MOVIE MIKE: Deep Dive on Millennial Optimism Film Era + Movie Review: THE BRIDE! + Trailer Park: Scary Movie 6

Summary

Podcast Summary: The Bobby Bones Show – Movie Mike: Deep Dive on Millennial Optimism Film Era + Movie Review: THE BRIDE! + Trailer Park: Scary Movie 6

Host: Movie Mike D (from the Nashville Podcast Network)
Release Date: March 14, 2026
Notable Segments:

• [02:44] Millennial Optimism Films
• [41:53] Movie Review: The Bride
• [52:42] Trailer Park: Scary Movie 6

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Episode Overview

This episode is a nostalgia-soaked deep dive into the “millennial optimism” film era, exploring the unique cultural lens of the 2010s through its defining movies. Movie Mike examines how these films shaped (and sometimes warped) millennial hopes about love, friendship, and the future, reflecting on how they've aged and why they’re now both cringeworthy and comforting. He also gives a spoiler-free review of the highly anticipated The Bride, and wraps up with a giddy breakdown of the trailer for Scary Movie 6, questioning if the parody franchise can still thrive in 2026.

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Millennial Optimism: Defining an Era

[02:44–38:13]

What Is Millennial Optimism?

• Movie Mike defines “millennial optimism” as the early 2010s belief that working hard guaranteed success, rooted in a more carefree, tech-evolving era.
• He reminisces about the pre-curated days of social media: “Could you imagine that the people now who have their feeds so perfectly curated, being disgusted when you would just tag them in the most unflattering photo?” ([03:57])
• Notes the generational cycle: once-cool trends turn cringe as youth culture moves on.

Personal Reflections

• Mike shares his awkward high school/college experiences, feeling like an outsider and dreaming that “one night at a party, one conversation, would change everything, and I would instantly have the love I was looking for my entire life.” ([06:36])
• Admits the delusion: “I had nothing to offer. I had no personable skills. I was a mess, thinking that all the girls who didn’t talk to me were the villain, but really, I was my own villain.” ([07:45])

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Definitive Millennial Optimism Movies

[09:28–38:13]

1. Juno (2007)

• Described as the “catalyst” for the era—a quirky, indie aesthetic, iconic soundtrack, and earnest core values.

2. 500 Days of Summer (2009)

• Central Pick: “The best representation of the millennial optimism era.”
• Explores the story’s “main character energy,” romantic delusion, and the evolution in Mike’s understanding:
  • Young Mike: “This movie made me delusional about love.”
  • Older Mike: “I now saw it from an entirely different perspective... He was the bad guy. Well, I don’t know. In love, in this situation, are either of them really the bad guy?” ([16:26])
• Iconic quote/scene analysis:
  • “It goes from being amazing to him being in love. So in love that he walks down the street, really dances down the street with Hall & Oates playing, everybody being excited for him... now, looking back, that is a perfect representation of how it feels.” ([12:34])
  • “It’s that main character energy syndrome, the belief that a perfectly curated playlist could change everything and that destiny would just show up on your doorstep.” ([17:35])
• Memorable musical cue: “Sweet Disposition by The Temper Trap... such a millennial-coded song.” ([17:50])

3. The Perks of Being a Wallflower (2012)

• “Not a happy movie, but there is a lot of hope in it.”
• Focus on deep feelings as aesthetic, the fantasy of friendship healing trauma.
• Highlight: “There is one scene specifically... whenever they’re riding in the back of the truck and the song ‘Heroes’ plays – I believe the quote is, ‘We are infinite.’” ([19:47])
• Mike recognizes the delusion: “Your trauma can’t really be healed through friendships. Not even mixtapes and not even a pickup ride.” ([21:14])

4. Garden State (2004)

• Not technically 2010s, but “millennial coded” for its soundtrack and quirky love interest trope.
• “The delusion level is pretty high on this movie. One quirky girl with a pair of headphones is not going to change your life and resurrect you…” ([23:49])

5. Project X (2012)

• Captured the 2010s obsession with partying.
• “Party culture... was all talking about partying and everything had to be for tonight. We’re only going to be young tonight. We got to live it up.” ([25:30])

Additional Honorable Mentions:

• Easy A (2010): Captures millennial humor tied to the Vine era.
• Nick and Nora’s Infinite Playlist (2008): Indie love, main character syndrome, NYC wandering.
• The Spectacular Now, The Fault in Our Stars, Pitch Perfect, Scott Pilgrim vs. the World, Adventureland: All cited for core millennial themes—music, friendship, earnest sincerity, and the idea “a parking lot conversation could change your life.” ([31:02–36:44])

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Mini-Review: Pixar’s Hoppers

[38:10–41:53]

• Brief, enthusiastic digression—calls Hoppers “the best Pixar movie of the decade... the animation was the best from Pixar since probably Toy Story 4.” ([38:32])
• Hearts its emotional resonance, life lessons, and fresh animation style.

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Spoiler-Free Movie Review: The Bride

[41:53–49:36]

• Cast: Jesse Buckley (the Bride), Christian Bale (Frankenstein’s Monster), directed by Maggie Gyllenhaal.
• Premise: A bizarre, female-focused twist on the Bride of Frankenstein in 1930s NYC. Buckley’s revived character and Bale’s lonely monster go on a Bonnie & Clyde–style spree, with themes of female empowerment, radicalism, and messy relationships.
• Praise: “Her [Buckley’s] performance was top notch... she is so dynamic on screen.” ([43:29])
• Critiques:
  • Movie “felt like it was holding back;” lacked the R-rated edge promised by the trailer.
  • “It just felt like there was this corporate energy just behind Maggie Gyllenhaal as she’s looking down the camera like, ‘Are you sure you want to put that in the movie? That’s a little bit too hardcore for audiences. How about just scale it back a little?’” ([45:08])
  • Compares experience to buying a too-big vintage jacket that he desperately wants to fit: “As much as I want to make that jacket work because I love it, it just doesn’t work. It doesn’t fit right.” ([48:19])
• Final Score: “For The Bride, I’m going to give it 2.5 out of 5 stitches on the face.” ([49:32])

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Trailer Park: Scary Movie 6

[52:42–62:14]

• Excitement at the return of the original Wayans brothers’ writing team and cast members Anna Faris and Regina Hall.
• Notes the franchise's history of edgy, irreverent parody: “Not just a little raunchy. I would say arguably the raunchiest, most famous franchise that there is.” ([53:10])
• Wonders if the format will land in 2026’s “fragmented, multi-platform” media scene, with parodies ranging from Scream, The Substance, Terrifier 3, Long Legs, Megan, Get Out, Halloween, and more.
• Praises the risk-taking: “They hand the kids some testicles, some severed testicles. That is going for it. And I commend this movie for taking a risk in a world where I fear nobody wants to make waves, especially when it comes to comedy…” ([57:20])
• Plans to watch as “nine-year-old me,” ready for childish fun: “I won’t make any notes about it. I’ll just go in, enjoy it. Like nine-year-old me.” ([61:09])

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Listener Shoutout & Reflections on AI in Filmmaking

[62:20–64:52]

• Listener Andrew’s comment on using AI for film dubbing sparks Mike’s approval:
  • “I think that is a great idea, Andrew... you could use the original actor’s voice and put it in another language. That would be great.” ([63:09])
  • Remains wary of AI-generated films, advocating for a “human element behind it.”

