17/08/2025

Summary

The Archers Omnibus – Episode Summary

Podcast: The Archers Omnibus (BBC Radio 4)
Date: August 16, 2025
Episode: 17/08/2025
Theme: The week’s events in Ambridge – Village fate aftermath, community resilience, personal dramas, friendships, and the impact of big changes at Home Farm and the village shop.

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Main Theme or Purpose

This episode centers on the aftermath of the Ambridge village fete at Grey Gables, exploring the highs and lows of community spirit, personal relationships, and the ongoing challenges faced by Ambridge’s residents. As the dust settles from the big event, storylines track Linda’s anxiety over having neglected to thank Akram, Brian’s troubled dynamic with Stella following her resignation, and the struggle to secure a future home for the village shop. Several lighter community moments—tug of war, feuding over snacks, kebab takeaways—balance out more poignant scenes of friendship, disappointment, and self-reflection.

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Key Discussion Points and Insights

1. The Aftermath of the Village Fete

• Event Management & Praise/Oversights: Linda worries about forgetting to publicly thank Akram for his help, feeling she’s let down someone crucial to the fete’s success. Zainab and others notice Akram’s omission, stirring tension.
  • “The fete would have fallen apart without Akram.” (Linda, 18:31)
  • Linda’s guilt leads her through self-flagellation and thoughtful apologies, culminating in reconciliation with Akram (32:01).
  • Tug of War Victory & Community Fun: The tug of war is a focal point for competitive fun and village banter, with the Ambridge team coming out on top after a comically intense match (08:33).
    • “Ambridge win—round!” (Lillian, 08:32)
  • A slew of lighthearted puns and village in-jokes keep the tone upbeat.

2. Village Shop Struggles and Bold Moves

• Lost Location and Survival Plans: Susan laments the shop's continued homelessness and poor sales against competition. The idea to relocate the shop to St. Stephen’s church (pitched by Zainab) is greeted with hope but tempered by practicalities.
  • “You know what, you should move into St. Stephen’s. Alan wants more villagers to come into the church, and you want peace and quiet.” (Zainab, 26:04)
• Negotiations and New Home Hope: The vicar (Alan) is hesitant but supportive; issues of rent, insurance, and permissions arise.
  • The shop and church debate the merits of a nominal rent, eventually aligning fundraising for font restoration with the rental arrangement (57:10).
  • “We could stretch to paying a nominal rent each week to raise the money to get the work done.” (Neil, 57:09)

3. Drama at Home Farm: Stella’s Resignation

• Conflict and Cooling Off: Brian’s fallout with Stella over the BL wheat harvest is a source of widespread concern and gossip.
  • “My reaction to you bringing in the BL harvest was unwarranted. I was angry. My pride was hurt. And that led to you to seeing the worst of me.” (Brian, 41:16)
• Stella Stands Firm: Stella, weary of Brian’s volatility and undermining, refuses all attempts at persuasion or offers to incentivize her return.
  • “My decision is final. I won’t be coming back to work at Home Farm.” (Stella, 42:12)
  • The moment is both respectful and final, marking the end of an era at Home Farm.
  • “I’ll let Stella enjoy a few days off and then turn on my famous Aldridge charm and eat that humble pie.” (Brian, 43:43)
• Community Repercussions: Pip, Adam, and others anxiously discuss the harvest and Stella’s departure, and the possibility that Brian may be overwhelmed.

4. Personal and Interpersonal Turmoil

• Linda’s Self-Doubt: Linda’s obsessive guilt over Akram reveals both her high standards and her vulnerabilities. Robert, Lillian, and Akram help her regain perspective.
• Juggling Responsibility and Loneliness: Kate postpones moving in with Kirsty to care for Brian, showing split loyalties and concern for her father’s well-being.
• Support Networks: Several scenes across the episode emphasize the value of friends, e.g. Martin Gibson’s heartbreak after Marlene bails on their double date, with Tracy and Jazzer offering comfort (72:20).

5. Ambridge Lightness and Community Life

• Double Date Disaster: Jazzer and Tracy are reluctantly roped into a double date with Marlene and Martin Gibson, which turns into a comical tale of nerves and cold feet (68:41).
  • “I can’t believe it. Sitting opposite that man, being forced to watch him chew gristle.” (Jazzer, 59:13)
  • Marlene ultimately cancels.
• Moving Plans and Friendship: Kirsty’s excitement about Kate moving in is dashed, but the episode ends with an air of optimism and adaptability in Ambridge life.

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Notable Quotes & Memorable Moments

• “Never underestimate the strength of a farmer. They never let up.”
  (Linda, 09:10) – Village fate pride after the tug of war.
• “From now on, I’ll write myself a list of people to thank on an index card.”
  (Linda, 63:31) – Learning from public mistakes.
• “You know, I often think about how the church used to be at the centre of village life. Like this. All ages gathering in one place, every pew full.”
  (Alan, 25:31) – On community spirit.
• “My decision is final. I won’t be coming back to work at Home Farm.”
  (Stella, 42:12) – Defining moment for Home Farm.
• “If Linda left the village every time she caused offense, she’d never be here.”
  (Adam, 24:32) – On Linda’s dramatics.
• “We might not be a charity, but there are people in the village who don’t have their own transport. The shop’s a lifeline for them.”
  (Susan, 56:19) – The real value of local services.

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Timestamps for Important Segments

| Timestamp | Segment/Event | | -------------- | -------------------------------------------------------------------------------------------- | | 01:05–04:11 | Pre-fete panic, logistics, and morale | | 04:13–06:44 | Susan and Neil’s sales woes; Tracy’s successful business tips | | 07:47–08:33 | Tug of war—Ambridge’s victory | | 09:01–10:29 | Linda and Dane debrief post-tug of war | | 11:26–12:43 | Public (lack of) gratitude—Akram’s contribution overlooked | | 14:10–15:33 | Adam and Brian discuss the fallout with Stella | | 32:01–33:32 | Linda and Akram reconcile—restoring friendship | | 41:04–42:47 | Brian’s apology to Stella and her refusal to return | | 50:06–54:36 | Martin Gibson’s double date buildup and banter | | 68:41–72:17 | Marlene's cancellation, Martin's heartbreak, and friends' support | | 55:05–57:32 | Susan, Neil, Alan discuss the village shop’s future in the church; rent vs. community benefit| | 63:09–64:53 | Linda and Lillian on management, memory, and aging grace | | 66:13–66:55 | Linda reassures Ambridge she’s not leaving the village |

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Tone and Language

The episode maintains classic Archers' balance: gentle rural eccentricities, sharp wit, and heartfelt honesty. Community pride and commitment run deep, with banter ("bear that in mind" (02:10)), bickering, and family affection. Frustrations, such as Susan’s and Linda’s, are played for both relatable tension and comedic effect. Throughout, the dialogue remains sincere, grounded, and peppered with local in-jokes and warmth.

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Conclusion

This episode follows Ambridge as it transitions from public celebration to private reflection—highlighting the village’s resilience, the strength (and fragility) of its relationships, and its unending appetite for togetherness and renewal. Whether wrangling over village shop logistics, comforting a heartbroken friend, or learning from missteps, each character’s small dramas serve as tributaries to the greater stream of community life.

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For those new to The Archers, this summary brings you face to face with the rich tapestry of Ambridge: its traditions, its trials, and its people—ready as ever to argue, forgive, and carry on.

Transcript

[A]

This BBC podcast is supported by ads outside the uk.

[B]

What do you think makes the perfect snack?

[C]

Hmm, it's gotta be when I'm really craving it and it's convenient.

[B]

Could you be more specific?

[C]

When it's cravinient.

[B]

Okay.

[C]

Like a freshly baked cookie made with real butter, available right down the street at am, pm.

[D]

Or a savory breakfast sandwich I can.

[E]

Grab in just a second at a.m. pM.

[B]

I'm seeing a pattern here.

[D]

Well, yeah, we're talking about what I.

[B]

Crave, which is anything from am, pm.

[C]

What more could you want?

[F]

Stop by AM pm where the snacks and drinks are perfectly craveable and convenient. That's Cravenians ampm. Too much. Good stuff.

[B]

BBC Sounds Music Radio podcasts.

[A]

You're listening to the archers omnibus from BBC Radio 4.

[G]

Dane, do you have a minute?

[A]

I'm not sure I do, Linda. I've got hotel guests turning up an hour early asking why their rides aren't open yet.

[G]

We'll simply refer them to the posters that clearly state we open at 12.

[H]

It's good they're keen.

[A]

If I thought we'd be ready to open at 12, I'd be less stressed. Lily's just had a call from Holliton Silver Band to say they're currently stuck on the bypass.

[H]

Oh, dear.

[G]

According to my schedule, Dane, you have them down to lead into the grand opening ceremony.

[D]

I know.

[G]

Well, at least you can rely on our village events to run like clockwork. Akram has been wonderful. You should see the teddy zip wire he's constructed with Ed and Emma.

[D]

I have.

[C]

When it was pitched at the meeting.

[A]

I imagined something like a washing line.

[G]

Oh, no. Whilst I admit I had my doubts about the teddy theme at first, in Anbridge, once we commit to something, we do it properly.

[A]

Linda.

[G]

Ah, he is at Crome now.

[A]

Morning, all. Linda, Joyce printed out my teddy rode the zip wire certificates. Lillian and I have discussed the flying bear commentary.

[H]

Yeah, I've got some great puns ready to go.

[G]

All clean, I hope. Remember, it's a family day.

[H]

Oh, yes. Well, I will bear that in mind.

[A]

That's possibly the worst bun I've ever heard.

