17/05/2026

Summary

The Archers Omnibus – Episode Summary

Podcast: The Archers Omnibus
Host: BBC Radio 4
Episode: 17/05/2026 (aired May 16, 2026)
Theme: The week’s events in Ambridge, focusing on community life, family tensions, village initiatives, and personal challenges.

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Main Theme/Overview

This episode of The Archers Omnibus weaves together community celebrations and family dramas set in the rural village of Ambridge. The storyline centers on Rogation Sunday, cricket matches, family relationships (especially intergenerational conflicts and responsibilities), anxieties around hereditary illness, and the empowerment of women within the community. Major plotlines revolve around changes at Home Farm and Grey Gables, Kirsty and Amber’s pregnancies, social media squabbles, and the emotional fallout from potential genetic risks.

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Key Discussion Points & Insights

1. Rogation Sunday & Community Spirit

• Ambridge gathers for Rogation Sunday at rewilding Ambridge, blending church tradition with nature conservation and village camaraderie.
  • Lily explains: “Rogation Sunday is an ancient church festival that seeks blessing for the community and its sustenance.” (07:28)
• Cricket as a social glue: The Battling Bulls take on “the three tons”; new faces and family reunions add drama and humor.

2. Family Bonds, Estrangement, and Reconciliation

• Den’s Reappearance: Den, Brad and Chelsea’s father, tries to reconnect with Brad after years apart.
  • Brad’s ambivalence is clear: “I don’t really want this.” (14:09)
  • Den reaches out awkwardly, shown both during the cricket and later with offers of outings.
• Kirsty and Eric’s Relationship: Eric reveals Kirsty is pregnant (“Kirsty’s pregnant.” – 11:12), leading to discussions on their future—Eric proposes with a makeshift twig ring, which Kirsty gently declines in favor of seeing how things develop.
  • “I don’t need to marry you.” – Kirsty (69:00)

3. Workplace Transitions & Power Struggles

• Home Farm Uncertainty: Partners debate whether Brian should step down, citing erratic decisions and possible health issues.
  • Stella and Ian strategize how to intervene: “Brian’s decisions are erratic. And I’m more convinced than ever that an intervention at the partnership meeting next week…is the only way to get him to stand down.” – Ian (15:36)
  • “He’s borderline aggressive… That’s why we need to present as a united front.” – Ian (45:20)
• Grey Gables Opportunity: Stella is offered the role of acting general manager by Oliver (“I’d really like you to consider it.” – 24:36), leading to a celebratory (if humble) lunch with Ian.

4. Social Media, Modern Marketing & Gender Dynamics

• Amber & George’s Social Media Campaign: Amber launches a pregnancy announcement, seeking George’s drone footage for the Borchester show. Tension arises over campaign style, gender roles, and mutual respect.
  • Amber: “Are you mansplaining social media to me?” (22:01)
  • George: “You sound like a feminist.” Amber: “Is that supposed to be an insult?” (64:21)
• The conversation evolves into larger themes of gender equality and local activism, spurred by Anna Tregoran’s WI talk.

5. Hereditary Cancer Anxiety

• Pip’s Fear & Search for Control: Pip, after a cancer scare, feels trapped by genetic risk and NHS guidelines, torn between waiting for her mum’s decision to be tested and taking control herself.
  • “I’m 33 and I’m worried I’m carrying a death sentence in my DNA.” – Pip (38:03)
• Kira’s support leads to private helpline calls, where Pip discusses paying for private genetic testing.
  • Helpline advice: “Once you know the result of the test, you can’t unknow it.” (50:32)
• The episode handles both medical information and the psychological toll of “living in limbo” with empathy, showing generational differences in coping.

6. Elderly Care & Independence

• Anna and her mother Carol Tregorran debate the adaptations needed for Carol to stay in her cottage versus family desires for more institutional care.
  • Carol: “If I like the same things as Peggy, I’d have married Jack Woolley and have an old lady hairstyle.” (54:24)
  • Anna: “In the end, making sure you’re okay isn’t Ruth and David’s responsibility. It’s mine.” (61:42)

7. Women’s Empowerment and Gender Equality

• WI Meeting & Campaigns: Anna’s talk and the WI’s Not in My Name alliance prompt honest discussions about raising boys, consent, healthy relationships, and fighting gender-based violence.
  • Anna: “Keep pushing for more improvements in how family and criminal courts deal with gender-based violence.” (36:04)
  • Amber: “If you’re not a feminist, then are you saying you don’t believe in equal rights for women?” (64:32)
• Jolene’s white ribbons at the Bull symbolize male allyship in the fight against violence.

8. Pregnancy and New Beginnings

• Amber’s First Baby Kick: Amber excitedly shares feeling her baby kick for the first time.
  • “I really think that was a little kick.” (73:51)
• Kirsty’s Pregnancy: Handled with warmth and gentle humor, including Eric’s clumsy but heartfelt proposal.

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Notable Quotes & Moments

• On Brian’s management:
  “Brian’s decisions are erratic. And I’m more convinced than ever that an intervention at the partnership meeting next week…is the only way to get him to stand down.” – Ian (15:36)
• Family estrangement:
  “I’m sorry, dad, but I don’t really want this.” – Brad to Den (14:09)
• On social media and gender:
  “Are you mansplaining social media to me?” – Amber to George (22:01)
  “You sound like a feminist.” – George (64:21)
  “If you’re not a feminist, then are you saying you don’t believe in equal rights for women?” – Amber (64:32)
• Pregnancy revelation:
  “Kirsty’s pregnant.” – Eric (11:12)
  “I don’t need to marry you.” – Kirsty (69:00)
• Cancer genetics anxiety:
  “I’m 33 and I’m worried I’m carrying a death sentence in my DNA.” – Pip (38:03) “Once you know the result of the test, you can’t unknow it.” – Helpline (50:32)
• Elder care:
  “If you stayed at the Laurels for even a few days, I could tidy up here…You’d come home to a house transformed.” – Anna (54:28)
  “You’d have to drag me there kicking and screaming.” – Carol (54:18)
• Teamwork & Support:
  “We just have to recognize our separate strengths and play to them – not just for this agricultural show. Be even more important when the baby’s born.” – Amber (69:49)

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Important Timestamps

• Rogation Sunday intro and community gathering: 02:04–07:28
• Den reconnects with Brad: 08:27–14:09
• Grey Gables manager offer: 24:36
• Home Farm power struggle: 15:36–16:30, 44:14–45:47
• Social media and gender dispute: 22:01–22:21, 62:36–65:03
• WI talk & gender justice: 36:00–37:14
• Pip’s anxiety/cancer helpline: 38:03, 46:36–50:44
• Amber feels the baby kick: 73:51
• Eric proposes/Kirsty’s response: 68:10–69:12
• Discussion about equal rights and male allyship: 64:21–65:54

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Tone & Character

• The episode blends warmth, wit, and sincerity, highlighting rural life’s joys and challenges.
• Dialogues are often gently teasing, e.g., Eric’s humorous marriage proposal and George and Amber’s social media banter.
• Serious moments are treated with quiet intimacy, especially surrounding hereditary cancer and care for elders.
• The thread of community—both supportive and sometimes fraught—runs through every scene.

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Conclusion

This omnibus episode of The Archers paints a rich tapestry of Ambridge life, intertwining tradition, modernity, personal dilemmas, and collective action. Major themes include facing difficult change (from power shifts at Home Farm to family illness and risky futures), the evolving understanding of gender, the challenge of equal partnership, and the importance of support—whether among friends, family, or neighbors.

The episode provides both gentle humor and realism, allowing the listener to engage deeply with the lived experiences of a beloved rural community in flux.

Transcript

[George]

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[Narrator]

You're listening to the Archer's omnibus from BBC Radio 4.

[Lillian]

Alan.

[Alan]

Brilliant.

[Kirsty]

I was just admiring these poppies. Won't they be glorious when they bloom?

[Lily]

Yeah, I think they must be from Tony's birthday seed. There's more spirit sprung up by the vestry door.

[Kirsty]

Are you heading to Rewilding?

[Lily]

Yes, I am. I've just stuck a note on the church door to remind folks about the regation Sunday service.

[Kirsty]

Well, I'm heading there too. Oh, look here, Alan, you're struggling there. Let me take a bag.

[Lily]

Oh, thanks, Lillian.

[Kirsty]

Oh, it's such a glorious day.

[Ian]

I know.

[Lily]

If I could rely on weather like this, I'd do more open air services.

[Kirsty]

Oh, you know, Mum would be in her element. Rewilding and church coming together on a sunny spring morning.

[Lily]

You miss her?

[Lillian]

Yeah, every day.

[Lily]

Right, should we get going then? How are Brian and Rory getting on?

[Kirsty]

Why do you ask?

[Lily]

Well, I was just thinking about them yesterday evening. I saw Brian heading back from the Bull to Blossom Hill Cottage and I thought how hard it must be for Him. I mean, not so long ago he was telling me how excited he was to be moving into the farmhouse with Miranda.

[Kirsty]

Breakups are hard on everyone. But you know Brian. He'll be all right.

[Anna]

Morning.

[Kira]

Oh, good morning.

[Lily]

Morning.

[Den]

I wonder if you can help me. I'm looking for the cricket ground. I'm here to see the. The Battling Bulls.

[Martha]

Oh, well, you're in luck.

[Kirsty]

We're playing the three tons. But you're very early. The match doesn't start till 2.

[Den]

I'm such an idiot. I should have checked.

[Lily]

All the fixtures are on the village website.

[Kirsty]

And I think Susan put a notice up in the shop window. Next week we're at home against the Black Dragon.

[Lily]

You not local Leno?

[Narrator]

No.

[Den]

Sort of, but not from Ambridge, though. My kids live here. Chelsea and Brad.

[Kirsty]

So you must be Den.

[Den]

I'm here to support Brad. Chelsea told me he's the scorer.

[Ian]

He is. He's a fantastic lad.

[Lily]

He must be very proud.

[Den]

I am.

[Kirsty]

Well, we look forward to seeing you at the game.

[Den]

Yeah, but now I've got a few hours to kill. I doubt Tracey's going to invite me in for morning coffee.

[Kirsty]

Well, there's a tea room up at Bridge Farm.

[Lily]

Oh, you're more than welcome to come to our irrigation Sunday service.

[Den]

What's that then?

[Lily]

It's when we ask for God's blessing on the land.

