[Amber]

He was being polite. He can't put his own car on the sales display. It's a stupid idea.

[George]

Well, he won't actually be selling anything, will he? It's to attract people to the dealership.

[Amber]

I'm still figuring out how. I'm writing a promo piece on my dad's business and being his personal VIP host.

[George]

That were me, weren't it?

[Susan]

Yes.

[Amber]

I'd work that out, George.

[George]

When your mum came round last week with the Bronies, I did a bit of upselling. We didn't agree nothing. She said she had to discuss it with Bill. Told me not to tell you.

[Amber]

Bet she did.

[George]

I thought this was what you wanted. You reached out to them?

[Amber]

Yes. On my terms. I deliberately didn't offer them platinum because. Because I didn't want them lording it over me. And I didn't want to spend any more time with them than was absolutely necessary. Now you've got me chained to them for a whole day.

[Kate]

Bell at 12 o'.

[Bill]

Clock.

[Amber]

This is not over.

[Bill]

Sorry about that. Gotta get back to the showroom in a bit. Just so we're clear, 15 cars and some promotional flags and banners. I'll even see what I can do about chucking in another classic or two.

[George]

Sounds great, doesn't it, Amber?

[Amber]

You know what you're doing, dad.

[Bill]

Great. Do you want to walk me to the car?

[Amber]

It's literally there.

[George]

Humor me.

[Bill]

I may or may not have a surprise for you.

[Susan]

What?

[Amber]

Mum Hiding in the booth? Feels like that kind of.

[Kate]

Dad, Shush.

[Amber]

So I'll see you tomorrow, then, dad? For the promo interview.

[Bill]

Just wait a sec. Dad.

[George]

A synth cot.

[Bill]

Part of their Sleeping Lions range. Call it a baby shower present.

[George]

This must have cost a bomb.

[Bill]

You're paying for quality, though. It rocks at four different speeds as a customizable playlist. All linked up to an app so you can monitor the baby's sleep.

[George]

We can play them all that classical stuff, make sure they're a genius.

[Ed]

Amber,

[Amber]

we've already got a cot from George's family.

[Kira]

You and Mum saw it.

[Bill]

I think you're being a bit ungrateful, love. Between this and the sponsorship, you're setting us back 10 grand.

[Amber]

Oh, because that's what we are, isn't it? An investment.

[George]

An investment that you've obviously put a lot of thought into. And we're very grateful. Aren't we, Amber?

[David]

What do you think, Chris? It's not looking great, is it?

[Chris]

It's how it feels that worries me. The ground's rock hard. There's no way we can have horses competing on here. It's not safe. I'm guessing it's the same on the other rings.

[David]

Yeah, of course. We had all the winds last week, but no rain.

[Chris]

I'm sorry it's not better news.

[David]

Well, it's not your fault, is it? But I won't lie. I really don't need this. Not after that ash tree branch came down.

[Chris]

When it rains, it pours.

[David]

Or in this case, not at all.

[Chris]

Can I do anything, David? I could ask around. There's got to be someone who can help. I meant to have a job at Little Croxley at half three. It's a bit late, but I could try reschedule.

[David]

No, no, don't be silly. It's not your job to sort. And anyway, we're not going to solve this today.

[George]

I just think this is a bit of an overreaction.

[Amber]

Unbelievable.

[George]

It's a nice bit of kit.

[Amber]

Are you that easily bought? I thought you might put up a bit of a fight.

[George]

They just want what's best for the baby. Same as us. Don't think it's personal, George.

[Amber]

They saw your cot, hated it and threw a bit of humiliation into the bargain. This is how they roll.

[George]

Look, I thought they'd let me know if they were going for the platinum membership. I thought they'd let me know so me and you would have a chance to talk it through. They'd obviously told David.

[Amber]

They're always one step ahead. Putting you on the back foot. I don't know if they even realize they're doing it. I keep going back, hoping they've changed, and every time they let me down.

[George]

So what now?

[Amber]

Guess I'm doing this interview with dad tomorrow. Amber, what choice do we have? Do the interview, get through next week, and then they can be out of our lives.

[George]

Let me do the interview.

[Kirsty]

No, George, it's fine.

[George]

No. No, it's not. I made this mess. I'm gonna get us out of it.

[Whole Foods Market Advertiser]

The ultimate cookout starts with the ultimate ingredients at Whole Foods Market. No antibiotics ever. Burgers and kebabs are prepped and ready to throw on the grill. Fire up a juicy ribeye. Grab creamy potato salad and savory flatbreads from the prepared foods department. And round it all out with 365 brand condiments, chips and dips at everyday low prices. Whole Foods Market make your summer sizzle.

[Chris]

All new drinks are now at McDonald's with refreshers like the Strawberry Watermelon Refresher and the Mango Pineapple Refresher with Popping Boba. To crafted sodas like the Sprite Berry Blast with berry flavors and cold foam. Who knew ice cold drinks could be so fire

[Kate]

six.

[Chris]

All new drinks are here now at McDonald's.

[George]

Refreshers contain caffeine.

[Chris]

All new drinks are now at McDonald's with refreshers like the Strawberry Watermelon Refresher and the Mango Pineapple Refresher with popping Boba to crafted sodas like the Sprite Berry Blast with berry flavors and cold foam. Who knew ice cold drinks could be so fire six? All new drinks are here now at McDonald's.

[George]

Refreshers contain caffeine.

[Kate]

You comfortable?

[Ed]

Mm.

