24/05/2026

Summary

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The Archers Omnibus – Episode Summary

Podcast: The Archers Omnibus
Host: BBC Radio 4
Episode Date: May 23, 2026 (Omnibus for week ending May 24, 2026)
Main Theme:
A week of change and confrontation in Ambridge, centered on family power struggles, generational divides, questions of independence and care, and seismic shifts on Home Farm.

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Episode Overview

This emotional and eventful episode of The Archers Omnibus captures a series of interconnected storylines in Ambridge:

• Carol's fierce resistance to being 'managed' by her daughter and friends
• Tensions between tradition and progress on Home Farm, culminating in a tense partnership meeting
• Tracy and Brad navigating the complicated return and overtures of Brad’s absentee father
• Ongoing struggles around work, care, and ambition among Ambridge’s younger and older generations

Family dynamics, concerns about ageing and autonomy, the struggle for recognition, and the future orientation of Ambridge’s farms and families are at the fore.

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Key Storylines and Discussion Points

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1. Carol, Anna & Leonard: Ageing, Autonomy, and Stubbornness

Timestamps: 02:05 – 13:14; 15:15 – 16:50; 21:59 – 23:32; 51:39 – 53:54; 57:59 – 61:32

• Leonard visits Carol (with Jill’s lemon drizzle cake) to gently persuade her (at Jill and Anna's request) to consider respite care at The Laurels while Anna adapts Carol’s home for safety.
  • Carol is fiercely independent and derides the suggestion, likening wearing her pendant alarm to “a cow with a bell around my neck” ([05:32], Carol).
  • Anna joins in, trying to reason with her mother, leading to comic but pointed exchanges:
    • “Forgive me for wanting to be in charge of my own destiny…” ([10:58], Carol).
• Carol inspects The Laurels – or sort of:
  • Insists that even viewing the grounds from the car satisfies her promise; flatly refuses to enter, pronouncing, “I’d rather burn to death in my own home than spend a single day in this place” ([13:45], Carol).
• Camera farce:
  • Anna, wanting safety, convinces Carol to install a camera in the hallway; Carol subverts it by mounting it in the loft so she can watch her beloved bats instead ([52:28], Carol), exasperating Anna: “You are bats” ([53:09], Anna).
• Negotiating compromise:
  • With Alan’s help, Carol grudgingly agrees to wear her pendant—but only if the camera remains trained on the bats ([61:21], Carol).
• Underlying theme:
  • Humorous but poignant exploration of autonomy, dignity, and family care.

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2. The Home Farm Feud: Succession, Ownership & Generational Rifts

Timestamps: 26:01 – 37:49; 63:00 – 75:16

• Build-up to the spring partnership meeting:
  • Adam schemes to formally oust Brian from control, hoping for unity from Alice and others; he believes Brian is not adapting to modern farming and is endangering Home Farm’s future ([27:12], Adam).
  • Debbie makes a surprise appearance, aligning with Adam for change.
• The meeting itself (63:00+):
  • Adam bluntly claims any recent success is due to his efforts: “Any recent increase in profits…is down to me” ([64:34], Adam).
  • Tensions explode as Adam proposes Brian step back completely and leave him the land; Debbie ups the ante, suggesting the land goes jointly to Adam and her.
  • Brian is stunned ("You aren't even my own children" [72:11], Brian), revealing deep familial wounds and exclusion.
  • Debbie renounces the family struggle with “I can’t do this anymore. I have a life…far away from this nonsense. So no, I’m done. I can’t do this anymore” ([73:23], Debbie).
  • In the episode’s climax, Brian pulls the land out of the partnership (“I can’t actually, because I’m withdrawing the land from the partnership” [74:32], Brian), essentially dissolving the business and vowing to go it alone.

Notable Quotes:

• "He finally said it." — Adam, on Brian's hurtful outburst, [72:19]
• "For the future of your grandchildren, and now great grandchild... you need to step right back..." — Debbie, [68:10]
• "You aren't even my own children." — Brian, [72:11]
• "Sometimes you've got to be brutal. Isn't that right, Adam?" — Brian, [75:03]

Underlying Themes:
Familial rivalry, tradition vs. progress, inheritance, wounds of exclusion, and the challenge of letting go.

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3. Tracy, Brad, and Brad’s Father: Fathers, Forgiveness, and Trust

Timestamps: 14:00 – 25:21; 40:11 – 47:45; 49:56 – 51:32; 54:02 – 56:27

• Brad’s absentee dad seeks to reconnect:
  • The father tries hard to win back his children’s trust with gestures like trips to cricket matches and career advice.
  • Tracy remains wary: “It’s just too little too late” ([24:51], Tracy). She demands he not hurt Brad or Chelsea again.
• Brad’s conflict:
  • Expresses to Ben confusion about whether he can trust his father (“I don’t know if I should trust him” [54:33], Brad).
  • Shares a touching moment with Tracy, who assures him: “You’ve made up for how rubbish he was, though, Mum. You’ve been fantastic” ([55:03], Brad).
• Themes:
  • The long shadow of past neglect, hope for change, and cautious forgiveness versus enduring mistrust.

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4. Changing Generations: Work, Ambition, and Family Strain

Timestamps: 35:46 – 37:49; 47:46 – 48:49; 56:27 – 59:03

• Tracy’s Overwork:
  • She juggles multiple jobs, caregiving responsibilities, and financial struggles.
• Brad’s Ambitions and Advice:
  • Conversations with his father spark thoughts about maths careers and life choices (“I can’t see me in banking, can you?” [46:33], Brad).
• Generational Frustration:
  • Bert (the granddad) wants to live with Clive, asserting independence even if it seems unwise to Tracy.
  • Brad acts as a buffer, negotiating between the wants of his mother and grandfather.

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5. Other Notable Arcs and Highlights

• Kirsty’s pregnancy and engagement to Eric:
  • Experienced with anticipation (“I want this baby. I want it so badly.” [03:13], Kirsty) and a sense of realism.
• Farm labor and expansion:
  • Helen contemplates expanding dairy operations with more hours for Tracy—navigating Susan’s possible sensitivity ([11:56], Helen).
• Care Farm Proposal Rejected:
  • Akram attempts to get Tom and Helen to trial Bridge Farm as a care farm; he is turned down due to lack of capacity ([43:33], Akram; [44:48], Helen).
• Mental Health in Ambridge:
  • Ben and Azra discuss setting up village mental health initiatives ([33:43], Ben).
• Church troubles:
  • Alan laments costly repairs needed for the church bells ([18:20], Alan).

---

Memorable Quotes & Moments

• On resisting care interventions:

  • “I just don't want to move out of my home in order to go and die in a strange environment, Leonard.” ([08:13], Carol)

• On inheritance and hurt:

  • “You aren't even my own children.” ([72:11], Brian)
  • “He finally said it.” ([72:19], Adam)

• On the pains of family expectation:

  • “If you can't see my talent… then you don't deserve me.” ([73:47], Debbie)

• On independence and generational frustration:

  • “You try wearing one and you will see what I mean.” ([53:42], Carol on her pendant alarm)

• On hope and regret:

  • “Would have been nice, though, if he turned over this new leaf a bit earlier, wouldn’t it?” ([55:08], Tracy, about Brad’s dad)

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Timeline of Important Segments

| Timestamp | Segment Description | |------------|---------------------------------------------------------------------| | 02:05–13:14| Carol resists pressure to consider The Laurels/Care home debate | | 26:01–37:49| Adam, Rory, and Alice discuss Home Farm strategy and Brian's future | | 51:39–53:54| Carol and Anna argue about safety, pendant and the bat camera | | 63:00–75:16| Explosive Home Farm partnership meeting; family rifts deepen | | 14:00–25:21| Brad’s father tries to reconnect; Tracy confronts him | | 54:02–56:27| Brad and Tracy reflect on family struggles and parental failings | | 33:43 | Ben and Azra plan mental health initiatives for Ambridge |

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Episode Tone

The episode balances humor (especially around Carol’s stubbornness and bat obsession) with deep pathos, sharp family tensions, and often raw confessions. The language is candid, colloquial, occasionally biting, but mostly rooted in the affection and frustration of long-term relationships.

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Summary

This week in Ambridge, independence is both cherished and challenged. Carol’s comic (yet poignant) resistance to age-related interventions mirrors Brian’s stubborn grip on Home Farm. Adam, Debbie, and Alice expose long-standing wounds over family hierarchy, with Debbie finally walking away. Meanwhile, Tracy and Brad grapple with legacies—financial, emotional, and familial—while Helen, Akram, and others try to shape a viable future amid growing demands and limited resources. The episode’s emotional intensity crescendos at the partnership meeting, threatening to reshape the future not just of Home Farm, but of the generations who hope to inherit it.

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For listeners:
If you want classic Archers drama—emotional showdowns, bracing candor, and a clash of generations—this episode captures it all. Skip to the partnership meeting (63:00–75:16) for some of the tensest drama in years.

Transcript

[Adam]

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[Adam]

You're listening to the Archer's omnibus from BBC Radio 4.

[Carol]

Leonard.

[Leonard]

Hi.

[Carol]

Carol sent you to spy on me, has she?

[Leonard]

Oh, Jill?

[Carol]

No, not Jill. Anna.

[Leonard]

Oh, no, not at all.

[Carol]

A likely taste.

[Brad]

Pale.

[Leonard]

Can I come in?

[Carol]

What for?

[Leonard]

I just wanted a. A chat.

[Kirsty]

About what?

[Leonard]

Well, maybe we could discuss it further over a cup of tea.

[Carol]

Can't we just discuss it on the doorstep?

[Leonard]

I brought some of Jill's lemon drizzle, if that's any help.

[Carol]

Well, why on earth didn't you lead with.

[Kirsty]

Well, this is a treat. Sunday lunch, just you and me.

[Helen]

I know. I feel very slightly guilty leaving the kids, but on the other hand, Mum and Dad are so happy to have them.

[Kirsty]

I'm sure they are.

[Helen]

So come on. How you doing?

[Kirsty]

Yeah, good, good. I feel pretty good.

[Helen]

Excellent.

[Kirsty]

Just trying to, you know, relax.

[Helen]

Got a good feeling about this, Kirsty. I know. Maybe I shouldn't say it.

[Kirsty]

No, no, it's nice. It's lovely.

[Helen]

I think it's going to happen and I think you're going to be a really fantastic, Mom.

[Kirsty]

Oh, Helen, thank you. I'm trying to be realistic and philosophical and patient and stoic and all these things, but I want this baby. I want it so badly.

[Helen]

I know.

[Kirsty]

What can you do with that?

[Helen]

Well, I'm not even religious, but I'm just going to pray.

[Kirsty]

I saw Amber the other day. A Friday, I think it was. Yeah, we were in the pub, actually. We were both in the toilets. And she. She felt her baby kick for the first time.

[Helen]

Oh, wow.

[Kirsty]

Yeah, it was really. I just found it so moving. She was literally just saying, I don't know if it's the baby moving or not. And then suddenly she just felt this really definite kick.

[Helen]

Amazing.

[Kirsty]

I was so close to telling her that I was pregnant because she was so emotional, you know, and so thrilled.

[Helen]

When's her baby due?

[Kirsty]

Oh, I don't know, actually. Autumn. Early autumn.

[Helen]

Right. Maybe this baby will set George on the road to respectability.

[Kirsty]

Well, they're doing this work for the Borchester show that David's hired them for, and that seems to be going well. I hope their little family works out for them.

[Tracy]

Who was having the steak and ale pie?

[Kirsty]

Oh, that's me. Thanks, Tracey.

[Helen]

Good source of iron. I mean, you know, for anyone.

[Tracy]

You must be the sea bass, then, Helen.

[Helen]

I am. I am the sea bass.

[Tracy]

Can I get you two anything else?

[Kirsty]

No, thanks. I'm all good.

[Helen]

Me, too. Thanks, Tracy.

[Tracy]

Enjoy.

[Helen]

Oh, Tracy.

[Alice]

Yeah?

[Helen]

Keep meaning to ask. Do you know who that massive SUV belongs to?

[Tracy]

What massive suv?

[Helen]

The one that's parked on the green all the time. It's gonna make getting into our drive a bit of a nightmare for me if it's always there.

