07/06/2026

Summary

The Archers Omnibus – June 7, 2026

Podcast: The Archers Omnibus
Broadcast by: BBC Radio 4
Air date: June 7, 2026
Theme: The week’s events in Ambridge

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Overview

This episode of The Archers Omnibus centers on family conflict, personal dilemmas, and business transitions in Ambridge. The narrative is dominated by escalating tensions within the Aldridge family regarding Home Farm, struggles over school choices and business priorities at Bridge Farm, and managing change at Grey Gables. Underlying these dramas are themes of frustration, generational shifts, and the challenge of balancing tradition with progress, all laced with the series’ characteristic wit and realism.

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Key Discussion Points and Insights

1. The Aldridge Family: Conflict and Crisis at Home Farm

• Brian Aldridge’s Power Struggle

  • Brian refuses to back down from his decision to reclaim land from the Home Farm partnership, putting the family on edge.
  • He sends Adam Macy an email sacking him:

    "On Friday, he emailed me to say I was sacked and not to show my face at Home Farm again." (Adam, 03:00)

• Adam’s Response and Defiance

  • Adam refuses to accept Brian’s sacking, citing the partnership structure and continues to manage the farm.
  • Growing concern over Brian's state of mind:

    "He's out of control, Alice. Heading out in all directions without any kind of plan." (Adam, 03:24)

• Alice’s Worries About Her Father

  • Alice expresses concern for Brian’s wellbeing and his ability to manage the farm alone.
  • She suggests bringing in Ed Grundy for extra help, eventually gaining Brian’s agreement.

• Showdown – Confrontations and Home Truths

  • Rex calls Brian out for his ego and the damage caused to his children.

    "You threatening to take the land back looks like an overgrown toddler throwing his toys out of the pram. You should be ashamed, Rex." (Adam/Rex, 29:15)

  • Brian’s attempt to have Adam arrested for “stealing” the Land Rover, which the police officer refuses to escalate:

    "Only this vehicle has been reported stolen." (PC Truman, 71:36) "He named you as the thief, sir." (71:47) "I don't think a crime has been committed." (PC Truman, 73:52)

• Resolution and Reflection

  • Alice and Brian cautiously move towards reconciliation and practical solutions, agreeing Ed can help at Home Farm.

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2. Bridge Farm: Business vs. Family, School Dilemmas

• School Choices and Class Divides

  • Tom and Natasha (Fifi) debate sending their twin girls to private school, prompted by a poor Ofsted report at Loxley Barrett.
  • Family resistance (especially from Tom’s mother, Tina) and financial concerns dominate:

    "Something isn't necessarily better because you pay for it." (Tina, 20:03) "We can't split them up. I mean, not that we've got 10 grand either." (Tom, 23:53)

• Career Ambitions and New Ideas

  • Natasha proposes “Bridge Farm Botanicals,” a premium organic face and body range using farm produce:

    "I've got an idea. I've been working on it for a while... Botanicals. A premium organic face and body range." (Fifi, 48:46)

  • Tom wants to expand the vegetable operation with a climate-controlled greenhouse.
  • Both projects clash with Helen’s dairy expansion and Akram’s (employee) ambitions for a social care farm.

• Sibling Strains

  • Tensions erupt between Tom and Helen over spending priorities and communication failures:

    "Bridge Farm is not yours to do with as you please when you please. I have a say too." (Tom, 58:07)

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3. Management Change and Personal Growth at Grey Gables

• Ian’s Challenges as Acting General Manager

  • Struggles with customer complaints and his new management responsibilities.
  • Seeks advice from Martin Gibson:

    "There's nothing I don't know about good management, Ian. I can give you the lowdown about handling people." (Martin Gibson, 19:00) "Build trust. Get your staff to tell you secrets they've never shared." (Martin, 22:40)

• Light-hearted Reactions

  • Staff amused/confused by Ian’s sudden adoption of management jargon and self-improvement techniques:

    "He keeps coming out with weird little phrases like things you'd get on a fridge magnet." (Zaynab, 66:38)

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4. Friendship, Relationships, and Recovery

• Alice’s Sobriety

  • Under extreme family and social pressure, Alice is candid about her struggles with addiction:

    "Honestly, I'd like to sit down with a large wine and forget all about it." (Alice, 12:56) "If I have the slightest real concern about my sobriety, I'll talk to you." (Alice, 44:37)

• Alice and Rex: Communication Breakdown and Reconciliation

  • Following arguments and Rex’s confrontation with Brian, Alice and Rex talk honestly and reaffirm their relationship.
  • Warm, honest exchanges about loyalty and mutual support.

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5. Community Threads: Side Stories and Lighter Moments

• Borchester Show

  • Ed Grundy prepares Texel sheep, with George and Brad involved in lively banter and a social media campaign.
  • Brad objects to George wanting to name his baby after him:

    "George, if it's a boy, he wants to call it Brad.... It's not. It's weird. It feels... I don't want them to." (Brad, 72:42-72:55)

• Personal Dreams vs. Practical Work

  • Akram (Bridge Farm employee) muses about returning to plumbing, despite his "dream" of working with the land, receiving inspirational support from his daughter Zainab:

    "Follow your dream. I'll say it again, follow your dream." (Zainab, 62:34)

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Notable Quotes & Memorable Moments

• Adam on Brian's Recklessness

  "He's out of control, Alice. Heading out in all directions without any kind of plan. Who knows how much damage he'll do before this is sorted out?" (03:24)

• Rex Calls Out Brian

  "You threatening to take the land back looks like an overgrown toddler throwing his toys out of the pram. You should be ashamed, Rex." (29:15)

• The Land Rover Incident

  "Only this vehicle has been reported stolen... by its owner. Mr. Aldridge, right?" (PC Truman, 71:36–71:44)

• Alice’s Honesty About Temptation

  "Honestly, I'd like to sit down with a large wine and forget all about it.... But there are days, Rex. There are days." (13:02) "If I have the slightest real concern about my sobriety, I'll talk to you." (44:37)

• Akram’s Life Lesson from Zainab

  "You have to have a few things go wrong to really know what you want. And sometimes the path to your goal isn’t straight. It’s crooked. So take a deep breath and follow the bend in the road." (Zainab, 61:41)

• Natasha's (Fifi) excitement about Bridge Farm Botanicals

  "A premium organic face and body range. Back in March, an old classmate sent me some fabulous organic samples and it got me thinking... we could do some amazing serums, masks, moisturizers..." (Fifi, 48:53)

• Sibling Business Frustrations

  "Bridge Farm is not yours to do with as you please when you please. I have a say too." (Tom, 58:07)

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Key Timestamps for Major Segments

• Home Farm family argument and Brian sacks Adam: 02:00–03:24
• Alice and Rex discuss family stress and addiction: 12:34–13:36
• Ed Grundy offered work at Home Farm: 26:06–26:56
• Brian confronted by Rex about Alice: 27:06–29:39
• Natasha pitches ‘Bridge Farm Botanicals’ to Helen: 48:46–49:55
• Tom and Helen’s row over business priorities: 58:05–58:25
• Land Rover ‘theft’ misunderstanding: 71:08–74:31
• Akram’s self-doubt and encouragement from Zainab: 61:00–62:41

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Summary Table – Main Characters

| Character | Crisis/Development | Key Moment | |-------------------|-------------------------------------------|---------------------| | Brian Aldridge | Losing grip on Home Farm, family at odds | Tries to have Adam arrested (71:36–74:09) | | Adam Macy | Fights to stay at Home Farm | Dispute with Brian (68:00–68:46) | | Alice Aldridge | Mediates and supports; owns sobriety | Honest with Rex (13:02, 44:37) | | Tom Archer | School/Business dilemmas; sibling tension | Row with Helen/Natasha (58:05–58:25) | | Natasha (Fifi) | New venture proposal, school worries | Botanicals pitch (48:46–49:55) | | Ian Craig | GM at Grey Gables, doubts, management tips| Guided by Martin (19:00–22:35) | | Ed Grundy | Considers extra work at Home Farm | Conversation with Alice (26:06–26:56) | | Rex Fairbrother | Honest with Brian and Alice | Family confrontation (29:15) | | Akram | Uncertain about future at Bridge Farm | Zainab’s advice (61:41) |

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Tone and Language

The episode maintains The Archers’ classic conversational style—wry, exasperated, intimate, and sharply observant, shifting between heavy family topics and lighter asides, with warmth and gentle mockery even in the heat of argument.

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Conclusion

This Omnibus episode underscores how family and business can become dangerously intertwined, with the Aldridges teetering on the brink of legal and emotional crisis, while the Archers juggle aspirations and structures for both business and children’s futures. Even as characters clash and circumstances spiral, there are glimmers of hope, humor, and reconciliation—reminding us why Ambridge’s troubles and triumphs continue to resonate.

Transcript

[Adam Macy]

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[BBC Radio 4 Announcer]

You're listening to the archers omnibus from BBC Radio 4.

[Alice Aldridge]

Come in and have a seat, Adam. I haven't got long. Rex has taken me to the ball for lunch.

[Adam Macy]

Nice.

[Alice Aldridge]

Yeah, I hope so. It's a bit of a treat to have a completely free Sunday. Especially when it's like this. I'm not the stables today and Chris has got Martha overnight. He's taking out school in the morning.

[Adam Macy]

Talking of which, you saw the Ofsted report. Ian's tearing his hair out. Parents are calling him because of his involvement with the school. And he's got enough on his plate at Grey Gables. He's having to work today.

[Alice Aldridge]

Well, the report's pretty disappointing.

[Adam Macy]

Xander's really happy there.

[Alice Aldridge]

So is Martha. Something's not right, is it? You're not here to talk about Locksley Barrett though, surely?

[Adam Macy]

No. I was wondering when you last saw Brian.

[Alice Aldridge]

Oh, not for a couple of days. It was grim. He wouldn't discuss anything at all.

[Adam Macy]

I just thought, hoped, really, you might be doing better with him than I am.

[Alice Aldridge]

I mean, what happens if we can't convince him to back down.

[Adam Macy]

Exactly what he says will happen. The partnership loses the land in three weeks.

[Alice Aldridge]

Stupid meeting. What a mess.

[Adam Macy]

It gets worse. On Friday, he emailed me to say I was sacked and not to show my face at Home Farm again.

[Fifi]

At.

[Adam Macy]

What are you going to do, ignore it? He can't sack me. He doesn't employ me, the partnership does. So I'm carrying on as usual. Turning up for work, managing Home Farm.

[Alice Aldridge]

Sacking you by email.

[Adam Macy]

He's out of control, Alice. Heading out in all directions without any kind of plan. Who knows how much damage he'll do before this is sorted out?

[Alice Aldridge]

Oh, that'll be wrecked.

[Adam Macy]

I'll get it and leave you in peace. Hi, Rex. Adam.

[Martin Gibson]

Hi.

[Adam Macy]

Sorry, am I. No, no, no, not at all. I'm just off.

[Alice Aldridge]

Hi.

[Rex]

Hey.

[Alice Aldridge]

We're just talking about.

[Rex]

Oh, let me guess. The family. You won't be the only ones in Ambridge, I'm sure.

[Adam Macy]

I don't suppose we are. We're off to lunch. Yeah. Alice said.

[Brian Aldridge]

Hey.

[Adam Macy]

Join us if you like. Oh, it's your day off. I don't want to play gooseberry.

[Alice Aldridge]

Oh, don't be daft. We're long past that, aren't we, Rex?