[B]

I agree.

[H]

It is rather grizzly.

[A]

All right, well, if the zip wire is all set, maybe you could help me out with something for a minute. Akram, I've got. Would you pop over to the artisan village to check who still needs help connecting their card readers?

[G]

I'm sorry, dame, but you'd have to send one of your own staff members to help with that. Kirsty needs Akron to Sort and bundle the reeds for basket weaving up on my way.

[H]

The rewilding rural craft area looks so enticing. The bug bundling is gorgeous.

[G]

I'm hoping to find the time to do a little basket weaving myself this afternoon.

[A]

I'll be lucky to find the time to draw a breath, never mind weave a basket.

[G]

Oh, don't underestimate the power of mindfulness, Dane. Good management starts with a calm mind.

[H]

I hardly think Dane needs a lecture on event management.

[A]

Actually, I'll take all the help I can get.

[B]

Zainab, Hollerton, Silverband aren't going to make it for the opening, but the Edgeley Morris men are happy to kick off things instead.

[A]

Okay, great. And now I've got a job for you at the artisan village.

[B]

Sorry? Lily's already given me a long list of jobs. The Helter Skelter mats are missing and Kenton's just told us he doesn't want a referee. The tug of war.

[D]

What?

[A]

Is he okay?

[B]

He said he wasn't feeling up to it.

[D]

Oh, no.

[C]

I was just about to ask you.

[A]

For a final team list.

[B]

I'll try my best, but it's changing by the minute.

[A]

The way things are going, we won't have a team at all.

[G]

Whereas Ambridge has a full house as soon as Stella and Pip turn up.

[D]

Maybe they won't.

[B]

No, no, no.

[H]

They're already here. They're waiting patiently with Rosie. Both in great form despite all the harvest drama on Friday. And up for the challenge.

[B]

Oh, wonderful.

[G]

I often find volunteers from the community work far more effectively than paid staff. As long as everyone knows they're valued. Don't you think, Dane?

[C]

Yeah.

[A]

Ambridge does seem unusually fanatical about joining in.

[H]

Fanatical? Darling, if you want to see fanatical, you should go to Darrington.

[A]

Here you go, Susan.

[D]

Cup of tea and a piece of Jill's chocolate cake, fresh from the writer tent.

[A]

Sorry, I was ages.

[D]

The queue was awful.

[B]

Oh, thank you, Neil. I need something to keep me spirits up. How come there's a crowd round every stall except our owns?

[A]

Well, no one's going to want to.

[D]

Lug bottles of wine around all day.

[B]

Well, I refuse to lug them back home again.

[D]

I bet business will pick up through the afternoon.

[B]

I better add the shop needs money coming in and a proper plan. Oh, she's not working at the village all. We're always in someone's way. Constantly packing and unpacking our stock, racing around the village to grab tins and packets. He's doing my head in, Neil.

[A]

Yeah, I know it's tough, but try.

[D]

To focus on today. The stall looks lovely, you work really hard on it, and the village hall situation won't last forever.

[B]

First Underwood's local, then Hazel Blooming Woolly, and now we're the only store without a queue of customers. Even Sabrina Thwaite's had more interest than we have. And she's selling those hideous hand crocheted toilet roll covers that Richard made.

[G]

Oh, I thought you liked them.

[D]

I grabbed you a couple for Christmas.

[B]

Neil, I'm being serious.

[E]

How's my favorite sister and brother in law?

[A]

Oh, great.

[D]

Great.

[B]

Actually, not that great.

[G]

Great.

[B]

We've sold one bottle of wine in an hour.

[E]

You know what you need to do to get this lot shifted?

[D]

What?

[E]

Maybe I shouldn't say since you're competing with the beer tent. I don't want to be disloyal to Kenton and Jolene. I mean, they're having a tough enough time as it is.

[F]

Oh.

[D]

Still no sign of Marky?

[E]

Nope, nothing. They're nervous, desperate for a breakthrough. But it seems the police are getting nowhere.

[B]

Well, I really feel for one. But there is such a thing as sisterhood too. Family loyalty.

[E]

You still want to hear my idea?

[B]

Yes. Because we're not really competition, are we? I mean, we're selling wine to take home, not drink on site.

[H]

But that's your problem.

[E]

Why would anyone buy a load of bulky bottles of wine when they can get the same stuff cheaper at a supermarket?

[B]

Tracy, you're not helping.

[E]

So why don't you drop the prices as low as you can go while still making a profit?

[B]

Maybe.

[E]

And you could sell the bottles to drink here. Most of them are screw tops. All you need is paper cups. How about a nice Merlot with your wood fired pizza, sir?

[B]

Or a Rioca with your artisan cheese? Oh, Tracy, you're brilliant.

[E]

I reckon you'll do a roaring trade with all the posh folks from Grey Gables. They'll be flocking round.

[B]

Hey, guys, the tug of war is starting any minute.

[E]

Oh, okay. I'm all warmed up.

[B]

There's a huge crowd waiting and Grey Gable still doesn't even have a full team. It's frantic. And I keep having to remind myself that none of this is life and death. Though if you listened to Dane and Linda, you'd think otherwise.

[E]

Did you find a replacement referee? Kenton's really sorry, but with all this worry over Markie, he's not his usual self.

[B]

Oh, it's okay. I understand. Lillian's volunteered and she's been brilliant at standing in for him. On the Teddy Zipwire commentary. So I think we're in safe hands.

[D]

And just in the nick of time. It looks like they're setting up to start. Susan.

[A]

I'll look after the stall if you want to go and cheer Tracy on.

[E]

Remember, keep the lead leg straight. Drive it into the ground.

[A]

Lead leg anchor, rear leg bower.

[E]

That's it. Keep the rope tight with your arms and drive backwards with your legs.

[H]

All right, teams, pick up the rope.

[D]

Got it?

[B]

Yep. Careful, dad. It's no sport for old men.

[A]

Hey, you just watch us win.

[B]

Take the strain.

[E]

Are you ready?

[B]

Oh, yeah.

[A]

Enbridge all the week.

[E]

Come on, Umbridge, we can do this.

[B]

Grey Gables. Grey Gables. Grey Gables. And Paul.

[A]

Greg Abels pole pull.

[G]

Yes. Ambridge steel integrity pole.

[E]

They're winning.

[A]

No way. Paul, Harder.

[B]

Come on.

[A]

I'm right.

[H]

Don't give up.

[E]

Dig deeper, Paul. For victory.

[A]

We've got them. We can do it.

[E]

Don't slack off. Collective synergy.

[A]

No.

[H]

Average.

[B]

Average.

[H]

Average. Win round.

[B]

Come here.

[H]

We're legends.

[E]

He's an Earth.

[A]

Not such an old man, eh?

[E]

Oh.

[G]

Dane, what will you have?

[A]

Don't worry, I'll get my own.

[G]

I don't advise joining the back of the queue. Come on, the least I can do is buy you a consolation drink.

[A]

You mean after my team's abysmal performance?

[G]

Well, you won one round.

[C]

One out of six.

[A]

I really thought my young staff would make mincemeat out of your old farmers.

[G]

Never underestimate the strength of a farmer. They never let up.

[A]

I'll remember that.

[G]

You see, I see tug of war as a metaphor for the true soul of a village. Collaboration and communication.

[A]

Wait until next year, Linda. I'm gonna start my team's training regime. Tomorrow will be unbeatable.

[G]

I doubt that, but I admire your fighting spirit.

[B]

I hope this weather holds long enough to pack up. Look at those grey clouds looming.

[D]

Well, we could call it a day.

[A]

I think the big rush is over.

[B]

Not while we've bottles left. Hi, Lillian.

[A]

I hear the tug of war was a great success.

[H]

Absolutely invigorating. Though between that and the flying teddy bears, I won't have much of a voice left by tonight.

[D]

Good excuse for a mulled whiskey before bed.

[B]

Or even better, why not buy a bottle of wine from us here and now? It's really good value.

[H]

I imagine your cup price wine is part of the reason the ball has had such a bad day. Oh, I've seen the evidence. Couple sharing a bottle over Helen's cheese platters, groups of villagers toasting their tug of war. Win with a glass of Yorioca. Certainly was a bold move to undercut our prices so dramatically.

[E]

Susan. Oh, sorry I had to shoot off earlier. I went straight from the tug of war back to the beer tent. This is the first proper break I've had all day.

[D]

I hear you were brilliant, Tracy. Titan of the mighty Ambridge.

[E]

Thank you, Neil. I do my best. As did Lillian here as ref.

[H]

I had big shoes to fill. It's a shame Kenton didn't feel up to it, though.

[E]

He's just headed back to the ball to restock. Sales are through the roof. If anything is going to cheer him up, that will.

[B]

Well, they're doing a room trade, you say?

[E]

Yeah. The tent is absolutely rammed. Jolene couldn't be happier.

[B]

You were happy. Me on Lily. And I was starting to feel really bad.

[H]

With Ambridge out in force and Grey Gables overseas guests all lapping up our traditional village fade, there's been more than enough custom to go now. Am I in time to grab a bottle for myself before you sell out?

[A]

And a huge thank you has to go to our artisan food village. Incredible.

[G]

And to all.

[B]

We could be here all day. They'll both want the last word, but.

[H]

My money's on Linda.

[A]

Thank you to Oliver and the Greg Abels team for their hospitality and for keeping me sane when I wasn't sure if the flying teddies were real or a figment of my imagination.

[G]

And thanks to the weather for waiting until the last moment to rain. And to all of you for coming along and making the Ambridge village fate at Grey Gables a day to remember.