[Kirsty]

Isn't it also about stopping scraps between neighboring farmers?

[Lily]

I suppose traditionally that was part of it. Well, we'll have some hymns, a few prayers and then coffee and scones.

[Den]

Oh, salt. Here, let me help. Give me that box.

[Lily]

Oh, thank you. Thank you very much.

[Kirsty]

Right here then, was it?

[Narrator]

Follow me.

[Eric]

Okay. Here you go. Four fold out chairs.

[Lillian]

Thanks, Eric. Most people will stand, but I thought we need a few chairs for the likes of Jill and Carol.

[Eric]

Yeah, he's here. Okay. Near the sculpture thingy.

[Lillian]

Yeah. Yeah, that's great.

[Anna]

Yeah.

[Narrator]

Yeah, yeah.

[Eric]

I can do this. I don't think you should be lifting things, Kirsty.

[Lillian]

They're as light as a feather.

[Lily]

I know.

[Lillian]

I promise you I'm being careful. That's why I told Rex. So he can do any hefty enough vlogs around. But I can't spend the next eight months wrapped in cotton wool.

[Anna]

Hmm.

[Eric]

You remember when Rex fell foul of Jakob over that stain on his kitchen tiles?

[Lillian]

Where are you in that story? The way I remember it, Rex was the responsible one. Worried about the state of your brother's house while you careered around sloshing red wine everywhere.

[Eric]

Well, it turned out Rex was Right. Jakob was not totally relaxed about the state. He rang me when he got back to ask about it.

[Lillian]

I assume you've told him you're here.

[Eric]

Yeah, I texted him this morning.

[Lillian]

Only this morning?

[Eric]

We were pretty busy last night.

[Lillian]

It was nice.

[Anna]

Nice?

[Eric]

Not earth moving.

[Lillian]

It was really nice. But now I have to get into Rogation Sunday mood.

[Eric]

This is such a weird place.

[Lillian]

What, rewilding?

[Eric]

No. Ambridge. I mean a half expensive to wake up in the night to a rat. A tat. Tat of a scarecrow's fingers on your window.

[Lillian]

What are you talking about? It's not Ambridge that's weird. It's you.

[Eric]

Well, actually, I find the whole countryside thing quite alluring. You in your natural habitat instead of

[Lillian]

in a series of European hotel rooms.

[Oliver]

Oh.

[Eric]

Sounds a bit sleazy. Is that how it feels?

[Amber]

No.

[Lillian]

Not at all. Bathrobes, balconies, Croissants in Paris. And chocolates and Bruges. I thought that was much more sexy than me and wellies in a hoodie hanging about in the woods.

[Eric]

I think you look great.

[Kirsty]

You're Jakob's brother. Elric.

[Lillian]

Oh. Eric.

[Kirsty]

Welcome back to the village.

[Anna]

Thank you.

[Lillian]

This is Lillian. I think you met her at the ball.

[Oliver]

Though.

[Lillian]

That must have been a few years ago now.

[Alan]

Yep.

[Eric]

I remember you. Gin and tonic, isn't it?

[Kirsty]

Very impressive, darling.

[Narrator]

Oh, he's a keeper.

[Lillian]

Well, let's see now.

[Kirsty]

Are you staying long?

[Eric]

At least a few days. Depends on work.

[Kirsty]

Oh. So you'll be free to play cricket for the pub team this afternoon? Well, if you play a short, darling. And it should be fun. I've already managed to twist your brother's arm.

[Eric]

Can I twist yours too, Kirsty?

[Lillian]

Fine by me.

[Brad]

Oh.

[Kirsty]

So is that a yes, darling?

[Eric]

Yeah, go on then. But I don't have any whites.

[Kirsty]

Oh, we're not worried about that. Play in anything you like. The brighter the better. All feel free to invest in one of our new Battling Bulls cricket shirts. Limited edition.

[Lily]

Yes. D. What a fantastic turnout.

[Kirsty]

Oh.

[Lillian]

Combination of the weather and those gorgeous posters Kira designed for us.

[Lily]

Should we get started? Do you want to introduce Rogation Sunday? Then we'll start with all creatures of our God and king.

[Lillian]

Perfect. Good morning, everyone. Thank you for coming to rewilding Ambridge on this beautiful May morning. Rogation Sunday is an ancient church festival that seeks blessing for the community and its sustenance.

[Rory]

Afternoon, Brad.

[Oliver]

Hi. Jakob here. Are you playing today?

[George]

I am.

[Rory]

But I wish I wasn't. Not even sure of the rules.

[Oliver]

I can go over the basics with

[Narrator]

you if you like?

[Rory]

Thank you. But I'm under strict instruction from Lily to pay you for a cricket shirt and get back for the team talk. Is cash okay?

[Ian]

Perfect.

[Rory]

Right, there you go.

[Oliver]

What size are you after?

[Rory]

Do you have large?

[Oliver]

I think so.

[Narrator]

Here you go.

[Oliver]

You can try it on and bring it back if it doesn't fit.

[Rory]

Thank you.

[Oliver]

Does this mean you're going to be a regular now you've got the shirt?

[Rory]

No, definitely not. But Kate's away in Scotland and when I told her I was playing, she said she wanted proof photo of me wearing a battling Bulls top.

[Oliver]

Well, best of luck.

[George]

Right.

[Oliver]

Oh, no.

[Den]

Hello, son.

[Narrator]

What are you doing here?

[Oliver]

Dad.

[Den]

Oh, nice to see you too.

[Rory]

Right, well, I better go and find my brother. He turns up out of the blue and immediately makes himself the life and soul of the party.

[Den]

I think I've already met him. Is he called Eric?

[Rory]

Yeah, that's him.

[Den]

Oh, top lad. Hey, I hope you smash the other team.

[Narrator]

Go ball. Dad, don't shout things like that.

[Den]

No, I'm sorry. It's just I've been getting the lowdown from that posh woman who works in the pub with your mum.

[Oliver]

Lillian?

[Den]

That's the one. And now I've got feel properly invested Battling balls till I die Battling balls till I die.

[Narrator]

What do you want?

[Oliver]

How did you know I'd be here?

[Den]

Chelsea told me you score for the cricket team, so I took a punt I'd find you here. I thought I could sit with you during the game.

[Narrator]

No, you can't do that. You can't just turn up and be normal. This isn't normal.

[Den]

All right, look, I don't want to distract you from the math, so just pretend I'm not here. My new mates Lillian and Kirsty will look after me.

[Alan]

Over here, Eric.

[Eric]

Yo, bro. Long time no see. Come here.

[Rory]

You got here last night.

[Eric]

Yeah, pretty late or I'd have dragged you to the pub.

[Lillian]

He arrived with a suitcase and two bags of chips.

[Eric]

Yeah. Just ask me if you ever need any tips on seduction.

[Rory]

I won't.

[Eric]

Come on, don't be annoyed with me.

[Rory]

I'm not. I'm not. It's good to see you.

[Kirsty]

Ah, you two look fabulous.

[Narrator]

A brace of buttling balls the Bulls brought us.

[Rory]

Well, where do we need to be? Where's the rest of the team?

[Kirsty]

Well, Lily will be over in a minute with Chris's batting order. Come on, Kirsty. I've saved us a seat beside Amber and Jim.

[Lillian]

Remember, you're on the same team. No sibling rivalry.

[Eric]

She's great. Isn't she?

[Rory]

Yes. Yes. But is Kirsty the reason you're here?

[Eric]

Why else would I be here?

[Rory]

I don't know. It just seems a bit out of the blue. I thought maybe you needed something, like money or help.

[Eric]

No.

[Rory]

Well, Kate's gonna be sorry she missed you. If you'd given me some warning.

[Eric]

Oh, well, yeah. This couldn't wait.

[Rory]

Seeing Kirsty couldn't wait.

[Eric]

That's right. I've actually got some pretty big news.

[Rory]

What is it?

[Eric]

Okay, if I tell you, you have to swear not to say a word to anyone. Not even to Kate.

[Lily]

Eric, Jacob, Chris needs you. You're opening the batting.

[Eric]

Oh, yes.

[Narrator]

This.

[Eric]

Run.

[Narrator]

Jakob, stop.

[Stella]

What?

[Narrator]

It's a four.

[Lily]

All right.

[Eric]

Forgot how much I love cricket. I think I'm doing all right, considering I haven't played in years.

[Rory]

Oh, I'm useless. I've missed every ball.

[Eric]

Oh, don't worry. Just run when I shout. Run.

[Oliver]

Okay.

[Alan]

What.

[Rory]

What's happening now?

[Eric]

Okay, see the fielder over there? She's looking for my ball. It went into the hedge.

[Rory]

So what's the big secret?

[Eric]

Kirsty's pregnant.

[Lillian]

What?

[Rory]

Eric, how?

[Eric]

You're not serious. You know, the usual way.

[Rory]

I am serious. This isn't funny.

[Eric]

I know.

[Rory]

Do you have any idea what having a baby means? What it will mean for Kirsty?

[Eric]

Yeah, I know it's a big deal, but it's actually what we both want.

[Rory]

You mean you're together?

[Eric]

Kind of.

[Rory]

What does kind of mean?

[Eric]

It means we'll see how it goes.

[Alan]

Wow.

[Rory]

I don't know what to think.

[Eric]

Yeah, well, that's okay. You don't have to know because it's not your baby. All you have to do is be happy for us.

[Den]

All right, so let me check. I got this, right? If this Fellow from the 3 tons gets two more runs, they win.

[Lillian]

Yeah.

[Narrator]

I can't believe it.

[Kirsty]

It felt like we finished batting in such a strong position.

[Den]

When this guy walked out, I thought he might be another one out for a duck.

[Kirsty]

Oh, no such luck. Their secret weapon.

[Lillian]

Oh, here we go.

[Kirsty]

Oh, no. It's gonna be a six.

[Lillian]

Wait, Tracy's under it.

[Kirsty]

Catch it.

[Stella]

Yes.

[Narrator]

Champion.

[Rory]

No thanks to me.

[Kirsty]

Well, it was a team effort. To the Bull Beer Garden. The first drink is on the house.

[Narrator]

Oh, come here, Eric.

[Kirsty]

Oh, you were brilliant.

[Eric]

I told Jakob, by the way.

[Narrator]

I couldn't help it. That's okay.

[Rory]

Congratulations. I'm. I'm really happy for you.

[Lillian]

Thanks. Though it's early days. I'm really keen to keep it quiet until I feel a bit More confident.