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Notable Quotes & Moments

• On aging and generational cringe:
  “All it takes is time to be cringe because back then we were just posting random pictures to our Instagram, like a picture of your food on a random Tuesday. And that would go main feedback. You would never do that today.” ([09:04])

• On the delusions of millennial romance:
  “I now saw it from an entirely different perspective...She wasn’t the bad person for leaving him, for making him sad, for making him be a miserable human. He was the bad guy. Well, I don’t know. In love, in this situation, are either of them really the bad guy?” ([16:26])

• On the necessity of fun in movies:
  "I don’t try to go into every movie thinking, man, how am I going to review this?...I think this is one that I probably won’t make any notes about. I’ll just go in, enjoy it. Like nine-year-old me." ([61:09])

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Timestamps for Key Segments

• [02:44] – Millennial optimism era intro
• [09:28–38:13] – Deep dive: defining movies & themes
• [41:53–49:36] – The Bride spoiler-free review
• [52:42–62:14] – Scary Movie 6 Trailer Park
• [62:20–64:52] – Listener shoutout, AI in filmmaking

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Final Thoughts

A lively, highly personal episode that both skewers and cherishes the millennial era of cinema—perfect for anyone nostalgic about Tumblr days, indie soundtracks, or wanting to understand why a generation became so “delusional” about love, work, and friendships. Plus, a critical look at a high-profile film (The Bride) that didn’t quite stick the landing, and a return to dumb fun with the preview of Scary Movie 6.

If you love pop culture analysis peppered with honest confession, this episode is a hit.

Transcript

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[Movie Mike]

welcome back to Movie Mike's movie podcast. I'm your host, Movie Mike. Today I want to talk about what I believe to be are the best Millennial optimism movies. I am millennial to my core. We used to be cool. Now we're seeing this cringe and now people are hating on the era that we grew up in and looking back on things that we thought were so cool at the time. But now we are seen as being delusional. So we'll look back on that era and the movies that represented that optimism the best. In the movie review, I'll be talking about the Bride, starring Jesse Buckley. Christian Bale, directed by Maggie Gyllenhaal didn't live up to the expectations I set merely based on the trailer and the making of that movie. And in the trailer park we got our first look at scary movie 6. Can a parody movie like this that was so cutting edge back in the early 2000s had a great run. But can a franchise like this still have life in 2026? We'll get into that. Thank you for being here. Thank you for being subscribed. Shout out to the Monday Morning Movie Crew. And now let's talk movies from the Nashville Podcast Network.

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[Movie Mike]