[Tracy]

Sorry, I've no idea, Helen.

[Helen]

Well, if you happen to spot whoever it is and where they live or who they're visiting, I'd be really grateful if you let me know.

[Tracy]

Yeah. Yeah, sure.

[Leonard]

How are you getting on with the bats?

[Carol]

Oh, the bats and I are getting on very well. You know, I find it quite reassuring to know they're up there. Rather like having a lot of little

[Leonard]

guard dogs, I'm afraid. I can't help noticing that. That you're not wearing your pendant alarm. Sorry, Carol, but the system won't work, will it, if you don't wear it?

[Carol]

Do you know how I feel wearing that pendant?

[Leonard]

No.

[Carol]

Like a cow with a bell around my neck.

[Leonard]

But it doesn't jangle, does it?

[Carol]

No. No, it doesn't jangle. No, you can be very literal, Leonard.

[Leonard]

Sorry.

[Carol]

Now, come on. What is this brief chat you wanted?

[Leonard]

Oh, well, I Brought a message from Jill.

[Carol]

Oh, yes.

[Leonard]

And you know that phrase, don't shoot the messenger. Yes, well, go easy on me, won't you?

[Carol]

What did Jill say?

[Leonard]

Well, she'd like you to go and take a look at the Laurels.

[Carol]

Why?

[Leonard]

Because she heard that Anna wanted you to think about some respite care.

[Carol]

It's all very well Jill telling me to move into the Laurels.

[Leonard]

She's not telling you to move in. She's asking you to have a look.

[Carol]

That's the same thing.

[Leonard]

It's really not. And it's not permanent, is it?

[Carol]

It's an entirely unnecessary expense and upheaval.

[Leonard]

But Anna just wants a bit of time to make this place more user friendly.

[Carol]

Well, I'm the user, and I don't feel very friendly.

[Leonard]

That's not really what it means.

[Carol]

Oh, I know what user friendly means. I'm not an idiot, Leonard. It was a joke.

[Leonard]

Oh, sorry.

[Carol]

Stop apologizing, will you? You're a fake. Very apologetic person.

[Leonard]

Well, I'm not usually, Carol, you just bring it out in me.

[Carol]

Touche. Look, the point is that I don't need to move out for an entire week just so my daughter can throw out half my things.

[Leonard]

She just wants to make the house a bit safer, which seems to involve

[Carol]

getting rid of my things. She wanted to get rid of this rug. But I'm very fond of this rug. And I'm very fond of Jill as well. But it's a bit rich for her to send you around here with a lemon drizzle and expect me to do her bidding.

[Leonard]

I don't think she does actually expect you to do her bidding.

[Carol]

Plus, there's the fact that no one's bundling her off to a care home anytime soon.

[Leonard]

Well, no one's bundling you either.

[Carol]

It's not for the want of trying.

[Leonard]

Did you know that the Laurels has had a full refurb?

[Carol]

I did hear something about that.

[Leonard]

It looks fantastic.

[Carol]

Appearances aren't everything.

[Leonard]

Christine is so happy there.

[Carol]

I am not Christine, Leonard.

[Leonard]

No, of course you're not. You're your own person. Of course you are.

[Carol]

But still, I don't trust those places.

[Leonard]

Care homes. Yes, but the Laurels has excellent standards of care. I was a volunteer there after my wife died, and the staff are.

[Carol]

So your wife died there?

[Leonard]

Yeah, but that's not why she died. She was very poorly.

[Carol]

I just don't want to move out of my home in order to go and die in a strange environment, Leonard.

[Leonard]

This is not about dying, Carol. It's about moving out for A week? So that someone can come in and fit some grab rails.

[Carol]

Why on earth does it take a week to fit some grab rails?

[Anna]

Hello, Mum.

[Carol]

Is that Anna now?

[Leonard]

It is. We're in the living room. Anna.

[Carol]

Back again?

[Anna]

Oh yes, back again.

[Carol]

She just can't stay away.

[Anna]

Yeah, that's it. I can't stay away. Hi Leonard.

[Leonard]

Hi Anna.

[Anna]

Oh, is that Jill's lemon drizzle?

[Leonard]

It is.

[Kirsty]

So I haven't told you my big news.

[Helen]

Not twins.

[Alice]

No.

[Anna]

No.

[Carol]

So what?

[Helen]

What is it?

[Kirsty]

Eric proposed to me.

[Helen]

You are joking. You're joking.

[Kirsty]

No, I'm not. Known. He actually proposed to me.

[Helen]

Amazing.

[Kirsty]

I was quite shocked.

[Tracy]

Did you say yes? No, of course not.

[Brad]

I'm not insane. Fair enough.

[Helen]

Just thought for one moment we're going to start planning a last minute shotgun wedding.

[Kirsty]

Is it a shotgun wedding even if they propose?

[Helen]

Good question. Maybe not. It's usually the in laws leaning on the bloke, isn't it?

[Kirsty]

I suppose Jakob might have lent on him.

[Helen]

Do you think so?

[Anna]

No.

[Helen]

I'm surprised. You know, Yakov can be quite left field, can't he?

[Alice]

Yeah.

[Helen]

Does Kate know yet?

[Kirsty]

That I'm pregnant?

[Alice]

Yeah.

[Kirsty]

No.

[Helen]

She'll be delighted for you. I know.

[Kirsty]

I mean, I think she will, but she'll also start making me drink some weird tea and do yoga.

[Helen]

I mean, yoga is great for pregnancy.

[Kirsty]

I know, but enforced yoga?

[Bert]

Yeah, true.

[Kirsty]

I hear she's going to be out of control.

[Helen]

Well, you have to get Jakob to rein her in. As your baby's uncle, it's kind of his duty.

[Brad]

This is excellent.

[Carol]

Leonard made it.

[Leonard]

But it's Jill's recipe. Jill's passed the baking pattern on to me.

[Anna]

Fair enough.

[Leonard]

We've all got to accept our limitations, haven't we?

[Carol]

Speak for yourself.

[Leonard]

Well, I wouldn't dream of speaking for you, Carol.

[Anna]

No, no, why would you? You'd just get an earful.

[Carol]

Have you heard the way my daughter speaks about me?

[Anna]

Have you heard the way my mother speaks about me?

[Leonard]

I'm not getting in the middle of this.

[Anna]

You're a wise man.

[Carol]

Accept. He's not actually.

[Kirsty]

Sorry.

[Carol]

Well, the cake you're eating right now is actually an attempt at bribery.

[Leonard]

Now that's not quite right.

[Anna]

What's she talking about?

[Carol]

I am not the cat's mother.

[Anna]

No, you're mine.

[Leonard]

Jill asked me to ask Carol to go and look at the laurels.

[Carol]

Did she? Ah, no, it's not ah. It's not ah at all.

[Leonard]

Anna. Jill. Heard you were thinking about respite care for your mum.

[Anna]

I was, but it seems there's fat chance of that.

[Carol]

Forgive me for wanting to be in charge of my own destiny, but how

[Leonard]

in charge will you really be if you go and break your hip?

[Anna]

Exactly.

[Carol]

I'm beginning to feel pincered.

[Leonard]

Sorry.

[Carol]

Did you two plan this?

[Leonard]

No, absolutely not.

[Anna]

Mum, we're not trying to pincer you. But I would love it if you would just have a look, please.

[Leonard]

You might really like it.

[Carol]

Fine. Fine. Fine.

[Anna]

Well, what does that mean?

[Carol]

Let's go. Let's go right now.

[Leonard]

Really?

[Ben]

Yes.

[Carol]

Because that way you'll both stop going on about it.

[Kirsty]

So when can you move into your house?

[Helen]

I don't know. I don't know.

[Kirsty]

Sorry. Should I not ask?

[Helen]

No, I'm just really tired of it. I just want to be in.

[Kirsty]

Yeah, of course.

[Helen]

So much going on at the farm, then with moving as well.

[Kirsty]

Yeah, it's a lot, really.

[Helen]

Need someone to do more hours at the dairy. The irony of us making Clary redundant and how we're expanding. But Tracy's turned out to be brilliant.

[Debbie]

Yeah?

[Helen]

Yeah. So I'd like to offer the hours to her.

[Debbie]

Really?

[Kirsty]

Well, what's stopping you?

[Helen]

Susan.

[Kirsty]

Susan?

[Helen]

Yeah, I think she might feel a bit pushed out.

[Kirsty]

You're not getting rid of her, are you?

[Helen]

No, no, of course not. But she might think she's due the extra hours.

[Kirsty]

But she's already got another job. She runs the post office, for goodness sake.

[Helen]

Oh, yeah, that's true. But you could say the same about Tracy.

[Tracy]

I was everything.

[Kirsty]

Oh, lovely. Thanks, Tracy.

[Helen]

Really good. Thank you.

[Tracy]

Did you want desserts? Fallon's made this very nice eaten mess.

[Kirsty]

That sounds great.

[Helen]

Tracy, I'm so sorry to talk shop, but how would you feel about doing more hours at the dairy?

[Tracy]

How many more?

[Helen]

I was just this minute saying to Kirsty what a natural artisan you are.

[Tracy]

Really? She was.

[Carol]

She really was.

[Helen]

So, what do you reckon we you'd be interested. I'm hoping to develop a new cheese this year, so that might be quite exciting.

[Tracy]

Can I have a think about it?

[Helen]

Sure, sure.

[Tracy]

Of course.

[Helen]

We can discuss it when you're next in.

[Alice]

Yeah, okay.

[Tracy]

Yeah. What about dessert?

[Kirsty]

Oh, I'll have some of that eaten mess, please, Tracy.

[Tracy]

Well, you are.

[Helen]

Nothing for me, thanks.

[Carol]

What?

[Helen]

Well, I thought she was going to jump at the offer. I mean, who wouldn't want to be involved in a new cheese?

[Anna]

Okay. Here we are.

[Carol]

Indeed.

[Anna]

Well, the grounds look fantastic, don't they?

[Carol]

They do. They really do.

[Anna]

Well, should we go and have a look?

[Carol]

Oh, it's all right. I've seen enough.

[Anna]

What do you mean?

[Carol]

Well, I Promised Jill that I'd take a look and I have.

[Anna]

You haven't even got out of the car.

[Carol]

But I can see the place from here. Mum, let's face it, I was never going to move in here, was I?

[Anna]

And I wasn't suggesting that you were. It was just a temporary measure.

[Kirsty]

Was I?

[Carol]

Get to be honest, Anna dear, I'd rather burn to death in my own home than spend a single day in this place.

[Brad's Father (possibly Brian or another elder male)]

All right, Brad?

[Brad]

Dad.

[Brad's Father (possibly Brian or another elder male)]

How you doing?

[Brad]

Fine, fine. But I'm just on my way out.

[Brad's Father (possibly Brian or another elder male)]

Where you headed?

[Brad]

Dad, what are you doing here?

[Brad's Father (possibly Brian or another elder male)]

Well, I was supposed to be taking a look at this famous horse box. Chelsea was going to show me around.

[Brad]

Yeah, she's not here. So you've had a wasted trip?

[Brad's Father (possibly Brian or another elder male)]

Yeah, I didn't see that. She messaged me to cancel. Apparently she's got a last minute job.

[Brad]

Okay, well, as I said, I'm just on my way out, so.

[Brad's Father (possibly Brian or another elder male)]

So where you going?

[Brad]

I'm supposed to be taking granddad for a walk, but he's taking ages to get ready. Granddad, you coming?

[Bert]

All right, all right, keep your hair on. Oh, Den.

[Brad's Father (possibly Brian or another elder male)]

All right, Bert.

[Brad]

Are you ready, Granddad?

[Brian]

No.

[Brad's Father (possibly Brian or another elder male)]

I hear you're going for a walk, Bert.

[Brad]

It's part of his new get fit regime.

[Brad's Father (possibly Brian or another elder male)]

Oh, very good.

[Leonard]

What?

[Bert]

My idea.

[Brad]

We know.

[Brad's Father (possibly Brian or another elder male)]

So what's it involved? This, this new regime?

[Bert]

Exercise vegetables and vaping.

[Brad's Father (possibly Brian or another elder male)]

Vaping?

[Brad]

Instead of cigarettes?

