21/06/2026

Summary

The Archers Omnibus – Episode Summary (21/06/2026)

Podcast: The Archers Omnibus
Host: BBC Radio 4
Air Date: June 20, 2026
Theme: The week's events in Ambridge, including family rifts, generational divides, and a devastating attack on the Archer family's sheep.

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Episode Overview

This week's Omnibus captures turbulent times in Ambridge, centering around ongoing Aldridge and Archer family tensions, uncertainty for several characters’ futures, and a shocking crisis when a dog attack devastates the flock at Home Farm. The episode explores themes of pride, broken relationships, and resilience, alongside quieter moments of hope, reconciliation, and daily life continuing amidst upheaval.

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Key Discussion Points & Dramatic Highlights

1. Kate’s New Start at Grey Gables (02:01–07:49)

• Kate takes a job in housekeeping at Grey Gables, surprising her father, Brian, who sees it as beneath her entrepreneurial spirit.
  • Brian: “Is this the life you want, Kate? Tied to the machine, clocking in, clocking out?” (05:49)
  • Kate: “What I want is a steady income.” (05:57)
• Tension arises over financial independence as Kate explains losing the family farm partnership income forced her to seek regular wages, but insists this isn’t about Brian or revenge.
  • Kate: “It's about me having a secure income that doesn’t rely on you.” (06:34)

2. Father's Day Dilemmas & Family Strains (04:18–10:10)

• Alice and friends discuss plans for Father’s Day, reflecting on fractured Aldridge relationships and Adam’s estrangement from Brian.
  • Alice: “We put on a big, jolly act just for the day. Pretend he hasn’t practically disowned Adam and Debbie.” (05:08)
• The conversation demonstrates the emotional cost the family feud is having on all generations, including the children.

3. Revelations about Brian’s Health (19:20–20:11)

• Adam finally discloses to Kate and Alice that Brian passed a mental capacity test, ruling out dementia.
  • Adam: “He doesn’t have dementia... But he told me like he’d played the final winning card and was enjoying crushing me.” (19:20)
• Relief is mingled with cynicism as the family recognizes this changes little in the underlying conflict over Home Farm.

4. Crisis: The Home Farm Sheep Attack (28:00–37:40)

• A dog savagely attacks the Archer family's sheep at Home Farm, killing and injuring many.
  • Pip: “It’s carnage.” (28:15)
  • David Archer: “That lamb’s ripped her apart. If I find the dog that did this, I’ll blow its brains out.” (28:30)
• The scenes are graphic and highly emotional, with the family working together to help injured animals and dealing with police, vet, and the aftermath.
  • PC Truman: “We’re seeing this kind of incident far too often. This is an unusually brutal attack.” (32:50)
  • The incident highlights tensions between Brian and David over land management responsibility.

5. Ongoing Aldridge Family Feud (20:25–23:04, 36:29–37:40)

• Adam tells Brian to leave their house after Brian attempts to babysit Xander, leading to a bitter confrontation.
  • Adam: “You know, what I find hard to understand is why you’d be interested in Xander when he’s not even your blood relative.” (21:42)
  • Kate: “You and dad are both determined to burn bridges. You stand to lose so much in all this mess.” (22:54)
• The family’s divisions escalate, with Adam determined to protect his son from what he sees as Brian's toxic behavior.

6. Patching Things Up: Amber and Her Parents (46:35–49:57)

• Amber meets her parents to discuss a trade stand at the Borsetshire Show, which serves as a pretext for rebuilding family ties following disagreements about her pregnancy.
  • Oliver: “We love you unconditionally.” (48:51)
• Emotions are raw, and while progress is fragile, both sides try to give reassurances and offer support for Amber’s future.

7. Community and Reconciliation Realities

• The tensions aren’t confined to the Aldridge-Archer clan; Amber and George face indirect judgment over their living arrangements and choices as young parents.
• The theme of generational understanding is echoed in conversations about housing, safety, and support.

8. Lighter Moments: The Great Budgie Rescue (52:45–54:50)

• Comic relief unfolds as Brad, Kate, and Oliver coordinate to capture an escaped budgie, Fletch, at Grey Gables.
  • Oliver: “...if I try balancing on that mattress to get him, I’ll be asking for trouble. You don’t want to be dealing with an escapee budgie and an injured octogenarian.” (53:02)
  • The community bands together for a small but sweet victory.

9. Epilogues and Hopeful Notes (60:01–77:00)

• Despite recent turmoil, life moves forward: plans for the Borchester Show solidify, families regroup, and some wounds begin to heal.
  • Pip: “You said, dad, all is not lost.” (51:35)
• The Omnibus closes with reaffirmations of support within and across families, and practical preparations for the future.

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Notable Quotes & Memorable Moments

Family & Identity

• Alice: “The main reason I signed up to play was to be a good role model for Martha. And she’s not even here to see me.” (04:18)
• Adam: "I'm a farmer without a farm. Facing what future, Adam?" (18:25)
• Kate: “There's actually nothing romantic about indulging yourself in the misery of a broken heart.” (57:51)

The Sheep Attack

• David Archer: “I keep thinking of how we brought every one of these lambs carefully into the world... and how senselessly they’ve been slaughtered.” (32:36)
• PC Truman: “We’re hopeful we’ll be able to trace the dog using DNA samples. Thankfully, the new amendments to the law give us more robust powers to investigate.” (36:03)
• David Archer: “Patronize me. Take a look at yourself. You're a mess, Brian. You're not fit to be in charge of a farm.” (37:26)

On Love and Reconciliation

• Kate: “Yearning is fine for short budgie films, but in real life, it would be so much more beautiful to make the decision to move on. If you can.” (57:03)
• Oliver: “Neither your choice of partner or your life choices will change how we feel about you. We love you unconditionally.” (48:42–48:51)
• Kate (to Brian): “A broken heart is rubbish. And I wouldn’t wish it on anyone.” (63:27–63:40)

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Timestamps for Key Segments

| Time | Content | |----------|-----------------------------------------------------------------| | 02:01 | Kate working at Grey Gables bothers Brian | | 05:49 | Brian lectures Kate on her career choices | | 19:20 | Brian’s mental capacity test outcome is revealed | | 28:00 | Start of the sheep attack crisis | | 36:29 | David and Brian clash over responsibility in the sheep attack | | 46:35 | Amber and her parents attempt reconciliation | | 52:45 | The budgie rescue comedy at Grey Gables | | 60:01 | Reflections and next steps after the crisis | | 63:27 | Kate consoles Brian over Miranda and the family feud |

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Tone, Mood, and Closing Thoughts

This episode is marked by emotional highs and lows: fierce arguments, heartbreak, and anger are balanced by community spirit, practical problem-solving, and moments of shared laughter and intimacy. The language remains heartfelt, sometimes acerbic, and true to The Archers’ long-running tradition of reflecting real rural and family life.

Listeners are left with scenes of hope—family members reaching tentative understandings, a baby cot being prepared, and reconciliations attempted—while the pain of loss, pride, and recent tragedy fuel the ongoing drama in Ambridge.

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For full context and subtle character beats, this Omnibus is highly recommended listening for all fans and followers of Ambridge life.

Transcript

[Brian Aldridge]

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[Narrator]

You're listening to the archers omnibus from BBC Radio 4.

[Brian Aldridge]

Ah, Oliver. I was going to call up to Grange Farm to speak to you later, but you've saved me a trip.

[Oliver Sterling]

Sorry, Brian, I'm not that busy. We're short staffed and we've had a number of VIP guests booking last minute.

[Brian Aldridge]

Don't worry, what I have to say won't take long.

[Kate]

Oh, hello dad.

[Oliver]

I'm Oliver.

[Kate]

I'm taking these down to the spa. They're running low.

[Oliver Sterling]

Thank you, but do housekeeping have enough towels for the rooms?

[Kate]

No, but Lily's on it. See you later, dad.

[Jolene]

Now hold on.

[Brian Aldridge]

Kate, what on earth are you doing?

[Kate]

Working.

[Brian Aldridge]

Are you joking?

[Oliver]

No, dad, I'm not.

[Kate]

I work here.

[Brian Aldridge]

Then why would you take a job at Grey Gables?

[Oliver Sterling]

Why not? We like to think we look after our staff well and there are some great perks to being part of our team.

[Brian Aldridge]

I'm not interested in your staff well being policies, Oliver. I'm curious to why my daughter is working here when she has a perfectly Good business of her own.

[Kate]

Oh, Oliver, I meant to say they're also short of shampoo for the showers.

[Oliver Sterling]

Ok, well, when you've delivered the towels, find Brad and get him to show you where the refills of shower gel and shampoo are kept.

[Kate]

No problem.

[Brian Aldridge]

You couldn't let him order you around like that.

[Kate]

Yes, I was. Because as my boss, he's perfectly within his rights to ask me to complete a simple task.

[Brian Aldridge]

What's going on, Kate?

[Kate]

Dad, I can't talk to you here, but I could come and join you in the lounge when I get my break. If that's okay, Oliver.

[Oliver]

Of course, dad.

[Amber]

Yeah.

[Brian Aldridge]

Yes, it's all right.

[Kate]

In about half an hour.

[Brian Aldridge]

What is she up to? There was some kind of rebellion designed to unsettle me.

[Oliver Sterling]

You know, she's a great worker. Half a shift and I've already seen what an asset she'll be.

[Brian Aldridge]

Marvelous. Just wish she'd warned me she had a burning desire to be a chambermaid.

[Oliver Sterling]

We tend to say housekeeping these days, Brown. Enjoy your coffee, Oliver.

[Brian Aldridge]

Hold on. How's Miranda? Have you seen much of a lady?

[Oliver Sterling]

Sorry, can't stop. I. I'm late for a meeting.

[Oliver]

Oh, phew.

[Alice]

I thought Chris was going to be caught out.

[Kirsty]

Yeah.

[Lara]

Are you up next?

[Alice]

Oh, I think so. I don't know why I'm so nervous. It's only supposed to be a bit fun.

[Lara]

Well, you're an Aldrin. You're genetically programmed to want to win.

[Alice]

You make yourself like sociopaths.

[Lara]

I'm saying nothing.

[Kirsty]

Oh.

[Amber]

Oh.

[Alice]

I hope the black pike aren't as good at batting as they are at fielding.

[Lara]

Well, I've heard they're pretty good.

[Alice]

You know, the main reason I signed up to play was to be a good role model for Martha. And she's not even here to see me. She stuck it out for five minutes before disappearing off to the playground with Susan and Neil.

[Lara]

Well, I mean, the pirate spider is a head turner.