[Adam Macy]

Well, I've got some errands to run, but if you're sure. I might pop in for a drink on my way back. Xander's on a play date, so whatever suits.

[Tom]

Okay, then.

[Adam Macy]

Might see you later.

[Alice Aldridge]

Bye, Adam.

[Nicola Truman]

Bye.

[Rex]

More trouble?

[Alice Aldridge]

Oh, same trouble. Just gets worse.

[Rex]

If there's anything I can do.

[Alice Aldridge]

No, there isn't.

[Rex]

You never know.

[Alice Aldridge]

It's my family, Rex. It's not your problem.

[Rex]

Well, it is my problem a bit if it's making my girlfriend unhappy.

[Alice Aldridge]

You think you can sort out the Aldridges? What else can you do? Cure the common cold.

[Rex]

I'm not trying to interfere. I just meant, I don't know, practical help. Taking Martha to school, doing a supermarket run. Let me take the strain a bit.

[Alice Aldridge]

No, no need. It's all fine. Shall we walk down to the ball? Make the most of the weather?

[Rex]

Sure.

[Brian Aldridge]

Oh, for the lover. All right, all right. Damn thing.

[Zainab]

Brian.

[Alice Aldridge]

You okay?

[Brian Aldridge]

I'm fine. I'm having a run in with the drenched backpack, that's all. Just too many straps. It all got twisted.

[Stella]

Yeah, Easily done.

[Brian Aldridge]

And what are you doing here? I was passing a likely story.

[Stella]

The earlings look good.

[Brian Aldridge]

Yeah. Yeah, I wasn't going to start worming them till tomorrow, but. Such a nice day, I thought. Well, waste not to be outside.

[Alice Aldridge]

Yeah.

[Brian Aldridge]

I haven't done this myself. For a while.

[Stella]

It is a perfect day for it.

[Brian Aldridge]

Yeah, well, I can't do much about the newborns yet. They're still hunkered down in the long grass, so I thought I'd get ahead of myself.

[Stella]

Right, well, let me help you on with a backpack.

[Brian Aldridge]

I hope you're not suggesting I'm incapable of doing it myself.

[Stella]

No, Brian, I'm not suggesting that.

[Brian Aldridge]

Good. So it's nice to see you, but.

[Stella]

Okay. I've heard the rumors like everyone else.

[Brian Aldridge]

And you thought you'd come and see what the old fool's up to now? Yeah, well, the old fool has taken charge of his land again. Is having the time of his life. Thanks. There we are. Pass me the worming gun.

[Stella]

You certainly seem in good spirits.

[Brian Aldridge]

I think it's the kick up the backside I needed. I'm not ready for the knacker's yard quite yet. No matter what my children think.

[Stella]

I'm sure they don't think that.

[Brian Aldridge]

Don't put money on it.

[Stella]

You'll make it up with them. Ruth saw Anna Tregoren yesterday. Apparently Carol is being a bit more compliant. Much to her daughter's relief. Yeah, and Carol can make a new start. So can you.

[Brian Aldridge]

You comparing me to Carol Tregoran?

[Stella]

Not directly.

[Brian Aldridge]

Good. Because if you are, you can stick it where the sun doesn't shine.

[Stella]

Yeah, I could do that. Or I could hang about and help you worm the yearlings. It is a perfect day for it after all.

[Brian Aldridge]

Okay then, if you want. Yeah. Thanks, Stella.

[Alice Aldridge]

That's one roast chicken, one roast beef and two cauliflower cheeses on the side, please. Tracy, we're on table four in the garden.

[Tracy]

Someone would have come for your order, you know.

[Alice Aldridge]

Oh, I thought I'd save you the trouble. You're busy and actually I was glad to get away. Oh yeah? Tom has cornered Rex about next week week's match with the Dog and Trumpet men. Talking cricket strategy.

[Tracy]

Oh, bless him. I've got my own strategy.

[Nicola Truman]

Seems to work.

[Tracy]

Dog and stump. It ain't no match for us. I'll get your drinks, Tracy. It won't be a minute, Martin.

[Martin Gibson]

Oh, sorry, Alice. I didn't mean to push in. I'm hoping for a table.

[Alice Aldridge]

Oh, didn't you book?

[Martin Gibson]

I wasn't planning on coming. I was having brunch with a lady friend at Gray Gables and I had a run in with your brother in law.

[Alice Aldridge]

Ian.

[Martin Gibson]

What on earth is going on with your family? The rumors about Home Farm are positively lurid.

[Alice Aldridge]

Well, don't believe everything you hear. What happened with Ian?

[Martin Gibson]

The Brunch was poor. Very poor indeed. The person I was with, the lady I was with, was deeply unimpressed. Left quite abruptly.

[Alice Aldridge]

Oh, because of the brunch?

[Martin Gibson]

What else? I had complained to Zainab about it. She was lovely, as usual. Then Ian came through and I gave him a piece of my mind. Oh, you expect to be listened to when you're making a complaint? Especially somewhere like Greg Gables. You expect an apology and a bit of groveling, honey.

[Alice Aldridge]

And didn't?

[Martin Gibson]

No. He was rude, Alice. Downright rude. And my companion stormed out. It was embarrassing. I might well go to Oliver about it.

[Fifi]

There we go, Alice.

[Tracy]

A lime and soda and a point of shires. I've started to tab for you.

[Alice Aldridge]

Oh, thanks, Tracy. I enjoy your lunch, Martin.

[Tracy]

What can I get you?

[Martin Gibson]

Oh, a table for one, if you can.

[Tracy]

Oh, not for maybe an hour. Unless you'd like to eat at the bar.

[Adam Macy]

Hi. I made it.

[Alice Aldridge]

Oh, your errands didn't take long. We're in the garden. I've started a tab if you want to eat.

[Adam Macy]

Oh, I'll just get myself a half. I'm not stopping.

[Alice Aldridge]

Oh, well, be warned. Martin's at the bar and you might want to avoid him. Ian. Ian. Have had a falling out at Grey Gables this morning.

[Zainab]

Morning?

[Alice Aldridge]

He's quite irate about it.

[Adam Macy]

Oh, for heaven's sake. I need Martin on side.

[Alice Aldridge]

I'm not entirely sure it's Ian's fault. You know what Martin's like.

[Martin Gibson]

Oh, well. Hello. A word, if I may.

[Alice Aldridge]

I'll leave you to it.

[Stella]

I'm moving the hurdles.

[Brian Aldridge]

Yeah, all good. Oh, thanks, Stella. That was. That was quite loud. All times.

[Mally Harris (Natasha Archer)]

Not really.

[Stella]

We didn't fight.

[Brian Aldridge]

We didn't always fight. Fight. We. We were a good team.

[Stella]

Most of the time, I suppose. Yes, we were.

[Brian Aldridge]

Look, can you take the weight of the backpack for a minute?

[Alice Aldridge]

Yeah.

[Brian Aldridge]

Here. There we go. I suppose you wouldn't consider coming back? Manage Home Farm again?

[Stella]

No, Brian.

[Brian Aldridge]

No, of course you wouldn't. Well, it was worth a try.

[Stella]

I have a new job I really like. And you have Adam.

[Brian Aldridge]

No, I don't. Adam doesn't work here anymore. And don't look at me like that. I'm sorry you won't come back. That was my own fault for throwing away a good thing.

[Stella]

Are you sure you're not doing that again now?

[Brian Aldridge]

Very sure. Thank you. Yeah, very sure indeed. But you'll have a farm of your own soon anyway, once you and Pip are married.

[Stella]

That'll be years before Pip inherits. And I don't see Brookfield like that, Brian. Not even in my head.

[Brian Aldridge]

Even so, it's what you've always wanted.

[Stella]

I don't know. I mean, life can turn on a sixpence. You know that. Storms blow in when you least expect them.

[Brian Aldridge]

Tell me about it.

[Alice Aldridge]

Are you really okay?

[Brian Aldridge]

I really am.

[Martin Gibson]

Thanks for the drink, Adam, but you don't need to apologize for Ian.

[Adam Macy]

Well, that's not why I bought you the drink.

[Martin Gibson]

Must be a big shift for him, going from head chef to general manager.

[Adam Macy]

Acting general manager. And he was head of food. Not just head chef.

[Akram]

Oh.

[Martin Gibson]

Oh, he's a brilliant chef. He is. But maybe management requires a different skill set. What exactly is going on at Home Farm? Everyone's gossiping.

[Adam Macy]

It's. It's a storm in a teacup. Nothing BL needs to be concerned about.

[Martin Gibson]

You promised me 100%, Martin.

[Tracy]

If you're quick, there's a table in the corner. You can have it till three.

[Martin Gibson]

Tracy, you're a star. I hate eating at the bar.

[Tracy]

Your row shouldn't be long.

[Adam Macy]

Well, if you'll excuse me, Martin.

[Martin Gibson]

Of course.

[Akram]

Course.

[Tracy]

You coming to Edgbaston on June 12 for the women's World cup match?

[Martin Gibson]

I wasn't.

[Tracy]

There might still be some seats on the bus. It's going to be dead exciting.

[Alice Aldridge]

Hello, you two. Oh, Stella. Are you here for lunch as well?

[Adam Macy]

Join us?

[Stella]

No, I've actually just popped by to pick up a bottle of wine.

[Rex]

Oh, you must have time for a swift half.

[Stella]

I really don't.

[Alice Aldridge]

Sorry.

[Stella]

Alice, Is everything okay?

[Fifi]

Yeah, of course.

[Stella]

Only Brian's just asked me to go back to work at Home Farm. I was helping him with the yearlings.

[Tom]

Oh.

[Rex]

It gets more complicated by the minute. Don't say anything to Adam, will you? I'd like a quiet lunch.

[Stella]

Rex, what on earth is Brian thinking?

[Alice Aldridge]

We're all asking that. What did you say?

[Stella]

No, of course.

[Alice Aldridge]

I mean, I suppose it's good he's looking for help.

[Stella]

Probably be mad not to.

[Alice Aldridge]

Do you think that? Well, what if I tried to find him someone?

[Rex]

Oh, should you get involved?

[Alice Aldridge]

He's my dad, Rex. I am involved.

[Stella]

Okay, but what about Ed Grundy? He knows the place. You could always ask if he wants more hours.

[Alice Aldridge]

It's a thought, Stella.

[Stella]

Oh, I think this is your lunch coming.

[Rex]

We don't have to go back to yours, do we?

[Zaynab]

We could go to the boat.

[Rex]

I'll make us coffee and we can sit and watch the river flow. What do you think?

[Rory]

What?

[Adam Macy]

Should we go to the boat?

[Alice Aldridge]

Why?

[Rex]

You okay?

[Alice Aldridge]

No, I'm not very good company, am I. Maybe I should just go home.

[Rex]

Or you could talk to me. Look, what's up?

[Alice Aldridge]

Well, you know what's up. All of Ambridge is talking about what's up. I don't see how talking anymore is going to help.

[Rex]

Okay, well, what would you like to do this afternoon?

[Alice Aldridge]

Honestly, I'd like to sit down with a large wine and forget all about it.

[Tom]

Alice.

[Alice Aldridge]

Oh, don't look at me like that. Obviously, I'm not going to. Obviously. It's not even a possibility anymore. I know what would happen. But there are days, Rex. There are days.

[Rex]

Should you call your sponsor?

[Alice Aldridge]

Oh, please.

[Rex]

Maybe there's a meeting. Let me look it up. I can drive you. No, Alice, you're scaring me.

[Alice Aldridge]

Well, I'm not going to relapse.

[Tom]

You said no.