[Bert]

This is Susan and Tracy interfering with my life in ways that infringe my human rights.

[Brad]

Hardly. Granddad, when you get to my age,

[Bert]

haven't you earned the right to do exactly what you want?

[Brad]

Look, I'm meant to be revising.

[Bert]

Well, go revise then.

[Brad]

But Mum wants me to take you out. So can we go?

[Brad's Father (possibly Brian or another elder male)]

Why don't we all go walk round to see the horse box?

[Leonard]

Sorry, Carol. Apparently I wasn't supposed to leave the cake tin.

[Carol]

That's all right, that's all right.

[Leonard]

Have you got something you can transfer the rest of it into?

[Carol]

Oh, yes, of course I do. Oh, you will have to bear with me though.

[Leonard]

There's no rush. So how did you get on at the Laurels yesterday?

[Carol]

Oh, well, yes, yes.

[Leonard]

Well, were you impressed?

[Carol]

I. I thought the grounds were lovely.

[Leonard]

Oh, they are, they are. All those roses. Fantastic. And the rooms, the staff. You must have been a little bit impressed by them too.

[Carol]

Well, I didn't actually go inside the building.

[Leonard]

Sorry.

[Carol]

You see, I can't lie to you, Leonard.

[Leonard]

Right.

[Carol]

I promised jail I'd have a look and I did.

[Leonard]

Right, okay. Right.

[Carol]

Well, as the saying goes, you can lead a horse to water, Leonard, but you can't make him drink.

[Leonard]

People don't usually describe themselves ourselves as the horse, though, girl.

[Carol]

Well, I'm very self aware, you see.

[Leonard]

What did Anna say when you said you weren't going in?

[Carol]

Well, naturally she wasn't too chuffed.

[Leonard]

I bet she wasn't.

[Carol]

Here you go. Here's your cake tin. Or Jill's cake tin. Oh, and give him my love, will you?

[Leonard]

Okay. Yes. And what, what do I tell her about the laurels?

[Carol]

Well, the truth, I suppose.

[Brad's Father (possibly Brian or another elder male)]

It's brilliant. I think it's. It's brilliant.

[Bert]

It does look smart, don't it?

[Brad]

Yeah. Yeah, it does.

[Bert]

I'm glad I've had a look, I am. But I really don't think you should make me walk this far again, Granddad.

[Brad]

Come on, it's good for you.

[Bert]

I need to sit down.

[Brad's Father (possibly Brian or another elder male)]

Well, there's a nice seat there. Well, I think you've all done a lovely job on it.

[Bert]

I don't know where I'm going to walk back, you know.

[Leonard]

That's knackered me out.

[Brad]

Well, just, you know, just rest for a bit.

[Brad's Father (possibly Brian or another elder male)]

Yeah? There's no rush, is there?

[Brad]

Yeah, yeah, it's been way more expensive than Chelsea was imagining.

[Brad's Father (possibly Brian or another elder male)]

Well, she'll have to put her prices up then, won't she? You've got to be canny about these things.

[Bert]

Clive seems to be doing all right these days.

[Brad]

Clive?

[Brad's Father (possibly Brian or another elder male)]

How. How is Clive?

[Bert]

Yeah, yeah, he's as good as gold.

[Brad]

Good as gold, Clive.

[Leonard]

Yeah.

[Bert]

He's a different man these days, is he? He does yogurt.

[Brad's Father (possibly Brian or another elder male)]

Oh, right.

[Bert]

Yeah, he's a different man.

[Brad]

Well, so he says.

[Bert]

Yeah. I feel quite proud of Clyde these days, to be honest.

[Brad's Father (possibly Brian or another elder male)]

Well, that. That's. That's good, that. That's. That's great.

[Bert]

He's really turned things around, you know.

[Brad's Father (possibly Brian or another elder male)]

That's wonderful.

[Bert]

Just goes to show.

[Brad's Father (possibly Brian or another elder male)]

Yeah, yeah, people can change.

[Brad]

Yeah, but can they actually?

[Brad's Father (possibly Brian or another elder male)]

I mean, I really believe that, don't you?

[Brad]

I think sometimes it's just too late.

[Leonard]

Hi, Alan.

[Alan]

Oh, hello, Leonard.

[Leonard]

How are you?

[Alan]

Yeah, fine, fine, fine, fine. Really well, you know, just not enough hours in the day, all right? And then, you know, the church is falling down. First we had this ceiling incident, now

[Brad's Father (possibly Brian or another elder male)]

we got this cracked bell.

[Leonard]

Neil told me about that.

[Alan]

We can't ring them until we get them all checked by the foundry. I mean, you can't ring a crack bell, can you? Goodness knows where the money's going to come from. Anyway, never mind. What are you up to?

[Leonard]

Oh, I. I just popped to Carol's Oh.

[Alan]

Everything all right with her?

[Leonard]

I mean, you know Carol.

[Alan]

I do.

[Leonard]

She's the definition of intransigent.

[Ben]

Yes.

[Leonard]

Poor Anna's tearing her hair out. Carol wasn't wearing a blooming pendant alarm again today. But I didn't say anything because I already mentioned it yesterday and it didn't go well.

[Alan]

Do you want me to try?

[Leonard]

No, no, no, don't worry. It sounds like you've got enough on your plate already.

[Alan]

No, well, it only takes five minutes to call him, doesn't it?

[Leonard]

I mean, I do think she's more likely to listen to you than me.

[Alan]

I doubt that.

[Leonard]

No, but you're a man of the cloth. I'm just an interloper. Jill's toy boy.

[Alan]

Jill's toy boy.

[Leonard]

I was joking.

[Alan]

Yes, of course.

[Leonard]

Sorry. But the problem is she doesn't take me seriously. Carol, I mean, not Jill.

[Alan]

Oh, yeah, yes, yes, sure.

[Leonard]

If you do call in, I think Anna would feel better if Carol agreed to have a camera installed in the hallway, because the stairs are one of the biggest liabilities.

[Alan]

Okay.

[Leonard]

So if you could persuade Carol that this was a good idea, well, that would be something.

[Alan]

Well, I will try, Leonard. I will try my best.

[Bert]

Oh, I'm worn out now. I'm completely shattered.

[Brad's Father (possibly Brian or another elder male)]

Oh, well, you don't have to do anything much for the rest of the day now, do you?

[Bert]

Rest of the week, with a bit of luck.

[Tracy]

What's going on in here?

[Brad's Father (possibly Brian or another elder male)]

Oh, hiya, Tracy. Hello, love.

[Tracy]

What are you doing here?

[Brad's Father (possibly Brian or another elder male)]

Oh, we just. Just went for a bit of a walk, didn't we, Bert?

[Bert]

And now Brad's making us a cup of tea.

[Brad's Father (possibly Brian or another elder male)]

How are you, Tracy?

[Tracy]

Yeah, fine, fine, yeah. Suppose congratulations are in order on the wedding?

[Brad's Father (possibly Brian or another elder male)]

Oh. Oh, yeah, yeah, yeah. Thanks tar very much.

[Tracy]

Never thought I'd see the day, to be honest.

[Brad's Father (possibly Brian or another elder male)]

Well, just because you didn't want me, Trace, doesn't mean no one else does.

[Bert]

Another woman's treasure, eh?

[Tracy]

Another woman's treasure.

[Bert]

There's that saying, one man's rubbish is another man's treasure.

[Brad's Father (possibly Brian or another elder male)]

Are you saying I'm rubbish?

[Bert]

You were rubbish to Tracey, weren't you?

[Tracy]

Yeah, that's true. He was.

[Brad's Father (possibly Brian or another elder male)]

You were. Well, look. Yeah, yeah, I did let you down, Tracy. I know that and I'm sorry.

[Brad]

Tea with two sugars for dad and no sugar for you, I'm afraid, Granddad.

[Bert]

Oh, I ate this. I hate this.

[Brad's Father (possibly Brian or another elder male)]

He can't have sugar in his tea.

[Bert]

See what I mean about my human rights?

[Tracy]

What's your human rights got to do with it?

[Bert]

A man should be able to choose Whether he has sugar in his tea.

[Brad's Father (possibly Brian or another elder male)]

I. I have to agree with you there, Bert.

[Tracy]

Oh, do you? Do you really?

[Brad's Father (possibly Brian or another elder male)]

Sorry, I'm. I'm not trying to stir it. Stir it.

[Brad]

What shall I do?

[Bert]

Get me some sugar, please.

[Tracy]

You could get it yourself, dad.

[Bert]

No, because apparently I'm not allowed.

[Tracy]

Oh, for goodness sake. Get him some sugar, Brad. Just get it.

[Brian]

Okay.

[Tracy]

To shut him up.

[Bert]

Oh, that's nice. That's lovely.

[Tracy]

You know what I mean.

[Bert]

Also, Brad.

[Brad]

Yeah?

[Bert]

Can you get us a couple of them custard creams from the cupboard?

[Helen]

Oh,

[Carol]

I feel like a Jane Austen character this afternoon.

[Brian]

Really?

[Carol]

Well, I've had a series of gentlemen callers.

[Alan]

Oh.

[Carol]

First Leonard, now you.

[Alan]

Just the two, then?

[Carol]

Well, there may be more later. You never know your luck. Now, let me just move these magazines on the setting.

[Alan]

No, no, no, no, don't worry.

[Carol]

No. Anna has been nagging me that I just have too much stuff everywhere. So I'm trying to have a bit of a sort out. But of course, then I started reading all the interesting articles, so there you go.

[Brad]

Go.

[Alan]

Steady, steady. That was close.

[Alice]

Yes.

[Carol]

No, it's all right. It's all right.

[Alan]

Come on. Shut down.

[Anna]

Come on, come on.

[Carol]

Oh, I nearly fell.

[Alan]

I know, I know. I was right there.

[Carol]

Oh, if you hadn't caught me. Oh, I just. Oh, I just saw myself, you know, just going, going, gone. I just. I saw myself there lying on the floor, you know, like a crime scene. Oh, Carol, you must not tell anyone. You really mustn't. Now, promise me.

[Alan]

Perhaps I should just move this rug.

[Carol]

Oh, Anna wanted to move it the other day, you know. She said it was a trip hazard. Basically, she wanted to get rid of it all together.

[Alan]

Right, let's get.

[Carol]

Oh, no, wait. If we move it now, she will guess something's up, so. No, no, no. Maybe we should leave.

[Alan]

Carol, you do realize that Anna is on your side, don't you?

[Carol]

Well, now, that's only sometimes true. You can't rely on her.

[Alan]

Leonard says she wants you to get a camera put in the hall. Is that right?

[Carol]

Yes. Oh, she brought one round the other day, but I didn't want it fitted. I didn't like the idea of it.

[Alan]

What about now?

[Carol]

Well, I still don't like the idea of it, but it might be better than being incarcerated in the laurels.

[Alan]

Oh, whenever I go, I think how nice the laurels is.

[Carol]

Oh, don't you start.

[Alan]

Sorry.

[Carol]

All right, listen, I won't object to having that camera fitted if you swear not to tell anyone that I nearly fell over.

[Brad's Father (possibly Brian or another elder male)]

Well, it's nice seeing you anyway, Tracy.

[Anna]

Yeah, okay.

[Brad's Father (possibly Brian or another elder male)]

Listen.

[Helen]

Yeah?

[Brad's Father (possibly Brian or another elder male)]

Do you think Brad would be up for an afternoon off this Wednesday after his exam?

[Tracy]

I don't know. I doubt it. But you'll have to ask him.

[Brad's Father (possibly Brian or another elder male)]

It's just this. You see, I was thinking, if he's done his exam in the morning, he could maybe afford to take the rest of the day off, couldn't he?

[Tracy]

I suppose he could. But why would he want to spend that precious time with you then?

[Brad's Father (possibly Brian or another elder male)]

That's fair. That's fair.

[Leonard]

And I know he's not keen, understandably,

[Brad's Father (possibly Brian or another elder male)]

but I've got an idea, see? So something that he might really enjoy doing.

[Tracy]

Well, ask him and see.

[Brad's Father (possibly Brian or another elder male)]

Okay. Yeah, Yeah, I will.

[Adam]

I'll just check.