[B]

She hasn't mentioned you.

[A]

That maybe she's saving the best till last.

[G]

And I mustn't forget to thank my right hand man.

[B]

This has to be you.

[G]

Thank you, Dane.

[B]

What? You were her right hand man and left hand. You literally did everything.

[A]

It doesn't matter.

[G]

Those who know me know I have high standards and don't suffer fools. But in Dane, I may have met my match.

[A]

Thank you, Linda. High praise indeed. I look forward to running many events with you in the future.

[B]

I can't believe it. All that work you did and not one mention.

[A]

It was your mother who should have got a mention. It's thanks to her that Greg Gable swooped in to sponsor the fit.

[B]

Okay, now I'm doubly annoyed.

[H]

Let me thank you on behalf of the fake committee. Without you, Akram, we would have been in real trouble today.

[A]

That's very nice of you to say so, Lillian.

[B]

It's not nice, it's true. And I'll say that to Linda next time I see her.

[A]

No, Z, please. I'd really rather just fade gracefully into the background.

[B]

Why should you? She shouldn't be allowed to get away with this. Brian.

[D]

Oh, Adam. What a nice surprise.

[F]

The nice surprise was hearing that you changed your mind and allowed the BL harvest to be done after all.

[D]

Yes, well, look, I was never going to let perfectly good wheat rot in the field.

[F]

Yeah, I wanted to ask you about it at the fete yesterday, but Ian banned me. He was worried we might come to blows if I learned you were still sticking to your guns.

[D]

And would we have come to blows?

[F]

Yes, of course. I don't know what madness came over you.

[D]

Well, it's done now, so I'm hoping to start on our own wheat soon.

[F]

You and Stella all sorted for it?

[D]

Well, Ed's booked and I'll be there to take over during his breaks.

[F]

Okay, great. Well, I'd better get off then. Ah, almost forgot. This is for you from Xander.

[D]

It looks like a pebble.

[F]

Yeah, it is. He thought you'd like it.

[D]

Right. Well, thank you.

[F]

Is seller in the office?

[D]

Why?

[F]

I've had a few thoughts on new contract opportunities for the seed drill.

[D]

Yes, it's okay, Adam. It's all under control.

[F]

But I'd like to be kept in the loop.

[D]

And you will be. But there's really no need to take up your time at this stage. You've got enough on with Bridge Farm and Xander. And Stella's an excellent farm manager. She won't thank you for swooping in and micromanaging her.

[F]

I'm not planning to micromanage her. I just want a quick chat.

[D]

I'd rather you didn't.

[F]

Why?

[D]

We had a little disagreement on Friday.

[F]

What disagreement?

[D]

It was nothing.

[F]

Brian, you can't tell me you've had a with Stella and then just clam up. What happened?

[D]

This really is a lovely pebble. How clever. Xander.

[F]

Oh, forget it. I'll ask her myself.

[D]

She's not in the office. She's at home.

[F]

Well, that's fine. If she's working from home, I can drop in on the way to Bridge Farm.

[D]

No, don't do that. Why? Because she might be embarrassed about the whole disagreement, and I've given her a few days off, a bit of space, you know, a chance to come cool off.

[F]

Cool off? How bad was this disagreement? Well, even if you can't bring yourselves to share an office right now, what's to stop Stella working from home?

[D]

Well, timing's not ideal, I admit that. But look, since you're so obviously enthused about the prospect of new seed drill contracts. Maybe you could find a few hours to help in Stella's absence. I'd love to hear your thoughts.

[F]

Yeah, I don't have time to do the work. Like you said, I've got more than enough on a bridge farm. I was only planning to share some of my contacts with Stella, possibly make one or two introductions.

[D]

Well, you can't have it both ways. You can't be fretting that I've got too much work on my plate and then be unwilling to step in and help out.

[B]

Now.

[H]

Oh, before I forget, here's the cash takings from the teddy bear zip wire.

[G]

Oh, thank you.

[H]

I have to say, I thoroughly enjoyed the fete yesterday. The carousel, the barrel organ.

[G]

Well, yes, but it is worth remembering that one can find fairground rides at fetes up and down the country. And I absolutely do not mean to take away from Dane's contribution, but it's clear which elements were about throwing money at the day and which were about rural heart and soul. Kirsty's craft area was absolutely delightful.

[H]

Yes, very true. I had a walk round the village earlier and it was gorgeous to see. So many summer weeds hung on the doors.

[G]

Yes, yes, I must take a little walk and see them for myself. Send a photo to Robert to cheer him up.

[H]

He's not struggling with Mungo, is he? I know he can be a terror when he doesn't get his way.

[G]

Oh, no, no. I'm sure Robert has it all in hand. He enjoys his grandparent duties, but he's worried about Leonie, of course.

[H]

I bet he is. We all are. A bad back can be debilitating. Oh, and I really feel for James being so far away from her.

[G]

If James is that concerned, then maybe he could cut his trip short.

[H]

He's working and they have a mortgage to pay. It's not like he's on holiday. Of course, if Leone was in danger, he'd book a flight immediately. But with Mungo at football club and Robert helping out, hopefully they'll muddle through until he gets back.

[G]

Just seems a little inconsiderate to be away for so long now Leonie's out of action.

[H]

Linda, if you insist on looking for examples of thoughtless behavior, maybe you need to look closer to home.

[G]

What do you mean?

[H]

Well, I think you're being unfair to James. This New Zealand trip has been booked for months and it's so important if he's to stand any chance of promotion.

[E]

Whereas you.

[H]

No, I'm Sorry.

[G]

I'm sorry, Lillian. Are you saying I've been thoughtless? Because I've barely had a minute to myself since I started planning the. And even this morning, I had a full house of B and B guests to feed.

[H]

What about Akram?

[G]

Akram?

[H]

Well, you had that poor man running round for weeks on fate business, and you didn't even thank him.

[G]

Yes, I did. Of course I did. Effusively and repeatedly.

[H]

But not publicly. I.

[G]

Well, I thought I did.

[H]

Oh, not in your closing speeches, where you thanked every man, woman, and dog except him.

[B]

Oh.

[G]

Oh, my goodness, you're right.

[H]

You didn't mention Akram once. I was stood beside him. Zainab was furious. Akram was typically stoic, but he definitely looked deflated.

[G]

Oh, dear. Well, I'll message him now. I feel dreadful. The fate would have fallen apart without Akram.

[F]

Hi, Brian.

[D]

Oh, afternoon, Adam. You're back.

[F]

Yeah, I left early. Tony said they could manage without me for the rest of the afternoon.

[D]

No. Not as snowed under as you thought you were.

[F]

Brian, I'd like you to fill me in on exactly what happened between you and Stella.

[D]

Like I said, there's no need to concern yourself.

[F]

I disagree. I bumped into David at the farm shop, and he told me you didn't change your mind and approve the harvest. Actually, he assumed I already knew. He said Stella and Ruth make the decision to do it themselves while you were away.

[D]

Well, he is right about that. I had a strategic plan to force Justin's hand, and Stella took it upon herself to disarm me. No field of wheat, no bargaining tool.

[F]

And this strategic plan of yours was to leave the BL wheat in the fields until when? Until it was too late? Because that sounds more like negligence than strategy.

[D]

Negligence? Don't be ridiculous. I was out to change Justin's mind, and it could have worked.

[F]

David didn't seem to think so. And he didn't seem to think your little disagreement with Stella was all that little, either.

[D]

Well, I imagine Ruth filled his head with Stella's version of events.

[F]

Which was that you lost your temper and Stella had to walk away before it got too nasty.

[D]

Is that what he said?

[A]

Yes.

[D]

Right.

[F]

How did you not learn your lesson over the buying of the seed drill? I certainly did. Stella is essential to Home Farm. She's knowledgeable, innovative, passionate.

[D]

Well, at least we agree on something.

[F]

And yet you've driven her away.

[D]

No, it doesn't need to be as final as that. As I said, there's always an opportunity to negotiate after a cooling off period.

[F]

Well, I hope Stella feels the same way for the sake of Home Farm.

[D]

Oh, you think I should be the one reaching out to her, don't you? That I should say sorry? Yes.

[F]

No question about it. You should never have asked seller to choose loyalty to you over the harvesting of a cross. So while I crack on with Stella's work, I suggest you start drafting a convincing apology and be ready to deliver it to Stella with a big slice of humble pie.

[H]

Linda.

[G]

Oh, Lillian. Is everything all right?

[H]

I'm glad I've seen you. I wanted to say I'm sorry for sending you into a tailspin this morning. I'm sure Akram knows you value his hard work.

[G]

Oh, no, no, no. Please don't apologize. I'm glad you pointed it out to me. At least that way I could let him know how ashamed I am. I sent him a message as soon as you left.

[H]

And what did he say?

[G]

Well, he hasn't replied. I can see he read the message this morning. The longer it goes without any response, the more worried I get that I caused real offense. Do you think I should go round to their house?

[H]

He's probably been run off his feet all day. Darling, I think it's best to hold off the until you get a reply.

[G]

I just have a bad feeling that I've really messed up. If he won't forgive me, there's nothing to be done. I might as well leave the village in shame.

[H]

If I had a penny for every time you've said that.

[G]

No, it's not funny. Akram's a good friend.

[H]

Exactly.

[G]

So my oversight is all the more hurtful. I'm not looking forward to spending an evening alone. Usually Robert's the one to take my money mind off my worries when they start to get out of control.

[H]

Well, look, darling, I'm working a couple of hours at the ball tonight. You're welcome to prop up the bar if you want company.