[Kate]

Smells lovely in here, doesn't it? Your pregnancy pillow is the right place.

[Amber]

Yep.

[Kirsty]

This oil's gorgeous. What do you use?

[Kate]

Ah, it's. It's lavender and chamomile mainly.

[Kirsty]

Ah, magic. I really don't mind paying for this, you know.

[Kate]

No, that's not what we agreed. Oh.

[Kirsty]

Oh.

[Kate]

What's hurting?

[Whole Foods Market Advertiser]

Ah.

[Kirsty]

Where you've just been.

[Kate]

You are looking after yourself.

[Kirsty]

Okay?

[Kate]

Sorry. I know you hate that question, but if it helps, I'm asking in a partly professional capacity.

[Kirsty]

Yes. Nothing to report, really. Just some indigestion.

[Kate]

Oh, well, crackers by the bed is my secret. Gets you off to a good start in the morning. And you should be eating little and often.

[Kirsty]

Thank you, Dr. Matakani.

[Kate]

Just a suggestion.

[Kirsty]

No, you're right. And to be honest, this is a good week to start getting into good habits working with Kira. When you're responsible for someone else, you have to be responsible for yourself.

[Kate]

Do you mind me saying something?

[Kirsty]

Well, that depends on what you're going to say. I've noticed your bump, Kate. Of course I don't mind. All part of the process, isn't it? A very nice part. Makes it seem more real. Oh.

[David]

What?

[Kirsty]

That smell.

[Kate]

Oh, I was hoping you wouldn't notice. The wind must have changed.

[Kirsty]

What's going on?

[Kate]

My useless article of a father's dumped a load of manure right by spiritual home.

[Kirsty]

Ah,

[George]

won't be a minute, Mr. Gordon.

[Bill]

Ah, you're fine. Hey, George. What happened to Bill?

[George]

Right. Yeah, Bill.

[Bill]

Now, which SUV do you think for next week? George.

[George]

Sorry. I just want to make sure this recording saves somewhere sensible.

[Bill]

Yeah, worry about that in a sec. Which one?

[George]

The hybrid. Good green messaging.

[Bill]

Yeah, but this one's got a higher trim and a better safety rating. Tricky one.

[George]

Right. Ready when you are.

[Bill]

Okay, great.

[George]

Don't worry about how you sound. We're writing this one up. Up, remember?

[Bill]

Yeah, sure.

[George]

Nice easy one to start. So how long has Gordon's of Borchester been running?

[Bill]

Well, we've been around 18 years, give or take. When we moved here, we were in Lewisham, but both of us, me and Anne Marie, we got fed up with London and we wanted to raise Amber somewhere more. More picturesque. She was two at the time. That okay?

[Chris]

Yeah.

[Bill]

Great.

[George]

What's your favorite car?

[Bill]

And why oh, good question. Suppose I haven't really got a favorite car as such. I've always loved rallying though. Grew up in the group B E. Right. They were beautiful cars. Oh, the noise. November nights watching rally report.

[Greg Jenner]

Right?

[George]

Yeah. How long has Gordon's of Boardchester been running?

[Bill]

You've already asked me that.

[George]

Oh, yeah, sorry. What makes your dealership unique?

[Bill]

Our mission statement is.

[George]

Actually, I think I was meant to ask you that before. Your favorite car.

[Bill]

You alright, George?

[George]

Yeah, I'm fine.

[Bill]

Because we can come back to this if you want. I'm not in a rush to get home.

[Ed]

You sure?

[Bill]

Yeah, yeah, positive. Come on, follow me.

[Kate]

It always feels like we go back to square one with him. I mean, we've all tried and he just throws it back in our faces.

[Kirsty]

We have been here before with your dad, Kate. Several times.

[Kate]

Exactly. I lost so much business on Monday. And apart from this awful stink, all I could think about was the amp poisoning and what it was like back then. The fear, the dread, Dad's lack of responsibility.

[Kirsty]

Now I'm not sure things are that bad.

[Kate]

Maybe it's the tip of the iceberg, isn't it? All this conflict over the inheritance, endless meaningless power struggles with bl. All chapters in the Brian Aldridge psycho drama. Even this week, that notice going up for planning permissions for the caravans. I'm starting to appreciate what it was like for me mum. Sleepless nights.

[Kirsty]

Oh, you never caused her any sleepless nights.

[Kate]

Whose side are you on?

[Kirsty]

Not feeling hugely sympathetic right now, Kate.

[Kira]

Why not? Because you're starting to make my feet

[Kirsty]

feel like needed dough.

[Kate]

Well, I'm sorry.

[Kira]

Kate, stop.

[Kate]

You should have said if you weren't enjoying it.

[Kirsty]

When are you hurt? Well, the way you a man handling me, I'll be lucky if I can walk. Just as well I'm not paying because I'd be asking for my money back.

[Kate]

Oh, I'm so sorry.

[Kirsty]

Oh, it's fine. Well, understandable. Anyway, maybe go and get us a couple of herbal teas, eh?

[Bill]

There you go. Coffee? Could always make this Irish for you, George.

[George]

Nah, best not. I'm still trying to support Amber with. You know that.

[Bill]

Don't mind if I do, though.

[George]

Not my office.

[Bill]

Help yourself.

[George]

To be fair, staying off the booze seems to be the only support I'm good at.

[Bill]

Well, it's just relationships. Everyone has their moments.

[George]

You and Anne Marie okay? Sorry. I don't know why I asked.

