06/07/2025

Summary

Podcast Summary: The Archers Omnibus – Episode Released on July 5, 2025

Overview In this episode of The Archers Omnibus, BBC Radio 4 delves into the latest happenings in the quaint village of Ambridge. The narrative intertwines the lives of several residents, highlighting personal struggles, community dynamics, and emerging relationships. Key storylines revolve around Clary’s challenges at the school canteen, Joy’s culinary aspirations, Kenton’s turmoil following a traumatic incident, and the introduction of new characters Martin and Usha, whose interactions stir both intrigue and tension within the community.

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Clary’s School Canteen Conundrum Clary finds herself under scrutiny after managing a chaotic situation at the school canteen. Despite her efforts to maintain order, she faces backlash from unruly Year 10 and 11 students, leading to tensions with her mother, Helen.

• Clary's Concern: “I don't know what they want me to talk about... experience is experience, full stop.” [00:27]
• Eva’s Support: “But they don't hate you. They hate school.” [12:04]
• Clary’s Frustration: “I'm not cut out for it, Helen.” [05:19]

The situation escalates when a scoring discrepancy arises during a cricket match, further straining Clary’s relationship with her mother.

• Score Dispute: “Terrence had some antihistamines... he corrected it immediately.” [08:32]
• Final Score Impact: “The final average score was 198... not enough for a win.” [09:58]

Joy’s Culinary Journey and Hiring Clary Joy, an aspiring chef, discusses her passion for cooking and her journey from working at a local bakery to pursuing a formal role at a pub. Her dedication impresses the pub management, leading to an informal interview process.

• Clary’s Experience: “I started out sweeping up... making bread and all sorts.” [13:16]
• Joy’s Admiration: “You keep a clean station and everything. Looked good the way I'd serve it.” [20:19]
• Job Offer: “We'd like to offer you the job... start paying you for it.” [21:41]

Joy’s commitment and culinary skills earn her a position at the pub, marking a significant development in her career.

Kenton’s Struggle and Support System Kenton grapples with the emotional aftermath of a dog attack that required him to participate in an identification parade, intensifying his anxiety and affecting his performance at work.

• Kenton’s Despair: “I'm in the middle of any job... feel trapped between a rock, the police, and a hard place.” [18:48]
• Usha’s Guidance: “The only way to even try and prevent Marky and his associates from doing...” [31:56]
• Clary’s Encouragement: “Not for my sake. ... He only turns his foul mouth on you.” [11:29]

With support from Usha and Clary, Kenton begins to confront his fears and consider taking responsible actions to resolve his predicament.

Introduction of Martin and Usha at Barrow Farm Martin, a new character with vested interests in Barrow Farm, interacts with Usha, leading to discussions about legacy projects and community initiatives. Tensions rise as differing viewpoints on the farm’s future emerge.

• Martin’s Vision: “The future of society's survival will inevitably be dependent on us making choices like this.” [51:28]
• Henry’s Support: “I support the proposal. ... Need I remind you of the foaming mouths when we started building Beechwood.” [38:07]
• Usha’s Intervention: “I'm here to learn how to ride.” [43:27]

Martin’s ambitions clash with community sentiments, setting the stage for future conflicts and alliances.

Amber’s Entrance and Relationship with Brad Amber, a pivotal character, is introduced as she interacts with Brad and George, revealing her romantic involvement with Brad despite Brad’s current circumstances. Their relationship faces scrutiny from Clary and Eva, adding layers of complexity to the social fabric of Ambridge.

• Amber’s Connection: “I'm Amber.” [30:02]
• Clary’s Discovery: “I'm getting married. Calm down, please, Sam.” [71:11]
• Brad’s Confession: “Bradley, we love each other.” [30:16]

The budding romance between Amber and Brad introduces new interpersonal dynamics and potential conflicts within the community.

The Climactic Proposal In a heartfelt culmination, Brad proposes to Amber within the setting of George’s confinement, symbolizing hope and commitment amidst adversity.

• Brad’s Proposal: “Marry me, Amber. Be my wife.” [71:03]
• Clary’s Joy: “I just proposed. I'm getting married. Calm down, please, Sam.” [71:17]
• Eva’s Support: “Yeah. Yes. Yes.” [71:12]

This significant moment underscores themes of love, resilience, and the pursuit of happiness despite challenges.

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Notable Quotes and Attributions

• Clary on Experience:

  “Experience is experience, full stop.” – Clary [00:27]

• Eva Supporting Clary:

  “But they don't hate you. They hate school.” – Eva [12:04]

• Kenton’s Feeling of Entrapment:

  “I feel trapped between a rock, the police, and a hard place.” – Kenton [18:48]

• Martin’s Vision for Society:

  “The future of society's survival will inevitably be dependent on us making choices like this.” – Martin [51:28]

• Brad’s Declaration of Love:

  “Bradley, we love each other.” – Brad [30:16]

• Clary’s Reaction to Proposal:

  “I just proposed. I'm getting married. Calm down, please, Sam.” – Clary [71:17]

Conclusion This episode of The Archers Omnibus intricately weaves multiple storylines, portraying the complexities of village life in Ambridge. From navigating personal challenges and professional aspirations to fostering new relationships and confronting communal disagreements, the characters exhibit resilience and adaptability. The episode culminates in a heartfelt proposal, symbolizing hope and the enduring nature of love amidst adversity.

Listeners are left anticipating the unfolding of these narratives, eager to witness how the residents of Ambridge will navigate their intertwined lives in future episodes.

Transcript

[BBC Sounds]

BBC Sounds Music Radio podcasts.

[The Archers]

You're listening to the archers omnibus from BBC Radio 4.

[Clary]

You know, summer's really here when you're sitting on the boundary watching a cricket match. Very true, Usha. Freshly mown grass. The players in their cricket whites. Oh, they look so smart. Henry's doing well. He's a good little player, isn't he? Last man standing today. Well done, Henry. Hang in there. So, are you excited about tomorrow? Oh, I don't know about excited, but you were just saying how much you and Fallon enjoyed working together last weekend. You practically saved the cricket team. Oh, I only helped out a bit. Although I did really enjoy working with Fallon. That's good. Thing is, I'm not sure what they'll want me to talk about. They asked me to come in for a more formal chat sort of interview. Any experience I've got So long ago now. Well, I've none of that, thank you. Experience is experience, full stop. You must make the most of it. And a formal chat means you can just be yourself and have a conversation. I suppose. Although I'm afraid I might get too comfortable and start talking nonsense. I don't think that'll happen. Fallon and Kenton want you to do your best. They'll keep you on track. Don't worry. I hope so. Oh. Oh, dear. Brad looks even worse than he did when he got here. Itchy eyes, sneezing, runny nose. It's got to behave, Eva. But he says he's never had it before. Well, it's the times we live in, I'm afraid. Allergies popping up at all ages and stages of life. Oh, poor lad.

[Henry]

Well done, Henry.

[Clary]

He did really well to last as long as he did. Oh, he did. That'll be time for tea, then. Yep. And then we'll be bowling. So you're not enjoying the schoolwork? Well, once the kids are in the canteen, it's pretty full on challenging. Then we've done the half of it, Harry. Here he is. Ah, Henry. Well done.

[Eva]

Thanks, Mum.

[Clary]

What's the score?

[Eva]

194. Can you chuck a couple of the cheese sandwiches and mini Yorkshires in my plate, please, Clary?

[Clary]

Chuck.

[Eva]

My hands are full.

[Clary]

Of course, love. Feels like we're back at school dinners again. Except you're polite.

[Eva]

Yeah.

[Clary]

Who? Henry. Oh. Only on a good day. Clary. You would not believe some of the.

[Joy]

Things I have to hear these days.

[Clary]

Cordial. Needs refilling. Clary, are you okay? Yeah, fine, Helen.

[Eva]

Everything all right?

[Clary]

I don't know. She seemed to get a bit upset about work.

[Eva]

I'm not surprised. You know what schools are like.

[Clary]

Yeah, I remember that far back. Oi.

[Eva]

It can be rough, though.

[Clary]

Has something happened? Henry. What was all that about?

[Eva]

Mum's got a bearded bonnet about the scoring. She's really irritable because she's been coming for Kenton.

[Clary]

Is he all right?

[Eva]

He's having a hard time with it. Apparently not himself at all. Mom says.

[Clary]

What about the scoring?

[Eva]

So Ambridge scored 194, but mum reckons I'm missing a four.

[Clary]

Surely not. Does she not know you're a maths genius?

[Eva]

Apparently not, dear.

[Clary]

You need some help with that hay fever.

[Eva]

But I haven't got hay fever. I've never had hate fever.

[Clary]

You have now. She's talking to the umpire. Your man.

[Eva]

Oh, here we go. I better go and speak to the other scorer, see if we tally.

[Clary]

What about your tea?

[Eva]

This is more important. I've got to get this right. It was quite bad. Those kids were really rude to her.

[Clary]

Why? What did they say?

[Eva]

You don't want to know.

[Clary]

Really? That bad?

[Eva]

She was home to sit down cuz they were wandering around with their trays full of food and the canteen was packed, so they just gave her loads of cheek, calling her all sorts.

[Clary]

Oh, no.

[Eva]

Don't tell her I saw anything.

[Clary]

Didn't you say something?

[Eva]

Like what?

[Clary]

Like telling them where to go.

[Eva]

Mum, these are year 10 and 11s. If I'd said anything, they would have laid them to us both.

[Clary]

Well, we could report it, then.

[Eva]

Ugh.

[Clary]

Why?

[Eva]

Don't say anything.

[Clary]

We can't do nothing.