Millennial Optimism. What is it I didn't realize in the time that I was living in, which I consider to be the greatest era to be a young person, the 2010s. I think about things like MacBooks and photo albums where we would just take a bunch of pictures and dump them on Facebook. We don't do that anymore. Could you imagine that the people now who have their feeds so perfectly curated, being disgusted when you would just tag them in the most unflattering photo. You couldn't get away with that. But that's what I think about during that time where we lived a little bit more in the moment, but we still had that technology that wasn't quite there yet. I think of the hipster era, which I wonder now, where did all the hipsters go? But I think about bands like the Lumineers, Vampire Weekend. You think about Skinny Jeans, Tumblr Pinterest leggings under dresses, beanies. The dudes with really deep V necks and really cool tattoos. Probably like a pocket watch or a scene from nature, an infinity symbol or maybe a Harry Potter tattoo. This era was so great to grow up in and it is now being seen as cringe by Gen Z, which this happens to every generation. For a while, you're cool when you're a teenager, when you're in your 20s and then you just become old and lame and everybody makes fun of the things that were once cool to you. It's going to happen to Gen Z. It's going to happen to every generation. It just happens right now that millennials are seen as being cringe. And recently millennial optimism has really been called out on TikTok. And in the so called millennial optimism era, I find comfort in. But everybody else says we were delusional because the term is used to describe a perceived carefree mindset that us millennials had in our young adult years. It was rooted in the fact that if you worked hard, you would achieve success. Which now I think things have become a little bit more grim. But I was still in that era where you could go to college, study something, and be promised a job within that career once you graduated, depending on what major you ended up picking. But still that dream was alive and well. And now a lot of Gen Z who went to college, maybe graduated in the COVID era, had that future ripped away from them a lot of the times. And now people graduating. You maybe have spent all this time studying computer science and then bam. AI comes out of nowhere and people are telling you you're going to be replaced by a computer. So I think the reason we are criticized now for having this millennial optimism is, is because there is no optimism right now to go around. But we lived in this era where it felt like we had this delusional hope. It was slightly ironic. We had a lower cost of living. Technology wasn't advanced as it was now. Now, we did grow up with Instagram, but I also remember a life before having the Internet. I remember life before having an iPhone. The first smartphone I got was a BlackBerry and I thought it was awesome. But I grew with that technology into my 20s and very much so into my late 20s and now 30s. And I go back in that 2010s era and that is what I long for. Not the 90s, not the 2000s. And I think I'm the most nostalgic for the 2010s is because I was an adult. I had the Most freedom, but also had the ability to have fun and still felt like the entire world was in front of me and I could conquer it if I just buckled down, worked as hard as I could, went and had some fun. Because a lot of that 2010's era was about having fun and partying and how one night could change your entire life. The millennial optimism era also comes into play when you talk about love and relationships. And I think growing up in those late 2000s and early 2000s, especially for me as a nerdy Mexican dude with a bad complexion for eyes, had a bit of a weight problem. I was an overweight dude. I was really shy and quiet, and I didn't have a whole lot of friends. And I promise you, we're going to get to talking about movies here in a second. But I'm setting the stage here for the millennial era. If I didn't have a lot of friends, there was no way I had any girlfriends. And I thought, man, if I could just get one girl to notice me, this girl I liked in whatever class in high school, if she would just notice me and talk to me, I would be the best boyfriend ever. And getting into college and having classes with all these new girls and thinking, man, if I could just get them to see the real me. And thinking just one night at a party, one conversation, would change everything, and I would instantly have the love I was looking for my entire life. But I can go back and look at that time now and think how delusional I was. I had nothing to offer. I had no personable skills. I was a mess, thinking that all the girls who didn't talk to me were the villain, but really, I was my own villain. So now let's go back in time to that era. Back to a time where you took those grainy house party pictures. Maybe you pulled out your Mac, that big, chunky, white Mac that was my first and most favorite computer I ever had. You took some Apple photo booth selfies. We're talking about a time where, for some reason, there are mustaches on everything. Girls painting them on their fingers, putting it up to their upper lip, and then taking a photo, coming up with some witty caption and putting that on their MySpace or their Facebook. An era that was really unfiltered, unpolished. But what I found to be really personal. And maybe to kids now and young people, it is one of those eras where you just had to be there. But everybody is ridiculous and cringeworthy in their own ways. All it takes is time to be cringe because back then we were just posting random pictures to our Instagram, like a picture of your food on a random Tuesday. And that would go main feedback. You would never do that today. So let's go back to that time now that you know the aesthetic, you know my depressing past. And I want to talk about first what I believe to be the quintessential millennial optimism movie that kicked off the era. Because there are some early 2000s movies that are still what I believe to be core millennial movies, but they don't really represent what I think defined this era. I really think the granddaddy, the first one that really shaped what it means to have millennial optimism was Juno in 2007. I say it's the catalyst that really sparked this era because it is such a millennial movie to its core. Whether it's the soundtrack, the cast alone, the look and the feel of that movie. I don't think the plot line directly represents what all these other millennial optimism movies will because it is about a girl who gets pregnant on accident, decides to give up that kid to another couple who has been struggling to have their own kid. But I still think those values are there. And if you look at what all the movies we will be talking about on this list, I feel like this one was highly influential on that era. But if that is the catalyst, the movie I really feel is the best representation of the millennial optimism era that I just rewatched for. This episode specifically came out in 2009 and it is 500 days of summer. The movie is the story of a failed relationship from just one perspective, through the eyes of Tom, played by Joseph Gordon Levitt. It is a fantastically shot movie and I think when I first watched It Back in 2009, I was 18 years old. I saw this movie and thought I want that. Even though it doesn't turn out so great for Joseph Gordon Levitt. This is the type of relationship I was probably chasing my entire adult life and I was looking in all the wrong places. This movie made me delusional about love. And I think it's because I did watch it when I was 18 that I didn't understand the message of this movie until I rewatched it. As a happily married man who's going to be almost. I'm going to be 35 this year. Wow. Yeah. As a 34 year old happily married man. When I first saw this Movie Back in 2009, I saw Zooey Deschanel's character as the villain because the Story is all about how this relationship and why this relationship didn't work. But it's all from Joseph Gordon Levitt's perspective. You only get the guy's perspective. And I think that is unfair because it goes from being amazing to him being in love. So in love that he walks down the street, really dances down the street with Holland Notes playing, everybody being excited for him. I didn't really know what that fantasy element of this movie was representing at the time, but now, looking back on it, that is a perfect representation of how it feels. Once you find a relationship that makes you excited to be with that person, where it feels like everything is clicking, the birds are singing, the people are dancing, there's music playing in your head, you instantly just have a smile on your face. And I love how the movie goes back and forth between the timeline of when they are together to when they end up breaking up. You see it go from good, you see it go from bad. You see the things that once made Zooey Deschanel's character smile to those same things making her uncomfortable or making her sad or not impressing her anymore. And I think that is a great depiction of a failed relationship. And I think to me, at that time, Zooey Deschanel was the perfect millennial dream girl. I think every guy like me who was into music that maybe not all the girls were into at that time, I was like, Tom, in this movie. You also like the Smiths. Just because we like the same music, we are destined to be together. Was a thought I had probably from age 13 to maybe age 24, where I was so into indie and punk that I thought if I ever found a girl who was into this exact same music, she would be my soulmate. And I didn't understand at the time how wrong I was about this movie. Like I said, I thought Zooey Deschanel's character was the villain. But in that final scene, really in that third act, wherever they've already broken up. And Zooey Deschanel and Joseph Gordon Levitt meet again on the train after breaking up, even though she told him, I don't really want a relationship. We don't have to put labels on anything. And he knew that going into the relationship, but still fell for her so hard and wanted her to define the relationship, that what we're doing is not just friends. I have to know what this is. And when things ended up not working out, they break up and they run into each other again on that train. They have this really great time together where he thinks they're getting back together. He has these expectations when going to that party that she invites him to. And when reality sets in and he realizes that, oh, she is engaged now, and he feels like he just had his heart ripped out of his chest. I felt that in that moment. I thought, how could she do that to Joseph Gordon Levitt? What a villain. And it wasn't until rewatching it now, where she sees him on that park bench, oh, it's such a great scene. And I don't know why. I kind of get emotional watching it now that this movie really set in with me. I think it's because I'm happily married now. I have found my person, and I realize now what true love is. And I realize what it means to find somebody that, you know is the person for you. And it was listening to Zooey Deschanel's character and now being on her side, realizing she wasn't the bad person for leaving him, for making him sad, for making him be a miserable human. He was the bad guy. Well, I don't know. In love, in this situation, are either of them really the bad guy? Because really, he wasn't wrong in wanting more from the relationship. And she wasn't wrong by telling him, I don't really want this to be anything but what she said to him of, I knew I was ready to get married. She went from not wanting to be in a relationship to now being somebody's wife is because all of the doubts that she had with him were gone. With this new guy that hit so hard, you never wanted to be anybody's girlfriend, and now you're somebody's wife.

[Mike D]

Surprised me, too.

[Movie Mike]

I don't think I'll ever understand that. I mean, it doesn't make sense.

[Mike D]

It just happened.

[Movie Mike]

Right? But that's what I don't understand what just happened.

[Mike D]

I just woke up one day and I knew.

[Movie Mike]

Knew what?