[Alice]

Yeah, much more appealing than support supporting a poor old mum and dad.

[Lara]

Oh, gosh, I must get something posted after my dad tomorrow. It's. It's only a week until Father's Day.

[Alice]

Oh, I know. I've been avoiding working out what's best for everyone. I mean, am I expected to spend the day with Chris and Martha? Because we have in the past. Was it okay to just drop her off with him?

[Lara]

I would have thought so.

[Brian Aldridge]

Yeah.

[Alice]

But then, am I just landing all the hard work on him? And when he's supposed to have an indulgent, relaxing day?

[Lara]

I see. What, you mean Martha isn't gonna make him breakfast in bed by herself?

[Alice]

And then there's my dad. We put on a big, jolly act just for the day. Pretend he hasn't practically disowned Adam and Debbie.

[Lara]

Oh, I don't know, Alice. Sounds complicated.

[Alice]

Oh, there's complicated and then there's my dad. Oh, honestly, I think you've got the right idea, Kirsty. Find a great bloke like Eric who demands very little, except that you fly off and meet him in gorgeous European cities every couple of months.

[Lara]

Yeah, my own complicated life with Eric.

[Brad]

Oh.

[Alice]

Oh, is that Rick's out?

[Kirsty]

Yep.

[Lara]

You're in, Alice.

[Kate]

All right, dad. I've got 15 minutes.

[Brian Aldridge]

Barely time for a coffee. Is this the life you want, Kate? Really? Tied to the machine, clocking in, clocking out.

[Kate]

What I want is a steady income.

[Brian Aldridge]

Oh, come on. You must be earning peanuts here. What's this really about? You're my untamed entrepreneur.

[Kate]

Creative, original and fiscally precarious.

[Brian Aldridge]

You're trying to make some sort of point by turning to Oliver for financial support.

[Kate]

No, it's not financial support, dad. It's called wages.

[Brian Aldridge]

It's called humiliating to turn up for a quiet afternoon reading the paper, find my daughter scuttling around with an armful of hotel laundry. Are you trying to punish me?

[Kate]

This isn't about you.

[Brian Aldridge]

Then what is it about?

[Kate]

It's about me having a secure income that doesn't rely on you. Withdrawing the land has an impact on us all, not just Adam.

[Brian Aldridge]

So I was right. Is about me.

[Kate]

Well, indirectly. But I'm not staging some petty revenge or trying to humiliate you by changing beds and cleaning room rooms. I was talking to Jakob and I realized that to keep Spiritual Home going, I need to supplement my income. Hence the job.

[Brian Aldridge]

You never told me Spiritual Home was in trouble.

[Pip]

It's not.

[Kate]

It's actually doing okay. But I still can't rely on taking a regular, decent wage from it. The farm partnership income has always been my safety net.

[Brian Aldridge]

I mean, it's not really you having a part time job that I object to. No shame in getting your hands dirty every now and again. Just rather you hadn't taken a job from Oliver. Have you noticed how smug he's looking at the moment?

[Kate]

You could have answered. I should really be getting back to work anyway.

[Brian Aldridge]

Sending Martin Gibson keeps leaving messages, making a fuss about nothing. So you're happy here then?

[Kate]

Well, it's only my first proper shift, but yeah, it's been fine so far. Nice to be part of a big Team makes you realise how stressful and lonely it can be running your own business.

[Brian Aldridge]

Especially when everyone's turned against you.

[Kate]

Oh, dad, we didn't turn against you. We were worried about you.

[Brian Aldridge]

Now you've no need to be.

[Kate]

No, now I'm more worried than ever. Now, there's not just the sudden breakup with Miranda and the fact that you're working too hard. There's the withdrawing the land and falling out with Debbie and Adam.

[Brian Aldridge]

Have you spoken to Adam over the weekend? Has he told you?

[Kate]

No, I haven't heard from him. Tell me what?

[Brian Aldridge]

Well, that's the most telling thing of all. If this really was about my health, about my state of mind, he would have been straight on the phone to you and Alice.

[Kate]

What are you talking about?

[Brian Aldridge]

I think you should ask Adam.

[Kate]

Dad, this still feels like game playing. Whatever it is, why don't you just tell me?

[Brian Aldridge]

Because I wasn't the one plotting a coup.

[Alice]

A couple.

[Kate]

Dad, I'm tired of this. I'm sorry you feel so betrayed. That was never my intention.

[Oliver Sterling]

Kate, can I borrow for a minute?

[Kate]

Yes, of course. Dad, I have to go.

[Brian Aldridge]

All right. But don't forget to ask Adam about the letter I presented to him.

[Lara]

Hey, I was just chatting to Alistair. He's saying Black pike are almost a dead cert to win.

[Alice]

I didn't exactly boost the score with my two runs.

[Lara]

It was better than nothing. Better than Tom.

[Alice]

True, but I really need to practice.

[Lara]

You should get Rex to coach you.

[Alice]

No, thanks. We've got better things to do with the rare evenings we actually manage to see each other.

[Lara]

Oh, I really don't want to know.

[Alice]

Hey, I meant, like meals out, country walks, going for a hat.

[Kirsty]

Right, of course.

[Lara]

Did you get a chance to talk to Chris about Father's Day?

[Oliver]

Oh, actually, yeah.

[Alice]

And it's going to be be fine. He's already made a plan. He's going with Neil and Martha on the heritage railway with a stop off for ice cream.

[Brad]

Oh.

[Alice]

I'm gonna make Chris a Father's Day kit for Martha to give him nice breakfast things and a Lego set for them to make together while they're on the train.

[Lara]

Oh, sounds gorgeous.

[Alice]

I think, given half a chance, my dad would prefer to join them rather than endure the hell of enforced fun with his own children.

[Amber]

I'm sure that's not true.

[Lara]

Hey, looks like Black pike are going up to bat.

[Alice]

Oh, Chris wants me fielding way out on the boundary. I think it might be his polite way of ensuring damage limitations.

[Lara]

Oh, I'm sure you'll be great.

[Alice]

Oh, I Can absolutely guarantee I won't.

[Brian Aldridge]

Come in. Oliver.

[Oliver Sterling]

Oh, Brian. What can I do for you?

[Brian Aldridge]

Well, we got interrupted earlier.

[Kirsty]

Did we?

[Brian Aldridge]

Yeah, when I asked after Miranda.

[Oliver Sterling]

I don't think it's appropriate for me to pass on information about her to you.

[Brian Aldridge]

Heaven's sake. I'm only asking how she is.

[Oliver Sterling]

She's fine. Meaning she's settling into her new house. Lots to keep her busy.

[Brian Aldridge]

And I suppose you're helping her with that?

[Oliver Sterling]

I'm snowed under here, Brian. I really do need to get on.

[Brian Aldridge]

I thought Ian was the manager now.

[Oliver Sterling]

Acting manager.

[Brian Aldridge]

He is, but you can't let go, eh? Worried you'll be put out to pasture?

[Oliver Sterling]

Is there anything else?

[Brian Aldridge]

Yes, if Miranda asks after me. But please tell her that I'm very well and open to meeting for a chat.

[Oliver Sterling]

All right, Brown. But I very much doubt she'll ask.

[Lara]

Then Alice puts up her hands and the ball falls into them.

[Jolene]

Really?

[Lara]

Honestly. The sun was streaming through the clouds. It was almost biblical. We were all cheering like we'd won the Ashes.

[Kate]

But we lost.

[Lara]

Well, yeah, but winning isn't everything.

[Kate]

I'll tell that to my father.

[Lara]

Do you want a glass of wine?

[Kate]

No, I'll have whatever you're having.

[Lara]

Sparkling water.

[Kate]

Fine with me. So, tell me all about the scan. Jakob wouldn't share any details. He said that was up to you.

[Lara]

Oh, Kate, it was so. Well, do you know those few precious moments when you get a tiny window into their world?

[Kate]

Oh, I know.

[Lara]

You see, that was really all I knew of Wren. Through those brief moments when everything was still alright. And I just assumed I'd get to be his mum.

[Kate]

You are his mum. I know.

[Lara]

But I wanted to be the mum who helped him on with his wellies. I made him jam on toast, watched some film with him for the millionth time when I really should have been washing up.

[Kate]

Yeah.

[Lara]

I wish we all could have known him. And because I don't know what will happen, it makes me more determined to love this baby for every moment I have. I don't want to shut anything out. Even if it means daring to hope and dreading the worst.

[Kate]

Oh, Kirsty, come here. Oh, I'll get it.

[Lara]

Oh, if it's Rex, he'll be after the rucksack by the front door. All the surveys are in there in the twine.

[Kate]

Alice.

[Amber]

Come in.

[Kate]

We were just talking about you and your freak cat. Oh, were you?

[Alice]

Oh, hi, Kirsty.

[Brad]

Hey.

[Lara]

Have you come back down to earth yet?

[Brad]

No.

[Alice]

Chris and Rex were so enthusiastic that Martha keeps saying Mummy won the Cricket.

[Kate]

Oh, so sweet.

[Alice]

Oh, are you coming to the quiz at the school tomorrow?

[Lara]

Yeah, I'm planning to, yeah. I've got a ticket.

[Alice]

How about you, Kate? We can make a team.

[Oliver]

No, I can't.

[Kate]

I'm babysitting for Xander and Martha.

[Podcast Advertiser (BILT)]

Oh.

[Kate]

Adam said you agreed to a school night sleepover.

[Alice]

Well, I thought dad was babysitting. I asked him weeks ago.

[Kate]

I imagine the last thing Adam wants is dad doing him a favour right now.

[Alice]

Yeah, true. Keen to avoid any drama on Ian's big fundraising night.

[Kate]

Alice, has Adam said anything to you about dad recently? Like over this weekend?

[Alice]

Only that he's had enough. He's not going to lift a finger at Home Farm anymore. They will see how long that lasts.

[Kate]

His dad was hinting to me that Adam knew something he wasn't telling us.

[Kirsty]

Really?

[Alice]

Well, I'll have to get it out of him tomorrow night.

[Lara]

Two against one. If I was Adam, I wouldn't fancy my chances.

[Adam]

All right, George?

[Narrator]

Yeah, why?

[Adam]

Lovely evening for flying your drone.

[Narrator]

I'm just testing something out. I don't usually fly in the village green.

[Adam]

Oh, I'm not complaining.

[Narrator]

Really?

[Adam]

No, not at all. I'm glad to see Brian's investment is

[Amber]

being put to good use.

[Narrator]

Yeah, well, we couldn't have done the work for the Borchester show without it.

[Adam]

So kind of him.

[Narrator]

I suppose I should be packing up and getting home.