[Eva]

If we start reporting these kids, they're only going to go after Clary Moore.

[Clary]

So then what?

[Eva]

I don't know. She's got to stand up for herself, I guess.

[Clary]

This is Clary we're talking about, Mum. We are? Squash, Henry?

[Eva]

Nah, I'm fine, thanks. I need a word with Freddy. See ya.

[Clary]

Sorry, Clary, we weren't talking about you. I mean, we were, but I was just trying to find some way to help. No, don't you worry, Helen. There ain't one. Henry saw what happened, didn't he? It doesn't matter. Well, it does. I thought I could speak to Kira, get some help with how to deal with these kids. Only I realize now how embarrassing I am. No, you're not. You can't be expected to just put up with this, Helen. They don't have the slightest respect for anything. I only told them to sit down before they spill their lunch everywhere. And that's when this one lad and his little group started at me. Me wouldn't stop. Oh, Clary. I just froze. I didn't know what to do. Making fun of me. And girls, too. Not just the boys. I reckon I'm not cut out for it, Helen. But you love the cooking part, don't you? Except it's not just cooking, is it? We supervise the kids. You know, there's one thing I thought I was good at. Kids. I didn't think twice about it, no matter what the age or the attitude. From my boys to George down to little Poppy. I've seen a lot, but not like this.

[Joy]

Clarion.

[Clary]

I wish I had some helpful advice, but I'm not sure what to say. Don't you worry yourself over it, love. There's nothing to say. This generation, they've got an answer for everything thing. Right? I've asked everyone we know and no one's got any antihistamines. Linda took hers before coming to the match. No, I know.

[Eva]

I've checked and we both have the same score. We haven't missed anything.

[Clary]

I reckon your mum's not going to let this one go.

[Eva]

She's so desperate to win, she's going to question my scoring abilities.

[Clary]

Hang on. Show me the book, brat.

[Eva]

Terrence has been scoring for Greenbury since he was in short trousers. And our scores are identical. We check methodically as we go through the match.

[Clary]

Didn't Will hit another four? He's only down for one.

[Eva]

Will? Not that I can recall.

[Clary]

Oh, yeah, he did. Clary was cheering with Usher.

[Eva]

Oh, but that was just one. I remember that.

[Clary]

No, there were definitely two. And you stepped out of the scorebox.

[Eva]

Only to blow my nose. I was that blocked up. I could hardly see a minute in.

[Clary]

Which Will hit a single second four.

[Eva]

But Terence would have marked it.

[Clary]

Was he doing your book for you? The handwriting's different.

[Eva]

Yeah, but literally for, like, two minutes.

[Clary]

Well, that's all it takes. Oh, Tracy's coming back this way.

[Eva]

I'll go and have a word with Terence before the tea breaks over. See if I can sort this without my mum laying into him.

[Clary]

He deserves this if he's been cheating with the score.

[Eva]

Oh, please, Usher, keep it down. We want to fix this in as dignified a manner as possible. I'm sure Terence won't want to lose.

[Clary]

Bless you, face.

[Eva]

Thank you. Oh, no, they're about to start up again.

[Clary]

We need to sort this matter out before Tracy sorts Terence out.

[Eva]

Well, thankfully she can't now he's back at the box. Look, if you could keep Mum away from us for the second innings, I'll sort everything out by the end.

[The Archers]

I Promise.

[Clary]

I'm sorry, Henry. You played really well. Just wasn't meant to be.

[Eva]

Did you see my catch, though?

[Clary]

I did. It landed right in your hands.

[Eva]

Where's Clary?

[Clary]

She headed off a minute ago.

[Eva]

Give me a sec, Mum.

[Clary]

Yeah, yeah, sure. Hi, Henry. Hi. Oh. So what happened with Brad? We're waiting to find out. You seem very sure of what action to take. Tracy's still on the warpath.

[BBC Sounds]

There she is.

[Clary]

She seems calmer. Still, there's the principle of the thing. If Terrence left a four off both while Brad was out of the box. Ah, here he comes. And sorted. You sound a lot brighter.

[Eva]

Terrence had some antihistamines. Apparently he never leaves home without them during the cricket season.

[Clary]

Great. And the other matter?

[Eva]

Turns out he realized he'd made a mistake and corrected it immediately.

[Clary]

Scoundrel.

[Eva]

So we're all tallied up and Mum won't tear a chunk out of Terrence. The final average score was 198, as.

[Clary]

She pointed out sadly. Not enough for a win, then?

[Eva]

No. So I broke the news gently to Bab Clarrie. Hold up, Henry.

[Clary]

You've forgotten something.

[Eva]

You're going home?

[Clary]

No, to the pub. William said he'd buy me a drink before we head back.

[Eva]

Can I walk with you?

[Clary]

Sure.

[Henry]

Everything all right?

[Eva]

Yeah. Actually, no. About what happened at school.

[Clary]

Oh. Look, Henry, I'm sorry you had to seek that.

[Eva]

No, you shouldn't be. They're the ones who should be ashamed. But they're not going to be. Well, I guess there's much love before you. We had Ms. Preston.

[Clary]

Yeah, she went on maternity leave.

[Eva]

Yeah, she was young, but she didn't take any nonsense from the kids. Sorry.

[Clary]

No, don't mind me.

[Eva]

It's just I feel like they really learned to respect you if you didn't take no nonsense.

[Clary]

Yeah. Tis hard, though, when there's a room full of them.

[Eva]

But most kids aren't like that, Clary. I promise. But they're not all like that, Ryan. He picks a fight with anyone and everyone.

[Clary]

He is one angry boy.

[Eva]

Yep. He's alright. Pain.

[Clary]

I'm sorry you had to hear what he said.

[Eva]

I'm sorry I didn't say anything to stop him.

[Clary]

Oh, no. Don't ever do that, Henry. Not for my sake. Boy like that only turn his foul mouth on you. We don't want that. I'm only there half a day. You're there full time.

[Eva]

That's exactly what I said to Mum.

[Clary]

But I am beginning to think it might not be the right place for me.

[Eva]

I really think you got this, Clary. All you have to do is show no fear.

[Clary]

And when they start insulting me, report.

[Eva]

Them straight to Mr. Dixon. Everyone's a bit scared of Mr. Dixon. Show me mean business.

[Clary]

Won't that make them hate me more?

[Eva]

They don't hate you. They hate school. If you just stand there and take it, then they'll just reckon you're spineless. Yeah. Why is it the minute I think.

[Clary]

I'm settled, I have to start over?

[Eva]

Because you're Clary at Bridge Farm. We all know that Clary is never a passenger.

[Clary]

No.

[Eva]

No, you're right, Henry.

[Clary]

I'm the driver.

[Eva]

Exactly. You do. You and the rest will sort itself out.

[Clary]

I loved home economics at school. That's why I started working at the local bakery on weekends. And then I worked there for a while after I left school. Great.

[Joy]

And what jobs did you do at the bakery? But it was an early start.

[Clary]

It was close by my parents house and I started at 7 in the morning to begin with. Although Craig the baker, he was there from before dawn. The smells of fresh bakes as I walked in.

[Kenton]

But what jobs did you do there, Joy? Sorry, but that was the question.

[Joy]

Well, I bet you were getting to that, Joy. Take your time.

[Kenton]

Actually, it's gonna get busy soon, so.

[Joy]

Kenton, we asked Joy to come in this morning. We gave her the time.

[Clary]

Actually. I started out sweeping up and clearing up but Craig knew I was keen so soon enough I was making bread and all sorts. Thoughts? You're probably thinking that was in the dark Ages, Joy.

[Kenton]

Well, no, I'm. I'm sorry.

[Clary]

Yeah.

[Kenton]

I bet you learned a lot.

[Clary]

I did. And it was thanks to Craig. I did an Italian cookery course.

[Kenton]

Oh, in Italy?

[Clary]

Don't be daft. In she. But my teacher was from somewhere in Tuscany. Elena, her name was proper Italian mama. She really inspired us all.

[Joy]

And did you find somewhere you could use your skills?

[Clary]

I just carried on at the bakery.

[Joy]

There was nothing wrong with that.

[Clary]

I think the real lesson I learned from Elena was only use the best and the freshest ingredients and keep it simple. Soon after I fell in love. And my ex husband, he wouldn't have cope with anything foreign or adventurous. Marriage and a baby sort of changed the direction of my life. I thought I was all set to be the next Keith Floyd. But no, I was destined to be Joy Haville. Oh, listen to me. I'm sorry.

[Joy]

Don't be.

[Clary]

Well, that's behind me now. But I suppose I want to say in my heart I love cooking and I'm a good worker.

[Joy]

Well, we saw that Last weekend, didn't we, Canton?

[Clary]

I keep a tidy workspace no matter what I'm doing. And I learn quickly. And all great. And what I love about food isn't the fancy stuff. It's the food that feeds the belly and soul of working people like us. Where better to serve that up than a pub? Honest food. Your fantastic menu, Fallon. Oh, there's so much I could give and so much I'd learn. I'm sure of it. Me too.

[Kenton]

I'm sorry. I just remembered something I need to do now. Yeah, sorry, Jo. Joy, can we continue this another time?

[Clary]

Oh, yeah, of course. Is everything okay, Kenton?

[Kenton]

Yeah, yeah, yeah, fine.

[Joy]

Kenton. I'm so sorry, Joy. Some stuff has come up.

[Clary]

Oh, no, no.

[Joy]

I'm so sorry to do this, but can we meet again as soon as we're able to finish up?

[Clary]

Oh, no problem. Of course.

[Joy]

Bye, Joy. And thanks. Oh, sorry, Tracy.