[G]

Oh, thank you. I. I do appreciate it, but I'm afraid I'd be rather poor company. I think I'm better off just getting in early night.

[D]

I think we've worked out a good strategy.

[F]

Hopefully one that Stella can implement some face to face touting in the right pubs. Follow up phone calls with the farmers and land agents we emailed today.

[D]

I'm sorry for being so obstinate earlier this afternoon.

[F]

Obstinate? I hadn't noticed.

[H]

Two steak and ale pies with chips and veg.

[D]

Fantastic. That smells great.

[H]

Oh, is this the start of the week treat or are you celebrating something specific?

[D]

It's my thank you To Adam for moonlighting at Home Farm. Lillian, Stella and Pip aren't here tonight, are they?

[H]

No.

[D]

Why? It doesn't matter. What about David and Ruth? Or all the boys, Ben and Josh?

[H]

No, none of the Brookfield lot are in the pub. And they're unlikely to be because Leonard's doing a barbecue. Now, do you want ketchup or mayonnaise bringing over?

[F]

Oh, both, please. Thank you. Okay, what was that about? Was this bus stop with Stella really so bad that you want to avoid her whole family?

[D]

No, but I'd like a night without drama.

[F]

Look, I. I wanted to say I'm sorry, too.

[D]

You've nothing to be sorry for.

[F]

Well, I spoke far more harshly this afternoon than I should have. We're all busy, tense, desperate for the dry weather to hold. I'm sure once Stella returns, things will settle down again.

[D]

I do hope so.

[F]

I bet by Friday you'll feel back on track.

[D]

Well, I'll let Stella enjoy a few days off and then turn on my famous Aldridge charm and eat that humble pie.

[F]

You know, I enjoyed being back in the Home Farm office today, working together on something that really matters.

[H]

Ketchup and mail or throw.

[F]

Thanks, Lily.

[H]

I meant to say earlier how amazing Ian's pizzas were at the fade.

[F]

The whole day was amazing.

[D]

I agree.

[F]

You know, Xander's set up a zip wire in our living room for his teddy.

[G]

Sweet.

[F]

Linda and Dane should be chuffed. It was a triumph.

[G]

Yeah, I agree.

[H]

Although I'm afraid I might have upset Linda. Oh, Well, I accused her of being thoughtless, and now she's consumed by postmatch analysis declaring she'll have to leave the village because she thinks she's mortally offended someone.

[F]

If Linda left the village every time she caused offense, she'd never be here.

[G]

Oh, true. Very true.

[D]

Did you say that Linda's leaving the village?

[F]

Yes, and if you carry on behaving like a tyrant, you will be joining her.

[B]

Morning, Susan. Oh, morning. Zein Hab. Oh, sorry about the mess. Just don't seem to be able to get organized this morning. It does feel quite frantic in here. Oh, tell me about it. Isn't there anywhere else you can sell shop suggestions? Welcome. This certainly isn't sustainable, being moved from pillar to post.

[A]

Morning, Susan. Say Nab.

[B]

Morning. Morning, Alan.

[A]

I'm in a rush. I'm waiting on a delivery that needs signing for, and I just know it's going to come now I've popped out.

[B]

Oh, well, I've got your order packed, ready to go. Do you mind if I take Alan's Payment quickly, Zainab. No, it's fine.

[A]

Oh, much appreciated, Zainab.

[B]

Contactless.

[A]

Yes, please. God, it's so lively in here. Real sense of togetherness. You know, I often think about how the church used to be at the center of village life. Like this. All ages gathering in one place, every pew full.

[B]

Well, you're welcome to poach some of the village. All groups. If what you after is more people in church, I'd certainly welcome the peace and quiet. Susan's about to lose it. I am. This morning, I feel more like I'm running a circus than a village shop.

[A]

Good luck with that. Well, thanks for letting me jump in front of you, Zainab.

[B]

Oh, no problem. Bye, Alan. Bye. Bye. You know what? You should move into St. Stephen's Alan wants more villagers to come into the church, and you want peace and quiet. You know what? You might be onto something there. I'll message Alan when I've got a minute. Oh, thank you, Zainab. You're welcome.

[G]

Sorry, Robert. I thought one of the guests was knocking at the kitchen door, but it was just Monty.

[A]

I can ring back later if that suits you better.

[G]

No, no. Go on. You were saying something about Mungo?

[F]

Yeah.

[A]

I was just saying that I realized I'd forgotten to bring Mungo's packed lunch just as we pulled into the sports center. So Mungo suggested I buy him lunch from the vending machines. I have a child's dream.

[D]

Fizzy drink.

[G]

Crisps and chocolate, right? Yes.

[A]

Yeah.

[G]

Lindy, did you hear what I said? Yes, of course. You. You gave Mungo a packed lunch of chocolate and crisps.

[B]

No.

[G]

No, I didn't.

[A]

I was just getting to what I actually gave him.

[G]

Oh. Sorry. Start again. Is everything all right?

[B]

Hmm?

[G]

Lindy? Oh, well, no, not really, but I. I'm ashamed to tell you what's wrong.

[A]

Ashamed?

[D]

Why?

[G]

Oh, Robert, it's dreadful.

[A]

Just tell me.

[G]

I forgot to thank Akram in my closing speech at the fete.

[A]

Was that all?

[G]

Well, it's all a small thing, Robert. What does it say about me? I'm blinkered and thoughtless. Oh, you just made a mistake.

[A]

Let him know you're sorry and move on.

[D]

Simple.

[G]

No, no, it's not that simple. I. I wrote and rewrote a text to send him yesterday, making sure my explanation and apology didn't look like an excuse. And I've heard nothing back, not even a thumbs up. What would you think that means?

[D]

Lindy, there's an obvious solution to all this worrying.

[G]

Go round and talk to the man. Oh, you're Right.

[B]

Of course.

[G]

You always have a sensible solution. Good.

[E]

So.

[D]

So, anyway, Mungo's lunch.

[A]

I. I was despairing, but then I.

[G]

Sorry, Robert. I should go now before I lose my nerve.

[A]

All right.

[B]

What time did Khalil leave this morning?

[A]

Before 8.

[B]

He's so strange. It's the summer holidays. He could be sleeping in every single day. That's what I would do if I didn't have work.

[A]

Right. I should get going.

[B]

You in Borchester this week?

[A]

This weekend?

[D]

Next.

[A]

It's a nice little job. And beats driving to Solihull in rush hour every day. Hopefully, I'll get more local work from this. Oh, no, it's Linda. Just tell her I've already left.

[B]

I'll tell her exactly what I think about her closing speech at the fete. I'm still so annoyed she didn't mention you. You were literally the busiest person there.

[A]

No, no, no, no, no, no, no. Don't bring that up. She already sent me a text apologizing, and I wasn't even hurt by it in the first place.

[G]

Good morning, Zaynab. Is your dad in? I. I really want to apologize for failing to formally thank him. A faint.

[B]

You've got some cheek turning up at our door. Do you know how badly you upset my dad?

[G]

Oh, dear. Well, I was. I was hoping he would allow me to accept. Express just how sorry I am.

[B]

He's never gonna help you out with anything in the village ever again.

[G]

Well, what you say is no less than I deserve. But please don't punish the whole village for my negligence. Your mother and father are such wonderful people. I don't know how we coped before you arrived in Ambridge.

[A]

Linda.

[G]

Oh, Akram.

[A]

Ah. Come in. I don't think this is a conversation we want to have on the doorstep.

[B]

Thanks for meeting me so quickly, Alan.

[A]

You're welcome. But I'm not sure.

[B]

Once Zainab put the idea in my head, I was desperate to find out if it was a possibility.

[A]

Well done, Susan. What idea, exactly?

[B]

Well, you've got an empty church and the village shop needs a home.

[A]

Right.

[B]

Not on a permanent basis, of course, but a little less temporary than the village hall, hopefully.

[A]

Okay. Well, I'll have to think about it. It's quite a radical idea.

[B]

But is it? We're a community shop. And you serve the community. I know there's a bit in the Bible about turning over the tables, but we're hardly on that level.

[A]

I'm not saying no, Susan. It's just something that we'll have to think about. And it wouldn't be just my decision to make. Not alone anyway.

[B]

But what do you think, in principle, to the idea of us bringing more folks in into the church and you helping a volunteer based community service to avoid homelessness?

[A]

In principle, I think it could work. And I'm happy to make some inquiries. The PCC would have to be on board, of course, and we'd need to get the necessary permissions from the diocese and think about public liability and security.

[B]

But more importantly, where could we set up if we got the go ahead?

[A]

At the back of the church? Possibly.

[B]

And if I could get hold of some shelves, some bookcases even, would I be able to display stock and leave it there?

[A]

Look, I see why not? But look, I feel we are jumping the gun. Let me make some calls first.

[B]

Oh, Alan. I hope the diocese likes the idea. It'll be such a relief not to be constantly setting up and packing away. As you can see, my dad holds grudges.

[A]

As you can see, I absolutely do not. Thank you for all your apologies, Linda, and for your extremely generous assessment of my fate planning performance. But no more, please. I wholeheartedly accept your apology. I just assumed the moment was overwhelming for you after such a hectic day.

[G]

That's very generous of you.

[A]

If I'd been up on that stage with all those people in front of me, I'd have done well to remember my own name, never mind thank a long list of people.

[B]

For the record, this isn't true. My dad has never forgotten.

[A]

Don't you have to go to work, Zenab?

[B]

Not yet.

[G]

I'm so relieved I haven't damaged our friendship, Akram. I hardly slept last night for worrying.

[A]

I hate to think of you getting so stressed.