[Bill]

We got nothing to worry about. And it's good to check in sometimes. For what it's worth, I think you're doing a fine job of supporting Amber. Otherwise you wouldn't be here now. I'm guessing she wrote those questions.

[Neil]

Yeah.

[Bill]

Yeah, I can hear her voice in them. She's very distinctive. It's not your natural environment, is it? Media?

[George]

I don't know about that. I might not be your ID of an influencer, but I've got experience behind. Behind me. I only met Amber because of my social media.

[Bill]

Sorry. I shouldn't make assumptions. What I meant was you're a grafter. Like me. Maybe I didn't see it at the beginning, but I certainly do now.

[George]

Thanks.

[Bill]

And it's important. It keeps your feet on the ground, I won't lie. When I married Anne Marie, I was marrying into quite a bit of money. I had the opportunity. Opportunity to be a kept man if I wanted. That didn't suit me, though. I accepted a small loan from her dad to help purchase the garage in Lewisham. And, well, that's where this all started. Took a bit of talking around, though. Her parents. I was oddly, the golden boy.

[Ed]

Really?

[Kate]

Oh, yeah.

[Bill]

Which is why I can't apologize enough for before. I know what it's like having a previous self worthy and it's horrible.

[Ed]

Thanks.

[Bill]

You deserve a clean slate. And that entrepreneurial spirit. The drone upselling the platinum sponsorship to us. That's a real you, son.

[George]

Why didn't you tell me you were going to purchase the upgrade?

[Bill]

Did I need to?

[George]

I thought you'd give me a definite answer and then I'd do my bit by talking it through with Amber. Calm, like. But no, you make it this big surprise why?

[Bill]

Me and her mum can't control how Amber's gonna react to things, George. She must realise that by now.

[George]

But you could try not to make things worse. Sorry, Bill. I know it might seem like I'm mouthing off. Maybe I am a bit. But I want this to work. I want you in our lives. You and Anne Marie. For the baby. For Amber too.

[Chris]

Really?

[George]

Do you get what I'm saying?

[David]

Yeah.

[Bill]

Yeah, I get you. And we want this to work as well. Of course we do.

[Helen]

Good.

[Bill]

So maybe we should discuss terms.

[Ed]

Terms?

[Bill]

The cop, for instance.

[Kira]

Better.

[Ed]

Hmm?

[Kirsty]

Better.

[Kate]

I'm so sorry. Again.

[Kirsty]

Oh, Kate, stop apologizing.

[Kate]

I gave your feet a kneading and

[Kirsty]

I live to tell the tale.

[Kate]

That's me on dishwasher duty for a month. What?

[Kirsty]

Nothing. I'll take another massage, though.

[Kate]

When you're less brianed.

[Kirsty]

That's the word.

[Kate]

I've been totally brianed.

[Kirsty]

Is there a cure?

[Kate]

You'd think I'd grow out of these tantrums.

[Kirsty]

Oh, it's not a tantrum, Kate. It's your livelihood. I'd be raging if someone dumped manure by the rewilding office.

[Kate]

It's not like I've got a claim to the land Spiritual Home is on.

[Kirsty]

And I don't own the rewilding land. That's not the point. We both need to make a living.

[Kate]

True.

[Kirsty]

And you're right. You've been carrying the burden of being the Aldridge mediator for too long.

[Kate]

It's not just me on my own, though, is it?

[Kirsty]

But Lillian and Alice aren't losing stables clients through Brian's actions.

[Kate]

Not yet. Dad's got this uncanny habit of making his problem your problem. Oh, listen to me. I'm starting again. I've got to face it, Kirsty. I'm the only sibling with a business connected to him, depending on his whims. The trouble is, I'm running out of reserves for it all.

[Kirsty]

Well, then it's obvious you need an escape plan.

[Kate]

An escape plan? Yeah, an escape plan. Kirsty, you're a genius.

[Kira]

I know.

[Kate]

And such a good friend. Okay, Spiritual Home can move to rewilding. Because our missions are the same, aren't they? I'm all about finding people's source energy. And you're harnessing the planet's original essence. And we had a great turnout for the Goat Yoga. Imagine the collaborations in the future. Oh, I'm gonna have so much fun writing a pitch.

[Kirsty]

A pitch?

[Kate]

Yes, a pitch. We've got to do it properly. We've got to get Wrecks and Tony and Justin on side. Roy. We should tell Roy and Phoebe. I'll message them both a selfie. We need a selfie.

[Kirsty]

Hang on, Kate. I'm in a towel.

[Kate]

No, absolutely. Well, let's wait until we get home. Oh, well, I certainly didn't have this planned at the beginning of our session.

[Kirsty]

Me neither.

[George]

Look, no offense, Bill, but you've given me this pitch before.

[Bill]

I don't understand what's changed. You were all over that. Caught yesterday.

[George]

And I see the benefits, really, I do. But this has to be a joint decision. Amber has her heart set on the grundy cot. And you get why I'm not going to argue with her.

[Bill]

Yeah, yeah, of course. And I don't want to seem like I'm dumping on your hard work. It's a proper piece of craftsmanship.

[George]

Thanks.

[Bill]

With a baby, though, it can't all be about looks. You got to think safety, durability. I totally get Amber. Wanting the Grandicot for a nice social media post. It's perfect for that. But maybe that's how it should stay. A show cot at Grange Farm. Let the synth cot do the heavy lifting. Right? Have I shown you the app? No, I got it installed. Look at this. You see? Sleep position scheduled, nap time, heart rate, temperature.