[Alice Aldridge]

You don't understand. You think you do, but you don't. I mean, how can you? You don't have an addictive bone in your body.

[Rex]

I get that you're under pressure, a lot of pressure, but a whine?

[Alice Aldridge]

It was not a serious suggestion.

[Rex]

It sounded serious.

[Alice Aldridge]

Well, okay. Imagine I said I wanted to jump on a motorbike and ride naked into the sunset. Would you have taken that seriously, too?

[Rex]

You don't have a history of riding

[Adam Macy]

motorbikes naked into the sunset.

[Alice Aldridge]

Look, I do talk to my sponsor. I do go to meetings. I'm doing all the right things and I'm handling this.

[Adam Macy]

I'm not sure you are.

[Alice Aldridge]

You know what, Rex?

[Rory]

Go home.

[Adam Macy]

I'm not leaving you in this state.

[Alice Aldridge]

Don't nanny me. I'm the addiction expert, not you.

[Adam Macy]

I'm trying to be supportive.

[Alice Aldridge]

Well, it's not working.

[Rex]

Okay, suit yourself.

[Adam Macy]

Honestly, I was only trying to help.

[Alice Aldridge]

Well, I don't need your help.

[Zainab]

Rex.

[Alice Aldridge]

Rex.

[Fifi]

What are you so engrossed in?

[Tom]

Oh, it's that climate control greenhouse I want.

[Fifi]

Oh, that's smart. Oh, it's big, too.

[Tom]

That's the idea.

[Zaynab]

Yeah.

[Adam Macy]

Scroll down.

[Fifi]

Oh, nice.

[Tom]

Way stronger than the polytunnels. And much better value than a glass greenhouse that size.

[Fifi]

Is it made of bubble wrap?

[Tom]

Reinforced? Yes. And the side vents open automatically when it hits 25 degrees. We wouldn't have to control the temperature manually. We'd save manpower. We'd save time.

[Fifi]

You don't have to convince me, Tom. Have you talked to Helen about it?

[Tom]

Not in any detail. She's too wrapped up in the cows right now, and I thought I'd let her get the house, move out the way.

[Fifi]

I said I'll help her pack up. She's barely started and wants to Be in the new house this weekend. All the girls will miss Jack and Henry.

[Tom]

They won't be far. Did you speak to her about Loxley Barrett?

[Fifi]

Yes, of course. I thought they'd have called a meeting about the Ofsted report, but it doesn't look like they're planning to.

[Tom]

That's not great, is it?

[Fifi]

The head being on long term sick leave has messed everything up. Everyone's up to their eyes. Helen thinks we should join the Parent Teacher association in September. Keep our fingers on the pulse once the girls are there. I didn't like to say if the girls are there.

[Akram]

Huh.

[Tom]

You didn't mention anything.

[Fifi]

No.

[Zaynab]

Of course.

[Britbox Advertiser]

No.

[Nicola Truman]

Morning, Sunny.

[Akram]

Me.

[Tom]

Hi, Mom. I was coming over in a bit. I've got some plants and seeds to put in your front garden.

[Tina]

Great. We can do it together. Hi, Natasha.

[Rory]

Hi.

[Tina]

The girls left their water bottles at ours yesterday.

[Alice Aldridge]

I thought you'd need them.

[Fifi]

Oh, thank you.

[Rory]

That's brilliant.

[Fifi]

I didn't realize.

[Mally Harris (Natasha Archer)]

Right.

[Fifi]

I better go and get the girls rounded up.

[Rory]

Right.

[Tina]

So what time are you thinking, Tom?

[Tom]

Soon as I've dropped the girls at nursery. I've got some delphiniums by the path. I thought down towards the gate.

[Tina]

Oh, yes. Lovely. What are you looking at?

[Tom]

Ah, it's the perfect greenhouse.

[Fifi]

Right.

[Tina]

But you're not actually planning on this, are you?

[Tom]

Well, the audit was so positive about the veg operation. Does seem kind of the logical next thing step with Helen expanding the dairy side. It's made me think about next steps for my operation too.

[Tina]

Yes, of course. But no need to rush, surely.

[Tom]

I'm not. But why not?

[Tina]

Well, nothing really. Just maybe with Helen's plans in full swing, expanding on two fronts at once is not the ideal way forward.

[Tom]

We'll talk about it. Of course we will. I wanted to know what's out there, that's all.

[Ed Grundy]

Martin.

[Brian Aldridge]

Hi.

[Ian]

I'm glad I've caught you.

[Martin Gibson]

Ian.

[Ian]

Jazz. I wasn't sure if you'd be in today.

[Martin Gibson]

Neither was I.

[Ian]

And I'm even more glad to catch you.

[Martin Gibson]

Are you? Why?

[Ian]

Look, I'm sorry. That's why I'm here. To apologize. I lost it at Greg Gables yesterday and my mouth was ran away with me.

[Martin Gibson]

It most certainly did.

[Ian]

I really shouldn't have said what I said. Your brunch was substandard. I'm sorry I spoiled your date. I went off on one with very little provocation.

[Martin Gibson]

None at all.

[Ian]

I would like to make it up to you, but what can I do? Apart from offering you a free brunch, obviously. A good bottle of wine next time you're in.

[Martin Gibson]

You've driven out here and you've apologized, Ian. I. I think that's probably enough.

[Ian]

I really appreciate that.

[Martin Gibson]

If I'm absolutely honest, the date was a bit of a non starter anyway.

[Ian]

I'm sorry.

[Martin Gibson]

And maybe me trying to tear you off a strip was an attempt to claw back some dignity, which I blew

[Ian]

by yelling at you. I'm entirely in the wrong.

[Martin Gibson]

Good of you to say so, but what on earth made you explode like that?

[Ian]

Honestly, it's embarrassing.

[Alice Aldridge]

Go on.

[Martin Gibson]

I think you owe me that much.

[Ian]

You said it would never have happened when Dame was in charge. I just saw red. Probably because it's true. And because. Well, let's just leave it at that, huh? So I would ask you. I mean, I would be grateful if you didn't take this any further.

[Martin Gibson]

Oliver was actually on my list to call this morning. Please. You're finding senior management a challenge. I can understand that.

[Ian]

See, that's exactly it. I mean, I'm good at the things I'm good at, but I mean, so much of it is new to me.

[Martin Gibson]

Then it's a good thing it was me you blew up at.

[Ian]

How do you mean?

[Martin Gibson]

Have you got to be anywhere?

[Ian]

Not immediately, no.

[Martin Gibson]

Then come into the office. There's nothing I don't know about good management, Ian. I can give you the lowdown about handling people. Come on. I'll put the coffee machine on.

[Tom]

Oh, it's really coming together, Mum.

[Tina]

Yeah, proper old fashioned cottage garden. Takes some beating. You pass me the trial?

[Akram]

Yeah.

[Tina]

Natasha mentioned the Ofsted report.

[Tom]

Doesn't inspire confidence in Loxley Barrett, does it? Helen says Jack is happy there, but I don't know.

[Tina]

Mum, why don't you call the Head and chat it through?

[Tom]

Natasha spoke to the deputy Head but didn't get much joy. That's why we're looking at alternatives.

[Tina]

What alternatives? There aren't any. Not without a long drive.

[Tom]

Well, like I said, we're looking.

[Tina]

You don't mean homeschooling, surely? I mean, how would either of you find the time? Locksley Barrett's not that bad, is it?

[Tom]

It isn't hard to look at all the possibilities. We haven't decided anything yet, Tommy.

[Tina]

I'm not thinking of going private. You are, Tom.

[Tom]

As I say, we're just.

[Tina]

Look, something isn't necessarily better because you pay for it.

[Tom]

It's not necessarily worse either.

[Tina]

True, but how would you pay for it?

[Tom]

It's early days. We haven't checked out what it would cost.

[Tina]

Cost thousands. Then they shove VAT on top of that plate, her child.

[Tom]

They might have a special arrangement for twins.

[Tina]

Buy one, get one free.

[Alice Aldridge]

But, Mom.

[Tina]

I'm sorry, but I'm just really surprised. That's.

[Tom]

That's why we haven't said anything.

[Tina]

Well, it's up to you, of course. And what about the others? Dunder?

[Adam Macy]

Duck.

[Tina]

Martha, Wouldn't you be saying we're better than you?

[Tom]

Of course not. We'd never say that.

[Tina]

What chance does a school have if any everyone opts out and buys a shiny education? Where are you even thinking of sending them?

[Tom]

We've got an appointment at Sycamore House Pre Prep. The website says it's affordable.

[Tina]

You've arranged it already? You two are quick off the mark.

[Akram]

When?

[Tom]

At lunchtime today, Tom.

[Tina]

Oh, yes, it's great you want what's best for the girls, but, I mean, that's absolutely as it should be. But make sure it really is the best and don't go into debt for it.

[Akram]

Tom.

[Tina]

Send them to Locksley Barrett and let them get stuck in there. It's what dad and I did.

[Martin Gibson]

Your challenge, Ian, is to inspire the frontline troops while giving those above you confidence. And they all have to respect you.

[Ian]

I do think the staff like me.

[Martin Gibson]

No, no, no, you don't want that.

[Ian]

Don't.

[Tom]

I?

[Martin Gibson]

I. I said respect, not like I can't be both. You can be likable, but your staff need to fear you too.

[Ian]

You mean Jazzer?

[Akram]

Fear she.

[Martin Gibson]

Oh, yeah. The team here trusts me. Obviously. They look up to me. I'm friendly, but I'm not their friend. Jazza did try to be my mate once when I was dating a friend of Tracy's, but I had to set firm boundaries. Now, come on, let's dive under the bonnet on this.

[Ian]

Sorry?

[Martin Gibson]

Investigate the nuts and bolts. Do some blue sky thinking. Right, now, pick a member of staff, any member. Close your eyes. Focus. Got one?

[Tom]

Yeah.

[Martin Gibson]

Who is it?

[Ian]

Brad. Brad Horriban.

[Martin Gibson]

What football team does he support?

[Ian]

No idea.

[Martin Gibson]

Where did he last go on holiday? Does he have a girlfriend? Boyfriend? A pet. What's her name? How old is she?

[Ian]

The pet?

[Martin Gibson]

The girlfriend. This is why you're struggling, Ian. Drill down, drill down. Know your workforce. You need a deep focus. Helicopter view.

[Ian]

This is all I can give you.

[Martin Gibson]

A couple of good books to help. Full of robust takeaways.

[Ian]

Such as?

[Martin Gibson]

Okay, management 101. Build trust. Get your staff to tell you secrets they've never shared with anyone else.

[Ian]

Can't I just tell them to be on time?

[Martin Gibson]

Ian, look, describe to me how you feel about your job. Three words.

[Ian]

Three words.

[Martin Gibson]

Just three. So make them count.

[Alice Aldridge]

Go on, go on.

[Martin Gibson]

Get down in the weeds.

[Ian]

Challenging.

[Martin Gibson]

Good. Stimulating. Yes, good.

[Ian]

Challenging. Stimulating.

[Martin Gibson]

You can do it, Ian. Let's get this pencil sharpened.

[Fifi]

Wow.

[Tom]

I know.

[Fifi]

The facilities.

[Tom]

I know.

[Fifi]

That playing field was huge.

[Tom]

The staff were lovely.

[Fifi]

Oh, no wonder the children seem so happy.

[Tom]

If only, if only. Maybe a twins discount was a bit optimistic.

[Fifi]

And maybe. Maybe we're just being dazzled by a lovely building and fantastic facilities.