[Mike D]

What I was never sure of with

[Movie Mike]

you, where I realized all this millennial optimism that I had in my young adult life of thinking if these girls just gave me a chance, that I would be the perfect guy for them. Untrue. That is not true whatsoever. And I now saw it from an entirely different perspective that I want a recut or a sequel to this movie that is 500 Days of Tom, where you see it from Zooey Deschanel's perspective, and you see the things that he started to see towards the end of it, where he was only remembering the good times, but forgetting to remember some of those bad times where she pulls her hand away, where she's not fully there for him. I would like to see the story from her perspective of all the things that he did wrong and messed things up in their relationship where she realized that I have these doubts about this guy, that he is not for me. But if you watch this movie, it is millennial optimism to its core. I think has the most millennial needle drop moment out of any movie I've seen Sweet Disposition by the Temper Trap. Whenever that song hits and they're in that train, just that guitar, that sound alone is such a millennial coded song that I wish I could play for you on the podcast. But it's one of those songs, at least to me, that I didn't know the name of it or even the band, but I hear it and immediately recognize it. If you are a fan of wwe, it is also the song that they use for John Cena's farewell montage. There's something about the way this song sounds that just makes you overly emotional, but it's that main character energy syndrome, the belief that a perfectly curated playlist could change everything and that destiny would just show up on your doorstep. That is why I believe this to be the granddaddy of a mall that represents movies of the millennial optimism era. Next up on my list, I have the perks of being a wallflower. What this movie is about it is based on a book. It about a shy high school student who has this trauma that you learn about towards the end of the movie. He is trying to navigate that trauma, friendship and his first love with a group of seniors who make him finally feel seen. Now this one is interesting because it's not a happy movie, but there is a lot of hope in it. Has a great cast, a very millennial cast. The main character, Charlie, is played by Logan Luhrmann. Sam is played by Emma Watson and Patrick is played by Ezra Miller. And why I think this movie represents millennial optimism is because during that time where you were in your teenage years, your early 20s, we saw deep Feelings as being an aesthetic. And I remember this time in my life where I thought, man, I think in a way that nobody else does. I write poetry, I write short stories. My brain operates on this philosophical level and I like characters that represented that. This movie also represents the belief that friendship could heal everything, heal that trauma. And I think as a millennial, I longed for friends like this again. I didn't mean for this to be such a sad episode of me not having love or me not having friends, but I think I watched these movies and A lot of movies to get things that I was not receiving in life. So to have a friend like Emma Watson, I was like, man, I could just. That is all I really need. But that theme was rampant throughout this era of how your group of friends was going to be the people who change your life. Your friends are the family that you choose. And there is one scene specifically I believe represents that whenever they're riding in the back of the truck and the song Heroes plays, I believe the quote is, we are infinite. And thinking that feeling would last forever is a great representation of your young life where you're doing things that seem trivial to others but seem so important to you. Riding in the back of a truck, listening to music, going through a tunnel, letting go of all your feelings of life and all your worries, and just living in that moment. That is millennial optimism. I had been chasing that scene from this movie, and that is why it made me delusional. But the truth is, unfortunately, your trauma can't really be healed through friendships. Not even mixtapes and not even a pickup ride. That is why I consider this to be one of the best millennial optimism movies of all time. Up next, I am going to go a little bit into the early 2000s, and I have a great reason why. But it is Garden State from 2004, which this movie stars Zach Braff as a medicated, emotionally numb actor who returns home and forms a connection with Natalie Portman's character, who is very free spirited. And I think now her character in this movie gets a lot of criticism of being the quirky girl. She also has a medical issue that maybe they made a little bit light of in this movie. But that one scene where they meet for the first time in that waiting room, Natalie Portman's character plays the Shins for the first time. New slang, I believe is the song with the headphones. That is such a millennial coded scene. I think the soundtrack all throughout this movie was a really big deal back when soundtracks could really make an impact. And I think this movie in particular influenced a lot of hipsters. I'll put myself in that category of people who were seeking out indie movies and indie music. This was a highly influential soundtrack on those type of people's tastes. But I think it's this manic pixie era where your personality could really be driven by the music that you listen to. And that is what I associate with this millennial era. So that is why I decided to include this movie on this list. I also think, much like with 500 Days of Summer, this movie gave me a skewed sense of what love was. I look back on this movie and find Zach Brass character to be a little bit insufferable. Just the way that he acts in being so emotionally numb and then forming this relationship with Natalie Portman and then the group of friends that go to that junkyard to scream while wearing trash bags. When I first watched this movie, I thought, man, that's deep. That's such a deep scene. I want to take that picture and put it on my MySpace page and quote this movie to girls, which might also be their favorite movie, and like me more because I like it too. So the delusion level is pretty high on this movie. One quirky girl with a pair of headphones is not going to change your life and resurrect you and bring you out of this deep depression that you have. And one really great indie soundtrack can't influence your entire personality. So I could see why Gen Z would look back on this movie and think, man, you guys were lame. Because I think another element of this era was I feel like everybody who grew up around me had this dream that we were all going to move to New York City and start a band or work at a magazine or go be in like sports journalism or go be a music video filmmaker. That was a real life dream that I think we learned from watching movies and being told that that was the thing that cool people did. Yeah, I'm going to New York. I got my small little apartment ready to go. And I think that dream went away when this era kind of died. I don't know. Does Gen Z still have dreams of moving to New York City and starting your life by burning it down to the ground and building it all back up again? I sure hope so. I also wanted to include a movie that I feel represents how much we like to party in the 2000 and tens. And I saw that this movie is now celebrating its 14 year anniversary. In 2012, the movie project X came out and it brought what felt like a real life house party to the big screen. Put together by a group of friends, the movie follows three teens who just want to throw their friend a small birthday party. But it turns into total chaos as more and more people get invited. It gets completely out of hand. People are wasted. You have the police coming, you have choppers. It turns into an all out nightmare. But this movie became a hit at the box office back in the day and had a really big impact on party culture. Because during that time in the 2010s, if you turn on the radio and you listen to any song on top 40. It was all talking about partying and everything had to be for tonight. We're only going to be young tonight. We got to live it up. We got a drink, we got to party. That was every single song this movie represented. Exactly how much and how seriously we took partying, which during that time, I did a lot of partying and not partying in the sense that I would go to a house party like the ones in Project X. A lot of what I called partying was just hanging out with my brother and some of his friends in our apartment, just drinking beer until we got as drunk as we could get, until we would not remember things and blackout. That's what we like to do. We like to party, kids. I don't encourage that. And I think now with Gen Z drinking less and just people drinking less, more and more as the years go by where I think about getting drunk now and think, how did I do that every single weekend? And I think that is a big reason why I stopped drinking personally, wasn't that I had a problem. And I know that a lot of people who actually have problems say, I don't have a problem, but with me, when it comes to drinking, I cannot have just one. And I think as I did get a little bit older and realized that some people could just have a six pack of beer in their fridge and not have to immediately drink all of them. And I couldn't comprehend that concept. What do you mean you went to the store and first of all, you only bought a six pack. Why would you get