[Clary]

Everything okay, Joy? I'm not altogether sure. Kenton suddenly upped and left. He looked seriously anxious, poor man. He had to do an ID parade because of that dog attack and it's triggered him like nobody's business. He's not been himself all weekend. Barely been behind the bar. Failed to show up for the cricket tea. Oh, poor man indeed. At least they'll get the person who did it, though. That must have brought him some comfort. Not according to Jolene. He messed up, panicked and didn't identify him. Harrison suggested he wouldn't be able to do anything about it now, so no wonder Kenton is beside himself. Now I've got a load of road workers wanting elevensies and a missing chef. Oh, dear. Oh, it's sandwiches mainly, but I can't try and get them started and work the bar? Leave it to me, pet. What? You just watch the bar. I'll get it sorted. Yes, I saw that. Young lady, please pick that empty yogurt pot up and put it in the bin. Thank you. One single line, please, folks. And you need to join at the back instead of cutting in. Thank you, Henry.

[Eva]

All right, Mrs. Grundy?

[Clary]

Not sure I'm gonna get used to you calling me that.

[Eva]

Them's the rules.

[Clary]

That's what I'm trying to tell this lot of rabble rousers.

[Eva]

You look like you're killing it.

[Clary]

I've had my share of comments and quips, but since we spoke, they don't seem to bother me as much. Isn't that strange?

[Eva]

I told you you'd get used to it. Oh, great. Are those chocolate cookies?

[Clary]

I see you like them, do you, Henry?

[Eva]

Yeah, I don't Know what they put in them. But they're good.

[Clary]

Chocolate, probably. Here, I'll get you an extra one if you like.

[Eva]

Yeah, least I can do.

[Henry]

I'll bring it over.

[Kenton]

Well, sorry to have left you in the lurch like that. Poor Joy was talking away and I realized that I wasn't really listening.

[Joy]

It's okay that Joy understood. I think Tracy looked after her. We'll call her back when we're ready. Maybe you should take some time out, Gentan.

[Kenton]

I'm so fed up with myself, you know, bottling it like I did. I just need this whole Marky thing to go away.

[Joy]

I know, I know.

[Kenton]

I mean, I'm in the middle of any job at any point of the day, and it's like I can hear it growling and gnashing right by my ear. That damn dog.

[Joy]

Look, the important thing is that whenever something like that happens, take a break. Come and find Mum or me. It doesn't matter how many times. Can't keep going round and round in your head with no outlet. It'll drive you mad. We're all here to help.

[Kenton]

Yeah, but I can't keep taking breaks. It's a busy pub and no one can really help Fallon. You know, I feel trapped between a rock, the police, and a hard place marking his thugs.

[Joy]

Mum said you've not been sleeping well.

[Kenton]

It's like anything. It's worse at night when you're alone with your thoughts and nothing else to do.

[Joy]

Why don't you go and lie down now?

[Eva]

What?

[Usha]

Hardly.

[Kenton]

I mean, walking out on Joy's interview like that. What would she be thinking? Well, now I'm supposed to just leave you guys to it at lunchtime. I mean, you should be in the kitchen, not babysitting me out here.

[Clary]

Oh, hello, you two.

[Kenton]

Oh.

[Clary]

You okay, Kenton? Yeah. You sure?

[The Archers]

Yes, yes.

[Kenton]

Why?

[Clary]

Just had a group of workmen come in wanting an early lunch.

[Joy]

Oh, I saw them.

[Clary]

Yeah, sandwiches mostly. Few chips. Just wondered if you can carry over some soft drinks for them. Joy's sorting out the food. Joy? Don't worry. It's all in hand.

[Eva]

She's aces. Joy.

[Joy]

Chips are done.

[Clary]

Got it.

[Joy]

Honey roast ham, salads are done.

[Clary]

Tuna subs are done.

[Joy]

Ploughman's?

[Clary]

Yep. Just needs pickle.

[Joy]

Got it.

[Clary]

All done?

[Joy]

Yep. Yep. These are the last lot.

[Clary]

Excellent. Oh, fancy one of these for my lunch? Any more for any more? The Plowmans, the tuna, the ham, salads and three chips. And that Shallot.

[Usha]

Thank you, Joy.

[Joy]

Well, that worked okay, didn't it?

[Clary]

It was fun.

[Joy]

We owe you a big thank you for helping out again.

[Clary]

Aw, don't be daft. It was a pleasure.

[Joy]

And you weren't kidding. You keep a clean station and everything. Looked good the way I'd serve it. You understand the house style.

[Clary]

I actually think your food is served up really nicely. Classy, but not fussy.

[Joy]

I like that. And if I'm honest, I thought we'd end up with the chips going out too late or under 10.

[Clary]

Done.

[Joy]

But actually, you timed it perfectly.

[Clary]

I fried enough chips in me time.

[Joy]

I'm honestly very impressed.

[Martin]

Oh, that was great.

[Joy]

I was just saying you taking the.

[Kenton]

Initiative was a godsend, Joy.

[Clary]

No probs. I'll be on my way then.

[Kenton]

Oh, and I'm sorry about before.

[Clary]

Ah, it's okay. Actually, Kenton, if you don't mind me sticking me o in, I wonder whether you should have a word with Usha.

[Kenton]

Usha?

[Clary]

I know Harrison was a real help, but he's gone back up north now and Usha's been brilliant with my Rochelle's case.

[Joy]

That's good to hear.

[Clary]

We thought she'd qualify for legal aid, but apparently they judged on a case by case basis. And in Rochelle's case. Really? Yeah. Much as I love this work, the extra income would help pay for Usha. Honestly, she's so helpful and clear headed when we're all tied up in knots about the emotional side of things. I'm sure you could speak to her as a friend, get some sound advice. She knows how it all works.

[Joy]

Not a bad idea, Kenton.

[Kenton]

Yes, thanks, Joy.

[Clary]

Don't mention it. Well, I best be off.

[Joy]

Actually, Joy.

[Clary]

Yes?

[Kenton]

Before you leave, I think we'd like.

[Joy]

To offer you the job.

[Clary]

But we haven't finished the informal interview. Or was it a formal chat?

[Eva]

Both.

[Joy]

But given you've saved us twice now, we figured we should start paying you for it.

[Kenton]

Yes, we'd be very glad to have you.

[Clary]

Oh, thank you. I hope these smiles are because Joy's got the job.

[Joy]

She has indeed.

[Clary]

Oh, congratulations, Joy. And very well deserved.

[Eva]

Oh, come on, Mum.

[Clary]

Henry, I'm literally driving you to the dentist.

[Eva]

No, it's a mint chew.

[Clary]

It's sugar. Can't believe you.

[Eva]

Just one and then no more.

[Clary]

Not one. None. Oh, anyway, sounds like Clary settling in better at school.

[Eva]

Yeah, she might have settled in a bit too much.

[Clary]

But you said she was holding her own. Sounding confident. That's good.

[Eva]

It is. And she was doing really well.

[Clary]

Clearly your words had an effect.

[Eva]

But I think she's so well done.

[Clary]

For being honest with her.

[Eva]

Thanks. But she went from like naught to 100 over one lunchtime. Meaning? First, she's doing well, standing her ground, taking no nonsense.

[Clary]

Great.

[Eva]

Then she's sending someone off to see Mr. Dixon. Like at the top of a voice.

[Clary]

Well, she should report bad behavior.

[Eva]

Honestly, mom, the whole canteen went quiet. That takes some doing. It's not funny. Honestly, I sort of felt like. Like she was doing it to show me how much of a badass she could be, you know?

[Clary]

Well, I'm glad to hear it. Go.

[Joy]

Clary the badass.

[The Archers]

Can you see her? Got the right profile?

[Eva]

Yeah, I think so.

[The Archers]

Gorgeous, isn't she?

[Eva]

Yeah. Yeah, she is, mate.

[Clary]

Yeah.

[The Archers]

Half the guys in here stare at her like they wish you were me.

[Eva]

Well, she's visited you.

[The Archers]

Yeah, of course. She's my girlfriend. Like, official. Check out her story. She posts about us all the time.

[Clary]

Love behind bars.

[Eva]

She's using the L word right off the bat.

[The Archers]

I'll read it, you'll see. She's been posting about us for a while.

[Eva]

Well, hang on. There's a lot of stuff to get through.

[The Archers]

I'm telling you, mate, she's not like other girls. She says what she means, you know, like me, she. She just says it. Doesn't care what anyone thinks.

[Eva]

So you're over Tilly, then?

[The Archers]

Tilly who?

[Eva]

Seriously?

[The Archers]

Button.

[Kenton]

Of course Button.

[Clary]

Who else? Brad. Brad.

[The Archers]

You're not getting it. If Tilly's like a Golf gti, Amber's like a Bugatti Veyron. I'm serious.

[Eva]

No, I'm not saying she isn't, mate. I'm just saying maybe slow down a bit. This is all a bit quick, innit?

[The Archers]

When it's right. Doesn't matter how much time it's been. Anyway, I've known her for years. So have you.

[Eva]

First I've heard.

[The Archers]

She wasn't in my year.

[Clary]

Your year?

[The Archers]

I reckon so. She weren't, like, on my radar, But I went to school with her. We both did.

[Eva]

If you say so. School was a while ago, though, George.

[Joy]

Brad.

[The Archers]

Why are you putting a donor on this?

[Clary]

I'm not.

[The Archers]

So I knew who she was back then and we connected again before I was sent down.

[Clary]

Really?

[The Archers]

Yeah, she was following me online and messaging me, then followed my case and stuff.

[Eva]

Amber Gordon? Nah, I can't remember her.

[The Archers]

It doesn't matter. Point is, we know each other and she's the one.