[Tom]

We haven't got a spare 20,000, have we?

[Stella]

What if.

[Fifi]

Well, Sarah needs more support than Nova, doesn't she?

[Alice Aldridge]

She.

[Fifi]

If we just sent her, it would halve the cost.

[Tom]

No, no, no, no. We can't split them up. I mean, not that we've got 10 grand either.

[Fifi]

Is there a way we could maybe get a loan and just send them for the reception year early years Learning is so crucial and it would give Loxley Barrett time to improve.

[Tom]

I mean, we probably wouldn't have to find all the money at once.

[Fifi]

We could, I don't know, make sacrifices.

[Tom]

I still doubt we'd be able to raise that much. What if the girls love the place? How could we pull them out?

[Fifi]

I can't believe I'm saying this, but what if I sold Summer Orchard as a going concern?

[Britbox Narrator]

I mean, really.

[Fifi]

Well, no, suppose not. But there has to be something.

[Tom]

Tom, we'll be home in 10 minutes. Let's talk about it tonight. Maybe one of us will have had a brain wave.

[Fifi]

I'm not ready to go home. Can we stop for a coffee somewhere?

[Tom]

That little place by the river.

[Fifi]

Oh, sure. Yeah, that's fine.

[Tom]

I don't think the tea room needs to worry about the competition from this place. These cakes are really not great.

[Fifi]

As long as the tea is wet and warm. Nice by the river, though. Sun on the water.

[Tom]

Yeah. You know, I was sick.

[Akram]

You go on.

[Tom]

If we send the girls to Loxley Barrett for now, it'll really motivate me to expand the veg business. If we're thinking about a loan, it would make more sense to get one for the new greenhouse. And in a couple of years, maybe we can afford 6 Sycamore House without borrowing money.

[Fifi]

Well, we can't now, that's for sure.

[Tom]

Would you agree with me about expanding the business?

[Fifi]

Yes, of course. Only, is there maybe another kind of business venture we could look at? I've had a few thoughts.

[Tom]

We're best off sticking with what we know, surely.

[Fifi]

I think we should consider anything and everything.

[Tom]

No, the veg is the way forward. Definitely.

[Alice Aldridge]

Oh, can I just squeeze past to the chiller cabinet?

[Ed Grundy]

Yep.

[Brian Aldridge]

Sure.

[Alice Aldridge]

I'm after some of that Greek yogurt.

[Brian Aldridge]

Sorry, Alice.

[Alice Aldridge]

Oh, no, really. It's all well with you, Ed.

[Ed Grundy]

Same old.

[Alice Aldridge]

Are you really busy at the moment?

[Ed Grundy]

Yeah, of course. It's June and I'm getting ready for the Borchester show.

[Alice Aldridge]

Oh, great. Ed, as I've bumped into you.

[Ed Grundy]

Yeah.

[Alice Aldridge]

I mean, you probably know dad has made a few changes at Home Farm.

[Ed Grundy]

Well, I think everyone's heard about it, Alice.

[Rory]

Yeah.

[Alice Aldridge]

Look, is there any possibility you might be available for some extra hours, maybe on a more structured basis? I. I think he might want to take on more help. Yeah, well, he really values you, obviously. So I thought I'd ask, you know.

[Ed Grundy]

Are you offering me work?

[Alice Aldridge]

Well, I'm seeing if you're up for it, really. So might you consider it if it came up?

[Ed Grundy]

Well, when would he want me to start?

[Alice Aldridge]

Well, as soon as I think. What do you think about it?

[Ed Grundy]

I'll talk to Emma.

[Brian Aldridge]

Okay. Is Alice not in?

[Adam Macy]

No, no, she doesn't seem to be.

[Brian Aldridge]

That's a nuisance. Maybe she's at the stables.

[Rex]

Yes, I'll drive up and see.

[Brian Aldridge]

All good with you, too?

[Rex]

I. I'm sure it's fine.

[Brian Aldridge]

Doesn't sound very wholehearted.

[Adam Macy]

No, no, no, everything's good. Thanks. I'll be. I'll see you, Brian.

[Brian Aldridge]

Rex. Rex. Have I upset you? Seem a bit off with me.

[Rex]

No, no. No reason to be off with you.

[Brian Aldridge]

Well, no, except you're seeing Alice and I'm sure you're aware that there's a lot going on in the family right now.

[Rex]

I'm aware, yes.

[Brian Aldridge]

Which is why I'm here, actually. As last time I spoke to Alice, it didn't end entirely. Well, you may be aware of that too.

[Rex]

Ah, this is really.

[Brian Aldridge]

Families aren't always easy things, you know. Of course, you know. Well, the Fair brothers have at their moments too, haven't they?

[Rex]

I suppose we have, yes.

[Brian Aldridge]

So I'm hoping to build bridges with Alice at least. Don't suppose it's always been a bed of roses, being a child of mine, but I've always done my best to. Well, do my best. I've protected my children as much as I can. I've given them everything. A good home, plenty of opportunities, encouragement. Alice hasn't wanted for anything. What struggles she's had, she's brought on herself. Brian, I really don't want there to be bad blood pressure.

[Adam Macy]

Brian, please stop.

[Brian Aldridge]

I'm sure we can.

[Adam Macy]

Brian, stop. It's really not appropriate for you to be saying this.

[Rex]

To me.

[Brian Aldridge]

Not appropriate.

[Adam Macy]

Whatever you have to say, you should say to Alice.

[Brian Aldridge]

I intend to.

[Adam Macy]

Well, maybe when you do, leave out the bit about never having had to struggle.

[Brian Aldridge]

You what?

[Adam Macy]

Given what happened with George and the court case and the drinking, her life hasn't been as easy as you're implying.

[Brian Aldridge]

I'm sorry. Sorry, Rex, but where's this come from?

[Adam Macy]

Do you have any idea how much

[Rex]

pressure she's under right now?

[Adam Macy]

With all of your home farm shenanigans?

[Tina]

Shenanigans?

[Adam Macy]

What's that doing to her mental health? The strain on her relationships with her siblings? Do you think she's like you and it's all water off a duck's back?

[Brian Aldridge]

Now, look here.

[Adam Macy]

Because it isn't, Brian. It really isn't like that for her. I know what it's like to have a father who thinks he knows it all and always gets his own way. Other families manage their inheritance issues without all this drama. Well, look at Bridge Farm. Tom and Helen are creating all sorts of new initiatives without Pat and Tony holding them back.

[Brian Aldridge]

I think you've said enough now, Rex. Thank you.

[Adam Macy]

Well, I think it's time someone told you what's what. Alice is really suffering at the moment because you insist on letting your ego get in the way of your relationships with your kids. It's damaging. It's frankly stupid. From where I'm standing, you threatening to take the land back looks like an overgrown toddler throwing his toys out of the pram. You should be ashamed, Rex.

[Brian Aldridge]

Alice, There you are.

[Alice Aldridge]

What's going on?

[Adam Macy]

I'll come back later, shall I?

[Brian Aldridge]

I think that's a very good idea, Rex.

[Adam Macy]

I'm sorry, Brian. No, no, actually, I'm not. I'm glad I said it. I'll catch you another time.

[Rex]

Alice.

[Alice Aldridge]

What on earth just happened?

[George]

Oh, they're beauties, Edward.

[Brian Aldridge]

A lot of them. Yeah, yeah.

[George]

I'm pretty pleased your Texels will be the pride of the Borchester Show. In with a good chance of winning, I'd say.

[Amber]

Which ones will you show? Have you decided?

[Ed Grundy]

Not for definite.

[Amber]

And how definite is this offer to go back to Home Farm?

[Ed Grundy]

Well, it's only asked if I was up for it this morning. Thinking about it.

[Amber]

What about the tree surgery? How's they meant to manage without you?

[Ed Grundy]

It won't affect that.

[Amber]

It might.

[Ed Grundy]

I'll only go back if the hours are flexible.

[Amber]

Don't know why you want to go back there at all.

[George]

Well, the money will be nice. You could charge a bit extra too. Ryan Aldridge is desperate by all accounts.

[Amber]

It'll be rubbish working there with them

[George]

all at each other's throats, backs stabbing and infighting. It's better than the telly.

[Ed Grundy]

I'm not getting drawn into any of that.

[Brian Aldridge]

No, no, no.

[George]

Just keep your head down and take the money.

[Ed Grundy]

Like I said, I'm considering it.

[Tom]

Considering what?

[Amber]

Ed's considering taking on more shifts at Home Farm.

[George]

How you doing, George?

[Brad]

Shattered, if you must know. I've been helping with the shearing at Brookfield. And that's on top of Meadow Farm.

[George]

So little money in wool these days. Tragic really.

[Brad]

Next week I picked up some overtime money for the baby.

[George]

Amber okay?

[Brad]

Amber's fabulous. I've come to have a look at your Texels, Ed. Which ones are you showing?

[George]

Oh, that's the question.

[Ed Grundy]

Well, I'm entering two classes. 20 and 24. Now I'm still choosing which U and which lamb to enter.

[Brad]

Oh, are you? Good.

[Akram]

Why is that good?

[Brad]

Because I've got a brilliant idea.

[Rory]

Here.

[Brian Aldridge]

Oh, thanks.

[Alice Aldridge]

Alice, I'm sorry about Rex.

[Brian Aldridge]

How? Don't be. I never thought he had it in him.

[Alice Aldridge]

Oh, I hate all this fighting. Everyone at odds the whole time.

[Brian Aldridge]

Yeah, I do do. But I didn't start it. I'm not going to change my mind about taking the land back. So please don't ask me.

[Stella]

I won't.

[Brian Aldridge]

So can we please get back to normal, you and me?

[Alice Aldridge]

Well, that's all I want actually.

[Akram]

Good.

[Ed Grundy]

Good.

[Alice Aldridge]

Look, dad, are you really going to try to run Home Farm by yourself?

[Brian Aldridge]

Pretty much, yes.

[Alice Aldridge]

Well, that's what worries me. I don't know how you'll manage.

[Brian Aldridge]

I'll manage. I'll book a meditation course at Spiritual Home if you want to channel my inner Zen.

[Alice Aldridge]

I can't see that working. I'm concerned about you, that's all. Your well being.

[Brian Aldridge]

Because I'm so ancient?

[Alice Aldridge]

Because Home Farm is too big for one person, whatever their age.

[Brian Aldridge]

But mine doesn't help.

[Alice Aldridge]

Well, no, it doesn't. So look, I've been thinking.

[Ian]

Oh dear.

[Tina]

No.

[Alice Aldridge]

Shut up and listen.

[Brian Aldridge]

Sometimes you sound just like your mother.

[Alice Aldridge]

Well, thank you. How would it be if I made some inquiries about getting in some extra help? Don't reject the idea outright. I want you to listen to me and think seriously about what I'm saying.

[Brian Aldridge]

All right.

[Rory]

Really?

[Brian Aldridge]

Well, you're expressing your concerns. I'll take them under consideration.

[Alice Aldridge]

Okay. So? Well, there's someone in particular who I think would actually be really good.

[Brian Aldridge]

Oh yeah?

[Alice Aldridge]

They know the farm. They work with you on and off. They're reliable, they're good, they're strong. Young enough to do the donkey work. Not so young they'll make stupid mistakes. You get on with them.

[Brian Aldridge]

All right, well, just give me a name. Alice.

[Rory]

Okay.

[Alice Aldridge]

Ed Grundy.

[Brian Aldridge]

Dad, I'm thinking. How many hours?