[G]

Well, it was just that yesterday I sent you an apology and got no reply. And I assumed you were too hurt or angry to engage with me at all.

[A]

Well, now it's my turn to say sorry. I saw your message, thought it was very sweet, but completely unnecessary. And then I forgot all about it. I got involved in a very complicated job involving a blocked sink and a very curious cat.

[G]

I'm intrigued. Tell me more.

[B]

So, if all is good with you and Linda, dad, why did you want me to tell her you'd already left?

[A]

I was actually hiding because I was supposed to have counted and begged, bagged all the takings from Kirsty's craft sessions and I haven't done it. I haven't even started.

[G]

I'll count the money, Akram.

[A]

Are you sure?

[G]

It's the least I can do. Robert, you'll be very pleased to hear that all is well with Akram.

[D]

Oh, good. I was worried about you. I thought you were going to let.

[G]

Me know how it went.

[D]

I sent quite a few texts.

[G]

Did you? Oh, well, I haven't looked at my phone all day. Once I spoke to Akram in person, a huge weight lifted. Felt back to my old self again.

[A]

Glad to hear it. And you're welcome.

[G]

Sorry, Robert, I'm in the tea room and it's unusually busy for late afternoon. Did you say you're welcome? Welcome for what? Am I missing something?

[A]

For my advice. It was me who suggested. Did you go round to the Mallocks?

[G]

Oh, yes, yes. Thank you for that.

[A]

Munger had a great time at football.

[D]

I sent you a photo.

[B]

I went for Victoria sponge with bridgepants.

[E]

Oh, gorgeous, Susie.

[G]

Thank you. Susan's here with our drinks, Robert. She's very keen to tell me some big news about the village shop. It might be better if I ring you back later.

[B]

I'll.

[D]

Only if we have nothing better to do.

[G]

Robert, you okay?

[D]

I'm fine.

[A]

Though I might have my phone on silent later. I'm taking Mungo and his friend to the cinema.

[G]

Well, maybe tomorrow then.

[A]

Maybe I'll tell Leona you asked after her.

[G]

Oh, please do. How did her physio go? Robert?

[B]

Everything okay?

[G]

I think he hung up on me.

[B]

Oh, that doesn't sound like Robert.

[G]

No.

[B]

Is he aware I didn't see him at the fight?

[G]

He's in London with Leonie and Mungo. Poor Leonie's out of action with a bad back and James is away on a work jolly in New Zealand.

[B]

That sounds tough on all of them.

[G]

Except perhaps James. Oh, dear. I didn't give Robert my full attention. It is difficult.

[A]

Oh, Susan, I'm glad I spotted you in here.

[G]

Good afternoon, Alan.

[A]

Afternoon, Linda. Did Susan. Susan tell you about the plan she's cooked up for the shop?

[B]

I did mention it. Of course, I won't tell anyone else except Neil until we've had the go ahead.

[A]

Well, I've made some very early inquiries and the signs are looking good. I think they'll give initial permission if our own PCC is also in favor.

[B]

Oh, I can't believe it. That's great news.

[G]

Wonderful news. Congratulations, both of you.

[A]

Well, let's not go popping the champagne. There are a lot of things to work through. Health and safety being a big one and how it would impact the church more widely.

[G]

Well, I for one am in full support. Who knows who will find their way into our congregation when they thought they were just popping in for a loaf of bread.

[A]

I'll call an urgent PCC meeting and try to get everyone on site.

[B]

Well, I'm over the moon, Alan. Thank you so much. I started the day so doom laden and now I feel great. I think St. Stephen's might just be the savior of the village shop. What do you think makes the perfect snack?

[C]

Hmm, it's gotta be when I'm really craving it and it's convenient.

[B]

Could you be more specific?

[C]

When it's cravinient.

[B]

Okay.

[C]

Like a freshly baked cookie made with.

[D]

Real butter, available right, right down the.

[C]

Street at am, pm.

[D]

Or a savory breakfast sandwich I can.

[E]

Grab in just a second at a.m. pM.

[B]

I'm seeing a pattern here.

[D]

Well yeah, we're talking about what I crave.

[B]

Which is anything from am, pm.

[C]

What more could you want?

[F]

Stop by am PM where the snacks and drinks are perfectly craveable and convenient. That's cravenience. Am, PM Too much. Good stuff.

[D]

Goodness, you kept me short. What are you doing here?

[F]

I'm trying to work out how far we'd be prepared to take the seed.

[A]

Drill to get work.

[F]

I'm thinking max 20 miles. But of course it's your decision.

[D]

Look, Adam, I appreciate you putting in the time, but really, we did a lot of the research on Monday and I. I made more calls yesterday. It's better if we now hand it all over to Stella when she gets back.

[F]

Well, that would make sense if Stella were coming back.

[D]

What do you mean?

[F]

I heard from Pip that Stella isn't just having a few days off. Pip's adamant that she's actually quit.

[D]

Oh, she may have thrown the cue word about in the heat of the moment.

[F]

So it is true. And when were you planning to tell me?

[D]

Well, do you really think she meant it? We all say things we regret when we're angry. What does Kate call it?

[F]

Flooding.

[D]

Yeah, exactly. I'm planning to go and have a chat with Stella today. Now we've both had a bit of time, gained a bit of perspective.

[F]

I don't think he'll change her mind. According to Pip, she couldn't be happier.

[D]

Well, we'd all say that, wouldn't we? She's saving face, Adam. I'll ring her after breakfast.

[F]

Why not ring her now? She's an early riser.

[D]

Okay, fine. I don't see why we need to rush.

[B]

Hello?

[D]

Oh, Stella.

[B]

Brian.

[D]

Sorry to ring you so early, but Adam was sure you'd be up with the sunrise.

[B]

You woke me, Brian.

[D]

Yes, well, I'm sorry about that. I should have phoned you at a more acceptable time.

[B]

So what is it? What do you want?

[D]

Well, I thought you might like to know Ed is going to start on our harvest today as soon as the dew dries.

[B]

You woke me up to tell me that?

[D]

No, no, I rang to ask if we could meet. I'd like to buy you lunch at the Bull.

[B]

No, thank you.

[D]

Well then maybe I could pop round to the bungalow after lunch. It's a two o'. Clock.

[B]

All right. I can give you ten minutes, that's all. As far as I'm concerned, we said everything we needed to say on Friday.

[D]

Well, about.

[B]

Yeah, I'll see you at 2. And now if you don't mind, I'm going to try and get back to sleep.

[D]

Yes, sorry. Of course. Bye.

[B]

Goodbye, Brian.

[D]

See, Adam, I said ringing here so early was a bad idea.

[B]

Hi Pip.

[G]

Kirsty, it's lovely to see you.

[E]

Is that Rosie's weed basket you've got there?

[B]

Yes. Will you thank her for letting me hold on to it for the rest of the fete? She was such a natural at all the crafts.

[G]

I know and she had such a great time. I think you might be a new hero.

[B]

Really? I hope I don't disappoint. And I bought a bag of the spare twigs and twine in case she fancies having a go at another basket.

[G]

Oh, that's so thoughtful for. She'll be delighted. Oh, let's pop everything by the front door.

[B]

Did you hear that the shop might be moving into the church? Yeah. Though don't tell anyone else. I don't think it's common knowledge yet.

[G]

I'll be a secret safe with me.

[B]

Susan's really excited by the plan. Turns out the village holders. Too many other things going on to have a full time shop in there as well. Susan's looking wrecked from trying to make it work.

[G]

Well, I think the church could be.

[E]

A great new home for the shop.

[G]

It's such a beautiful building.

[B]

Talking of new homes, I'm not quite sure how I ended up agreeing for Kate to move into Willow Farm with me, but it's definitely happening. Congratulations. I think she's already brought a few bits over and said she's got loads of ideas.

[G]

Don't let her boss you about.

[B]

It's easier said than done. I'm dreading that. I'll walk in and it won't feel like home.

[G]

But just make it clear that if.

[E]

You don't like the changes, she has.

[G]

To move things back to extra exactly where they were before she Interfered?

[B]

I don't want to sound mean. I'm probably worrying about nothing. To be fair, Kate has promised me that the changes will be minimal. I probably won't even notice.

[E]

If you believe that, Kirsty, you are one gullible woman.

[D]

Good to see you, Stella. Your garden's looking magnificent.

[B]

Oh, thank you. Lovely having time at home to work on it. And I've finally got round to the blackcurrant bushes. Tricky little things to pick, but worth it. Not one?

[D]

No, thanks. No, too tart for me. Jenny used to laugh at how much sugar I'd pile on fruit.

[B]

Yeah, I'll probably use these for jam. I say that as if I'm an expert. First I'll have to learn how to make it.

[D]

Well, all I know is jam making involves special pans and huge thermometers and mysterious saucers dotted about the kitchen with blobs of fruit on them.

[B]

Maybe I'll do blackcurrant cheesecake instead. Jam making might be beyond me. So, do you want to say what you've come to say?

[A]

Yep.

[D]

Shall we go inside?

[B]

No, no. I can listen while I'm picking.

[D]

Oh, all right. Well, I'll kick off by saying I'm. I'm sorry. My reaction to you bringing in the BL harvest was unwarranted. I was angry. My pride was hurt. And that led to you to seeing the worst of me.

[B]

Again?

[D]

Yes, again. And I can see how your patience must be wearing thin.

[B]

He's worn out. Brian, when I said I was done, I meant it.

[D]

Now, please tell her. Hear me out. I admire and trust your skills as a farm manager and I like you as a friend and colleague. So I can quite understand how my actions in the last couple of weeks have pushed you to the edge.

