Unraveling the Drama: Wendy Moniz on Yellowstone and Life Beyond the Screen

Summary

Podcast Summary: The Bobby Bones Show – "Unraveling the Drama: Wendy Moniz on Yellowstone and Life Beyond the Screen"

Release Date: January 23, 2025

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Introduction

In the episode titled "Unraveling the Drama: Wendy Moniz on Yellowstone and Life Beyond the Screen," The Bobby Bones Show delves deep into the journey of Wendy Moniz, renowned for her portrayal of Governor Perry on the hit series Yellowstone. Hosted by Bobby Bones, this episode offers listeners an intimate look behind the scenes of the show, Wendy’s personal experiences, and insights into her life beyond acting.

Acknowledging Real-Life Tragedies

Before diving into the main discussion, Bobby Bones takes a moment to address a recent tragedy affecting Wendy Moniz personally. Due to the wildfires in California, Wendy lost her home, highlighting the devastating impact of these natural disasters. Bobby emphasizes community support and encourages donations to the Dream Center, an organization aiding those affected by the fires.

Bobby Bones [01:37]: "I do want to take a second to talk about a real-life tragedy that's transpired this month in California... Wendy was part of the many people who lost their homes in the fires."

Wendy Moniz [07:16]: "It's bittersweet, but I definitely have been feeling a bit blue."

Transitioning Roles: From Governor to Senator

The conversation swiftly moves to Wendy’s character development on Yellowstone. Wendy discusses the intriguing transition her character makes from Governor Perry to a Senator, shedding light on the complexities and responsibilities that come with such a political shift.

Bobby Bones [07:16]: "I feel like Yellowstone helped a lot of my dummy friends understand the roles of a governor versus the roles of a senator."

Wendy Moniz [08:03]: "I had to educate myself, too, about all of that because I wasn't very politically versed in any of it."

Wendy shares her initial reactions to the role changes, emphasizing her trust in the show's creator, Taylor Sheridan, and her commitment to portraying her character authentically despite the challenges.

Cultural Impact and Fan Engagement

Wendy reflects on the cultural phenomenon that Yellowstone has become, noting how the show has resonated with audiences to the point of inspiring themed parties and Halloween costumes.

Wendy Moniz [21:45]: "For me, the biggest one was when people started dressing up like our characters for Halloween... This is a big deal."

She highlights the communal aspect of the show’s viewership, where fans eagerly gather to watch episodes weekly, fostering a strong sense of anticipation and community.

Acting Process and Character Preparation

Delving into her craft, Wendy discusses her approach to preparing for the role of Governor Perry. She emphasizes the importance of understanding her character's background, occupation, and motivations.

Wendy Moniz [27:36]: "For me, it starts with doing some research and understanding who the person is, their occupation... and then how they stand, how you're standing."

Wendy also touches upon her training with acting coach Harold Guskin, who influenced her nuanced and understated acting style. She values the balance between listening and internalizing emotions to deliver authentic performances.

Wendy Moniz [23:16]: "Acting is an exercise in listening to your scene partner and really understanding the text, the context of the script."

On-Set Experiences and Relationships

The camaraderie among the Yellowstone cast is a recurring theme in the conversation. Wendy speaks highly of her co-stars, particularly highlighting the supportive and professional environment fostered on set.

Wendy Moniz [29:41]: "Show, it was heaven working with this group of people. It doesn't get better than that."

She shares anecdotes about moments of levity and mutual support, illustrating how these relationships enhanced the overall experience of working on the show.

Personal Reflections and Keepsakes

Wendy reminisces about the tangible memories she has retained from her time on Yellowstone. While she didn't collect personal items like jewelry, she treasures the official merchandise and memorabilia gifted by the show, such as a customized cowboy hat and a Yellowstone Monopoly game.

Wendy Moniz [13:44]: "I have so many memories of that peppered around my office space... it's like a giant photo album."

These keepsakes serve as daily reminders of her journey and the meaningful experiences she shared with her fellow cast members.

Conclusion and Appreciation

As the episode wraps up, Bobby Bones expresses his admiration for Wendy's portrayal of Governor Perry and commends the show's ability to maintain high quality without extending unnecessarily.

Bobby Bones [30:31]: "You did such a great job. I just want to tell you that, and thank you so much for the time."

Wendy reciprocates the appreciation, highlighting the fulfilling nature of her experience on Yellowstone and the lasting bonds formed during its production.