[Brad's Father (possibly Brian or another elder male)]

I can make it happen first. Don't make any promises. I can't deliver on heaven for a bit, eh, Tracey? Tracy, I'm really trying.

[Tracy]

It's just too little too late.

[Brad's Father (possibly Brian or another elder male)]

Well, I hope it's not actually too late.

[Tracy]

Look, you can do what you want because the kids are adults and they can make their own decisions. But I don't want you just dropping in anytime you feel like it.

[Brad's Father (possibly Brian or another elder male)]

I wasn't. I wasn't. I was meant to be seeing Chelsea.

[Tracy]

I don't want you hanging around here like you're a member of the family, because you're not.

[Brad's Father (possibly Brian or another elder male)]

Well, I am. I'm Brad's family. And Chelsea, of course.

[Tracy]

Yeah. And it's a pity you couldn't have remembered that about 20 years ago, but

[Brad's Father (possibly Brian or another elder male)]

I want to make up for lost time.

[Tracy]

But why now?

[Brad's Father (possibly Brian or another elder male)]

Well, I don't know. I suppose I just. Well, my life's a bit more together now, and I'm in the right headspace.

[Tracy]

You're in the right headspace?

[Brad's Father (possibly Brian or another elder male)]

I am.

[Tracy]

Listen.

[Debbie]

Right.

[Brad's Father (possibly Brian or another elder male)]

I'm listening.

[Tracy]

If you hurt them, either one of

[Brad's Father (possibly Brian or another elder male)]

my kids, they're my kids, too.

[Tracy]

If you hurt either one of them.

[Brad's Father (possibly Brian or another elder male)]

I'm not gonna hurt anyone.

[Tracy]

I'm telling you now, I will not forgive you ever.

[Kirsty]

Ever.

[Tracy]

Do you hear me?

[Brad's Father (possibly Brian or another elder male)]

Yes.

[Tracy]

Good.

[Kirsty]

Hi.

[Leonard]

Hey, Ian, Guess what?

[Bert]

What?

[Adam]

He said yes.

[Brad's Father (possibly Brian or another elder male)]

Who said yes?

[Adam]

Rory. Rory said yes to supporting me, backing me. He agrees. Basically, Brian has got to go.

[Rory]

Really?

[Brad's Father (possibly Brian or another elder male)]

Yeah.

[Adam]

Yeah, yeah. We had a good hour on the phone this afternoon talking it all through, and I think, you know, Rory really gets it.

[Rory]

Yeah.

[Adam]

Yeah, absolutely.

[Rory]

I mean, it just surprises me, Adam.

[Adam]

Me, too.

[Rory]

After everything Brian's done for him, particularly with the, you know, the whole George thing.

[Adam]

But, yeah. Ian, this is absolutely about what's right for Brian, too. It's not just about the farm itself.

[Rory]

Yeah, yeah. No, yeah, of course.

[Adam]

Rory knows he's caused his an unbelievable amount of stress. He feels horrific about that.

[Ben]

Yeah.

[Rory]

Yeah. It must be hard to live with.

[Adam]

He'd like his dad to actually retire and relax, not just talk about retiring and relaxing.

[Rory]

Right.

[Adam]

And Brian is never, ever going to let go of his own accord, is he?

[Rory]

Probably not.

[Adam]

Because he can't face the truth, which is he's out of his death.

[Rory]

Brian Aldridge out of his depths.

[Adam]

He is.

[Rory]

Well, you'd better not frame it like that to him.

[Adam]

I'm not being ageist, Ian.

[Akram]

What?

[Rory]

I didn't say you were.

[Adam]

Farming is changing so fast right now. Our climate's changing, everything's changing. We need to adapt. And Brian is basically a dinosaur, but

[Rory]

he has phenomenal experience. I mean, that can't suddenly be totally irrelevant.

[Adam]

No, no, it's not. It's really not. But he's become a liability because he won't listen. He refuses to hear what I'm saying. I'm more in touch. I've got a handle on how to future proof the business and he really doesn't. This idea about the caravans, it's just bonkers. It's not farming.

[Rory]

So what's gonna happen at the meeting?

[Adam]

Well, Kate can't make it. She's in Scotland. Yeah, but she doesn't want a bunch of caravans ruining the aesthetic of spiritual home. And she can't afford for her income from the partnership to drop because it subsidizes everything else. So she's like. But whatever you have to do, Adam. Yeah, obviously Debbie won't be there. She's got a conference. But she's already given me the thumbs up, hasn't she?

[Rory]

Yeah, yeah.

[Adam]

And Alice? Well, I think Alice is on site, but I just need to have a final chat with her tonight.

[Rory]

Tonight?

[Adam]

Oh, yeah, sorry. I invited around for supper. Is that all right?

[Rory]

Yeah, yeah, of course. So, what are you going to say to Alice?

[Adam]

Well, I. I just want to check in with her, really.

[Rory]

I mean, look, you do kind of know now, don't you?

[Adam]

I mean.

[Rory]

I mean, you can't keep pretending that you think he's got dementia, can you?

[Adam]

I wasn't pretending.

[Rory]

No, you weren't pretending before, but now. Now you have new information, new info

[Adam]

that I can't actually share.

[Rory]

But doesn't it change things?

[Adam]

Well, not really, no, for all the reasons I was just outlining a minute ago.

[Rory]

So you're gonna let her carry on thinking that?

[Adam]

Yeah, yeah, because for all we know, he might still have dementia. His behavior's been so bizarre, even with the Rory stuff in the mix. Yeah, but I know what you're saying. Okay, I do. But I don't feel like I've got much choice.

[Rory]

Okay.

[Adam]

What?

[Rory]

I'm just afraid that Brian is gonna react badly.

[Akram]

Well, he will.

[Adam]

Of course he will. But we'll be united. Me, Alice, Rory, Debbie, Kate. He can't ignore that.

[Leonard]

Hiya, Ben.

[Akram]

Hiya, Leonard.

[Leonard]

How you doing? Yeah, not bad, not bad. You Good?

[Brad]

Yeah, yeah, good.

[Ben]

Mum said, do you want to come over for dinner? And I thought, yeah, why not?

[Leonard]

Oh, well, Jill be chuffed to see you. Yeah, yeah. Can I ask you something while it's just me and you here?

[Brad]

Yeah, of course.

[Leonard]

Do you know, is your mom all right?

[Ben]

All right? In what way?

[Leonard]

Well, I don't like to keep asking her how she's doing, but I know she's been very stressless. She's got this dilemma about the whole testing business.

[Brian]

Yeah.

[Brad's Father (possibly Brian or another elder male)]

Yeah.

[Leonard]

Do you know what she's decided to do?

[Ben]

I don't think she's made a decision yet. Or if she has, she hasn't told me.

[Leonard]

Right.

[Ben]

But I do feel quite annoyed at Josh, to be honest. He doesn't want her to do it because he doesn't want to know the result, which, frankly, is not his call.

[Leonard]

But it does affect him.

[Ben]

Yeah, but it's a selfish, very Josh like take on the situation.

[Leonard]

Well, if there's anything I can do to help, will you let me know?

[Ben]

I think you do help, Leonard. You help all the time with Gran and all the stuff you do around the house.

[Leonard]

I don't do much, really. Yeah, you do.

[Ben]

What are you talking about?

[Leonard]

Well, I wasn't fishing for compliments.

[Ben]

I think my mum will be all right. Just think she needs time.

[Leonard]

Well, I said that to her. Your dad said that to her. She needs time, I mean, and she's not had long to think about it, has she?

[Alice]

Oh, this is so nice. Eating al fresco.

[Rory]

Oh, I love it. I love this time of year.

[Helen]

Me, too.

[Brad]

So hopeful, isn't it? Yeah.

[Alice]

Also, how's the new job going?

[Rory]

Oh, I'm loving it.

[Alice]

Excellent.

[Brad]

And well.

[Rory]

How about you, Alice? How's it going, Rex?

[Alice]

Oh, yeah, it's good. It's nice.

[Tracy]

We're having fun, I suppose.

[Rory]

Well, that's the point, isn't it?

[Kirsty]

Yeah.

[Alice]

Yeah, I guess it is. No, he's. He's really great.

[Rory]

We should have got you both around here this evening.

[Alice]

Well, yeah, except I think Adam really wants to talk more about this partnership meeting on Friday.

[Rory]

Oh, yeah, yeah, of course.

[Alice]

But it would be lovely to hang out the four of us sometime. Or the six of us, even with the kids. Rex is so brilliant with Martha.

[Rory]

Yeah, well, that sounds great. Let's do that.

[Alice]

Okay. Yeah, I'll talk to him and said you some dates.

[Rory]

Perfect.

[Adam]

Sorry. Sorry for the wait. Here we go.

[Alice]

Oh, wow. Oh, that looks lovely.

[Adam]

Aubergine parmesan.

[Alice]

Oh, amazing.

[Adam]

It won't be as good as anything Ian would cook.

[Rory]

That's not true.

[Leonard]

Completely true.

[Alice]

Well, if I was at home, I'd be eating a jar of pickles or something.

[Rory]

A jar of pickles?

[Alice]

Yeah, you know those gherkins in a jar? I can eat a whole jar of those and some bread and butter and I'm done.

[Rory]

Oh, that doesn't sound that nice.

[Alice]

Yeah, it's really not.

[Adam]

Okay, so how hungry are you? Because I know for a fact that this is one of your favourites.

[Alice]

Oh, Adam, so sweet.

[Leonard]

Well, I'm glad I got a chance to talk to you away from the house.

[Ben]

Anytime, Leonard. Anytime.

[Brad]

We should go in, shouldn't we?

[Leonard]

I think we're fine. I don't think dinner's quite ready yet.

[Brad]

Oh, okay. Good.

[Leonard]

No bell ringing practice tonight? No, I miss hearing the bells. But Alan was telling us yesterday that one of the bells is cracked and repairing it's going to cost a fortune.

[Brad]

That's a shame.

[Leonard]

I felt quite sorry for him, you know.

[Ben]

Did you?

[Adam]

Why?

[Leonard]

Well, he's under a lot of problems from so many different directions. I mean, really, when I talk to people these days, I feel lucky that I'm retired.

[Ben]

Do you?

[Leonard]

I just don't remember life being this stressful even a couple of decades ago.

[Ben]

I mean, I wasn't even five a couple of decades ago, so I've got no idea.

[Leonard]

Oh, you're so young.

[Ben]

I don't feel it.

[Leonard]

But you are it.

[Ben]

No, I think you're right, though, about life being harder for people. We get a lot of patients coming into the surgery saying they're really struggling.

[Leonard]

Yeah, Yeah, I bet you do.

[Ben]

Me and Azra are actually trying to set up some new mental health initiatives in the village.

[Bert]

Oh, brilliant.

[Ben]

Yeah, I mean, we're only kicking ideas around at the moment.

[Leonard]

I'm trying to do some research alongside everything else.

[Brad]

Yeah.

[Ben]

But I think there's a need.

[Leonard]

Definitely there is.

[Ben]

Do you know what we're eating tonight?

[Leonard]

Your mum's lasagna.

[Adam]

Really?

[Leonard]

But she is trying a new recipe.

[Ben]

Okay, well, there is hope then.

[Brian]

I feel bad.

[Ben]

I feel really disloyal saying that.

[Leonard]

I'm not gonna tell her.

[Ben]

Yeah, yeah. Please don't

[Debbie]

this is really good, Adam.

[Bert]

It is.

[Rory]

It's excellent.

[Adam]

Well, that's a relief.

[Alice]

Is it a lot of pressure cooking for Ian?

[Leonard]

It really is.

[Brian]

What are you talking about?

[Adam]

You don't know? You're not the one feeling the pressure, are you?

[Alice]

Oh, well, it's a hard life living with a Michelin starred chef.

[Rory]

I don't have a Michelin star, Alice, as much as I'd like one.

[Alice]

Oh, one day, Ian. One day.

[Adam]

So, should we talk about Friday?

[Alice]

Yeah. Yeah, I guess we should.

[Adam]

Sorry.

[Alice]

No, it's okay.

[Adam]

I just. I want us to be on the same page.

[Anna]

Of course.

[Adam]

Because it's just the two of us at the meeting.

[Alice]

Yeah, absolutely.