[B]

So.

[D]

So tell me, what can I do to pull this back from the brink?

[B]

Thank you for your apology and your praise. I take both at face value.

[D]

Good.

[B]

You calling me a friend actually helps this whole business feel less tragic. And I would hope we can remain as friends.

[D]

Absolutely.

[B]

But my decision is final. I won't be coming back to work at home fast.

[D]

What if I said we could review your salary? Possibly quite generously, or a more flexible holiday package? And it goes without saying, I would formalize you having more control over management decisions.

[B]

No, Brian, nothing's going to change my mind. I'm planning to take a few weeks off, get a new dog and then start looking for other opportunities.

[D]

Yeah, but I can't believe there's nothing I can say or do to change your mind.

[B]

There are other farm managers you can hire. Home Farm will be an attractive prospect. And I imagine you'll have your pick of extra excellent candidates.

[D]

I don't know about that.

[B]

I'm sorry, Brian. I'm sure you were expecting a different outcome.

[D]

I've really messed up, haven't I? Oh, it's Adam.

[H]

Go ahead.

[D]

No, look, I'll bring him back. I doubt he's in any rush to hear the bad news.

[E]

Do you want any of these black.

[B]

Currents to take home as farm?

[H]

More than I'll need.

[D]

Oh, thank you.

[B]

Great. I'll. I'll grab a container from the kitchen. I'm in the living room, Kirsty. But wait one second. Okay. Hands over your eyes. Okay, I'll take your arm.

[G]

Ready for the big reveal?

[B]

I don't know. I'm not sure. What if I don't like it? Oh, you will. And open. Oh, crikey.

[E]

What do you think, Kay?

[B]

I love it.

[E]

It's amazing.

[B]

Oh, it's so colorful and cozy. Yes, I call it warm rural library meets Swedish chic. Yes, that's it exactly. Oh, it's really lovely, Kay. And I haven't moved anything of yours.

[G]

Out of the room.

[B]

In fact, all your books, paintings and.

[G]

Plants fitted the theme perfectly.

[B]

And what's this? A pot of tea with my homemade vegan cinnamon rolls. Wow.

[E]

I'm seduced. Totally.

[G]

I'm a bit obsessed with scandi baking at the moment, so I'm afraid you.

[H]

Might have to eat quite a lot of them.

[B]

Well, that's a sacrifice I'm willing to make. Shall I pour the tea?

[G]

Definitely.

[B]

Oh, I can't wait to move in, Kirsty. I feel like it really is time to give dad some space. Well, his loss is definitely my gain. Oh, I could get used to not working if it meant gardening all day and then hanging out with you. Great Gables in the evening, swim spa, the perfect orange and carrot juice.

[E]

I should have gone for that one.

[G]

I'm not sure beetroot and kale belong in a juice.

[B]

Let me taste it. Yeah. Oh, I love it. Let's swap.

[D]

Liar. No.

[B]

Oh. Pretend we're not here.

[A]

What?

[B]

Why?

[G]

I don't know how.

[B]

It's Adam. I really don't want to talk to him. Too late.

[H]

Seen us.

[D]

Hi, Pip.

[F]

Stella.

[E]

Hi again, Adam.

[F]

Oh, I'm glad we've bumped into each other. I've just been speaking to Brian.

[G]

Well, Brian isn't really Stella's problem.

[F]

He really is quite distressed about what's happened, so I was just hoping I might encourage her to reconsider Look, I.

[B]

Am here and I can speak for myself. The answer is no. Just like the answer I gave to Brian this afternoon.

[F]

Look, I know he can be volatile, entitled, obstinate, but he's also got a core integrity.

[E]

Sorry.

[F]

And he has Kate moving out soon. On top of everything else, Brian spent.

[B]

Most of his time at work moaning about Kate being under his feet. I imagine he's secretly disappointed, delighted.

[F]

He's all bluster about that kind of thing. You know that as well as I do. But under the surface, things are difficult for him right now.

[B]

Brian's levels of distress can be handled by the large and loving family he has nothing about. This is my responsibility. I'm an ex employee, end of.

[E]

But no, Adam.

[G]

How much clearer can she be?

[E]

We came here to relax. So.

[F]

You're right. I'm sorry. But there is one last thing. Your timing couldn't have been worse. This decision of yours has really left us in the lurch with the harvest. So you will be required to work out your notice.

[B]

Mm. I have leave due that covers my notice. And Brian is perfectly aware of that. Or maybe I am incompetent and I have lost my mind.

[D]

What?

[B]

Both insults Brian hurled at me on Friday.

[H]

Adam.

[B]

Or didn't he mention those people particular details?

[F]

No, he. He did not. I'm sorry, Stella. I wish I could say I was surprised, but it's pretty much par for the course with the way Brian's behaving at the moment.

[D]

Come on, Kate. Something's bothering you. What is it?

[B]

What do you mean?

[D]

I can feel a disturbance in your chakra.

[G]

Can you? Here's your wine.

[C]

Thank you.

[G]

Dad. You don't even know what a chakra is.

[B]

But I can actually sense some disrupted.

[G]

Vibrations coming from you.

[D]

Well, at least we don't need a spiritual guru to help us interpret the reason for that. Stella quit.

[B]

Oh, dad.

[D]

Yeah. I mean, what a year so far. First Peggy dying, and then all this nonsense with Justin. And now Stella's walked out on me, and Adam treats me like I'm past it.

[B]

I don't think that's true. We all know you're as sharp and canny as ever.

[D]

Nice of you to say, darling, but Adam certainly has a different opinion on the matter.

[B]

I imagine he's just worried that you're taking on too much. And now this. Dad, what are you going to do without Stella?

[D]

Honestly, I don't know. It's a complete and utter mess and all of my own making.

[B]

Hi, Kate. I was just about to send you a selfie of me Reading my book in our living room. I feel like a new woman. Oh, great. So when do you think you'll move in? And if you need any help bringing over clothes and bedding and whatever else, just let me know. I'm sure I can rope Rex in too. Yeah, about that. I might have to push things back. Oh, okay. Is everything all right? How long are you thinking? I don't know. I'm really sorry, Kirsty. I hate messing you about, but I'm worried about dad. He seems suddenly very vulnerable. I don't think I can leave him on his own right now. I was just telling Tracy about the shop in the church. I'm not telling everybody, Just a few trusted friends.

[E]

She's telling everybody.

[A]

Well, hopefully it'll be common knowledge soon enough.

[B]

Has the diocese committee said yes?

[A]

They've made very positive noises, but quite. I imagine they want to hear feedback from the parochial church council before they make any official decision.

[B]

Oh, that's great news. I'm so eager to start making plans.

[A]

Yes, well, there are just a few things I need to run by you before the PCC meeting so that we're all on the same page.

[B]

Oh, of course. Go ahead.

[A]

First, we just need to agree on the fee.

[B]

What fee?

[A]

For hiring the space.

[B]

I didn't realise there'd be a charge. We're a small shop run by volunteers. Whatever happened to the church supporting the community?

[D]

I can't really believe Marlene is still putting up with Martin.

[C]

Poor woman. She must be under a spell or something. I mean, no person in the right mind would willingly choose to spend time with a Gibson.

[D]

He's not that bad.

[C]

If that man had his way, he'd share every detail at every date they've been on. I mean, he wants to analyze every conversation. What she said and what he said back to her.

[A]

Oh, well, it's kind of sweet, really.

[C]

I'm glad you think so. I know where to send him when he next pops in.

[A]

All right, I can do a mocha.

[C]

Or an espresso mock every time, but oh, no.

[A]

Bad news?

[C]

Barely be. It's a message for the man himself.

[A]

Oh, you mean Martin Gibson, A.

[C]

That's it. Inviting Tracy and me on a double date with him and Marlene. Who am I going to see? Him. How do I regulate this?

[A]

Well, when is it?

[C]

Tomorrow night. He says he's taking the liberty of reserving a table.

[D]

That sounds like a done deal to me.

[C]

You're funny.

[D]

Okay, okay, then say you got family business or other plans or would just be honest?

[C]

How can he be honest? The truth would kill him.

[A]

Sorry. I bet. Oh, hi, Susan.

[D]

You saved me from spending all my.

[A]

Break solving Jazz's social issues.

[C]

Oh, social life, no. Social issues. I'll be back in a minute.

[B]

Now, I've just spoken to Alan about moving the shop. Yes, and you won't believe the bombshell he's just dropped. He's talking about charging us for the hire of the space.

[A]

Oh, well, I suppose I always thought he might.

[B]

When it's a mutually beneficial arrangement. We'll be bringing people into the church in their droves. Something he's wanted for years. Just seems a bit money grabbing.

[A]

Yeah, but remember, the money isn't going.

[D]

To fill Alan's pockets.

[B]

Whose side are you on?

[D]

Well, I'm seeing it from both sides. You're providing a community service, but you're not a charity. And the church needs funds.

[B]

Well, I still think it's a miserable thing to hit me with. The whole move might not be viable anymore.

[D]

Well, maybe I could propose that the PCC agree a minimal charge for hire with a specific funding goal in mind. Like the restoration of the font, for example.

[B]

Oh, that's not a bad idea.

[D]

Well, if you can arrange a meeting with Alan late this afternoon, the three.

[A]

Of us could discuss all the possible.

[D]

Options before we bring it to the pcc.

[E]

Your hair looks lovely.

[B]

Oh, thank you. I needed a little pick me up. And Chelsea's always so good at that.

[E]

She is. So why the need of a pick me up? What's going on?