a six pack? You can't get drunk off a six pack, but you're only going to drink one or two of those and leave the rest in your fridge to just drink throughout the week. That made no sense to me. I was of the mindset Friday night rolled around, we're getting a case minimum. A minimum amount that we would get would be a case. And we would not stop until that case was gone. And if that case was gone, at the time, we lived in an apartment within walking distance of a gas station. We would walk to the gas station, whoever was the most sober, and just get more beer. We're never drinking. Drive. Don't do that, kids. But if you live close to a gas station, you can just walk and bam, you're refueled, you're ready to go. But at that time, it was just a little bit more acceptable just to go all out and party. And I see that happening less and less where the new generation is just becoming a little bit more responsible with alcohol. But if I go back and look at movies like Project X or even Neighbors, which is another really great one with Zac Efron and Dave Franco that entire era, I'll even throw one of my favorite Christmas movies, Office Christmas Party, all in this era that were centered around big, fun, stupid parties. And that is millennial optimism, where you can just go and party your brains out and make light of heavy drinking, which is something we don't do anymore. We realize that's a serious problem. But if you watch these movies from this era, I'll even throw the hangover in there. It was seen as cool to get that drunk. But I think if Gen Z goes back and watches some of these movies and think, man, you guys really had a problem. But again, it's one of those situations where you just kind of had to be there to experience that and to be that ridiculous and to be that carefree and to be that optimistic about the future where you're not really worrying about your health, which now I'm like, man, I got to make sure I get all my vitamins taken on this day. I got to drink enough water. Throwing in alcohol just throws off the balance of everything. But back when I had that millennium optimism just running through my veins without a care in the world, I didn't care about what I put in my body. But I think these movies that I've decided to highlight on this episode are the best ones that represent that era. I will go through some more that I wanted to include on the list that I think you can make a case for. Easy A from 2010 with Emma Stone. She was a high school student who used a rumor that was being spread about her to boost her social status and also at times to profit from it. I think this movie was really charming and witty and really encompasses what the millennial type of humor was during that time. Which now when I do look back on some of those, which is hard for me to admit because to me, growing up in an era with Vine, I found those things to be the funniest six second videos of all time, that I still reference them all the time. And now seeing people of my generation getting roasted for still referencing Vines, that came out back in 2016, and I see some of that humor and I'm like, oh man, we did look a bit ridiculous. But at the time it was hilarious. It was new and it was current. But I think me trying to get away from that humor because now it kind of feels like dad humor a little bit. Even though I don't have kids, I'm like, oh man, I feel like every generation goes through this where all the things you found funny are now lame. So that's a great movie. Easy a Nick and Nora's Infinite Playlist from 2008. Again, this movie also has that main character energy, that love of indie bands wandering around New York City, a lot of messy feelings, and that belief that your perfect love is waiting for you at the next show. Any movie driven by an indie soundtrack, you could throw it on this list. You also have movies like the spectacular now in 2013, which I believe was one of the first Shailene Woodley and Miles Teller movies that I remember watching. Watch it on a Blu Ray I got from Redbox. And this is one of those movies that I thought, man, that movie is so deep. Out of all the movies, it's probably the most dramatic and most grounded movie on this list. But I think why I would make a case for it is I believe it has that millennial sincerity, that feeling you have when you're young and in love, and it feels like everything you do in that relationship is life altering. Kind of similar to that. I would also include the Fault in our stars from 2014. I mean, what gets more millennial than two teenagers who speak in really profound Tumblr style quotes? I would also include because it has the music pitch perfect from 2012, again, rooted in how friends are your found family. It has the great singing montages and how music can be your destiny. I would also include Scott Pilgrim versus the World. And finally I would include Adventureland, which is probably my favorite Kristen Stewart. Oh, I don't know if it's my favorite Jesse Eisenberg movie because I really did like a real pain from a couple of years ago, but up until that movie. Social Network is also really good too, but this movie was all about how a summer job serves as his emotional awakening. And I think my favorite part about this movie that I feel is so millennial optimism coded was that feeling that a parking lot conversation could change your life. If you've ever had a great parking lot conversation, go back and watch this movie because it's all those feelings you get while having that talk with your friends. And I go back to this because when I first moved to Austin, I was in a band and we would go and practice, and in between a couple of practices, we would take a break out in our parking lot and it felt like those conversations we had in that parking lot were the best conversations we ever had where you just get into it, talking about life, talking about your dreams, thinking of things you wanted to do and forming plans. We should, we should make a movie. We should do that. You write this, you have a great idea. We should do all the art for it. And you're really great at this. We're going to do a lot of big things. We're going to start a website. I'll go home tonight and get started. And sometimes it would lead to things, but sometimes it was just that thought and that feeling of forming a future with your friends in that parking lot conversation. It didn't always have to lead to anything. It was just that feeling of optimism. It's kind of like when you buy a lottery ticket and the jackpot is at $1 billion. You're probably never going to win that because the odds are crazy stacked against you. But what is still fun to do is talk about what you would do if you won the lottery. Oh man, I'd buy a new house, I'd get my parents set up, I'd go on a trip. I'd be gone for a year. And that is more fun than it would ever be to actually win that money. You could argue that, but I think that is what makes that enjoyable. That is what makes that a form of entertainment. Along those same lines, a great parking lot conversation. If you have the delusional glasses of a millennial, it feels like it could change your life. One summer could do it. And that is why I feel that Adventureland does deserve a spot in this episode. So that is the list. If you can think of any other movies from this era that you would want to include the best millennial optimism movies, let me know. Send me an email movie mike dmail.com or hit me up on socials at Mike D on everything or YouTube.com mike d stro and I am about to get into my spoiler free review of the Bride. I actually recorded it before I went to go see Hoppers. I wish I would have waited because I now believe Hoppers is the best Pixar movie of the decade. And I don't even think that's too crazy of a statement. When you look at all the Pixar movies that have come out since 2020, you have onward, Soul, Luca, Turning Red, Light, year, Elemental, Inside Out 2, Elio, and now Hoppers. The animation was the best from Pixar since probably Toy Story 4 where they really needed a facelift. When it comes to giving characters that have a whole new unique profile don't really feel like that 2010's Pixar style that's kind of become a little bit stale, but the animation was so good. The director is the same person who created We Bare Bear, so I feel like he has a really great grasp on how to make a great animal story. The voice acting is the best, maybe even going back to the 2010s because I felt such an emotional connection to all of the characters. I can only say good things about this movie. It is one of those ones where I felt so emotionally connected to it from the very beginning. A story about a girl who loves animals, wants to preserve the environment, also dealing with some grief and loss and trauma and all these things. I felt so instantly connected to her character within the first 10 minutes and I knew it was going to be a good time from there throughout. I was laughing at various moments throughout the movie. I think it's a story that not only kids will learn a lesson from, but also adults like me who sometimes need to know that man, not everybody in the world is awful and sometimes you just have to believe the good in people. I learned something from it in a theater full of mostly kids. There was also one other couple who didn't have kids aside from me and Kelsey. So if you went to see it over the weekend, hope you loved it too. If you haven't yet and we're on the fence about it, definitely check out Hoppers. That's a mini review there. I will come back and give my full spoiler free review of the Bride.