[Adam]

Amazing he backed you, really, considering your history.

[Narrator]

What's your point? Because if you're here to give me a lecture on knowing my place and how I should walk around forever feeling ashamed or grateful or something, I'm not interested. I've heard it all before, Adam.

[Brian Aldridge]

Oh, I'm.

[Adam]

It just struck me that you're the only person in history who Brian has helped without wanting anything in return.

[Narrator]

Yeah, maybe.

[Adam]

It's good to see you looking so well after the. The attack.

[Narrator]

Yeah. Anyway, if you see Brian, you can tell him I'm working hard, building my empire.

[Adam]

Oh, I'm not sure I'll see him.

[Narrator]

Oh, Ed said he was around today. They were checking the home farm trailers in the combine.

[Adam]

How's Ed getting on, though?

[Narrator]

Alright, I think. Is Brian okay? I keep hearing that he's lost it.

[Adam]

And do you think he has?

[Narrator]

No. And if he starts trying to say he was out of his mind on New Year's Eve in

[Adam]

what? That it was a moment of madness, you know? I do.

[Narrator]

Okay. So if you're here to warn me off, there's no need. I'm keeping my word. I've got my drone. The Debt's paid, right? Why are you next in line? To cover for Brian, Know that Rory's failed? Come on, then. What have you got to confess?

[Adam]

Wait, what? What did Rory confess to?

[Brian Aldridge]

Attacking me.

[Narrator]

It would have been funny if it wasn't so tragic. I mean, I respect him trying to protect his old man, but if you're about to do the same, you can spare me the crocodile tears.

[Adam]

Oh, don't worry. I'm not about to stage a false confession. I'm just pleased that you have your drone. You deserve it.

[Amber]

Hey, babe, dinner's ready.

[Adam]

I better get going, too. We've got the school quiz tonight.

[Amber]

See you, Adam. Good luck.

[Adam]

Thank you.

[Amber]

Poppy has made tacos.

[Narrator]

Oh, great. I'll just land the drone.

[Amber]

And Will's putting the finishing touches to the storage unit in our bedroom. He's so pleased with it.

[Will]

Great.

[Narrator]

And my surprise for the baby should be ready tonight.

[Kirsty]

Oh.

[Amber]

Will that explain the mysterious way you keep disappearing to the shed?

[Alice]

It will.

[Kate]

Oh, exciting.

[Narrator]

Have you thought anymore about asking your dad about the trade stand spot?

[Amber]

Actually, I have been meaning to talk to you about that. Yeah, I keep putting it off. It's just going round and round in my head, worrying he'll think I'm only getting in touch because I want his money.

[Narrator]

Does it matter?

[Amber]

Yes, because it's not the only reason. I'd love things to be okay between

[Narrator]

us, but you wouldn't be messaging him if it wasn't for the show. And if he says yes, it'll pretty much make us heroes in David's eyes.

[Amber]

Just feels too soon. I'm still so angry with them, with Mum.

[Narrator]

Then just leave it.

[Adam]

Don't ask them.

[Amber]

But if I don't ask, the show's a flop. I'm going to regret not going for it.

[Narrator]

Then go for it.

[Adam]

There's popcorn in the cupboard and mandarins in the fruit bowl if they want a snack before bed.

[Kate]

Oh, so I'm not allowed to give them the sweets?

[Alice]

I've brought absolutely no to sweets before bed. They're already as high as kites. I've been said to get water, and I hope it's for drinking and not throwing at each other. Oh, did Ian go straight to the school from work?

[Brad]

Yep.

[Adam]

We hardly see him anymore between his new role at Grey Gables and now this school fundraiser. He even spent his day off on quiz admin.

[Alice]

Right, well, I'll try and encourage these two rascals into their pajamas.

[Amber]

Thanks,

[Kate]

Adam. You okay?

[Jolene]

Yeah.

[Adam]

I mean, no, not really. Ian thinks I should accept there's nothing more I can do to stop Brian destroying Home Farm. Yeah, he's desperate for us to move on.

[Kate]

I'm not surprised. It's been hard on us all this time.

[Adam]

Last month, I had a vision for what my future would look like. Ideas, energy. Now I've lost everything.

[Kate]

Not necessarily. Dad's angry right now, but we all know he can't run the farm by himself in the long term. Martin Gibson's already stressing him out.

[Adam]

Don't expect any sympathy from me. Sorry, but I'm done.

[Kate]

Just saying it's possible that in a few weeks he might well come to you begging for help. It happened with Stella, Kate.

[Adam]

I don't want to be the stepson digging him out of a hole when no one else can. I want to manage the farm I grew up on.

[Kate]

Yeah, I know.

[Adam]

I'm a farmer without a farm. Facing what future, Adam?

[Kate]

You have a loving husband and a gorgeous son. It feels bleak right now, but there's so much, so much to look forward to.

[Adam]

Well, I'm pushing 60. I can't stay home cooking Ian dinner. I'm not even the best chef in the house.

[Kate]

Well, that's a great epitaph. I wasn't even the best chef in the house. You know, I'm going to put that on your gravestone.

[Adam]

At least that's sorted.

[Kate]

There's no denying it's an unholy mess. We're all going to be worse off and the family is literally falling apart.

[Oliver]

Well, let me guess.

[Alice]

We're talking about dad and home, of course. Oh, yeah. What's this thing dad was telling Kate about?

[Kate]

He seems to think you're keeping something from us. Some big piece of news.

[Adam]

No, I'm not keeping anything from you. I just thought it was his news to tell, not mine.

[Alice]

Oh, so there is something. What is it, then?

[Adam]

Well, he did a mental capacity test

[Alice]

and he passed it, so that means he doesn't have dementia. Oh, but that's amazing. Oh, that's such a relief.

[Kate]

Oh, Adam, I was so worried he told you something really dreadful.

[Adam]

Yeah, he didn't exactly present it to me like it was good news. He told me like he'd played the final winning card and was enjoying crushing me.

[Alice]

Wow.

[Amber]

That is so gorgeous.

[Narrator]

It's the Grundy family cot upcycled.

[Amber]

Really?

[David Archer]

Yep.

[Narrator]

Generations of Grundy babies have slept in it. Grandpa, dad, me.

[Amber]

I love it. George, that is such a sweet idea.

[Narrator]

Poppy wants to stencil something at the end, but I thought you should be involved in deciding what in case she goes and covers it. In unicorns or something?

[Amber]

Poppy grew out of her unicorn vase a while ago, Right?

[Narrator]

Could be something even worse then. Is that from your dad?

[Amber]

No, it's from work. But I can see Dad's read the message I sent him. Do you think he's ignoring me just to make a point?

[Kate]

Adam, Dad's here.

[Adam]

I don't want to talk to him. I've got nothing to say.

[Brian Aldridge]

Don't worry. I have nothing to say to you either.

[Kate]

He's here to babysit.

[Oliver]

Oh.

[Alice]

Hi, dad.

[Brian Aldridge]

Had no idea you'd ask Kate instead. I've had it in my diary for weeks.

[Adam]

You really thought we'd still want you in our house, looking after our child? After all that you've said and done?

[Brian Aldridge]

I know you have a very low opinion on me, Adam, but I have no intention of letting your behavior affect my relationship with Xander.

[Adam]

Just go home, Brian.

[Brian Aldridge]

This is ridiculous.

[Jolene]

Kate.

[Brian Aldridge]

Alice, look. Can you make him see sex?

[Oliver]

Look, maybe.

[Alice]

Maybe it'd be better if you leave it for tonight. Dad, we don't want Martha and Sand. The end at hear us arguing.

[Brian Aldridge]

Has Adam convinced you I don't have the mental capacity to look after my own grandchild?

[Alice]

Adam told us you passed.

[Brian Aldridge]

Did he? I bet you had to force it out of him.

[Kate]

Why didn't you tell me yesterday, dad?

[Alice]

We've all been so worried. Such a relief to hear you're okay.

[Brian Aldridge]

He's not relieved. Tell her, madam. You'd have liked nothing better than have me gaggone out of the picture.

[Adam]

Of course I'm relieved you don't have dementia. But that doesn't change the fact I don't to want you in my house

[Amber]

or seeing my son.

[Brian Aldridge]

I don't think you can stop me.

[Adam]

You know, what I find hard to understand is why you'd be interested in Xander when he's not even your blood relative.

[Brian Aldridge]

That's a very low blow. I'm disappointed in you.

[Adam]

Yeah, well, that's nothing new.

[Brian Aldridge]

Right, well, I've no desire to upset Xander or Martha tonight, so I'll leave it for now.

[Oliver]

Dad.

[Brian Aldridge]

Don't think you're gonna get your own way on this.

[Alice]

Dad. Dad. This is exhausting. It's just awful. How did things get this bad?

[Kate]

Are you really gonna stop dad from seeing his grandson? They adore each other.

[Adam]

Yeah, and what about when Xander gets a bit older? First disagrees with him, starts to push back? What then? Will Brian make him feel small and useless?

[Alice]

I don't think dad would do that.

[Adam]

But that's exactly what he's done to me. Alex. The more he disapproved, the more I tried to please him. Trying to please Brian is no easy task. Trying to be accepted by him and loved as if I were his son is worse than just knowing my place from the start, Adam.

[Alice]

But you are his son.

[Brian Aldridge]

I'm not.

[Adam]

And Xander isn't his grandson either. And the sooner we accept the stark truth of that, the easier it'll be.

[Kate]

I hate that you and dad are both determined to burn bridges. You stand to lose so much in all this mess.

[Adam]

The one thing I've gained is clarity. The chance to protect Xander from Brian's toxic behavior before it's too late. That's all we need.

[Alice]

What is it?

[Adam]

The quiz is cancelled. Double booking.

[Alice]

Oh, I bet Ian's gutted.

[Podcast Advertiser (BILT)]

Yeah.

[Adam]

He'll be so fed up. He's put so much work into this.

[Alice]

Why didn't you arrange to meet him in the ball for a drink? Let off some steam? We can stay here and put the kids to bed as planned. But Martha will hate me forever if we cancel the sleepover.

[Kate]

Yeah, go on. At least you'd get an hour or two with Ian.

[Adam]

Actually, that sounds good. Thank you.

[Amber]

He's still not replied. Why couldn't he just say thanks, Amber. I'll get back to you when I've got a minute. Something normal.

[Narrator]

I don't know.

[Amber]

Wonder if he showed my message to Mum.

[Oliver Sterling]

Maybe.

[Amber]

The trouble with my parents is they hold things in. They are so passive aggressive. Oh, it's my dad.

[Narrator]

Finally. What does he say?

[Amber]

He's read my proposal.