[B]

Oh, it's nothing too bad. It's just Kate, supposed to be moving in with me at Willow Farm.

[E]

Enough said.

[B]

Oh, no, I wanted to move in. Although I did feel the same as you last week. A bit wary of what life might be like living with the indomitable Kate. But, you know, then I got to like the idea. Really? I was helped a bit by some of her very brilliant interior design ideas. But it was more than that. I realized that since Roy moved out, I've actually been quite lonely.

[E]

Oh, Kirsty. I mean, I know I'm forever begging for a moment of peace living with this lot, but if they'd suddenly gone, I'd definitely be lonely. Too quiet. Too much space.

[B]

Exactly.

[E]

So what's happened with Kate? Has she changed her mind?

[B]

Not exactly, no. But she's put the move on hold. She's worried about how all this drama at Home Farms affecting Brian.

[E]

I had heard that Stella would quit.

[B]

And so now, well, I don't know if Kate's just changed her mind or if worrying about her dad is a genuine reason for the delay.

[E]

Sounds genuine. I imagine she's pretty eager to move out of Blossom Hill Cottage.

[B]

I think she is, yeah. I mean, she's already moved half of the stuff to Willow Farm.

[E]

There you go. I should hire myself out as the Ambridge agony aunt. Or my other client this week. Martin Gibson's girlfriend.

[B]

What? How on earth?

[E]

He's seeing my mate Marlene, isn't he? She hooked up with him at my 50th, and it's still a thing. Against all odds, she seems to really like him. I keep checking that she's talking about the same man we all know and love to hate.

[B]

Well, there's no accounting for taste.

[E]

I don't know. Maybe I'm being harsh. At least he's not a proper weirdo.

[G]

Low bar.

[E]

I'm just worried he's on the rebound. I mean, he was married to Pam for so long. I don't want Marlene jumping in feet first and then getting hurt.

[B]

In my experience, there's nothing you can do. You just have to be there to pick up the pieces if you need it.

[E]

True. As many a person warned me against Jazza, I should have listened to him.

[B]

Oh, you don't mean that. You two are annoyingly perfect for each other.

[E]

Annoyingly? That sums it up.

[B]

Oh.

[E]

Anyway, Marlene wants Jazza and me to go for a meal with them tomorrow night so I'll get the chance to see if he's really into her and not just turning on the charm. And I haven't told Jazzer yet.

[B]

Good luck telling him. He's spending Friday night out with his boss. What? You have to understand, Alan. We've already lost money selling off stock at cost price, and who knows when we'll get back into the shop? We're on our knees.

[A]

I understand all of that, Susan, but I'm not the only stakeholder here. I'm just trying to get the balance right so that everyone involved says yes.

[B]

It's simple. You have an empty building, and we need space for a community shop.

[D]

Yeah, but to be fair, it's not really an empty building. It's a place of worship.

[A]

Is he of a quiet reflection, A house of God?

[B]

Yes, Neil, obviously. I know that and we respect that. But the easiest thing for me to do would be to throw up my hands and admit defeat. I'm just trying to find a way to avoid it coming to that.

[A]

Well, Susan, I really don't want that either.

[B]

Then get fully on board. The fact the community shop has such a long history in Hambridge makes me feel that it should be a community. Community effort to keep it going, not just the likes of me and all our volunteers tearing our hair out.

[A]

She's got a point.

[B]

We might not be a charity, but there are people in the village who don't have their own transport. The shops are lifeline for them. Not only for provisions, but a chat with Joy at the counter might be the only time they talk to someone that day.

[A]

Oh, yes, yes, I feel the same about our Sunday services.

[B]

It's an effort keeping the shop going at the best of times, especially with such stiff competition from Underwoods up the road.

[A]

Basically, Susan, you're preaching to the converted, but I'm just thinking ahead to the pcc, because there have been instances where regular parishioners have refused to worship at a church that has a shop in it, saying that commercial initiatives should be banned from religious premises.

[B]

Well, Neil did come up with an idea.

[D]

Did I?

[B]

The font restoration.

[D]

Oh, yeah.

[B]

We could stretch to paying a nominal rent each week to raise the money to get the work done.

[A]

Well, that's not a bad idea. We could even make a feature of it, you know, with one of those Target barometer thingies.

[B]

A small gesture on our part, but one that will visibly benefit the T.

[A]

I reckon we could sell that to the pcc, don't you, Neil?

[G]

Yeah, I do.

[B]

Now, let's have another look where we thought the shelves should go and then.

[A]

We'Ll all have to sit down and talk through stuff like fire exits and step free access, etc and how best.

[B]

To let everyone know. I'm thinking we should have a grand opening.

[C]

You know I shouldn't. Telly Hen.

[E]

Oh, no. Chelsea lent me the new Hunger Games book. I can't put it down.

[C]

Feel like you're done or you turned his TV off? I'd be like switching off his life support.

[E]

He's at the Bull, so we'll never know.

[C]

An early start, even for him.

[E]

Oh, he's playing dominoes with Neville Booth and Derek Fletcher. A birthday celebration, I think.

[C]

Imagine being retired. Meaning we'd be in the bowl, be Thursday tea time, and not have to worry about getting up at the crack of dawn for work.

[E]

Sounds like you've got big plans for your old age. You do, you, Jazzer. But me, I'm planning to travel the.

[C]

World on the state pension. Good luck with that. At least it's Friday tomorrow. You're no working, are you?

[E]

No, but I've said we'll go out.

[C]

Do you fancy a night? We are, old man, at the Bowl. Maybe we could even stretch to a Bar meal? What do you think?

[E]

I could do better than that. How about a fancy steakhouse in Borchester?

[C]

And is this money coming for the same pot of gold you're using to pay for your ruined world trip?

[E]

No, it's Martin Gibson's treat.

[C]

Why would Martin Gibson be paying for her? Oh, no, no. The crafty old dog. My managed to regulate it. So he's phoned you.

[E]

Marlene rang me.

[C]

And you said we were free?

[B]

Yes, why not?

[C]

She's my friend and Martin Gibson's my boss. And even if he wasn't, he. He's still Martin Gibson. I can't believe it. Sitting opposite that man, being forced to watch him chew gristle.

[E]

It's high end. There won't be any gristle. And I think it's pretty rich of you to start slagging off Martin Gibson for his table manners. People in glass houses.

[C]

I'm not really bothered about the table manners. I mean, I work with pigs every day. It's just thought of him.

[E]

Now you're just being mean.

[C]

I just don't understand in what world you'd agree to this without even asking me.

[E]

Maybe in the same world you invited him to my birthday party without asking me. If you hadn't done that, he would never have started dating Marlene, who I happened to like. That's why I said yes. And she seemed really desperate for us to go.

[C]

Desperate to know he'd be alone with him.

[E]

I know that Martin can be hard work, but if he likes Marlene, he can't be all bad. And he's paying.

[C]

And that's another reason not to go. The last thing I want is to feel indebted to Martin Gibson.

[A]

How's it going, Jazza?

[C]

All right, boss.

[A]

Looking forward to tonight.

[C]

All right.

[A]

We're really grateful you changed your plans to come out with us.

[C]

No problem.

[A]

Feels like quite a big step for us, me and you. No, no. I meant for Marlene and me. You know, to go out with friends as an official couple.

[C]

Ah. See, your official. Did you ask her?

[A]

No. Should I? I thought it just happened organically. At our age, I don't want to come across as stuffy.

[C]

I wouldn't go down on one knee. But you could talk to her if, you know. Sure. Check where you stand. Like, let her know you don't want to see other people.

[A]

Doesn't that go without saying? Do you think she's seeing other people? Did Tracy say something to you?

[D]

No.

[A]

Really? Because if she is, I'd rather know.

[C]

Hand on heart, all Tracey said is to make sure I scrub up nice for the night.

[A]

I can't get over it, Jazza, that a woman like Marlene would like me.

[C]

Don't put yourself in. You're a successful businessman.

[A]

Well, that's just something I do. Not a reason to choose to spend time with me.

[C]

Ah, she's a lucky woman, you know. Every fella'd be as thoughtful, really.

[F]

Thank you.

[A]

Now, I just want to check over the arrangements for this evening. We'll meet at 7, have a drink in the bar area, then our table is booked for 7:30 starters. About 7:45.

[C]

Oh, you need to try and relax, big man. It'll be great. We'll have a good night.

[H]

Excuse all the boxes, darling. Industrial amounts of toilet roll.

[G]

Oh, you're part of the village shop's storage solution, are you?

[H]

We are. When I offered, I didn't realize how many boxes Neil would bring round or that Susan would be constantly popping back and forth to stock up. I had started to resent the whole situation until we ran out of toilet roll this morning and I was able to snaffle an emergency roll.

[B]

Goodness.

[G]

How fortunate.

[H]

Look, can I get you a coffee or iced water?

[G]

Oh, no, thank you. I won't stay. I. I just wondered if you could put some of these flower and produce entry forms in the bull and the stables for us.

[H]

There's no rest for the wicked. You only just take the fate off. And the next big village event is on the horizon.

[G]

Well, I wouldn't have it any other way.

[H]

I hear it's being held at Grey Gables too.

[G]

Yes. Dane was full of ideas when I met up with him yesterday.

[H]

The two of you are becoming the best of friends.

[G]

Oh, despite a slightly fractious start, I have to admit we do make rather a good team. He's going to encourage the county set to attend the flower and produce. Hopefully boost the entries and the takings.

[H]

Wonderful. Well, the WI will have to up their game to cater for that crowd. Forget scones and tea. They'll want fine champagne and fancy hors d'. Oeuvres.