[Rory]

Well, you can count on me. I won't tell anyone. Not even Kate.

[Lillian]

I know it's unfair to ask you to keep it a secret from her, but I really want to tell her myself when she gets back.

[Narrator]

Brad.

[Den]

Brad. You're still here. I thought I might have missed you.

[Oliver]

I'm just packing up.

[Narrator]

Oh, great.

[Den]

And how about we go for a drink?

[Oliver]

I'm all right. I've got my water bottle.

[Den]

Oh, okay, then. I'll leave you in peace.

[Oliver]

What did you think of the match?

[Den]

Brilliant. And your scoring, I mean, it's perfect. That old fella, the clever one, he said you're the best cricket scorer in the county.

[Oliver]

That'll be Jim Lloyd. He taught me everything I know.

[Den]

Yeah, well, I deserve that one.

[Oliver]

What do you mean?

[Den]

That should have been my job. Yeah, I mean, I couldn't have taught you the maths, but I think you get that from your mum.

[Oliver]

There's a lot I get from mum.

[Den]

But there was other stuff. At least let me buy you a pint.

[Lily]

Come on.

[Oliver]

No, thanks. I need to go home. I've got work to do for uni.

[Den]

Of course. But I could come to watch the cricket again next week. Is it home or away, dad? And you're welcome back to mine after. Soph would love to meet you. And she does a great steak and chips.

[Oliver]

Dad, I don't think.

[Den]

Nah, of course, not too soon. But I could take you and Chelsea for a burger.

[Oliver]

I'm just too busy at the moment with exams and stuff.

[Eric]

Right.

[Den]

Okay.

[Oliver]

I'm sorry, dad, but I don't really want this.

[Stella]

Well, it's so nice he has such a lovely gang of friends now.

[Ian]

No more tears at the school gate.

[Stella]

I hope he remembers to eat his apple today. Yesterday I found his banana at the bottom of the book bag. A squashed mess. The book was ruined.

[Ian]

Oh. What have you got on at Grey Gables today?

[Stella]

Troubleshooting and firefighting. You?

[Ian]

Let's out spraying the barley. I'll check in on the Hinds from a distance at some point this afternoon, spread some pellets. And I need to ring the agronomist. Then I suppose I'll have to make a decision about Rory.

[Stella]

Will you tell Brian?

[Ian]

You know, I can't see what any of us would gain from that. Ian.

[Stella]

You know, I can't stop thinking about what Rory did. It's like my brain tries to play it down and then resists. It was. Was brutal, Adam.

[Ian]

Yeah, I know.

[Stella]

And for Brian, seeing that, taking the blame, I mean, no wonder he's losing his Mind, of course.

[Ian]

And I feel for him. Rory's put him in an impossible situation of. It was Xander. I know, but Rory is falling apart. And Brian thinks he can be the one to hold it all together, but. But he's getting on. And I worry his refusal to let go of the farm is purely about holding on to power when he feels powerless.

[Stella]

So what do you do?

[Ian]

I do whatever I can to protect the farm. Right now, I'm the safe pair of hands. To step back or even to do nothing risks destroying the business we all rely on. Brian's decisions are erratic. And I'm more convinced than ever that an intervention at the partnership meeting next week. That's the only way to get him to stand down.

[Stella]

But without Alice and Rory on board.

[Ian]

Yeah, I doubt Rory will even turn up. And even if he does, well, and Alice, she needs careful handling. She's worried, obviously, but far more worried about Brian than the farm.

[George]

Yeah.

[Ian]

If I can persuade her that the stress of the business is killing him, I hope she'll give me her vote.

[Oliver]

Well, yeah.

[Stella]

And to be fair, it's also the truth. Brian isn't getting anything positive from clinging on to power.

[Ian]

Except maybe power itself.

[Stella]

Oh, I just thought if you want to drop in at the eco office, I've got time.

[Ian]

Oh, no thanks. I'm gonna work from home this morning. I've got some confidential calls to make and I can't guarantee that Brian won't come bursting in accusing me of treason.

[Stella]

All right then. Good luck.

[Narrator]

Thanks.

[Ian]

You too.

[Stella]

You know, I feel like we're both pretty brilliant at what we do. And yet we never quite get the credit we deserve.

[Ian]

Woefully undervalued.

[Stella]

I'm serious. Look at what you do at Home Farm. You're the obvious successor. Constantly undermined. And me, I suppose I thought I'd be head chef or some more influential by now.

[Ian]

A Michelin starred restaurant.

[Rory]

Why not?

[Stella]

Like Ray Gables Explosion scuppered me completely.

[Ian]

Yeah, I bet you're ahead of food. That's not without status.

[Stella]

Grey Gables is running like a cumbersome machine at the minute. We need new leadership. Just exciting ideas.

[Ian]

I hear you. I sometimes think if Mum had lived and Brian had. Well, you know, I would have taken over the farm. And with complete control of the rains, the land would be thriving.

[Stella]

It's frustrating.

[Ian]

It's impossible. He just has to let go.

[George]

Alright, Amber, say something. A test run for sound and lighting.

[Narrator]

Okay.

[Amber]

Hi. I'm here in the gorgeous Borsetshire countryside. Feeling pretty excited. I've got some big News to share with you all.

[George]

Do you want to see how it looks?

[Brad]

Yeah.

[Narrator]

Play it back.

[Amber]

Hi, I'm here in the. The lighting's great. You're so good at this.

[Kira]

I know.

[George]

That's why David headhunted me. Headhunted us, but mostly me.

[Amber]

Do you think this floral blouse and skirt's too much?

[George]

No, I love it.

[Amber]

I want rural, but not trad wife.

[Eric]

Rural?

[George]

There's nothing wrong with trad wife.

[Amber]

All right, look, let's get it filmed while the sun's still out. I want the whole thing to give spring new life. Eggs and nests, bun in the oven.

[Anna]

Literally.

[George]

No one will know what you mean if you say that.

[Amber]

Or would you prefer I just a nice that I'm knocked off?

[George]

I don't know why you can't just say that you're having a baby.

[Amber]

Yeah, okay.

[Anna]

Maybe you're right.

[Amber]

Light, happy, direct. The news is big enough.

[George]

You could use some of my drone footage at the start of your post. Grange farm from the skies. Then cut to you and the hay bale.

[Tom]

And you're pretty.

[Ian]

Milkmaid.

[Anna]

Get up.

[Amber]

I'm not dressed as a milkmaid.

[George]

Sorry. Farmer's wife.

[Amber]

You know, I still don't know how you managed to charm Brian into investing in that drone.

[Anna]

Of all people.

[Amber]

I thought he'd be the last person to let go of what happened.

[George]

To be fair, I think he was impressed when I called that Aldridge family meeting after New Year. I'll bet there's a bit of him wishes he had a son like me.

[Anna]

Really?

[George]

Oh, hey, it's Brad.

[Oliver]

Brad, Hi. George.

[Narrator]

Amber, hi.

[George]

What are you up to, mate?

[Oliver]

Emma asked me to do a session on vectors with Kira.

[George]

I thought she was at school.

[Oliver]

She's got teacher training day. What about you two? Day off?

[George]

Nah, I finished morning milking and Esme said I could get off early.

[Amber]

And he's helping me with the post.

[Narrator]

Cool.

[Amber]

Yeah, now that we've had our 20 week scan, I'm gonna tell my followers that we're expecting.

[Narrator]

Right.

[Oliver]

Anyway, I better not keep Kira waiting. See you later.

[George]

Hold on, Brad.

[Oliver]

What?

[George]

How was it with your dad at the cricket yesterday?

[Oliver]

I dunno. I mean, you know.

[George]

Back in your life, then?

[Narrator]

Not really.

[George]

Are you gonna start seeing him?

[Kirsty]

George, stop.

[Amber]

He obviously doesn't want to talk about it.

[Oliver]

It's not that. It's just. Kira's waiting for me.

[Amber]

Okay.

[George]

All right, mate. Good to see you, though. Bye.

[Narrator]

Here. Yeah.

[Stella]

What can I do for you, Oliver?

[Tom]

Bad news, I'm afraid. One of the deliveries has been delayed. Won't Come in. Until tomorrow. No venison, no oyster mushrooms. Long list here of what's missing.

[Stella]

Okay. Can I see? Yeah, I'll. I'll just change the menu for tonight.

[Tom]

Oh, I'm sorry, Ian. Honestly, if one more thing goes wrong today, I'm going to shut down the hotel and go home.

[Stella]

You mustn't.

[Tom]

Ian, I'm missing getting home before midnight. Oh, I'm too over all this.

[Stella]

Well, leave the menu change on me, Oliver. I'll redesign it just based on what we have in stock.

[Tom]

Do we have enough?

[Stella]

I might have to ring Bridge Farm, get them to deliver some emergency supplies.

[Tom]

Thank you. I do appreciate it. Let me know what you decide, and I'll get new menus printed off. I was supposed to meet Miranda for lunch, but I'll have to cancel now.

[Stella]

No, no, no, don't. You leave everything with me. I'll redesign the menu and Lily can get it printed.

[Tom]

Well, that would be marvelous. Last thing Miranda needs right now is a friend letting her down.

[Stella]

How's she doing?

[Tom]

But treaty were me, I'd say she's heartbroken.

[Stella]

None of us can understand it. I mean, what happened between them.

[Tom]

I think it's quite simple. Brian made Miranda a promise, then broke it.

[Stella]

So out of character.

[Tom]

Is it? Miranda's convinced he's just up to his old tricks. Keeping secrets and telling lies.

[George]

Here it is.

[Amber]

Oh, flying into land.

[Rory]

Got it.

[Ursula]

Great.

[George]

Let's get back to ours. Can't wait to see what the footage looks like.

[Amber]

Yep, and once we know what we've got, we can make a plan. I was thinking we should get some Golden Hour livestock shots.

[Lily]

Don't worry.

[George]

I've already got a plan.

[Amber]

But I thought we were designing the campaign together.

[George]

Yeah, but I think the really important thing is that the visual style is right. The colors, the text, the slogans.

[Amber]

Are you mansplaining social media to me?

[George]

No, but you're not the only one who can do this. Before I even met, I was doing promotions, posting drone footage.

[Amber]

Yeah, and how much engagement did you get? Because it's more than just posting a video with a slogan. We need to plan teasers, highlights of events, countdown clips.