[Eva]

I've never heard you talk like this.

[The Archers]

Well, I've never felt like this. It's amazing. It's like no one ever sees me for who I am. Except maybe you, maybe. But Amber, she sees me Who I want to be, who I can be.

[Eva]

Wow.

[The Archers]

You will be wowed when you meet her.

[Eva]

Well, you get out and then we'll.

[Clary]

Nah, nah, nah, Brad.

[The Archers]

You're gonna meet her sooner than you think. You see, I've got a favor to ask.

[Kenton]

Thanks for driving, Usho.

[Clary]

Oh, come on, Kenton. How long have we known each other?

[Kenton]

I feel like a child. I'm sorry.

[Clary]

Listen, if I can't help out a friend and neighbor, what good am I?

[Kenton]

I know, but you're working in your time off.

[Clary]

I'm glad you came to see me. I know how it works and know what to expect. I'm happy to have spoken to them on your behalf. And look, they're letting you redo the identification. Everyone understands how traumatic bringing up such a violent friend. Frightening episode must be for you. No one's judging.

[Kenton]

Thank you. I'm sorry.

[Clary]

Okay. I'm not charging for my time this morning, but I may start charging you a pound for every sorry I get.

[Kenton]

A pound? That's a good deal.

[Clary]

Let me rethink that. Oh, no, no.

[Kenton]

Too late. It's verbal contract.

[Clary]

Oh, is it? Right. Here we are. How are you? I know you must be feeling nervous, fear, lots of things, but just focus on why you decided to do this.

[Martin]

Yes.

[Clary]

No one's forcing you. Just take your time.

[Kenton]

No, you're right. It's the right thing to do. I'm relieved they told you we could come over today to redo this. I just want it all behind me.

[Clary]

And that's exactly why we're here this morning. Ready?

[Kenton]

Yes.

[Clary]

Would you like me to come in with you as a friend?

[Kenton]

Oh, no.

[Clary]

No.

[Kenton]

Thanks, Usha, but I reckon I need to just, you know, get in there, do it, and get out again.

[Clary]

Sounds like a plan. George.

[Eva]

I'm not rummaging through your room when there's no one home.

[The Archers]

It's not like you'll be breaking in. My dad's left a key with Grandma when he's got to see me. Look, it will only take five seconds.

[Eva]

Why can't Amber do it herself?

[The Archers]

Mate, I don't even remember where I put it. So if anyone's rummaging through my stuff, it'd be better if it's you. You get me? Don't want any old underpants I forgot to wash turning up.

[Eva]

Oh, you're on your own.

[Clary]

Come on.

[The Archers]

It won't take long. I reckon it's in the bottom of my wardrobe.

[Eva]

They're always asking me to do stuff.

[Clary]

I don't want to do. Ask.

[The Archers]

And you're Always doing it because you're a mate.

[Clary]

A good one.

[Eva]

Describe it to me again.

[The Archers]

It's got a dope on the front. It's like a denim blue with maroon lettering.

[Eva]

Denim blue, is it?

[The Archers]

That's what Amber called it. She knows her colors. Anyway, she'll be there so she can tell you if it's the one.

[Eva]

Why does she want this T shirt again?

[The Archers]

Don't know, really. Maybe to remember me by while I'm in here. All I know is she wants it and I want her to have it.

[Eva]

Can you just give it to her when you're out?

[The Archers]

Oh, my days. She wants to wear it when she comes to visit me. Okay. She said it's what I was wearing when she first saw me and thought that she wanted a piece.

[Eva]

Oh, shut up.

[The Archers]

That's what she said. I'm telling you, Brad, you are gonna love.

[Clary]

Here you go. Sorry, I had to queue.

[Kenton]

Oh, that'll be a pound, please. Lunch is the least I can do for all your support and advice.

[Clary]

Oh, better?

[Kenton]

Much.

[Clary]

You did really well to get through it.

[Kenton]

At least I ID'd the right man. It was definitely him.

[Clary]

How do you feel about the prospect of giving evidence in court now?

[Kenton]

You know I could have gone a whole week before you asked me that.

[Clary]

I know, but the sooner you think it through, the less time you'll have trying to avoid it. Better to have a game plan, know what's ahead. So how do you feel about it?

[Kenton]

Well, the same. I'd really rather not give evidence.

[Clary]

I understand.

[Kenton]

I mean, Marky and his mates are dangerous and fingers in all sorts of illegal eyes, I bet. And because I bottled it the first time round, Harrison warned me the defence lawyer will definitely use that to discredit anything I say if I have to go to court. And it'll work too, because it's true, I did bottle it.

[Clary]

You're right. The defense would most likely use it if this goes to court. But there may be a silver lining you can't see.

[BBC Sounds]

You must be Brad.

[Eva]

Yes.

[BBC Sounds]

I'm Amber.

[Eva]

Yes. I mean, hi.

[BBC Sounds]

Pleased to meet you.

[Eva]

Me too. George said a lot about you.

[BBC Sounds]

Oh, did he? Tell me more.

[Eva]

It's clear he likes you. I guess.

[BBC Sounds]

Likes? I hope not.

[Eva]

Oh, you don't feel the same, then?

[BBC Sounds]

Hardly. Bradley, we love each other.

[Eva]

It's Brad.

[BBC Sounds]

We're an item. Official.

[Usha]

Amber.

[BBC Sounds]

Yeah.

[Eva]

No, no, sorry. George said you went to our school.

[Clary]

Did he?

[BBC Sounds]

That was ages ago. Who cares?

[Eva]

Yeah. And now I think I do remember you.

[BBC Sounds]

Shall we?

[Clary]

It's just you look really different.

[BBC Sounds]

Shall we go Inside?

[Eva]

Of course.

[The Archers]

Yeah.

[Eva]

Like really different.

[BBC Sounds]

We all change as we grow up. I mean, I don't recognize you at all. Were you always a bit lightweight?

[Eva]

I'll get the door, shall I?

[Clary]

Great idea. Everything Harrison pointed to about the defence making you out to be an unreliable witness is right. It's what I'd do if I were fighting it from that side.

[Usha]

Oh, thanks.

[Clary]

It's my working head. Talk in Kenton.

[Kenton]

Sorry. Thank you.

[Clary]

Another pound for me.

[Kenton]

Oh, walked into that one.

[Clary]

However, if I were the prosecution, I'd use this whole situation to prove how dangerous Markey and Gang really are.

[Kenton]

Well, how's that?

[Clary]

That you went to do an ID of the young kid who was his accomplice, recognized him, but were too afraid to point it out. It's proof of how afraid you were of the repercussions. But crucially, you returned in to order. Order to do the right thing, which is proof of your character. This shows they are a real threat. A threat that should be stopped.

[Kenton]

When I think of that happening to anyone else, or when he followed and threatened Jolene in the supermarket.

[Clary]

They have the audacity because they know most people won't act. Oh, I have this conversation many times over with clients, Kenton, and no one can know how you feel or decide what action to take for you. But one thing's certain. The only way to even try and prevent Marky and his associates from doing.

[Kenton]

This to someone else is to give evidence.

[Clary]

I'm only saying this so you consider it, so you don't throw it out completely.

[Kenton]

No, you're right, Usha. I think it's the shame about being afraid that's been keeping me on this nightmare hamster wheel. I want to get off. I want to do the right thing, no matter what the consequences. This was the first step. And if I'm called to give evidence, then I will. It's the only way to put an end to it.

[Eva]

What did it say on it?

[BBC Sounds]

You're a bit dim, aren't you?

[Eva]

Sorry?

[BBC Sounds]

We've told you, like, a million times. It says dope in, like, a maroon and a T shirt.

[Clary]

It's a denim blue.

[Eva]

Got it.

[Clary]

Oh, well done.

[Eva]

No, I mean, understood. It's blue.

[BBC Sounds]

To think how many nights George has slept here in this bed, all alone. Did they change the sheets, do you think, since he left?

[Martin]

No.

[BBC Sounds]

Oh, so this is all George?

[Eva]

No, I meant no. I don't know if they washed them, but they probably did.

[BBC Sounds]

Yeah. Does smell a bit lavendery.

[Eva]

Oh, got it. Denim blue. Dope.

[Clary]

Yay. Here.

[Eva]

Sorry, I don't think it's washed, although you probably like that.

[BBC Sounds]

That's my George, all right.

[Kenton]

Oh, that's gross.

[BBC Sounds]

Oh, it's his scent. Each of us has a unique animal scent.

[Eva]

Yeah, I've had a whiff of George when he's been haymaking in the middle of summer. And he certainly does smell like a unique animal.

[BBC Sounds]

Do you have a girlfriend, Brad?

[Eva]

Not currently, no. Although I used to have Mia.

[BBC Sounds]

Yeah, we George's stepsister. He told me. And so. You ever been in love?

[Eva]

I think so.

[BBC Sounds]

You don't sound too sure, Bradley. Brad, when you're in love, you know. You see, I hear you doing this laddish banter, making fun of us.

[Clary]

I'm not.

[BBC Sounds]

But George is a unique kind of person. You just have to be able to see it.

[Eva]

And you think I don't?

[BBC Sounds]

I think knowing George gives you an element of cool that you can't get by yourself.

[Eva]

Right. So we're done, then?

[BBC Sounds]

We are indeed. Thank you on behalf of us both.

[Eva]

So, should we go?

[BBC Sounds]

Just one more second in his bed. Bye, George. I'll see you on Friday.

[Clary]

Mwah.

[Eva]

I'll see you downstairs then, shall I?

[BBC Sounds]

You're not uncomfortable around me, are you, Brad?

[Eva]

Uncomfortable? No. Why?