[Narrator]

Does he say if he's interested?

[Lara]

Nope.

[Amber]

Just that he wants to meet. To talk to me.

[Oliver]

Dad, don't look so alarmed.

[Brian Aldridge]

I'm not here to stay.

[Kate]

Adam's at the ball with Ian.

[Jolene]

Oh.

[Brian Aldridge]

Well, in that case, I will. Come in. I've got some chocolate for Xander and Martha. I'd forgotten I'd promised them I was going to come home to babysitting treats.

[Kate]

I can leave it for Adam to give them in the morning. They've already cleaned their teeth.

[Brian Aldridge]

Oh, fair enough. Just let me pop my head around the door, say good night.

[Kate]

I'm so sorry. I can't, dad. Adam said no.

[Brian Aldridge]

Is he serious about stopping me seeing Xander?

[Kate]

He does seem to be. I hope he changes his mind. But really, what did you think would happen?

[Brian Aldridge]

I thought he might have more sense than take it out on his son. It's absolutely ridiculous.

[Kate]

I agree. But sadly, this is what a family feud looks like. Pride, power and an obsession with winning. And since you're the winner, maybe you need to think if it's really worth it.

[Pip]

There's coffee for you, Alistair. And here you go, Brian.

[Brian Aldridge]

Oh, wonderful.

[Kate]

Pint of shire.

[Jolene]

Thank you.

[Pip]

Have you heard from your dad yet?

[Oliver]

Where is he now?

[Jolene]

Your guess is as good as mine. Though I think I'm pretty safe saying Europe. I'll let you know when the first postcard lands on my doormat.

[Pip]

Not one for sending texts then, eh?

[Jolene]

Oh, no, he hasn't even read the messages I sent him three days ago.

[Brian Aldridge]

It's very exciting he's taking a gap year at his age. Not only something for the youngsters.

[Pip]

Well, he's such an adventurer. I mean, most people his age would book themselves onto a cruise. Fully catered, every convenience.

[Brian Aldridge]

Not Dad.

[Pip]

I bet you're missing him more than

[Brian Aldridge]

I ever thought I would.

[Jolene]

I miss his quiet, wry comments, even though they sometimes used to irritate me.

[Pip]

Yeah, well, you let us know when you get your first postcard, won't you? Hey, we should run a guess where Jim goes next competition.

[Brian Aldridge]

I could do with a holiday. I'm not sure how I feel about going on my own. What I loved about the trips I took with Miranda were the evenings. Yeah, glass of wine, seafood, sunset, the lapping of the ocean against golden sands. All those cliches.

[Pip]

Yeah, I was a tiny bit jealous of you two, flitting off every few months. It's a shame it didn't work out.

[Brian Aldridge]

Yeah, we both need our heads knocking together. Really, if we had any sense, we'd just book a gorgeous holiday before the schools break up and put the past behind us. I could certainly do with the opportunity to have a break from my children. To say the last few months have been difficult would be an understatement.

[Jolene]

I heard Adam step down from managing

[Brian Aldridge]

Home Farm to get me started. Even Kate seems to got it into her head that I'm at fault. And actually, I'm the victim in all this.

[David Archer]

Okay, we'll check on the ewes and then if you're not in a hurry to get back, I'd like to pop in and ask Brian a couple of things about the Borchester show. My never ending to do list.

[Pip]

That sounds good. I'm always up for a fancy coffee from the Home Farm office. Stella said that she heard a rumor that Adam has completely quit.

[David Archer]

Well, I heard the same, but not from the horse's mouth either. Horse? Brian or Adam. What's up with them?

[Pip]

They sound a bit distressed. Hang on.

[Oliver Sterling]

Oh.

[Jolene]

What?

[Brian Aldridge]

What the.

[Pip]

Dad. Oh, no. Oh, I can't believe.

[Lara]

Oh.

[Podcast Advertiser (BILT)]

Oh.

[David Archer]

Some idiot. Some Maniac.

[Brian Aldridge]

A dog.

[Pip]

Dad, stop.

[David Archer]

When I catch you.

[Kate]

No, no, no, I can't.

[Pip]

Dad, please. It's too far off. Stop.

[Brian Aldridge]

It's carnage.

[Pip]

I'm calling the police. Dad. You call Alistair. We need to get help.

[David Archer]

Four, five, six.

[Oliver]

Oh, no.

[David Archer]

12, 13, 14.

[Brian Aldridge]

There's at least 15.

[David Archer]

Pip, look. That lamb's ripped her apart. Oh, if I find the dog that did this, I'll blow its brains out. I can hear it.

[Pip]

Look, dad, we've got to focus. Help the injured. You save the ones that we can.

[Kirsty]

Dad. Dad. Dad.

[Brian Aldridge]

Dad.

[Pip]

Dad. Come on.

[Lara]

Come on.

[David Archer]

We just set off earlier. We chased the dog away. We'd been scared it off.

[Pip]

I know. Okay, okay, deep breaths.

[Kate]

Deep breath.

[PC Nicola Truman]

All right?

[Pip]

Good. Okay, out. Ring 999 now.

[David Archer]

Tell them. Tell the police we think the dog that did this is still nearby.

[PC Nicola Truman]

I will.

[David Archer]

And tell them to hurry. Make them understand. 15 dead. I reckon they need to catch it. It's out of control.

[Kate]

Yeah, I'm doing it now.

[Pip]

You just concentrate on getting Alistair up here because we are going to have more die if we don't get help quickly.

[Brian Aldridge]

It just seems so petty.

[Pip]

Well, I reckon families often need a bit of time to cool down before getting back around the table.

[Brian Aldridge]

Back in the ring. More.

[Jolene]

Sorry, I'll have to get this. Hi, David.

[David Archer]

Alistair. I'm with the sheep at Home Farm. There's been a dog attack.

[Kate]

Vicious.

[David Archer]

Limbs ripped off. The whole field is a mess.

[Jolene]

Oh, David, I'm so sorry. I'm on my way. How many injured sheep?

[David Archer]

I don't know. Lots. Three or four critical, I'd say. Others are just built surface rooms.

[Jolene]

Have you called the police? And the dog?

[David Archer]

I thought I heard it, but I can't be sure.

[Jolene]

Okay. If it comes back, don't approach it. I'm leaving now. I'll be there as soon as I can.

[David Archer]

Thanks. Alistair.

[Kate]

What's happened?

[Jolene]

It's David's sheep. A dog attack at Home Farm. Yeah, sounds horrific. He's in a terrible state. You should come too, Brian, if you can. I'll see you up there.

[Pip]

Oh, that's awful.

[Brian Aldridge]

Yes, Alastair's right. I should go. Police might want to speak to me.

[Oliver]

Afternoon.

[Amber]

Are you Pip?

[Pip]

I am. And this is my dad.

[David Archer]

Oh, hi. But we've met before. David Archer.

[PC Nicola Truman]

I'm PC Nicola Truman from the Rural Crime Team. I'm so sorry this has happened.

[Pip]

Thanks for coming so quickly.

[PC Nicola Truman]

I wasn't far from you when I got the call. I understand this is distressing for you, but it would be useful to get a Quick estimate of scale so I can let Crime Scene Investigation know. How many dead, how many injured?

[Pip]

What we think 15 dead and at least four injured, maybe more.

[David Archer]

This little fella here, he's one of the lucky ones. There are two lambs over there with huge bite marks. Flesh ripped, ears torn off. Never seen anything like it.

[PC Nicola Truman]

Do you have a vet on the way?

[Pip]

Yes, We've called Alistair Lloyd from Level James.

[Kate]

I think that's him now.

[David Archer]

I'll just let him know where we are. Alistair.

[PC Nicola Truman]

Okay, good. And am I right that the sheep are yours, but the land belongs to Home Farm?

[David Archer]

That's right.

[PC Nicola Truman]

The investigation team are on their way. They'll need to take forensic photos and samples from the dead sheep, but your vet can start treating the injured livestock straight away. There's no need to wait for them.

[Pip]

Okay, I'll let them know.

[PC Nicola Truman]

I'll be recording everything on my body cam and I've called in a police drone team to film the scale of the attack.

[Pip]

Alistair.

[Brad]

Over here.

[PC Nicola Truman]

So you said you heard barking as you entered the field?

[David Archer]

We did. You? Yeah, from that direction to the north.

[PC Nicola Truman]

I've called in a police dog handler, but I'm guessing it might have traveled some distance by now. We might have missed our chance of restraining it.

[Jolene]

David. Pip. I'm so sorry.

[PC Nicola Truman]

Afternoon. I'm PC Truman, Rural Crime Officer.

[Lara]

Hi.

[Jolene]

Alice Deloitte. I'll get straight to work, if that's okay with you.

[Kirsty]

Of course.

[David Archer]

Can you start with this lamb? His left ear has been completely ripped off, but it's the bite wound on his side. I'm worried about his brain bleeding heavily. I've been trying to stem it.

[Jolene]

Okay, and then I'll triage the rest of the flock. Another vets on the way from our practice in Portchester.

[Alice]

Right.

[PC Nicola Truman]

If you're okay, I'll take a look around the field, get some footage. Can you come with me, Pip?

[Pip]

Yep.

[PC Nicola Truman]

It would be useful to have someone with me who's familiar with the farm.

[Pip]

Yeah, of course. Phone me if you need me.

[Kirsty]

Dad.

[David Archer]

Yeah, we'll do.

[Jolene]

Right. We'll need to work fast.

[David Archer]

What can I do?

[Jolene]

Well, I'm going to start by sewing up this tear, then dress the wound and give him antibiotics.

[Brian Aldridge]

I wonder if his mother survived.

[David Archer]

I keep thinking of how we brought every one of these lambs carefully into the world at all hours of the day and night. And how senselessly they've been slaughtered.

[PC Nicola Truman]

We're seeing this kind of incident far too often. This is an unusually brutal attack.

[Pip]

I don't know what we can do. There's signs all over the countryside telling owners to keep dogs on leaves.

[PC Nicola Truman]

It only takes one who thinks they know best, thinks their dog is so well behaved that they won't be driven by their natural instincts.

[Pip]

I'd love to make great big billboards with photos of those poor dead lambs. And it only takes one dog plastered across him.

[PC Nicola Truman]

At least we've got much stricter laws on livestock worrying now. Means we have more power to collect evidence and we can serve owners without unlimited finds.

[Pip]

Oh, here's another U. Look at her thing.

[PC Nicola Truman]

I'll get a couple of photos. The investigations team will swab for the dog's DNA. It's tricky on oily sheep's wool, but they're good. And they'll take impressions of bite marks, too. I'm hopeful we'll get something we can use.