[George]

I know what I'm doing.

[Lillian]

Great.

[Amber]

So you've thought about engagement boosters.

[George]

David trusted me to do this job. I'm pretty sure I can do it without engagement boosters.

[Amber]

Fine. Leave you to it. I'd rather spend the time getting my own post. Right. This will be a once in a lifetime moment, letting my followers know I'm expecting Brad.

[George]

You survived teaching Kira, then?

[Oliver]

Yeah.

[George]

I'm impressed. She hardly even talks to me at the moment.

[Oliver]

Actually, she did. Well, she's good at maths.

[George]

You want to have a go with the drone?

[Oliver]

Sorry, I can't stop. I've got revision to do.

[George]

All right, then. But first I've got something to tell you.

[Oliver]

What is it?

[George]

I've thought of the perfect name for our baby, if it's boy.

[Narrator]

Oh, yeah?

[Oliver]

Brad.

[Narrator]

Since when?

[Oliver]

It's a nice thought, really. Thanks, George, but, well, I don't think you should call the baby after me.

[Tom]

Come in.

[Stella]

Here you go. Oliver.

[Anna]

Hi.

[Stella]

A copy of today's dinner menu for your approval.

[Tom]

Looks wonderful. And no need for my approval. I trust you implicitly.

[Stella]

I love having a problem to solve. And I'm actually quite excited about the beef dish. Charcoal seared loin with shallot puree and black garlic glaze.

[Tom]

I also heard from Lily that the two of you sorted out a rotor problem for housekeeping before it even landed on my desk. And I'm extremely grateful to you.

[Stella]

Ah, don't mention it. I know how stretched you are without Dame.

[Alan]

Indeed.

[Tom]

I used to berate him for being a workaholic, but I didn't know how lucky we were. It won't be easy to replace him.

[Anna]

No.

[Tom]

You don't think standards have already started to slip, do you? It feels, well, an impossible job to keep all the plates spinning without him.

[Stella]

Well, I know the restaurant has recently got some outstanding reviews and the general feeling is that we're riding high. It would be a shame to lose the momentum when we've worked so hard to get to this point.

[Tom]

I agree, Ian. This might be feel a bit off the cuff, but it's something I've been turning over in my mind for a few weeks. Might you be willing to step up till a replacement arrives?

[Stella]

Step up to what?

[Tom]

To take on the role of acting general manager.

[Stella]

Right.

[Alan]

Wow.

[Stella]

I don't know what to say.

[Tom]

You don't have to give me an answer right now, but I'd really like you to consider it.

[Stella]

But acting general manager, I'm not sure I've got the right skill set for the job.

[Tom]

Nonsense. I've seen the way you work as head of food, and if I didn't think you were qualified, I promise I wouldn't have asked you.

[Ian]

Ian? Everything okay?

[Narrator]

Yeah, yeah, yeah.

[Stella]

Are you okay to talk?

[Ian]

Fine, yeah. I'm still at home. I just got off the phone with the agronomist.

[Stella]

Great.

[Ian]

Although I've not been able to get Alice to agree to a time to meet. She texted to Say she'll check in on Brian tomorrow and let me know how he is. But she's. She's definitely keeping me at arm's length. You'd think we lived at opposite ends of the earth, not in the same village.

[Stella]

Well, could you not pop around to the stable? She can hardly hide from your work.

[Ian]

I don't think that would be wise. I don't want Lillian getting wind of my plans, since I can't be sure she'd side with me. She and Brian are obviously thick as thieves.

[Stella]

Anyway, sorry, I don't have long, so can I tell you my news?

[Ian]

Sorry. And of course.

[George]

Yeah, yeah.

[Ian]

What's happened?

[Stella]

Oliver has just asked me to consider being acting general manager.

[Ian]

Oh, Ian, that's amazing.

[Stella]

It is, isn't it?

[Ian]

You should go for it.

[Stella]

Yeah, maybe, but we need to talk through it properly.

[Ian]

What's to talk through? You'll be brilliant.

[Stella]

But what if it means we need more child care for Xander? Then there's all my PTA commitments. We hardly need more. More uncertain. They added to the mix.

[Ian]

Yeah, none of those are reasons to turn down a promotion.

[Stella]

Yeah, a temporary promotion.

[Ian]

Look, look, let's talk all this through later tonight over a nice bottle of wine.

[Alan]

Yeah?

[Stella]

Okay. Good idea. And I can tell you what Oliver said about Brian.

[Ian]

Why? What did he say?

[Stella]

Well, it seems that him and Miranda think that Brian's perfectly sane.

[Ian]

Not particularly helpful for persuading Alice. Now I have to stay focused on persuading her that Brian's madness will destroy the farm. And that the only salvation lies in us all sticking together.

[Pip]

Afternoon.

[Narrator]

Afternoon, Ruth.

[Martha]

Another lovely day.

[Alan]

Yes, gorgeous.

[Anna]

Oh, I meant to see Brian.

[Martha]

It's so generous of you to help George fund his new drone.

[Alan]

What?

[Martha]

He's going to do a great job marketing the Borchester show.

[Alan]

Well, I'm glad my investment's been put to good use.

[Anna]

Hello.

[Alan]

Ah, hello there.

[Martha]

Afternoon, Anna. How's your mum?

[Anna]

Well, she swears she's just spotted a budgie in her garden.

[Martha]

That must be the escapee from the Maliks.

[Alan]

Right. I better get my shopping before I forget what I've come for.

[Martha]

I know that feeling.

[Alan]

Since Alice is coming round, I need to have a quick cleanup. Otherwise she'll start fretting to Kate that I'm not capable of looking after myself.

[Martha]

Bye, Brian.

[Anna]

Bye.

[Alan]

Bye.

[Anna]

I'm pretty sure that's how my mum speaks about me. Anything I say, she accuses me of fretting. You going into the shop? No, I'm heading home to help Pip

[Martha]

with the signage clamp.

[Anna]

Then I'LL get straight to the point. I've been doing some research on what might help Mum carry on living independently.

[Martha]

I thought that was sorted. And being fitted in the next few weeks.

[Anna]

Well, I'm sure all the occupational therapist ideas will help, but I think we need to do more. A stair lift and a downstairs shower would make a huge difference.

[Martha]

Anna, I understand you're worried, but it's not really our responsibility as landlords to make those kind of structural changes. Well, I'm not sure, even if the sky was the limit, that a stairlift would fit in an old cottage like Glebe.

[Anna]

Well, I know it's not a leaf legal requirement, but Mum refuses to move house or even consider moving.

[Martha]

I really have to dash off, but I'll have a thing and let's chat soon.

[Anna]

Maybe if I pay for anything major.

[Martha]

Maybe. Though something like a stairlift would need removing once the tenancy ended.

[Lillian]

Hello, ladies.

[Martha]

Hi, Kirsty.

[Lillian]

Oh, isn't it nice to be able to stop and chat on the green? No drizzle, no cold wind.

[Martha]

Definitely lifts the mood.

[Lillian]

Oh, look at. Forward to your talk at the WI later, Anna. The posters look great. You come in.

[Martha]

I'm planning to see you later, then. Both of you.

[Lillian]

See you.

[Anna]

Bye.

[Martha]

Bye.

[Lillian]

Yeah, we're trying to encourage some younger women along to the meeting. I was talking to Chelsea earlier and she was going to see if Zainab and Amber had come.

[Anna]

Oh, that'd be great.

[Lillian]

Oh, and before I forget, your mum was asking me about giving her a tour of rewilding at some point.

[Anna]

Was she?

[Lillian]

Yeah. I was chatting to her after the Rogation Sunday service. She was keen to know more about the Beavers. And since it's such a lovely day, I wondered if you were free later this afternoon. The ground's dry. Ideal for walking with a stick.

[Anna]

I'm not sure how far Mum will actually be able to walk.

[Lillian]

That's all right. You can take it at her pace. And our accessible route allows you to see lots without going far.

[Anna]

Well, then. Yes.

[Lillian]

Thank you.

[Kirsty]

Here.

[Martha]

You got it? Yeah. I reckon we need about a dozen more tyres along the front, just to be sure.

[Oliver]

Okay.

[Martha]

I'm really enjoying this.

[Pip]

You're mad.

[Martha]

You know what I mean, though, Pip. After all the worry of the last few weeks, it feels good to be doing work that's practical. Manual tasks that can be done and ticked off.

[Pip]

Yeah, well, that only works if you can switch your mind off.

[Narrator]

You need to give yourself a break.

[Martha]

Check in that you've got the old. You're young and healthy. And engaged to be married.

[Pip]

But my whole nervous system feels jangly and I'm tired all the time, and I can't stop thinking that it could have been cancer.

[Narrator]

But it wasn't.

[Martha]

But it could have been.

[Narrator]

Oh, Pip.

[Pip]

And I can't even find out if I'm carrying that gene, the BRCA gene variant. Unless you go for a test.

[Martha]

Well, Azra's talked me through what will happen if I choose to be referred.

[Pip]

And you'll do it?

[Martha]

I'm thinking about it. But even once she'd referred me, there would be a wait for the actual test.

[Pip]

And then if you do decide to get tested and it's positive, then I would have to wait for my test. And what if everything goes haywire in the meantime? Sorry, it's just, you know, I wanted to explain why flinging tires on a silage clamp isn't doing it for me. No amount of farm work or mindfulness is going to stop the voice in my head that's telling me to worry.

[Ursula]

The place looks great, dad.

[Alan]

Oh, thank you. Just a bit of spring cleaning.

[Ursula]

Why don't we go and sit down? Or even take a coffee into the garden.

[Alan]

No, I just want to finish this.

[Ursula]

Well, can I help?

[Alan]

I don't need help, thank you. Perfectly capable cleaning my own kitchen.

[Ursula]

Okay, well, I'll put the kettle on.

[Alan]

Did you hear? Ian's been offered acting general manager Greg Gables. Adam's been bragging about it.

[Ursula]

Oh, I hadn't heard. I haven't actually spoken to Adam properly

[Narrator]

for a few days.

[Alan]

Really don't believe that. I imagine you lot are always in a huddle, whispering about me.

[Ursula]

That's an awful thing to say, dad.

[Alan]

I'm only joking.

[Ursula]

Right.

[Tom]

What?

[Ursula]

Oh, nothing.

[Alan]

Oh, maybe I'm not joking.

[Ursula]

Please, dad, stop cleaning for a minute. The kitchen is already sparkling.