[BBC Sounds]

You just seem like the shy, awkward type. I usually make your type nervous.

[Eva]

Did you used to wear glasses? At school, I mean.

[BBC Sounds]

Yes. Why?

[Eva]

They were quite thick lenses, weren't they? Yeah. I do remember you, Amber.

[BBC Sounds]

Well, now I wear contacts.

[Eva]

Good, no? Yeah. Looks good.

[Clary]

Different.

[Eva]

And your eyes? Naturally green.

[BBC Sounds]

My eyes are whatever color I want them to be, depending on my mood. No one has to be a slave to what they were born with nowadays. Bradley, catch up. We can be the best we want to be. You just have to know how.

[Eva]

Sure. Great. Green actually suits you.

[Clary]

Mm.

[BBC Sounds]

Bye, Brad.

[Clary]

Nice meeting you.

[Eva]

Yeah. Bye, Amber. Nice meeting you too.

[Jazza]

She's starting to take selfies here on Georgie's bed. Not me, but I'd say that she's fully dressed, but.

[Martin]

Well, I don't need to hear it, do I?

[Jazza]

Sorry, You, Ma.

[Martin]

No, but Emma thinks she's a bit Barbie.

[Jazza]

No, more Kardashian.

[Martin]

No, the word she actually used was Orange Trump. No, just not the natural color. You could be in our English climate without a little help. Anyway, I haven't met her yet, so there's nothing more to say about the matter, really.

[Jazza]

All right, all right, Neil. I'm only saying because the relationship sounded very serious, according to Brad.

[Martin]

Serious? Can it be when George is inside?

[Jazza]

According to George and Amber, very serious.

[Martin]

Well, Martin will be here in an hour or so and heaven only knows what he'll want fixing next.

[Jazza]

Okay, he may be annoyed with Justin, but why did we take it on us?

[Martin]

I stopped asking myself anything about Martin. We had enough to cope with when his wife left him.

[Clary]

Ah.

[Martin]

So if he wants a pig ark, sort him.

[Clary]

We'll sort them.

[Jazza]

I didn't mean, though. The man just wanted something to go on it, I said. But I mean, to my eye, the pig arcs look higgledy piggledy. I mean, who sees that? Since when? Zemdy needed the arcs to be in a straight line.

[Martin]

They better be, in case he gets his tape measure out.

[Jazza]

Kidding me. I bet he would. Martin's a walking storm cloud these days.

[Martin]

The chance of thunder. Always possible.

[Jazza]

Exactly. Knowing he'll be lucky about our day makes me want to swing a sicky. So what next?

[Martin]

Well, I'll check the hinges and then we can give him a lick of paint.

[Jazza]

Did he say paint?

[Martin]

Belt and braces, Jazza. Belt and braces. I stopped by Home Farm before stopping here. Stella saw me coming and hot footed it out of sight. Brown was nowhere to be seen.

[Henry]

Well, they aren't the only ones upset by the announcement of your legacy project. Surprised I haven't heard from my nieces and nephews about the impact it'll have on them and their children.

[Martin]

A man must leave his mark, Lillian. Or what is the point of this privileged life?

[Henry]

Well, I'm happy to report you're preaching to the choir. Personally, I think it's wonderful you're taking over the mantle. Of what my mother started. Doing something for the good of the people and the planet.

[Martin]

Oh, I'm glad you're on board.

[Henry]

Unlike the BL board, you mean?

[Martin]

Yes.

[Henry]

You knew you'd have a lot of dissenters to deal with.

[Martin]

Darling, I've dealt with dissenters before, Lillian. Need I remind you of the foaming mouths when we started building Beechwood or the EV charging station site? Now we have some of the most vociferous dissenters living on the estate.

[Henry]

Lillian, speaking of vociferous descenters, guess who's down for a riding lesson today.

[Martin]

Who?

[Clary]

Who?

[Henry]

Martin Gibson.

[Clary]

No. Yes.

[Henry]

It's right here in black and white. A beginner's session with Joanne.

[Martin]

Oh, damn it. I have to leave soon to get to Felphersham. What's the betting he's here to see how you feel about my proposal?

[Clary]

No, no, no.

[Henry]

He'd know I'd stand with you.

[Martin]

Oh, darling, in the best possible way. Most people who know you know you have a mind of Your own. Given the concerns for Home Farm and the family connection, I suppose he's here to see if there's a scab he can pick.

[Henry]

What a horrible image.

[Martin]

No, I'm sorry, but the man's out to change your mind.

[Henry]

Yeah, well, I decided this very moment that I will now be taking his lesson.

[Clary]

I am.

[Henry]

And I will give him a piece of my mind before he has a go at me.

[Martin]

All the arcs have been checked and any fixes necessary have been done.

[Usha]

Ah, great. Have you replaced them all?

[Jazza]

Ah, just a lick of paint.

[Eva]

Roofs?

[Jazza]

Checked. Doors? Checked.

[Usha]

No. More squeaky hinges?

[Martin]

No.

[Usha]

Excellent. I can't stand a squeaky hinge.

[Jazza]

Have you lost weed, Martin?

[Usha]

Do I look as though I have?

[Jazza]

I don't know, but there's something different.

[Usha]

Different as in better?

[Martin]

We dug four new wallows. The more the merrier for the pigs. And we're about to clean up the signage warning walkers not to feed them.

[Usha]

Yeah, yeah, good. It does need a refresh.

[Jazza]

Maybe it's the hair. Have you had a haircut?

[Usha]

I may have, actually. It's probably because I'm not in a suit today.

[Jazza]

Bingo.

[Henry]

Oh.

[Usha]

Who thought to line the arcs up so precisely?

[Martin]

Well, you did.

[Jazza]

Me and Neil just thought it looked better like that. Didn't we, Neil?

[Usha]

No, no, no, no. Good thinking. They do. Looks neat, professional.

[Martin]

Not all higgledy piggledy jazz.

[Usha]

Not higgledy piggledy at all, Jazza. Good work. Now pop the kettle on. I brought cakes for everyone.

[Martin]

Oh, that's nice of you.

[Usha]

Well, you know the motto at Barrow. Teamwork makes the dream work. One has to look after the team.

[Jazza]

I could pop it and get you one of the coffees you like, if you don't fancy a tea.

[Usha]

Oh, that's very thoughtful, Jazza, but I'm not actually able to join you. Oh, well, I thought you were with us today. No, no, no, no. Flying visit, I'm afraid. I have a little recreational activity. Activity I need to master. Hence the jeans and boots. Oh. In fact, I need to set off. Enjoy the cakes. Just take the time out of your lunch. Bye. Good work, Ben.

[Martin]

Bye, Martin.

[Clary]

See?

[Jazza]

Yeah. What in the name.

[Martin]

I have got no idea. Come on, let's sort the signs out.

[Jazza]

No way. If there's cakes inside, we're having a tea break before mdl. Scoffed them.

[Henry]

There, that should be a good fit.

[Usha]

Oh, hat's an essential. I mean, it's less than one. I can't imagine I'll be doing anything too.

[Henry]

But it is safety policy, Martin. It's not just jockeys going at full gallop who take a tumble. You know, it can happen at any time.

[Usha]

All righty. H. Snug fit.

[Henry]

Yeah, well, it's supposed to be, darling. Now you fasten it under your chin and I will introduce you to Aziz. He. He happens to be Justin's.

[Usha]

Hope he won't throw me off then.

[Henry]

No, no, it's a lovely creature. Are you a Z?

[Clary]

Yes, you are.

[Usha]

Sorry, Lillian, but I thought I was riding with someone called Joanne.

[Henry]

Oh, sorry, darling. Joanne's busy.

[Usha]

Oh, right. And you stepped in.

[Clary]

Why? Is there a problem? No, no, no.

[Usha]

That's good of you.

[Henry]

Oh, because you know, I have been riding for some time. Martin, you are in safe.

[Usha]

Lillian, can you stop a moment? Is something the matter?

[Clary]

Well, you tell me.

[Henry]

Martin, I. I never took you for a rider.

[Usha]

Man's allowed to try new things, surely.

[Henry]

As long as that's what he is doing.

[Usha]

Meaning?

[Henry]

Look, I'm well aware of some of the BL board members opinion of Justin's proposal.

[Usha]

Yes, some have been very vocal. Me included.

[Henry]

And if you think that you can come here and book a riding lesson and try and persuade me to convince Justin to change his mind, you are wasting your time. I support the proposal. I support anything that is philanthropic. Despite what you and your cohort might think, Martin, Justin's intentions are transparent and sincere.

[Usha]

I'm sorry, Hearing Justin described by those two words is a little unfamiliar.

[Henry]

People can change.

[Usha]

Precisely. Hence my being here for a little. After years of never stepping near a horse. And if you let me have my say, I'll remind you I booked a lesson with Joanne. So I did not intend or ask for a lesson with you.

[Henry]

Did you not, darling? Did you not?

[Usha]

Everything you said about some board member's opinions on this grenade Justin's thrown into the ring. Grenade is true. But I assure you today I am here to learn how to ride.

[Henry]

Well, in that case, I apologize. I saw you down for a lesson and I assumed, you know.

[Usha]

Water under the bridge, Lilian. Now, can I have my lesson?

[Henry]

Yes, yes, of course you can, darling.

[Usha]

Excellent. I take it you haven't chosen Aziz because he's a particularly challenging horse.

[Clary]

Hardly. As if I would.

[Henry]

Right, now let's get you to the mounting block.

[Martin]

Right.

[Usha]

I know.

[Henry]

Oh, have you lost weight, Martin?