[Pip]

I'd love whoever's responsible to get properly punished.

[PC Nicola Truman]

Well, the publicity around a conviction is important for prevention, too.

[Pip]

So this is the northern boundary of the sheep field. Over there is arable.

[PC Nicola Truman]

Okay. I could really do with speaking to the owner of the farm.

[Pip]

He's on his way.

[Amber]

And his name?

[Pip]

Brian Aldridge.

[Oliver]

Oh, yes.

[Pip]

You know him?

[Kirsty]

Mm.

[PC Nicola Truman]

I had the pleasure of speaking to him a couple of weeks ago.

[Jolene]

All right, girl.

[Brian Aldridge]

All right.

[Jolene]

This should help prevent any nasty infections.

[David Archer]

That's it.

[Brian Aldridge]

Good girl.

[David Archer]

What next?

[Jolene]

I'll flush the bite mark out with saline and get an antiseptic solution on it.

[David Archer]

All right. Well, now Pip's getting on.

[Jolene]

Hopefully they've met up with a police dog handler.

[David Archer]

I don't hold up much of of them catching the one that did it. I bet the local dog owners will start rumors about big cat sightings. Anything other than admitting some responsibility for their own reckless behavior.

[Pip]

Pip, I've just had a call from the fallen stock guy. He's on his way.

[David Archer]

Oh, okay. I'll look out for him. Thanks.

[Pip]

How's Alistair getting on?

[David Archer]

Working miracles.

[PC Nicola Truman]

Great.

[Pip]

We're headed back now.

[David Archer]

Okay. See you soon. Right. The fallen stock chaps on his way.

[Jolene]

Well, he's not having this one. She's a fighter.

[David Archer]

Well, I'll need to get the injured sheep into our trailer and back down to a barn at Brookfield to recover. Oh, Ruth doesn't even know yet. She'll be heartbroken.

[Jolene]

Do you want to ring her now? I'm almost done here. When I finish stitching this wound, I'll get onto the National Sheep association to report it as a dog worrying incident.

[David Archer]

Tell them dog worrying doesn't quite cut it. Try savage murderous attacks.

[PC Nicola Truman]

Ah, here's Mr. Aldridge?

[Pip]

Yeah.

[Brian Aldridge]

I bumped into your dog handler on the way up here. Fifteen dead sheep.

[PC Nicola Truman]

I'm afraid it's an extremely serious dog incident.

[Pip]

Come with this. Alistair's here. He's helping the ones he can. They must have been terrified. You might want to prepare yourself, Brian. It's. It's sickening.

[PC Nicola Truman]

We're hopeful we'll be able to trace the dog using DNA samples. Thankfully, the new amendments to the law give us more robust powers to investigate.

[Oliver Sterling]

Yeah.

[Brian Aldridge]

About time there was some serious protection for farmers.

[David Archer]

Ah, here he is. The big man. I trusted you with my flock, Mr. Archer.

[PC Nicola Truman]

Leave this to me. I'll have some questions for Mr. Aldridge and I'll be taking. Taking a statement that will feed into the investigation.

[David Archer]

Oh, you don't need an investigation to see he's not managing his land properly.

[Brian Aldridge]

Oh, come on, David, that's not fair. I lease you the field. But you know as well as I do I can't control who uses the public footpaths.

[David Archer]

So where are the signs, Brian? Keep dogs on leads near sheep.

[Brian Aldridge]

We're an arable farm officer. I assumed it was the responsibility of the livestock owner to keep specific signage up to date.

[David Archer]

That livestock owner you're talking to, my sheep have just been ripped apart in your field.

[Pip]

Dad, it's okay. Come on. Just calm down. You're shaking.

[David Archer]

Shaking? I'm furious. We'll see how calm you are, Brian, when I hand you the bill to compensate me for the loss.

[Brian Aldridge]

Well, if that's a threat, it's a pretty empty one because we'll be able to claim this on your insurance and you know it.

[David Archer]

This isn't just about the money.

[Oliver]

It is.

[David Archer]

Not for me. Not for it. This is about our life's work. Responsibility for the welfare of our stock.

[Brian Aldridge]

All right, we can all see how distressing this is for you, David. But there's no need for you to raise your voice.

[David Archer]

Patronize me. Take a look at yourself. You're a mess, Brian. You're not fit to be in charge of a farm.

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[Oliver Sterling]

Morning.

[Narrator]

I brought you tea.

[Kate]

Oh, thank you.

[Amber]

How was milking?

[Narrator]

Fine. Esme let me off early. She wanted to take over. Keen to keep her hand in.

[Amber]

Do you have to go back this afternoon?

[Narrator]

Not today. I thought I'd help Dad finish the storage unit, get it sanded down and painted.

[Oliver]

Cool.

[Amber]

I got another message from my dad. I'm meeting him at the showroom.

[Narrator]

Was that all right with you?

[Amber]

Yeah, it's Better than meeting at the house. Feels more neutral. And he says that Mum won't be in the office today.

[Narrator]

Do you want me to come with you?

[Amber]

I'd love you to if my dad was normal. But it might be easier to talk to him if I'm on my own.

[Narrator]

All right, yeah, that's fine. I'll get it.

[Amber]

I really wish I didn't have to do this. My stomach's in knots just. Just at the idea of talking to him.

[Adam]

Phil.

[Lara]

I thought you'd gone awol.

[Amber]

Oh, sorry, Anne Marie, love. I woke up early so I thought I'd do something useful.

[Oliver]

Can't someone at the showroom wash your car for you?

[Amber]

I like doing it myself.

[Oliver]

Have you heard from Amber?

[Amber]

Yeah, just this minute. She's coming to the showroom about 12.

[Oliver]

Ah, you told her I'm not working today? Do you think she's avoiding me on purpose?

[Amber]

Maybe the pro choice lecture was a step too far.

[Oliver]

That's not what it was. You agreed it was important for her to know we would support her whatever choice she made.

[Amber]

Whatever choice she made. But it was blatantly obvious she wanted to have the baby. At that point, my. Maybe we could have shifted gear and just been happy for her. For both of them.

[Oliver]

I would have got there. I will get there. But I still don't regret what I said.

[Amber]

Or even how you said it.

[Oliver]

Oh, I know, I know. I could have been more subtle. Waited for a better moment.

[Amber]

Yeah, we wouldn't be back at square one.

[Oliver]

But also, I was on high alert. She arranges to see us on her own and then he turns up, sticks to her like glue. If you are a controlling boyfriend and you didn't want your girlfriend to consider a termination, wouldn't you isolate her from her parents? For all we knew, he tagged along to stop us asking difficult questions.

[Amber]

You think George is controlling?

[Oliver]

Actually, no, I don't. But I do think they're both very young and very foolish.

[Amber]

And what do you think of this business proposal? I keep hoping she's using it as an excuse reason to get back in touch with us.

[Oliver]

It's a little elaborate for that.

[Amber]

Well, whatever she wants, or we think she wants. Let's do our best not to scare her away this time. Hey,

[Pip]

There you are. Mum said you were checking on the sheep in the barn.

[David Archer]

Yeah, I was, but then I got hungry. I couldn't face eating anything last night.

[Pip]

Me neither.

[David Archer]

There's toast and jam if you fancy joining me.

[Pip]

Oh, thanks. Are you okay?

[David Archer]

Not really. How about you?

[Pip]

No. Still feel really shaken on Edge? I don't think I've probably taken it all in yet.

[Kate]

No.

[David Archer]

That moment where we were walking and chatting and everything was normal and then in a second it's like everything shifts

[Pip]

and somehow it being sunny and warm made it feel worse.

[Podcast Advertiser (BILT)]

Yeah.

[David Archer]

You don't expect bad things to happen in daylight. Your mum was up and down all night checking on the injured sheep. And Alistair came first thing this morning.

[Oliver]

I saw him.

[Pip]

We had a quick chat in the yard. He said he's already sent out an email to all his clients reminding them not to let dogs off their lead.

[Kirsty]

Good.

[David Archer]

Brian rang me too.

[Oliver Sterling]

Oh.

[Pip]

How did that go? I thought you were going to punch him when he turned up yesterday.

[David Archer]

Yeah, well, I was angry, wouldn't I? And he could have done more as the landowner.

[Pip]

Yes, but so could we.

[Kirsty]

Dad.

[Pip]

I'll get some more signs printed today, okay?

[David Archer]

Trouble is, people don't realize that their docile, sofa loving mutt can turn into a deadly hunter. Even the nicest little pet dog can kill a sheep. Hello?

[PC Nicola Truman]

Hi, it's PC Truman.

[David Archer]

Oh, hi. Thanks for getting back to me. I just wanted to know if you've got any news.

[PC Nicola Truman]

We've got no new leads on tracing the dog, I'm afraid. Nothing useful from social media, but the forensics team are working on the evidence they collected yesterday and I'll let you know as soon as we hear anything.

[David Archer]

Oh, thank you.

[PC Nicola Truman]

I'd like to come and take a formal statement from you and your daughter today, if that's possible. Is there a time that's good for you?

[Amber]

So you'd have a prime trade stand in the main arena.

It's not cheap.

You pay for what you get. Think of the potential reach, dad. You'll have the whole of Borsetshire in your pocket. From young farmers looking for a small but stylish first car to farmers with a load of kids coming to you for their 7 seater family 4x4.

You are definitely my daughter. No doubt about that.

What do you mean?

You could sell pollen to a bee.

I don't want to sell you something you don't want. You can just say no, dad, but I genuinely think this would be a good opportunity for you.

Not bad for the show and therefore for you either.

So should I just leave you to think about it?

Say I did take the spot. What incentives can you offer me in the form of marketing and promotion?

Yeah, well, I checked with my bosses and since you're my dad, we will offer offer you an upgrade on marketing. I'll send you the deal package. With the bonus stuff now.

[PC Nicola Truman]

There.

[Amber]

All sent.

Oh, look who's here.

[Oliver]

Mom. Hello, darling.

[Amber]

How did you know I was here? Dad. Did you tell her I was coming?

Well, I didn't keep it a secret.

[Oliver]

I was just popping my head in to say hi. I don't want to intrude your business meeting.

[Amber]

Look, we're almost done. Why don't you two sit down and have a chat while I have a quick look over this marketing package. Then I'll make my decision.

[Oliver]

Don't be angry with your dad. He was so happy to get a message from you. And we're both aware that last time we saw you, things went well. It went badly, didn't it?

[Amber]

Things didn't just go badly. You caused them to go badly.

[Adam]

Mum.

[Amber]

I still can't believe the things you said.

