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Tara Leigh Cobble
Hey, Bible readers, I'm Tara Leigh Cobble and I'm your host for the Bible Recap. Today we finished our 13th book of the Bible. We just keep moving past these milestones, you guys. Congratulations. We read through the whole book of Song of Solomon or Song of Songs, depending which version of the Bible you're reading. This book is incredibly layered and there's a lot of uncertainty about several aspects of it. For instance, we don't know if Solomon wrote it or if it was written about Solomon, or if it was just written during the time of Solomon. If it was written about Solomon, it would have to be about his relationship with his first wife, because the book describes a monogamous relationship. And he eventually had a thousand women in his harem, 700 wives and 300 concubines. And we'll see how well that goes for him. And here's another confusing thing. People have argued for centuries over whether it's a story about human love or if it's an allegory about God's love for his people. Personally, I tend to think it's both. Much like how David can write a song about his own personal misery that is also a prophecy of the coming Messiah. But that's just my opinion. Most commentators believe the ancient Jews regarded it as love poetry that belonged in the wisdom literature of scripture. And in fact, from what I understand, young Hebrew boys were even forbidden to read it because it was too risque. For the sake of today's conversation, we'll look at it like the ancient Jews did, literally. But it's also helpful to consider that there does seem to be lots of content that can serve as an illustration for us. If you hold to the romantic interpretation of the book, you can see that it follows the progression of the ancient Jewish relationship from courtship to wedding feast to wedding, then marriage. Much of the book is a conversation, and there are four primary speakers. The shepherdess, her entourage, the shepherd, and King Solomon. The shepherdess carries most of the conversation, and in fact, she speaks more than any other woman in scripture, followed closely by Esther. We open with her expressing her love for the shepherd. She also acknowledges that she's not conventionally attractive, but she knows she's beautiful nonetheless. She's dark skinned, like nearly everyone in the region, but her ancient Near Eastern culture values light skin because that means you aren't working class or poor. You get to spend your days inside, not in the fields in the heat of the sun. Bronzer does not exist in this culture. She lets this attractive, sought after man know that she's interested in him and he reciprocates. This kind of reminds me of Ruth and Boaz. Despite the fact that her appearance doesn't align with the cultural standards, he happens to find her more attractive than the rest, and he lets her know repeatedly and at length. Maybe he's trying to reassure her, or maybe his praise is effusive because he just can't contain it. Three times in the book, she speaks to the other women of the town and begs them, do not stir up or awaken love until it pleases. This can be interpreted lots of different ways. Maybe it means don't initiate things with a man, let him come to you, as though she may have regretted letting him know she was interested. Or maybe it means stay sexually pure until marriage. Or maybe it means fix your mind on other things and God will bring you a relationship in his own timing. Maybe it means all those things. They aren't mutually exclusive and there's wisdom in all of them. But whatever it does mean, she's adamant about it. She also spends a good deal of time praising the shepherd to other people. She can't stop speaking highly of him, even behind his back. She thinks about him all the time and even has a dream that she can't find him and goes out looking for him in the city streets at night. Later she has another nightmare, it seems, as she's telling it to her friends. They ask her to tell him why this man is so spectacular, because single women always want to know these things. So she seizes the opportunity and goes on about him for so long that they're probably like, okay, we get it already. His legs are alabaster columns, blah blah blah. But then they're like, so when do we get to meet him? Maybe they want to see if he's all she says he is or if she's been catfished. It's unclear exactly when the wedding happened in this story, but there was probably a week long wedding feast happening during a lot of this time. Then, when the day of the actual ceremony arrives, her brothers speak up. They describe two types of women. A door, a woman who opens herself up for men without much discretion, and a wall, a woman who keeps herself closed off to men sexually. Her brothers want to be able to protect her. She reassures them that she has been a wall, and that seems really consistent with the advice she's been giving to the daughters of Jerusalem all along. And even the shepherd seems to acknowledge this himself in 4:12 when he says, a garden locked Is my sister my bride? And no, she's not his actual sister. I just have to clarify that since we're still in the Old Testament. What was your God shot today? Mine was the very existence of this book in Scripture. It shows me that God affirms His good design for marriage and sex. This book flies in the face of two juxtaposed ideas in the world today. Number one, that sex is dirty and bad and God is disgusted by it. And number two, that sex isn't a big deal. This book reminds me that despite all the emotional and spiritual brokenness of a lot of the world's sexuality, our Creator had good things in mind when he invented relationships, marriage and sex. He's not trying to steal joy from people by putting certain boundaries around those things. He invented them. And like any inventor he invented, he wants us to know how to use what he made so that we don't break it or harm ourselves and others. It is a big deal. He graciously tells us how these things he invented can function optimally for his glory and our joy. And he's where the joy is. Tomorrow we launch into the Book of Proverbs, so we've linked to an 8 minute overview video in the Show Notes. Check that out if you've got the time.
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Release Date: June 2, 2025
Host: Tara-Leigh Cobble
Tara-Leigh Cobble begins the episode with a celebratory tone, acknowledging that listeners have reached the 13th book of the Bible through their reading journey. She emphasizes the significance of completing the Song of Solomon (also known as Song of Songs), highlighting its layered complexity and the enduring debates surrounding its authorship and interpretation.
"We just keep moving past these milestones, you guys. Congratulations." [00:02]
Cobble delves into the uncertainties surrounding the authorship of the Song of Solomon, questioning whether Solomon himself wrote it, if it was penned about him, or simply during his reign. She points out the intriguing contrast between the book’s portrayal of a monogamous relationship and Solomon's historical record of having a vast harem of 700 wives and 300 concubines.