[Ryan Seacrest]

Hey it's Ryan Seacrest for Albertsons and Safeway. It is stock up savings time now through March 31st. Spring in for storewide deals and earn four times the points. Look for in store tax to earn on eligible items from Smart Water, Healthy Choice, Continental, arrowhead, Red Bull, St James, Tillamook and Special K. Then clip the offer in the app for automatic event long savings. Stack up those rewards to save even more. Enjoy savings on top of savings when you shop in store or online for easy drive up and go pickup or delivery restrictions apply. See website for full terms and conditions.

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Support for the show comes from Public, the investing platform for those who take it seriously. On public you can build a multi asset portfolio of stocks, bonds, options, crypto and now generated assets which allow you to turn any idea into an investable index. With AI it all starts with your prompt. From renewable energy companies with high free cash flow to semiconductor suppliers growing revenue over 20% year over year, you can literally type any prompt and put the AI to work. It screens thousands of stocks, builds a one of a kind index and lets you back test it against the S&P 500. Then you can invest in a few clicks. Generated assets are like ETFs with infinite possibilities, completely customizable and based on your thesis, not someone else's. Go to public.com podcast and earn an uncapped 1% bonus when you transfer your portfolio. That's public.com podcast paid for by Public Investing Brokerage Services by Open to the Public Investing Inc. Member FINRA and SIPC Advisory Services by Public Advisors, llc. SEC Registered Advisor Generated Assets is an interactive analysis tool. Output is for informational purposes only and is not an investment recommendation or advice. Complete Disclosure is available at public.com disclosures

[Mike D]

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[Movie Mike]

Let's get into it now. A spoiler free movie review of the Bride. Starring Jesse Buckley as the bride. Christian Bale as Frankenstein's monster. Directed by Maggie Gyllenhaal. She also has a brother in this, Jake Gyllenhaal. I was excited going into it because I couldn't believe that a movie this strange and bizarre can exist from a mainstream studio in 2026. And by the looks of the trailer, I was like, this movie is gonna go there. It's gonna be rated R. There's gonna be a lot of blood and violence. The Bride of Frankenstein story told in a way we haven't seen before. Female focused, big energy going into it. A lot of strange visuals, incredible makeup and costume design. What the story is about takes place in the 1930s. You have a very lonely Frankenstein who has been living for over 100 years just trying to find someone to hook up with. Basically, he is very just like, I need somebody. So he goes to a mad scientist. It's this woman who does a lot of experiments in her basement. And he goes to her and tells her, give me some money to hook up with. I. I need a bride. And you have this other story going alongside of it where Jesse Buckley's character is probably hanging out with some shady people. She ends up dying, gets buried, and at that same time, Frankenstein's monster and this mad scientist dig her up and bring her back to life. And bam, you have your bride Frankenstein. You can finally do what you've been trying to do your entire life. And the entire movie is this Bonnie and Clyde style story where she goes from being at a place where she's like, why am I here? What is my purpose? What was my life like before this? Because she doesn't really remember. And then you have a lot of murder, you have possession, you have a radical movement that is created from her character. Jessie Buckley very much takes control of this story, and I think that was the most exciting thing about it. Her performance was top notch, which I think she is a fantastic actor. I hope she goes on to win an Academy Award, if not this year. Somewhere throughout her career, she is going to win it because she is so dynamic on screen. The character of the bride itself is really over the top because she speaks in different dialects, and you see almost two characters living inside of her. That's exactly what you see. And I now see why Maggie Gyllenhaal fought so hard to get Jesse Buckley in this role, because they have worked together in a movie before this. This is only the second movie that Maggie Gyllenhaal has directed and I can see why she wanted her because it's a very demanding role if you are not at the top of your game. It really would not have worked now. Overall, I just felt like this movie was holding back. And while I loved all the visuals, I thought the world building was really great. These characters, even though they've been done so many times in film and in tv, it felt like something different. But I just felt that the story never really got going. It wasn't until probably 40 minutes in that there was some real action. And I know it's not supposed to be a full on action movie and it was supposed to tell a story about female empowerment, which I think the message was there. But I really felt like this movie had its legs cut off where it was not committed to being as weird as I know it should have been. And I know Maggie Gyllenhaal said she did have some pushback from Warner Brothers and I think she did not make the movie she really intended to make because of that. And that showed to me because I just felt time and time again where the story wanted to move the violence a little bit harsher, tell this story in a way that was a little bit more brash and jarring to the viewer. It just felt like it didn't really want to go there. And me as the viewer, I felt like there was this corporate energy just behind Maggie Gyllenhaal as she's looking down the camera like, are you sure you want to put that in the movie? That's a little bit too hardcore for audiences. How about just scale it back a little? Water it down just a little? Because there was never any tension. I felt that the story created. There were moments where there's some really intense action, some shootouts, some bloodshed, and it just felt like it never really wanted to go there. And were they telling her that because she is still a rather untested director, or they telling her that because she's a female director? I just felt like I wanted to see the director's cut immediately after watching the Bride where I wanted this to be a much harder R story because I think the subject matter and the message it was trying to get across needed to go there. And I didn't think at any point it went there. So therefore the movie just had this lackluster feeling where, okay, you have these cool elements, but it kind of just felt like a Lady Gaga music video with a little bit of violence sprinkled in there. I think if that violence would have been intensified a little bit more. Some of the harsh realities of what the bride goes through and what the story and the message here is. And I just felt like it never truly became its own movie. It just felt like there was a lot of wasted potential. Even though you had these two incredible performances from Jesse Buckley and Christian Bale, who together are magic on the screen. I love their dynamic and their relationship and how messy it is and how once they truly feel like monsters, they really settle into their own. But there was never that moment where I felt like their characters clicked together. I just felt like there was way too much dancing. It started to remind me a bit of Joker 1 and Joker 2. Especially in Joker 2, where you have Joker and Harley Quinn coming together, them starting this movement. I felt like it was a better joker too, but still, it didn't really know who it wanted to be, and that was a problem for me. I didn't mean to rhyme there, but it just kind of came out that way where you have this really dynamic character and you see the movement that she is creating, but it just feels like it doesn't really land. But I have to imagine this was such a fun movie to make with everybody involved. I mean, you have Penelope Cruz in this movie, and I love that 1930s New York setting where everybody is walking around in, like, those old school fancy suits and hats and be like, man, see, I got my tummy gun. I think all those elements were really great. And again, to have this much singing and dancing in old school black and white films, I love the scenes where they go to the movies together. It just kind of hurts me a little bit that I didn't end up loving the movie more because I loved all the ingredients. It kind of felt like if you go to a vintage store and I find a jacket that is amazing, it's a good price and I want to buy it, but it's like two, maybe three sizes too big. And you try to make it work, you're like, okay, maybe I could layer it up a little bit. I love this jacket so much. I really want to buy it. It's such a good deal, but it just doesn't fit right. And as much as I like it, as much as I like the material, as much as I like maybe the logo or the design and how comfortable it is, it just doesn't feel right. It doesn't look right and I can't imagine me putting that in my closet and feeling like I made a good decision here. As much as I want to make that jacket work because I love it, it just doesn't work. It doesn't fit right. There's just something off about it. So for the bride, I'm going to give it 2.5 out of 5 stitches on the face.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and Safeway. It is Stock up Savings time now through March 31st. Spring in for store wide deals and earn four times the points. Look for in Store tags to earn on eligible items from Smart Water, Healthy Choice, Continental, arrowhead, Red Bull, St James, Tillamook and Special K. Then clip the offer in the app for automatic event long savings. Stack up those rewards to save even more. Enjoy savings on top of savings when you shop in store or online for easy drive up and go pickup or delivery restrictions apply. See website for full terms and conditions.