[Alice Aldridge]

Half days. Then more as the harvest ramps up.

[Brian Aldridge]

Good idea. I'll call him.

[Alice Aldridge]

But you mean you agree?

[Brian Aldridge]

Yeah, yeah. He's a solid Jap, Ed. It's a sensible suggestion, as I'll talk to him.

[Alice Aldridge]

Well, actually, I already have.

[Brian Aldridge]

Oh, you've been plotting.

[Alice Aldridge]

No, not plotting. We didn't talk to specifics, just general terms. He hasn't said yes yet.

[Brian Aldridge]

Well, you better give him a nudge, hadn't you?

[Alice Aldridge]

Really? Well, great.

[Brian Aldridge]

I'm not the stubborn bull everyone thinks I am, am I? Not when it's a good idea.

[Alice Aldridge]

I thought you'd bite my head off.

[Brian Aldridge]

Oh, I've surprised you.

[Adam Macy]

Good.

[Brian Aldridge]

And on a more important issue. Have you got a biscuit to go with this excellent cup of.

[Brad]

Go on, Ed, talk.

[Ed Grundy]

Put your phone down.

[Brad]

No, I'm filming.

[Ian]

Just talk.

[Ed Grundy]

Where do I start?

[Brad]

Look, I'll ask you questions and we'll edit them out later.

[Amber]

He's shy, dad.

[Brian Aldridge]

I'm not shy.

[Amber]

I don't know why.

[George]

You have nothing to be shy about, son.

[Whole Foods Market Advertiser]

Shut up.

[Adam Macy]

He's right.

[Brad]

Stop laughing, Granddad. No, Ed, focus. Why are Texels such desirable sheep?

[Ed Grundy]

Well, they've got very good temperament, for one thing. They're docile, they're curious. They don't get excited too easily.

[Brian Aldridge]

Just like you.

[Zaynab]

Sharp.

[Brad]

You're doing great. This is exactly what I need. No, pick a lamb and describe it for me. That one there. Tell me why you pick it.

[Ed Grundy]

Well, I wouldn't show that one. His teeth are too far forward. And that one there. Well, her ears are five to two when they ought to be more 10 to two.

[George]

That's actually quite interesting.

[Brian Aldridge]

Shush.

[Ed Grundy]

This one, it's got a lovely top line. That's good for showing that she stands square. All her feet are pointing in the right direction.

[Brian Aldridge]

Thank goodness for that.

[Brad]

Great. This is great.

[Ed Grundy]

And look, her legs and her bottom, they form a proper U shape. It's not a V. What?

[Ian]

It's true.

[George]

I know, but are you sure you want to be on film talking about this?

[Brian Aldridge]

Grow up.

[Ed Grundy]

The Perrier. Nah, she's the one I'll probably go for. I'll put her on the altar to get her used to the show ring. Walk around the pen, up and down.

[Amber]

Now, isn't that sweet, dad?

[Tom]

Yeah.

[George]

Take her to the pictures, why don't you? And a pint in the bull after

[Amber]

he's had worse dates.

[Adam Macy]

I'm not doing this enough, you two.

[Brad]

I'm making this serious film here.

[Adam Macy]

Sorry.

[Brad]

My job is to connect Tonys with farming, educate them and inform them about rural lives.

[Tom]

That'll be a first.

[Brad]

Right over there. You two over there. Sit on that bale.

[George]

Oh, on the other side of the yard.

[Brad]

Yeah, that's it. And not a peep out of either of you till we're done here.

[Amber]

Oh, dad. We've been sent to sit on the naughty bale.

[Alice Aldridge]

No more ketchup, Martha. I'm not joking.

[Rory]

Oh, Ed, hi.

[Ed Grundy]

Sorry, this is a bad moment.

[Alice Aldridge]

No, no, not at all. I'm just giving Martha her tea. She's made a ketchup lake in the middle of her mash. I swear there's half a bottle in there.

[Ed Grundy]

Kids and ketchup, eh? I won't keep you.

[Alice Aldridge]

Come in for a minute.

[Ed Grundy]

Oh, okay. Well, I spoke to Em about the extra hours at Home Farm.

[Alice Aldridge]

Oh.

[Ed Grundy]

Obviously we've got the tree surgery business to think about.

[Alice Aldridge]

So you're gonna say no?

[Ed Grundy]

No, no, no, I can do it. We just have to agree about flexibility in that I might need to nip off suddenly if a job comes in.

[Alice Aldridge]

Yeah, of course.

[Ed Grundy]

And we'd have to discuss the pay rate.

[Alice Aldridge]

Well, I'm sure that won't be a problem. I spoke to my dad.

[Rory]

He's really keen.

[Ed Grundy]

Well, haven't you spoken to him before?

[Alice Aldridge]

It's all good. How soon could you start? Any chance it could be this week? Oh, sorry. Hang on.

[Rex]

Hi, Alice.

[Alice Aldridge]

Oh, hi.

[Adam Macy]

You're right.

[Brian Aldridge]

Rex.

[Rex]

Sorry, you're busy.

[Alice Aldridge]

No, not at all. No, come in.

[Rex]

I'll come back.

[Alice Aldridge]

No, honestly, I won't be a minute.

[Adam Macy]

It's fine, Alice. I'll come back.

[Fifi]

Rex.

[Stella]

Rex.

[Alice Aldridge]

Sorry about this, Ed.

[Ed Grundy]

Everything okay?

[Alice Aldridge]

Yeah, of course. There's just too many things happening at once, that's all.

[Ed Grundy]

I better cut your hair then.

[Alice Aldridge]

Well, I'll tell my dad and get him to call you about the money.

[Ed Grundy]

Great, great. And I reckon I could start Thursday if I move a couple of things around. Will that suit?

[Alice Aldridge]

Yeah, that'd be great.

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[Fifi]

Here we go. Should I just write Jack's room on the box?

[Rory]

Thanks. You know, maybe arranging to move the weekend of Open Farm Sunday wasn't my best ever decision.

[Fifi]

Oh, don't be daft. Pat and Tony will help you. You'll be unpacked by tea time. I'll pop over as soon as I can.

[Rory]

So I'm marking boxes that aren't immediately urgent with a big star.

[Fifi]

Was that Henry's idea?

[Alice Aldridge]

Mr.

[Fifi]

Organized?

[Zaynab]

Actually, it was.

[Rory]

Won't be a minute, Tom.

[Tina]

Right.

[Rory]

Oh, here goes. I'm really excited.

[Fifi]

Oh, I'm not surprised.

[Rory]

I'm hoping to buy six if we can make a bit of a deal. Six new Monty's. Natasha. Six lovely red and white montes.

[Fifi]

It's brilliant to see you so fired up. I'm almost jealous.

[Rory]

I love my job. Don't you get fired up about Summer Orchard?

[Fifi]

Not like I used to. I mean, it's ticking over nicely, but there's so, so much admin.

[Rory]

Yeah, I hear you. So what does buy you up, then? I'm sure something does.

[Fifi]

Well, actually, I do have this idea.

[Tom]

Come on, come on, stop chatting. Got to get to Shropshire. It's a lovely day for a drive.

[Fifi]

Go on, then. I'll finish this other box before I start work.

[Rory]

Oh, you have my undying gratitude.

[Tom]

Right. Come

[Alice Aldridge]

on.

[Rory]

You're not wrong. It is a lovely day for a drive.

[Tom]

I know you were planning to do this trip with Dan, but I'm glad it's me.

[Rory]

Why?

[Tom]

Well, nice drive with my sister to see some pretty cows. What's not to like?

[Rory]

Nothing, obviously.

[Tom]

I saw Alice in the village. She said Brian's giving Ed Grundy more work at Home Farm.

[Rory]

At least he's got some help. I hope we never have a big bust up like the Aldridges.

[Rex]

We won't.

[Tom]

Of course we won't. These cows we're seeing.

[Rory]

Yeah. That the farmers retiring?

[Brian Aldridge]

Yeah.

[Tom]

Doesn't it feel a bit ironic we're buying one retired farmer's herd with the money from selling another retired farmer's herd?

[Rory]

I think that's just farming these days. Have to pay a lot more to bring Monty's over from France. Six of these will only cost us 15,000 or so. Half of what dad got for the Anguses. And each one will give us an extra 30 litres of milk a day.

[Tom]

The mobile milking parlor will cope with that, right?

[Rory]

I think so. Just about.

[Tom]

I hope so, because we can't afford a new milking parlor. Not at the moment.

[Rory]

One step at a time, eh?

[Tom]

I mean it. I am convinced there are better ways to spend the money.

[Alice Aldridge]

Okay, Fifi. Good girl.

[Adam Macy]

Lillian said you'd be out here.

[Alice Aldridge]

Rex, I'm so sorry. Ed was there when you came round yesterday. Really bad timing.

[Rex]

Is this bad timing too?

[Alice Aldridge]

No, no, not at all. I've just finished a lesson. I'm glad you're here.

[Brian Aldridge]

Yeah.

[Alice Aldridge]

You didn't answer my Calls. I was worried.

[Rex]

I've been digging a new pig wallow.

[Brian Aldridge]

Sorry.

[Alice Aldridge]

You weren't digging a pig wallow last night though, were you? Tried a few times.

[Rex]

I had my phone on silent. Was trying to work out what to say to you, Rex.

[Alice Aldridge]

Just say what you think.

[Rex]

Right. Is now okay then?

[Alice Aldridge]

Well, you can help me put Fifi away then. I'm completely free for the next hour.

[Rex]

Oh, it won't take that long.

[Alice Aldridge]

You're dumping me then?

[Rex]

No.

[Zainab]

Aren't you?

[Adam Macy]

Dumping me?

[Alice Aldridge]

No.

[Tom]

Oh, all right.

[Akram]

Good.

[Tom]

Yes.

[Fifi]

Good.

[Rex]

I wanted to apologize for what happened with your dad yesterday.

[Adam Macy]

I don't usually.

[Alice Aldridge]

I'm quite sure he deserved it.

[Rex]

I was out of order. I'm really embarrassed.

[Alice Aldridge]

He said you told him some home truths.

[Rex]

Did he say what exactly?

[Alice Aldridge]

No.

[Rex]

Good. I completely overstepped. And on top of our row on Sunday. Well, I totally understand if you did want to finish with.

[Alice Aldridge]

Look, Sunday was my fault.

[Rex]

I'm not sure about that.

[Alice Aldridge]

I didn't express myself very well. I can see why. What I said worried you.

[Rex]

Well, yeah, it did.

[Alice Aldridge]

Instead of explaining, I snapped at you.

[Rex]

You're not about to fall off the wagon, are you?

[Alice Aldridge]

No, no. I've got too much to clues, Rex. Including you. I was just really, really fed up. I promise if I have the slightest real concern about my sobriety, I'll talk to you.

[Tina]

Okay.

[Rex]

And as for Brian, I hope I didn't make your life more complicated.

[Alice Aldridge]

Well, actually I think he was a bit impressed. You know, mild mannered Rex, fair brother transforming into the incredible whatever.

[Brian Aldridge]

Really?

[Alice Aldridge]

Let's get Fifi settled and you can tell me exactly what you said to him.

[Rory]

They're great, aren't they? All of them. Fantastic condition.

[Alice Aldridge]

Ah, what a view.

[Rory]

Doesn't it make something swell in your chest? Red and white cows. The grass so green and lush. Yeah, we are looking at something that could be any time in the last four, 500 years, Tom. They wouldn't have been Mon Belliards necessarily, but cows in the field.

[Tom]

Well, you're right. And they're in good nick.