Final Thoughts

This episode of The Bobby Bones Show offers a comprehensive and heartfelt exploration of Wendy Moniz's role in Yellowstone, her personal journey, and the profound impact of the show on both her career and its audience. Through candid discussions and shared experiences, listeners gain a deeper understanding of the dedication and passion that drive the making of a beloved television series.

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Note: All timestamps correspond to the moments quoted within the transcript provided.

Transcript

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[Bobby Bones]

Usually when that song is playing I know it's time to put my phone down because one of my favorite shows coming on. Probably yours too if you're here. Welcome to the official podcast for Yellowstone. For the next version of this podcast I will be your host. My name is Bobby Bones. Big fan. I do want to say this too. This will not be a spoiler podcast meaning we just won't go recklessly into talking spoilers. If there is going to be something that I feel could possibly spoil, I will give you a spoiler alert to be like run. Throw your headphones in the lake. I will definitely give you a spoiler alert so listen along. Mostly it's like getting to know like why the show happened, some stories from behind the scenes, some of the people that acted in the show. It's just a fan show done by a fan which is pretty cool. We have some great guests coming up. I don't want to even spoil who the guests are, but Like Teeter Jen. I'll just call her. I just call her Jen. Jen Landon. We'll have her coming up. And this episode specifically, we're going to have Wendy Moniz who played Governor Perry then she was a senator. It's that, it's those people that I want to talk to. It's everything in between. So we're going to dive into all the elements that maybe you've always wondered or maybe you didn't even know to wonder about or on such a massive show. A lot of behind the scenes, a lot of insight, a lot of fans. For me, it's all about the characters. This is one of those shows that was such a great character building show. Like, I felt invested and the hardest thing to do on a show where there's great character development, like if you're building those characters is to give a side that isn't super likable, but also make the character still somebody that you either root for or walk alongside to see what happens. I mean, I think Beth's a great example of that. Like, there's some qualities of Beth. You're like, man, that's hardcore. But then you root for Beth and you root for Beth and Rip. So Jamie's an example. Like with Jamie, you're like, jamie's awesome. Jamie's awful. Well, what is it? It's so human and that's what makes the show awesome. So that's what we're going to do for this episode, plus like seven or so more. I'm super excited to be here and mostly I'm excited to talk to the people that made the show. So let's get to our first guest, Wendy Moniz, who plays Governor Perry on the show. And before we get there, I do want to take a second to talk about a real life tragedy that's transpired this month in California. Unfortunately, Wendy was part of the many people who lost their homes in the fires. And as the wildfires continue to impact Los Angeles, families are facing unimaginable loss. But when disaster strikes, one of the great things is we come together. I Heart LA has teamed up to help support the Dream center, which is a local LA organization working tirelessly to provide relief, from operating shelters to supplying essentials to those who've lost everything. Supplies are being accepted and donated at the Dream center in LA, where iHeart has set up trucks to receive and distribute them. So we want to continue to do things. I felt like I needed to share that. We recorded this actually before the fires, but she lost her home in the fire and we hate that. For her and everybody who is struggling through this, you can also join us in supporting their vital work by [e-mail] donate or texting the word relief to 33100. That's relief to 33100. So now let's talk with Wendy Mon. So it's over. Please don't spoil the final episode. Cause I haven't seen it yet. So I'm gonna say that the final episode I have not got to watch yet because I've been traveling. Do you do this with finales in general? Like, you have to treat that time precious. It's like no phone. When it's a finale of something, I need to be fully. No airplane. Fully dedicated. And that's. So tonight I'm gonna do that. So aside from Yellowstone, do you treat finales the same way?

[Wendy Moniz]

Yeah. Yeah. Something that I'm invested in like that and something that requires, like, I could never watch Yellowstone on a plane. It's just too cinematic. And because there's so much storytelling and you have to sort of really pay attention, so you need no distractions. I'm on board with that.

[Bobby Bones]

Game of Thrones. When I watched Game of Thrones, it was like, I gotta focus, so I can't do something where there's, like, other elements. And same thing with Yellowstone. So again, I'm gonna ask you questions about the show and Ish about the finale. But I ask, please don't spoil the finale because I haven't seen it yet. And I think you respect that. So thank you. Oh, yeah. Good. Also, I loved you on the show.

[Wendy Moniz]

I won't thank. Thank you. Thank you so much.

[Bobby Bones]

Now that it's over. I don't know. Now that it's over. Cause it's been over for you. Because I saw your Instagram when you were done taping, and I know that's its own conclusion. But now that it's over for everyone, how do you feel this morning when you wake up or the morning after?