[George]

Amber does worry about how stuff he it gets in our room. Particularly in the summer.

[Bill]

Exactly. I know my daughter, George. She's a worrier, like her mother.

[George]

Well, I've been worrying she won't leave the house. She's been saying there's no way she's leaving the baby, even if there's someone there.

[Bill]

Well, this way she doesn't have to. You're starting to see it now, ain't you? Well, Amber's very good at making things look black and white. She gets that from her mum too. That's one thing I love about them both. The clarity. But it doesn't always have to be like that. There's a place for everyone and everything in this baby's life, isn't there?

[Kate]

And at the end of the day,

[Bill]

George, if you're serious about including us as grandparents, you gotta let us have some input. Trust me, this cot is what's right for our grandchild.

[George]

Yeah, okay.

[Neil]

Martin.

[Brian]

Neil. Everything all right?

[Kirsty]

Yeah, yeah.

[Neil]

Fine with Barrow, anyway.

[Brian]

Good. Looks that way. Sorry I haven't been around much today. Holidays are lovely, but you always come back chasing your tail.

[Neil]

I know what you mean.

[Kirsty]

Yeah.

[Brian]

Well, if this isn't a Barrow question.

[Neil]

No, it's a borsiture water question.

[Brian]

Right.

[Neil]

Oh, no, Martin, this isn't a complaint. Ain't quite the opposite. I'm hoping you'll be able to help. Oh, now, Christopher is involved with the Bolchester show this year.

[Brian]

Oh, yes, the farrier competition. I saw.

[Kirsty]

Yeah.

[Neil]

And apparently the equestrian rings are in a dreadful state because of the weather. They're bone dry. Apparently Christopher was fretting and I thought you're just a man who could source some service water to soften up the ground.

[Brian]

Well, I'm not Borsicher water, Neil. I'm only on the board. But. But yes, yes, I'm sure something can be arranged. Who do I email? David Archer.

[Neil]

I'll check with Christopher.

[Brian]

Well, you just let me know. The show jumping and it's always the highlight of the show for me. It'd be disaster if they couldn't go ahead. I think we're sponsoring a sheet class as well, so you could say it's my duty.

[Neil]

Which one?

[Brian]

Class 20 the Texels.

[Neil]

Ah. Ed was meant to be entering that.

[Brian]

Oh. Well, what's happened?

[Neil]

Oh, nothing as such. He's just all hours at Home Farm at the moment. And Adam leaving's really put the cat among the pigeons.

[Brian]

Adam. What?

[Neil]

You didn't know? Look, Martin, I need to get going. Susan will be waiting. We're on a date night tonight.

[Brian]

Yes, Neil, you go. Looks like I'll be taking a detour via Home Farm.

[Susan]

Come on then, what's your big pitch?

[Chris]

We're doing this now.

[Susan]

Call it a practice run.

[Chris]

Okay. A day in the forge, crafting a Mjolnir Thor's hammer.

[Susan]

Ah, right. So basically you're just touting for business.

[Chris]

It's romantic. I made one when I first got the forge with Alice. Sorry, Chris.

[Susan]

You don't need to apologize. I'm not gonna burst into flames of jealousy whenever you mention her name.

[Bill]

Thanks.

[Susan]

Now we better order. It's packed to the rafters. What are we eating?

[Brian]

Right.

[Ed]

I think I should be going, Brian.

[Kate]

All right. Thanks, Ed.

[Chris]

Oh.

[Susan]

You alright?

[Ed]

Mine.

[Brian]

Ed. Brian, I think we need a word.

[Kate]

Can't this wait, Martin? We've all got homes to go to.

[Brian]

No, it can't. I need assurance that the BL harvest will be a success. Especially after last year.

[Kate]

Oh, come on.

[Brian]

I need to know that Home Farm's contract will be fulfilled.

[Kate]

Oh, for pity's sake, give me some credit. We both know last year was a one off.

[Brian]

Do we?

[Kate]

Of course we do. As a board member, I'm hardly going to sabotage a major income stream for Blue or damage Home Farm's reputation.

[Brian]

Bold of you to assume that Home Farm still has a reputation.

[Kate]

What's that supposed to mean?

[Brian]

As far as I'm concerned, Home Farm's reputation comes hand in hand with Adam Macy. Well, where is he, Brian?

[Kate]

He's no longer working here.

[Brian]

No. So I found out from Neil. I suppose that explains why Adam hasn't been answering my texts.

[Kate]

Well, you know now. Anyway, I've got Ed as my deputy now. He's perfectly capable and is working hard to take up the slack.

[Brian]

That is not the point, Brian. I should be hearing about all this from you first hand, so forgive me if I'm not feeling very trusty.

[Ed]

You don't have to worry about the harvest mine. It's all under control. I'm getting the kit in order next week. I'm even missing the Borchester show to make sure it's all done.

[Brian]

I appreciate your hard work, Ed. Really I do. You're a casual, not a manager.

[Kate]

No, Martin. Hang On Ed's worked here for years and has been indispensable to me these past few weeks. Might as well have been the manager then.

[Brian]

You'll be paying him a manager's salary, won't you? Thought not. Thanks for the update, Ed. Get a grip, Brian.

[Kate]

Well, that could have gone worse, I suppose.

[Ed]

Brian, you know what he was saying about my salary? No, I don't like to ask.

[Kate]

No, you've every right to. And maybe when things have settled down and harvest is up and running, we can talk about it properly.

[Helen]

Right.

[Ed]

Thanks.