[Adam]

I've had a really good chat with Rory and he's willing to back us up on. On whatever we think is right. Okay, but we can't really afford to be woolly about it because frankly, things have been woolly for years and you're

[Rory]

not even running a sheep farm.

[Leonard]

What?

[Alice]

It was a joke.

[Adam]

Sorry, I didn't get.

[Rory]

Doesn't matter. Sorry.

[Alan]

Carry on.

[Tracy]

Woolly. She.

[Rory]

Yeah, I was just trying to lighten up.

[Adam]

Well, there's nothing wrong with the atmosphere, is there?

[Alice]

No, no, I mean, what I am. I am stressed about it, you know I am.

[Adam]

Well, that's why we're here tonight, to talk it through.

[Rory]

And I won't make any more stupid

[Adam]

jokes when you say that.

[Rory]

Or really won't. I'm just gonna help myself to some more salad. That's a great dressing, by the way.

[Adam]

Oh, thanks.

[Alice]

It is a great dressing.

[Adam]

The point is, Alice, that we need to be a united front.

[Rory]

Actually, does anyone need anything from the kitchen? I mean, if I go and fetch some water.

[Alice]

I'm fine, thank you.

[Adam]

I'm fine too, thanks.

[Alice]

I know. It's just that dad seems to be on more of an even keel in the last few days, don't you think?

[Adam]

And even keel?

[Alice]

Yeah, I think so. I mean, he offered to look after Martha and they were very happy together

[Helen]

for a couple of hours.

[Adam]

That was just a couple of hours.

[Alice]

And he really doesn't think he's got dementia?

[Adam]

Of course he doesn't.

[Alice]

So do you feel really sure then?

[Adam]

I mean, pretty sure, right? I mean, I'm the one working with him every day.

[Alice]

Not every day.

[Adam]

I am. Alice, he's in the office all the time or on the phone. The man is not retired. That's an urban myth. Or a rural myth.

[Alice]

I just wondered if we could slow things down.

[Kirsty]

How?

[Alice]

Like not say anything at the spring partnership meeting?

[Ben]

I'm kidding.

[Alice]

No, just hear me, Alice. I would much prefer to hang on, not rock the boat. At the meeting, I want all of us to persuade dad to get some kind of cognitive fitness testing with the gp. Look, I really couldn't get him to engage. Whereas if we all try it together,

[Adam]

he will never ever agree to that.

[Alice]

Yeah, but he might, Adam. If we all put it to him.

[Adam]

Alice, I can't do this anymore. I thought you were there. We've talked about this endlessly now.

[Alice]

I know we have, but I have real reservations.

[Anna]

And.

[Alice]

And I don't feel like you're listening.

[Adam]

I am.

[Kirsty]

I just.

[Alice]

I don't understand why there's such a rush.

[Carol]

Okay?

[Adam]

Brian is making bad decisions for the farm because his ideas are outdated. And I'm really sorry that you're stressed out, but the clock is ticking on this. And I know that more than anyone else. You aren't actually working with him, are you?

[Alice]

Oh no I'm not.

[Adam]

So you don't know. You don't know how. How bad it is now?

[Alice]

I have some idea.

[Adam]

Not really. Not if you don't understand how urgent this is. We have to future proof the business, Alice. We have to build up our resilience. Well, do you know what? Home farm is going to fail.

[Alan]

And I'm.

[Adam]

I'm just not prepared to let that happen. Not on my watch. Okay.

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[Tracy]

Let's get started.

[Narrator/Advertiser]

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[Leonard]

Like a good detective story.

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[Adam]

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[Debbie]

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[Brad's Father (possibly Brian or another elder male)]

Hey. All right, Brad?

[Brad]

Dad.

[Brad's Father (possibly Brian or another elder male)]

How'd you drink, Sam? Go.

[Brad]

Yeah, okay. Not bad. Dunno, to be honest.

[Brad's Father (possibly Brian or another elder male)]

I'm sure you smashed it.

[Brad]

Yeah, not sure.

[Brad's Father (possibly Brian or another elder male)]

You're always doing yourself down. You are.

[Brad]

Am I?

[Brad's Father (possibly Brian or another elder male)]

Yeah, yeah, yeah, definitely.

[Brad]

I just don't like people who are overly confident, so, you know, I. I don't want to be one of them.

[Brad's Father (possibly Brian or another elder male)]

Well, no one could accuse you of being overly confident confident, Brad.

[Brad]

So what's all this about?

[Brad's Father (possibly Brian or another elder male)]

What do you mean?

[Brad]

Well, Mum said you've got a surprise for me.

[Brad's Father (possibly Brian or another elder male)]

Yeah, I do.

[Brad]

So what is it?

[Brad's Father (possibly Brian or another elder male)]

You have to drive there.

[Brad]

Drive where?

[Brad's Father (possibly Brian or another elder male)]

Well, you'll find out, won't you?

[S]

Hi, Akram.

[Akram]

Have you got a minute?

[S]

Yeah, I do, but I've got a meeting with Ben in a sec.

[Akram]

Okay.

[S]

Is everything all right?

[Akram]

Yeah, fine.

[Leonard]

Yeah.

[Akram]

I'm just at Bridge Farm taking five minutes and I wanted to ask you.

[S]

Go on.

[Akram]

What do I do about Tom?

[S]

What do you mean?

[Akram]

Well, it's two weeks since I talked to him about my idea of Bridge Farm becoming a care farm. And he said he'd get back to me, but he's not said a word.

[S]

Just ask him.

[Akram]

I don't know then I feel like I'm being pushy.

[S]

But you're not.

[Akram]

He hasn't said anything to you, has he?

[Tracy]

Me?

[S]

Why would he say anything to me?

[Akram]

Well, I mentioned the idea of this being a die in with some of the things you and Ben are trying to work out at the surgery. And then, you know, you do see him, don't you? You see him around. You live in the same road.

[Tracy]

Well, so do you.

[Akram]

Oh, okay.

[Carol]

I was just checking.

[Akram]

We're both so busy at the moment. Everyone is.

[S]

Including Tom, I guess.

[Akram]

Yeah.

[S]

Just ask him again. I'm sure he won't think you're being pushy. I mean, He's Tom Archer. He'll get it. He's pretty pushy himself.

[Rory]

Okay, thanks.

[Carol]

Oh, sorry.

[S]

No, no, no, it's okay.

[Tracy]

Come in, come in.

[S]

It's just a room.

[Akram]

Oh, it's just a. Is it?

[S]

You know what I mean. Look, look, I've got to go talk to Tom, okay? Just talk to him. You need an answer.

[Akram]

Okay? Okay.

[Brad's Father (possibly Brian or another elder male)]

Okay.

[Carol]

Okay.

[S]

Bye, love.

[Carol]

Bye.

[Brad]

Bye.

[Akram]

Bye.

[Tracy]

Oh, sorry. Sorry.

[Brad]

No, no, no.

[Ben]

Sorry, I'm interrupting. I could have just gone away again.

[S]

Oh, no, no, because we haven't got long. Let's talk.

[Brad]

Are you going to tell me where we're going?

[Brad's Father (possibly Brian or another elder male)]

Well, I can do, but it will ruin the surprise.

[Brad]

I think I'd rather know.

[Brad's Father (possibly Brian or another elder male)]

Yeah.

[Brad]

Yes, please.

[Brad's Father (possibly Brian or another elder male)]

We're going a new road.

[Brad]

New road?

[Brad's Father (possibly Brian or another elder male)]

To watch the match.

[Brad]

You mean to watch Worcestershire play?

[Akram]

Of course.

[Brad]

Oh, that's great. That's.

[Tracy]

That's really, really great.

[Brad's Father (possibly Brian or another elder male)]

It's only the second 11, of course, but we'll have lunch and. And then we'll have a look inside the score box.

[Brad]

Honestly.

[Brad's Father (possibly Brian or another elder male)]

Sound good?

[Brad]

Yeah, it does, actually. Thank you, dad.

[Brad's Father (possibly Brian or another elder male)]

You're very welcome.

[Brad]

Was it like expensive?

[Brad's Father (possibly Brian or another elder male)]

Well, Soph's got a mate who works at the ground, so she got us a discount.

[Brad]

Okay, that's good.

[Brad's Father (possibly Brian or another elder male)]

So don't worry about that.

[Carol]

Great.

[Brad]

Brilliant.

[Akram]

Helen.

[Helen]

Oh, hi, Akram.

[Akram]

Have you seen Dom?

[Helen]

He just left to pick up one of the kids from nursery. Apparently Saren's just vomited all over her lunch. Oh, ok, sorry, that was probably too much information.

[Akram]

No, it's fine. I can handle it. I was really hoping to talk to Tom about this project for the farm.

[Helen]

Oh, what's the project?

[Akram]

It was this idea I had about Bridge Farm becoming a care farm.

[Helen]

Oh, yeah, yeah, he. He told me about that.

[Akram]

Oh, okay.

[Helen]

Has he not got back to you?

[Akram]

No, no, but. But I. I know he's busy.

[Helen]

Well, he's not that busy. Not so busy he can't just say.

[Akram]

Say what?

[Helen]

There's absolutely no way we've got capacity for something like that. Oh, sorry. Sorry. He should have just told you. We did talk about it, but it's not the kind of thing we can prioritize. Certainly not in the near future.

[Akram]

Okay. I mean, did Tom explain what I was thinking? That it wouldn't be a full time project or anything? Just one afternoon a week at least initially.

[Helen]

Yeah, yeah, he did mention that.

[Akram]

And I would take it on. It would be my project, my responsibility. And I'd be coordinating with Azra. People would be referred here in a way, whether formally or informally.

[Helen]

Honestly, Vakram. I'm really sorry, but even one afternoon a week with the still be a huge ask. My head is so full and Tom's got the kids and we just don't have the head space.

[Akram]

Okay.

[Helen]

Now I'm looking at expanding the dairy, developing a new cheese. We're looking at how to develop our branding, how to increase profits, how to stay ahead. I know that sounds bad.

[Akram]

No, no.

[Helen]

I'm sorry, Akram. I really am.

[Akram]

Please, but please.

[Helen]

We're a busy working farm, not a care facility.

[Brad's Father (possibly Brian or another elder male)]

Not bad, eh?

[Brad]

Well, it's great, dad. It's really great. And lunch was amazing.

[Leonard]

Good, good.

[Brad's Father (possibly Brian or another elder male)]

Well, hopefully you can go back to your revision tomorrow feeling refreshed.

[Brad]

Yeah, I really think I will. It was actually a great idea.

[Brad's Father (possibly Brian or another elder male)]

Good, good. Excellent. Hey, I keep meaning to say to you. I met this bloke down the pub who says there's loads of maths type jobs in sports these days.

[Brad]

You mean like statistics?

[Brad's Father (possibly Brian or another elder male)]

I don't know. Yeah, yeah, maybe you might know more about it than me.

[Brad]

Not necessarily.

[Brad's Father (possibly Brian or another elder male)]

But. But things like being a. A performance analyst, that. That must be good money.

[Brad]

Well, I don't really know.

[Brad's Father (possibly Brian or another elder male)]

Maybe you should look into it.

[Brad]

I mean, I've still got another year, so. But.

[Brad's Father (possibly Brian or another elder male)]

But what's a year? It goes like that.

[Brad]

That's true.

[Brad's Father (possibly Brian or another elder male)]

So you want to start thinking ahead, don't you?

[Brad]

Well, I was actually thinking I might do a masters then. A PhD.

[Brad's Father (possibly Brian or another elder male)]

A PhD, yeah. But don't they take forever?

[Brad]

They can do. But if I get funding and I don't have to work all the time, it would be brilliant. Lead on to work, maybe still stuck at uni. I mean, that would be good.

[Brad's Father (possibly Brian or another elder male)]

Brad, Brad, come on. Do you. You really want to spend all that time living on virtually nothing?

[Brad]

I mean, I'm quite good at it. Living within my means sort of thing.

[Brad's Father (possibly Brian or another elder male)]

Yeah, I know, I know, but when you've got significant earning power, a maths degree, that's the best degree you can get for making money. It's tons better than the medicine or engineering.

[Brad]

Yeah, maybe.

[Brad's Father (possibly Brian or another elder male)]

I don't know, you could go into banking. You'd make a fortune. They'd snap you up.