[Public Investing Ad]

Support for the show comes from Public, the investing platform for those who take it seriously. On Public you can build a multi asset portfolio of stocks, bonds, options, crypto and now generated assets which allow you to turn any idea into an investable index with AI. It all starts with your prompt. From renewable energy companies with high free cash flow to semiconductor suppliers growing revenue over 20% year over year, you can literally type any prompt and put the AI to work. It screens thousands of stocks, builds a one of a kind index and lets you back test it against the S&P 500. Then you can invest in a few clicks. Generated assets are like ETFs with infinite possibilities, completely customizable and based on your thesis, not someone else's goal. Go to public.com podcast and earn an uncapped 1% bonus when you transfer your portfolio. That's public.com podcast paid for by Public Investing Brokerage Services by Open to the Public Investing Inc. Member FINRA and SIPC Advisory Services by Public Advisors llc. SEC Registered Advisor Generated Assets is an interactive analysis tool. Output is for informational purposes only and is not an investment recommendation or advice. Complete disclosures available at public.com disclosures when

[Mike D]

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[Redfin Ad]

Let's talk about modern home shopping. It's sort of become a fun side hobby, right? Scrolling listings at night, dreaming about kitchens you've never seen or backyards you haven't even stepped foot in. All from the comfort of pretty much anywhere. Redfin knows a lot of people like you want to own but are stuck in this browsing mode loop. That's where Redfin flips the script. With listings that update within minutes and tours you can book right from the Redfin app, you can see your dream home the moment it appears. Now, liking a listing is easy, but actually landing it? That's where Redfin comes in. Redfin has over 2200 agents with local expertise, and Redfin agents close twice as many deals as other agents. That means they want to help you win, not just window shop. Redfin is built to help you go from just looking to wait. This could actually be home. So become the newest neighbor on the block. Visit redfin.com to start finding and start owning. That's redfin.com it's time to head down

[Movie Mike]

to Movie Mike's Trailer Park Scary Movie 6 is coming out in theaters this year on June 12, almost 26 years after the first movie came out in theaters back on July 7, 2000. This movie was mind blowing to me when it first came out back in the early 2000s, because to me this was my introduction to parody movies. I was after the generation of Airplane and watching this movie totally blew my mind as a kid. Which by the way, at nine years old I should not have been watching any of the scary movies. And I think it's because they were so forbidden to me. My parents would have murdered me. Not in a literal sense if they knew I was watching these movies because they are raunchy. And not just a little raunchy. I would say arguably the raunchiest, most famous franchise that there is. All the jokes. They even at that time in the early 2000 were risky where you could get away with some of these things. But even at that time it pushed the envelope into my young dumb mind. I thought this is the greatest thing ever. And what made those movies great were the Wayans brothers, because they were only a part of the first two movies. Sean and Marlon Wayans starred in them. Their brother Keenan Ivory Wayans was behind the camera directing those first two movies and after that they peaced out so between 3, 4 and 5, they were not involved in those. And now coming back for Scary Movie 6, even though Keenan Ivory Wayans isn't directing this one, he is a part of the writing team. And that is the only real reason why I am excited about scary movie 6. Because you have that original team back who really understood the project. Because three I still found enjoyable. I had it on dvd, so maybe out of all the movies is probably the one I watched the most. It had Charlie Sheen in it. It was heavily rooted in a parody of signs. I take that one for what it is. But the first two are goaded, in my opinion. But now you have everybody back. Anna Faris, Regina Hall. I will get into the long list of all the movies that they are going to parody, but my big question is, is it going to hit the same? Because I think the problem now in 2026, the way the world is much different, is there are so many avenues of what you can watch. Will this movie hit the same way? Because we're not all watching the same things. So we'll get into talking about that. But before I do, here's just a little bit of the Scream 6 trailer coming out this summer on June 12th.

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My God, he stabbed her.

[Movie Mike]

Not her.

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My pronouns are they, them, he stabbed them, we back.

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[Mike D]

Should we hug?

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I really want to, but I'm a Republican now, so I'm supposed to be racist.

[Mike D]

Oh, girl, I think all white people are racist anyway. Come here.

[Public Investing Ad]

Okay.

