This episode, we bring you Marjane Satrapi. She gave this talk on April 7, 2008, just about one year after the film adaptation of her comic Persepolis had been featured at the Cannes Film Festival and was nominated for an Academy Award for best animated feature.

Sastrapi’s death was announced on June 4, 2026. President Emmanual Macron of France said in the announcement, “Her passing marks the loss of a leading figure in French culture and a freedom-loving artist whose work carried a universal message and earned her immense international acclaim.”

Satrapi was an Iranian born French author and film director and is considered one of the greatest contemporary graphic novelists. Her work includes critically acclaimed and canonical books Persepolis and Persepolis 2, graphic narratives which both feature a protagonist, Marji, whose life parallels Satrapi’s. The books follow Marji from a childhood in Iran to spanning some of the most intense years of contemporary Iranian history during the Iranian revolution and the Iran-Iraq War, with Marji leaving the country as a teenager to study in Europe, returning to Tehran for a period before eventually setting in Paris.

Satrapi was an Iranian women, working in France, and became one the bestselling writers & artists in the United States. The specifics of her story are of course, unique to her, but like great storytellers she connected with millions of readers because of the universal nature of her work. In addition to Persepolis and Persepolis 2, she wrote several children’s books and other graphic novels, and she directed several feature films, including 2019’s “Radioactive,” about the life of Marie Curie, adapted from the graphic novel by Lauren Redniss and starring Rosamund Pike.

Though she continued living in Paris, she remained an activist against Iran’s Islamic regime, in particular protesting the restrictions on women. She said, “We artists must be humble but doing nothing is worse, being indifferent is worse.

In this talk, Satrapi is wry, ironic and occasionally sarcastic. She references the influence of Persian miniatures and Art Speigelman’s Pulitzer Prize winning graphic narrative Maus – the first comic ever to win the Pulitzer Prize. I use the work “comic” here instead of graphic novel intentionally since Satrapi rejects the term “graphic novel” as pretentious. To the end, she is grounded and funny, whether she is talking about American culture in Tehran in the 1970s or the personal challenges she faced as an artist working for the first time on film and being forced to collaborate with a huge group of people – a process she at first disliked, then came to appreciate.

“Any intellectual and any artistic work, by definition, is an anti-fanatic work. Fanaticism presses on the button of emotion…When you make an intellectual and artistic work— when you don’t pretend that you have the answers, but you only have questions to ask—when you make this work, for the person who listens to or reads you, not only do you ask them to be smart, but to work—to try to find the answers themselves.”

Marjane Satrapi is an Iranian-born French graphic novelist, illustrator, film director, and children’s book author. She was born in Iran in 1969 and grew up in Tehran in a middle-class Iranian family, attending the Lycee Francais until she left for Vienna and, later, Strasbourg to study Decorative Arts. She eventually moved to France, where she now lives with her husband, Mattias Ripa. Satrapi has worked on many graphic novels and animated films, but she attracted worldwide attention for her autobiographical comic series Persepolis. The work chronicles her childhood in Iran and her adolescence in Europe. In 2007, Persepolis was adapted into a critically acclaimed animated film of the same name that received over 25 major international award nominations and over 15 major international awards.