[Brad]

Yeah, I can't really see me in banking, can you?

[Brad's Father (possibly Brian or another elder male)]

I don't know, but I don't think you should write it off without looking into it.

[Brad]

Maybe.

[Brad's Father (possibly Brian or another elder male)]

Honestly, Brad, you've got to got to get switched on to the opportunities available to you.

[Brad]

Yeah, you're probably right.

[Brad's Father (possibly Brian or another elder male)]

Damn straight I'm right.

[Narrator/Advertiser]

Oh, lovely cover drive.

[Brad]

Great shot.

[Brad's Father (possibly Brian or another elder male)]

Other thing, I was thinking about you.

[Alan]

Right.

[Brad]

What?

[Brad's Father (possibly Brian or another elder male)]

Well, You. You're not using that maths brain of yours while you're lugging people's suitcases around at Grey Gables, are you?

[Brad]

Not really, but that doesn't matter.

[Brad's Father (possibly Brian or another elder male)]

Have you not thought about getting something better paid elsewhere?

[Brad]

Like where?

[Brad's Father (possibly Brian or another elder male)]

Well, croupier is the obvious one.

[Brad]

Croupier?

[Leonard]

Yeah.

[Brad's Father (possibly Brian or another elder male)]

At a casino.

[Brad]

Do they have to be good at maths?

[Brad's Father (possibly Brian or another elder male)]

Of course they do. So people like you are in demand.

[Brad]

I can't see me in a casino any more than I can see me in a bank.

[Brad's Father (possibly Brian or another elder male)]

Why is that, then?

[Brad]

Well, I'm just not a very risk taking sort of person.

[Brad's Father (possibly Brian or another elder male)]

But you're not the one gambling, are you? You're just doing the adding up.

[Brad]

I dunno.

[Brad's Father (possibly Brian or another elder male)]

You don't have to be poor all your life. That's what I'm saying.

[Brad]

I'm not planning on being poor. I'm just not necessarily planning on being rich.

[Akram]

Apparently they decided on the spot. I feel quite irritated.

[S]

Yeah, I'm not surprised.

[Akram]

I understand they have other priorities, obviously.

[S]

I mean, it is a big deal. A huge ask, really. But why didn't they just tell you that?

[Akram]

I reckon Dom just forgot. It just went straight out of his head because it didn't interest him. How was your meeting with Ben?

[S]

Oh, Bob, it's great. Yeah, he's great. I mean, I could ask him about Brookfield. I think David and Ruth, they've got too much going on already at the moment.

[Akram]

I mean, I really wanted it to happen at Bridge Farm because I've started to know this place and they have this, you know, this ethos.

[S]

We'll find another farm.

[Leonard]

I hope so.

[S]

I need to go. Sorry, Akram.

[Akram]

Okay.

[Carol]

Yeah.

[S]

Don't despair, okay?

[Akram]

Oh, no, of course not. I never despair. I don't. I'm a very positive person.

[S]

Okay.

[Akram]

What about Medelfar?

[S]

I really have to get.

[Akram]

Okay, go. Sorry, but I think I might ask Esme.

[S]

Can we talk about this later? I'm so sorry.

[Akram]

Go, go, go.

[S]

Yep, I'm going.

[Akram]

Bye.

[Brian]

Bye.

[Carol]

Bye, bye.

[Helen]

Oh, he didn't need to get off the phone for me.

[Akram]

I wasn't. I didn't.

[Tracy]

Oh,

[Akram]

that sounded rude. I meant I was saying goodbye.

[Brian]

Anyway.

[Helen]

Well, I was just wondering. Yeah, well, I've offered Tracy some extra hours at the dairy, like I said, explaining expanding the business.

[Akram]

Right.

[Helen]

And she's still thinking about whether she can take the extra work on.

[Brad's Father (possibly Brian or another elder male)]

Right.

[Helen]

So if she does say no, would you be interested?

[Akram]

I'm not sure if I would, to be honest. Oh, I want to be outside, Helen.

[Helen]

I mean, the dairy is not really a confined space.

[Akram]

That's exactly what the dairy is.

[Helen]

No, I meant you have a sense of the outside. It's not like you're sitting in an office.

[Akram]

No, but honestly, it's the land I love, Helen. Growing things. That's what I like about farming. For me, it's not. Well, it's just not about cheese.

[Brad]

All right, Ben?

[Ben]

Oh, hi, Brad.

[Brad]

How you doing?

[Ben]

How's the exams going?

[Brad]

Yeah, yeah. Okay, I think. Not bad. Well, I had the afternoon off. Just went to New Road to watch the match.

[Ben]

Sounds nice.

[Brad]

Yeah, it was, though. It was a bit weird, too.

[Ben]

Why was it weird?

[Brad]

Well, my dad, right, he's suddenly wanting to spend all this time with me, which he's never wanted to do before.

[Bert]

Right.

[Brad]

And I don't really know what it's all about, you know? Like, is he just being nice or is he after something?

[Ben]

Well, what does your instinct tell you?

[Brad]

I don't know. I don't know if I've really got instinct.

[Ben]

You don't know if you've got instincts?

[Brad]

Yeah. I think I'm sort of missing them.

[Ben]

Well, I'm sure you're not.

[Brad]

Sorry, I don't know why I'm telling you all this.

[Ben]

Why not?

[Brad]

Because we're not really mates, are we? I mean, it's not that we're not mates either. You know what I mean.

[Brian]

Yeah, no, I do.

[Ben]

I do, but I'm always happy to listen.

[Brad]

Well, I haven't got me and George at the moment. We're not as close as we used to be.

[Leonard]

Right.

[Brad]

I sort of miss that. Of course, I definitely can't talk about it to Mum. Probably not to Chelsea, either. Anyway. Sorry. I mean, the basic thing is dad is taking an interest in me for the first time ever. And it's a bit weird, but it's also really nice.

[Ben]

Yeah, well, look, can you not just maybe take it as it comes, then? Keep your expectations low, but, you know, enjoy spending that time with him?

[Leonard]

Yeah.

[Brad]

Yeah. Yeah, I can try. Thanks, Ben.

[Ben]

Anytime.

[Anna]

Hey, Mum.

[Carol]

Hey, Anna. When did people start saying hey as a greeting?

[Anna]

About 30 years ago.

[Carol]

I don't think I like it.

[Anna]

Shocker.

[Carol]

Oh, sorry, but I don't. Oh, you don't have to take it as a personal criticism.

[Anna]

I'm worried there's something wrong with the new camera.

[Carol]

Oh, really?

[Anna]

Well, I've looked and even though it's daytime, the footage is quite dark and grainy. Are you sure it's set up correctly? Oh, can I have a look? Where is it? I thought he was putting it in the Hall?

[Debbie]

Yes.

[Anna]

Well, so where is it? I mean, I just want to take a look, see if it's something obvious, like it's facing the wrong way or something. It was supposed to be in the hall. So if you fell getting up or down the stairs, I could see you. I mean, is it in the living room?

[Carol]

It's in the loft.

[Debbie]

Sorry?

[Carol]

I asked Leonard to put it in the loft.

[Anna]

Why?

[Carol]

So I could watch the bats.

[Anna]

Are you joking?

[Carol]

I mean. Oh, don't you think that was a rather genius idea?

[Anna]

No, Mum, I don't. Because. Because the whole point of it was that. That if you had another fall, I'd be able to see you.

[Carol]

Yeah, but the last time I fell it was in the living room, so what good would it do in the hallway?

[Anna]

Well, more good than it's doing in the loft.

[Carol]

Ah, well, I'm not sure about that, you see, because it means I can watch the bats there. Oh, no, they are fascinating. I'm rather in love with them, Mum. Why shouldn't I enjoy them? They are my bats, after all.

[Anna]

They are not your bats.

[Alice]

You.

[Anna]

You are bats.

[Carol]

That's not very nice.

[Anna]

Surely you knew that I wouldn't be happy about this.

[Carol]

Yes, but I can't live my life trying to make you happy, Anna. Oh, Mum, I am serious.

[Anna]

You're not wearing your pendant. Why aren't you wearing your pendant?

[Carol]

Well, I have actually worn it much more.

[Anna]

You're supposed to wear it at all times.

[Carol]

I know and I do. Oh, don't look at me like that. I do, but sometimes I have to take it off.

[Anna]

Why?

[Tracy]

Why do you have to take it off?

[Carol]

Because it gets in my way.

[Tracy]

How?

[Carol]

You try wearing one and you will. See what I mean.

[Debbie]

Where is it?

[Carol]

Oh, that's a good point. I don't actually know. Maybe in the kitchen. So the camera is in the loft

[Anna]

and the pendant's in the kitchen.

[Alice]

Great. That's just great.

[Tracy]

All right, Brad? How you doing?

[Brad]

Yeah, good, good, good.

[Helen]

Yeah.

[Tracy]

How were yesterday with your dad?

[Brad]

Yeah, yeah, no, it was good, actually.

[Tracy]

What did you do?

[Brad]

Well, he took me to watch the cricket at New Road. Even got to look in the scorebox. Really went to town.

[Tracy]

What about your exam? How did that go?

[Brad]

Well, I don't know. It's so hard to tell.

[Tracy]

I'm sure you've smashed it.

[Brad]

That's what dad said.

[Tracy]

Did he?

[Brad]

He's been so nice.

[Helen]

Yeah.

[Brad]

Do you think he means it?

[Tracy]

I hope so.

[Brad]

I just don't know if I should trust him.

[Tracy]

Yeah, yeah, I get that. I do.

[Brad]

I mean, he Basically ignored us for years.

[Tracy]

I'm sorry I chose such a deadbeat for your dad.

[Brad]

Please don't say sorry, Mum.

[Tracy]

Thing is, if I hadn't chosen him, then you wouldn't exist, would you?

[Brad]

Exactly.

[Tracy]

And when I imagine this planet without you and Chelsea, well, it's like the thought of it makes my insides feel hollow. It does, though.

[Brad]

Well, you've made up for how rubbish he was, though, Mum. You've been fantastic.

[Tracy]

Oh, Brad, that's true.

[Brad]

We didn't need him because we had you.

[Tracy]

Would have been nice, though, if he turned over this new leaf a bit earlier, wouldn't it?

[Brad]

Yeah, it would.

[Tracy]

Where's your granddad?

[Brad]

I don't know. In his room.

[Tracy]

I need to do them chair exercises with him and then get him some tea and then get out the door to the ball.

[Brad]

Well, you're working tonight.

[Tracy]

Yes.

[Brad]

Even though you've been working all day?

[Tracy]

Yeah.

[Brad]

But you worked last night, too. I did, Mom.

[Tracy]

I weren't meant to be on tonight, but Lillian's asked me to cover for Kenton and Jolene and I didn't like to say no to her. Plus, we can always use the money, can't we? I'll just give your granddad a shout. Dad, can we do your exercises?

[Brian]

What?

[Tracy]

We need to do your exercises.

[Brad]

I could do his tea if you want.

[Carol]

Really?

[Brad]

Yeah, yeah, why not?

[Bert]

I've done them already.

[Tracy]

Done what?

[Bert]

My chair exercises.

[Tracy]

Have you? All on your own of your own accord?

[Bert]

Yeah. Up and down, round and round. My arms swinging like a windmill. Haven't I, Brad?

[Brad]

Well, I don't know, Granddad.

[Bert]

Were you supposed to back me up?

[Brad]

No, I'm not saying you haven't done them. I'm just didn't see you.

[Tracy]

Look, dad, we need to do them.

[Bert]

I told you, we've already done them.

[Tracy]

Because then I need to start. Brad, on your tea.

[Bert]

What am I having?

[Tracy]

Turkey stir fry.

[Bert]

That sounds disgusting, Granddad. But it does, though, doesn't it?

[Tracy]

Dad, please, can't we just.

[Bert]

You know what I like for tea, don't you?

[Brad]

What?

[Bert]

Fried egg and chips. Real chips, cooked in real fat.

[Tracy]

I ain't got time to make proper chips. And the turkey stir fry is all ready to go in the pan.

[Bert]

You could do proper chips, couldn't you, Brad?

[Brad]

I don't know.