[Jazza]

Maybe he's joined some kind of cult. You know they wide eyed happy types that don't blink, Jack. It happens, Neil. I was reading about it in the paper. Apparently it's a newly divorced bit of man that's a prime target. Cut clean, rose his cell and I bet they like somebody with a bit of money.

[Clary]

Chuck a book.

[Martin]

Since when does a haircut and a pair of jeans equal joining a cult?

[Jazza]

So you still reckon he's got a new bug?

[Martin]

Oh, classic signs, Jazzer. If he changes his car, I can guarantee it.

[Jazza]

Who'd want Martin?

[Martin]

Oh, don't be mean.

[Jazza]

I'm sorry, but I do wonder. Donut.

[Clary]

You've already had three and many ones.

[Martin]

No, no, that's me done. Thank you.

[Clary]

No.

[Martin]

Well, we better get back to work. We've had over half an hour for a tea break.

[Jazza]

When the boss has spoken, who am I contradicting?

[Martin]

He also said we should shave the break time off our lunch hour.

[Jazza]

Take it. Mind you, if Martin's new lady friend means cakes and tea breaks for us and I'm a happy man.

[Martin]

Yeah, if it lasts.

[Jazza]

You're right.

[Usha]

That's the end, then.

[Henry]

For less than one, Martin.

[Usha]

Yes, that was a little intense.

[Henry]

Come on, Aziz. Martin's done well, hasn't he?

[Clary]

Yeah.

[Usha]

A resounding confirmation from Aziz. Then.

[Henry]

You just have to engage that core, Martin. Remember, this is not a motorbike or a machine. It's a living, breathing creature. The more you can move as one, you know, anticipate each other, the better.

[Usha]

I think my core's been engaged for quite some time.

[Henry]

You'll get there now with the dismount. Remember, it's just like getting on, but you're doing it backwards. Whatever you do, though, don't tug on the saddle because it could slip. Okay, you want a nice, smooth dismount. Now, feet out of the stirrups. Right. Hands on the pommel of the saddle.

[Clary]

Oh, no.

[Henry]

You keep hold of the reins.

[Clary]

Keep hold.

[Henry]

And you swing your leg over and ease yourself down onto the ground.

[Clary]

Right.

[Usha]

Where's the ground?

[Clary]

Steady, steady.

[Henry]

A. Oh. Concentrate, Martin. Gently does.

[Clary]

Oh, goodness.

[Henry]

Did the stirrup catch you in the.

[Clary]

Yes.

[Usha]

Ow. I definitely caught something on the way down.

[Henry]

Well, at least you're on terra firma now, darling.

[Clary]

You know, it could have been a lot worse.

[Usha]

Wait a second. I can't quite. Oh, this ankle.

[Henry]

Okay, now, look, you just take it slowly, Martin, you. You might have landed on it all.

[Usha]

No, no, I'm. I'm fine. I'll be fine. I just.

[BBC Sounds]

Oh.

[Henry]

Martin, are you okay?

[Usha]

Sorry, I do have a bit of a dodgy ankle.

[Clary]

You should have warned me.

[Henry]

And you started to dismount before I finished the instructions.

[Clary]

Sorry.

[Usha]

Keen to learn, you see.

[Henry]

Yes, yes, well, there's nothing wrong with enthusiasm, except if it ends up endangering the rider or the horse.

[Clary]

Let me help you.

[Usha]

You won't. You won't mention this to anyone, will you?

[Henry]

Martin, we are a professional riding school. I am not a gossip.

[Usha]

I just mean, you know.

[Henry]

Yes, I do. Rest assured.

[Usha]

It's okay. I'll hop along to the men's room.

[Henry]

If you don't mind, and I'll now take you.

[Usha]

No, no need. I'll be fine.

[Henry]

Do call me if you need assistance. We'll need to record this in the accident book.

[Clary]

What?

[Martin]

What the devil's happened here?

[Clary]

Martin? He had a very good lesson, bless him.

[Henry]

But he made a pig's hair out of the dismount, I'm afraid.

[Martin]

Oh, I bet that's why Pam left him.

[Clary]

Justin.

[Martin]

Hey, no. You don't think he did it on purpose?

[Clary]

Why would he do that? To sue us.

[Henry]

Okay, now you are just being paranoid. I mean, I don't know what's brought about the change, but the man seems genuinely interested in learning how to ride.

[Martin]

No, Lillian, if I know Martin, and I do, he's definitely up to something.

[Jazza]

Thing is, I'm a bit worried. I mean, will Tracey want a big Fuss for her 50th, or does she know, Want people to know she's hitting the big five zero?

[Henry]

Well, age is nothing but a number, Jazza. And from what I can see, Tracy's pretty chuffed to have made it through a half century.

[Jazza]

Right? She's never been wanting to shy away for the truth.

[Henry]

If anyone deserves a fuss on her birthday, whatever the age, it's Tracy.

[Jazza]

Good point, well made. It's just tricky. Organized it in the auditions.

[Clary]

Auditions?

[Jazza]

The search for a new dress member. A tough life being a rock star.

[Clary]

Hello.

[Jazza]

What?

[Eva]

Luke.

[Henry]

Who's just walked in.

[Jazza]

What's he doing here?

[Henry]

I don't know, Jazza. What do people come to pubs to do?

[BBC Sounds]

Oh, Martin.

[Henry]

What a pleasant surprise.

[Usha]

Lillian, Jazza.

[Jazza]

Martin.

[Usha]

Drink, anyone?

[Jazza]

If you're buying.

[Usha]

That I am, Lillian.

[Henry]

Well, I'd never refuse a gin and tonic, darling.

[Jazza]

I'll have another painter lager, thanks.

[Usha]

Make that too, please, Lillian.

[Clary]

Lager.

[Usha]

Well, don't look so surprised. And I'll have a whiskey chaser.

[Henry]

Coming right up.

[Usha]

There's Justin and Annabelle, looking very conspiratorial.

[Henry]

Martin, we were just discussing what Jazza ought to do for his wife's 50th.

[Clary]

Any ideas, Martin?

[Usha]

Sorry, Lillian. 50th. Oh, well, I took Pam to Turkey for her 50th. You breakfasted in a hot air balloon in Cappadocia on the day itself.

[Jazza]

Are you not getting divorced, Jazza?

[Usha]

I am indeed. Tell me, how solid is your marriage, Jazza?

[Jazza]

Martin Betunman. My wife's doing in the cellar changing a barrel.

[Usha]

I'm sorry, but these are pertinent questions. I mean, one can fork out a huge chunk of change for one's other half, but when it's all over, one wonders whether it was worth it.

[Jazza]

Well, one doesn't have the funds for hot air balloon rides in Cap Cap Cap.

[Usha]

Cappadocia. They seem thick as thieves. Justin and Annabelle don't mind.

[Henry]

Justin, tell me, how are you feeling after yesterday?

[Usha]

Oh, a little sore, if I'm honest.

[Henry]

It has to be expected. Your body needs to get adjusted, you know, to new positions.

[Usha]

And I'll take it out on the Palace. You know what I mean, Lillian.

[Jazza]

I don't, but I'm curious.

[Usha]

Well, equestrian banter, Jazza.

[Clary]

Martin's had a lesson.

[Jazza]

Horse riding. Really? You.

[Clary]

We ought to finish up before he comes over.

[Martin]

Why is he here at all? Martin doesn't usually drink here.

[Clary]

Neither do I. Justin.

[Martin]

No. You're here by invitation.

[Clary]

Indeed I am.

[Martin]

And I'm pleased you accepted. I hope we've had a chance to look at things from my perspective. Perhaps I thought we might have made a little more progress.

[Clary]

And perhaps that's how you like it, don't you? For everyone to see things from your perspective.

[Martin]

Don't we all?

[Clary]

Are you going to be having drinks at your local with all the board members individually?

[Martin]

No. In fact, you're the first. Some I won't bother with. But you're. You're a smart woman, Annabelle.

[Clary]

Oh, you flatter me.

[Martin]

Smart enough to know the difference between flattery and truth. I've watched you run rings round the other members of the board when you feel strongly about something. See, the most difficult thing isn't the disagreement of the board members to my proposal. It's the idea that this is a mere whim on my part. A moment of mad thoughtlessness. And it is anything but.

[Clary]

So you say.

[Martin]

Yes. That's why I wanted to speak with you. One to one. The dissenters will always make noises off. But I believe you understand the future of society's survival will inevitably be dependent on us making choices like this. Tough choices. Brave ones that bear fruit in the future for generations to come.

[Clary]

Well, hello, Martin.

[Usha]

Fancy seeing you two here.

[Martin]

Oh, we're actually in the middle of a conversation.

[Usha]

I know. I saw you from over by the bar and thought I'd come and say hi. Can I get anyone a drink?

[Clary]

Hmm? Something sweet, perhaps? Daiquiri?

[Usha]

Do they do cocktails? Here?

[Martin]

No, of course they do. It's a village pub, not the backwaters of nowhere.

[Usha]

All right, Justin? And you?

[Martin]

No, thank you. I'll leave you two to catch up.

[Usha]

I'll be right back with your cups.

[Clary]

Thank you. Leaving already, Justin?

[Martin]

Yes. I see some friends I should say hello to. Thanks for your time, Alabell. Appreciated.

[Clary]

Not at all. It's a pleasure.

[Martin]

See you at the board meeting.

[Clary]

You will. And don't worry. I'm sure it'll all go the way you wish.

[Martin]

Thanks. I knew we could reach an understanding.

[Usha]

They'll bring it over.

[Clary]

Oh.

[Usha]

Justin's gone, then?

[Clary]

Yes, he's left to speak to friends.

[Usha]

Are we not good enough?