[Wendy Moniz]

Sad. Honestly, it's been a bit. I feel a bit blue. I mean, I felt that on my last day of rapping and I did write that little just sort of poured out of me when I wrapped for the series. And that was sad for sure. And I didn't know how I was gonna feel about, you know, watching the finale and it being the end because I had already had that moment. But, man, I really did feel the impact of it's over and it's bittersweet, but I definitely have been feeling a bit blue. The last couple of days processing it.

[Bobby Bones]

You know, I feel like some of my friends took a civics lesson from the show, meaning they did not know the difference in federal government and state government. And bet your character, you got to learn that because you're governor, and then all of a sudden, you're not governor, and then you go run for Senate. And, like, a couple of my idiot friends were like, why would you leave being a governor? Like, isn't that bigger? And it's like, well. And so I will explain to them, here's the difference, and this is the different things that you can contribute to. So I feel like, in a way, Yellowstone helped a lot of my dummy friends understand the roles of a governor versus the roles of a senator. And you don't often see someone leave to be a, you know, to go from state. They try. A lot of governors try to be president. How did you feel when they came to you and said, hey, we're going to switch your role up a little bit. We're going to send you to D.C.

[Wendy Moniz]

I was like, okay. I mean, at that point, I'm just trusting Taylor and his writing. You know, I never wasn't trusting it, but with all the twists and turns, it's kind of like, oh, okay, we're doing this now. Well, he knows what he's doing, so I'm along for the ride. But to your point, I had to educate myself, too, about all of that because I wasn't very politically versed in any of it. So when I originally got the job, I was like, okay, what is a governor? What does a governor do? What does it mean? And then now you're the senator. And so I learned what it was, and I felt some uncertainty just about how I was gonna still be, because when you think of the senator or a senator, you think of Washington. So, like, how am I still involved in all of this? But you just are, because you're very connected to the state. And so I was working closely with John Dutton's character, but at a federal level.

[Bobby Bones]

You know what's pretty wild? It's like the president of Ukraine in real life, Zelensky was once an actor, and he played the president of Ukraine. So now here you are. How about you going to be the governor of a state? Because now we know you as that, we feel like you're that person. Any idea of maybe running for office?

[Wendy Moniz]

100% no. That's def. That's a hard no. And never, ever. I'm an actor, and I only play a governor or any kind of a Politician on tv.

[Bobby Bones]

How far ahead would you know where the stories were going?

[Wendy Moniz]

Not that far ahead. We would get the scripts for each. You wouldn't get a season. You wouldn't get all the scripts at once. So you would get them as they were coming. So it was kind of cool and exciting to be like, okay, am I in the script or what am I doing in this script? And it was, it was new information each time you got a script. So it was not very far in advance.

[Bobby Bones]

With all your history of. Because you've had so many different kinds of role and I know you also from House Cards on Netflix. I, you know, took that show down, loved it. How good are you at memorizing and would they allow you to at times slightly change stuff up if you didn't remember it verbatim?

[Wendy Moniz]

I'm really good at memorizing. For me, the memorization is the easy part because it's not about memorizing the words, it's about what's. It's understanding what's going on in the scene and then the words. Then it's easy to remember the words versus like you're just taking a piece of material and memorizing rote. What's happening. For me, I. I need to understand what's happening in the scene and what a person wants and listening to the other person. And then it's easy to know how the words follow the path that way. There wasn't a lot of changing of words. It wasn't super, super rigid if it was a small kind of a thing, but there wasn't really a need to change words. Sometimes as an actor, I always say that everything is on the page. If you start with something amazing on the page as an actor, you're like, ok, you're off to the races. Sometimes you get material that's not so great and you're trying to make it work and you're having to change things to make it. But with Taylor's writing, you don't really have to change anything. It's just excellent writing.

[Bobby Bones]

Did you acquire any ranch skills or animal skills from just being around the set?

[Wendy Moniz]

Not skills, no. Because I was in the cowboy world where I was a hands on kind of way. But I fully appreciated any moments that my character had to be around those animals, those horses. And I, you know, just, you know, being able to touch them, being. Being so close to them and watching the other actors interact with them. I sort of developed an affection for horses especially that I didn't really have before going in. Horses really scared me. Cause they're big and they're powerful, and I was never. I never rode horses. So I wouldn't say skill, but I would say an appreciation and affection. I definitely gained that being around them.