And your mother is sorry about that.

Are you?

[Oliver]

I'm sorry about how I handled it. I wanted to give you our unconditional support and, if I'm honest, a bit of a reality check before it was too late.

[Amber]

Yeah, and that might have been fair enough if I'd been confused or upset, But George and I arrived hopeful and happy.

[Oliver]

I know. And I'm sorry.

[Amber]

Really?

[Oliver]

Yes.

[Pip]

Okay.

[Amber]

Thank you.

[Oliver]

When your dad told me you wanted to meet about a trade stand, I had to take the chance to see you. I imagine you'll be just the same when you have a daughter or son. However complicated your relationship gets, you'll still want to be part of their lives.

[Amber]

But it doesn't need to be complicated. I'm not the one who turns every meeting into an opportunity to criticize or control.

[Oliver]

I accept I'm far from perfect. But you have to believe that all we want is the best for you. And all we ever do is with that in mind.

[Amber]

And the best for me is having this baby with George.

[Oliver]

I see even that.

[Brian Aldridge]

What?

[Kate]

What does that mean?

[Amber]

I see it did sound a little cold. Love.

[Oliver]

I'm not going to pretend that we're thrilled with the partner you've chosen or the path you're taking.

[Amber]

Here we go.

Amber knows how we feel. Love.

[Kirsty]

Do we have to state it again

[Oliver Sterling]

or could we move forward?

[Oliver]

Oh, yes, I'm getting to that. Neither your choice of partner or your life choices will change how we feel about you.

[Amber]

Really?

[Oliver]

We love you unconditionally.

[Amber]

It's true, Angel.

[Brad]

Yeah.

[Amber]

I wish it felt like that. Because every time I believe you, something happens that makes me think it's just a bunch of words you say to smooth things over.

[Oliver]

I'm sorry, Amber. I see that I've managed to make you angry.

[Amber]

I wasn't angry when I set off this morning.

[PC Nicola Truman]

I was nervous.

[Narrator]

And now?

[Pip]

I don't know.

[Oliver]

Then let's start again. You're looking very well. Blooming

[Amber]

you. You don't have to say that.

[Oliver]

It's true.

[Amber]

Is everything all right with the baby?

Yeah. I sent you a message after the scan.

I know, but it didn't say a lot.

[Oliver]

Have you got plans for the birth?

[Amber]

I've had thoughts. Done a lot of reading. But we haven't made any decisions just yet.

[Oliver]

If you want to talk anything over with me, I'll always find time.

[Lara]

Thanks.

[Amber]

Right, who fancies a pub lunch?

[Adam]

Amber?

[Amber]

It's on your mother and me.

I don't know, I.

Come on, please. Then I can let you know my decision before you go back to the Grundys.

[PC Nicola Truman]

Thanks for these statements. We'll get them typed up and sent to you. If there's anything else you remember, just get in touch.

[David Archer]

Will do.

[PC Nicola Truman]

Oh, it's good to see the ewes and lambs looking settled.

[Pip]

Yeah, these are the lucky ones.

[PC Nicola Truman]

Honestly, the statistics around this kind of thing are shocking.

[David Archer]

It's enough to make you weep.

[PC Nicola Truman]

We're working with the various farming bodies to tackle this. I know it doesn't change what you came across yesterday, the financial and emotional toll that's taken. But I do want you to know how seriously we view these incidents.

[Pip]

Thank you.

[PC Nicola Truman]

Okay, we'll be in touch.

[David Archer]

Yeah, of course. And thanks again for getting there so quickly yesterday to the whole team. We really appreciate what you're doing.

[PC Nicola Truman]

Not at all, Mr. Archer.

[Amber]

Goodbye.

[David Archer]

Bye.

[Pip]

Bye.

[David Archer]

Oh, all I want to do is sleep.

[Pip]

Then can you?

[David Archer]

No. I'm up to my eyeballs in the wretched show, but I honestly don't know if I've got the energy for it anymore.

[Pip]

Oh, come on, dad. You can't let this defeat you.

[David Archer]

Can't I?

[Pip]

No.

[David Archer]

Oh, listen to me. Moaning and groaning and expecting you to cheer me up. I'm sorry, Pip, you must be tired too.

[Pip]

Oh, who's this now?

[David Archer]

Hello.

[Lara]

Hi, David.

[Amber]

Do you have a minute?

[David Archer]

Hi, Amber. Only if it's good news.

[Amber]

Then you're gonna want to hear this.

[David Archer]

Okay, go on.

[Amber]

My dad has agreed to take a trade stand spot by the main arena.

[David Archer]

Oh, fantastic. Do you hear that, Pip?

[Pip]

I did.

[Alice]

That's great.

[Pip]

You said, dad, all is not lost.

[Narrator]

Was he pleased?

[Amber]

I'm surprised you couldn't hear them from in here. He and Pip were thrilled.

[Narrator]

You did it, Amber. You pulled it off.

[Amber]

We might actually be good at this. The Gordon Grundy Bureau of Sales and Marketing.

[Narrator]

Now, tell me how it went with your dad and mum. Really? Oh, unexpected twist.

[Amber]

They took me out for a pub lunch.

[Narrator]

They're obviously pretty keen to get you back on side.

[Amber]

I don't think I was ever exactly on side.

[Narrator]

I just don't want you to trust them and then get hurt again.

[Amber]

Don't worry.

[Narrator]

But will you go and see them again?

[Amber]

It all depends how they behave next time you're with me. That's if you can ever bear being in the same room as my mum again.

[Narrator]

She's gonna be our baby's grandma. I'm not gonna stand in the way of that.

[Amber]

Just don't want them to think they've bought their way back into our lives.

[Narrator]

Don't worry. We won't need their money. The way things are going by, next year will be millionaires.

[Kate]

Ok, I've got the sheet. King size flat.

[Brad]

Now, it's easiest if you stand at the bottom of the bed in the centre.

[Kate]

Brad, can you hear that?

[Amber]

War.

[Kate]

Stand still.

[Oliver]

Wait.

[Kate]

There's something in the wardrobe.

[Pip]

What do we do?

[Kate]

Open the door.

[Pip]

See what it is.

[David Archer]

Mmm.

[Narrator]

Good idea.

[Brad]

Do you think it's a mouse?

[Kate]

It sounds bigger than that.

[Brad]

A rat maybe. Or a cat. We sometimes have the odd stray that finds its way into the hotel.

[Kate]

Well, I'll open the door and you get ready to catch it.

[Brian Aldridge]

Really?

[Pip]

Yep. One, two, three. Oh, bird. Catch it.

[Oliver Sterling]

What's going on?

[Kate]

Oliver, come in quickly. Come in and close the door.

[Oliver Sterling]

I can hear you all the way down the corridor.

[Brad]

There's a bird.

[Lara]

What?

[Jolene]

Where?

[Kate]

Oh, there it is on the curtain rail. Oh, it's a budgie.

[Oliver Sterling]

Goodness.

[Oliver]

I think it's Fletch.

[Brad]

It escaped from the Mallocks weeks ago.

[Lara]

Oh.

[Kate]

Do you think he's okay?

[Oliver Sterling]

Well, he looks remarkably unscathed. Rather like he owns the place and can't work out what we're doing in his room.

[Kate]

Well, we have to catch him and get him back to the mallard.

[Oliver Sterling]

Brad, can you do it?

[Brad]

Oh, I don't know. I don't love the idea of holding a bird.

[Oliver Sterling]

Well, I think if I try balancing on that mattress to get to him, I'll be asking for trouble. You don't want to be dealing with an escapee, budgie and an injured octogenarian.

[Kate]

No, don't worry. I'll do it. Brad, help me for a second.

[Jolene]

Here.

[Brad]

I've got you.

[Kate]

I just need to get steady.

[Oliver Sterling]

Careful, then.

[Amber]

Slowly.

[Kate]

Slowly. Fletch. Come on. That's it. Oh, I almost had him.

[Brad]

Oliver.

[Will]

Oliver.

[Pip]

He's there.

[Brian Aldridge]

Where?

[Brad]

Just by your shoulder.

[Brian Aldridge]

I have him.

[Brad]

Oh, well done, you two.

[Brian Aldridge]

Oh, poor thing.

[Oliver Sterling]

His heart's beating so fast.

[Brad]

Mine, too.

[Kate]

Now what?

[Oliver Sterling]

I'll call the Maliks, get them to bring his cage to reception, but in the meantime, maybe Zainab can settle him. You know, a familiar face. Now, Brad, pass me one of those pillow slips, and we'll wrap him gently so he feels safe, okay?

[Kate]

Gosh, it's only my second shift, and I feel like I've fallen into some hotel farce. Carry on, Grey Gables.

[Lara]

Just a sparkling water for me, Jolene. Thanks.

[Pip]

Would you like ice and a slice of lime?

[Amber]

Yes, please.

[Brian Aldridge]

I'll have a pint when you've got a minute, Jolene. Yeah, and put Kirsty's drink on my tub.

[Lara]

Oh, thanks, but I'm with Rex in the beer garden. I was gonna get him a pint, too.

[Brian Aldridge]

What, shires? Yeah, two pints of Shires, Jolene. The sparkling water all right.

[Pip]

Coming up.

[Lara]

That's very kind of you, Brian.

[Brian Aldridge]

Is Miranda still in the garden?

[Lara]

I think so.

[Kate]

Yeah.

[Lara]

She was definitely sitting over by the honeysuckle when I got here.

[Pip]

Yeah, Brian's plucking up the courage to go and talk to her.

[Brian Aldridge]

I don't need courage. I just rather speak to her when Oliver isn't glued to her side.

[Pip]

Has anyone seen David today? Kenton said he was very upset last night.

[Alice]

Oh, yeah.

[Lara]

Those poor sheep.

[Brian Aldridge]

I thought Martin would win the prize for leaving me the most messages this week, but David's certainly in the running, Poor guy. Well, thankfully, he's no longer blaming me for the attack.

[Lara]

Well, David told me he's planning to use the Borchester show to spread clear, positive messages to dog owners.

[Pip]

Yeah, I'm seeing adverts for the show everywhere at the minute. Little promo videos popping up.

[Lara]

Yeah, me, too. Amber and George are doing a really great job hijacking the algorithm. Oh, hey, Brian. Don't turn around, but Miranda's just come into the bar.

[Brian Aldridge]

She alone or with her shadow?

[Lara]

She's on her own.

[Brian Aldridge]

Oh. Miranda.

[Kirsty]

Evening, bro. Hi, Kirsty.

[Amber]

Hello.

[Brian Aldridge]

I've been waiting for the chance to have a word.

[Kirsty]

About what?