[Tracy]

Yeah, maybe no one is doing chips because that is not a healthy option.

[Bert]

I'm sick of healthy options. Aren't you sick of healthy options too, Brad?

[Brad]

I mean, not necessarily.

[Tracy]

Okay, dad, please, can we just do these exercises?

[Bert]

Only if I can have egg and chips.

[Leonard]

For tea.

[Brad]

I could start peeling potatoes, Mum, if you want. If that helps.

[Bert]

Yes, that's good. You go peel some potatoes, Brad. Good lad. And then I'll show you how to cook real chips.

[Anna]

You.

[Tracy]

You're gonna make real chips?

[Bert]

Why not?

[Tracy]

Cause you ain't cooked anything whatsoever in about five years.

[Bert]

What you on about?

[Tracy]

What are you on about?

[Bert]

Go on, Brad. What are you waiting for?

[Brad]

Shall I?

[Tracy]

Yes, fine, fine. Yes, Brad, you go and peel some potatoes.

[Brad]

How many?

[Bert]

A sack full.

[Kirsty]

Okay.

[Tracy]

Right. Come on then, dad.

[Bert]

Oh, I bet Clive wouldn't make me do chair exercises.

[Tracy]

I bet he wouldn't either.

[Bert]

Or make me eat turkey stir fry.

[Tracy]

No, probably not.

[Bert]

When I go and live with him, I'm gonna have all the sugar in my tea that I want.

[Tracy]

Sorry?

[Bert]

When I move in with Clive.

[Tracy]

When you move in with Clive?

[Ben]

That's it.

[Tracy]

That's it, dad. What are you talking about?

[Bert]

He's kindly suggested that I move in with him and I've said yes. I've already started packing.

[Anna]

Alan's here.

[Carol]

So I see.

[Alan]

I saw Anna's car and I thought I'd just pop in and have a quick word.

[Carol]

Oh, you mean you thought you could come and gang up on me together?

[Kirsty]

Don't be so rude.

[Carol]

Oh, Alan doesn't mind. He understands my sense of humor.

[Anna]

Oh, does he? Do you?

[Alan]

Well, maybe. So how's the camera working out?

[Anna]

It's not.

[Carol]

She's annoyed with me.

[Alan]

Why?

[Carol]

Oh, because she's always annoyed with me.

[Anna]

Mum, that's not true.

[Carol]

It's completely true.

[Alan]

I'm sorry, but what's happened with the camera?

[Carol]

Oh, you must take a look, Alan. In the evening. You know, if you look hard, you can make out the bats on the move at dusk. The bats?

[Anna]

Yes, the bats, Alan. That's why I bought the camera, isn't it? So my mother could look at the bats.

[Alan]

I'm sorry, I'm a bit lost here.

[Anna]

Basically, she won't ever wear the damn pendant and she's put the camera in the loft.

[Carol]

Why do you keep saying that?

[Tracy]

Why do you think I keep saying that? So when exactly is this supposed to happen, you moving in with Clive?

[Bert]

Soon. Very soon.

[Tracy]

But when exactly?

[Bert]

Well, he hasn't given me a date yet.

[Tracy]

I'll bet he hasn't.

[Bert]

What's that supposed to mean?

[Tracy]

And when did he ask you to move in?

[Bert]

We've mentioned it a few times now.

[Tracy]

He said nothing to me, you know.

[Bert]

Why would he say anything to you?

[Tracy]

Why wouldn't he?

[Bert]

Because it's between me and him, isn't it?

[Carol]

But.

[Tracy]

But you live here.

[Bert]

I know I do. I know I do. But I fancy a change.

[Tracy]

Dad, I really don't think that Clive is going to deliver on any sort of promise.

[Bert]

See, that makes me sad.

[Tracy]

Tracey, I'm not trying to make you sad.

[Bert]

You don't see in him what I see in him.

[Tracy]

No, you're dead right. I don't.

[Bert]

He's a changed man.

[Tracy]

No, dad, he just says he's a changed man. There is a big difference.

[Bert]

He does yoga.

[Tracy]

Oh, for goodness sake. How many times have I got to hear about Clive's blooming yoga? Right, I'm just gonna go and ring him. I'm just gonna ring him right now. And then. Then we're gonna do those chair exercises, and then I've got to get to work.

[Carol]

You've got to admit that the bats are pretty good.

[Alan]

Well, I can see the appeal, yes. See?

[Anna]

See what?

[Carol]

Alan thinks I did the right thing.

[Alan]

That's not actually what I said, is it?

[Anna]

No, it's not. Please, Please, Alan, can you tell me what to do with my mother? Oh, better still, ask God what to do with my mother. Well, I don't mean to be irreligious,

[Carol]

but why do you need to do anything with your mother? Why can't you just leave me to live?

[Anna]

Have you moved the rug in here?

[Carol]

Yes.

[Anna]

How did you manage that on your own?

[Carol]

I'm very strong, Mum.

[Alan]

I moved the rug.

[Anna]

Did you? When?

[Alan]

The other day, when Carol nearly tripped over it.

[Carol]

Alan, you promised not to tell anyone.

[Alan]

You promised to have the camera fitted.

[Bert]

But I did.

[Anna]

Alan, did you really promise not to tell me that my mum nearly fell over?

[Alan]

Well, sort of. It was part of a deal.

[Carol]

You oughtn't to put poor Alan on the spot like that.

[Anna]

Anna, you're the one putting him on the spot.

[Carol]

Maybe we should all just have a nice cup of tea.

[Anna]

Maybe we should have a gin.

[Alan]

I wouldn't say no to a gin.

[Anna]

Look what you've done.

[Adam]

Mum.

[Anna]

You're driving a vicar to drink.

[Carol]

All right, how about this?

[Alan]

Go on.

[Carol]

We all have a lovely G and T. And I promise to wear my pendant if I can keep the camera trained on my beautiful bats instead of my boring hallway.

[Anna]

I'll drink to that.

[Alan]

Me, too.

[Tracy]

Well, I can't get hold of him.

[Bert]

He's a busy man.

[Tracy]

Yeah, busy doing what, exactly?

[Bert]

Working.

[Tracy]

Are you really serious about this, dad?

[Bert]

Do you want to see his messages?

[Tracy]

I do, yeah.

[Bert]

Here, take it. Look, I'm an open book.

[Tracy]

Hi, dad. Just getting your room sorted.

[Helen]

Blah, blah, blah.

[Tracy]

I reckon he's after your pension.

[Bert]

That's a cruel thing to say.

[Tracy]

I'm not trying to be cruel.

[Bert]

No, it just comes naturally.

[Tracy]

Is there even a bedroom for you?

[Bert]

Of course there is. He says he's getting a room sorted, doesn't he?

[Tracy]

What about a lift?

[Bert]

A lift?

[Tracy]

Well, in a flat.

[Bert]

Well, he's probably on the ground floor.

[Tracy]

See? You don't even know.

[Bert]

It's fine detail.

[Tracy]

It's not fine detail. It's essential detail. And what about your tablets? Is Clive going to remember which ones are which and which ones you have?

[Alice]

Have when?

[Bert]

I can do all that.

[Tracy]

No, dad, you can't. You rely completely on me.

[Bert]

Well, you won't have to deal with me anymore, will you?

[Tracy]

And I think you'll be lonely.

[Bert]

Lonely? I won't be lonely. I'll have Clive.

[Tracy]

You think he's going to stay in every night and watch Countdown?

[Bert]

I miss him, all right? I want to see him.

[Tracy]

Well, you can see him. You can see him anytime you want. But you don't have to go live with him, dad. And if you do, I think it'll be a disaster for you. I really do.

[Brian]

Bit depleted, aren't we?

[Adam]

We are, just a bit.

[Brian]

Well, perhaps we can make it snappy and then take ourselves off to the Bull. What do you reckon?

[Alice]

Yeah, that sounds nice.

[Brian]

Adam, you up for a swift pint straight after?

[Adam]

Maybe.

[Brian]

All right, well, let's crack on, shall we? Rory and Kate send their apologies.

[Adam]

Debbie's got a conference. She's delivering some keynote speech, so she can't even attend remotely, unfortunately.

[Brian]

Oh, she didn't say.

[Leonard]

Good for her.

[Brian]

Why didn't she just say that?

[Alice]

I've no idea.

[Brian]

Right, so let's talk about the financials. We've had a small lift in profits the last two quarters, which, all things considered, is pretty impressive. Well done, us.

[Debbie]

Hi, everyone.

[Carol]

Debbie.

[Tracy]

Debbie.

[Leonard]

Good Lord.

[Adam]

What?

[Leonard]

What.

[Adam]

What are you doing here?

[Debbie]

Well, I thought I should make the effort, so here I am, making the effort.

[Brian]

But why didn't you tell us you were coming?

[Debbie]

Oh, you know, I quite like the element of surprise.

[Bert]

That's brilliant.

[Adam]

Yeah, yeah. I'm just a bit confused.

[Alice]

What happened to your conference?

[Debbie]

Oh, I asked someone to stand in for me.

[Carol]

Oh.

[Brian]

Well, this is wonderful. Isn't it wonderful?

[Alice]

Oh, yeah, it's great. Yeah.

[Tracy]

It's great.

[Leonard]

Absolutely.

[Akram]

Yeah.

[Brian]

Great. Adam, look, get your sister a seat.

[Bert]

Oh, sure.

[Helen]

No, no, no, no, no.

[Debbie]

I can do that.

[Alice]

But have you literally just got off the plane?

[Debbie]

Yep.

[Brian]

Very rock and roll.

[Alice]

Should I get you a cup of tea or something?

[Debbie]

No, no, no, no, I'm fine.

[Carol]

I'm fine.

[Debbie]

Let's just get on, shall we?

[Brian]

Okay. We haven't missed much. I was just saying the finances aren't looking too shabby, especially considering the various challenges. But Home Farm has proved remarkably resilient. I haven't lost my touch.

[Adam]

Sorry, Brian.

[Bert]

Sorry, what?

[Adam]

Well, I. I just need to say this quite bluntly.

[Leonard]

Well, go on then.

[Adam]

Any recent increase in profits in the last two quarters is down to me.

[Brian]

I don't think so.

[Alice]

The thing is, dad, Adam is the one who's been running things, isn't he?

[Brian]

Yeah, under my supervision and with the help of Rory.

[Rory]

Rory?

[Brad]

Yes.

[Adam]

Oh, Rory doesn't have a clue.

[Debbie]

He's not a farmer.

[Alice]

Well, not yet he's not.

[Debbie]

From what Adam's told me, he's got a hell of a lot to learn.

[Adam]

He was more of a liability than any any actual help.

[Brian]

He's a very bright boy.

[Debbie]

That doesn't make him a farmer.

[Adam]

Felt like a babysitter.

[Alice]

Was he as bad as all that?

[Akram]

Yes.

[Brian]

He wasn't. He really wasn't. I think you're just being unfair.

[Adam]

I just want some credit, Brian.

[Brian]

Home Farm has always been a team effort. Now, what's funny about that?

[Debbie]

Well, you do rather you operate like a dictatorship.

[Brian]

Hang on a minute. I do not. I do not.

[Debbie]

Brian, I get it. I do dictate dictatorship is much more efficient than democracy, but never ends well.

[Brian]

All right, well, can we just get back to business?

[Adam]

This is the business.

[Brian]

Look, I've got a ton of new ideas I want to discuss and there won't be time if we get side.

[Debbie]

Are all these ideas as good as the caravan storage?

[Brian]

Sorry?

[Debbie]

Well, Adam told me about your ridiculous caravan park.

[Alice]

I mean, ridiculous is a bit harsh. Oh, dad. There might be better use of that land, don't you think?

[Brian]

No, not really.

[Leonard]

Really?

[Brian]

I think it's a brilliant idea, Alice. Sorry, darling, but you don't know what you're talking about.

[Debbie]

But we do, Adam and I. Yeah,

[Adam]

and as a partnership, we need to be future proofing the farm.

[Brian]

I know that.

[Debbie]

I believe Adam has the vision to make that happen.

[Brian]

Oh, do you?

[Alice]

Well, I do think maybe you need to start trusting Adam more.

[Brian]

I do trust him.

[Adam]

Yeah, right.