[Bobby Bones]

Don't judge me. But I went. And so I won Dancing with the Stars. And I had a shoe that I was wearing my final episode, and I took it to the judges.

[Wendy Moniz]

Wait a minute. You won Dancing with the Stars?

[Bobby Bones]

I did, yes.

[Wendy Moniz]

That was my congratulations. I love Dancing with the Stars.

[Bobby Bones]

Not yesterday. Like, five years ago. Not yesterday.

[Wendy Moniz]

Okay.

[Bobby Bones]

Thank you for not judging me. Sometimes it's the opposite, so. Oh, your tone was up. Oh, I appreciate that. Thank you.

[Wendy Moniz]

Hats off.

[Advertiser 1]

Hats off.

[Wendy Moniz]

I would love to be on that show. I would love to learn all those dances. I'm jealous. That's awesome. Good for you.

[Bobby Bones]

Well, now I feel better about myself. Thank you. I. At the end, after the final on the show. Cause I didn't want to miss it, I took my shoe off that I was wearing, and I took it to the judges on camera because I didn't really know the rules of the show. And that's. And it's part of how I won. Like, I worked really hard, but I was a bit different. And so I had them all sign the shoe because I wanted something from that while I was still in it. So I have the shoe that I was wearing signed by all the judges, and to me, I still keep that shoe. And it's very important to me because it reminds me of a time for you on that show. Did you. Do you have anything with you that everybody, like, signed or something you took from it that you. All that you keep? And you're like, man, I know that in 5, 7, 12 years, I'm gonna have this. And it represents that time there.

[Wendy Moniz]

Yes. You know, it's funny because as the show is wrapping up, I know a lot of the other actors were asked that question, like, what did you take from the show? And I'm kind of regretful that I didn't take something super personal, like maybe a piece of jewelry or shoes that she was wearing. I have a pin. I always had a pin. That was the props. When I would get on set, props would put the governor pin or the senator pin on me. They gave me those at the end. The back of my chair has my name in Yellowstone on it. I didn't have anybody sign it throughout the years. They would gift us things. So I. Really badass stuff. Like an incredible cowboy hat that has a leather brim and has my initials written on it. And Flasks and those kinds of things. They made a Monopoly game of Yellowstone and I've. And I've got that. They made a deck of cards and I have a card like the queen of clubs is my card. I mean all of that to me was like, that's. I have so many memories of that peppered around my office space. Not that anybody signed, but you know, I have our. Like you mentioned Instagram before and how I did my sign off. And that's one of the great things I think about social media is that you can be in touch with people and stay connected and have those memories there. It's like a giant photo album. Social media can be great when you're using it the right way for those, for that. So I feel like I have it in that way.

[Bobby Bones]

Do you have any cool pictures that like maybe you haven't posted, but in your phone of like the crew, like a really special picture? Maybe it's even framed in your office? I don't know from your experience there.

[Wendy Moniz]

I do have a lot of good pictures in my phone. I don't have anything framed yet, but like, you know, we had parties over the years and I've got candid pictures and pictures on the sets of, you know, people that you wouldn't see my character with. Like in the end, there's a lot of group. We were together as a group, which we weren't often because there was the cowboy world and there was the political world and I tended to be, you know, in the political world more. But you know, if pictures of me and Teeter, like hanging out, you know, on the last day, those kinds of things are special to me because our characters didn't interact, but we still were a really close ensemble. And when we did see each other and our paths did cross, there's just so much warmth and camaraderie with that group of people.

[Bobby Bones]

What is your move to LA Story?

[Wendy Moniz]

My move to LA Story is a two parter, really. In 99, I left a soap opera that I was on that was my big break in my 20s and I left that. They wanted me to stay, but I was like, no, I'm going to go see about primetime tv. And at that time it was really New York and la, whereas now TV shoots everywhere and I'd never lived in California before, so I left. I'm an east coast girl, I grew up in Massachusetts. So I left New York and I came to LA and I landed a pilot, like pretty much out of the gate. It didn't get picked up, but it was this really well done pedigree pilot that Carl Franklin directed actually. And so that, that got me a manager and that just got me going and I really worked very steadily. I was fortunate in that way. I did, I did that pilot that didn't get picked up. I got offered a couple of things I didn't take. I, I did a TV movie based on the book Tuesdays with Maury with Jack Lemmon and Hank Azaria and that was a big deal. It won a bunch of Emmys. It was like Jack Lemmon's last thing. And then I did a series, I did Nash Bridges, that was kind of an iconic show. I just did the last season of it that had like a seven year run or something. And then I did a, a show called the Guardian which was a great CBS show that ran for three years. Yeah, I was kind of just always finding myself in television and I'm still here doing it somehow. But that was my LA move. And then my son who's now 20, was born in 2004 and we went back to New York because family was on the east coast and it was harder then because I had my kids and I couldn't really travel. And then we moved. We were in New York for 10 straight years and I did some good work in New York. But then we moved back again to LA and have been here since 2015. And it's funny that you say House of Cards because as soon as we moved back in 2015, I got the job on House of Cards. So I was commuting back to the east coast after I got to la. The Gypsy life of an actor.