[Clary]

I'm afraid that would be you. Not we.

[Usha]

Yeah, you do like to tease me to, don't you? Good to see you looking lovely as ever.

[Clary]

Thank you. I must say, I'm enjoying the casual you, Martin.

[Usha]

Really.

[Clary]

It's easy on the eye.

[Usha]

Then tell me, what were you two talking about?

[Clary]

Why don't you guess and I'll tell you if you're hot or cold. Neil. Larry.

[Martin]

You all right with that shopping?

[Clary]

Yeah, it's nothing heavy. I'm just off home after me shift.

[Martin]

I won't keep you. I was after some AAA batteries. Only the village shops out of them.

[Clary]

Just by the tills.

[Martin]

Oh, excellent. Thank you.

[Clary]

Oh, sorry. Neil, could you hold me bag for a second?

[Martin]

Yeah, yeah, of course.

[Clary]

Oh.

[Martin]

Everything all right?

[Clary]

Yeah. Only I better get home quick.

[Eva]

Edward and Emma are delayed at a.

[Clary]

Job and Amber's meant to be over at theirs for tea.

[Martin]

What, George's Amber?

[Clary]

Yes. Although I can't believe we're calling her that.

[Martin]

I'm sorry.

[Clary]

No, no, it's not you. Neil, is this whole thing taking us all by surprise?

[Martin]

I'm surprised Emma invited her round again so soon.

[Clary]

From the sound of things, she might have invited herself. Oh, Eddie's at the market, so he'll be late home.

[Martin]

I've never met her myself.

[Clary]

No, nor me neither. Although that will change in a few minutes. I expect our best Dash. I can't leave her waiting on the doorstep.

[Martin]

No, no, you certainly can't. Now then, Triple A's.

[Clary]

Bye.

[Henry]

See you.

[Clary]

I'm actually quite touched you've tried riding on my account.

[Usha]

It's your favorite pastime. Of course I'm gonna try. And I'm not done yet.

[Clary]

You're sweet.

[Usha]

Careful not to look too cozy. I'm sure Justin's watching closely.

[Clary]

Oh, he is. Like I said, he's pretty sure you and Brian and a few others are out for Blood.

[Usha]

I know he has the deciding vote, but we're not about to make it easy for him.

[Clary]

Well, he'd like it if everyone was on board for his future proofing, rewilding, legacy dream.

[Usha]

Certainly wouldn't look good if the entire board rebels.

[Clary]

If smooth sailing is what he's after, I think he's in for a surprise. He's looking over.

[Usha]

Is he? Cheers.

[Clary]

Justin. I should probably leave before you.

[Usha]

Oh, but I thought we could have a few more drinks.

[Clary]

How about I leave in a few minutes? I need to get home and freshen up, and then we can meet at our usual haunt.

[Usha]

Perfect.

[Clary]

You're welcome to stay for dinner here instead of going to theirs. We've got chicken and mushroom pie and gravy.

[BBC Sounds]

Oh, it's been ages since I've had pie and gravy. Oh, homemade too.

[Clary]

Oh, Mrs. Edward and Emma to come here then. There's plenty.

[BBC Sounds]

Actually, I can't.

[Clary]

Why not?

[BBC Sounds]

Your cake. It was so nice. I'm. I'm pretty full.

[Clary]

You barely had half of it.

[BBC Sounds]

It's a big slice. I don't usually have carbs if. If I can help it.

[Clary]

My granddaughters have started on about carbs, too. You can have the pie without the crust. Chicken and mushrooms aren't too bad carbs wise, are they? It won't spoil that lovely fish figure of yours.

[BBC Sounds]

That's so nice of you to say. Okay, maybe just a little.

[Clary]

I'll warn you now, though. We have a no phones at the table rule at dinner time. Come on in.

[Martin]

Ah, Clary, you forgot your shopping.

[Clary]

Oh, I got to the till before.

[Eva]

I realized I still had it in my hand.

[Clary]

What a pair we are. That's kind of you, bringing it over.

[Martin]

That's nothing. It was on my way. Hello.

[BBC Sounds]

Hi, Amber, love.

[Clary]

This is Neil, Emma's dad. George's other granddad.

[BBC Sounds]

Oh, you're the one who shot George.

[Clary]

Well.

[Martin]

It wasn't quite as simple as that, love.

[BBC Sounds]

What's he doing here?

[Eva]

Sorry.

[BBC Sounds]

Is he coming to dinner, too?

[Clary]

Well, he's more than welcome. Neil.

[Martin]

No, no, no. Susan's got dinner on already. I only came to drop your shopping off.

[Clary]

Good. Papa.

[BBC Sounds]

Well, personally, I. I don't know how you can have him over when you know what he did.

[Clary]

No, you need to calm down.

[BBC Sounds]

I do not. George told me all about him and his interfering wife.

[Clary]

Listen, lovely. Don't.

[Martin]

Chloe, don't. Just let her speak.

[Henry]

Is he off, then?

[Jazza]

Who?

[Henry]

Martin.

[Jazza]

I think you left. Just new.

[Henry]

Well, I should be making a move, too. I have a ton of amside paperwork that Needs doing this evening.

[Jazza]

Better you than me.

[Clary]

Thank you.

[Henry]

Oh, any decisions on what you'll do for traces 5?

[Jazza]

Oh, really?

[Henry]

It'll come to you, darling, I'm sure. And you know, you can just ask her what she wants. There's nothing wrong with that. Surprises can be overrated.

[Jazza]

You've got a point now. Thanks. Lillian, I just need a word. We can.

[Martin]

Martin's gone. Thank goodness.

[Clary]

Yeah.

[Henry]

And I'm relieved to report I don't believe he has any intention of suing the stables. He didn't really mention yesterday's mishap.

[Martin]

No, I think you're right.

[Henry]

Like I've been telling you, he didn't really injure himself as badly as it seemed.

[Clary]

Good. How? How?

[Henry]

Annabelle.

[Martin]

She was her usual self.

[Henry]

And did you manage to convince her to be on side for the board vote?

[Martin]

She's an intelligent woman, Annabelle. She'll do right by me. She practically said as much. Now, whatever else George has said, he knows. He knows his grandmother. And I love him dearly.

[BBC Sounds]

Love him?

[Clary]

Amber, stop now, please.

[BBC Sounds]

To shop your own grandson after he saved all those lives? I mean, really, how can you live with yourselves? Free to roam around wherever you want while George is locked up inside?

[Martin]

I don't think you know everything about the situation.

[BBC Sounds]

I know everything I need to know. And I know that George cannot stand the sight of you.

[Clary]

Amber, don't shout at me.

[BBC Sounds]

I am the one who has been supporting George this whole time. He was in tears when he told me how he felt about what you and your wife did.

[Clary]

Neil, I'm sorry.

[Martin]

Don't be. Don't be here. If that's what he said.

[BBC Sounds]

It is. I will have my say and then I will leave.

[Clary]

No, you don't have to go.

[BBC Sounds]

I'm sorry, Clary, but I'm not sticking around with that man here.

[Martin]

I'd better go.

[BBC Sounds]

Yes, scamper off, because you have no clue what you've done to George.

[Clary]

Now, you listen here, young lady.

[Martin]

I know you think you love each other, but I've known George his entire life. He's my grandchild. And even if he's angry with me and with Susan, we both love him.

[Clary]

He is more than angry.

[BBC Sounds]

And he doesn't love you.

[Clary]

Stop.

[BBC Sounds]

Not anymore. They broke his heart, Clary. And it has taken me ages to try and put it back together. Thank you for the cake, but I won't be stopping for pie.

[Clary]

Now. I. I don't know what to say.

[Martin]

There's nothing to say, Clary. Not after that.

[Clary]

Jazzo. Why don't you have your drink outside? It's gorgeous out in the bear garden.

[Jazza]

Speaking of gorgeous, is this barmaid I really want to go to? Oh, yeah, and I figured I'd have a better chance of wounded her if I stayed in here.

[Clary]

Done. I'm wooed.

[Jazza]

That was easier than I thought it would be.

[Clary]

Now I gotta work. Kenton and Jolene are still out, and I know it's quiet in here, but the beer garden's rammed.

[Jazza]

Okay. Your hand.

[Clary]

Love it.

[BBC Sounds]

What now?

[Jazza]

Hide me.

[Clary]

From who? Jazza Martin.

[Usha]

I hope this is quiet for late Friday afternoon, but I see everyone's out there.

[Jazza]

Two days, not over. This isn't becoming your new local drinking spot, is it?

[Usha]

Would that be such a bad thing?

[Clary]

What you having then?

[Usha]

Maybe a Long island iced tea.

[Clary]

Coming right up. Let me go and grab some more ice and some lemon.

[Eva]

Back in a sec.

[Usha]

Take your time. She's great.

[Jazza]

Nice. Yes.

[Usha]

I saw you two flirting just now. It's nice seeing a couple who are married, still making time to flirt. Our generation, we expected all before marriage. And once that knot is tied, it's like we don't have to work for it anymore.

[Jazza]

What we talking about?

[Usha]

Romance.

[Clary]

Ah.

[Jazza]

Well, at best.

[Usha]

Wooing a woman nowadays is a whole different kettle of fish. You have to put yourself out there, be vulnerable, take it in your stride. I mean, I am wearing a floral shirt, Jazza, which I've never done outside of holidays. But when you meet a woman with flair, good looks, and an ability to make the most of them, you have to step up. And I'm not even the slightest bit self conscious about the shirt now. It's all worth it.

[Jazza]

So as a new woman. What, the hair? The genius? Riding lessons?