[Rory]

So why don't I buy them all?

[Tom]

Whoa, slow down. All ten?

[Rory]

It's only a few more.

[Tom]

Four more and another ten grand.

[Rory]

He said he'd give us a better price if we take the whole herd. Bird in the hand, Tom. You know, I might never get this lucky again.

[Tom]

Are we done have money to splash about? Helen, we need to discuss this properly.

[Rory]

If we have any bull calves, we can sell the beef in the shop and cull. Cows can go to beef too. We'd make it back?

[Amber]

We'd need more help.

[Tom]

Not just with the milky, but in the dairy too. You're not talking about 180 extra litres a day, you're suddenly talking, what, 300? That's a lot of cheese.

[Rory]

I've already offered Tracy more work. And Akram could help with the milk at Crams.

[Tom]

A veg man like me, you might not want to. And just take a breath.

[Rory]

Helen, am I getting carried away?

[Tom]

I get it. I really do. They're great cows. But you came here for six and I think that's what you should buy.

[Rory]

I suppose you're right.

[Tom]

Thank you.

[Rory]

Six it is.

[Tom]

Right, let's walk back and find the farmer.

[Alice Aldridge]

No wonder dad was furious. The bit about him throwing his toys out the pram was spot on. It's not pretty, is it?

[Rex]

It struck a nerve, that's all.

[Alice Aldridge]

Well, it's a trait I've inherited too, unfortunately.

[Rex]

Oh, come on.

[Alice Aldridge]

What did I do on Sunday? I said you could never understand about addiction when obviously you do. But no, I went straight to lashing out, like dad. It's what Aldridges do under pressure.

[Rex]

All of us do sometimes.

[Alice Aldridge]

Well, let's draw a line under it.

[Adam Macy]

Yes.

[Rex]

With a thick black marker.

[Tom]

This.

[Alice Aldridge]

There. Done.

[Rex]

We're okay, then?

[Alice Aldridge]

Well, I am if you are.

[Rex]

Oh, I very definitely am.

[Alice Aldridge]

I'm aware I can be a pain.

[Tom]

Me too.

[Alice Aldridge]

Thanks.

[Tom]

No, no, no.

[Rex]

I mean I can be a pain.

[Alice Aldridge]

I know. I'm teasing. Give me a hug.

[Rex]

What, in the middle of the stable yard?

[Alice Aldridge]

But why not? Do you think we'll frighten the horses? Oh, that's better. Don't disappear again.

[Rex]

I won't.

[Alice Aldridge]

I'm sorry about my mad family.

[Rex]

Oh, wait till you meet mine. On which note? My dad texted me the other day. He wants to come up. Wants to put a date in the diary.

[Alice Aldridge]

But to meet me?

[Rex]

Oh, who knows?

[Brian Aldridge]

With him.

[Rex]

But that's my guess. Are you up for it?

[Fifi]

How was it?

[Rory]

Great. Just great. The Monty's were brilliant. Brilliant. A was Chelsea in the tea room today. Only I haven't heard back from Tracy yet about the extra hours she was

[Fifi]

in, but she didn't say anything.

[Rory]

I hope there's not a problem.

[Fifi]

Helen. What we were talking about this morning?

[Rory]

Packing up the house? No.

[Fifi]

When I was moaning about Summer Orchard.

[Brian Aldridge]

You weren't moaning.

[Fifi]

I was a bit. You asked what fires me up?

[Rory]

Yeah.

[Fifi]

I've got an idea. I've been working on it for a while. I think it might be quite good. Can I talk to you about it?

[Alice Aldridge]

Yeah.

[Fifi]

What does Tom Think I've been waiting for the right moment. I would really like to talk to you first in case it's.

[Stella]

Well, well.

[Fifi]

Rubbish.

[Rory]

I'm sure it won't be.

[Fifi]

Okay, here goes. Botanicals. Say something.

[Rory]

Tell me more.

[Fifi]

A premium organic face and body range. Back in March, an old classmate sent me some fabulous organic samples and it got me thinking. Using everything we already grow here, we could do some amazing serums, masks, moisturizers, cleansers, your hair products. But not to start with. Maybe, but in principle, the finest, purest ingredients. Everything handmade.

[Rory]

Bridge Farm Botanicals.

[Alice Aldridge]

Bfb.

[Fifi]

Oh, that could work. Or Bridge Farm Organics. Bfo.

[Rory]

No, it sounds like UFO too.

[Fifi]

Sci Fi. Bridge Organics.

[Tom]

What?

[Rory]

BO for body range.

[Fifi]

Maybe not. Well, we can find the name bf.

[Rory]

Bridge Fart. Yeah, I think BF is really good. And top end, you said.

[Fifi]

Exactly. A really good organic moisturiser. Retails at 70 or 80 pounds for 50 mils.

[Rory]

Classy packaging.

[Fifi]

I did marketing for cosmetic companies before I changed tack. Doing the nuffs.

[Stella]

Yeah.

[Rory]

Remember, this would be using all your skills, wouldn't it? Have you done any figures?

[Fifi]

Not yet. I wanted your reaction first.

[Rory]

Let's do some then.

[Fifi]

Really?

[Rory]

Don't look so surprised. It's completely on brand. You know, the best organic products, home produced. Real luxury.

[Fifi]

Great. Thank you.

[Rory]

You know, today is turning out to be a really good day. Are you sure you don't want tea?

[Fifi]

Oh, I might. Now, can I have one of those herbal ones, please? There's something else too, as we're talking.

[Rory]

That's a brilliant idea.

[Fifi]

It's about the girls in school.

[Rory]

Yeah.

[Fifi]

I never ever imagined I'd be the kind of person who even considers this. Nobody in my family ever has.

[Rory]

Considers what?

[Fifi]

Tom and I. Well, we've been looking into going private for the girls.

[Rory]

Oh, I wasn't expecting that.

[Fifi]

Nor were we. We were worried. And about Loxley Barrett. I know Jack's there and you've been really supportive of the place. Pat hates the idea of going private, of course, and I'm sure we can't afford it, but that might be not yet rather than never. Do you think I'm a terrible person?

[Rory]

Of course I don't. You have to do what's right for you and the girls, Natasha.

[Fifi]

And weirdly, that's what gave me the kick of the bum to share the botanicals idea with you.

[Rory]

Really?

[Fifi]

Because we. We've found somewhere we really want the girls to experience. And there's just a chance this might end up financing it in the future. I mean, and sometimes you just have to take the plunge, don't you?

[Rory]

You do, Natasha. You really do.

[Zainab]

Has Khalil gone?

[Akram]

Everyone's gone but me. And I won't be long.

[Zainab]

Good. If I'd known how much to be banging on about the T20 cricket, I'd never have got him the tickets.

[Akram]

Yes, you would. All good at work?

[Zainab]

Yeah, fine. Well, yeah, fine, I suppose.

[Akram]

Make up your mind, Z.

[Zainab]

Well, Ian's way easier to work for than Dane was. And more fun. And he does love a bit of gossip. Only he blew up at Martin Gibson for no reason on Sunday. For the last couple of days. I don't know. Can't put my finger on it.

[Akram]

Well, he's Adam's husband. And that family seems to be going through the mill at the moment, so maybe it's that it's sometimes hard not to take your problems to work with you.

[Zainab]

Everything's okay at Bridge Farm, though? Yes, dad.

[Akram]

Everything's okay at Bridge Farms.

[Zainab]

And define okay.

[Akram]

Well, honestly, I'm a bit disappointed.

[Zainab]

Because they turned down your Care Farm

[Akram]

idea, Not because they turned it down more the way they turned it down. I felt a bit dismissed, actually.

[Zainab]

Have you told them you think I should? Well, it's obviously bothering you.

[Fifi]

Talk to Tom.

[Akram]

Maybe I'll.

[Rory]

Oh, you've got a lot of boxes.

[Tom]

I'm incredibly efficient, Ellen.

[Rory]

I know that.

[Tom]

Actually, I was in a bit early. So what news?

[Rory]

Good news. Excellent news. The farmer accepted my rather cheeky offer. His montes are now our Monty.

[Martin Gibson]

Nice one. Well done.

[Zainab]

Yeah.

[Rory]

All 10 of them. Before you say anything, you bought all 10?

[Tom]

We agreed six.

[Rory]

It was a really good deal, Tom.

[Tom]

But we talked about this. The strain on the milking and the dairy.

[Rory]

Sometimes you just have to take the plunge.

[Tom]

But not without talking to me about it.

[Rory]

We talked endlessly yesterday.

[Tom]

You said you were buying six. You're not the only one with expansion plans, you know. What about my greenhouse?

[Rory]

Well, that's only an idea at the moment. We haven't costed it properly or talked it through.

[Tom]

It's more than an idea. Way more.

[Rory]

Well, then you should have made that clear. Mum and dad are cool about the extra cows.

[Tom]

Of course they are. Dad's a cattle man. And the only reason I haven't talked about my greenhouse is because you've been so wrapped up with expanding the herds.

[Rory]

I promise you, Tom, this will work out for both of us.

[Tom]

You shouldn't have just gone ahead.

[Rory]

Okay, I'm sorry. Maybe I was a bit impetuous, but I had to make a choice on the spot. It will be Good for Bridge Farm. And that's what matters, isn't it? To both of us.

[Martin Gibson]

Yeah.

[Rory]

And it really was a good deal.

[Akram]

Yeah.

[Tom]

All right.

[Rory]

They're autumn carvers. They'll be drying off in July and August. Will have plenty of time to sort out any milking issues.

[Adam Macy]

Sure.

[Fifi]

Great.

[Rory]

Where's Akram? I thought he'd be here. I need to chat to him about helping.

[Tom]

He's busy working away in the polytunnels.

[Fifi]

Okay.

[Rory]

Thanks. This is a big day for me, Tom. Please be happy about it.

[Tom]

I am, Helen. I'm pleased for you.

[Rory]

I know it's not really your thing, Akram. You're happier with your hands in the soil.

[Akram]

That's very true.

[Rory]

It's true. Just a few hours. A bit of an emergency.

[Akram]

If it's an emergency, of course I'll help. But. Well, it's not the first time, Helen, is it? And I don't want to get drawn into working in the dairy on a regular basis. Oh, it's not why I came to Bridge Farm.

[Rory]

You know what farming's like. All hands to the pump sometimes.

[Akram]

I understand that. And of course I'll help today.

[Adam Macy]

Right.

[Akram]

Look, I came to Bridge Farm to grow vegetables. And because I really liked your ethos. Everything Tom says about feeling close to the land and the food we grow, engaging with it with each other and how that makes life better for everyone. And if I'm honest, I'm not quite feeling that at the moment.

[Rory]

Is this about your Care Farm?

[Akram]

I. Dear, yes and no.

[Rory]

Helen, you know how seasonal farming is for the next few months. Inevitably, all our energies will be focused on the dairy expansion. It'll be all consuming. We've got 10 new Monty's coming very soon.

[Akram]

Yes, you said. Congratulations.

[Rory]

There just isn't the bandwidth to deal with your Care Farm ideas. Not that I don't like it. We explained that to you when we turned it down.

[George]

But.

[Rory]

But feel free to come up with ideas to improve the workflow here. Said that you've before, haven't I?

[Akram]

Not in so many words.

[Rory]

Oh, well, do I want you to be actively engaged? But the carefirm idea is a no

[Akram]

go, which is fine. It's your right to make these decisions. So thank you.

[Rory]

You are happy here.