[Alan]

I can't win, can I? Living in squalor, obsessively clean in the pub too much and not going out enough.

[Ursula]

Are you okay, dad? Has something happened?

[Alan]

What?

[Ursula]

Is your hearing okay?

[Narrator]

Of course it is.

[Alan]

You're mumbling.

[Ursula]

No, I'm not. So, Ruri cooked for you both last night?

[Alan]

Yeah. Celebration meal.

[Ursula]

What were you celebrating?

[Alan]

His new job.

[Amber]

He got that.

[Ursula]

The one Stella told him about?

[Alan]

Yeah.

[Ursula]

Oh, he didn't message.

[Alan]

Well, it all happened very quickly. He's moving out of Blossom Hill and in with a friend closer to where he'll be working.

[Ursula]

That's great for Ruri, but are you all right about it?

[Narrator]

Of course.

[Alan]

Why wouldn't I be?

[Ursula]

Well, I mean, you'll be here all on your own? Well, you and Miranda. All your plans.

[Ian]

Mmm.

[Ursula]

Dad.

[Alan]

I wouldn't say this to any of the others, darling, but I can trust you're not going to go blowing it out of proportion.

[Ursula]

What is it?

[Alan]

I miss her. If she'd give me another chance, I have to admit it, I'd jump at it.

[Ursula]

Well, then why don't you try again?

[Alan]

Well, I kept trying with Stella. Begged, bribed. Nothing worked.

[Ursula]

Well, that was totally different. Stella was an employee. You love Miranda.

[Alan]

Yes, I really do. But I've rung and messaged, begged.

[Ursula]

Have you explained to her exactly why you got cold feet?

[Narrator]

I didn't get cold feet.

[Ursula]

Well, then, what was it? Tell me and I can help you make it okay with her. Oh, Was it an affair?

[Pip]

No.

[Narrator]

Well, then what?

[Alan]

Maybe if everyone stopped analyzing my behavior, they'd actually get some work done. I was up at Home Farm office first thing this morning. Any sign of Adam? No. Probably having a lie in.

[Ursula]

Or getting Xander ready for school.

[Alan]

Just can't rely on him anymore.

[Ursula]

Dad, we're not talking about Adam of the farm. We're talking about you and Miranda.

[Alan]

Not anymore. I'm fine. And I've survived worse. And if Adam's taken his eye off the ball, I'm happy to keep running Home Farm.

[Ursula]

You're supposed to have retired, dad.

[Alan]

Oh, you should know by now, Alice Farmer never really retires.

[Anna]

There's another butterfly. Beautiful.

[Lillian]

Where did it go?

[Anna]

There. On the long grass with brown and

[Narrator]

orange wings and white spots.

[Lillian]

Ah, yes, yes. That's our Duke of Burgundy. We're doing a survey on them at the end of the week.

[Anna]

Is that a bat box? It is. I've got bats in my attic.

[Lillian]

Yes, Leonard was telling me.

[Anna]

What kind do you think they'll be?

[Lillian]

My guess would be either brown long eared bats or common pipistrelles. I'll probably move off to roost somewhere else around August once the pups are weaned.

[Anna]

Anna hates them, but I like the idea of giving them sanctuary. I don't hate them. I'd just rather they were seeking sanctuary elsewhere.

[Lillian]

Is there anything else you'd like to see before we head to the WI meeting?

[Anna]

No, but it's been wonderful. Thank you, Kirsty. No, I. I'd like to see the

[Narrator]

information on the beavers.

[Anna]

Well, another day, maybe. I told Susan I'd be at the village hall early to talk through the plan for the evening.

[Lillian]

Well, I can give Carol a lift to the WI if you like.

[Anna]

Well, if you're sure.

[Lillian]

Yeah, of course. I've got Loads of information on the Beavers and the rewilding office. Come on, Carol, I'll show you what we spotted. Sigourney getting up to the.

[Martha]

It's great to see the youngsters here. If Amber, Chelsea and Zenab join our average age.

[Ursula]

Will I feel guilty that I haven't been to a meeting for so long?

[Martha]

Don't us mums feel guilty about enough without adding the WI to the list?

[Narrator]

Oh, true. Evening.

[Ursula]

Oh.

[Martha]

You ready for your talk, Anna?

[Anna]

Just about. Though I might see if Susan's happy to delay the meeting for five minutes. Mum seems to have gotten gone awol.

[Lillian]

Sorry I'm late.

[Anna]

Thanks for bringing Mum, Kirsty. Did she find a seat in the hall?

[Lillian]

Oh, actually, I dropped her home. She said she was tired after all the walking.

[Anna]

So she's not coming?

[Lillian]

No. My fault for wearing her out.

[Martha]

Oh, there'll be plenty in the audience. You've already got more people than that sommelier from Greg Gables had. And she was giving out free samples of wine.

[Ursula]

Come on, Anna. The women of Ambridge are waiting for you.

[Lillian]

Anna, your talk was amazing.

[Anna]

Oh, thank you.

[Martha]

What you're doing is such important work.

[Anna]

But we had to keep up the pressure, keep pushing for more improvements in how family and criminal courts deal with gender based violence.

[Ursula]

I do sometimes worry about what kind of world Martha's growing up in.

[Anna]

Well, hopefully a world on the brink of something better. Look at your WI Federation's no More Violence Against Against Women campaign.

[Martha]

And the not in My Name pledge of raising awareness, encouraging solidarity.

[Lillian]

Yeah, getting the fellas to be active allies.

[Martha]

Jolene's got a box of white ribbons

[Anna]

on the bar at the Bull.

[Ursula]

You know, what about all the comments online? When a woman brings up toxic male behavior, she gets accused of man bashing and worse.

[Anna]

But that's why these campaigns are so important.

[Lillian]

Yeah. I keep thinking about how to get it right from the start. How do we raise boys so they grow up to. To understand consent, respect, equality. I mean, these violent men weren't violent babies.

[Martha]

David and I, we've always tried to talk openly and honestly with all three kids about what healthy relationships look like.

[Ursula]

But we still praise emotional literacy in girls and toughness in boys. I hear it in the playground every day. In fact, I'm sure I do it myself.

[Pip]

Mum.

[Narrator]

Pip.

[Martha]

I didn't think you were joining us.

[Pip]

Sorry.

[Lillian]

Oh, you've missed the talk.

[Anna]

But why not have a cuppa?

[Pip]

No, thanks. I'll wait for you outside. Mum.

[Martha]

What's wrong?

[Anna]

Pip?

[Pip]

I feel terrible.

[Martha]

Should you be in bed?

[Pip]

No, no, I'M not ill, I'm just worried sick. And I've been looking things up.

[Martha]

Things like genetics, BRCA 1 and 2,

[Pip]

and there's about five or six other gentlemen that could be faulty. And it's not just breast cancer either. Some increase the risk of getting other cancers, like ovarian cancer.

[Martha]

You're bound to start panicking if you're doom scrolling the Internet. Where's Stella?

[Pip]

She's gone out with work. Ben's with Rosie.

[Martha]

Well, if I'd known you were going to be on your own tonight worrying, I'd have stared at Rickyard with you.

[Pip]

Mum, I don't need a babysitter. I need answers.

[Martha]

I think you've just got yourself into a sting, going down rabbit holes. You're panicking yourself because there's a reason.

[Pip]

Reason to panic. I'm 33 and I'm worried I'm carrying a death sentence in my DNA.

[Liberty Mutual Announcer]

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[Oliver]

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[Narrator]

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[Oliver]

Liberty.

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[Narrator]

A daffodil might look plain next to a lily, but on its own, there

[Kirsty]

is much to be admired.

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[Narrator]

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[Narrator]

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[Stella]

Where is Adam?

[Ursula]

Oh, don't panic, Ian. Here he is.

[Lillian]

Hiya.

[Narrator]

Hi, Alice.

[Stella]

Oh, just in time.

[Ian]

Sorry, I got to the office at 6:00am and suddenly it was almost 8:30.

[Lillian]

Oh.

[Narrator]

Oh, there's Martha. She's seen me.

[Ian]

What is this anyway? Star of the Week?

[Stella]

No, this is the Kindness assembly.

[Ursula]

It's so lovely that both Xander and Martha are getting an award.

[Ian]

I'm glad the teachers didn't witness the lack of kindness they showed each other over the bull cricket shirt design.

[Stella]

Well, I think it's lovely they recognize it as a strength nowadays. In my day, you were only ever rewarded for being the best. You know, the fastest, the cleverest. Kindness was a sign of weakness.

[Ian]

Oh, here comes Xander's cast. Oh, there he is.

[Stella]

Xander.

[Ian]

Oh, did you get a chance to talk to Brian yesterday?

[Ursula]

Yeah, I did.

[Ian]

What do you think? How did he see him?

[Ursula]

Did he tell you that Rory got that farm job in North Walsetshire and is moving out? So weird. Dad makes this big fuss about staying in Blossom Hill for Ruri's sake, and now he's going to be there alone.

[Ian]

It does sound odd. Have you spoken to Rory?

[Lillian]

Yeah.

[Ursula]

I mean, I sent him a voice note saying congratulations, but I mean, I don't even really know what job he's got. Dad was vague about that, like he

[Anna]

is about everything at the moment.

[Ian]

I wouldn't blame Rory for jumping ship. Probably worried he'll get landed with the role of carer.

[Ursula]

It didn't look like dad needed a carer. When I saw him yesterday, he was cleaning the kitchen like his life depended on it.

[Stella]

Signs they could prove. Pretty standard corporal mechanism.

[Anna]

But coping with what?

[Ian]

Rory moving out. I assume that's what he admit.

[Alan]

Yep.

[Ursula]

Honestly, he seemed fine about it. Almost too fine.

[Ian]

What do you mean?

[Narrator]

I don't know.

[Lillian]

Maybe.

[Ursula]

Well, there was a kind of manic edge to him.

[Ian]

Manic how?

[Narrator]

Oh, sh.

[Stella]

It's starting.

[Kira]

Oh, it's so nice to have a slightly more relaxed start to the day. I do feel a bit guilty about having a lion when I know you've already been up for hours.

[Pip]

I don't mind.

[Ursula]

Oh, that's a cute painting.

[Pip]

Yeah, Rosie did it yesterday while Ben was babysitting. It's me.

[Narrator]

Very good.

[Kira]

Oh, but she's amazing. You look a bit sad, Pip.