[Brian Aldridge]

Well, I'd rather talk in private if that's okay.

[Kirsty]

It's not okay. I've got nothing to say to you.

[Kate]

Zainab seemed relieved to hand the budgie over to her dad. Yeah, I didn't think many people kept birds in cages these days. Seems a bit old fashioned.

[Brad]

Khalil came across him somehow, and he was really upset by how he was Being kept.

[Kate]

Oh, I see. So the Maliks rescued him. I once saw a short film when I was living in South Africa about a budgie and unrequited love.

[Brad]

How did it end?

[Podcast Advertiser (BILT)]

Badly.

[Brad]

Me, I prefer a love story with a happy ending.

[Kate]

But you have to admit there's something beautiful about a soul yearning.

[Brad]

Oh, in the movies, maybe.

[Amber]

Not in real life.

[Kate]

No, you're right. In real life, it's just rubbish. If you love someone who doesn't love

[Brad]

you back or who does love you back. But shouldn't what she did For a bit, maybe, but you don't even know how she feels now.

[Kate]

But do you still feel the same about her?

[Jolene]

Who?

[Kate]

I don't know. Whoever it is you're talking about.

[Brad]

I was speaking hypothetically.

[Kate]

And hypothetically, did you ever declare your love for each other?

[Brad]

Well, hypothetically, we did kiss on New Year's Eve. And it was. Oh, it doesn't even matter. We can't be together.

[Kate]

Why has she said that?

[Brad]

I just know we can't. She's with someone else.

[Alice]

Oh.

[Brad]

Even if she really does like me more than him, it's too late. She's committed.

[Kate]

I see.

[Amber]

Yeah.

[Kate]

So this is my advice to you, Brad. Do everything you can to move on. There's actually nothing romantic about indulging yourself in the misery of a broken heart. Even Romeo looks like a prize prune going on about Rosaline until he meets Juliet. Yearning is fine for short budgie films, but in real life, it would be so much more beautiful to make the decision to move on. If you can.

[Brad]

I don't think I can.

[Kate]

Well, not with that attitude. If it really is as hopeless as you say it is, then you, Brad Horribin, deserve better. And do you know who is the only person who can get you out of this fog of doomed love?

[Brad]

Me.

[Kate]

Correct. Now pass me the toilet cleaner and stop wasting precious time. You're young and talented. And the sea is more plentiful than this little fish pond.

[Pip]

You got anything nice planned for the rest of the evening?

[Brian Aldridge]

I thought I might pop up to Home Farm.

[Pip]

Farmers do work hard.

[Brian Aldridge]

I'm not going to the old farm, this. I'm going to the farmhouse to speak to Miranda.

[Pip]

Do you think that's a good idea, my darling? She didn't seem too keen on talking to you earlier.

[Brian Aldridge]

That's all part of the game.

[Pip]

Didn't look to me like she was playing a game. You know, Brian, if you want the advice of a woman, I'd leave it for tonight. I don't think pursuing Miranda right now is going to get you anywhere.

[Brian Aldridge]

I'm very grateful for your words of wisdom, Jolene, but don't worry about me.

[Pip]

You did what?

[Oliver Sterling]

I caught a budgie that had been hiding in a wardrobe.

[Alice]

How?

[Oliver Sterling]

I heard a terrible scream and walked into mayhem. Kate leapt onto the bed, balancing precariously on the mattress, clinging to the curtain pole where Fletch was sitting.

[Kirsty]

And who's Fletch? A guest.

[Oliver Sterling]

No, the budgie. In what world would a guest be sitting on the curtain pole?

[Kirsty]

In what world does a budgie hide in a hotel wardrobe?

[Oliver Sterling]

Anyway, I caught him and returned him safely to the mallet.

[Kirsty]

And was Kate ok?

[Oliver Sterling]

Actually, Kate was brilliant. I know it's early days, but she's a fabulous worker.

[Kirsty]

Oh, that's lovely to hear. It's a shame I can't text Brian to let him know. I know he's an idiot. And yet he's still the first person I want to message when anything important happens.

[Oliver Sterling]

Well, he might be in luck.

[Kirsty]

What do you mean?

[Oliver Sterling]

He's walking towards us right now.

[Brian Aldridge]

Brandy on the terrace. How marvelous.

[Oliver Sterling]

Brian, what are you doing here?

[Brian Aldridge]

I could say the same about you.

[Kirsty]

I invited Oliver here for a nightcap. What do you want, Brian?

[Brian Aldridge]

To tell you that I'll soon have sole control of the farm again.

[Kirsty]

I honestly couldn't care less. Although I hear you treated Adam quite dreadfully. That poor man, willing to give you his all just to be rejected and let down again and again.

[Brian Aldridge]

No, no, it's not like that. Look, I'm. I'm willing to tell you everything, Moran, if you'll consider having me back. Oliver thing. That'd be better if you make yourself scared.

[Kirsty]

No, he's not going anywhere. We are having a very pleasant evening on the terrace of my gorgeous new home. And I won't be hassled by the local farmer. The land may be yours, but I am not.

[Kate]

So tell me the news.

[Lara]

Okay. I got the results from the blood test.

[Kirsty]

And?

[Lara]

It's good. The baby has a low score for all the genetic conditions.

[Kate]

What a relief. I'm so pleased for you.

[Lara]

It's not a guarantee everything will be

[Kate]

fine, but you are allowed to be happy.

[Lara]

I know. I found myself dreaming a little bit this morning about actually holding this baby in my arms. Is that dangerous? Tempting fate.

[Kate]

No. No one ever lost a baby because they wanted it too much.

[Lara]

Oh, is that your dad?

[Brian Aldridge]

Sorry to turn up so late.

[Kate]

Is everything all right? Come in. I was just having a cup of tea with Kirsty.

[Brian Aldridge]

Oh, hello again, Kirsty.

[Lara]

Oh, come in, Brian. Sit down what's happened?

[Oliver]

Dad?

[Brian Aldridge]

What a night. What a week. First I'm banned from seeing my grandson and then Miranda refuses to even listen to what I have to say. Prefers to have drinks with her. Playboy.

[Kate]

Oh, Oliver and Miranda are just friends. And after the way you've treated her, she needs good friends.

[Lara]

I'll put the kettle on, let you two talk.

[Kate]

Thanks, Kirsty.

[Brian Aldridge]

I mean, tell me, Kate, do I deserve this? Because I've tried. I've really tried to do what's right. And everywhere I look, my family and friends are turning against me.

[Kate]

Well, I think you have to accept Miranda has moved on. But Adam and Debbie, that's up to you.

[Brian Aldridge]

Yeah, but if Miranda could just understand. I love her. I'm sure she thinks I've betrayed her in some awful way or that I blow hot and cold, but the truth is far from that.

[Kirsty]

Oh, dad.

[Kate]

It doesn't matter if you're a teenager or an old man.

[Brian Aldridge]

An old man? You can say it.

[Kate]

It doesn't matter what age you are. A broken heart is rubbish. And I wouldn't wish it on anyone.

[Amber]

Can you believe there's actually going to be a baby sleeping in this cart?

[Narrator]

Hopefully not just any old baby. Okay, what have you got?

[Amber]

One hundred and twenty centimeters.

[Narrator]

So that's 120 by 60.

[Amber]

Which should fit perfectly beside the window once we moved our bed.

[Narrator]

Is that okay, though? What about drafts?

[Amber]

If it fits along the opposite wall, that might be better.

[Narrator]

Let's go and check. Bring the measuring tape.

[Will]

Ah, there you are.

[Amber]

Oh, hi, Will.

[Will]

Any chance you could do me a favor?

[Narrator]

What is it?

[Will]

Or popping these white masking tape for doing the stenciling. And she says Susan has some. Do you mind nipping over there and picking it up?

[Narrator]

Does she need it? Right now we're about to go and measure up the bedroom, see where the cot will fit.

[Will]

Well, you know what she's like once she's got going on something.

[Amber]

I saw her design. Hedgerow Fruits. It's perfect.

[Narrator]

Can't Poppy go herself?

[Will]

Oh, you'll be lucky if you can drag her away from the telly.

[Brian Aldridge]

All right then.

[Narrator]

Do you want to come with me, Amber?

[Amber]

Yeah. I've been sitting behind the tills all day. I could deal with the wall.

I really think we should have called ahead, warned her we were coming.

[Oliver]

Four bond is forearmed.

[Brian Aldridge]

And Marie, I'm joking.

[Amber]

I could message you now, tell her we're almost there.

[Oliver]

It's perfectly reasonable that I want to see for myself where our grandchild will be living.

[Amber]

Well, it's a Small house, but very nice. By the village green.

[Oliver]

The size of the house doesn't matter, but I do want to see what the setup is. Who's living there, who's coming in and out.

[Amber]

You worried it might not be safe?

[Oliver]

I'm sure the Grundys are very nice people, but it's one thing shacking up with your boyfriend and his dad has when you're young and carefree, quite another bringing a baby into that environment.

[Oliver Sterling]

Yeah.

[Amber]

Don't think you should mention any alternatives today, though.

[Oliver]

Of course not. Think of this as more of a scouting mission. The more we know, the better we can present her with other options once the baby's born.

[Amber]

What was your granddad saying about Brian?

[Narrator]

He's been singing my praises in the ball. Well, our praises, apparently. He thinks we've done a decent job promoting the show.

[Amber]

Wow.

[Narrator]

To be honest, it feels a bit weird to be in Brian Aldridge's good books. Oh, no. Guess what? We've only gone and forgotten the masking tape.

[Amber]

No, we haven't. I've got it here in my pocket.

[Narrator]

Oh, you.

[Will]

So this is George and Amber's room. Used to be mine, but we've swapped so they get a bit more space.

[Oliver]

That's very kind of you, Will.

[Will]

I'd have got them to tidy up a bit if I'd have known you

[Oliver]

were coming to worry.

[Amber]

I was a spur of the moment theme. We were just passing.

[Will]

Yep. Hold on. Let me just shift my toolbox.

[Lara]

Yeah.

[Will]

I've been building this storage unit in the alcove. Somewhere to keep all the baby clothes.

[Oliver]

Are they hoping to fit a crib in here too?

[Will]

I suppose they'll have a Moses basket at first, but I think the cot will go here at the end of the bed.

[Brian Aldridge]

Huh.

[Amber]

It'll be a tight squeeze.

[Will]

It'll be all right once George clears out his gaming stuff.

[Oliver]

Am I right that you've got a daughter too? Polly?

[Will]

Poppy, yeah. If she's in the room next to mine, she's hoping the baby will share with her when it's a bit older.