[Movie Mike]

Oh, hey there. We heard tell of a Halloween party. We're here to drink, play bad music, do some half gay. Why just half gay? Thing I'm thinking about while watching this trailer is I am somebody who obviously watches a lot of movies. I got all the references. I have seen all the movies that they are doing a parody of. Even the small little details in there. I'm like, oh, that is from that movie. They are all movies that I would say came out in the last three years or so, 2022 to 2025. I would say that is the wheelhouse of movies that they are doing parodies of. Now. Back in the 2000s, when a movie came out, everybody knew about it. We were all watching the same things. And the first movie was a big parody of Scream and the Blair Witch Project and a lot of other movies that came out in the late 90s. But everybody knew those references because those movies were massive. And I think that is why especially those first two scary movies work so well, is because we were all in on the joke because we all knew what they were making fun of. But if you start to look at the long list of movies that they are talking about, even though a lot of these have had a real big impact on pop culture, otherwise they wouldn't be doing a parody of them. I don't know if the average movie fan who maybe saw the scary movies back in the day and thought, oh, I want to go see the new one, maybe has kept up from 3, 4, 5. If they go watch this movie, are they going to get all the jokes? And does that even matter? Is it still funny if you don't know what they are poking fun up? I still think if the writing is done right, it will still be enjoyable even if you don't get all the references. Just by the looks of this trailer, it looks like it's going to be ridiculous enough that it almost doesn't even matter what they're doing a parody of. But I'll go through the list now, because what you heard there in that clip, you heard some people coming up to the door trying to crash a party. That is a parody of Sinners. Throughout the trailer, you also see a parody of weapons. You see some kids running down the street holding their arms out. They even put the clock at 2:17. In this trailer, you see them parody the substance. You see Ghostface pulling out that serum that they use in that movie. I don't know how many people actually watch the substance. Terrifier 3. I feel like even if you haven't watched the Terrifier franchise, you know, Art the Clown, maybe you went to Party City or Spirit, which I think Party City is dead, by the way. Now, maybe you went to Spirit for your Halloween costume. You've probably seen Art the Clown. So again, I don't think you need to watch all those movies to understand that. But there is a parody of that in this movie that is probably the most disgusting of everything in the trailer that is really pushing the boundaries because you have Art the Clown with this bag of body parts handing them out to kids. One thing that he hands the kids, I was like, man, they really went for it. That is probably the boldest joke I've seen, not only in a movie in this decade in the 2000s, but to put that in a trailer. They hand the kids some testicles, some severed testicles, that is going for it. And I commend this movie for taking a risk in a world where I fear nobody wants to make waves, especially when it comes to comedy, where you can get canceled really quickly and you don't really want to walk that line. But I think if you go so over the top like you do in a scary movie, somehow it works. Because I think these movies don't really punch down in a way when making fun of these things. I think they do it in such a ridiculous fashion that no one is going to get their feelings hurt. No one should really be upset, especially the filmmakers of these movies. I think I would take it more as a badge of honor if somebody was making fun of the movie I made. They will also be doing a parody of Nicholas Cage's serial killer from Long Legs. Chris Elliott will be playing him. Which Chris Elliott was the guy in Scary Movie 2 who had the hand that nobody wanted to touch. They're doing a parody of Smile 1 and Smile 2. Megan is the one I knew they were gonna do because that character kind of already makes fun of itself because it really leans into the goofiness of that character, especially with Megan 2.0. So I almost feel like putting Megan in a scary movie 6. But again, like Art the Clown is probably the second, if not the most memorable new horror character in the last five years. They dip back into the 2010s into a get out parody Marlon Wayans character being sunk into an armchair just like they did in that movie. You see Anna Faris character, much like Jamie Lee Curtis in Halloween 2018 version where she is basically living inside a fortress hiding herself from Michael Myers. And that is where her and Regina Hall's character meet back up again. It also is kind of giving me Final Destination bloodlines vibes. They also snuck in a parody to a Quiet Place Wednesday when referencing a character. They call her Tuesday and it just looks like Jenna Ortega in a really bad wig. I think they're also going to do a parody of everything everywhere all at once. Friday the 13th in Texas Chainsaw Massacre. Obviously everybody knows those movies. And I know I've mentioned this a lot recently that it is really hard for me to get excited about a movie that is just supposed to be fun. And that is exactly what this movie is. And I don't try to go into every movie thinking, man, how am I going to review this? How am I going to make all of these notes about it? I think this is one that I probably won't make any notes about. I'll just go in, enjoy it. Like nine year old me. That is the mentality I am taking into this movie because 9 year old me would have been like, shut up dude. This is scary movie 6. You need to be excited about this movie. You need to go be so happy that there is a new scary movie and just go enjoy it and shut up. So again, that will be my mentality. They've already moved up the release date, so hopefully is a good sign. Or maybe they're just trying to get out in a week that is a little bit less competitive. But Scary Movie 6 is coming out in theaters on June 12, and that

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was this week's edition of Movie Mike's Trailer Park.

[Movie Mike]

And that is going to do it for another episode here of the podcast. But before I go, I got to give my listeners shout out of the week. This week I'm shouting out Andrew on X. Andrew, I'm going to try really hard to say your last name. Andrew Matzkas. Andrew Matzkus. I think that is how you pronounce it, Andrew. If I am wrong, please correct me. But I wanted to shout out your comment on an episode I did a couple of weeks ago on AI and how it is going to change Hollywood because after somebody made a movie that they claim to be a $200 million movie in less than a day. And Andrew, you wrote, not a fan of making an AI movie, but somewhere I see it being super beneficial is for international dubbing. I always hate English dubs. I feel like it would be amazing to have the original actor and having it in any person's own language. Love the show. I think that is a great idea, Andrew, which I'm not against using AI as a tool. I think the same way we use special effects and green screens, it can be a tool. But I still think you have to put the power in the creative, in the humans. They still need to control it. I will never sign up for watching a movie that was entirely generated with AI but like you said right here, Andrew, that is a great idea because you could use the original actor's voice and put it in another language. That would be great because for me, I always want to see it in that original actor's voice in their own language. But that is the only way we can do it right now. And there have been instances like Adrien Brody in the Brutalist, where they did use some AI to fix some of the dialect and fix some of the words that he maybe mispronounced just a little bit. And they used AI to fix that. And there was some controversy over that because that movie was nominated for best picture of how can you use a guy? Does it all have to come into the actor? I still believe it can be a tool as long as there's still a human element behind it. So thank you Andrew for that comment. Thank you wherever you are now for listening. Thanks for telling a friend for being subscribed here to the podcast for watching clips on YouTube which some videos have popped off in the last week. A lot of people were upset with my Scream 7 review. That is a very passionate franchise I have learned in the last week. You want to check me out over there? It is YouTube.com Mike Diesro and until next time, go out and watch good movies and I will talk to you later.

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