[Kirsty]

Has she.

[Martha]

Hey.

[Amber]

Oh.

[Narrator]

Oh, Pip, come here. What is it? What's wrong?

[Pip]

I don't know. I mean, I know I don't have breast cancer. Well, at least I didn't three weeks ago.

[Kira]

Which means you don't.

[Pip]

But my body can't let go of the fear. I want to be tested for the BRCA gene variant.

[Kira]

Then I think you should be.

[Pip]

I can't have the test unless Mum tests points positive. And Mum is behaving like we have all the time in the world and I just don't get it. She was younger than I am now when she had her mastectomy and I might already be living on borrowed time.

[Kira]

Okay, tell me what you want.

[Pip]

I want to know for sure. Because if there is anything I can do to make my chances even a little bit better, I want to do it.

[Kira]

Yeah, I'd feel the same. And, well, I've been doing some research too. I looked into private testing. At three in the morning? Yeah. They send you the test, you send it back to the lab. Bit like those family ancestry kits. A spit in a pot kind of thing.

[Pip]

So you buy it on the Internet. Well, you know what Mum and Dad are going to say about that?

[Kira]

Well, I mean, they'd be right to be cautious, but lots of companies say seem legit and you get the results pretty quickly.

[Pip]

I bet it cost a fortune.

[Kira]

I can put it on my credit card.

[Pip]

Really?

[Kira]

Definitely.

[Pip]

But where do I start?

[Kira]

Well, have you thought about ringing a helpline?

[Pip]

Is there one?

[Narrator]

Let's see.

[Kira]

Find me a helpline to discuss BRCA testing for breast cancer.

[Narrator]

There you go.

[Kira]

I'll forward it to you. You could ring someone later today.

[Pip]

Okay. Yeah, it's a good idea.

[Kira]

I wish I didn't have to go in. I'd rather be here with you.

[Pip]

Oh, I'll be fine. Honestly. The thought of talking this through with someone who properly knows their stuff makes me feel better. Less bad, anyway.

[Ursula]

So you want to talk about dad?

[Ian]

It's not that I want to. I think we have to.

[Ursula]

About dementia. I'm still worried about that.

[Ian]

It sounds like he's swinging from manic to low. And there's his confusion, his inconsistency. It all points to a worrying pattern.

[Ursula]

When he was getting annoyed yesterday, asking me to repeat things. I wonder if he just needs a hearing test. I mean, if he's missing things. If things sound muffled, that would add to his confusion.

[Ian]

But it wouldn't explain everything. Obviously, Brian's health is the major concern for all of us, but we can't afford to start losing income because of the crazy decisions he's making.

[Ursula]

Will it come to that?

[Ian]

I'll be frank. Yes, absolutely. You realize he could finalize this. This bonkers caravan storage deal any day.

[Lillian]

Then what do we do?

[Ian]

We need an intervention.

[Ursula]

Like what? We ask him to retire again?

[Ian]

Something like that. But we formalize it at the partnership meeting with all of us on board.

[Ursula]

I don't Know it feels like we're plotting behind his back.

[Ian]

Look, if Brian was okay, then I'd share your unease. He's borderline aggressive. At the mere hint from anyone that he might need to let go of

[Ursula]

power, he's not aggressive.

[Ian]

If one of us raises concerns, he'll bang his fist on the table and silence us. That's why. Why we need to present as a united front. Kate and Debbie are with me, but we need you.

[Anna]

All right.

[Ursula]

Okay.

[Ian]

You support me.

[Ursula]

Yes. I just. I hope he'll listen to us. Stop trying to pretend everything's fine and accept help.

[Stella]

Hey, you two.

[Ursula]

Oh, how's life behind the scenes at Great Gables, Ian?

[Stella]

Oh, well, pretty good, actually. I just had a meeting with Oliver and Andrew. Looking at the new acting manager.

[Narrator]

Oh, congratulations.

[Kirsty]

That's amazing, Ian.

[Ursula]

Oh, so well deserved.

[George]

Thank you.

[Stella]

I'd like to invite you both to a celebratory lunch in my office Chef special.

[Narrator]

Oh, gosh, I wish I could, but

[Ursula]

I'm leading a hack at lunchtime.

[Den]

Are we talking with a beef loin?

[Stella]

I was thinking more of an off menu special of microwave beans on my butter toast.

[Ian]

Actually, that sounds fantastic.

[Oliver]

Good.

[Stella]

Meet me in reception at 1.

[Brad]

Hello? Hi, this is the Hereditary Cancer Support helpline. My name's Kitty.

[Pip]

Oh, I'm Pip.

[Brad]

How can I help you today, Pip?

[Pip]

Okay, well, I had a cyst, but before I knew that, I thought it was cancer because my mum had breast cancer. So at 31 and I'm already 33. And now we're thinking about the possibility that my mum has the BRCA gene and if she has that, I might too. But everyone keeps telling me I've had the all clear and expects me to be relieved, but I'm not. I'm actually feeling like crying most of the time.

[Brad]

Yeah, I understand you've had a scare. BRCA gene variant testing has been mentioned and there's lots of information flying around with no clear answers.

[Pip]

Yeah, yeah, that's exactly it.

[Brad]

Then I'm pleased you found our helpline and I'll do my best to answer your questions.

[Pip]

Okay, so the first thing I don't get is that if they think it's worth testing my mum, why aren't I entitled to a test?

[Brad]

I know it might seem unfair, but at this stage, you're not eligible under NHS guidelines. That will change if your mum is found to have alterations to the BRCA 1 or 2 sheet. You and any siblings will then also be eligible for testing.

[Pip]

Yeah, but if my mum decides to have the test, she'll be on A waiting list. And she might not even go for it. And she hasn't decided yet.

[Brad]

It's a very personal decision.

[Pip]

Well, yes, it is and it isn't. I'm trying not to be annoyed with her, but she's holding it up for all of us.

[Brad]

You and your siblings?

[Pip]

Yeah, I've got two brothers. One's okay with mum testing and the other one doesn't want to know, which is probably why she's not getting on with it.

[Brad]

Everyone has to make a decision decision that's right for them. But feel free to pass on this number to your mum and brothers. It sounds like it might be helpful for you all to get more information while your mum makes her decision.

[Pip]

Yeah, or I can just forget the waiting lists and pay for a private test. I mean, I hate the thought of queue jumping or I thought I did, but I've got a daughter and.

[Brad]

Oh, it's all right. Take your time.

[Pip]

Look, I know that buying a test online is probably a bad idea, but I'm desperate.

[Brad]

Well, I can't recommend any particular online test, but I can give some advice on what to look out for to avoid scams and poor quality service.

[Pip]

Can you? Hang on, let me grab a pen.

[Brad]

Okay, look for lab accreditation. Read reviews, though. Take them with a pinch of salt as you would when buying anything online. Only order one that includes pre and post test counseling. And finally, check exactly what the gene panel is.

[Pip]

And can I just check? If my mum does have a mutation to her BRCA gene, then that means there's a 50% chance I've inherited it.

[Brad]

That's right. But we call it an alteration now, not a mutation. So that's a phrase you might see when you're reading about it.

[Pip]

And if I have it, there's the same 50% chance my daughter has it too?

[Brad]

Yes. These are all things the counsellor will talk through with you if you decide to go ahead and order a test.

[Pip]

But what if it comes back positive? Like what?

[Brad]

Then most likely the NHS will want to do their own test before offering any options. Would you like me to talk them through with you now?

[Ian]

Hmm. Gourmet beans on toast.

[Stella]

I'll let you know my secret. White sliced bread, salted butter, 10 beans.

[Ian]

Groundbreaking.

[Stella]

Better than a beef carpaccio with gherkin Moose.

[Ian]

It's close. Well, it's nice to celebrate. Maybe. This is our time manager of Grey Gables Home Farm. Within grass.

[Stella]

Although we must also remember to keep striving for our kindness badges.

[Ian]

Of course. But a taste of power would make a nice change from tinned beans.

[Pip]

So if I tested positive for the BRCA1 or 2 gene, what then?

[Brad]

At this stage, what's important to really take in and understand is that once you know the result of the test, you can't unknow it.

[Pip]

Yeah, but not knowing is tight.

[Alan]

Terrifying.

[Brad]

Look, have a think and discuss things with your fiance. You can always ring back if you have more questions.

[Pip]

Thanks. Really, it's been so great to talk to you.

[Brad]

Look after yourself.

[Pip]

Yeah, you too. Bye.

[Kira]

Bye.

[Brad]

All the best.

[Kira]

Was that the helpline?

[Narrator]

Yeah.

[Pip]

She was nice.

[Kira]

Sorry I missed it.

[Anna]

Tell me what they said.

[Pip]

Well, I've decided to go for it. To order a private test online.

[Kira]

Was that what they advised?

[Pip]

No, but she said plenty of people do it. I just have to be careful to check who I go with.

[Kira]

Okay.

[Pip]

I'll know in four to six weeks. If I'm negative, then Mum, Ben and Josh can do what they want.

[Kira]

And if it turns out you have the mutation?

[Pip]

Well, it's called a gene alteration.

[Lillian]

Right.

[Kira]

Well, what then?

[Pip]

Well, I deal with it.

[Kira]

But what exactly does that mean?

[Pip]

It depends. It's not like they force you to have surgery.

[Narrator]

You can just carry on being monitored for breast cancer.

[Pip]

Yeah. Though I think she said your ovaries are more tricky to monitor. Fewer symptoms.

[Kira]

Right, well, we'll worry about that if we need to. But for now what? We just choose the test and then order it?

[Pip]

Yeah, and there'll be a pre test counseling phone call.

[Kira]

Okay. And then are we telling your mum and dad about this?

[Pip]

No, not yet.

[George]

No.

[Pip]

I don't want them or Ben judging me for buying online. And I definitely can't handle Josh ringing up and shouting at me. I don't want to have to deal with what other people think. I just want to know.

[Anna]

Tea, Mom?

[Narrator]

Please.

[Martha]

Ruth. Oh, I said to Pip, I'll check on the grass this morning, but I'll sneak a biscuit if that's not too cheap.

[Anna]

Have as many as you like, Ruth. Take some for David. Though. Jill and Leonard have probably baked biscuits for Brookfield already this morning.

[Martha]

I wish. Jill hardly bix anymore. I think it's getting harder to stand for very long.

[Anna]

Well, get on one of those perch stalls Anna's been going on about.