"If it was written about Solomon, it would have to be about his relationship with his first wife, because the book describes a monogamous relationship." [00:05]
The host explores the dual interpretations of the Song of Solomon—as both a celebration of human love and as an allegory for God's love for His people. Cobble shares her personal inclination toward seeing both dimensions, drawing parallels to how David's lamentations can simultaneously reflect personal struggles and prophetic insights about the Messiah.
"Personally, I tend to think it's both. Much like how David can write a song about his own personal misery that is also a prophecy of the coming Messiah." [00:07]
However, she notes that most ancient Jewish commentators viewed the text primarily as love poetry within the wisdom literature of Scripture. Additionally, she mentions that young Hebrew boys were traditionally forbidden from reading it due to its risqué content.
Cobble outlines the book’s literary framework, emphasizing its conversational nature and the four primary speakers:
The shepherdess is highlighted as a central figure, noted for being one of the most vocal women in Scripture, second only to Esther. She leads the discourse, expressing her love and admiration for the shepherd despite not meeting conventional beauty standards of her time.
"She's dark-skinned, like nearly everyone in the region, but her ancient Near Eastern culture values light skin because that means you aren't working class or poor." [00:12]
The shepherdess's self-awareness about her appearance contrasts with her confidence in her inner beauty. She initiates a romantic relationship with the shepherd, who reciprocates her feelings, drawing a parallel to the biblical story of Ruth and Boaz. Despite societal standards favoring lighter skin—a status symbol indicating privilege—Solomon finds her uniquely attractive.
"Maybe he's trying to reassure her, or maybe his praise is effusive because he just can't contain it." [00:18]
A recurring theme in the Song of Solomon is the shepherdess's counsel to other women. Three times, she advises them, "Do not stir up or awaken love until it pleases." Cobble interprets this directive in multiple ways:
"They aren't mutually exclusive and there's wisdom in all of them." [00:24]
The shepherdess frequently praises the shepherd, even dreaming about him. In one incident, she dreams of being unable to find him and searching the city streets at night, symbolizing her deep yearning and commitment.
"She thinks about him all the time and even has a dream that she can't find him and goes out looking for him in the city streets at night." [00:30]
The narrative transitions to the wedding festivities, which likely span a week. On the day of the ceremony, the shepherdess’s brothers express concerns about her safety and virtue, categorizing women into two types:
The shepherdess reassures her brothers that she has adhered to being a "wall," aligning with her earlier advice to other women.
"Her brothers want to be able to protect her. She reassures them that she has been a wall..." [00:38]
Similarly, the shepherd acknowledges this boundary in 4:12, referring to the bride as a "garden locked."
"A garden locked is my sister my bride." [00:40]
Cobble humorously clarifies that the term "sister" is symbolic, ensuring listeners understand the cultural context within the Old Testament setting.
Cobble reflects on the theological implications of the Song of Solomon, expressing amazement that Scripture includes a book celebrating marriage and sexuality. She argues that this affirms God’s good design for intimate relationships, countering two prevalent misconceptions:
"This book reminds me that despite all the emotional and spiritual brokenness of a lot of the world's sexuality, our Creator had good things in mind when he invented relationships, marriage, and sex." [00:45]
She emphasizes that God intended for these gifts to bring joy and glory when embraced within the boundaries He set, highlighting the importance of understanding and respecting divine design to foster healthy and fulfilling relationships.
Tara-Leigh wraps up the episode by announcing the upcoming focus on the Book of Proverbs, directing listeners to an 8-minute overview video linked in the show notes for those interested.
"Tomorrow we launch into the Book of Proverbs, so we've linked to an 8-minute overview video in the Show Notes. Check that out if you've got the time." [00:55]
Authorship and Interpretation: The Song of Solomon remains a subject of debate regarding its authorship and whether it serves as literal love poetry or an allegory for divine love.
Cultural Context: The book reflects ancient Near Eastern cultural values, particularly regarding beauty and social status.
Themes of Love and Purity: It emphasizes the importance of love, sexual purity, and waiting for the right time in relationships.
Theological Affirmation: The inclusion of this book in Scripture underscores God's positive design for marriage and sexuality, promoting joy and divine purpose in intimate relationships.
"We just keep moving past these milestones, you guys. Congratulations." — Tara-Leigh Cobble [00:02]
"If it was written about Solomon, it would have to be about his relationship with his first wife..." — Tara-Leigh Cobble [00:05]
"Personally, I tend to think it's both. Much like how David can write a song about his own personal misery that is also a prophecy of the coming Messiah." — Tara-Leigh Cobble [00:07]
"She's dark-skinned, like nearly everyone in the region, but her ancient Near Eastern culture values light skin because that means you aren't working class or poor." — Tara-Leigh Cobble [00:12]
"They aren't mutually exclusive and there's wisdom in all of them." — Tara-Leigh Cobble [00:24]
"She thinks about him all the time and even has a dream that she can't find him and goes out looking for him in the city streets at night." — Tara-Leigh Cobble [00:30]
"This book reminds me that despite all the emotional and spiritual brokenness of a lot of the world's sexuality, our Creator had good things in mind when he invented relationships, marriage, and sex." — Tara-Leigh Cobble [00:45]
"Tomorrow we launch into the Book of Proverbs, so we've linked to an 8-minute overview video in the Show Notes." — Tara-Leigh Cobble [00:55]
Note: The summary excludes non-content sections such as advertisements, intros, and outros, focusing solely on the substantive discussions presented in the episode.