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[Bobby Bones]

You'Ve been in pretty much the whole arc of the show, right? You've been there the whole time, different. Like I said, you've had had different jobs during the arc. At what point did you realize, oh man, this show is starting to take on a life, like a big life. Because for me it was recommended probably like halfway through season two. And so much of the stuff that we watch now just recommended word of mouth from friends. Like anything on anything a friend usually says, hey, you gotta watch it. And I did not start Yellowstone season one, episode one right when it came out. I didn't know about it, but I got so into it about halfway through season two. When did you start to feel like culturally it was impacting Culturally when it.

[Wendy Moniz]

Was impacting, there's probably other things that indicated it, but for me the biggest one was when people started dressing up like our characters for Halloween, that I was like, what is happening? I mean it was, it was incredible. And I had friends that would have watch parties even before it was Halloween and they would like dress up and have their Yellowstone parties. It was because it wasn't something that you were getting. You couldn't stream it whenever it was once a week, you know, every Sunday night, and people would gather for it. And that spoke to, you know, culturally. Oh, this is one of those shows that people are waiting for to, you know, get together and watch in that way, which is special. But then when people were dressing up as characters, I mean, and even my character, I'm just like, I'm a politician in a suit. And there were people that were dressing up like me and John, Someone was dressing up as my character. Obviously, there were other characters that are, you know, more Halloween. We need to be a cowboy to be to. Beth had some great, you know, iconic looks that people would dress up as. And they still did it. Even this last Halloween, there were some. But for me, I was like, whoa, that's what's happening here. This is a big deal.

[Bobby Bones]

When you were studying acting in whatever form and all the different forms, who was it that you looked at or to and thought, okay, I'm not going to be them and I'm not going to emulate their style, but I can really take a lot from how they do it.

[Wendy Moniz]

Hmm, That's a good question. I don't know. There wasn't one. I mean, I really appreciate actors, all actors that are listening and that are understated and nuanced. I studied with a coach in New York for a while called Harold Guskin, and he was really. He was like a theater guy. I think, you know, James Gandolfini studied with him and Glenn Close, and there's a quality about his approach. And those kinds of actors where their stillness and their listening is what's going on versus the acting of it. He wrote a book called how to Stop Acting. This idea that acting is that you're, you know, you're putting it out there. Whereas really, a lot of times it's an inside job and it's a listening. An exercise in listening to your scene partner and really understanding the text, the context of the script. So I can't think of a person, but I know that that was sort of my approach. And when I see actors that are. That have that. That are doing that, I find myself getting lost in it and not really paying attention to the acting.

[Bobby Bones]

If you were shooting and you did shoot a scene multiple times, would you often give not. I won't say better, but a slightly different or more nuanced version of your character and then let them decide which one best fit? I mean, would they be a bit different for that purpose.

[Wendy Moniz]

Yeah. Sometimes you do it on your own because it's fun to play. And there's different. There's often different ways that you can approach a scene or play a scene. And sometimes I would find it on my own and play around with it. And sometimes I would stick to one thing and then one of our wonderful directors would come in and say, try it this way, or think about it like this. And then it's like, oh, wow, that's a great note. And then it changes the whole. It changes it, you know, and then there's just an incredible editor on that show. So they were fantastic about picking. I don't think there was ever a scene that I watched back that I was like, oh, I wish they used this take, or that didn't, you know, I don't feel like that was like it always was. I was always really, really pleased with the way they edit because the editing of something is, you know, that's the art. That's a separate thing that goes on. They piece it together and can create a performance based on just the editing. And it can look a lot like what you think you were doing, or it could look a lot different. But I always felt like how I was showing up doing my work was translating on to the screen in the best version of what I was giving.

[Bobby Bones]

How do you feel about watching yourself back? Generally?