[Martha]

Well, you missed a treat at the WI on Tuesday, Carol.

[Anna]

Oh, I was tired after my bat and beaver lessons. Cursed really is fascinating. I think my talk was pretty interesting too. I'm sure it was. But I already know your views on the legal system and this so called pandemic of violence.

[Martha]

You think it's Being exaggerated?

[Anna]

I didn't say that. I just think it's no different than it ever was. What's that?

[Narrator]

That flying saucer thing?

[Martha]

That's a drone. Belongs to George Grundy.

[Anna]

Have you got that Grandy boy spying on me now, Anna? Strangely enough, no.

[Martha]

They're filming for the county shore. Him and his fiance, Amber. They've got some great footage so far.

[Anna]

Well, I don't like it. It's like you'd see in a spy film.

[Martha]

How long are you staying for, Anna?

[Anna]

Oh, annoyingly, I have to be in court in the morning, so I'm heading home tonight. But I'll be back soon. There's no need. I'm perfectly fine. Fine on my own. I just worry that if something happens, I won't know until it's too late. You hardly ever answer your phone when I ring. I've got my pendant. Isn't that what it's for? My trusty alarm. But you're not wearing it. Well, why would I need to when you and Ruth are here? When I'm on my own, I'll wear it. You promise? Ruth, have you forgotten about Pip's grass by the. You might as well have had a cup of tea if you're staying anyway.

[Martha]

No, you're right.

[Narrator]

I better get going.

[Anna]

Oh, the side gate should be open.

[Ursula]

Great.

[Martha]

Hope you have a smooth journey home, Anna.

[Narrator]

Bye, Carol.

[Anna]

Thanks again.

[Lillian]

Bye.

[Anna]

Bye, Ruth.

[Pip]

Bye.

[Anna]

You know, you could come back to Warwick with me until your grab rails are fitted. No, thank you. I'm very happy here. Then you have to wear your pendant all the time. I never said I would.

[Narrator]

Wouldn't.

[Anna]

And another thing. Have you been sleeping downstairs? What do you mean? Your bed's not been slept in. I changed it and it hasn't been touched. The noise from the attic was keeping me awake. I thought it might be rats for a moment. I was worried they might fall through the ceiling and chew on my face. Oh, but you're not worried about the bats? No. And yet you're still not sleeping in your bed. That's right, Poirot. Because I like sleeping on the sofa. Watching telly helps me nod off. And if I wake in the night, I make myself a cup. Mum, just be honest with me. Are the stairs too much for you?

[Lillian]

No.

[Anna]

And are you getting washed down here, too?

[Narrator]

Oh, really, Anna.

[Anna]

That's none of your business. Why don't you think again about a little respite? Stay at the Laurels. Just one, while you get back on your feet. It might be nice to have a lovely bedroom. On the ground floor with an ensuite. You'd have to drag me there kicking and screaming. Oh, well, then it's back to looking into stairlifts. Why not see if you can get the council to find a helicopter for me? What are they doing? Practicing. At this time of day? Do you want to go in? No. No, I don't. I like it. They do sound a bit off. Not like normal.

[Pip]

Hi, Mum.

[Kira]

Hi.

[Martha]

I was gonna do that. Pip just got caught longer than expected at Carol Tregoran's.

[Pip]

It's fine. Anyway, turns out you're right. Being busy definitely helps to keep your mind from spiraling.

[Martha]

Do you feel like you're spiraling?

[Anna]

No.

[Pip]

No, I was being dramatic.

[Martha]

I can take over now if there's anything else you need to do.

[Pip]

Oh, actually, that would be great. I have to drop Rosie's lunch off at school.

[Kira]

Oh, no.

[Martha]

Did she forget it again?

[Pip]

Well, actually, it's not her fault. I forgot to even make it.

[Martha]

I'm not surprised. You look tired.

[Pip]

I'm okay.

[Martha]

I know what you need. A proper night out with Stella after the stress and drama of the last few weeks. Why don't you go and see a film and get something to eat? I'll babysit Rosie.

[Pip]

Thanks, but actually, all I want to do is get in my pajamas as soon as Rosie's home and watch kids films with her.

[Martha]

Then at least let me bring over some dinner for the three of you. See if you're having to cook.

[Pip]

I don't need cooking for. And Stella's going to the quiz at the Bull with Hannah.

[Martha]

Then can't you go with them? It'll do you good.

[Pip]

I already said I want a quiet night in with Rosie.

[Martha]

But remember, Rosie might have other ideas. Quiet isn't exactly her style.

[Pip]

But then I'll have a noisy night in. Is that all right?

[Anna]

Are these the photos you wanted? Let me see. Oh, yes. Where did you find them? Oh, at the back of the second bedroom, under bags of clothes, Christmas decorations and an old suitcase full of pottery. I haven't seen some of these for decades. Mum, if you stayed at the Laurels for even a few days, I could tidy up here. At the same time as the grab rails are being fitted, you'd come home to a house transformed. I don't want my house transformed. You didn't want Pip to do the garden at first and now you're happy with it. Cutting back some long grass is hardly the same as taking over the house. And I don't want to go to the Laurels. It's Cloying. Peggy liked it there. If I like the same things as Peggy, I'd have married Jack Woolley and have an old lady hairstyle. Peggy was always the height of glamour. Who's in this photo? Let me see. A young man in a suit. Oh, is it James? That's him. James Bellamy. I don't want it. You can throw it out. That's a bit harsh. Well, I'll do it, then. Give it here. No point hoarding things. That boy was always my least favorite godchild. Oh, Richard. Look at him, Anna. Yeah. Now, if he was alive, he wouldn't be trying to stuff me in a nursing home. I'm not trying to stuff you in a nursing home. That's probably exactly what Richard would have done, since he never seemed that eager to visit. Can you find me all the photos of Richard so I can make an album to keep beside me? Well, there you go, Mum. You can do that yourself while I check on the lasagnas and beef pies.

[Martha]

That looks very much like a Leonard baking an avocado stack sandwich.

[Pip]

It is. He insisted on making it for me.

[Martha]

How come Leon is allowed to feed me daughter when she's feeling under the weather and I'm not?

[Pip]

I'm tired. Not under the weather.

[Martha]

You could afford me.

[Oliver]

Can you stop?

[Pip]

Mum.

[Narrator]

I wasn't getting it.

[Lillian]

You.

[Pip]

It sounds like you are.

[Martha]

What's wrong? This is about me getting tested.

[Narrator]

I don't know.

[Ursula]

Maybe.

[Martha]

I know you're worried and not knowing. It's hard that you have to wait for my result. But if anyone thought you were high risk, you'd be referred to based on statistical risk.

[Pip]

No one knows what's actually happening inside me.

[Lillian]

True.

[Pip]

Do you know you can buy private tests on the Internet?

[Ursula]

I do.

[Martha]

Of course I do. But I can wait. And I trust the NHS more than I trust some firm set up to make money out of vulnerable people.

[Narrator]

That's not always the look, Pip.

[Martha]

It's hard. But right now, all you can do is control what you can control. So if I were you, I'd try to focus on the good things. You have a wedding to plan.

[Pip]

You know, if I thought Rosie might have the gene, I'd have a test in a heartbeat if I was offered one. Are you holding off because of Josh?

[Martha]

No.

[Narrator]

Definitely not.

[Martha]

Of course I'm interested in what he thinks. I want to listen to all of you. But in the end, I need to be sure that I'm making the right decision for myself.

[Anna]

Sorry, Mum, that was the chambers. I'll have to leave sooner than I thought. Oh, don't apologize on my account. Right, I've put bedding at the end of the sofa, so at least you'll be comfy until we get something more permanent. Sorted. Where's your pendant? Oh, I don't know. Put it down somewhere. Mum, I'm not leaving unless you have it. Do you ever think about what it's actually like for me that I can't pop home in my lunch break to check on you? That's a blessing. But are you listening to me? I'm really listening. Wearing your pendant is the bare minimum. And it would be good if you answered your phone once in a while. Well, if you stop ringing me so much, you won't have to worry about me not answering. Well, if you won't even wear a pendant, then I'm going to look into getting cameras installed. At least then I'll know if you've fallen down the stairs. No cameras. Fine. Then I'll have to move to Ambridge myself. No. I'm tired, Mum. Well, then leave. I'm not asking you to tie yourself in. Not sorting out my life. I'm fine. Brook Fielder there if I need them. And Alan. Yes, it's really kind of them all to be on call in an emergency. But in the end, making sure you're okay isn't Ruth and David's responsibility. It's mine. Well, who was that? Chambers again. I'll call them back in a minute. Well, go on, get going. I'm going to spend a quiet afternoon sorting through these photos of Richard. Ok. I'll ring them back after I've portioned up the food and put it in the freezer. I'll leave one out on the side for tonight. Which you prefer, lasagna or pie? I'd actually prefer custard creams for my dinner. I'll leave out the pie.

[Lillian]

Mm.

[Anna]

You know, I was talking to Helen Archer yesterday about your WI talk.

[Lillian]

Oh.

[Anna]

She was saying how brilliant it was and that I must be very proud. And what did you say? Well, I said, she's my daughter. Of course I'm proud of her.

[George]

I'm really annoyed, actually. David thought the reel I'd put together was brilliant. Even you thought it was pretty good.

[Amber]

It was.

[George]

So how come I'm hardly getting any views?

[Amber]

Have you done all the things I said you should do? Like the time you post matters. And that might change on different days. See? You posted this in the afternoon. I said to wait for the evening when everyone's online.

[George]

It's not like it disappears, though. They could still look at it in

[Amber]

the evening, but really it does disappear. If you time it wrong, it kind of dies. The algorithm knows no one is seeing it and it loses momentum.

[Martha]

Also.

[Pip]

What?

[Amber]

The star is all wrong. He left it with the music and the slow shot of Fields.

[George]

Yeah, because it's arty.

[Amber]

I suggested you have a big punchy opening. Something incredible is coming to farmland near you. You have to stop people from scrolling past. Oh, and what are these hashtags? They're way too generic.

[George]

Alright, alright. What if I say I got some things wrong and I need you?

[Amber]

Then I'll be happy to help.

[George]

I just don't want you to talk to me as if I'm stupid.

[Amber]

I don't think you're stupid. I can't milk cows or fly the drone, but I'm not going to pretend I can't do something I'm good at just to massage your fragile man ego.

[George]

You know what? You sound like a feminist.