[Usha]

Yeah. Okay, you got me. I thought after Pam, I'm only up for a bit of fun. No more serious relationships for me then. I've known this woman for a very long time, mainly through work. And I've always known she's special. But more recently, the attention's been mutual. Feel I'm in with a chance.

[Jazza]

You must be special. You make you change.

[Usha]

Have I changed, though? Maybe this isn't the new me. Maybe it's the real me.

[The Archers]

Don't worry. Not that long now.

[BBC Sounds]

I can't wait. Anyway, did you notice anything?

[The Archers]

Of course I noticed. You look dope in my T shirt.

[BBC Sounds]

Don't I? That suits me better, don't you think?

[The Archers]

Hands down.

[BBC Sounds]

So how have you been?

[The Archers]

Same old. Miss you.

[BBC Sounds]

I miss you.

[The Archers]

You tell me you're the one out in the world meeting my friends and family.

[BBC Sounds]

Okay, first off, Brad, he's a Bit weird, right?

[The Archers]

Weird like how?

[BBC Sounds]

Like he kept staring at me and asking about school. Just let it go, I say.

[The Archers]

Oh, he's all right, is Brad.

[BBC Sounds]

In a sort of spaced out way.

[The Archers]

Nah, really, you've got to give him a chance. The guy who stood by me through all of this. He's a proper mate. Tells me the truth to my face, but stays loyal. You know?

[BBC Sounds]

I do. Okay, strike that. We like Brad a lot.

[The Archers]

We do.

[BBC Sounds]

I'll make an effort with him next time.

[The Archers]

He was probably just surprised once he remembered you from school. You look different now.

[BBC Sounds]

Can we. Can we leave it?

[Clary]

Hey.

[The Archers]

Hey. Amber.

[BBC Sounds]

Yes. Yeah, I'm right here. And I know I was different back then. Why do people have to keep reminding me?

[The Archers]

You are the most gorgeous woman I have ever seen. End on school time. What those girls used to say. None of that means anything. It's all gone. This is you now. Every guy in here wishes he was sitting at this table with you. Oh, George, I'm not kidding. Plus, you make my T shirt look sick.

[BBC Sounds]

I know, right?

[Clary]

Okay.

[BBC Sounds]

I'm sorry. You deserve so much happiness, George. And when you get out of here, I'm gonna make that happen. You watch.

[The Archers]

You already are, babes. Like I said to Brad, you get me.

[BBC Sounds]

And you get me.

[The Archers]

How was dinner at my mum and dad's yesterday?

[Clary]

What?

[BBC Sounds]

It didn't quite happen, sorry.

[Clary]

Why?

[BBC Sounds]

They got delayed at a tree surgery job.

[Clary]

Oh.

[BBC Sounds]

So your grandma came home to let me in at hers and gave me some.

[The Archers]

So you met grandma and grandpa?

[BBC Sounds]

Well, grandma, yes. And I met your other granddad. Neil.

[The Archers]

Right. He was at the house.

[BBC Sounds]

Yeah, but you don't need to worry. I left when he came. Or after I gave him an earful about what he'd done to you.

[Clary]

You didn't.

[BBC Sounds]

I did, George. I couldn't help it. Well, seeing him turning up looking like butter wouldn't melt, when the whole time he is the one who dubbed you in. Him and your grandmother.

[The Archers]

What did he say?

[BBC Sounds]

Nothing. What could he say? Everything I said was true and he knew it.

[The Archers]

That's my girl. See, Amber, you get me like no one else does. I so want to kiss you right now.

[BBC Sounds]

I want to kiss you all the time.

[The Archers]

Except the guard will have a fit. I might get more time for bad behavior.

[BBC Sounds]

Well worth it.

[Clary]

Ugh.

[The Archers]

Whenever I see you, it's like a load off, you know?

[BBC Sounds]

Really.

[The Archers]

I mean, look around. Most of the visitors are sad, depressed looking. But you, you make the whole place light up.

[BBC Sounds]

I love you, George.

[The Archers]

Say that again.

[BBC Sounds]

I love you, George.

[The Archers]

I love you.

[Clary]

Too.

[The Archers]

Did you speak to your folks yet?

[BBC Sounds]

No, not yet.

[The Archers]

I can write to them. I can get someone to help in here. Word it really nice, George. October will be here sooner than we know and I want us to be together. I don't want to be arguing with your parents because they didn't know about me.

[BBC Sounds]

George, whatever we say, they're gonna assume the worst. It's just the way they are. They know I'm seeing someone who's in prison. They don't like it, but they know I'm gonna do what I'm gonna do and they can't stop stop me.

[The Archers]

I want things to be nice for them to see me as a person, not an ex con.

[BBC Sounds]

I don't want to burst your bubble, but that's wishful thinking.

[The Archers]

So then what do we do?

[BBC Sounds]

Don't stress. You come out of here and you can move in with me.

[The Archers]

At your parents?

[BBC Sounds]

Yes. It's on their property. But the flat I've got, it's above the garage, totally separate from the house. We'll have our independent. But the important thing is they'll see you around. Eventually they'll get to know you and they will change their minds.

[The Archers]

You think?

[BBC Sounds]

I know, George. See, I can't convince them of anything. They need to see you, meet you, and then they'll see for themselves and they'll make up their own minds.

[Clary]

What?

[The Archers]

I can start my wicker coffin business.

[BBC Sounds]

And help me grow my subscribers. You promised, remember?

[The Archers]

That's going to be easy. You're doing amazing by yourself.

[BBC Sounds]

Well, we'll be better together.

[The Archers]

Oh, I can't believe it. You and me in a flat.

[BBC Sounds]

Well, you better believe it, because soon it'll be a reality.

[Clary]

Are you all right?

[Jazza]

No, really. I'm hoping Martin doesn't make a habit of drinking in here.

[Clary]

You seem to be getting very comfortable with the oak.

[Jazza]

That's what I'm saying. Trace.

[Clary]

I'm sorry. You've been busy.

[Jazza]

I can hardly turn up for a quiet pint of a boss. He's going to shop whenever he wants.

[Clary]

It's a free country, Jaz.

[Jazza]

Is it?

[Clary]

Anyway, what were you talking about with all your women's chocolate references? You weren't telling him I'm your coffee cream, were you?

[Jazza]

No.

[Clary]

Oh, Jazzer.

[Jazza]

It's a good Y. Nearly made Alistair greet.

[Clary]

Except no one likes a coffee cream.

[Jazza]

Ah, you're missing the whole point, woman.

[Clary]

What's Martin talking to you about women for, anyway? Aren't he and his wife getting a divorce?

[Jazza]

Aye, but there's a new bit of interest on the scene.

[Clary]

No. Really? Is that why you started dressing different?

[Jazza]

Right. Me and you'll have been wondering what's up with the man. One minute he's telling us to pull her fingers out, the next he's bringing his cakes and kidding on that. He's the best boss in the world. I preferred him when he was miserable. At least we knew where he was coming Fi.

[Clary]

Maybe he's met the woman who's gonna turn it all around for him. I mean, it happened for you. Did I wonder who it is.

[Jazza]

He knows that. He's known her a long time, apparently. But they kind of let MD else know. She's playing hard to get.

[Clary]

We should ask Lillian. Justin works with him, don't he?

[Jazza]

Does I?

[Clary]

What?

[Jazza]

Oh, Martin said he had somewhere to be for recreational purpose when he was meant to be staying the day at Barrow. It ended up he was having a one on one writing lesson.

[Clary]

Oh, lucky him.

[Jazza]

Lillian was asking if he was in any pain last night and they were going on about engaging your core and pelvic tilts and stuff.

[Clary]

Sounds pervy.

[Eva]

All that horsty talk.

[Jazza]

Exactly. Well, if it's called for actual pervy talk.

[Clary]

What?

[Jazza]

And yesterday when he left, Lillian left very soon after he did some paperwork.

[Clary]

Jazzer, what are you trying to say?

[Jazza]

I think it's obvious now. Can't you think about it? They'd have to keep quite it, especially for Justin.

[Clary]

No, Lillian wouldn't. Martin wouldn't. Not after his wife did that to him.

[Jazza]

I don't know, Hen. The heart wants what the heart wants. And I think Martin Gibson's heart wants Lillian.

[The Archers]

It always goes so quickly.

[BBC Sounds]

I wish I could break the law and they could put us in a cell together. Except it doesn't work that way, sadly.

[The Archers]

Nah, it doesn't. Will you miss me?

[BBC Sounds]

Do bears poop in the woods?

[The Archers]

You're mental. And you always manage to make me laugh.

[BBC Sounds]

Well, that's because I love your sexy smile. Just keep thinking. You and me in the flat, all alone.

[The Archers]

I can't wait.

[BBC Sounds]

You and me forever, George. Really, Truly.

[Usha]

Right.

[BBC Sounds]

What are you doing?

[Clary]

Get up.

[The Archers]

Marry me then.

[Clary]

What?

[The Archers]

Marry me, Amber. Be my wife. I haven't got a ring or anything yet, but marry me.

[Clary]

Yes.

[Eva]

Yeah.

[Clary]

Yes. Yes.

[Eva]

I just proposed.

[Clary]

I'm getting married. Calm down, please, Sam. Hi, guys.

[The Archers]

This is Rylan and I'm here to tell you about how to Be in Love from BBC Sounds. Now, as a single divorcee, I feel ready to find love again. But I want to see if there's a better way of going about it. In this series, I'm going to sit down with 12 incredible guests who are really going to help me rediscover what love truly means and how I can find it again. People like Stephen Fry, Louis Theroux, Matt and Emma Willis and many more. So join me on this journey as I explore how to be in love. Listen on BBC Sounds.