[Kate]

No, I don't know about you and I could certainly do with a drink. Bull.

[Ed]

Yeah, yeah, the bullet is.

[Neil]

Sorry I'm a bit late, though. Everything okay?

[Kirsty]

Oh, yeah. Just the latest updates on Synth Cot.

[Neil]

What?

[Kirsty]

That cut George brought back from the Gordons last night. Oh, Amber's furious with him.

[Neil]

Oh, not surprised.

[Kirsty]

So unnecessary. Why were you so late?

[Neil]

Oh, Martin Gibson.

[Kirsty]

What's he done now?

[Neil]

What have I done, more like. I let it slip that Adam had left Home Farm, so Martin was off like a shot.

[Kirsty]

I reckon I should text Adam, you know. Wonder if he might be up for a few shifts in the shop.

[Neil]

You're not serious?

[Kate]

Oh, why not?

[Kirsty]

Need someone to replace Jim. Oh, I got a postcard for from him this morning. Did I tell you?

[Ed]

Oh, no.

[Neil]

Where is he?

[Kirsty]

Paris.

[Neil]

Oh, all right for some.

[Kirsty]

He's been going on night tours around the Louvre.

[Brian]

Cool.

[Neil]

Can you do that?

[Kirsty]

Apparently. And he's taken an apartment bang opposite where James Joyce wrote Ulysses.

[Neil]

Oh, good old Jim.

[Kirsty]

Oh, no. Oh, I miss him already. But it doesn't solve my problem in the shop.

[Neil]

Look, forget about the shop. It's been ages since we had a bit of time together, just the two of us.

[Kirsty]

Well, it's not just the shop, though, is it? Dad's at Clive's, getting up to who knows what. And the cots.

[Neil]

I'll talk to George about the cot. Please, Susan. Look, I've got plenty of things to worry about. The crack bill at St. Stephen's the church roof.

[Kira]

I thought the roof was all sorted.

[Neil]

The bill is. Well, that's my point. This isn't the time. Let's just get into the ball and have a nice evening. Tell me more about Paris. Reckon we're due another city break.

[Brian]

Ah, Chris.

[Kate]

Martin.

[Brian]

Just the man.

[Chris]

You made me jump.

[Neil]

Sorry.

[Kate]

Not at all.

[Brian]

I've been wanting to talk to you. Your father's been telling me all about your spread issue.

[Chris]

I'm sorry.

[Brian]

Borchester Show. I hear the grounds a problem.

[Chris]

Oh, yes, right.

[Neil]

Sorry.

[Chris]

What do you reckon you can help?

[Brian]

Well, I can put out a few feelers, certainly, but I'm aware we haven't got a lot of time. Who is it? I need to contact your end.

[Chris]

I can give you Malcolm Kelly's number. He's the Showground manager.

[Brian]

Much obliged.

[Chris]

You're the one doing us a favor.

[Brian]

Oh, no promises, mind. Keep it under your hat for now.

[Chris]

Now, there it is. Right you are.

[Brian]

Oh, one last thing, Chris.

[Ian]

Tuck your shirt in.

[Kate]

Oh, Neil.

[Susan]

Susan.

[Neil]

Oh, Loty.

[Susan]

Oh, you love the same idea as us, then?

[Brian]

Well, yes.

[Neil]

I'm wondering if we should go somewhere else, though.

[Susan]

It's a bit busy, isn't it?

[Kirsty]

Is the beer garden any better? Wouldn't mind being out in the evening sun.

[Susan]

Anyway, I don't think think so. You could sit with us if you like. There are four chairs. It's like destiny.

[Neil]

No, no, we wouldn't want to intrude.

[Susan]

Oh, no, you wouldn't be. Tell them, Chris.

[Neil]

What?

[Chris]

Oh, hi, mom and dad.

[Neil]

Yeah.

[Susan]

Christopher, Susan and Neil should join us for dinner.

[Chris]

Oh, well, I mean, we've already ordered.

[Neil]

No, really, it's fine.

[Kirsty]

You all right, Christopher?

[Chris]

Yeah, yeah, I'm okay. I just had a chat with Martin Gibson in the lose.

[Kirsty]

Oh, he's not here. He say?

[Chris]

In the beer garden, I think.

[Susan]

Right, that settles it. There's no way we can let Neil risk dinner with his boss. Sit down, both of you.

[Kirsty]

Right.

[Chris]

Oh, no.

[Tom]

What?

[Chris]

I'm sorry in advance.

[Kate]

Hello. I thought it was you.

[Chris]

Brian.

[Brian]

Hi, Neil, Susan. Hello, Brian.

[Kate]

It's Lottie, isn't it? From the surgery.

[Susan]

You do know.

[Kirsty]

Okay.

[Susan]

Mr. Aldridge, I had a problem.

[Kate]

Brian, please.

[Neil]

You meeting anyone, Brian?

[Kate]

I just brought Ed in for a drink. We've had a long day. Topped off with a dressing down for Martin Gibson. Ah, Ed just nipped the loo. Not sure where we can sit, though.

Sit with us, Lottie?

[Susan]

Well, there's room at the table. We can get a couple more chairs.

[Kate]

Oh, well, if you're sure.

[Susan]

Absolutely.

[Ed]

Oh, Martin. Oh, you gave me a fright.

[Brian]

Are we alone?

[Ed]

What?

[Brian]

Hello.

[Kirsty]

Hello.

[Ian]

Good.

[Ed]

What are you doing?