[Akram]

I will let you know if there's a problem. My promise. Now, I'd better get on. If you need me in the dairy this afternoon.

[Tom]

Just popping over to the tea room. Want anything?

[Akram]

No, I brought my lunch. Thanks.

[Tom]

I wasn't so organized, so I'm going to grab a sandwich.

[Akram]

Tom, look I'm sorry, I have to say something.

[Tom]

Huh? What's up?

[Akram]

I would really have liked it if you told me that the reason you turned down my care farm idea was the change of emphasis here.

[Tom]

Sorry, I'm not with you that you're

[Akram]

concentrating on the dairy side now. That isn't what I understood when I came here.

[Tom]

I think you've got hold of the

[Adam Macy]

wrong end of the stick.

[Akram]

I don't think so. Helen was quite clear when.

[Tom]

What did she say?

[Akram]

What I just said. That all Bridge Farms energies were focused on the dairy expansion. All consuming was the phrase she used. No, no, no, no.

[Tom]

That's not right.

[Akram]

But you are expanding the dairy, dairy side.

[Tom]

They're not at the expense of the veg. Not at all. Not in any way, shape or form. Are you sure that's what she said?

[Akram]

Yes, but please don't get angry.

[Brian Aldridge]

I didn't mean to.

[Tom]

Absolutely typical.

[Brad]

Please.

[Tom]

No, no, no. Right, there she is. Helen. Helen.

[Akram]

Tom.

[Tom]

No, we can clear this up right now.

[Rory]

Yeah, what is it? I brought you a sandwich in case you needed one.

[Akram]

Look, I. I really don't want to

[Tom]

go about Bridge Farm being all about the dairy.

[Akram]

Now, please don't argue on account of me.

[Rory]

We're not going to argue, Hakram. We're professional, aren't we?

[Adam Macy]

Sick of this.

[Akram]

If you'll excuse me, I have to call Azra.

[Fifi]

Of course.

[Rory]

I'll see you later.

[Nicola Truman]

Yes.

[Akram]

Right.

[Rory]

What is up with you?

[Tom]

You just drive ahead regardless, don't you? Whatever you want, you go and get. You don't discuss, you don't consult.

[Rory]

Tom, you are being unreasonable.

[Tom]

Bridge Farm is not yours to do with as you please when you please. I have a say too.

[Rory]

I don't know what Akram said to you.

[Tom]

Don't blame Akram. This is you, Bridge Farm. Veg is every bit as important as the dairy.

[Rory]

I never said it wasn't. And I'm not gonna discuss this while you're shouting.

[Tom]

I'm not shouting.

[Rory]

Oh, for goodness sake.

[Adam Macy]

Hi, Cram.

[Akram]

Hi, Dom.

[Tom]

Oh, is there a leak?

[Akram]

A tiny one. Split pipe. Nothing big. I've sorted it.

[Tom]

Great. What would we do without you?

[Akram]

What is it? I have to get over to the dairy in a minute.

[Tom]

Yeah, yeah. Look, I'm sorry about earlier.

[Akram]

I understand. When I was working on the family farm back home, we had much worse bust ups. Believe me, siblings fight. It's a fact of life.

[Tom]

Yeah, yeah. Even so, you shouldn't have got caught up in it.

[Akram]

Can you turn the system on for me?

[Tom]

Yeah, sure thing.

[Akram]

Yes. There we go. Perfect.

[Tom]

Helen and I have had a chat.

[Akram]

It's not my business at all.

[Tom]

I just didn't want you to worry about there being an atmosphere when you help out in the dairy. There won't be.

[Akram]

Thanks. I'll be getting over there, then.

[Tom]

Well, you're doing a great job. The tomatoes are looking really good.

[Akram]

Yes. At least the vegetables are getting. Tom. I know Greg Gables and Laura Loxley have both joined mental health awareness schemes. Azra is advising them.

[Tom]

Yeah, Elizabeth approached us too. But I don't think we have a problem with mental health at Bridge Farm, do we?

[Akram]

It's about awareness, Tom. Not necessarily about problems. Maybe the reason you're short staffed is the dairy. Why? Tracy hasn't agreed to do more hours yet. Maybe it's something to do with how it feels to work here.

[Adam Macy]

Oh, right.

[Akram]

I'll see you later.

[Adam Macy]

Yeah.

[Martin Gibson]

See ya.

[Zainab]

Smells good, dad. What is it?

[Akram]

Just dinner. Nothing special. How was your day?

[Zainab]

Well, a bit odd, really. In as much to describe how I felt about my job in three words.

[Akram]

What did you say?

[Zainab]

Boring, tiring, underpaid.

[Akram]

You didn't.

[Zainab]

Of course I didn't. I think you must have read a management book or something. So I said challenging, stimulating, fun. I wasn't sure about fun. Is it meant to be fun?

[Akram]

I would hope so.

[Zainab]

I mean, it's a perfectly nice job. I like it. But if I didn't need to work, would I be doing it?

[Akram]

I want nothing more than to work with the land.

[Zainab]

So you think your work is fun?

[Akram]

When I'm dealing with plants, yes. But. I don't know, Zainab. Maybe I should go back to plumbing full time.

[Zainab]

Really?

[Akram]

Working at Bridge Farm isn't. Well, it's not turning out like I'd hoped.

[Zainab]

But you're following your dream, dad.

[Akram]

That was the idea. But.

[Zainab]

Well, you can't give up on that. No, you mustn't.

[Akram]

Plumbing is practical, a proper job. Maybe Bridge Farm is just. I don't know, a bit of wish fulfillment. I could make more money plumbing.

[Zainab]

No, no, no, no, no, no, no, no. Sit down.

[Akram]

I'm cooking.

[Zainab]

I don't care. This is important.

[Adam Macy]

Alright.

[Akram]

I'm ready. Fire away.

[Zainab]

So, if it was me following my dream and having some bumps on the way, what would you say?

[Akram]

I don't know.

[Zainab]

Yes, you do. You'd say good things aren't built overnight. And you have to have a few things go wrong to really know what you want. And sometimes the path to your goal isn't straight. It's crooked. So take a deep breath and Follow the bend in the road. And if you need to go cross country. You'd say that, right?

[Akram]

I might.

[Zainab]

You know you would.

[Akram]

Working at Bridge Farm is me going cross country.

[Zainab]

So you found a puddle in your way. Go around it, all through it, not back. This is what you tell me.

[Akram]

You're young, it's different.

[Zainab]

It's not that different. You're young too. You are compared to, I don't know, Linda. Like she's always going after what she set her mind on and she doesn't give up when she hits a puddle.

[Akram]

That's true, but.

[Zainab]

No, but, dad. Follow your dream. I'll say it again, follow your dream.

[Fifi]

There.

[Zainab]

My work is done.

[Akram]

Come here. Thank you. I'm a very lucky man to have a daughter like you.

[Tracy]

Good.

[Zainab]

Describe my management skill in three words.

[Akram]

What?

[Zainab]

Go on.

[Akram]

Perceptive. Accurate, Very annoying.

[Zainab]

That's four, but I'll take it.

[Akram]

Maybe you should be managing Grey Gables.

[Zainab]

I'll leave that to Ian. Thanks.

[Zaynab]

Adam.

[Ian]

You okay?

[Adam Macy]

Sorry, did I wake you?

[Ian]

No, no, not really. I haven't slept much. Busy brain.

[Adam Macy]

Me too.

[Brian Aldridge]

Yeah.

[Ian]

Come here. I think a cuddle's called for, don't you?

[Adam Macy]

Oh, yes, very much, yes.

[Ian]

I've got you, you know.

[Adam Macy]

I know. So no mystery why I can't sleep. What about you?

[Ian]

Just Martin Gibson.

[Adam Macy]

You sorted that out, you said?

[Ian]

Yeah, but this just made me think. He was so nice about when I messed up. He could have gone to Oliver, but instead he's given me some really good advice. His management tips. You know, leadership stuff. I really wasn't sure at first, but it's turning out to be really useful.

[Adam Macy]

Be a bit careful. Martin isn't always as cutting edge as he likes to think.

[Ian]

He's a successful businessman, but maybe a bit old school.

[Adam Macy]

Why do you need management tips? You're amazing with people.

[Ian]

It's just managing Grey Gibbles, Adam, even temporarily. I want to make it work.

[Adam Macy]

You will. Of course you will. You're brilliant.

[Ian]

Thank you. Hang on. I'm meant to be the one comforting you. Is it horrible at Home Farm?

[Adam Macy]

Weird, but not horrible. I haven't actually seen Brian this week. He's hardly been in.

[Ian]

He's probably out of solicitors, cooking up some other mad scheme.

[Adam Macy]

And I've been out with the equipment most days, fulfilling our contracts.

[Ian]

The show must go on.

[Adam Macy]

Ed turned up yesterday. Apparently Brian's given him extra work. He clearly wasn't expecting me to be there. I've got a contract, Ian. He can't just sack me. I really am trying to do what's best.

[Ian]

I know, I know.

[Adam Macy]

How's Kate getting on, by the way?

[Ian]

Her trial shift went well. She's taking the job. I'm putting her on the roller for next week. Did you talk to Rory?

[Adam Macy]

Yeah. A flat? No, he's staying out of it.

[Ian]

So it's all down to you?

[Adam Macy]

Looks like it.

[Ian]

Brian's not going to change his mind, is he?

[Adam Macy]

I'm still hoping.

[Ian]

Maybe it's time for less hoping and more planning. The mental incapacity route.

[Adam Macy]

Well, what are you?

[Ian]

You haven't second thoughts?

[Adam Macy]

Anything but. Only the lawyer says the case isn't watertight. We haven't got a smoking gun.

[Ian]

That sounds horrible.

[Adam Macy]

I mean, something no judge could argue with.

[Ian]

Oh, come on. Brian obviously isn't fit to manage. It can't be that hard to prove.

[Adam Macy]

Here we go.

[Ian]

You make the coffee, I'll get Xander up.

[George]

Do me one, will you?

[Fifi]

Of course.

[Zainab]

Who are you again?

[Zaynab]

Come on, Zayn.

[Alice Aldridge]

Ab.

[Zaynab]

It's not been that long.

[Zainab]

Feels like it. Exam's all done now.

[Zaynab]

Finally I can get some more shifts

[Zainab]

and save up a bit, enjoy a maths free summer.

[Zaynab]

I've still got reading to do and I'm scoring for the cricket team. That's maths.

[Zainab]

That's adding up, Brad. Even I can do that. At least the Grey Gables coffee is good.

[Adam Macy]

Yeah.

[Tom]

Oh, I hope Ian doesn't lumber me

[Zaynab]

with too many of these early shifts. They never used to.

[Zainab]

New manager, new style.

[Zaynab]

That's what I'm hearing.

[Tom]

Is it true?

[Zaynab]

Has Ian gone peculiar?

[Zainab]

Who said that?

[Zaynab]

Shiv in the bar says he keeps coming out with weird little phrases like things you'd get on a fridge magnet.

[Tom]

Let's pick that up and run with it.

[Zaynab]

I think we should deep dive here. Yeah, ask him what football team he supports in that. Oh, thanks.

[Fifi]

It's all right.

[Tom]

Shiv hates football.

[Zaynab]

I'm so ready for this. Have you got the milk?

[Zainab]

Yeah, just put it in the fridge when you're done.

[Zaynab]

Oh, of course. Any news about Fletcher?

[Alice Aldridge]

No.

[Zaynab]

I'm so sorry, Zaynab.

[Zainab]

Is it ridiculous to say I miss a budgie?