[Amber]

Is that supposed to be an insult? Surely you're a feminist too, George. Because if you're not, what are you?

[George]

What do you mean?

[Amber]

If you're not a feminist, then Are you saying you don't believe in equal rights for women? Equal opportunities?

[George]

No. I mean, I do. I just don't want it shoving in my face all the time. Because really, if you look at posts online, it's obvious most feminists nowadays are anti men. Everything's blamed on us. It's getting ridiculous.

[Amber]

Alright, I suggest you stop before you lose a fiance and a business partner. In fact, what would be really great is if you actually stopped being defensive for a minute and helped us.

[George]

Who am I helping?

[Amber]

Women, obviously.

[Narrator]

But to do what?

[Amber]

I don't know. To make the world better, make things more fair. It's like the speaker at the WI was saying the other day, Anna Tregoran. There are inequalities in health, in finances, even city planning, and all the stuff about the law. Oh, she knows so much.

[George]

That woman has a lot to answer for.

[Lillian]

Oh, there you go again.

[Amber]

Instead of being so negative, why don't you help call out toxic male behavior when you see it?

[George]

Hi. Don't forget, I chased that creep in Borchester Station who was upskirting that woman. I don't just call it out, I avenge it.

[Amber]

So you'll join the not in my name pledge then?

[Narrator]

The what all okay here?

[Amber]

Yeah, George was just asking about those white ribbons the WI left on the bar. How does he donate?

[Kirsty]

Oh, well, money in the box, George. And help yourself to a ribbon. It's Wonderful. You're supporting the cause.

[George]

No worries.

[Alan]

Here you go.

[Amber]

Let me pin it on for you. There. Now you are a proper ally.

[Eric]

Ah, Kirsty, there you are. Rex said he thought you were in the office.

[Lillian]

No, I'm just heading there now. I'm just about finished. Once I've logged the results of this butterfly survey and I'm done for the day.

[Narrator]

Want to walk with you?

[Lillian]

Of course. I'm gonna pop in to let Carol Tregorin know how I got on. She was so interested in everything. Did I tell you she's got bats in her attic?

[Eric]

That euphemism.

[Lillian]

Actually, she's as sharp as anything, but getting frail, I suppose.

[Eric]

Well, that's not surprising, is it? She's about 150.

[Lillian]

I think her daughter's really worried about her. She doesn't live nearby, so it gets tricky sometimes to know what's best. I'm grateful my parents always seem to be so robust, healthy. Oh, no, Our baby's gonna have two ancient parents to look after.

[Eric]

Well, or maybe they'll hardly get to see us at all because we'll be off adventuring all the time.

[Lillian]

What, together?

[Eric]

Yeah, if you want.

[Lillian]

Did Rex show you the Campbell set up in the storeroom? No, so I can have a cheeky afternoon nap. Any day that we've not got workshops on, I disappear for half an hour. Otherwise I feel like a zombie.

[Eric]

Yeah, well, you are making a whole new human.

[Lillian]

Exactly.

[Eric]

I don't want to leave.

[Lillian]

It's all right.

[Eric]

I wouldn't if I didn't have to.

[Lillian]

I know, but it really is fine. Though it has been brilliant having you around. Haven't laughed as much in ages.

[Eric]

Since Belgium. That man with the chocolate moustache.

[Narrator]

Moustache, Moustache.

[Eric]

I really meant it, you know, when I said I'd support you.

[Lillian]

I know you did.

[Eric]

And not just financially, because you're great.

[Anna]

Thanks. I'm pregnant.

[Lillian]

I know.

[Eric]

But also really amazing.

[Lillian]

Eric, Are you okay?

[Eric]

Yeah.

[Narrator]

But

[Eric]

I wanted to ask. Will you marry me?

[Martha]

What?

[Lillian]

You idiot.

[Narrator]

Oh, sorry.

[Lillian]

You're not joking.

[Eric]

No. Okay, look, I've done it all wrong. Should I be on one knee?

[Narrator]

Hang on, hang on.

[Eric]

I should have got you a ring at least. Here, look, there's a twig. Okay, this will have to do for now until I get organized. If I twist it into a circle. Hang on.

[Lily]

There we go.

[Eric]

A ring. Now, will you marry me, Kirsty Miller?

[Lillian]

I'll have the twig ring. It's just my style. I don't need to marry you.

[Eric]

Really?

[Narrator]

Really.

[Lillian]

Oh, I'VE been there. I'm never going there again. I think you're great too. Fun. And you're lovely.

[Eric]

You're definitely much lovelier.

[Lillian]

Let's just see how things go. Be there for our baby. That's the main thing.

[George]

Alright, so what you're saying is if I follow this plan, dates, times, hashtags, everything, then the algorithm is more likely to keep putting my posts in front of people.

[Amber]

Yeah. There's no point having the perfect reel that nobody sees.

[George]

Okay. And you think we'll be able to work together from now on without falling out?

[Narrator]

Absolutely.

[Amber]

We just have to recognize our separate strengths and play to them. Not just for this agricultural show. Be even more important.

[George]

When the baby's born, I'll teach it to play cricket. And you can change its nappies.

[Narrator]

I don't know about that.

[Amber]

I've got a feeling you'll be the master nappy changer. Award winning. They'll call you the diaper man when you fly in with your cape and your magic nappy rash cream.

[George]

Hey, you're not going to flatter me into doing the worst jobs.

[Kirsty]

One portion of chips, ketchup and two forks. Sorry about the wait.

[Narrator]

Thank you, Lillian.

[Amber]

Let me just move those.

[Kirsty]

What's this you're planning world domination?

[George]

Something like that.

[Amber]

It's actually our social media campaign for the Borchester show. George has been getting some absolutely stunning footage using the drone.

[George]

Brian invested in aerial shots of local farmland.

[Amber]

It was so kind of Brian to step up like that.

[Martha]

Yeah.

[Kira]

Yes, it's.

[Kirsty]

It really was.

[Alan]

All right.

[Narrator]

To the ball.

[Rory]

Have you got everything? Passport, phone charger?

[Eric]

Oh, no, charger's still plugged in beside the bed.

[Lillian]

Oh, here's the keys. I've got to go and grab it.

[Eric]

Yep. Thanks. I'll just be a minute.

[Lillian]

Okay. Hurry up.

[Rory]

I hear Eric proposed to you and you turned him down.

[Lillian]

Is that is what it told you? Because somehow that makes it sound way more harsh than it was.

[Rory]

He seems happy enough to be rejected.

[Lillian]

Oh, good. Well, that's what I thought. No marriage needed.

[Rory]

But you are going to need dependability. Getting married would guarantee you that. I. I know Eric is the fun brother, but he's. He's not famous for being responsible or reliable or around much.

[Lillian]

I'm well aware Eric is the king. King of footloose and fancy free. And actually, I hope this baby inherits some of his schwada vivre. It's not a bad trait to have in a world that's looking pretty bleak right now.

[Rory]

That's another thing. Logically Having a baby at a time like this makes no sense.

[Kira]

Right.

[Narrator]

Good.

[Rory]

You know, but when Phoebe had Peg, suddenly logic, well, it was completely inadequate. There she was, new new little human. And she made perfect sense. Got it.

[Ian]

Now, to the pub.

[Eric]

Farewell drinks are on me.

[Rory]

I'm driving you to the airport.

[Lillian]

And I'm pregnant.

[Eric]

Oh, brilliant, you two.

[Narrator]

Such cheap dates.

[George]

Here you go, Lillian. Or empties.

[Kirsty]

Oh, thank you, George.

[George]

It's nice to be alone in the bull again. And playing in the cricket team too.

[Kirsty]

Yes, well, we're very pleased to have you back. And I'm 100% sure you'll never find for one moment step out of line in here again.

[George]

I thought there might be an or else attached to that.

[Kirsty]

Oh, because that would be a threat. And I'm not usually in the business of making threats to young fathers to be good.

[George]

Oh, and Amber wants a dessert. The fruit pie, if you have it.

[Kirsty]

With cream, custard or ice cream.

[George]

Hold on, I'll go check.

[Eric]

Where do you want these, Lillian?

[Kirsty]

Oh, I'll take them. Thank you. Are you off then, Eric?

[Eric]

Yeah. Flying to Helsinki first thing in the morning. Staying at hotel at the airport tonight.

[Kirsty]

It's all right for sound.

[Rory]

I would hate that life. Cramped flights and vast conference rooms. Ooh, people talking.

[Lillian]

These two are chalk and cheese, Lillian.

[Narrator]

And both completely adorable.

[Rory]

We better get off, eric. We said 5:30.

[Narrator]

Yep.

[Ian]

Okay.

[Eric]

Come here, Kirsty. Gonna miss you.

[Lillian]

Oh, I'll miss you too.

[Kirsty]

Oh, so sweet.

[Alan]

Bye, Lillian.

[Anna]

Bye.

[Lillian]

Drive carefully, Yakov.

[Rory]

I will.

[Kirsty]

Don't you worry.

[Lillian]

He always does.

[Anna]

Oh, hey, Amber.

[Narrator]

You okay? I'm not sure.

[Amber]

I keep getting these weird feelings, like flutters. And I wonder if it could be baby. Maybe. I can't really tell if it's. If it's just something else or I'm imagining it.

[Lillian]

Oh, was that the fluttering again?

[Amber]

Kind of, but.

[Narrator]

But more. More certain.

[Amber]

I. I really think that was a little kick.

[Narrator]

Oh, Amber. Can you believe it, Kirsty? The baby's actually kicking. Sorry, you hardly know me.

[Amber]

And now I'm holding your hands and crying in the pub toilet.

[Lillian]

Oh, that's really exciting. It's beautiful, Amber. Cubicles, dryers, a dripping tap and a baby's first kick. Maybe you should go and tell the baby's dad the good news.

[Amber]

Yes.

[Narrator]

Yes, I'll go and tell George it. Sam, could you talk about being invisible or double denim?

[Anna]

Who knows what's next on the new

[Narrator]

series of Just a Minute. Belting out a rendition of Golden.

[Anna]

Whatever the topic, our panel has just a minute to speak without hesitation, deviation or repetition. Join Zoe Lyons, Desiree Burch, Paul Merton and many more for the new series of Just a Minute With Me, Sue Perkins.

[Narrator]

It's funny because it's True.

[Anna]

Listen on Radio 4 and the full box set is available now on BBC Sounds.

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[Narrator]

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