[Oliver]

How old is she?

[Will]

12. I mean, she loves babies and children.

[Oliver]

She might feel differently when she hits the teenage years.

[Will]

Maybe.

[Oliver]

And of course, Amber and George might have a place of their own by then.

[Will]

They might. But I'm happy to have them here as long as they need.

[Amber]

That's good of you, Will. We're extremely grateful.

[Will]

Don't be daft. It's a pleasure having Amber here. Hey, come downstairs and I'll show you what George has been up to a Renovation project. You're going to love it.

[Narrator]

Did you manage to book the day off before the show so we can really lock in?

[Amber]

Yep. What the. I can't believe it.

[Narrator]

What is it?

[Amber]

Look outside our house.

[Narrator]

Nice car.

[Amber]

It's my mum's.

[Will]

He's been working so hard on it. I'm really proud of him. When he gets going on a project, there's no stopping him.

[Oliver]

Is it an antique?

[Will]

I don't think so. Although it is very old.

[Jolene]

Yeah.

[Will]

But what really touched me is how George and Amber are happy to continue the tradition where so many youngsters when everything's shiny and new.

[Amber]

There's nothing wrong with shiny and new. I like a vintage car as much as the next man, but I'd never say no to a brand new Ferrari.

[Oliver]

It's charming, it really is, but I'm just a little worried about whether it meets modern safety standards.

[Amber]

Yeah, true, a vintage car might be beautiful, but without crumple zones. I wouldn't want my daughter driving it.

[Will]

Right, well, I'm pretty sure the cot won't be needing a crumple zone.

[Oliver]

Don't get me wrong, George has done a lovely job, but is the paint he's used safe for babies?

[Will]

I don't know. You've got a point, actually. Thought about that.

[Oliver Sterling]

Ah, here they are.

[Amber]

What are you doing here? Mum, why didn't you tell me you were coming?

We were just passing and we thought

[Oliver]

it might be a nice surprise.

[Amber]

I don't like being surprised.

[Will]

They only wanted to see where their grandchild will be living. I gave them a little tour, so

[Amber]

they've been in our room.

[Oliver]

We popped our heads in the door.

[Amber]

We would have tidied up if we'd had some warning.

We're not here to judge you.

[Oliver]

Hmm. It was so lovely having lunch with the you the other day that we got a bit carried away. We just want to be part of your life. And we're so happy you turned to your dad for help with the business venture.

[Will]

That was very generous of you, Bill.

[Narrator]

Yeah, and it's nice to see that you're showing an interest in the baby. What do you think of the cut?

[Amber]

Very nice.

[Brian Aldridge]

Lovely work.

[Will]

Oh, Anne Marie was asking whether the paint is baby safe.

[Amber]

Of course it is. You think George wouldn't have checked that?

[Narrator]

It's toy safe, water based. I did my research before I got started.

[Oliver]

That's good to hear. You can't be too careful when it comes to keeping a baby safe and healthy.

[Will]

Well, you should have seen me and Nick when Poppy was born. Those first few days, checking on her every two minutes. A nervous wreck when anyone else was holding her, scared they drop her.

[Oliver]

Who's Nick?

[PC Nicola Truman]

Poppy's mum.

[Oliver]

And does she live here too?

[Will]

No. No, she died.

[Oliver]

Oh, I'm so sorry.

[Will]

Yeah, when Poppy was still very small.

[Amber]

My condolences. I know how hard it is to grow up without a mother. My own mum died when I was 8.

[Will]

Well, I'm sorry to hear that. When Nick died, it was so sudden and shocking.

[Narrator]

Dad, they don't need your whole life story.

[Will]

Well, she got sepsis. A scratch from a rusty nail.

[Oliver]

How awful. Oh, imagine. We must have been devastated.

[Will]

We were. Still are. When something like that happens, it's hard not to worry about everything. Wait till your little one's born. Then you too will understand.

[Oliver]

They say it takes a village to bring up a child. And we're all here for the two of you.

[Brian Aldridge]

Really?

[Amber]

Absolutely.

[Oliver]

And just because they're living in your house, Will, it doesn't mean you should take on the whole financial burden of supporting them.

[Amber]

Mum, we are both earning. I hope we're not too much of a burden.

[Will]

No, you're not at all. They pay rent and towards food. And to be honest, I love having them here. Especially after last year when George was well, away.

[Narrator]

They know I was imprisoned and that

[Amber]

he's now a farm worker.

A very honest job.

[Oliver]

Well, it's been lovely to see you all, but we'll leave you to your evening now.

[Podcast Advertiser (BILT)]

Yep.

[Amber]

I'll walk you to your car. Come on.

[Will]

Are you sure you won't stay for a couple?

[Oliver]

Maybe another time.

[Amber]

Thank you. Will George see you again?

[Will]

Bye for now.

[Adam]

See you.

[Will]

Well, they seem nice enough. Bit stuck up. Maybe a bit.

[Narrator]

She's more stuck up than a glue sandwich.

[Will]

Bill looked horrified at the state of the harbor.

[Pip]

Oh, did he?

[Oliver Sterling]

Yeah.

[Narrator]

You know, if Amber's mum and dad are going to start coming, right, without warning, we need to be better at cleaning. It's embarrassing if they're judging us for living in a filthy house.

[Will]

Our house is not filthy. It's lived in.

[Oliver]

That was very nice.

[Amber]

Lovely for your mum to see where you're living.

You know, it wasn't okay that you just dropped in.

[Oliver]

You're saying we should make an appointment to see you?

[Amber]

You should give me some warning.

[Oliver]

Okay, fine.

[PC Nicola Truman]

Fine.

[Amber]

Thank you.

[Oliver]

Anything else we got wrong?

[Amber]

Don't be like that. I'm allowed to ask you to text ahead.

Of course. We promise we will next time.

And please try not to be so desperate for George to get something wrong.

[Oliver]

I hardly said a word To George. I was extremely careful not to put my foot in it.

[Amber]

Except assuming he was going to poison our baby with lead paint or something.

To be fair, we were only checking.

[Oliver]

But I take your point.

[Amber]

Okay.

[Oliver]

And my point? About helping to support you. It takes a village with the financial side of things. I'm sorry if you took it the wrong way. I just know that when the baby comes along, you'll want the very best for it. And that doesn't always come cheap.

[Amber]

We are in a position to contribute and it would make us very happy if you'd accept the odd gift.

[Whole Foods Advertiser]

All right.

[Amber]

Thanks.

[Will]

You.

[Amber]

It's been lovely to see you twice in a week. We've really missed you.

[Oliver]

And Will seems very nice.

[Amber]

He is.

So, should we make a plan to visit again?

I don't know.

No pressure, sweetheart, really.

[Oliver]

We know you're busy.

[Amber]

Then let's meet up at the show. And after that, maybe we can do something. Something with George, too.

[Narrator]

So how are you feeling?

[Amber]

Jittery. Tired. Confused. Same way I always feel after spending time with my parents.

[Narrator]

Yeah, they're pretty direct, aren't they?

[Amber]

Though I suppose I did go to my dad this week asking for a favor. And it would be hard to explain to anyone exactly why I feel so weird now. I mean, they didn't actually do anything wrong. They were really nice to your dad.

[Narrator]

They were definitely judging us. They're so. What did you call it? Passive aggressive?

[Amber]

Maybe you like actually trying hard to be better this time.

[Narrator]

What, you didn't think they were looking down their noses at how small the house is? How untidy?

[Amber]

I think they were just finding it hard to imagine how it would work long term. They're used to having tons of space.

[Narrator]

And is that what you want?

[Amber]

You know, I love how cozy it is here. I like the madness. But at some point, we might want somewhere of our own.

[Narrator]

So that's why you walked into the car? So you could start planning your escape?

[Oliver]

No.

[Amber]

Why would you say that?

[Narrator]

I thought you were happy living here. You're always talking about how cold and lonely and miserable it was growing up in that big, posh house. And now 10 minutes with your mum and dad and we're not good enough for you.

[Amber]

When did I say that? I am so tired, George. I'm tired of working out how not to upset both them and you.

[Narrator]

I'm not upset. When did I say I was upset?

[Amber]

Just because I might not want our baby sharing a room with their teenage auntie doesn't mean I don't think you and your family are good enough.

[Narrator]

Amber, where you going?

[Amber]

For a walk.

[Brian Aldridge]

Sam.

[Jolene]

Hello, I'm Jeremy Howe and I'm the

[Brian Aldridge]

editor of the Archers. Ambridge is celebrating 75 years of storytelling this year. And as part of this, the Archers daily and omnibus episodes will be available on BBC Sounds for not one, not two, but for five years after broadcast. So you'll be able to relive moments like this again.

[Jolene]

Your mum has told us the truth.

[Oliver Sterling]

We know.

[Adam]

George.

[Brian Aldridge]

The police are on their way.

[David Archer]

Don't answer it. We've got to. Don't let them take me.

[Will]

Dog ear. Jolie.

[Pip]

I don't know you.

[Will]

Oh, I'm sure you do.

[Brian Aldridge]

My name's Marky.

[Will]

But I reckon you know that, don't you?

[Brian Aldridge]

We hope you continue to enjoy the Archers listen on BBC Sounds.

[Podcast Advertiser]

Xandhi.

[Xandhi]

Happy anniversary. What are you talking about? Have I missed something? Yes, Xander, you have. We are over a year into making what's Up Docs. You didn't even get me a card. Is it really over a year? It is. Think of all the episodes we've done. How to look after our feet, our shoulders, our hips, our teeth. We've explored snoring, cholesterol, the immune system, endometriosis. All with the help of expert guests. I think it's fair to say we have plundered the world of health and well being, equipping ourselves and our listeners with the best information out there on how to look after our minds, our bodies, our souls even. And we're not stopping, are we, Chris? We're most certainly not Sand. We have a lot of new topics coming up. From tinnitus to acne, crying, male fertility. We are holding steadfast in our mission to sort facts from fiction, debunking wellness myths along the way. And you can find all of our previous episodes of what's up docs in the feed on BBC Sounds. And don't forget to subscribe on BBC Sounds and turn on the notifications so you don't miss any of these upcoming episodes.

[Podcast Advertiser]

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[Kate]

She was the sister who went unnoticed.

[Oliver]

A daffodil might look plain next to a lily, but on its own, there is much to be admired.

[Kate]

Now her greatest chapter is yet to come. The most important thing is to be yourself. From the world of Jane Austen's Pride and Prejudice comes a new Britbox original drama, Mary, you will Flourish, based on the best selling novel the Other Bennett Sister, now streaming only on Britbox. Watch for the free [e-mail].