[Brian]

Checking we won't be disturbed. Sorry, Ed. Don't mean to sound so sinister, but you can never be too careful.

[Ed]

Yeah, right.

[Brian]

If it's any consolation, I did genuinely need to use the floor facilities. Didn't just follow you in here.

[David]

Great.

[Brian]

I'll cut to the chase. You might have picked up on some animosity between me and Brian earlier.

[Ed]

Yeah, Yeah, a bit.

[Brian]

I don't trust him, Ed. I trust him less by the day. I Do, however, trust you.

[Ed]

Where's this going?

[Brian]

Martin, I want you to be my eyes and earth ears at home farm.

[Ed]

You want me to spy on Brian?

[Brian]

Spying is a bit of a dramatic term. I want you to be an interested observer.

[Ed]

Look, Martin, I'm not sure about.

[Brian]

The state has a sizable tree surgery job going next month. Hoping I could offer it to you.

[Ed]

You're trying to buy me.

[Brian]

Not at all.

[Ed]

Good night.

[Chris]

Mine.

[Brian]

Just think about it.

[Susan]

Well, I hope nobody minds us tucking in.

[Kate]

There's no need to stand on ceremony. We've all invaded your den.

[Chris]

Look, as we have a captive audience, might this be a good opportunity to test out our hen party ideas?

[Kate]

Yes.

[Neil]

What's this?

[Chris]

Well, Lottie's coming up with ideas for Pip's hen do.

[Kirsty]

Oh, the laceby Hein?

[Susan]

And Chris has spent all week rubbishing them.

[Neil]

Oh.

[Susan]

So I set him a challenge. Whoever pitches the best idea tonight in under 15 seconds gets their dinner paid for.

[Chris]

Oh, sounds good, but we need some judges.

[Neil]

Oh, count me out.

[Kate]

And me. I've never been to any sort of hen in my life.

[Kirsty]

Well, looks like the deciding votes with me.

[Brian]

Yes.

[Kirsty]

Don't think you're getting an easy ride, Christopher.

[Susan]

I'll start. Just let me find my notes.

[Kate]

You took your time in.

[Brian]

I was ordering us drinks.

[Susan]

Ah, here we are. Come dressed as your favorite crush. Complete with a game of pin. The distinguishing feature on the lesbian awakening.

[Kirsty]

Bit of a mouthful.

[Chris]

What did I say?

[Kirsty]

Christopher, your turn. Well, a day at the Fort forge crafting a Mjolnir.

[Chris]

How did you know?

[Kirsty]

Because you suggest it whenever anyone wants an idea for a party. Any excuse for some business.

[Susan]

Busted.

[Kirsty]

Now look, can I pitch something?

[Susan]

Of course you can, Susan.

[Kirsty]

Right. A treasure hunt based on meaningful locations around the village for Pip and Stella. You know, the site of their first kiss or the proposal they could finish at spiritual home for a pamper session. Or in here. Anything really. You should put. Put the couple at the center of the party. And this way you are.

[Chris]

What do you think, Lottie?

[Susan]

I think it's pretty obvious who's won.

[Chris]

The free dinner is yours, man.

[George]

All right, sis.

[Kira]

George.

[George]

How are the Beavers?

[Kira]

More to rewilding than the beavers.

[Brian]

I know.

[George]

Just taking a.

[Kira]

An interest Abra for giving you yet for the cop?

[Neil]

No.

[Kira]

Thought so.

[George]

Shut up.

[Kira]

What? Just taking an interest.

[George]

This lot amount of time we spend with them almost feels like they're family. Is that weird?

[Kira]

Yeah. So weird.

[George]

Have you thought any more about what Ed asked you?

[Kira]

Have I changed my mind about showing him you mean? Well, since grandma Pestered me last night. Or Mum and Grandpa pess me the night before. Your turn, is it now?

[George]

All right, all right. Get the picture. You know, it would mean a lot to your dad, George.

[Kira]

Emotional blackmails not work for Grandma. Defo ain't gonna work for you. Of course I know what it means to Dad. I ain't letting him down.

[Neil]

So.

[Kira]

Well, you all know why it's a no.

[George]

You just need a bit more confidence, that's all.

[Kira]

It's not about confidence. Just. I don't like being the centre of attention.

[George]

Well, imagine you're playing football, locked in, just you and the lamb.

[Kira]

Not the same.

[George]

Why is it not the same?

[Kira]

That's a team sport. People don't care about you as individuals. And anyway, you know I'm not playing properly no more.

[George]

I didn't, actually.

[Kira]

A lot's changed.

[George]

Yeah, technically, showing the Texels is a team sport. They're your team and you've done it before. That's what I don't get.

[Kira]

Yeah, well, that was then, this is now.

[George]

Yeah, lots changed. I get it.

[Kira]

It's different when you're a kid. People just think it's cute. There's no judgment.

[George]

Well, you're not being judged, are you? It's the TechSouls. People will be watching them, not you.

[Kira]

I've said no, George. What is it with this family?

[George]

Maybe we all get that you have to push yourself once in a while. Part of growing up. Not that you'd know.

[Kira]

Oh, and you did. Didn't even have the bottle to turn that cot down. And now look where you are.

[George]

It's called facing up to responsibility, not just running away at the first sign of trouble. Kira, I didn't mean.

[Kira]

Leave me alone.

[George]

Kira.

[Chris]

Evening, David. Thanks for calling back.

[David]

All right, Chris? Where's the fire?

[Chris]

Fire?