[Wendy Moniz]

I like to watch myself back because I like to not incessantly, you know, I didn't. Wasn't like running to watch the show. Like, I would have to kind of mentally prepare myself to watch it and not, you know, criticize myself too much. But I find there's value in watching yourself to make sure that what you feel like you're doing in the moment is coming across. And then you feel like, okay, I'm in the right zone that I want to be in. And then the feedback that you're getting from people that are guiding you or, you know, they're a confirming that for you. So, yeah, and I like to watch it back because I get a lot of pleasure watching the other actors performances and how we, you know, it's different when you're working live across from someone. And then when you see the product with the music and with the editing and things that your scene partner was doing that were maybe small when you were across from them. But then when you see it, it's like, oh, wow, that was a great look. Or a great moment without even having words. Those kinds of things, I think are really fun for the Watching back for me.

[Bobby Bones]

What's your process as far as getting into a character? I'm assuming you're not full method all the time, and we don't have to call you governor during the day at noon. But, like, what. What. What is. What is your process to get there?

[Wendy Moniz]

For me, it starts with doing. Doing some research and understanding who the person is, their occupation, if the occupation is so specific, like in this case. So I like to know what it means to be the kind of person, what their job is, who you are to be that, and then how they stand, how you're standing. I'm a. You know, I'm a bit of a tomboy. I don't look, you know, I'm not like, I feel like a. That if we're talking about the governor, for me, in my mind, okay, she stands up straight. And the clothes that our incredible costume designer give will, like, inform me and change me and those kinds of things. Help me. Help me get into character. And no, I don't have. I'm not. I don't have to be called the governor in between at all. I mean, easy to. I mean, Wes and I had so much fun together. We would have a lot of laughs, and I appreciate a great sense of humor, and I like to laugh in between. And I would have my moments where I would be pretending like I was, you know, in Veep, like, you know, like in between takes, and then snap back into the reality of the show. And, you know, that was my fun fantasy in between takes that I was Julia Louis Dreyfus enviep, isn't it?

[Bobby Bones]

And we'll kind of wrap on this, but isn't it so much fun, too? And there's a difference. Just even my experience in doing whatever television I'm doing and having people you like and working with every day and people that they're maybe mid. And it makes it so much more enjoyable to have people that you work with day in and day out that you actually enjoy them. And I feel like it makes me better at what I'm doing. If I'm with someone that I enjoy, they can also push me, because it's okay if they push me. I don't get offended or resentful if somebody I like is telling me, hey, you can do this. Did you experience that with this cast and especially the political side of this.

[Wendy Moniz]

Show, it was heaven working with this group of people. Every actor that I worked with, I don't have a negative. Not only do I not have a negative experience, had negative experience with anybody, but it was above and beyond professionally. When you're talking about seeing partners and then the in between of just liking them, you know, to your point, wanting to be around them, trusting the process in working with them. Yeah, I mean, it didn't get better. It doesn't get better than that. What it was for me in my working experience and the pleasure of being around these people.

[Bobby Bones]

You were awesome. One of my favorite characters of the whole show. I thought again, you were just excellent. It was really cool to talk with you. Congratulations on such a run. And I sometimes on this show I'll complain in general about American television as compared to British television because they will do a show and they'll do two seasons and they'll go, this is perfect. We don't want to continue going because it will no longer be perfect. And I like that about British television. But what I like about what Yellowstone did is like it's, it's, it's done now, but it was right. It was just right. And I loved your character and I love that they didn't try to go 12 seasons. And I do like the other versions, but they're different stories and different people. But I feel like it's a great time. I loved it and now I think it was so quality all the way to the end. There's not like filler seasons and, and that is what I enjoyed about the show. And you did such a great job. And so I just want to tell you that, and thank you so much for the time. The Yellowstone official podcast, hosted by me, Bobby Bones and brought to you by iheartmedia Podcasts and MTV Entertainment Studios. Big shout out to executive producers Jason Reed, Lindsey Hoffman, Carl Cadle and Kevin O'Connell. Also our senior manager of podcast marketing, Ali Kanner Graver for keeping the word out. And of course, a big thanks to Will Pearson, president of iHeartMedia podcast, for him supporting this show. We've also got special thanks going out to Whitney Baxter, Xavier Afri, Barbara Pareda, Emily Curry and Joe Flattery. You guys make this happen. This podcast is produced in association with 101 Studios over there, executive producer Scott Stone and director of podcast development and production Danielle Wax. We also got to give a big nod to Michelle Newman, David Glasser and David Hutkin for their support. Thank you guys for tuning in. See you next week.

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[Bobby Bones]

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