[G]

And what they'll get is the finest AM rich tradition. We do things our way and people can love it or leave it. Much like with Lawrence and the cricket teas.

[H]

That's the spirit, darling. I really did worry that I'd gone too far when I made an issue over you not thanking Akram. You looked so devastated.

[G]

Well, it's been a good chance to reflect on my management and leadership skills. I've realised that even after decades of organising events and shows, I'm still not infallible. From now on, I'll write myself a list of people to thank on an index card.

[H]

Good idea. You know, we are not sharp young things anymore. We need all the help we can get.

[G]

My memory isn't fading, if that's what you're implying. But it's impossible to have as many plates spinning as I do and not end up upsetting someone every now and then.

[H]

You mean I cram?

[G]

No, but there's been a coolness from Robert for the last couple of days that I. I can't quite get to the bottom of.

[H]

You've both got such a lot on. I'm sure when he's back, you'll find your groove again.

[G]

We've spoken at least once every day, but it feels like talking to me is a duty, not something he wants to do. I know he must be exhausted caring for Leonie and driving Mungo back and forth to football.

[H]

I have offered to go down myself and take over, but Robert insists he's fine. I wonder how long you'll be needed.

[G]

For if Leonie's back doesn't improve. I think he'll stay until James gets back from New Zealand.

[H]

Well, could you go and join him? At least any be together?

[G]

I'd love to, but we've got B and B guests booked in for the next few weeks.

[H]

Look, I know you turned me down the other day, but I think what you need is a good night out with a friend. Come on, join me for a meal and a drink in the bowl tonight.

[G]

Oh, that would be lovely, Lillian. Thank you.

[E]

Can you pass me the gold necklace? Oh, no, my mother's day one with the bee on it.

[C]

Ah.

[D]

Oh, yeah, thanks.

[C]

And I hope you've noticed I'm doing this with good grace, despite dreading every minute.

[E]

I hadn't noticed.

[C]

I'm just making it clear this is a one off. I'm never going on a double date with Martin Gibson again.

[E]

You know, Jazzer, you're not the only one making sacrifices. I would much rather be going out with just you. Or even better, just Marlene. Oh, joke. It's not exactly my dream night out either, but since we're doing it, let's shut up with the wind. You know, make the best of it.

[C]

Sorry.

[E]

You're forgiven.

[C]

Let me help you with that.

[E]

Oh, thanks.

[D]

The clasp's tiny, you're looking gorgeous.

[C]

And I'm sorry for being such a misery.

[E]

Oh, it's all right. I've been thinking up excuses so we can leave the minute we finish eating.

[C]

Sorry, Martin, but the kids are in danger.

[E]

The cat Needs feeding.

[C]

We're tired.

[E]

I'm dying of boredom.

[C]

There's a bomb in her cellar and only my fingerprint can prevent the total destruction of Ambridge.

[H]

Well, I'm going to have a gin with strawberry and pomegranate tonic. What about you, Linda?

[G]

A small white wine, please.

[H]

Go large, darling. It's Friday night.

[D]

Good evening, ladies.

[H]

Oh, good timing, Brian. I'm just getting the drinks in. Is yours a pint of Shires?

[D]

Oh, don't worry about me.

[B]

No, no, no.

[H]

Come along. I insist.

[D]

Well, yes, then. A pint of Shires. That'd be great. Thank you. Linda. I have to say, I was surprised to hear of your plans.

[G]

Oh, I. I do realize it's quite radical to move the flower and produce to Grey Gables, but I think it's the right decision.

[B]

No, no, no.

[D]

I was talking about your plan to leave the village.

[G]

Excuse me?

[D]

Oh, isn't it common knowledge yet? I mean, Ambridge really won't be the same without you.

[G]

That's very flattering, but I can assure you I'm not going anywhere.

[D]

Well, I'm sure I heard you were. I assumed you were moving closer to one of the girls.

[G]

Robert's in London with Leonie at the moment, but only for a week or two. Apart from that, I plan is very much to stay put.

[D]

That's very odd. In fact, didn't I hear it first from you, Lillian?

[H]

Guilty as charged. I knew you weren't listening to me properly. Brown. Aldridge. Linda. Remember our conversation on the green?

[B]

Of course.

[G]

I was so worried. I defended Akron. I said I'd have to leave the village.

[D]

But you were joking.

[H]

Naturally, I thought we might take our drinks into the garden. If you're not meeting anyone, Brown, why don't you join us?

[D]

Well, that's very kind of you. Thank you.

[E]

Another olive, Martin?

[A]

No, thank you.

[C]

Stuffed padron pepper?

[A]

No. She's almost an hour late. Can't understand it. You think something happened to her?

[E]

I'm sure she's fine.

[C]

Maybe we should ask for Mayor Bre.

[E]

Or we could go ahead and order the food. I'm sure Marlene will want the flat iron steak and salted rosemary potatoes.

[A]

When we went bowling, she says she always orders chips and feel like she's had a proper meal without chips.

[C]

Okay, chips it is. I'm going to go for the fill it with brandy peppercorn sauce.

[A]

I'll just try her phone again. Nothing. Straight to answer phone once.

[E]

Marlene was so late for a baby shower, the baby had been born before she got there.

[A]

Really?

[E]

No, but she is Known for being late. Oh, she just messaged me.

[A]

She all right? What's wrong?

[E]

I'm sorry, Martin. She's not coming.

[B]

Why?

[A]

Something happened? Is she okay?

[E]

Nothing's happened. It sounds like she's just changed her mind.

[C]

Maybe we should just order then, since we're here.

[A]

I don't understand. Why has she messaged you and not me? I think I better ring her to find out what's going on. She must be ill.

[E]

I don't think she's ill, Martin. I think she's got cold feet.

[F]

Oh, right.

[E]

I'm sorry.

[A]

You think she's got cold feet about the whole thing? About me?

[E]

I honestly don't know. I thought she was looking forward to tonight.

[A]

Me too. I thought she was happy.

[E]

Maybe the whole double date thing felt too much, like things were moving too fast.

[A]

But this was her idea. I'm so sorry. This is awful. I'm sorry to drag you into this.

[C]

I think the best thing we could do is get some decent grub dinners. Should we order?

[A]

I really don't think I can face it.

[E]

No, but I've got an idea. Let's get out of here and grab some kebabs. Something cheap and cheerful. Our treat. What do you say, Martin?

[H]

So, if one of us had to leave the village, who would it be?

[D]

I vote for Linda. I was in the village shop once and she bought the very last custard slice when she knew full well it had my name on it.

[G]

Nonsense. The shop is has never sold custard slices.

[D]

It did.

[G]

Well, even if it had, that's not a village leaving offense.

[H]

Unlike poisoning the ant.

[D]

Oh, I didn't realize we were getting serious.

[H]

Just honest, darling, we're all family.

[D]

All right. Yeah. Hands up. I should have been chased out with pitchforks.

[H]

But we're glad you stayed put, aren't we, Linda?

[G]

Absolutely. And really, Lillian's outrageous lies should put her in the running.

[D]

What?

[G]

L. Lies? All the times you claimed to have stopped smoking.

[H]

Well, lying to yourself doesn't count.

[G]

Right.

[D]

Anyone for another drink? Same again?

[H]

Oh, yes, please.

[G]

Just a small glass this time. Do you need help?

[D]

No, I'm fine. I'll get a tray.

[G]

Do you think he's all right? He's obviously very worried about the farm.

[H]

Oh, I'm sure he'll bounce back. Whatever the crisis, Brian Aldridge always seems to rise like a phoenix from the ashes. More importantly, how are you and Robert?

[G]

Oh, he'll be okay.

[H]

You sure?

[G]

Yes, please. Forget I even mentioned it.

[C]

I've ordered three kebabs and a large chips to Share. Martin looks terrible.

[E]

Is he still on the phone?

[C]

Right. Pacing up and doing in front of the windy he could be greeting.

[B]

Oh, I feel awful.

[D]

Why?

[C]

It's not your fault.

[E]

I'm just worried that some of the things I said to Marleene the other night might have put her off getting involved.

[C]

What did you say?

[E]

Not a lot. I might have given the impression I was a tiny bit worried to still on the rebound from Pam Tracy. But on the whole, I thought I painted quite a fond picture of him. And he certainly seemed to be growing on her.

[C]

I like a mo.

[A]

Here he comes.

[E]

Oh, come on, Martin, sit down. Jazz has ordered the kebabs.

[A]

Thank you. I don't think I can face anything.

[C]

What did you say?

[A]

Tracy was right. It's over.

[E]

Did she say why?

[A]

She mumbled a few things. Said it was her, not me.

[E]

I'm so sorry.

[C]

Bad luck, pal.

[A]

I really liked her.

[C]

But don't feel you have to stay here just for her sake. I imagine you'd rather be alone right now.

[A]

I'd rather stay. Is that all right?

[E]

Of course.

[A]

I've never been more grateful to have friends.

[E]

Well, you know our door is always open, isn't it, Jazzer?

[A]

I thank you. I won't ever forget that.

[D]

Sam.

[A]

Hi, guys. This is Rylan and I'm here to.

[F]

Tell you about how to Be in.

[A]

Love from BBC Sounds. Now, as a single divorcee, I feel ready to find love again. But I want to see if there's a better way of going about it. In this series, I'm going to sit down with 12 incredible guests who are really going to help me rediscover what love truly means and how I can find it again. People like Stephen Fry, Louis Theroux, Matt.

[F]

And Emma Willis and many more.

[A]

So join me on this journey as I explore how to be in love. Listen on BBC Sounds.