[Debbie]

I think his plan to look at heritage grains and integrate more trees is brilliant.

[Brian]

I don't need a lecture on trees.

[Debbie]

My point is that this is the kind of forward thinking Home Farm needs, not an eyesore like caravan storage.

[Adam]

The thing is that Home Farm needs certain in terms of management and ownership. Now, let's just Take a look at this map.

[Brian]

I don't need to look at a map.

[Debbie]

So why are we looking at this?

[Adam]

Well, since I'm the one with the vision and I'm also the one running the day to day, I have a proposal.

[Brian]

And what is it?

[Adam]

That you leave me alone completely to run things my own way.

[Debbie]

I agree with that. Absolutely.

[Alice]

I mean, dad, if this meant that you relaxed and looked after yourself.

[Brian]

I do look after myself.

[Alice]

I just get so worried about why.

[Brian]

There's no need.

[Adam]

But can I just say something else?

[Bert]

What?

[Adam]

I'm also proposing, Brian, that you leave me the land.

[Brian]

Sorry, what?

[Anna]

What is this a joke?

[Adam]

No joke, Adam. I'm sorry, Alice. Debbie.

[Alice]

Well, you don't sound it.

[Debbie]

Why the hell should you get the land?

[Adam]

Because it makes sense.

[Alice]

Adam, this is really not what we talked about.

[Brian]

It's outrageous.

[Adam]

Yeah, well, not really. Not if you really think about it.

[Brian]

Well, I have thought about it, and guess what? I still think it's outrageous.

[Debbie]

Actually, I have another suggestion.

[Brian]

No, sorry, Debbie.

[Debbie]

No, this is important, Brian. I think you should leave the land to Adam and me.

[Alan]

What?

[Anna]

Dibby.

[Carol]

Sorry.

[Brian]

Just a minute. Just a minute, minute. What is going on here?

[Alice]

I really don't know, dad. This is a complete surprise to me.

[Debbie]

Adam and I, we're the real farmers, the two of us. It makes perfect sense for us to take the farm forward together.

[Adam]

Yes, yes, except for the fact that you live in Hungary.

[Brian]

Do you all realize I'm right here? I'm not dead.

[Debbie]

But what's going to happen when you do die, Brian?

[Alice]

Debbie, stop it.

[Adam]

Alice.

[Ben]

Alice.

[Adam]

He's going to leave absolute chaos, and you know it.

[Brian]

You cannot force me to hand over over my land.

[Debbie]

Of course we know that.

[Alice]

Neither of you have my support. Neither of you. And I'll bet you don't have Kate and Rory's either.

[Adam]

Alice, you've got your head in the

[Debbie]

sand, Kate's got her head in the cloud.

[Adam]

Who knows where Rory's head is.

[Debbie]

But for the future of the farm, for the future of your grandchildren, and now great grandchild, and for all our future security, you need to step right back, let Adam take over and leave the land to the two of us so we can ensure that the land stays intact and the farm survives.

[Adam]

Drives, in fact.

[Brian]

This is outrageous.

[Debbie]

Just practical business.

[Brian]

More like daylight robbery.

[Alice]

I can't believe this.

[Adam]

Look, look, Alice, it's almost certain that Lillian will leave the stables to you.

[Alice]

I don't think it's almost certain at all.

[Adam]

I'd put money on it.

[Bert]

I wouldn't.

[Debbie]

I Mean, Lillian does have her own son and her own grandson.

[Brian]

So your justification for cutting Alice.

[Adam]

I'm not cutting Alice out.

[Brian]

She gets the stable.

[Adam]

Well, regardless of what happens with the stables, if you leave the land to me, then it's safeguarded for the partnership.

[Debbie]

Everyone gets a decent income from the partnership.

[Brian]

Some income, yes. But you'll be sitting on land worth millions.

[Debbie]

Well, someone has to own the land. They have to. You know that better than anyone, since you're so unwilling to sign it away.

[Brian]

Oh, forgive me, Debbie. Forgive me, really. Forgive me for not just waving my hand and handing over.

[Carol]

You know what?

[Alice]

All I wanted. All I wanted out of this meeting was for us to persuade dad to retire properly. Retire? And relax.

[Brian]

Well, this meeting isn't helping me relax, I can tell you that much.

[Alice]

I just want you to enjoy your retirement.

[Debbie]

But I don't enjoy retirement because you've never actually retired.

[Adam]

Now. And now you've managed to destroy your relationship with Miranda. So you've got no one to spend time with, Adam.

[Alice]

Why?

[Adam]

Sometimes you've got to be brutal.

[Debbie]

Look, Brian, we all know that the stress of running Home Farm is impacting on your general health.

[Brian]

What are you talking about? I'm fit as a fiddle.

[Alice]

Oh, well, dad, that's not strictly true.

[Adam]

You've had two angina attacks.

[Brian]

But they weren't serious.

[Alice]

They were quite serious.

[Bert]

Right.

[Brad's Father (possibly Brian or another elder male)]

Sorry.

[Debbie]

I was actually talking about your mental health.

[Brian]

My mental health?

[Debbie]

Frankly, I've been worried sick with all the stories I've been hearing.

[Tracy]

Debbie.

[Debbie]

What? It's true. Sorry, Alice, but this is no time to hold back.

[Brian]

Just a minute. Look, what on earth have you all been saying about it?

[Alice]

No, nothing.

[Brian]

There's absolutely nothing wrong with my mental health.

[Brad's Father (possibly Brian or another elder male)]

Good.

[Alice]

But look, dad, you have been really stressed out.

[Brian]

Yes, with good cause.

[Debbie]

And what is that cause?

[Brian]

I can't tell you.

[Debbie]

You can't tell us?

[Brian]

No, because it's private.

[Carol]

Oh, here we go.

[Adam]

That's not much help right now.

[Brian]

Well, I'm not in the mood to help right now.

[Alice]

Look, I think I just want. Look, we. We have been worried about you, like I say. And you've got a decent pension, dad. Income from bl. Other investments.

[Adam]

So many people your age dream of being in your position.

[Brian]

I am not so many people, Adam, in case you hadn't noticed.

[Alice]

Dad, you've got to admit that some of your decisions, they've been a bit.

[Leonard]

What?

[Brian]

What have they been?

[Alice]

Well, erratic.

[Adam]

And that's putting it politely.

[Brian]

Look, look, I know I've been preoccupied, but my recent stresses have had nothing, absolutely nothing. To do with the farm.

[Helen]

And what.

[Debbie]

What's going on that you're not telling us?

[Brian]

I can't get into certain things. You'll just have to trust me.

[Debbie]

But we don't trust you, do we?

[Alice]

Just stop it.

[Brad]

Stop.

[Debbie]

It's true, Alice. We have lost confidence in your leadership, Brian, and your mental capacity.

[Brian]

Do you think I care if you don't have faith in.

[Alice]

No, no, I do. I have faith in you, dad.

[Adam]

Our priority is not just the farm. It's your health, Brian.

[Brian]

Oh, do me a favor.

[Alice]

Maybe we should stop and take a break.

[Debbie]

You know, I'm afraid this needs resolving, Alice.

[Adam]

We can't keep dodging this conversation.

[Tracy]

I'm not trying to dodge anything.

[Brian]

I know, I know. I've got it. I've got it. Why don't you just take me around the back of the building and shoot me like a dog? Like a tired old dog.

[Helen]

All right.

[Brian]

This is what they're trying to do, Alice, in effect.

[Adam]

No, it isn't.

[Debbie]

In order to maintain and increase profit, we need to keep investing in the right strategies. And those decisions are best made by Adam and myself.

[Adam]

We should vote on this.

[Brian]

Well, we can't, because we don't have everyone here.

[Adam]

Well, I'm afraid Kate and Rory are in agreement.

[Alice]

What, for you and Debbie to inherit the land?

[Adam]

No, not that bit.

[Helen]

Yeah.

[Brian]

Why on earth would I leave you to the land?

[Adam]

For all the reasons we've just laid out.

[Brian]

You aren't even my own children.

[Adam]

He said it. He finally said it.

[Tracy]

Dad.

[Adam]

That's okay, Alice.

[Alice]

No. No, it's not okay. It's not okay.

[Debbie]

It's not like we didn't know how he felt.

[Brian]

Look, Adam, Adam, I simply don't believe you have the financial head to run a business. I don't have the confidence you can do it.

[Adam]

Well, the truth's all coming out now.

[Brian]

You don't have a clue how tough you have to be in farming.

[Debbie]

How can you say that to me?

[Adam]

I have been farming for my entire higher working life.

[Alice]

I hate this. I absolutely hate this.

[Helen]

We don't have to stay.

[Alice]

Oh, well, thanks.

[Brian]

And, Debbie, for you to walk in here and demand half the share of land you barely set foot on for decades. It's the height of entitlement. It's appalling. I built this place up from nothing. I've steered it through good times and

[Debbie]

bad and caused us a ton of grief and stress, and had affairs and poisoned rivers, had secret children and used to constant power plays against all of us, and treated Adam and me as if we were second class citizens.

[Brian]

I never have.

[Debbie]

No, you literally just told me and Adam that we're not even your own children.

[Brian]

Because you're not.

[Tracy]

Brian,

[Debbie]

honestly, I'm done with this. No, I'm done with it all. Look, I have a life, a fantastic job in which I've proved myself and where I'm treated with respect. I have a really good life somewhere else, far away from this nonsense. So no, I'm done. I can't do this anymore. You can't do what? Fight. Fight with your father. Alice.

[S]

Brian.

[Alice]

What?

[Debbie]

You can't see my talent. If you can't see my ability, then you don't deserve me.

[Adam]

But we don't have you. You're not here, you're not involved.

[Debbie]

But I am. I am involved with. Because one of you is always dragging me back. And maybe if things weren't always so incredibly difficult, I would come back willingly. Or better still, never have left. But honestly. Honestly, now. Now I'm done.

[Helen]

I don't want the partnership. I don't want the land.

[Debbie]

And I don't want you, Brian. I don't want a relationship with you anymore.

[Brian]

Okay, that's fine

[Adam]

then. Brian, you can just leave the land to me.

[Brad]

I know.

[Brian]

No, you see, I. I can't actually, because I'm withdrawing the land from the partnership.

[Adam]

What?

[Alice]

What do you mean?

[Debbie]

If you withdraw the land from the partnership, then there is no business.

[Brian]

That's right. I'll go it alone. Hire in help. I'll run the place without interference. It'll be heaven. You wanted certainty and now you've got it.

[Tracy]

So.

[Alice]

Dad, that makes no sense.

[Adam]

You're insane.

[Debbie]

I really do think he has dementia.

[Brian]

No, no, no. I'm entirely within my right mind. But sometimes you've got to be brutal. Isn't that right, Adam?

[Carol]

Sam. Sa.

[Brian]

Political language can seem archaic.

[Helen]

It's like the light from one of those stars that actually died.

[Bert]

Sometimes bamboozly.

[Helen]

It's a theme park with a five foot log flume.

[Carol]

From one thought to another and very often beyond words.

[Leonard]

I don't know how to describe the language they use.

[Brian]

I'm Amanda Yannucci. I'm all reset and turbocharged. To stress test. To destruction.

[Bert]

Used and abused buzzwords and phrases from

[Leonard]

the world of politics.

[Brian]

I come with a dazzling array of guest presenters and I'll be exploring the

[Bert]

verbal tricks of the political trade, the

[Brian]

intentions behind them and the effect they

[Adam]

have on all of us.

[Brian]

The new series of Strong Message. Here with me, Amanda Iannucci from BBC Radio 4.

[Bert]

Listen now on BBC Sounds

[Narrator/Advertiser]

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She was the sister who went unnoticed.

[Carol]

A daffodil might look plain next to

[Debbie]

a lily, but on its own there

[Carol]

is much to be admired.

[Narrator/Advertiser]

Now her greatest chapter is yet to come.

[Tracy]

The most important thing is to be yourself.

[Narrator/Advertiser]

From the world of Jane Austen's Pride and Prejudice comes a new Britbox original

[Carol]

drama, Mary you will flourish.

[Narrator/Advertiser]

Based on the best selling novel the Other Bennet Sister. Now streaming only on Britbox. Watch for the free [e-mail].