[David]

Malcolm said you wanted to speak to me urgently.

[Chris]

Oh, I've got good news for you, that's all.

[David]

Okay, well.

[Kate]

What?

[David]

You know what this week's been like. I don't know if I've got time for this mysterious summons.

[Chris]

I've got someone here who'd like a word.

[Brian]

David Martin.

[David]

Hi.

[Brian]

I am your salvation.

[David]

Oh, good. In what way?

[Brian]

You'll see.

[David]

Oh, I wish everyone would stop talking in riddles. I am the chairman, you know. You are allowed to tell me what's going on.

[Brian]

Be at the Casey Meats ring in an hour and all will be revealed.

[Ed]

Oh, you're early, Neil.

[Neil]

Oh, all right, Ed. I'm sorry. I could come back.

[Ed]

No, no, no, don't worry.

[Neil]

Well, I stayed late yesterday, so I had an early finish today and I didn't fancy going home. Susan's been driving me nuts. Last night's gone to her head. She hasn't stopped texting. Lottie, are we doing all right for time?

[Ed]

As long as we're heading to the show ground in the next half an hour, we'll be fine.

[Neil]

Oh, well, mind you, you never know with rush hour traffic.

[Ed]

No, we're not on the clock, are we? This is a favor, though. I'd rather not be spending the evening with Martin Gibson. Oh, ignore me.

[Kate]

No, no.

[Neil]

What's up?

[Ed]

No, no, it's nothing. Just ran into him in the gents last night.

[Brian]

Okay.

[George]

Kira's gone.

[Brian]

What?

[George]

Oh, she's not answering.

[Ed]

George, George, it's fine, it's fine. She's already texted me. She's just off around the village. Clara.

[David]

Ed.

[Chris]

Oh, phew.

[Ed]

Ed.

[Neil]

I think the back wheels of the tractor need a bit of a clean before we get on the road right now, Ed.

[Ed]

Oh. Oh, sure.

[Brian]

Well, just come and find me when

[Ed]

you're ready to leave.

[Neil]

Yeah, we'll do.

[David]

We'll do.

[George]

You all right, Granddad?

[Kate]

Yeah, yeah, fine.

[Neil]

Sit down, George.

[George]

One of those chaps, is it?

[Neil]

I don't know what you mean. All I was going to say was that although Kira and you are alike in many ways, there are important differences.

[George]

I know how biology works, George.

[Neil]

You know what I mean. You need to stop expecting Kira to make the choices that are obvious to you and start listening to her.

[Ed]

Right.

[George]

Thanks.

[Kirsty]

I'm not finished.

[Neil]

Now, the synth cot.

[George]

I get people's issues. But you didn't hear Bill's pitch. He's a difficult man to say no to.

[Neil]

Yeah, I'm sure he is.

[George]

And there are benefits. Grand. They're honest.

[Neil]

Explain them to me, then.

[George]

It's all the safety features. Me and Amber would know what was happening with that baby 24 7, if they changed position, if they were too

[Neil]

hot, their heart rate. Ah, that's wonderful, George. And I can absolutely see, as first time parents, how all those extra features would be reassuring.

[Kate]

Thank you.

[Neil]

The reality is, though, you'll be lucky to get that baby in a cock for more than five minutes at the start. When we had your mum, she spent the first six months asleep on my chest. Christopher was even worse. You don't need the latest kit to be a good parent, George. You need love. And that's what everyone sees in your cot, the hours of work you put into it. Does Amber like this synth cot?

[George]

Hates it.

[Neil]

Ah.

[George]

And the grandicot, she loves it.

[Neil]

There you go. She loves it.

[George]

Listen, it's like I hear the words but I don't know what to do with them.

[Neil]

You don't need to do anything in this case. You've already done the good thing. Don't overthink it.

[George]

Suppose the Gordons could keep the synth cot for when the baby stays with them? I reckon the cot fits more with their decor. Anyway, thanks for the chat, Granddad.

[Neil]

No problem, lad.

[George]

That Grundy cot has carried six. Six babies safely through the beginning of their lives. It'll be perfect for our little one.

[Brian]

All right, I'm here.

[David]

I'm prepared to be amazed.

[Chris]

Well, just hold that thought.

[David]

What's Martin doing?

[Chris]

He's been out there an hour now with a clipboard or on his phone for a bit. Now, I'm aware of the grand plan, but I've got to admit, I'm a bit confused.

[David]

You're not as confused as me in luck. Enlighten me. What is this grand plan?

[Chris]

Well, take a look at where we are and think back a few days.

[Kate]

Oh,

[Brian]

wow. Excellent. The cavalry's arrived.

[Kate]

There you go.

[Chris]

Martin sourced us some water to spray on the equestrian rings. Not drinking water. Processed stuff from a reservoir, but was not expecting this.

[Brian]

Martin, what can I say? Go big or go home.

[Neil]

Well, David, it was worth giving up my evening just for that reaction. There, we got you.

[Brian]

Yeah, right. Right, chaps. Oh, sorry. Becky, Gemma, chaps and chap essays. I'm sure none of us wants to be here longer than necessary. I've already done a reconnaissance. Three rings to cover three teams. Neil will support Janik and Becky on the farm supplies ring.

[Neil]

Very good.

[Brian]

Ed will join Luke and his team on Damara. The rest, you can all stay here. Oh. Oh, David.

[Chris]

Yeah?

[Brian]

Do you want to share a cab with Gemma? She's got the larger of the two tankers.

[David]

Yeah, Count me in.