[Zaynab]

Of course not. I miss my granddad. He's still at my Uncle Clive's.

[Zainab]

That's not the same thing. Your granddad's a person.

[Zaynab]

Allegedly. Well, I thought I'd enjoy the break, but the house feels empty. I might go over and visit.

[Zainab]

I wish I could visit Fletcher. Right, I'll see you at the staff meeting.

[Alice Aldridge]

Hang on, there's a staff meeting?

[Brian Aldridge]

That's right. Mark it for my personal attention. Brian Aldridge and everything. Else in future, too. Thanks.

[Adam Macy]

Ah, Morning, Brian.

[Brian Aldridge]

What the hell are you doing here? Get out. You're not welcome.

[Adam Macy]

I may not be welcome, but I'm still the farm manager.

[Brian Aldridge]

Which bit of your fired with immediate effect did you not understand? You got my email, right?

[Adam Macy]

My contract is with the partnership, not you. And it remains in force until the partnership gives me notice.

[Brian Aldridge]

This is pathetic. You're on notice.

[Ian]

You.

[Brian Aldridge]

You're all on notice. 30 days in specie.

[Adam Macy]

In the meantime, I have a legal and contractual responsibility to manage the farm. You can't just sack me on the spot.

[Brian Aldridge]

I can and I have. You're not wanted at Home Farm, Adam. You won't be ever again.

[Adam Macy]

Whether you want me here or not.

[Brian Aldridge]

Give it up. I know you're not deaf or stupid.

[Adam Macy]

Well, thank you for that, at least. I don't want to fight, Brian.

[Brian Aldridge]

Good. Nor me.

[Adam Macy]

The barley needs spraying, so I'm going to see to it.

[Brian Aldridge]

I'll do that. Thank you.

[Adam Macy]

It's my job.

[Brian Aldridge]

You don't have a job. How many times?

[Adam Macy]

Oh, grow up, Brian.

[Brian Aldridge]

And you can leave the keys to the Farmland Rover here, too.

[Zaynab]

Shiv was right, wasn't he? Ian was really weird in that meeting.

[Zainab]

What was all that?

[Zaynab]

I don't know. Share a secret you've never told anyone before with the group? Really felt put on the spot. I couldn't think of anything. You sounded pretty convincing.

[Zainab]

I just made it up.

[Zaynab]

You mean you don't have a secret addiction to salt and vinegar crisps?

[Zainab]

I wasn't gonna share a real secret, was I?

[Zaynab]

Well, I nearly did.

[Zainab]

What secret?

[Zaynab]

Well, I'm not telling you now, am I?

[Zainab]

Why not?

[Tina]

Because it's a secret, Zainab.

[Zaynab]

But you don't think every staff meeting is gonna be like this, do you?

[Zainab]

I hope not.

[Zaynab]

Can you talk to him? He likes you.

[Zainab]

I like him. I don't know what's going on, Brad. He's got some mad ideas from somewhere.

[Zaynab]

I can't have this all summer.

[Tom]

Hey.

[Ian]

I got your message. I'm sorry. I was in a staff meeting. Brian's unbelievable.

[Adam Macy]

But I've been thinking. Maybe he's playing into my hands. Maybe this is the big one. The smoking gun. I wish I'd recorded the conversation.

[Ian]

Are you going home?

[Adam Macy]

No. No, I'm on my way to get the crop sprayer.

[Ian]

Really?

[Adam Macy]

But Brian said he's not going to win.

[Brian Aldridge]

Ian.

[Adam Macy]

I'm not having it

[Akram]

now.

[Adam Macy]

This is all I need.

[Martin Gibson]

What?

[Adam Macy]

That.

[Ian]

What's happened? Is it him?

[Adam Macy]

No. No, Just Martin Gibson. I'd better go in.

[Tom]

I'll Call you back, Adam.

[Ian]

Try not to.

[Martin Gibson]

Adam, why are you parked up in the middle of nowhere?

[Adam Macy]

Oh, there was something in the back seat I needed to get.

[Martin Gibson]

As you're here, Adam, I've been wanting a word.

[Adam Macy]

I really can't stop, Martin. You know how it is.

[Martin Gibson]

I only need a minute. When I saw you last, you promised me that whatever was going on at Home Farm wouldn't affect the BL contract.

[Adam Macy]

Yeah, I did. It won't. If you'll excuse me.

[Martin Gibson]

Sorry, Adam, I need a bit more detail. Some of the rumours flying around Ambridge are pretty wild.

[Adam Macy]

I'm managing Home Farm, Martin. It's. It's business as usual. The BL spraying is up to date, isn't it? I know it is. I saw to it myself. The contract will be honoured. You have my personal assurance.

[Martin Gibson]

All right, Adam. But I am worried if anything untoward

[Adam Macy]

does happen, you'll be first to know. I swear.

[Martin Gibson]

Thanks. Oh, hello. What's this? What are the police doing here? What have you been up to, Adam?

[Nicola Truman]

Morning, sir. Are you Adam Macy of Honeysuckle Cottage? Police. Constable Nicola Truman, Rural Crime Team.

[Alice Aldridge]

What?

[Adam Macy]

What's happened? Is it Xander?

[Nicola Truman]

Xander?

[Adam Macy]

My son. Is he okay?

[Nicola Truman]

As far as I know, sir. This is nothing to do with your son.

[Martin Gibson]

Thank him for that.

[Adam Macy]

Oh, you're sure?

[Nicola Truman]

Quite sure. You're Adam Macy?

[Martin Gibson]

Yes.

[Nicola Truman]

Is this your vehicle, sir?

[Tom]

Yes.

[Nicola Truman]

You're sure about that, are you?

[Adam Macy]

Yes, of course.

[Nicola Truman]

Only this vehicle has been reported stolen.

[Martin Gibson]

What?

[Adam Macy]

Oh, please.

[Nicola Truman]

By its owner, Mr. Don't tell me.

[Adam Macy]

Brian Aldridge, right?

[Nicola Truman]

You know Mr. Aldridge?

[Adam Macy]

I do indeed.

[Nicola Truman]

He named you as the thief, sir.

[Martin Gibson]

Adam, what in heaven's name is going on?

[Zainab]

Do you want half of this sandwich?

[Zaynab]

Fine, thanks. Have a crisp. It's okay. They're not salt and vinegar. You won't get hurt.

[Zainab]

I don't know how George has done it, but the Barchester show is looking really interesting on Socials.

[Zaynab]

Country shows are interesting. You'd be surprised.

[Zainab]

I think Amber must be designing the posts.

[Zaynab]

Yeah, she's talented.

[Zainab]

How are they?

[Zaynab]

Fine, I think.

[Zainab]

Haven't you seen them?

[Zaynab]

Not for a bit. Exams all right?

[Zainab]

Of course. What's the matter, Brad?

[Zaynab]

Everything's fine.

[Zainab]

Is it to do with a secret?

[Zaynab]

What secret? No, no, that was something else.

[Zainab]

Well, what then?

[Zaynab]

Well, George and Amber are having a baby. Right. And George, if it's a boy, he wants to call it Brad.

[Zainab]

After you. That's amazing. It's amazing, Brad.

[Zaynab]

It's not. It's weird. It feels. I don't want them to. George thinks it's this big grand gesture, but.

[Zainab]

But you don't.

[Zaynab]

Well, I can see why he likes the idea of it, but it feels wrong and I don't know how to tell him.

[Alice Aldridge]

Just say he'd be upset.

[Zainab]

Maybe for a day or two. But if you don't say something, how are you gonna feel every time you see the baby?

[Zaynab]

I'll get used to it, I expect.

[Zainab]

Why should you have to

[Akram]

wish it

[Zaynab]

was more decisive, Zaynab? Seems to be a trait of mine.

[Zainab]

Hmm. Let's look under the bonnet on this one, shall we?

[Zaynab]

Shut up, you.

[Brian Aldridge]

Well, have you arrested him?

[Nicola Truman]

It's not that simple, Mr. Aldridge. Mr. Macy claims the vehicle legally belongs to the partnership and he is one of the partners. Is that correct?

[Brian Aldridge]

Technically, I suppose. For a couple of weeks still.

[Nicola Truman]

Then I don't think a crime has been committed.

[Brian Aldridge]

Sir, he drove the vehicle away without my permission.

[Nicola Truman]

Even so, I don't think this is a matter for the police at this time.

[Brian Aldridge]

You're not going to do anything?

[Nicola Truman]

I'm going to advise Mr. Macey, as I advise you, sir, to try to resolve the situation. Situation? Amicably.

[Brian Aldridge]

Oh, for crying out loud,

[Fifi]

sir.

[Nicola Truman]

Mr. Aldridge.

[Adam Macy]

What did he say?

[Nicola Truman]

I would suggest that you return the vehicle to Home Farm and try to sort this out.

[Adam Macy]

Am I legally obliged to do that?

[Nicola Truman]

Not as things stand, but I recommend it anyway.

[Adam Macy]

Well, thank you, Officer. If that's all.

[Nicola Truman]

That's all. Thank you, Mr. Macy.

[Martin Gibson]

You better tell me what's going on, Adam. The truth this time.

[Adam Macy]

I didn't lie, Martin. I'll see the BL contract is honored as long as I manage it.

[Martin Gibson]

That might not be long by the sounds of it.

[Adam Macy]

What can I say? Brian's lost the plot.

[Martin Gibson]

Seriously.

[Adam Macy]

It barely makes sense anymore. He's overwhelmed, disoriented. He thinks his children are his enemies. The paranoia beyond belief.

[Martin Gibson]

This is true.

[Adam Macy]

It's absolutely true. We've tried to keep it in the family, but look how he behaved with Stella last year. Then Miranda. The rumors aren't the half of it.

[Martin Gibson]

Are you calling his capabilities into question? Careful, Adam. This is very serious.

[Adam Macy]

Of course I'll always have Brian's best interests at heart.

[Tom]

Right.

[Martin Gibson]

This can't go on. I have a responsibility as chairman of the BL Board.

[Ed Grundy]

Martin.

[Martin Gibson]

I'll be calling you in as soon as it can be arranged.

[Adam Macy]

I'm sorry I've had to say any of this.

[Martin Gibson]

You should have done it long before. I want a sit down meeting, Adam. You, me and Brian. This has gone far enough,

[Akram]

Sam.

[BBC Radio 4 Announcer]

Why do some brilliant business ideas Come a cropper. I'm Sean Farrington and in a new series of Toast, I'll be looking at five more brands, businesses and wonder products which offered a lot but didn't stick around, including a budget cinema, selling tickets for 20 pence and the toilet paper we knew from school.

[Tina]

I remember worrying about getting paper cuts in an area that you wouldn't wish to be getting a paper cut.

[BBC Radio 4 Announcer]

Finding out what we can learn from their disappearance. Toast from BBC Radio 4. Listen. First on BBC Sounds.

[Mally Harris (Natasha Archer)]

I'm Mally Harris and I play Natasha Archer. I wanted to let you know that the nominations for the BBC Food and Farming Awards are now open. The awards are an opportunity to celebrate those who are doing amazing things in food and drink, in innovation, sustainability and flavour. This year I'm joining the judging team again for the Farming for the Future award with Charlotte Smith from Farming Today. We are looking for incredible inventive farmers who are finding new and better ways to produce our food and take care of the environment. We need you to tell us who deserves to be celebrated for building a more sustainable farming future. You can read about all the categories and find the terms and privacy [e-mail] foodawards. You have until midday on the 15th June to nominate

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[Fifi]

Let's get started.

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