[Brian]

Yeah. Let's get this show on the road.

[George]

Kira. There you are. I thought you'd done a runner.

[Kira]

Not funny.

[George]

I'm not joking. You weren't answering your texts.

[Kira]

Well, I'm here. What are you doing?

[George]

Picking a ewe to show next week. If I can get one to stay still long enough to get the halter on her. I was worried about you.

[Kira]

Whatever I was.

[Chris]

And I were a prat earlier.

[Kira]

Is that you apologizing? Yeah, well, try apologising for the last four years.

[George]

I'd take back my whole life if it meant we could be friends again.

[Kira]

Actions, George, not words.

[George]

Oh, hang on a minute. This is the one.

[Kira]

Are you sure she's the best. I think the one to her left's the one dad wanted. Look at her fleece.

[George]

This one.

[Kira]

No, you're left here. Yeah, I'm talking about you. Girl got in a hand. Nah, I'm fine.

[George]

This is better, isn't it?

[Amber]

What?

[George]

You're actually talking to me. Suppose maybe that's the answer. Find enough jobs around the farm to keep us talking.

[Kira]

Not gonna solve things so, is it? Should I take her out?

[George]

What, now?

[Kira]

Why not?

[Whole Foods Market Advertiser]

Sure.

[Kira]

What?

[George]

It's just nice seeing you with them. And just so you know, I'm not giving up on us.

[Kira]

Cause you're stubborn.

[George]

So are you.

[David]

Well, that was the best evening I've had in a long time. And the equestrian classes will be able to go ahead. Oh, thanks so much, Martin.

[Brian]

Oh, glad to be of service.

[David]

Look, can I stand all of you around at the pool later? Say. Say 9 o'?

[Ed]

Clock? Thanks, I won't tonight. I need to get back.

[David]

Oh, who's joining me then?

[Brian]

Count me and David.

[Chris]

Yeah, just let me text Alice about Mitre.

[Kate]

Yeah, I'll come for one day.

[David]

Great. Great.

[Brian]

I'll go on ahead. See you next week, Ed. Hopefully.

[David]

I'll walk with you.

[Chris]

You coming, dad?

[Kira]

I'll.

[Neil]

I'll catch you up.

[Greg Jenner]

All right.

[David]

Thanks again, Ed.

[Ed]

Yeah, no problem. Yeah.

[Neil]

Now, Ed, what was all that about earlier? What's going on with you and Martin Gibson?

[Ed]

Martin's off at to some tree surgery work on the BL estate next month.

[Kate]

Oh, great.

[David]

As long as I

[Ed]

inform on Brian.

[Kirsty]

What?

[Ed]

So I'm figuring out what I should do. Don't worry. I know what you're going to say.

[George]

Don't.

[Neil]

It's not worth it.

[Ed]

Yeah, I mean it.

[Neil]

I don't get sucked in.

[Ed]

The thing is, I. I want to be out on jobs with M. I know Brian insists I've got flexibility, but.

[Neil]

Sure he does.

[Ed]

An informer though. You're right, Neil. It's a hell of a risk to take.

[Kira]

They're settled. What are you doing? Is that a video?

[George]

Yeah.

[Kira]

Of me halter training, George.

[George]

You need something to review so you

[Kira]

can improve, I suppose. Still, you should have asked.

[George]

I'm sorry. Can I send it to Ed?

[Kira]

Uh, sure.

[George]

Right, I'm going in.

[Kira]

I'm gonna stay out here for a bit. Watch the sunset.

[George]

Okay. The sun don't set for hours.

[Kira]

I know it was awful when you were in prison.

[George]

Where's this come from?

[Kira]

Well, since you're so obviously desperate for me to turn talk, let me tell you about how much I worried feeling like mum and dad. Didn't care about me and feeling guilty that I felt like that angry with you.

[George]

Yeah, I know you're angry.

[Kira]

That's just part of it, though. See? You never listen.

[George]

I deserved that.

[Kira]

I'll show the Texels. Really don't mean we're okay.

[George]

Oh, Ed, seen the video Heart react. Oh, he's gonna be buzzing women.

[Kira]

I'll tell dad in my own time. This is what I mean, though. George, you need to let me say my piece. The trouble is, when it comes to us, I'm not sure I've figured out what to say. But I'll come find you when I do.

[Kirsty]

Deal?

[Neil]

Deal it,

[Ed]

Sam.

[Greg Jenner]

Hello, Greg Jenner here. I'm the host of youf're Dead to Me, the BBC comedy show that takes history seriously. Every episode, I pair up a top historian with a fantastic comedian. And we have a lovely, funny, fascinating chat about a different subject from world history. And in this new series, we're beginning with an epic voyage through the story of Homer, the Iliad and the Odyssey. And that's with Kael Smithbino joining us. And then we'll be learning about Francis Galton and the racist, discredited pseudoscience of eugenics. With Desiree Burch. We'll meet many medieval saints in their bone boxes with Rachel Parris. That's yous're Dead to Me Listen first on BBC Sounds.

[Kate]

Here at the Zebra, research shows the average person would rather endure a root

[Bill]

canal than search for auto and home insurance.

[Kate]

Just try to relax, okay?

Or be trapped in a car for eight hours with toddlers on a sugar high.

[Bill]

Or remove a nest of irate hornets.

[Kate]

That's why the Zebra searches for you. Comparing over 100 insurance companies to find savings no one else can Compare. [e-mail] we do the searching, you do the saving. I think I'll wait inside.

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